#i have sO MANY STORIES LMAO
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clownmoontoon · 3 months ago
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btw ive never been opposed to the idea of having a "regular job" to support my art career as i needed it, but the times ive had one (and ive had MANY) i would always be too exhausted to draw anything afterwards, all the jobs ive had were minimum wage and highly physical
i suddenly had the epiphany to get a weekend job bc I DONT DRAW ON WEEKENDS ANYWAY, my mom has weekends off from work so its impossible to do anything ^^;
and its served the dual purpose of providing a little cash AND i dont have to be around much when my mom is home lol <3
idk how i didnt think of this sooner, i think it just wasnt the right time til now <3
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3rdsday · 4 months ago
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Tommy basically said "the DSMP was good because it was, and still is, loved" and that basically sums up my feelings on the matter too.
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hyacinthsdiamonds · 4 months ago
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I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️
#f1#formula 1#formula one#max verstappen#nico rosberg#lewis hamilton#brocedes#like niki lauda had to try multiple times to literally parent trap them to try and get them on speaking terms it never worked#because one would arrive they'd see the other and the other would leave#& if i remember correctly the garage crew would swap around from race to race as a like see we aren't favouring anybody gesture 😭#and thats no shade to nico because it was both of them contributing to that environment#his comment re max is just making me laugh#like if i was a part of the pr/media team - which is a part of the degree I'm working on irl - at merc that year i would've lost the plot#like its insane reflecting on it nearly a decade later but the poor souls just trying to do their job in the eye of that storm#truly gods strongest soldiers#ngl the professional comment irks me a bit because its not like max is engaging in inappropriate work place behaviour#he's engaging in another aspect of racing that his involvement raises awareness of & that makes racing more accessible#& we all know how inaccessible not only getting into racing is but also to continue to pursue the further along you go#theres so many stories of 1 sibling giving up racing so the other can keep going because the family can't afford for them both to race#its a huge financial strain & we only see a handful of drivers talk about that & try to do something to change it#and nicos fellow sky sports commentators are routinely unprofessional on so many levels#additionally max had a lot of valid reasons to be annoyed at his team today#but alas he's not english so he's ungrateful#i hate that drivers can't criticise their teams or car without immediately being branded as bratty & ungrateful#ESPECIALLY WHEN THEIR JOB IS TO GIVE FEEDBACK#you can see the double standards from sky when say Lando or George have complaints with their team/car v the likes of Max and Yuki#especially Yuki my god the things i would do to get the British media to leave him alone#this was a jokey post at one point and then became a rant whoops lmao#I'll leave it that before i write an actual essay here 😭✋️
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yardsards · 7 months ago
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laios when his party needed more members:
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freyadragonlord · 7 months ago
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One of my favourite things about the end of The S-Classes That I Raised novel (major spoilers ahead),
is the realisation that the reason why Yoojin and Hyunjae's relationship looks so much like a love story at times is because it actually, honestly is.
Like, we know that sctir is a novel about love since the beginning, that's not surprising. Yoojin's capability for loving monsters (both literal monsters and the human kind) and the power of that love is at the centre of the plot.
But by the time you get to the end, you realise - and the author confirms this themselves in their final Note - that Yoojin's relationship and love for 2 specific people was the true core of the story, and what allows him to save the world in the end:
One is, of course, Yoohyun.
And that love is absolute; you cannot say that it's inevitable, cause we know Yoojin had to make a choice when he was a child between Yoohyun and his parents, and he almost chose his parents, but from the moment he decided to love Yoohyun onward, then it was unconditional and eternal. It's the love of a brother, but also the love of a parent and a caretaker.
And the other person is Sung Hyunjae.
And that love is not unconditional nor inevitable or absolute at all. It's not something that can be taken for granted. We actually see, because of how it ended between them before the regression, and thanks to the White Bird's power of seeing possible futures, that there were so many timelines where Yoojin and Hyunjae would have never come to care about each other fully (tho they are always at least somewhat interested in each other, because their personalities are actually really compatible).
But the White Bird also sees that the only possible future where the world is saved is the one where they love and hold on to each other. And that is how the story goes!
So, just like a romance novel, the necessary end is the one where they both love each other and accept that love. And it's not easy to get there! It's a slow burn.
From meeting to getting to know each other, appreciating each other's skills and intelligence, finding out they have fun together but still not trusting each other, to working on building that trust.
They go from a strong but superficial mutual interest to actually caring about each other as people.
Yoojin has to go through the self-doubt of feeling inferior and fearing that Hyunjae will lose interest in him. Hyunjae has to learn to stop pushing Yoojin away because he doesn't know how to handle having someone he cares about so much, and also someone that cares about him, because nobody in the world (except in part Song Taewon) likes Sung Hyunjae as a person, he is only ever admired from afar.
And in the end, after going through ups and downs and a few "break-up arcs", they make it. They accept their own feelings and each other's feelings.
And that's when Yoojin makes the choice to use the power that the transcendents gave him at the very beginning of the novel, to save Hyunjae. Not the world. Not even Yoohyun! Just Sung Hyunjae!
Yeah, the whole "gather 50 S-Class people", the very thing that gives the novel its title. That is not a power that is used to save the world!! It was meant to, but Yoojin is "selfish", and he will always choose to save the people close to him first.
And being able to love someone so selfishly gives Yoojin the power to save the whole world, too. As a bonus! A reward. Just a side effect.
So yeah. Is it romantic love? No. Canonically, there's almost no romantic love in the whole novel.
But is it a love story?? Yeah. Absolutely it is.
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demeterdefence · 8 months ago
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even ignoring everything else wrong with lore olympus (which in itself feels impossible) there is just something really egregious and insulting at the way a "modern retelling" over an ancient greek myth just full-heartedly whitewashes the entire culture and mythos.
and it's not like rachel is the first to do it - greek myths and legends have been whitewashed for centuries, depictions of the gods have been categorically stripped of their ethnicity and origins long before rachel got a hold of them. it's the fact that rachel goes out of her way to insult the original myths whenever she can, that she emphasizes and pushes a western-centric mindset and viewpoint over and over and over and not only reinforces the whitewashing, but continues it down the line.
like, this is the first episode.
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rachel goes out of her way to mock the original styles and wardrobes of the ancient greek world, and i get her attempt was to make persephone feel "out of place" with the more "modern" clothing that the other gods wear, but it really just does more to a) demonize demeter, who is almost always in traditional clothing, b) sexualize persephone.
go even broader with it, move away from the clothing itself, and rachel doesn't even bother to use any of the ancient traditions that are core to the myths. like for the love of god, she uses a christian wedding for persephone and hades!
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greece is the birthplace of modern democracy and had a powerful judicial system, and rachel instead uses the modern / western iteration of court because ... why not
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(completely unrelated but the inserts of everyone except eros and aphrodite come from the stupid zoom session zeus had back when he first charged persephone with treason, meaning we have proof yet again that rachel isn't drawing the characters into the scene, she's making pngs and sticking them into pre-arranged backgrounds downloaded from stock images)
and there are ten thousand more examples i could pull, because this is just the whole entire comic. you can look at a lot of modern adaptions and see where things have been modernized respectfully, and where they are done with disdain for the source material - no one is claiming percy jackson, for example, is perfect, but the author took a great deal of care in his research, and the love for the original myths and culture shine through. lore olympus has zero respect for the original stories, exemplified in how rachel demonizes demeter - the actual crux of the myth. it's bad writing and bad research and further attempts to whitewash a rich and storied culture that had people from so many walks of life, who existed in full spectrum of lgbt identity, who did not conform or even know of the world that exists today. you can modernize without erasing it, and rachel's refusal to do so is one of the many issues tacked to lore olympus.
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gunsatthaphan · 6 months ago
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🤓🚩🫶🏻
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shyvioletlife · 13 days ago
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It doesn't matter how much time passes, I am always in awe over the way that drosselmeyer is written in princess tutu. He is omnipresent from the word go, his meddling eyes watching the show with us and giggling about this wonderful tragedy that is set to unfold. Every time his eyes appear on the screen it feels not just like a god staring down the characters and making them dance to his whim, but like he is looking you, the viewer, dead in the eye and taunting you. A playwright who wants nothing but beautiful terrible tragedy for all involved inviting you to attend his latest theatrical debut.
I feel to the core of my being every time the characters lament their lot in life, doomed by the narrative, because that fate is not something ordained by uncaring gods. Drosselmeyer wants to see his characters grasp at any chance of hope or happiness only so he can watch the look on their faces as it slips from their hands and out of reach. He cares very deeply about their strife because he has hand crafted it just for them. As every episode passes I feel the desperation of the characters as if it is my own
The thought of undermining Drosselmeyer becomes insurmountably daunting, too, the longer the story goes on. The closer his work is to completion the more power he seems to hold, and the knot tightens its grip around every character in the story to a painful degree by the end. To become such an overwhelming threat as the final villain of the story is truly a work of art, and by the end of my watchthroughs I am always booing and yelling at the guy every time he comes on screen. Even though I know how the story goes I am wracked with the desire for Drosselmeyer to get his comeuppance and the cast of princess tutu to wrench their fates out of his grasp, and the catharsis of the end is as true and harrowing as any tragedy that man could hope to write.
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dukeofthomas · 2 months ago
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I can't find it now but there's a post about suspension of disbelief and how it's broken when the story starts trying to excuse it. "character gets knocked unconscious for hours but there's no further issues from this" okay 👍 "and actually this makes perfect sense because of this and that" um no it doesn't why are you lying to me. like i am willing to ignore the holes and the discrepancies!! all you need to do is let me and not bring unnecessary attention to it!!!
and all that is my issue with the whole robin child soldier argument. like i am willing to ignore it i am willing to engage with the fantasy literally all you need to do is NOT try to convince me that Actually It's Fine Because They Want To Do It or whatever. like literally just shut up about it and i can engage with the fantasy!!
#my dc posting#dc#robin#batman#like. if you want to tell a story and not worry abt the child endangerement thing just DONT BRING IT UP ???#all you're doing when you bring it up is telling me this is something i'm allowed to think abt when it comes to the story#and then you tell me Um Actually It's Fine ?? no! what the fuck are you talking about!!#i am tryinggggg to just have fun n read fics your lil “isnt that child endangerement and kinda fucked up?” “no actually they wouldve done i#anyways bla bla bla batman couldnt have stopped them bla bla bla''#is COUNTERPRODUCTIVEEE#dick grayson#jason todd#tim drake#damian wayne#<- tagging the robins sorry#sorry this just. this topic annoys me so much#...also ''batman couldnt have stopped them/they wouldve done it with or without him'' are literally#just factually incorrect in jason's case. he did not in fact start on his own and the only thing batman wouldve#needed to do to stop him is literally just NOT make him robin BUT- at this point im just beating a dead horse on that topic#w how many times i bring it up lmao#like. in real life you cant just knock a person unconscious for hours with no consequences on them.#but i dont care when it happens in fiction despite being not realistic!! bc its fiction!!!#unless of course the characters out of nowhere do a lil sidequest PSA abt how actually doing that is fine#and completely safe with no risks#yknow??#like if that happened id be annoyed and like no its fucking not fine why are you trying to convince me. just move on and dont bring it up#and I wont bring it up#anyway. yeah these are just some thoughts im having rn sorry its not more coherent and put-together i cant be assed rn lmao
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rosy-crow · 9 months ago
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How many games that I like are going to have really interesting portraits on the walls of beautiful old mansions or castles that I CAN’T FUCKING GET A DECENT LOOK AT AAAAAA
Anyway thanks to people on Twitter for these shots.
This is such a cool detail. Hojo and Lucrecia back in the day…I guess their couple’s portrait? I just remembered that they were actually married according to the family trees
Really gives off old school Victorian couple vibes like:
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Also apparently Lucrecia looks so much like Sephiroth that some people thought it was him at first ahsvsvs.
Love how you can see the Shinra logo in the back…ughhhh dude I would kill for a prequel game on the people behind the Jenova project. The scientists that started it all.
GIVE ME MORE OF THE GOTHIC HORROR AND ACADEMIC MADNESS BLOSSOMING IN A HAUNTED MANSION STUFF!
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drivinmeinsane · 2 months ago
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My top ten favorite shots of Officer K's hands.
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corntired · 3 months ago
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Fanfiction is so goated actually
No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.
Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.
#c*rny posts#thinking about this after the my h*ro academia leaks lmao#i have read barely a few chapters of the manga and then kept up with it through tumblr osmosis#i was interested in how its gonna end#and after reading the leaks i was like 'well its up to the fanfic writers to write a good ending now'#cause. it was kind of underwhelming. like some stuff made sense and some things were just done badly#which is realistic considering h*rikoshi is apparently burned out to hell#and i was thinking. man. if i had to write AND illustrate a story for like ten years straight. because its my bread and butter#and there are other people depending on the story doing well to make money#it would 100% get to me. i would rather end it all lmao#which is why i think fanfic is so great#just writing a story that you want. that makes sense to you. that has elements you want. that is exactly as long as you want.#and there isnt even a possibility of really monetizing it so there is no drive to make is 'succeed' or make it as long as possible#this could be applied to just writing a 'regular' story also that is not intended for publishing#also kinda makes me think about h*ikyuu#i kinda do feel the timeskip and the ending were a bit rushed#but like. if it was me. i would have rushed it too lmao#after so many years of working on one thing and one thing only i would have been so done. just so done#and h*ikyuu ending to me wasnt even bad. it was good with good resolution of everything. with characters evolving and achieving their dreams#not necessarily volleyball related (like tenma)#the progress made realistic sense#but it did feel a bit rushed#anyway#fanfic and writing for yourself is great#and manga authors face way too much pressure from people dependent on them. from fans. even from society in general
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starry-bi-sky · 1 year ago
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okay so i was thinking of a joke earlier about how in DPDC Amity Park's slogan "a great place to live" is not only city propaganda but also the city lording it over the rest of America for being normal. But then I remembered that, despite how many DCU Cities with heroes in it there are, the amount of cities in America without heroes still far outnumber the amount of cities in America WITH heroes.
So I did a little digging so the joke would still land. Something most heroes have in common is that they operate in major cities. What makes a major city? I found that the general consensus is that the population is roughly over or around a million. THEN I looked up the populations of cities in the DCU that I thought of off the top of my head. So Gotham, Metropolis, Starling City, Central City, Jump City. All of them ranked up to millions in population (most of them were in the tens of millions).
Amity Park's wikipedia describes it as being similar to specifically Philadelphia, Chicago, and San Francisco.
Philadelphia's Population: 1.576 million as of 2021 Chicago's Population: 2.697 million as of 2021 San Francisco: 815,201 as of 2021
Whiiich means that Amity Park if we take that from canon, is probably a major city. There are approximately 19,000 cities in America with probably less than a hundred that are major cities. Adding the DCU major cities wouldn't skew the data too much.
Which MEANS that I can make the joke that Amity Park's "great place to live" is not only just typical city propaganda, but also its Amity Park lording it over the other major cities for being one of the only major cities that doesn't have problems bad enough to warrant a superhero or a vigilante. Cue stage left the Fentons and Phantom :)
Amity Parkers were probably SO proud that they didn't need a superhero. They didn't have to worry about things like 'world ending threats' and 'super-powered individuals' and 'staggering property damage'. And then enter Fentons.
It also could be used as an excuse for why nobody took notice to Amity Park getting ghosts if folks like me aren't huge fans of the notion of a media blackout via Tucker, Technus, or the US Government. Or if you want to keep Amity Park as its urban city self. Amity Park's news on ghosts gets drowned out in a week because there's news on more popular, well-known cities going on every other day. The shit going on in Amity Park is every other major city's regular Tuesday and it gets filtered as such.
#dp x dc#dp x dc crossover#dpxdc#dpdc#plus amity suddenly going 'we have ghosts' could be seen as a case of city-wide FOMO finally hitting so nobody believes them#and thats if the belief of ghosts not being real is as strong as it is in dp canon#the media blackout could also be /city-induced/ too#where amity parkers are so proud of being 'normal' and 'not having superheros' that many of them try and deny the existence of Phantom#and the mayor and news sources themselves just. stubbornly refuse to let news of ghosts get out to the other cities#do you know how much shit they'll get?? they'll be a laughingstock!#gothamites would never leave them alone. neither would central city or the metropolitans or starling city or--#the other big cities will make fun of them :(#my new favorite hc that stemmed from this is that every major city in the dcu is rivaling with each other#there's a lot you can experiment with this idea imo lmao#this whole post sums up my writing and thinking process pr well tbh#this stemmed because im making a childhood friends au short story doc and wanted to avoid the typical tropes about how AP went undetected#from the rest of the US. bc. im not a fan of the media blackout idea via tucker/technus/gov and i wanted to keep AP an urban city#so i had to come up with something else#hence me looking into DCU cities and how many there are and realizing that there is a decent amount of other cities other than the main#popular ones and being DELIGHTED because then i could use that as an excuse for why amity went overlooked. bc there are many cities with#heroes in it. so its not surprising if another city gets a hero TOO. plus the news also focusing on more popular heroes and cities so again#the news of amity getting a hero gets drowned out by whatever new thing the JL or someone from the JL did that week
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darthbenn · 5 months ago
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sometimes you meet your favorite actor in the grocery store parking lot after working outdoors in Vegas summer for 12 hours
The rumors are TRUE: MATTHEW GRAY GUBLER IS THE NICEST HUMAN BEING ON THE PLANET!
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volivolition · 2 months ago
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part of that "raising a kid au" i was working on, this is almost definitely not how skill checks work and i don't even know if i'll include this, but for now i think it's. so funny kjkgj
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lovegrowsart · 4 months ago
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the argument i keep seeing that the choice qimir gives to osha to leave the island in episode six isn't a "real choice" because in the real world it'd maybe be realistically logistically/physically difficult to cross that body of water is driving me up the wall because it's such literal thinking when star wars has never been and will never be concerned with what's realistic or logistically plausible. there's fire in space in the first episode of the show, because fire needed to be there to give osha that moment of flashback to the trauma of her childhood and help further establish her character - it's entirely in service to the story, doesn't matter that that's not how it works irl.
the reason the ship is there is because it needed to be in the distance to facilitate the visual storytelling - osha looking back at the ship, her chance to flee/escape the underworld, then looking back at qimir walking away off screen and making the choice to follow him. that's literally (heh) it. he even suggests waiting for low tide if she wants an easier time of it if we're gonna be that concerned about how oh so terribly hard it'd be for osha - who is an adult ex jedi and a mechanic that does such dangerous jobs on space ships that the republic legit made it illegal for anyone but droids to do them - to manage a bit of a difficult swim :(
ymmv on the qimir being manipulative angle, but i think it'd benefit a lot of people's understanding of the dynamic between osha and qimir in episode six to remember that star wars is fairytale - it is metaphorical and psychological mythology. it is not realistic or grounded in reality, nor is it meant to be read with realism in mind, because then you're simply analysing/critiquing from a position that the story isn't operating from.
you don't have to take a creator's words into consideration when developing your own interpretation, but such things can be helpful and valuable. leslye headland's made her intentions re: osha and qimir's dynamic pretty clear - that it's not meant to be manipulative, that one of the purposes of episode six was to explore qimir's "lighter" side and osha's "darker" side (hence the wholly unsubtle costuming choices, him in natural-looking off-white and osha entirely in solid grey). while qimir isn't being wholly honest with her right off the bat (cause why would he be?), he also isn't deceiving or tricking her about anything re: who he is and what he's about - how could he? she knows his face. she knows entirely what he's capable of and what he did in episode five. he can't play the master and the fool the way he did with mae, he can only be as honest as a man like him can be if he wants her to listen to him. i don't think she's naive about him at all, and i think people struggle with understanding that - that she doesn't have any illusions about his morality or lack thereof - and understanding that she still has the agency and desire to listen to what he has to say. you can believe it isn't "good" for her to listen to him, sure, but that doesn't mean she's being maliciously manipulated maliciously.
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