#i hope this made sense??

[maxcuntstappen]

hi! i was wondering, why are some cars faster than others? what makes red bull different from other teams when they're all subject to the same reg changes? is it just due to their resources or a lack thereof?

hello! i will try to answer this the best that i can with my limited tech knowledge and vocabulary <3

tldr; basically, yes, there is a difference between the teams' performance cause by the variation in the amounts of money, sponsors and overall resources. but as certain teams have showed time n time again (eh-em scuderia ferrari), it's not just about having money but what you do with it; largely when it comes to aero development and the wiggle room the regs give

first things first, while the regs are same for all teams, the way the regs are interpreted by the teams differ largely. everything from the floor to the wings to the nuts and bolts can be customised by the teams. Some choices work in their favour, others not so much.

something to remember is that, while building a f1 car, you're always choosing to sacrifice one thing or another. for example, during the merc domination era, their cars were rarely ever following another due to always qualifying in the top 2. that's how they designed their car then; to lead, not to follow. which means that when they did have to follow another their car, their aerodynamics struggled and the car got much harder to drive. but that's a risk they chose to take because they knew that their car had good qualifying pace.

the teams try to build a car that suits to all tracks; ones with mostly slow speed corners or fast speed corners or mid. long straights or not. all that jazz. the ideal car is one that can do well or at least relatively well in all of these tracks. but as last year showed, even the best developed cars (rip rb19 u will always be famous) will struggle on some tracks (singapore; marina bay circuit; heartbreaker). it is extremely hard to be able to build a car that's always in the top 2, and often, it requires other teams massively fucking up their interpretation of the regs and the parts and features they believe makes for a fast f1 car.

a BIG part of setting up and building a car is having drivers that can give you feedback on how the cars act and react on the track. the simulators are great and helpful but they cannot be compared to the feeling of being in the actual car, going 300 miles an hour and feeling it in your bones. time and time again, it's been seen that teams who have ignored their drivers' suggestions on what to change about the car (lewis @ merc since the last two years) have suffered a decline in the quality of their machines.

all of this comes down to the development of the car and the people involved in developing said car. of course the resources matter but the development philosophy (especially when it comes to what they do with their aero package) often plays the biggest part.

but to come to the resources part,

sponsorships, the finishing position in the wcc; the price money that comes along with it, and whether the team is backed by an engine manufacturer/major brand does give that monetary boost that leads to massive differences in lap time on track. for one, it influences the people you can hire; right from the drivers to the strategists and aerodynamicists. talent comes with a massive price tag in f1.

with teams with lesser sponsors (for eg, haas), there also comes the limitation of not being able to afford extra, spare engines or front/rear wings which can then limit and lead to a drop in the car's performance. while rbr can afford to switch out their PU if it's not giving them peek performance, williams or haas cannot do that simply because of not having enough money to be able to buy another engine from the manufacturer.

f1 is trying to decrease the difference between the teams' performance based on access to resources with adding a cost cap and giving more aero development time to the teams that finish lower in the constructors championship. but so far, it doesn't seem to have made too much of a difference to the finishing order. although, the gaps between the teams in terms of lap times has come down significantly.

i have to mention (thank u @epylonia for reminding me of this) that merc has definitely struggled since the cost cap was put in place. do with that what u will <3

also, i cannot write an essay without bringing up adrian newey. there have been talks of him retiring since 2016 but rbr has kept a deathgrip on him and paid a good amount (10 milli dollars/year) to do so. that man is a genius and rbr is fucking lucky to be able to have him/afford him.

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[silverechosandblankmasks]

The only bad thing about Gem and Joel's team up is, well, they actually have the means and the skill and the luck to do it.

But, you know, if a team makes it to the end, there can only be one.

And we've seen that except... they aren't the type to give the win to the other, they worked too hard, too proud of their skills, and it would feel like a disservice to the other to try and hand it off.

They aren't the type to sling bloody punches at each other in a cactus ring, begging for apologies and singing their sorrows.

They aren't the type to promise an honored deal with crossed fingers only to turn and twist and laugh maniacally as they betray due to the desperation of time ticking inevitably away

They aren't the type to twist bitterly and finally end up together, one reaching only finally so they aren't alone for the other to throw it away in what they think is what is wanted

They aren't the type to dance around and ignore hearing that the other doesn't want the win, ignoring it because they don't want to be alone only for the other to die silently without realizing and left wondering

No

Either of them could win. Statistically Joel has beaten Gem more than she has him, but that doesn't mean she can't win, Joel gets flustered easy. Joel tends to get more reckless and take the long shot that pays off, but Gem tends to flounder if caught off guard.

I think, if they are at the end there will be no promises or honor duels or gifted or taken wins, I think they'll just lunge. Not like a desperate wolf bites, but as an acknowledgement to who they are as people, bloodthirsty and fun and wanting to win. Maybe they will, at best, mention fight club and maybe negotiate the same rules, leather or no armor with wooden swords, but this is not an honor battle of forced apart partners nor is it a grief stricken apology to make the game end.

And I think one of them will die laughing as they go. Maybe disappointed but proud because they almost got the other and they did it together

If you are going to interact, please Reblog instead of Like. Likes do nothing! I appreciate it <3

[lbulldesigns]

There's something I've just realised with how Jinx, Isha, and Sevika communicate with each other.

None of them have to actually say words to each other, because they understand what the others saying through body language and looks.

Sevika and Jinx fight seamlessly alongside each other without calling out to each other.

The way they bicker without uttering a word, for example, when Sevika fully takes stock of how her arm look or when the music starts blasting and Jinx just responds with a shrug or a little dance.

Jinx thanked Isha by doing the finger gun towards her and Isha, understanding instantly that it was acknowledgement.

Jinx instructs Sevika on how to operate her new arm by just indicating the motion.

I love dynamics like this because it just shows the level of trust that all three have in each other, even though they know nothing about each other.

Jinx has been isolated from others for the past eight years, Silco has had Sevika work like a horse and, too frustrated with Jinx to really get to know her, and Isha is a new addition and non-verbal. But they still worked together perfectly.

[mpregeminem]

completely based off this post

@samwinchesterstan

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[shweshisketch]

Could you maybe draw Sora covered in mud, and Riku is just exasperated, like he's gonna be th one to get in trouble for letting Sora get so muddy? 😂

Riku laughed at him at first but then thought of the repercussions

[butyouaremymess]

Colin really didn't like Debling 😌☠️ [reference]

[loversmore]

“to find our happiness as best as we can, let’s give it our best.” – han

for @hyunsung ♡

[thiccermccer]

all of ryan gosling's comments about "telling ken's story" are really interesting and even funnier now that i've seen the movie. yeah ken is ridiculous but his feelings and sentiments are really similar to ones of seen from boys who are starting to enter that alt-right/incel pipeline. feeling abandoned and useless without a woman and turning that hurt into anger at women!! ken's story did get told and it's a story that i don't think we acknowledge enough

[waywardsonsandaughters]

Someone in the DBDA fandom had identified that the dolls — in the Dollhouse, and that make up the spider — are Mary Ann dolls. (It was @snowmenatwork and this was the post).

Which is the same derogatory term used by the boys who sacrificed Edwin.

So, when Edwin died with those words in his ears, and his heart, his Hell became the school, a maze of hallways, and became the spider made of Mary Ann dolls.

The phrase itself manifested into a grotesque, forever-hungry, terrible, grasping personification made to torture Edwin. To endlessly chase, tear him apart, and chew him up. And then to start it all anew.

To ensure, in every time he was caught, that Edwin would believe that who he was was wrong.

Because that’s what he had to believe. That’s what we see in the show. That he was an outsider. That he struggled with who he was. That he struggled, in some way, with affection, both giving and receiving. That there was a wrongness to him/that he was wrong (there isn’t, and he’s not. of course he’s not).

So when he meets Simon, and tells him “If you punish yourself, everywhere becomes Hell.” it’s because he did that for however long the spider made of dolls tortured him.

If Edwin’s story, according to George, is about understanding love in any form, I think that’s why Simon was locked away from Edwin. He wouldn’t have been able to understand, or to articulate. To free himself. To free Simon.

It’s perhaps why his second stint in Hell was different, in the end, because love (Charles) was there too.

It’s why the confession had to happen on those stairs because it wasn’t just for Charles. It was for himself, now, and for the young man sacrificed over 100 years before. An admission that he understood, truly, the ability to love without reservation. And that freed him.

[alligaytorswamp]

cavalry captain toying with eleventh of the fatui harbingers

[saturngalore]

afrofuturism🪐

☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆

mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3

this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.

to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.

blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).

in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).

last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333

[alexwilltellyouthings]

Something about the line between platonic and romantic and what that means for Edwin and Charles.

What even is that line? Like, in general? Especially when it comes to queer relationships? We've all been there or seen it happening, kissing a friend, found family, lovers to exes to friends again. It's common for queer groups to be messy, but also that's not messy, that's just how we roll.

Sometimes it's more about how you perceive things than about how the world is saying that they are.

And Edwin and Charles, the line is so, so high up. The love doesn't change no matter how you're looking at it, but the difference is the knowledge — the way they understand the feelings.

So even though Edwin has been in love for decades (because it was the same feeling), he didn't see it like that. Everything he did for Charles was platonic up until the moment it wasn't. The same goes for Charles: even if he, too, has been in love since the beginning, he didn't consider it and so his acts were platonic. He did actually go to hell for his best mate.

Because what's the difference? If it's that strong, it can only be romantic? Nah, I know most of us don't actually believe that.

That's why I think that them turning romantic doesn't diminish the strenght of the friendship itself. From now on, yeah, they may see themselves as lovers. But they were friends for 30+ years first, and they loved each other like that, and it wasn't less. It was the same.

[mosovi-vian]

And I will stay alive for my future self, so they can one day learn to be kind to who I was as a child. And I will teach them to honor who we used to be, so they can remember the comfort of what once was our untempered flesh and gentle soul. Me and myself are each a fresh wound and a rough scab, bearing respectively the gift of green faith and honed will.

This has been in my draft for a while because I was determined to post this only after I knew what I should write underneath it. I’ve read a lot on the concept of healing the wounded inner child since even before my c-ptsd diagnosis. However, I’ve sought as much comfort in my little self as they had in me. Looking back, I was an impressively emotionally-intuitive kid. I remember well how I used to think, the things I would write to my future self; they were wiser and gentler than I could ever hope to be as an adult. Needless to say, the little poem above is inspired by the aforementioned experience. Sure, big me is armed with a more developed pre-frontal cortex and access to invaluable resources (coping mechanisms, therapy, on and offline communities) , but I struggle to rediscover/reinvent my identity. Little me was the biggest vestige of my lost personhood. So yeah, this might be just a huge self-indulgent projection with my favorite character, but thinking that post-S3 Hunter would also be in my shoes is not completely baseless. 16yrs old Hunter is the fresh wound (a lot of things happened before his teen years, but I’m going to interpret the events of Hollow Mind - which happened when Hunter was 16 - as the ultimate boiling point in his trauma timeline, hence the ‘fresh wound') and 20yrs old Hunter is the rough scab. Each version of Hunter could be dealing with a different set of trauma-induced symptoms. I think his loyalty to Belos kept him going as a child. Being doubtless was important to Hunter back then; it held his sense of self together. And maybe when he survived and was rewarded the time and space to grow into his own person and live for himself, there was this lasting emptiness. I feel this sort of emptiness even today. My only reference of what ‘wholeness’ felt like was when I was obedient to my family. I equated self-abandonment as the righteous norm. The symptoms I deal with today are definitely different from when I was Hunter’s age pre-time-skip. Now that Hunter is in a safe space and an adult post-time skip, he might also need to seek that strength from his younger self. Reminding himself of how far he’s come and the parts of him that he'd like to keep from his past. The parts that he knows in his bones are purely his - not instilled by Belos, not inherited from Caleb.

[poorly-drawn-mdzs]

My Lawyer is going to Get Your Ass.

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