#i have no icons for delia

[pagetorn]

👀 but dead. @ Delia

RULE #2 DOUBLE TAP BITCH

[mistydeyes]

Hi! I was wondering if you could do a Task Force 141 and a reader that they never have seen out of uniform until one day they all go to a bar but the reader is late? Next thing they know the reader walks up to them dressed like they just walked straight out of the 2000’s?

(if you end up doing this request: thank you so much! I absolutely luv your writing!!)

thank you so much for requesting! i literally am in love with 2000's fashion like you'll be seeing me walking with low-cut jeans and a baby tee fr

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summary: After a tiring mission, the 141 invites you to drink away the night at the pub. However, you get into a lively argument about fashion when they question your choice in 2000's inspired attire.

pairings: taskforce 141 x platonic!gn!reader (codename: Storm)

warnings: swearing, slight bullying (they fr just don't understand fashion)

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"Didn't we tell Storm half-past eight?" Gaz asked, looking down at his watch. The pub was nearly empty as the men continued to add glass after glass to a growing pile. Despite reminding you with a string of texts, you still haven't made an appearance. "Still don't get why they had to change," Soap continued, choking down another drink, "Lt's still wearing his goddamn mask." The group laughed as their attention was directed to Ghost, still wearing his signature face mask. "They probably wanted a shower and some fresh trousers," Price commented and the rest of the group returned to a more interesting conversation.

As the group laughed at Soap recounting Ghost's out-of-character dialogue in Las Almas, their gaze fell on the pub's door as it swung open. The group smiled at the familiar face and gestured you over. You walked to the table quickly, feeling the attention in the empty pub. At first, you thought it was due to your late entrance but when you approached, you saw all eyes focused on your attire. It was like you walked out of the 2000s or robbed a Delias before your arrival. You felt a little self-conscious at the confused looks and wondered what all the fuzz was about. "What? Do I have a stain?" you questioned as you dusted off your low-cut, denim jeans. "No, it's just-" Gaz began to say but Soap interjected. "Why do you dress like that?" he asked and you raised an eyebrow. You looked down at your jeans and Von Dutch top. "But I normally dress like this?" you said with a curious tone. You dressed like this before joining the military and held on to the lively aesthetic of the early 2000s. You were embarrassed to admit but Britney Spears and *NSYNC were your fashion icons.

"Yeah," Ghost spoke up as he eyed the interesting font of your shirt, "you look like you could be an extra in a Spice Girls video." You rolled your eyes, grabbing at one of the half-drunk glasses on the table. "You've been quiet, Captain," you edged while looking at him, "what do you think?" There was a hush over the room as you waited in anticipation. "Clothes are clothes," he simply replied and the table roared with laughter. "Such a grandad thing to say," Soap loudly exclaimed and everyone clambered with sentiments of agreement. "Sorry I don't wear Wrangler jeans and black fitness tops," you mumbled. It was a subtle jab at your colleagues but Gaz took it to heart. "I have style!" he shouted as you shook your head in disapproval.

"Gaz, you look like someone trying to emulate an Instagram model or some teenager's Pinterest board," you argued and you were met by the howling of the tipsy men. "And Captain, I'm sorry but you look like a father going on holiday to the Swiss Alps," you directed towards Price as everyone realized this was becoming an insult fueled rage. Soap was still laughing wildly, shaking his head in agreement with your every word. "Oh you shouldn't be laughing, Soap," you said as you turned to him, "a navy blue sweater and black jeans are a fashion crime." He quickly turned red and looked embarrassed as he examined the mismatched colors. Everyone held their breath as you turned to Ghost. "And Lt," you paused, thinking of what you should say next, "you dress like you've never heard of color."

[tyrantisterror]

So I Saw Beetlejuice Beetlejuice

...and listen, I went in fully expecting it to suck ass. I was expecting my nostalgia to actually make me hate it even more for sucking ass than I would have if I had never seen Beetlejuice before. I figured it would be a lazy, heartless cashgrab, with tired actors awkwardly forcing themselves to play a caricature of their old roles and young actors given nothing to work with beyond oooing and aaahing at references to a movie that was made before they were born, directed by Tim Burton, a man who hasn't made a good movie since at least 2007, if not even longer.

So I feel really weird about saying it was actually... good? Somehow? Against all odds, it was good?

Like, I assumed it'd be a lazy rehash of the original, but no, it has a very distinct plot from the first film. It takes Lydia and Deelia Deetz and not only allows them to have grown from where they were in the original film, but keep growing to the end of this one. It uses Beetlejuice himself sparingly, shows new aspects of the entertainingly weird and surreal bureaucratic nightmare afterlife of the original, and actually makes a really strong theme about escaping from manipulative and predatory relationships.

There are references to the original, yes, but overall far fewer than I expected - like, there were so many iconic gags from the first film I expected them to repeat in a "See? It's like the first one!" nostalgia moment that just... didn't get repeated at all. On the other hand, there were clear jabs at the stupid bullshit OTHER legacy sequels have been doing - like, you know how the trailer had the groan-worthy "serious" cover of Day-O? Yeah, in the movie itself, the "serious" cover is sung in-universe in what is clearly meant to be a moment of comedic tonal dissonance - the very idea of using that fun song in a serious context is the joke. They also have a "baby Beetlejuice" gag where the baby version of the pre-existing characrer in question is a horrid little ghoul who spends every second of screentime being as repulsive and awful as possible. It's like it knew what I, personally, expected from a shitty Beeltejuice legacy sequel, and decided to goof on those tropes for my entertainment.

It's not perfect or anything - it has a shitload of subplots which it mostly manages to juggle really well but has, like, just one too many, but that one easily cut-able subplot also revolves around having a Monica Bellucci frankenstein, and I'm enough of a freak to admit I can understand not wanting to cut the Monica Bellucci frankenstein even if it added nothing to the movie beyond the pleasure of seeing a Monica Bellucci frankenstein.

But, like, it was funny, it explored a fantasy setting that honestly is ripe for more exploration, and it had surprisingly more heart than I expected. Like, it actually had more sympathy for both Lydia and Delia Deetz than the original, which is one of the flaws of the first movie in my opinion - it understands that Delia is kind of a great artist instead of maing her just a joke, and that Lydia's anxiety and grief actually has some true pain in it beyond "lol teenage girls are so overdramatic amirite," and it lets those two actually form a really great bond while ALSO adding Jenna Ortega's character into the mix kind of seamlessly? It helps that all three of these women have great chemistry together as actresses - Winona Ryder and Catherine O'hara play off each other so well, and Jenna Ortega adds this great third point to the dynamic the former two had in the original film, it's kind of inspired? And Michael Keaton's Bettlegeuse is used just sparingly enough, as he was in the first film, to be funny and threatening without wearing out his welcome.

It was good. I can't believe I'm saying it, but it was good. I enjoyed it, and I'm still kind of baffled by the fact that I did so. I can't believe I'm writing this in 2024, but Tim Burton finally made a good movie again.

[impactrueno]

Can we talk about the Maitland/Deetz home for a moment? What are your thoughts on it? Did we go back to it in BB as a "Yep, we were here" moment, (as many online claim), or do you think it might be a possible setting for B3? Because it is very possible, in my opinion, that the town and old Maitland/Deetz house could be used for a plot in B3. Maybe a new family is already in it and they call Lydia back to it to deal with a new "ghost" problem, Ie Beetlejuice? (I just love the Maitland house and don't wanna see it scrubbed from future Burton projects. It's an iconic set piece and I wanna see it be brought back to that old hill in East Corinth again soon.) I've been collecting a myriad of images from the internet of the house and have been building it over and over in The Sims 4 (which doesn't allow for much justice to be done to the house) and even have images of the original second floor plan, the house elevations, and the original model of the house from 1988! (All sides of the house are visible, too!) Sorry, that was a bad flex, but I'm just...UGH!!! I wanna see the house used for plot in a possible B3 film, and I want someone to gush over it with me lol

i said this a couple of days ago but it's pretty much impossible for the maitlands to return, since alec baldwin and geena davis can't reprise their roles and tim wouldn't replace them. it's why they had to come up with the loophole thing, they had to justify their absence somehow. similar to the charles situation albeit for completely different reasons

if there's a BJ3, delia probably wouldn't come back either, which is a shame because she was SO funny in BJBJ. but it seems like she and charles got on the soul train and you don't come back from that.

that being said i don't see why the house wouldn't return. the model is still in the attic, and that's where beetlejuice lurks. he seems to be linked to the house in some way because lydia returning to winter river was a key opportunity for him, he was able to annoy her more directly that way...

it really is such an iconic house that it would suck not to see it one more time

[iz1331]

More Funko Pop! ideas for Beetlejuice and Beetlejuice Beetlejuice.

Be warned. It's a long-ish post.

I made one earlier:

Spoilers if you haven't watched Beetlejuice Beetlejuice or Beetlejuice. I'll add gifs and pics for reference later, but if you're a fellow Juice box and have watched the films, then you'll know them.

Here's a chart/guide for the types of Funko Pops:

Note: "A Chase is a rare variant of a common Funko figure, whereby its design differs slightly to the original figure it's based upon."

Beetlejuice (1988)

Pop! Deluxe: Delia getting trapped by her art statue (the first time when they were moving their stuff inside the house)

Pop! Common: Lydia with her camera and maybe also holding the polaroid of the "No feet" (hopefully, this is the design they'll release for the upcoming Beetlejuice Funko Pops that have been leaked)

Pop! Moment: Wedding clothes Betelgeuse and Lydia, they're first wedding, with that alien priest and the altered chimney (kinda repetitive using their wedding clothes, but they're freaking iconic outfits)

Pop! Ride, Moment or Premium: Betelgeuse's commercial, him as a cowboy, with the cow and lasso spinning and his sign

Pop! Common: Betelgeuse's cowboy outfit

Pop! Common: Betelgeuse in his robe, the one he was wearing when he met Lydia in the attic

Pop! Moment: Lydia dancing Jump In The Line mid air

Pop! Common: Juno

Pop! Commons or 2 Pack: Adam and Barbara Maitlands in their wedding outfits (possible Chase variants would be their decaying body, or Barbara with the zipper mouth or steel plate)

Pop! Common: Adam in normal outfit with a long nose

Pop! Common: Otho (possible Chase variant would be the outfit Betelgeuse put him in, the pale blue suit)

Pop! Moment: Betelgeuse about to be eaten by the Sandworm

Pop! Moment: Betelgeuse in the waiting room between the witch doctor and the shrinker hunter

Pop! Deluxe or Moment: Betelgeuse floating after the Maitlands dug him out of his coffin

Pop! Town: Lydia and the Winter River model

Pop! Common: Betelgeuse with a cigarette or at least just holding it (let me have my smoking Betelgeuse 😭)

Pop! Common: Lydia with the veil (the outfit she wore on their first dinner after moving in)

Pop! Ride: Barbara riding the Sandworm

Pop! Common: Sandworm

Those for now.

Betelgeuse as a snake, Betelgeuse w/tombstone, Beej w/shrunken head and Here Lies Betelgeuse (Deluxe) are already rumoured to be the new designs from the leaked next line up.

Beetlejuice Beetlejuice (2024)

Pop! Commons or 4 pack: Delia, Astrid, Lydia and Rory outfits at Charles' funeral

Pop! Moment: Lydia and Betelgeuse in the attic after she summoned him (the Winter River model in between them, Beej floating on the other end of the table)

Pop! Moment: Lydia, Rory and Betelgeuse therapist scene

Pop! Town: Astrid with the Winter River model

Pop! Common: Delia holding the asps

Pop! Common: Rory in his poor excuse of a wedding outfit (possible Chase variant is him wearing that shirt Betelgeuse put on him, "I ❤️ Delores") 😆

Pop! Common: Rory holding the cardboard boxes over his head

Pop! Moment: Betelgeuse injecting Rory with the Truth Serum

Pop! Common: Wolf Jackson in his suit holding a paper cup filled with coffee

Pop! Common: Wolf Jackson in his leather trench coat holding a gun (possible Chase variant would be when he was covered in cake when he fell into it) 😆

Pop! Common: Delores when she was alive (possible Chase variant would be her wearing the plague doctor mask)

Pop! Common: Betelgeuse when he was alive, the one he wore while grave robbing (possible Chase variant would be after he got poisoned, foam on the mouth)

Pop! & Buddy: Lydia or Betelgeuse with Baby Juice (I'm sorry 😭)

Pop! & Buddy or Moment: Lydia with miniature Betelgeuse playing the guitar

Pop! Common: Bob disguised as Betelgeuse

Pop! Moment: Lydia at the set of Ghost House sitting on her chair, and across from her is Betelgeuse in an audience chair, munching on pop corn

Pop! Moment: Sandworm chase scene with Lydia and Astrid

Pop! Deluxe or Moment: Betelgeuse sitting on a stool, microphone on hand about to tell his backstory

Pop! Moment: Lydia and Betelgeuse in the attic, Lyds holding the Handbook for the Recently Deceased and Beej holding their marriage agreement contract

Pop! Common: Betelgeuse with his hands together in a prayer position (possible Glow in the Dark Chase variant would be him getting caught on fire)

Pop! Deluxe: Betelgeuse reading a newspaper while sitting behind his desk

Pop! Common or Deluxe: Delia screaming in front of the camera ("Why?")

Pop! Common: Astrid in her school uniform

Pop! Commons: Astrid and/or Lydia holding Betelgeuse's new and updated flier

Pop! Common: Richard

Pop! Common: Jeremy Frazier (possible Chase variant would either the clothes he died in or his James Dean costume)

Pop! Common: Betelgeuse wearing the Immigration staff uniform, complete with hat

Pop! Common: The Janitor (love me some more Devito Pops!)

Pop! Common: Father Damien (preferably in the robes he wore for the wedding, Burn Gorman is freaking hilarious in this film 😆)

Pop! Common: Baby Juice (Betelgeuse Baby or his inner child)

Pop! Common, Deluxe, Super or Jumbo: Inflating or blown up Betelgeuse

Pop! Moment: Lydia and Betelgeuse in bed together after the nightmare dream (freaking indulge me, let me daydream 😭)

Pop! Common or Moment: Betelgeuse and Lydia in the attic, a wall with a bomb drawn on it and the tip of Betelgeuse's thumb is lit

Pop! Commons or 8 Pack: Bob, Al, Brad, Chuck, Dave, John, Phil and Tom the Shrinkers

Pop! Common: Betelgeuse in his El Matador outfit (might become an Exclusive, to be honest, a lot of the designs above are Exclusives types, too)

Every scene that Betelgeuse and Lydia are in together is worth being made into a Pop! Moment, the "Let's go, honey", "We're like Bonnie and Clyde, but without the bullet holes", "I'm gonna make you so happy", "You want me to marry you; I thought you'd never ask", "That was you stalking me; If stalking means trying to remarry the love of my life, then I'm guilty as charged, c'mere", half of these I don't even know how to make into a Funko scene, but all of them are just too good 😭 I WANNA MAKE EVERY PART OF THE WEDDING A FUNKO POP MOMENT!

Anyways, that's it for now. Some of the scenes I have in mind probably can't be executed properly in a Pop! Moment.

[herefortheships]

I can’t believe I read someone on Reddit mention they’d like it if BJ3 introduced new characters and let the Deetz go. Are you kidding? Lydia is essential to Beetlejuice. Story can go on without the Maitlands (as proven by both the sequel and the toon), maybe without Delia and Charles, heck maybe even without Astrid! (Though I want her to stay lol). But not without Lydia! Lydia and Betelgeuse are a unit, and an iconic one at that. Plus Betelgeuse is in love with Lydia; it has pretty much become the character’s main motivation. I almost created a Reddit account right there to answer to that 😂.

I’m a lurker but I don’t have an account lol. I feel like the smart people in the fandom and the most devoted are here on tumblr, anyway; redditors are casual fans, mostly. I like to see what the takes are in the casual fandom sometimes, so I lurk 😆.

[ibleednavyandorange]

Things I personally can't wait to see in Beetlejuice Beetlejuice:

1. Beetlejuice's reaction to Lydia having a kid and any interactions with Astrid.

2. If Lydia comes up with any nicknames for him, so she doesn't have to keep saying his name if they do intact interact a lot. (Hoping for "Beej")

3. Beetlejuice calling her "Babes" Al la the cartoon and/or making her laugh with his antics

4.Delia and Lydia's relationship and how it's grown, or if it's still slightly estranged

5. Any mention of Adam and Barbara or Lydia still being into photography

6. More Michael Keaton screen time! 17 mins in the original was iconic, but I'd love to see what else he does with the character with more time to improve and play around with the script.

7. BLOOPERS - I've hoped for not only a sequel but one with a blooper gag-reel for YEARS

8. A Beetlejuice Goes Hawaiian easter egg of some kind- whether it being that Charles died (rumored to be eaten by a shark) near Hawaii or someone in the waiting room in a Hawaiian shirt...just SOMETHING for those of us that have waited forever for a sequel.

9. The reaction Beetlejuice will have to his Ex looking for him. (I'm hoping for another "EEeeeEeee!") Also curious about more backstory

10. A in memoriam acknowledgement for Sylvia Sydney and Glen Shadix a.k.a. Juno and Otho in the credits.

💜💚💜💚💜💚

[devildarling08]

Do you have any beetlejuice musical headcanons? Also what headcanons do you have for NPMD?

HII IDK WHY I NEVER SAW THIS.

Hmmmm Beetlejuice musical headcanons,,

- It’s so obvious that Adam and Barbara adopted Lydia, and take her in as their own child <3

- I definitely like to think that Beetlejuice stays around and serves as an uncle figure towards Lydia. (Kinda like in the cartoon)

- Beetlejuice owns a “kiss the cook” apron

- Adam and Barbara are high school sweethearts <33

- Lydia owns a black cat

- Delia is intrigued by Hot Topic whenever Lydia takes her to the mall

- Lydia is a lesbian guys I do NAWT think she likes men

- The iconic house goes ALL OUT for Halloween >:)

- Lydia is an artist and enjoys sketching/writing stories

NPMD headcanons I have yet to think about actually :0. It’s crossed my mind but I haven’t gotten around to making an actual list.

[kevinsreviewcatalogue]

Review Double Feature: Beetlejuice (1988) and Beetlejuice Beetlejuice (2024)

Another double feature, and once again, it's a classic movie and its nostalgic, decades-later sequel. How do they fare?

Beetlejuice (1988)

Rated PG

<Originally posted at https://kevinsreviewcatalogue.blogspot.com/2024/09/review-double-feature-beetlejuice-1988.html>

Score: 5 out of 5

While Beetlejuice wasn't the first movie that Tim Burton ever made, it was the one that made him a goth icon, turning his name into a byword for a particular kind of style that has at least one foot in the horror genre and is often rich in gothic flair but combines it with a strong dose of comedy and whimsy. In this case, he takes a classic horror movie premise, that of a family moving into a new house only to find out that it's haunted by ghosts that don't want them there, and turns it completely on its head by making the ghosts the protagonists and using that setup as the basis for a riotous comedy, powered largely by the force-of-nature performance of Michael Keaton in his comic prime as the titular villain. It still stands as one of Burton's best movies and one of the best comedies of the '80s, especially for the less raunchy end of the genre (even if I wouldn't by any means call this a family film, inexplicable PG rating aside), powered by an all-star cast and an early version of Burton's unique style that was already apparent here. It's a movie where, the moment you see it, you don't need to ask why it's a classic, you just know.

Our protagonists are Adam and Barbara Maitland, a young couple living in the idyllic small town of Winter River, Connecticut who have just died in a car accident. What's more, when they get to the afterlife, they find a tangled bureaucracy that tells them that they have to spend 125 years in their house before they can move on, which means that they have to watch as a new family, the Deetzes, move in from the city and renovate their beautiful home into the modernist art project of the stepmom Delia's dreams and the Maitlands' nightmares. As such, they make it their mission to scare the Deetzes out of the house, easier said than done given the Maitlands' easygoing nature, the fact that the Deetz family's yuppie patriarch Charles sees dollar signs in a possibly haunted house, and the fact that the Deetzes' gloomy teenage daughter Lydia can see them and ain't scared of no ghosts. Out of desperation, the Maitlands turn to the "bio-exorcist" Betelgeuse (pronounced "Beetlejuice") for help, only to get far more than they bargained for.

The secret to Burton's success in his glory days was that, while his movies were spooky, they were very rarely scary. Burton is a man who has a clear affection for classic horror movies and injects their style into his own work, but doesn't necessarily try to replicate the actual terror, instead using that style to make comedies and dramas about offbeat people who are actually pretty normal once you get to know them. In this case, he made what's basically Poltergeist as a comedy, with the ghosts getting as much character as the living humans. Alec Baldwin and Geena Davis make for a great comic duo as the dorky yet lovable ghosts who are utterly clueless at being horror movie ghosts. They lift macabre imagery from contemporary '70s and '80s horror movies as they try to frighten their home's unwelcome new inhabitants, but John Carpenter and Tobe Hooper they ain't, and they come off as just lovably pathetic instead as they can't even get Charles and Delia to acknowledge their existence. They're Clark and Ellen Griswold as ghosts, slowly but surely melting down in frustration.

They're not the real reason everybody remembers this movie, though. It is, after all, titled Beetlejuice and not Adam & Barbara, and Michael Keaton walks away with the entire film. Beetlejuice being a comic character may have softened his nastiness and kept this rated PG, but he is otherwise presented as an absolute creep, a guy who sexually harasses every woman he meets, ruins the lives and unlives of everyone of any gender he meets, and looks like a disheveled drunk who isn't allowed within a thousand feet of a school, which only makes his plans for Lydia come off that much worse. (Apparently, the original version of the script made it explicit.) He's a whirlwind of chaos and destruction who, for all his comic presentation, brings the film the closest it comes to being actually scary, like if you took the lower-class lout character from other '80s comedies and recast him as a supernatural villain. There's a reason why Keaton, before his turn towards drama, was one of the biggest comedy stars of the '80s, making both the slapstick and the dialogue feel effortless as he makes both the Deetzes' lives and the Maitlands' afterlives into Hell on Earth.

The other character who's become synonymous with this movie is Winona Ryder's Lydia Deetz, who likely inspired the goth phases ("it's not a phase, Mom!") of an entire generation of teenage girls in the '90s. Her look was instantly iconic, and fortunately, Ryder didn't just let the costume department do all the work for her character. If Lydia comes off in 2024 as something of a cliché, then that's because she helped create the cliché, the archetypal moody teenager of any number of family comedies past and present combined with an interest in the supernatural and a heart of gold beneath her creepy exterior. She's Wednesday Addams as a teen in a yuppie family that doesn't understand her, a few years before Christina Ricci made that character her own, to the point that the only thing that surprises me about the show Wednesday is that it took Burton so long to get the chance to take a crack at a proper Addams Family adaptation. Her parents, meanwhile, serve as her utter antithesis, with Jeffrey Jones making Charles a man who desperately needs to get a clue (especially once his reaction to a haunted house is to turn it and the town around it into a tourist attraction) and Catherine O'Hara having the time of her life as Delia, a full-of-herself artist who it's implied married Charles for his money and whose aesthetic tastes are a comically grotesque parody of everything that people make fun of modern art for. From the moment you meet them, you understand immediately why the Maitlands want them the hell out of their home. If this movie has anything on its mind other than its horror parody and its visual flair, it's making fun of yuppies, and while it's mostly the obvious jokes about how they're a bunch of pretentious dilettantes, they serve the film's style quite well.

And on the note of aesthetic tastes, while this wasn't the first movie that Tim Burton directed, it was the one that made him into "Tim Burton", and it still stands as one of the greatest demonstrations of his distinct and oft-imitated style. It is a special effects showcase, starting with a playful homage to '50s giant monster movies in the opening credits and continuing on with the varied looks of the ghosts we see later in the film, especially as the Maitlands explore an afterlife reminiscent of the worst DMV you've ever been to run by a scene-stealing Sylvia Sidney as a salty, seen-it-all bureaucrat who's Not in the Mood for Your Shit. The music, too, does wonders to set the mood, from Danny Elfman's legendary score that sounds like an '80s New Wave remix of a classic horror soundtrack (as befitting a former member of Oingo Boingo) to the heavy use of Harry Belafonte in some key moments. The look and feel of the film matches the tone of the writing and story, spooky but playful, which makes the jokes that much funnier once they start rolling almost immediately. That said, it's always grounded in something resembling reality, in this case a version of small-town New England drawn less from Stephen King than Norman Rockwell. It's what makes the supernatural mayhem hit that much harder (incidentally, the reason why King himself set so many stories in small-town Maine, before his own style was copied to the point of cliché), and honestly, I think it's the difference between this and other early Burton films on one hand and his late-period decline on the other. A lot of Burton's humor, here most of all, was rooted in the juxtaposition of classically gothic imagery with life in modern America, often suggesting that it was in fact the former that was more level-headed and "normal" than our society that, in its obsession with status and the appearance of normality, can often turn quite whacked-out in its own way. Burton kind of lost sight of this with his later films, but in his earlier movies like this, he was a master at it.

The Bottom Line

Like any great comedy, it's hard to describe in words without ruining the best parts, so I'll just leave it at this: Beetlejuice is still a classic after 36 years. It's a simple movie, but that just means it can sharpen its focus and deliver a hell of a spoof of supernatural horror.

----------

And now, for the sequel...

Beetlejuice Beetlejuice (2024 A.D.)

Rated PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use

Score: 3 out of 5

If Beetlejuice was Tim Burton at his best, then Beetlejuice Beetlejuice is, for better or worse, an encapsulation of late-period Burton, both his continued strengths as a filmmaker and the points where he's lost his touch. The plot is perfunctory, a mess of multiple different storylines butting heads with each other, with Monica Bellucci seemingly only being here as the villain because Tim Burton has a Type while an actual, more interesting villain was wasted. It felt like screenwriters Alfred Gough and Miles Millar had tried to cram an idea for a Beetlejuice TV series, or multiple different first drafts from different writers over the course of over three decades, into a feature film, with lots of plot threads that went nowhere and were wrapped up far too hastily for my liking. The first movie wasn't exactly that deep, but this makes it look downright intellectual. But when it comes to the things that Burton's name is associated with, from creepy visuals to a twisted sense of humor, this movie roars to the point that I was able to largely shut off my brain and enjoy it. The returning cast is great, not least of all Michael Keaton demonstrating that he hasn't lost a step even after he became a dramatic actor, while Jenna Ortega gets another opportunity to demonstrate why she's one of the biggest young stars of her generation. The humor is as on-point as it was last time, and while the special effects have a much bigger budget than they did before, they haven't lost the practical, handmade charm of the original. There's more of a focus on horror this time, but much of it comes proudly paired with the comedy, from deaths straight out of Looney Tunes to a running gag about the fate of Charles from the first film that I'm surprised got by with a PG-13 rating. As far as nostalgia-bait sequels are concerned, this one did most of what it needed to, if little else.

The film starts with a grown-up Lydia Deetz, now the host of a talk show dedicated to the supernatural, and her teenage daughter Astrid, a student at a boarding school who believes that ghosts aren't real and that her mother is either crazy or a grifting hack, being called home to Winter River, Connecticut after Charles Deetz dies gruesomely in a plane crash. (He survived the actual crash; shame about the shark in the water around the crash site.) Meanwhile, in the afterlife, Beetlejuice is still plugging away at his bio-exorcist gig, while Delores, the evil witch he married in life who's still pissed at him after they killed each other (the feeling is mutual), escapes from her prison thanks to some carelessness and proceeds to go on a soul-sucking rampage hoping to take her revenge on her ex. Along the way, Lydia's douchebag boyfriend and producer Rory proposes to her out of the blue, Astrid meets a cute boy in town named Jeremy who's into the supernatural, and Delia... doesn't actually get to do much, but any excuse to get Catherine O'Hara back in full form is good in my book.

There are a lot of plot threads going on here, enough that I think I might have missed a few of them, which kind of highlights the biggest problem this movie has, that it's overstuffed with plot and doesn't really have much of an actual story. Even by the third act after everything's started to come together, the plot about Lydia rescuing Astrid from the afterlife with Beetlejuice's help and the plot about Delores hunting down Beetlejuice barely have anything to do with each other, with the former settled in an anticlimatic fashion only to promptly segue into the next as Delores literally barges in. An important plot point hinges on Lydia, a woman obsessed with the supernatural and the dark side of life, being clueless about a grisly true-crime story in her own childhood hometown. This movie does a lot of things right, but its writing is not one of them. It tries to do far too much plot-wise, and it largely faceplants every time it asks me to focus on such. It's a shame, because, while Monica Bellucci had almost nothing to do in this movie beyond look creepy and sexy in that distinct Burtonesque way (see also: Lisa Marie, Helena Bonham Carter, Eva Green), she did it well, and I wanted to see more of her. A better movie would've found a way to incorporate Delores more directly into the plot, perhaps by having her use Lydia or Astrid to get to Beetlejuice, and given Bellucci more of a chance to shine.

Fortunately, this movie didn't forget to do the same for its other top-billed stars. Michael Keaton still has it as a comic actor, and Beetlejuice is still the same force of nature he was before, a guy who's about as profane as the PG-13 rating will allow and feels eager to punch through its bounds. Catherine O'Hara's Delia, like Delores, doesn't really get much of a plot, but she does at least get to make for some hilarious comic relief, still the same shallow yuppie arteeste she was in the '80s and one whose knowledge of the reality of the afterlife has simply given her false hope of finding Charles again. Winona Ryder and Jenna Ortega together get most of the dramatic arc of the film as the mother and daughter Lydia and Astrid, both of them turning in solid performances and Ortega in particular feeling very much like the heir to '90s Ryder in terms of being the one you cast when you want someone who can play a moody teenager really well. (One missed opportunity, though: I think the funniest version of Astrid would've been to make her the biggest girly girl imaginable, one who embraced a life in pink as her own form of rebellion against her goth mother. Not only would it have made sense given the tension between the two, it also would've done a great job of sending up Ortega's typecasting.) The supporting cast, meanwhile, was a who's who of fun bits, from Justin Theroux as Lydia's vapid boyfriend and spiritual guru who feels very much like a male version of Delia (maybe Lydia hasn't escaped her mother's influence as much as she thought) to Willem Dafoe as a Hollywood action hero who died doing his own stunts and now gets to be a loose cannon cop for real in the afterlife chasing Delores and Beetlejuice.

And when it comes to Burton himself, he brings a lot of this movie's best parts. Once I accepted that this was gonna be one of those movies where the plot made no damn sense and wasn't worth following, I stayed for the humor and the style, and this movie largely sticks to what worked last time even if they've got more money to throw around for the effects now. Jeffrey Jones' very public disgrace (I'll spare you the details, but let's just say he was really lucky he didn't land up in prison) means that this movie takes every opportunity it can to piss on Charles' grave with some of the most backhanded "tributes" I can imagine, his over-the-top death rendered in a stop-motion animated sequence being just the start. The afterlife is once again full of cool-looking ghosts whose appearances let you know right away exactly how they died, and while the balance of comedy and horror this time leans more towards actually trying to be scary, the kills are still goofy and cartoonish enough that it manages to remain lighthearted and fun. As a visual stylist, Burton has always been distinct even in his lesser films, and while there's nothing here that's particularly groundbreaking, it's always at least fun to watch.

The Bottom Line

"Nothing particularly groundbreaking, but at least fun to watch" sums up my thoughts on this movie in general. It's kinda dumb and needed a top-to-bottom rewrite, but as a showcase for a great comic cast and a lot of spooky and cool special effects, I had a good time. Check it out.

[itsawritblr]

So . . . I was sent these.

A couple of you know I used to have a Beetlejuice x Lydia blog. Used to be into the fandom big time, since the movie first opened in 1988. Then, for reasons I won't get into, I lost interest in all things Beej.

But some people still read my Beej fics on AO3. And one of them sent me these photos from Beetlejuice 2. They also sent me the link to the article they appeared in.

So for you few Beetlebabes who still Follow me -- you know who you are -- here's the article.

“Beetlejuice Beetlejuice”... Beetlejuice returns in first look at Michael Keaton, Winona Ryder

Nick Romano

Wed, March 20, 2024 at 9:00 AM CDT

It's been 36 years, but once again, the juice is loose.

After reprising Batman in last year's The Flash, Michael Keaton returns to another iconic role in Entertainment Weekly's exclusive first look at Beetlejuice Beetlejuice, the sequel to director Tim Burton's cult hit.

Winona Ryder and Catherine O'Hara also reprise their roles as Lydia and Delia Deetz, respectively, while Burton's Wednesday star Jenna Ortega plays Lydia's daughter Astrid, and The Leftovers star Justin Theroux plays Rory. Further details on Rory remain under wraps for now — unlike the titular "bio-exorcist."

The original Beetlejuice (1988) followed the recently deceased Barbara and Adam Maitland (Geena Davis, Alec Baldwin), who enlist the aid of the mischievous demon Beetlejuice/Betelgeuse (Keaton), to expel the current living residents of their home, the Deetz family. All hell, subsequently, breaks loose.

The sequel picks up decades later with a death in the family. "That's all I will say," Burton tells EW in an interview. "There's something that happens that sets things in motion." Could that be the death of Lydia's father, Charles Deetz (Jeffrey Jones)? The director plays coy: "We'll see." One thing's for sure, Beetlejuice comes back into play.

Burton describes getting Keaton back in the classic costume and makeup as "a weird out-of-body experience."

"He just got back into it," the filmmaker behind 1989's Batman (also starring Keaton) and 1993's The Nightmare Before Christmas recalls. "It was kind of scary for somebody who was maybe not that overly interested in doing it. It was such a beautiful thing for me to see all the cast, but he, sort of like demon possession, just went right back into it."

Burton says he and Keaton have talked about a sequel on and off over the years. "Unless it felt right, he had no burning desire to do it," the director recalls. "I think we all felt the same way. It only made sense if it had an emotional hook."

Many concepts were floated around, some dating all the way back to the '80s, including a treatment set in Hawaii. "We talked about lots of different things," Burton says. "That was early on when we were going, Beetlejuice and the Haunted Mansion, Beetlejuice Goes West, whatever. Lots of things came up."

What they needed, however, was time. His actors, including Ryder and O'Hara, had all moved on to other projects after the original came out, and "nobody," Burton notes, "was really pushing for it." The filmmaker also admits he didn't initially (and still doesn't to some degree) understand the success of the first film, so he wasn't motivated to move forward with an idea that didn't excite him.

The hook he was looking for, as it turns out, revolves around Ryder's Lydia and bringing together three generations of Deetz women, including O'Hara's Delia and Ortega's Astrid. "I so identified with the Lydia character, but then you get to all these years later, and you take your own journey, going from cool teenager to lame adult, back and forth again," he explains. "That made it emotional, gave it a foundation. So that was the thing that really truly got me into it."

Other details on the film itself are being kept secret for now, other than the presence of Monica Bellucci (Spectre), Arthur Conti (House of the Dragon), and Willem Dafoe (Poor Things) among the cast. (Dafoe previously disclosed his role as a B-movie action star who died and became a police officer in the Afterlife.) Burton feels "a bit jinx-y" about revealing such things, given that he's still shaping the movie in the editing phase. But he does confirm he'll be using stop-motion animation to bring a lot of the classic Beetlejuice effects to the screen. "It needed a back-to-basics, handmade quality," he says. "It reenergized why I love making movies."

And what about that title? Beetlejuice Beetlejuice. "It's been, what? Thirty-five years. So it didn't feel like Beetlejuice 2 to me," Burton says. "It didn't feel like that kind of a movie. The other one I thought of, because one of my favorite Dracula movies is Dracula A.D. 1972, was Beetlejuice 2024 A.D. But this was a nice simple one."

Just don't say the name one more time, or you risk summoning the man himself.

Beetlejuice Beetlejuice will hit theaters on Sept. 6.

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Addendum: Was sent the link to this, too.

I'm . . . fearfully optimistic . . . .

[thelanternlight]

I thought Beetlejuice Beetlejuice was a LOT of fun! It was spooky, visually stunning, creative, and a true successor to the original. Definitely a great movie and a new, very fun classic to add to the seasonal rotation. I say that as if the original movie wasn’t wholly beloved by me but it so fundamentally was. And is. Beetlejuice remains one of Tim Burton’s masterpieces because it was SO strange and unusual, and one of Burton’s most original concepts. When audiences first saw it in the 80s (and me in the late 90s/early aughts) we, or me specifically, had never really seen anything like it. On paper a story like Beetlejuice shouldn’t have worked. But not only does it work but it’s a cinematic milestone and one of the main works that goths and gays and weirdos point to when they talk about films that helped them understand themselves, even to accept themselves. I cannot overemphasize the importance of Beetlejuice. And in so doing I also cannot underscore its brilliance and meaningfulness in the ‘weirdo community’ without specifically calling out Catherine O’Hara who outperforms herself again and again, and who has been an icon and patron goddess of said community since the 80s, or before. Her continuation of Delia in this sequel adds to that glittering repertoire.

The one thing I can say that could have been better was that there’s a lot of ideas thrown into this movie. I’m not going to spoil anything here since it’s still in theaters but I thought some characters needed to be omitted and some storylines simplified. Having so many moving parts meant that the movie felt rushed and the audience doesn’t have time to really sit and absorb or process important moments. These are old friends that we’ve loved for decades and that have meant so much to us. We needed to have time to really understand where they are, how they’ve evolved, how their relationships work now. The movie does attempt to provide that element of reunion but it’s so fast that it’ll require a second or third rewatch to keep up with them. The one thing I will deliberately spoil (or not really) is that Beetlejuice does not get a grand entrance. He just turns up at some point. That was a missed opportunity.

However, I really appreciated that with Charles Deetz, originally played by Jeffrey Jones who undoubtedly was not invited to reprise his role due to past scandal, we knew he’d be killed off (because of the trailers) but I loved that he was still included. Again, not going to spoil anything but I liked that Charles got the acknowledgement the character deserved. With Otho, of course Glenn Shadix is sadly no longer with us, and instead of recasting him or somehow reinventing his character the movie just left him as we remember him. I think that was a classy move, to simply not even try any reductive reproduction.

Still though, B2 is truly a wonderful movie and an absolute joy. Like I said this has immediately made my annual Halloween must-watch list.

[fiendishfangs]

A review on Beetlebuse…it was good. Things aren’t always going to be as good as the original but i genuinely enjoyed it and it delivered. Makes up for its flaws. Watch it and judge for yourself.

—————————————

I absolutely ATE UP that wedding scene like WHY?!!. I love the dynamic between BJ and Lydia the whole movie, only complaint is that he didn’t get more scene time again and felt like empty in that one scene where he leaves and then comes back? Just weird in between scene to cut.

Delia being absolutely iconic. Having a good laugh and vibing to the music going off. DOLORES WAS STUNNING MONICA BELLUCCI AAH. I’ve never seen a man be so pathetically and debatably questionably in love and it hurts me to say it. Lydia not having it at all was really so funny and exactly what I expected. I love them with my whole heart. Really they would be so good together and that doesn’t even have to mean romantically. I like their respective relationships in every version.

Disclaimer: I don’t like bashing I really don’t unless things are bad. But there is absolutely no way I support ALL Beetlebabes shippers/shipping. You can however ship characters non romantically just don’t push it. If your sole purpose is to ship a minor with an adult in a romantic/inappropriate way then I’m sorry that’s not up for debate. ((She is an adult in the new movie keep that in mind and keep it separated))

[themosleyreview]

The Mosley Review: Beetlejuice Beetlejuice

I am truly overjoyed! It seems that more films are returning back to the magic of practical locations, effects and using CGI when it is absolutely necessary. When I see a master storyteller that started out that way, come back to their roots and show us why we loved them in the first place, my heart flutters as we are witnessing something truly special. That is what happened here and it was gorgeous return to the darkly comedic and macabre world created from the mind of Tim Burton. Burton returns to his most beloved film by fans and it didn't disappoint. Not only does it continue the same level reverence for the odd, but it also adds more to the lore by exploring more of the spirit realm and I loved every second of it. I loved that all of his tricks and styles were on display, especially during a discussion about the fate of a certain character. The way its done was a visual feast. This film was a bit overwhelming with the amount of characters, but I could never say I was bored. The amount of busy work each character gets could've been separated into their own vignettes, but it's all weaved together and wrapped up in a fun way. I do wish the threat for the titular character was more central and the driving force of the film though.

Winona Ryder returns as Lydia Deetz and I loved that she continued to embrace her supernatural gift. She is more tormented this time around and heartbroken as she had a loss that damaged her relationship with her daughter. Jenna Ortega was bratty, snarky and sometimes mean as Lydia's estranged daughter, Astrid. Their relationship was interesting to watch become patched in the most difficult way. She had the same attitude as Lydia when she was younger, but less morose and more angst. It worked all the way through and I loved when she finally starts to connect with her Mother on something they share. Catherine O'Hara was just as crazy, unpredictable and fun as Lydia's mom and Astrid's grandmother, Delia Deetz. Every moment with her was comedic gold and how darkly artistic it gets was great. Justin Theroux was good and slimy as Lydia's boyfriend, Rory. He was good for the purpose of where Lydia was in her life, but I almost felt he was the weakest part of the ensemble. Not in performance, but just as a supporting character that sometimes detracted from the pacing. Willem Dafoe was truly having fun as the dead action star, Wolf Jackson. I loved the throw back style of the 1950's detective he was portraying while hamming up the most hilarious and cheesy dialogue an old school detective would say. Arthur Conti was good as Astrid's first crush, Jeremy Frazier. It was a fun sliver of a possible teen romance in this weird world. Monica Bellucci still takes my breath away when she graces the screen and as the villainess, Delores LaVerge, she was truly spectacular. I loved the lore behind her relationship with Beetlejuice and I liked her creepy presence. I just wish we focused on her more as the driving force of the film instead of being lightly sprinkled around. Speaking of Beetlejuice, Michael Keaton returns as the ghost with the most and he hasn't skipped a beat. He continues to be that disgusting and loveable trickster we all love. He was hilarious, smart and very creative in his quest to get away from his ex-wife, Delores. I love that we finally get a confirmed backstory for the character and the amount of fun he has telling it was right on brand. The chemistry between him and Lydia never died and it was magical to see them together again.

Composer and Tim Burton's muse, Danny Elfman returns and brings back the iconic score and themes. I loved that he kept the gothic and whimsical tone of the film alive with his insanely playful score. The mixed soundtrack of jams that work in the playful nature of the spirit world was excellent and there is a prolonged musical sequence that was a bit bloated. Like I said before, everyone has something to do and that made the film more busy than it needed to be. For me, I would've gotten rid of Rory and left Lydia's heartbroken story as is anchor point for her and Astrid to reconnect. Even with all of its flaws, it still was a welcomed return to form for Tim Burton and fun excursion back into the world of Beetlejuice. Let me know what you thought of the film or my review in the comments below. Thanks for reading!

[princess-of-the-corner]

FUN FACT!: While Ash's Dad does NOT appear in any of the three films set in the "I Choose You!" continuity, Ash DOES mention some advice he got from him in "Secrets of the Jungle", with "Distant Blue Sky" confirming that ICY!Ash's Dad is still involved in his life, even if he doesn't have as much of a presence as Delia does.

Indeed, in the I Choose You Continuity's final appearance in the "Distant Blue Sky" special, Ash receives his iconic original series/League Expo Hat as a GIFT from his (still unseen, as work called him away while Ash was helping the spirit of a dead child move on to the afterlife) father.

All we get regarding MAIN series Ash's Dad is that Ash MIGHT be a better trainer than him (getting to Viridian City far faster than his father did), with "Pocket Monsters: The Animation" describing him as a washed out trainer who left on a Pokemon Journey and never bothered coming back.

So, we have two opposite extremes for Ash's Dad (possibly overworked salaryman who nonetheless loves his son, and deadbeat manchild who walked out on his family), although given that Ash and Delia don't ever MENTION the man after episode 2 (wherein Ash's grandfather was also mentioned in the Japanese version, implying that Ash comes from a long line of washouts), I'm guessing that Pocket Monsters: The Animation is closer to what Ash's dad would ACTUALLY be like if they ever crossed paths.

If I had a nickel for every time an anime series I watched wanted to convince me that the MC's dad is still there he's just too busy working but is written so out of the picture that everyone assumes he's just some asshole who walked out on his wife and kid, I'd have two nickels.

Which isn't a lot BUT-

[yowyowyaoi]

The Akatsuki’s Favorite Halloween Movies

Deidara, Hidan and Tobi: Halloween (1978) and Halloween II (1981)

The iconic theme song. The silent killer stalking his victims in the chill of the night. The way he never says any words, never gives any warning sign of his presence until it’s too late. There are a thousand different reasons why these two movies are the favorite of this particular trio. They like to camp out in the living room and watch them back to back. Sometimes they’ll eat snacks, sometimes they’ll style each others hair, a couple of times they’ve carved pumpkins like the characters in the movie. Deidara and Tobi love the first Halloween the most, and neither felt like such a perfection in storytelling really needed a sequel. Tobi especially likes to argue on how Michael Myers is scary not because of the mask (while touching his own) but because you as the viewer don’t know the motivations behind why he targets this particular group of people. Hidan got them into Halloween II and insists that it’s still scary even knowing (some) of Myer’s thought processes. And Deidara has to admit the lab explosion scene at the end is “an artistic masterpiece, hm!”

Konan: Hocus Pocus (1993)

Konan doesn’t really like scary movies, exactly. She likes things that are light and childlike, and films that evoke a sense of nostalgia. No Halloween movie gives her that sense of fulfillment quite like Hocus Pocus. The story of the boy who was turned into a cat trying to save his sister  resonates with Konan, as she would have done anything to save her “family” (Yahiko and Nagato). The sweet teen love story between Max and Allison really moves her, and she has a soft spot for Max’s quirky little sister Dani. And speaking of sisters, The Sanderson Sisters holds a place on Konan’s heart as some of the greatest “villains” of all time. She’s made Deidara and Itachi sing “I Put A Spell On You “ with her more times than they care to admit, with her as the lead witch of Winnie. They’ve even dressed up as the sisters one Halloween, with Konan as Winnie, Deidara as Sarah, and Itachi as Mary. They looked fabulous but of course Hidan never lets Deidara or Itachi forget that they “dressed up like chicks”.

Nagato and Kisame: Halloweentown (1998)

Another nostalgic movie that isn’t really scary so much as it’s fun. For both of them, the notion of an entire town where “freaks” aren’t only welcome but are the norm, is very appealing to them. Kisame knows his shark-like appearance would fit right in to this mythical place, and Nagato imagines that he and his Pein bodies could really find their niche there. Kisame in general is a big fan of classic movies, and has long since been a fan of the work of Debbie Reynolds. When he found out that she played the lovable witch grandmother to Marnie in this movie, well, he was hooked. The two like to eat a lot of candy while watching this movie (it’s the only time of year that either of them truly indulges in sweets) and discuss ways they could improve the government of this fabled town.

Kakuzu: Beetlejuice 1988

Kakuzu admires the character of Beetlejuice. The man is long dead yet he’s managed to use his talent of being repulsive as a means to earn income by scaring living people out of ghosts’ former homes. Kakuzu’s always says that “Hell runs on money”, and this movie gives credibility to the idea that he’s right. He hopes that if and when he finally dies, he will be able to use his talents of bounty hunting in the afterlife to keep on earning money. Maybe wrangling up wayward spirits that don’t accept that they’ve passed on? Or souls that don’t follow whatever the rules of the afterlife are? Kakuzu sees the possibilities as being endless. Kakuzu has also always had an eye for architecture and especially buildings or structures that are way outside of the norm. He’s fascinated by the remodeling that Delia Deetz does to Maitland’s house, and secretly would love such a bizarrely constructed house to live in himself one day. 

Itachi: A Nightmare On Elm Street (1984)

Itachi despises Freddy Krueger. In his mind, the man being burned alive was too light a punishment for the atrocious acts he committed against children. BUT the Uchiha was understandably drawn in by the concept of being able to control and manipulate someone through their dreams. Very similar to gengetsu, and some of the nightmares that Freddy gives to people have become inspiration for visions that Itachi’s given to his enemies. Konan likes to watch this movie with him, as she likes the character of Nancy Thompson; but she gets so scared during the movie that she has to hold on to Itachi’s arm for support the whole time. Itachi often comes away with deep fingerprints imbedded into his skin the next day.

Zetsu: Little Shop Of Horrors (1986)

It should be no big surprise that a movie about a sentient plant with a rapidly developing lust for human flesh would be Zetsu’s favorite Halloween film. He loves how manipulative the plant Audrey II is with Seymour, and how easily he’s able to convince him to “feed” him. Zetsu also loves how campy this movie is, with the overzealous acting and the constant musical numbers. He’s tried to convince the entire Akatsuki to put this on as a play, and invite people from neighboring villages to come and watch. When Nagato questioned what they would do after the viewers realized they were all Akatsuki members, Zetsu’s solution was to invite them backstage to “meet” Audrey II … and never emerge again. Of course his idea was shot down, but he still loves the movie and watches it at least 10 times every October.

Sasori and Orochimaru: Child’s Play (1988)

This one almost seems too obvious, but Sasori really, REALLY loves the character of Charles Lee Ray, aka Chucky. Finding a way to beat death by transferring his soul into a body that could never be hurt, or age, or die? Sasori was sold from the first time his grandmother let him watch this film as a little boy. Of course Chucky’s body isn’t without flaws; in fact carefully studying Chucky’s design is what’s driven Sasori to make so many improvements on his own body. When Orochimaru was still in the Akatsuki these two would watch Child’s Play and it’s sequels, and argue on whether Chucky had found the best path to immortality. One thing that Sasori can’t relate to, however, is Chucky’s desire to transfer his soul back out of a doll and into another human body. Sasori prefers to stay in his doll body for eternity. Orochimaru, however, was very, very intrigued at the idea of putting one’s essence into different bodies, and this movie opened up his mind to hours of research (and eventually trial and error) on the subject.

[askyuuandco]

What would happen if you meet your friends family members? For example if you meet the First Year's moms?

Yuu: that is an easy questions because I've meet my friends families before. :D

Yuu: Deuce's mom is super cool. Ms. Delia is very kind and hard working. :D

Yuu: Ace's mom is very chatty and also very sassy. And Ace's brother likes to tease him a lot but their mom puts a stop to it.

Yuu: Trey's parents make the best desserts you'd ever see and his siblings are just as kind. X>

Yuu: Cater's family is a little revered but once you get to know them they are pleasant to be around.

Yuu:….F- Riddle's mom…His dad is okay but needs to speak up more and help his son get out of a very tough spot.

Yuu: Leona's Brother Farena is just like Cheka but an adult and much calmer but is very friendly. And his wife is also a bold queen. I can see why Leona would be jelly of his brother and family just a little bit UvU

Yuu: Ruggie has a whole Cackle of people in his family because the family is the whole village he lives in but his Grandma is a tough cookie. Never I seen an old lady bench press a grow adult until I met her. she's not soft no sir. >.>

Yuu: Jack's family is also very kind. Vibe with them well. His siblings are very sweet. Jack is tough on them but on the inside he's a great family man and great big brother to his little siblings.

Yuu: Azul's mom makes the best Italian food and his father is a highly educated man he helps me with how this worlds laws and regulations work. So I guess you can say he's my legal advisor. His half brother is.... He's okay. X>

Yuu: Jade and Floyd's parents act just like them. It's honestly very cute…and scary at the same time. Their mom acts a lot like Jade while their dad acts a whole lot like Floyd but minus the mood swings.

Yuu: Kalim's family is just as big as mine if not a lot bigger. He really is a good big brother too his sibling I'm surprised he hasn't gone nuts like I would have…Doesn't mean I don't love my siblings >v>'///

Yuu: Jamil and Najma bicker all the time but they care for each other but bully each other at the same time. Reminds me of my big brother Ash and my arguments all the time.

Yuu: Rook's mom is very strict and disciplined that it even through me for a loop while Rook's dad is laid back and charismatic like his son. His siblings are seem to be very normal people. =v=

Yuu: Epel's grandma makes the best apple pie in all of Harvest Town! Her grandson acts just like her to very spunky and strong willed she's a true icon. She even taught me how to make stuffed animals! :D

Yuu: Idia and Orthro's mom and dad act just like. Their mom is like Orthro very energetic and kind, strict at times but it's only out of love her sons, because she wants them to grow health and happy physically and emotional. While their dad acts just like Idia all be it more stoic and calm then Idia's he doesn't talk super fast or as much...or at all sometimes, but his actions speak more loudly because he'd do anything for their sons. They even treated me nicely at my stay there too. I can never thank them enough.

Yuu: Well everyone here knows who Lilia is as a person he's Easygoing, friendly, playful, a bit of a prankster, but he can get real serious when he needs to be. He's always there for his kids and even when loses patience with Malleus, Silver, or Sebek and puts his foot down he's still caring towards the boys. He's even been a great figure in my life despite both of us being chaotic balls of nature. He's like my 3rd or 5th positive male figures in my life.

Yuu: Queen Maleficia she's a very interesting person and also a very busy person. When I first meet her she reminded me so much of Malleus she was very curious about the modern realm and gets excited when she learns something new but hides it with a smug aura…yep just like Malleus but how she differs from her grandson is how her calm anger sends shivers down peoples spines. She doesn't yell or throw insults and she doesn't really need so, a flick of the wrist and your dealt with even shocked me a bit really. She's always busy and it's rare to seek an audience with her but that doesn't mean she won't drop everything for you either. She has her kind moments to especially when it's her grandson. she even treats me like her granddaughter or daughter at times. I guess I reminded her of someone. :L

Yuu: Everyone in the Zigvolt family is loud…well except for the dad and older brother. Everyone else. Your ear drums will explode if your just a normal human. I'm surprised Sebek's dad hasn't become deaf yet due to all the yelling. But minus all the yelling they are actually very kind and sweet people. Mrs. Zigvolt even told me funny baby stories of Sebek to Sebek's full dismay. They're also really talented dentist. Mr. Baul he's just like Sebek highly grumpy man but if he spends a full week with you he's nice too you. Lilia said that's a contrast from before.

Yuu: Opps I probably rambled for like an hour sorry about that. I was kind of excited to talk about the people I've in countered and the places I've been too. It's always nice to make good memories with people you care about.