#i have opinions tbh

[desiredrivcn]

what if i just drop a controversial tierlist on my fave chars in genshin???

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[ninawolv3rina]

My spouse when I asked if he's been on tumblr recently:

[doctorwhoisadhd]

clara oswald is the only doctor who character who could have made torchwood MORE fucked up

[chloesimaginationthings]

How much securitywaiter/dreamtheory stuff have you seen?

And what do you think of the ship

Tbh I’m shocked I got to see Matpat Yaoi in my lifetime

[nanihirunkits]

WE ARE | EP16

[secretagentspydetectiveninja]

so i FINALLY got round to playing danganronpa,

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[slybluehologhost]

NITRO CHiRAL fair Purchase Bonus Postcards [2024]

Figured I’d take a minute to scan the postcards that came with the merch I had preordered from eeo! If I’m not mistaken, I should only be missing the café one… which is likely because I didn’t order any of the café designs, haha. I love how cute all the new outfits are — I’d probably buy them all if they ever released official versions someday! These scans are available in better quality (along with their backs & front/back PDF sets) here.

[vela-pulsars]

not enough stonjourner art out there

[titsthedamnseason]

eras tour lookbook: my favorites edition

[bowandbrush]

it’s honestly scary being a fan of usagi miyamoto/yuichi whilst being in the rise fandom and not shipping leosagi,,,because it feels like everyone and their grandma likes it. like I’m sorry!! Don’t kill me please

[meta-squash]

I think two of the most important things about Jack Harkness, two things that inform almost everything he does and the choices he makes, are this: that he is a soldier NOT a leader, and that his entire life since childhood has been awash in survivor's guilt (and his whole existence after becoming immortal is an even more extreme version of survivor's guilt).

Jack is not a natural leader. He can think on the fly and he's good at getting people to listen to him, but he's not good at control, or at being objective. He's a natural second in command, he's a soldier. He was brought up to do what other people told him to, and to improvise if he had to (Time Agency, etc). But I really don't think he wants to be the leader of Torchwood. Unfortunately, everything about him means that he has to be. He knows from experience that others having control over him is dangerous, others knowing about his immortality while he's a subordinate to them is dangerous, and he also knows that his own immortality gives him an advantage as a leader. But I don't think he's good at leading. He tries to be. But he's fumbling along, in a time period he's not native to and a planet he's not native to and an unfathomable lifespan, and as charming as he is I think he's often not good with people. He's detached where he should be personal and emotional where he should be detached (or at least more level-headed). He's often too extreme or not harsh enough when it comes to things like discipline or dealing with the problems/traumas/mistakes of his employees or even civilians. He can't handle his employees seeing him uncertain/vulnerable and it makes for huge problems over and over again.

But all of this does make sense because I think in the back of Jack's mind there's always this wheel spinning, these gears turning and turning and calculating the impact and trauma each of his actions or decisions or the events around him are going to have on his own emotions for far longer than normal humans tend to consider. Because the catalyst for any part of the life we see him leading is survivor's guilt. He lost his father and his brother on the same day, joined the military and lost his best friend, joined the Time Agency and lost his memories (and maybe thinks he did something terrible). Then he died, and when Rose brought him back, he was all alone on the satellite with nothing but the corpses of the people who had fought beside him and zero explanation as to why he survived, and he had lost Rose and the Doctor besides. And then all his life on earth since, he has lost coworkers and lovers and civilians he tried and failed to save and probably also aliens he tried and failed to save. And I think by the time he becomes reluctant leader of Torchwood, every action is, whether conscious or subconscious, taken with the intent of minimizing that kind of trauma and the impact of loss.

Except that I think that the survivor's guilt has another layer to it, which is that feeling of needing to sacrifice or absolve himself in some way. No one else is willing to make the difficult decisions, no one else will move forward with the painful and unpleasant actions, even if there's no other way, even though they will someday perish and no longer see the ripples of their actions. But Jack - who cannot die, who must live with the guilt or the pain or the trauma of those actions and decisions for the rest of his very very very long life - is the one who realizes that he must take on those painful responsibilities and must do certain things even though they're terrible, because it ends up being the sacrifice of one over the whole world. And every single time, he's guilty about it, and that makes him want even more to sacrifice his own hurt for the grief and loss of others.

So it's this strange cycle of wanting to protect himself from hurt and from loss and from the survivor's guilt, but being driven by guilt towards painful and/or self-sacrificing actions. Which then makes him fear being seen as vulnerable or uncertain, and he struggles to do things on a smaller scale or in a more level-headed way, because he's not supposed to be leading like this, it's not something that comes naturally, and if he makes emotional connections by being a leader, he'll end up trapped in survivor's guilt yet again each time one of his employees or friends or lovers dies.

It's just a terrible cycle and he's trapped in it for the rest of his existence. Although if he really is the Face Of Boe, then I imagine at some point he eventually finds peace with it all or something, but I think so long as he has a human-form he's stuck with this cycle of leadership and loss and sacrifice and mistakes.

I think it's really important that Jack is not good at his job as a leader. He makes a ton of mistakes, he fucks up so much and his employees or even civilians end up collateral damage, whether physically or just emotionally. He wants to be a good leader, I think, and he's trying, but he's fallible, and he's a stranger in literally every sense, and I think a really big part of his character is that he constantly is forced to live in this bizarre dichotomy where he has to be both very distant and cold and detached, and also very emotional and intense and personal. And any other person would collapse under the stress of repeating that over and over and over again for decades, but he has to figure out how to navigate this weight as an infinite existence that can't ever collapse or let it burn him up and kill him.

[3liza]

a YouTuber just asked rhetorically, sardonically, if "Salvador Dali would be making NFTs if he were alive today" and the answer is emphatically yes. he would have loved that shit are you kidding

[castiellesbian]

Supernatural was on so long in the hands of so many people with very differing views on the story they were telling that there is evidence in canon to support almost any interpretation.

[thepringlesofblood]

the vibe im getting from FHJY is that this is the season where they really lean into the high school aspect. that probably sounds bonkers since its called Fantasy High, but like. hear me out.

Freshman year, they come at high school from the "John Hughes" "80s teen movie trope" vibe, which is to say different from the real-world experience of high school.

it works great! operating in that frame of reference makes everything flow really well, and hits all the high-school-related-media notes in a very satisfying way while putting its own spin on it and not getting bogged down by the actual slog that is high school in reality.

there's still a lot of more modern inspo, but it stays in the kinda expectation-suspension-tropey area of how 80s movie high school works.

Sophomore year is spring break! I believe in you! They're not at school! They're on an adventure!

They lean into being a teenager and coming-of-age themes a lot (obvs), but the only big reference point to the institution of high school is that it'll be worth 60% of their grade.

A huge point, to be sure, and the exact kind of objectively unfair but somehow not against the rules shit that happens in high school, but not the main driving force of the season.

arthur aguefort also does a bunch of wack shit but it's more fantasy than it is high school although its a lot of both.

they lean into adventuring as a set career path much more, with the school giving money for hirelings and offering a basic incentive for other students to go, so that's a loose connection to the real-world career counseling high schools have, but again, not the main thing.

VERY Important though: we are now very much in the present. The viral shrimp party, livestreaming Kalina, online banking, the epic of Gorgug building a cell tower? this isn't john hughes 80s town anymore, this is now. (at least in Solace).

Junior year

almost everything in the trailer is about academia

we've got the cool doodles-in-the-margins style art and intro

in the interviews and BTS (so far), the cast have talked a lot about what they were like in high school (not the 80s)

and the precedent that The Seven set where the MacGuffin was getting their GED? It's time.

we're getting into what is actually hell about high school - the institution itself. the arbitrary standards that academia in the US holds, and how it leaves behind, punishes, and fails its students in its extremely important role of preparing them for life as an adult.

i could talk about this all day, but personally for me the quote from the trailer that shot me back to my junior year of high school was "You have perfect grades, and it still might not be enough for you to graduate"

riz's arc this season is shaping up to punch me in the academia trauma and personally i can't wait for the catharsis

Brennan has shown time and time again that he Gets and wants to tell stories about the ways in which the US education system affects, hurts, shapes, traumatizes, changes people, and how they survive and recover from it and make their own lives. I for one am so so ready to see that reflected with the bad kids.