#i have like so many more thoughts but this post is pretty long ready and i thought i owe you to send an answer already XD
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atanx · 9 months ago
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any subnautica character headcanons? especially the side characters, they're my faves :]
Sorry anon im normally better at answering my asks :P but alas exams had two write two in a week :)) not fun but anyway! thank u sm for the ask <3
Hhh I have sooo many character hc i could write a novel anon alvnqjcoqofpqf (partly because i do have a wip all about the subnautica characters and the journey to 4546B + ensuing canon divergence but pssshhhh)
So I think I'm just gonna choose the characters I've thought the most about:
2ND OFFICER KEEN
I hc his name as Roman Keen - I saw it in the fic "Survivors" on Ao3 and honestly I think it's a really good fit :3
He's 28 and has been working for Alterra since he was 17, most of which has been with Captain Hollister, who has become somewhat of a parental figure for him. He joined because of a love for flying and space, which his family disapproved of, and so he doesn't get along great with them.
I hc him as genderfluid - on some days, he feels like a man, and on others, he feels like he had no gender at all. He hasn't got himself totally figured out and mostly uses he/him pronouns, being unsure about how he feels being adressed with other pronouns.
He's a gay disaster and crushes pretty easily and hiding that does not come easily to him, although he mostly manages. When he first sees Jochi Khasar, it's instant aesthetic attraction. He finds him fascinating, and Khasar seems to find him fascinating, too, since he starts flirting with him and they develop a relationship over the eighteen-ish month journey to 4546B.
He's ace, and although fine with talking about sex, isn't interested in having sex himself.
Even though he comes across as stiff, he's not actually all that stiff as a person. He is just very responsible and aware and is thus anxious to fulfil his responsibilities as 2nd Officer to the best of his abilities. For things unrelated to work, he is still responsible and mature but not a stick in the mud. He's a fan of adrenaline rushes and actually used to do illegal racing as a teen.
Keen works well under stress, but as soon as the stress abates enough, he will have a breakdown.
He has an annoying-sibling type relationship with CTO Yu >:33
CTO YU
I also liked the name "Emily Yu" from the same fic as before, and I hc that her Chinese name is "Yu Jian" with 'Jian' for strong, healthy.
She is 29, a year older than Keen, which she teases him with, and has been working on the Aurora for 4 years, since finishing her master in engineering with a focus on spacecraft engineering. She worked herself up the ladder by virtue of 1) having a master's degree 2) hard work and successful projects 3) spite (someone (rightfully) insulted one of her ideas once) and 4) a little bit of nepotism.
I hc her as a cis bi woman who uses she/her pronouns. She enjoys both more feminine and more masculine styles for herself, although her style is rather tame and doesn't become hyper-feminine or hyper-masculine. She doesn't like dresses.
She's into Berkely, with her first being sexually attracted to him and then also experiencing romantic attraction. She enjoys his sarcasm and teasing him.
Even though she likes to be silly she gets serious in serious situations. She has a tendency to think that her way is best and has worked over the years to curb that down and be more open to other people's thoughts. When she does truly firmly think that her way is better though, she will stick to that unless presented with a better option and will put everything into trying to make that work.
In very stressful situations she tends to... sort of zoom out, distancing herself from her emotions and achieving a strong focus to do what needs to be done. Afterwards, she struggles with feeling the impact of what was going on, sort of feeling like it happened to someone else. It's a mild sort of depersonalisation. She works well under stress in general but needs some time to recuperate and destress. If she doesn't, her body will respond to the stress via tense and pulled muscles, headaches, stress-rashes etc.
BERKELEY
I don't have a particular reason why but I hc his first name as 'Cedric'. Honestly not too sure on that, if I find one that clicks more for me I might pivot to using that but this is what I've got for now!
He's 27 and he is not a routine member of the Aurora staff. Instead, he is part of the extra engineers meant to oversee construction of the phasegate at 4546B and hadn't met anyone from the Aurora before. He has a Bachelor in engineering but found studying so unpleasant he decided he was not going to go for a master and instead started and apprenticeship into job on a spacestation relating to phasegate maintenance.
He is intersex, which wasn't noticeable until puberty when he started developing boobs. Because he identifies as a man (he uses he/xey pronouns), he decided to opt for puberty blockers and later hormone therapy. He would have been fine with his boobs but society made him feel really shitty about them and he got top surgery.
He works out very regularly because it makes him feel good and enjoys jewelry and make-up, although he hates bracelets that move because he hates the sensation of them moving and bumping along his forearms whenever he has to tinker with something. He is somewhat introverted, not caring all that much for social interaction, and indulges in sarcasm a lot. He doesn't like the feel of long hair so he always wears it in a buzzcut. He's also chubby and built like a (short) bear.
He actually doesn't cope with stress well at all and only made it through school and a Bachelor's degree by luck, a lot of caffeine and the knowledge that if he doesn't manage at least a Bachelor's, finding a decent-paying job he likes will be very hard in Alterra-space. He finds it preferable to listen to others although not uncritically.
At first Emily annoys him to no end but as he gets to know her better (and she also tones it down) the annoyance changes to fondness. They become good friends and he eventually falls in love with her. He is pan and demi-romantic.
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roseykat · 1 year ago
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TITLE: Play Bite
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PAIRING: Hyunjin x Jisung x female reader
SUMMARY: You, Hyunjin, and Jisung have a really fun time playing a dirty truth or dare game after the plans for everyone to go out failed. Part 1 to the 'Play' series.
WARNING: minors DNI with this post or my blog. I create NSWF SKZ related content and I know I won’t be able to regulate/monitor every single potential interaction with those posts so please do not engage with my work or page whatsoever.
Part 1 - Play Bite Part 2 - Play Fight Part 3 - Play Right
TAGS: Hyunjin, Jisung, and reader have all consumed alcohol but are not fully drunk, smut, kissing, hickies, making out, dirty texts, dirty talk, erotic truth or dares, use of pet names such as 'bub', 'baby' and 'pretty', swearing, food play (nothing heavy), solo orgasm, female masturbation, suggestive material, very vague mentions of choking (not emphasised), slight traces of top!Jisung.
MASTERLIST
A/N: Think of this as a prelude to this hard thought I posted a while ago. If you haven't read it, it will give you some context into what will come in the future for this type of concept. Also just to preface but not give away too many spoilers, nobody is cheating in this story.
-
“Remove one piece of clothing, socks do not count,” Jisung reads aloud from the card in his hand. 
It’s the third task into the deck of dirty truth or dare at Hyunjin's apartment. After the entire group’s plan to go out for the night fell through when it started pelting down, it was in all three of your guys’ best interests to not waste the night. So, although he invited the rest of the group over for drinks, only you and Jisung decided to go around. 
An hour later into the night and already just past the point of tipsy, the three of you progressed to playing games. A set of dirty truth or dare cards was the first thing that caught Jisung’s keen eye as he analysed the plethora of games that Hyunjin had on a shelf in his living room. 
“You’re not even wearing socks, so you have no choice,” Hyunjin chuckles, almost evilly.
Jisung dons his best thinking face, eyes narrowing as he tries to come up with which item of clothing he wants to take off. He grabs the hem of his shirt and pulls the entire fabric up and over his head before placing it beside him, careful not to knock over his drink. 
Your eyes glue to his gorgeous bare top half for a few seconds too long before averting them to the floor like you weren’t supposed to look at him. It’s not like you’ve never seen him topless before in all of his honey toned glory. Almost always will Jisung proudly walk around half naked unprovoked when you’re around him. 
“Your turn bub,” he continued.
You clear your throat then lean over to pick a card up from the middle, then read it out loud, “oh…”
“What’s it say?” Jisung peeks his head over to see what’s written down before his jaw unhinges. “Let the person to your left select an area of your body for them to give you a hickey. Wow.”
Hyunjin, to your left, stares back at you in shock and horror. His cheeks were ballooned and full of liquid after taking a large swig of his drink before setting it down. The more silent seconds that tick by, the more flips his stomach keeps doing. But, he had to expect the unexpected with this game.
You and Jisung were ready to play by the rules and Hyunjin wasn’t going to exempt himself from it just because of the card you pulled. 
He swallows the mouthful of alcohol, “alright. Are you okay with me doing this?”
You nod even though you can feel your heart picking up its pace, “I am.”
He takes your answer and runs with it then ponders on the best place to plant a hickey on your body. It doesn’t take him long to think of a number of unspoken places where he would and even though he’s tipsy enough to disclose those areas, he decides to keep that to himself. 
“Okay, can you lie down for me then?” He asks. 
“Lie down?”
“Mm, otherwise it might be awkward to reach,” he explains vaguely. 
You start jumping to conclusions at the instant you hear his request, yet your mind is so hazy that your body just ends up listening to what Hyunjin has asked of you instead. You end up lying back on the floor, your head next to Jisung’s thigh who looks down at you while Hyunjin moves. 
His long body straddles yours but not fully putting his weight down on you. With his hand, he pulls back some of your hair so he can reach the area he wants before gently tilting your chin up and to the side towards Jisung. 
Hyunjin then sinks his face down just to the side of your throat and sucks. For a second, your body squirms at the slight achy pang that he brings to the surface of your skin. Still, with the way that your body is buzzing, it undoubtedly feels amazing. He remains there for a few seconds and uses his tongue to swipe over the surface he just marked.  
Jisung watches with his mouth ajar. He takes in the contorted look of concentration on your face, the way your eyelids flutter closed. 
It’s not long after until Hyunjin peels himself off of you then takes your hand to help you sit back up again. In hindsight, you wonder if it was all but necessary to lie down for him in order to give you a hickey. But Hyunjin’s thinking was that to reach your throat, you had to be on the ground. 
“That might’ve been-“ his face contorts with worry just looking at the fresh, deep and reddish mark. “A bit much, sorry.”
“It’s fine,” you respond, trying to act cool under the pressure. “It felt nice anyway. Okay, Hyunnie’s turn.” 
He draws another card, reading it in his mind before his eyes dart to Jisung, “make out…with the person beside you for one minute.”
“W-Which side?” You ask. 
“My left which is-“
“Me,” Jisung responds, pointing at his chest. “Alright then.”
Hyunjin stares blankly at his friend, unsure if he's joking or not, “wait, you’re…you’re serious?”
Jisung shifts his body closer to Hyunjin, his face nearing him, “that’s the game right?”
“Y-Yeah,” he replies sheepishly. “Yeah, okay then.”
“I can set a timer,” you announce.
He’s never done this before - kissed a friend, made out with a friend. For one, Hyunjin knows Jisung has done so multiple times, having been an impartial witness to it. Whether it was while Jisung was drunk, sober, high, it happened. Even with the same gender. 
“Alright,” you say, pulling out your phone as you go to the clock app to set a timer for one minute and place it on the ground. “3, 2, 1, go.”
You’re not sure who it was first that leaned in for the kiss after being so warped by the fact that they were even doing this. It was like Hyunjin offered his mouth and Jisung went for the kill. Both of them started off slowly by the time ten seconds hit. Twenty seconds in and Hyunjin’s hand comes up to the side of his friends’ face when the kiss deepens even further. 
You watch the glide of their tongues move so languidly with one another, doing unspeakable things in between your legs. Similar to Jisung’s reaction when Hyunjin gave you a hickey, your mouth was on the floor. There’s no way in hell could you ignore how hot it was to see them make out. 
After forty seconds, the pace had picked up a notch as they continued to move in sync with one another. Jisung’s hand had made it onto Hyunjin’s lap with some unintentional plan of slowly hiking up his thigh. In his mind, the more touch, the better. He already felt floaty because of the alcohol. Now Jisung touching him, kissing him, was an enhancement. 
At the mark of one minute, your phone rudely blares its alarm. Hyunjin pulls away with red lips, Jisung’s as equally as glossy as the other. They stall for a second, almost as if they briefly thought about going back at it again…
“Minho was right,” Jisung breaks the silence willingly. “You are a pretty good kisser.”
“What?” Hyunjin exclaims, his eyes almost popping out of his head. 
“What?” He whines. “He and I were trying to figure out who in the group would be the best kisser. Minho reckons you are.”
“You say that as if you’ve kissed everyone in the group to try and find that out,” You realise. 
“Well I just kissed him, so it’s everyone except for you now. Which there’s still time for since it’s my turn now,” he responds in a slightly hopeful tone and picks up his next card. “Huh, maybe not - what’s the most amount of times you’ve had sex in one day?” 
“Is that the first truth question?” Hyunjin points out, trying to subtly keep himself calm after what just went down with Jisung. 
“I think so,” you reply. “We’re nowhere near halfway through the deck.” 
“Three and a half,” Jisung answers. 
“And a half?” You and Hyunjin parrot in unison, the confusion very present in both of your tones.
“Halfway through the act, got caught, had to wrap it up and leave,” Jisung explains very succinctly. “It would’ve been four if it weren’t for fucking Seungmin. Doesn’t matter, it’s not like I’m holding a grudge or anything.”
“Sure,” you trail off, trying your best not to laugh at his misfortune while you go to pick up a card. “Uh, lend your phone to the person on your right and let them send a dirty text to someone in your contacts.”
Jisung claps excitedly, “hand it over baby!” 
You roll your eyes, reluctantly passing him your device, “anyone except my family otherwise I probably won’t live to see another day.” 
He takes your phone earnestly with a cheeky and devious expression before delving righteously into your contacts list, “don’t worry, I wouldn’t do anything like that.”
Jisung’s thumb scrolls excitedly trying to find the right person to send the right message to. He pauses over a couple of names and then finds one he thinks will give the most entertaining response. He creates a new message and types in what he wants to say.  
From You: I’m horny. Come over and fuck me.
The silence was palpable as the fate of your dignity rests in your friends’ hands. Once the message is sent, Jisung keeps your phone on standby while you all wait for the response. The sheer riskiness of the dare calls for you to pick up your drink and finish the rest off, knowing that you’re going to need it. 
“What did you write?” You ask him anyway, setting your empty glass aside. 
He looks smugly at the screen again and repeats what he created, “I’m horny, come over and fuck me.”
Your eyes widen in horror, “t-that’s not…who did you send that to!?”
“That’s a bit straightforward isn’t it?” Hyunjin laughs. 
“Doesn’t matter now, your turn, go,” Jisung nods to you.
“Fine,” you groan, snatching up a card. “How many times a day do you get off? Once, maybe twice. Done. Next, you go.” 
Hyunjin blinks in surprise at the information you so rapidly provided and leans into the circle to grab his card, “alright. Choose one person to sit in between your legs for the remainder of the game.” 
“I think considering that he and I just made out, it’s your turn to do something now,” Jisung smoothly contends his point before you could even get a word out. 
“Fair enough,” you respond coolly.
The move is practically childsplay in comparison to what they’ve done so far. Nonetheless, it quickly proved itself to be rather effective on your body. 
Hyunjin tries not to grin and spreads his legs for you to slot perfectly in between them. You’ve been this close to him before - in a hug at least. But never has Hyunjin been as acutely intimate with you as of right now. As he’s pressed up behind you, it’s hopeless to try not to be so affected by such subtlety. The warmth from his body glows like a heater onto your back and the steadiness of his breathing is comforting. 
“Sungie’s turn,” he says from behind you. 
Another card is taken from the deck and Jisung reads once more, “feed someone a food item with your mouth. Okay, but what kind of food?” 
“There’s that bowl of grapes just there on the coffee table,” Hyunjin points over to it. 
Jisung spins around on the floor and sees the assortment of snacks that they had laid out on the table earlier on. He turns back with the entire silver bowl in his lap, popping a couple of them in his mouth and eating away to his heart's content before proceeding with the dare. 
“You’re breathing heavy,” Hyunjin whispers teasingly in your ear while Jisung isn’t looking. 
“S-Shut up,” you utter back to him, trying not to act so utterly embarrassed by the truth he’s managed to highlight. 
Jisung pops in two more grapes and goes to sit beside you before talking with his mouth full, “bo’ o’ ya.”
“Huh?” Hyunjin retorts, trying to decipher what his friend is saying. 
You ponder for a second, “I think he said both of us?” 
Your guess comes up as correct because without a proper verbal answer from Jisung, his actions spoke louder. He leans towards your face first - closer than it has ever been since you’ve known him. The purple grape sits between his teeth as he goes to pass it to you by his mouth. It was awkward to manoeuvre at first, but the pair of you discovered that using your lips is key. By that point, Jisung manages to exchange the fruit as you crush down on the grape that explodes with such a sweet flavour. 
Then, he moves a bit behind you to reach Hyunjin. Both of them struggle to pass the grape without fully touching each other's lips once more. Then again, that was the point of the card that Jisung pulled. 
“Yummy?” he asks, sliding back to his original spot with the bowl. 
“Mm,” Hyunjin hums while he chews. “Sweet.” 
Half of the stuff that you’ve done so far with them makes you realise that you’re not that nervous to do these kinds of things. It could’ve been the alcohol, that definitely helps. But also because they’re two of your best friends and wherever they are, you feel safe in their proximity. 
“My turn,” you say as Jisung picks the top card off of the deck and slides it to you across the floor. “Oh - same as Sungie’s, remove a piece of clothing, socks do not count. Isn’t this just a forfeit card since it’s already been picked up?”
“No, not necessarily?” Hyunjin answers. “Plus, what if you forfeit that one and pick another one but it’s worse?”
He had a good point. It was a very mellow dare in comparison to the others you’ve all completed. With that in mind, your hands find their way down to your shorts, contemplating whether to take them off or not. Considering Jisung already has his top off, you went for the opposite in a sudden spur of confidence that was short lived when you saw the look on your friend's face. 
Jisung’s eyes couldn’t leave where your hands moved as you freed your legs from the fabric, allowing you to remain in your underwear. However, it becomes very apparent to you that taking your pants off wasn’t such a good idea when you know that you’re wet. Whether they knew it, particularly Jisung who had a full view of you, was too late. 
Behind you, Hyunjin was trying to keep himself calm as you moved around a bit, “w-who’s turn is it now?” 
Jumping onto a different topic gave time for Jisung to blink away from your body. He feels guilty for even staring at you like that in the first place. Then again, it’s not like you weren’t doing the same ever since he took his shirt off. 
“Yours actually,” you answer and without any spatial awareness whatsoever, you lean forward just a bit to pick up a card for Hyunjin that your ass slightly pushes back into his crotch in the process. 
After the fact of the matter, you realise what you’ve done. But it wasn’t intentional. You just wanted to pick up a card for him so that he didn’t have to move from behind you. As you come back to sit between his legs properly, you feel his forehead rest against the back of your head - a silent sign to prove he definitely recognised what you did to him.
Although he didn’t say anything because what was there to say to that? In hindsight, it might’ve been better forJisung to just read it out for Hyunjin. 
“H-Here,” you offer the card to him, playing it off. 
He lifts his head back up from yours and takes the item, “what is your dirtiest fantasy and why?” 
Right now if Hyunjin was able to answer honestly, he would say ‘fucking you while his best friend watches.’ But even for a filthy game that they’re playing, he thought it would be inappropriate to say. On top of that, it’s not actually his dirtiest fantasy. He could do way worse but just doesn’t know what at this point in time in his sex life. There was still time for him to explore…
“I haven’t really got one at the moment,” says Hyunjin. “I suppose just real…rough sex.” 
Jisung immediately becomes intrigued, oblivious to the fact that Hyunjin had it in him to admit such a scandalous piece of information, “what does that mean to you though?”
He becomes even more flustered under the heat of his friends’ question, it doesn’t help that he’s nearly fully hard behind you either, “it means things like…choking or hair pulling-”
“What…you like to do those things or those things being done to yo-
“Both, I like both. Anyway, that’s not the question,” Hyunjin interrupts impatiently. “Just move on.” 
It’s difficult for you not to laugh at him, yet as you go to pick up a card - more carefully this time for Hyunjin’s sake - your smile fades quicker than you could blink. Not one doubt crossed your mind about how obscene this game could get. Yet this card refuted all of that. 
“I…get…get yourself off in front of someone,” you mumble in a very quiet voice.
“Get what?” Jisung tries to reiterate. 
Hyunjin’s brows knit in concentration as he reads the card from over your shoulder, “she has to get herself in front of someone.”
An ‘o’ forms in Jisung’s mouth before he responds to that statement, “that’s a…an interesting card.” 
The three of you fall deathly silent to the weight that the dare has you under. Your mind wants you to do it, to satiate that instinctual appetite to pleasure yourself ever since the game heated up. To do so in front of your friends doesn’t appear to be a bad idea which technically it isn’t from the way they already have you unintentionally wet. That in itself said a lot.
Therefore, you spread your legs and bend your knees. 
An expression of realisation washes over Jisung, coming to grips with what’s about to unfold. As for Hyunjin, he can only sit and remain in place as a support for you to lean against when your hand slips down the front of your underwear as you begin to rub. A sigh of warm relief then pushes past your lips. The pads of your fingers collect your damp essence to use as you circle over your clit. 
Already, a hefty volume of pressure is escalating in the pit of your tummy, tingling and spreading throughout your lower half. All from being turned on by the game. The person in front of you and behind you feel the exact same way except the one behind you was already there a long time ago. Their cocks fill out against the inside of their thighs and Hyunjin is positive that you can feel him through his pants. 
“Y/N,” Jisung says. “Does that make you feel good?”
“Jisung,” Hyunjin warns him sharply, not wanting his friend to fuel the fire that’s burning. 
“Mm, y-yes,” you stutter, breath catching at the base of your throat the more you try and push yourself towards an edge. 
It could be better though. It could be the pair of them groping and teasing your body at their will. You know that they both know how to use their mouths with the way that they made out earlier on. Not to mention from the grapevine, you’ve heard about Jisung too; how he knows how to eat pussy. Then you have Hyunjin, who just exposed his fantasy of liking having rough sex. The possibilities with his ideas would be endless and fun. 
With the pair of them, you don’t think you would ever run out of orgasms. Just thinking about it makes your fingers speed up, becoming increasingly more wetter. Your muscles jerk every now and then when you inch closer to the tail end of your orgasm, which causes you to unintentionally move against Hyunjin’s crotch once more. 
“Y/N,” Hyunjin breathes out against you. 
“Don’t touch her,” Jisung snaps. “This is her dare.”
“I-I’m not fucking touching her,” he presses back madly, then mutters just to himself as he hides behind you. “Can’t help it Jisung.”
“K-Keep watching…” you plead. “So…close.” 
Hyunjin’s nails are digging deep into the carpet beneath him and his restraint not to touch you teeters dangerously on the last millimetre of a cliff. He’s throbbing, achingly hard. For you. Jisung can see his friends' knuckles turning white but he understands. He too remains hard in his sweats, which was obvious to you. Even just the slight outline that you can see indicates to you that he’s big.
Your mind starts wondering what that sort of length would do to your body, how would it feel to have inside of you? As you ask yourself those questions, you try to imagine that sensation when you start fingering yourself. 
You whimper pathetically, curling over that sweet spongy spot, “yes, feels so good. Makes me wanna cum…” 
“Yeah? Gonna cum in front of us?” Jisung eggs you on. “Gonna make yourself cum just for us?
Your dozy eyes lock with him just for a few seconds before you nod against Hyunjin’s body, “j-just for you both.” 
“F-Fuck,” Hyunjin squeezes his eyes tight shut, gritting his teeth so much that his jaw aches. 
As that familiar euphoric bliss catches up to you, a silent scream paints over your face while your eyelids clamp shut and your eyebrows are furrowed together, focusing on the pleasure. For a moment, you’ve forgotten that Hyunjin is behind you as you can’t help but shiver helplessly against his body from the waves of your orgasm. Quiet yet very audible moans ring throughout Hyunjin’s apartment, making themselves known as you gradually come down with heavy gasps. 
“Holy shit,” Jisung murmurs in awe, he can see that you’ve soaked through your underwear. 
The large wet and sticky patch makes him want to lurch forward, tear the piece of clothing from your body and taste you for himself. To have his face buried in between your legs would be the Atlantis of his own fantasy right now, to have you use his mouth and tongue until you’re cumming all over again. 
In the moments of quiet when the still air is filled with nothing but your staggered breathing and depleted whimpers as you try to collect yourself, your phone buzzes on Jisung’s thigh - the reply to the dirty text he sent from earlier on.
He looks down at the glowing bright screen and his jaw drops to the floor once more. His mind sobers quickly.
From Chan to You: Again? Still horny from this morning? Alright then, I can come over and give you what you need x
There was no way.
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moonlight-canavalia · 2 months ago
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Sentimentality
It’s been a while since I’ve written and posted anything so here it is. I swear Sylus has not left my mind since I started playing.
Anyways here’s a little Sylus reassurance when you’re having doubts!
Warning: kisses, light teasing, uh implied cunnilingus that’s about to start at the end
If you prefer AO3 here!
Divider by cafekitsune
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There had been a somewhat heavy feeling in your chest that you’ve been ignoring. You’re not sure where that weight is coming from or better yet— that insecurity . Does he really want you for the long run? It seems like it, and though mischievous with his words, he is very forward with his words and action. 
“Sylus, if something happened to me, what would you do?” You ask sprawled out on his bed while he’s getting ready for his meeting. In your mind it sounded like a simple enough question. Honest curiosity laces your tone. His hands suddenly stop, shirt only halfway done. Sylus’s face scrunches up in disgust at the thought of it. Before turning to face you, he makes sure to relax his facial features. “Are you planning to go away, kitten? Any mission worrying you?” disguising his worry in an almost casual tone “want me to tag along? You know I’ll go with you. Just ask, sweetie.”You're still looking up at the ceiling. Arms resting by your side lost in thought. “Hhhmm, just asking. I guess.”Sylus has moved to the foot of the bed, grabbing you by your ankles – pulling you towards him. Surprised by his actions you let out a startled yelp. He’s not sure what’s going on through your head, and he’s not sure how to ask you. While he might be brass, always getting straight to the point there’s something a little off about you today. Your smile isn’t quite reaching your eyes, not as talkative, lost in your own little world. So, he wants to make sure you truly understand and believe his words over all else. 
Dropping your legs at the edge of the bed so he’s able to stand between them he slowly bends down. Caging your body under his to stop you from getting away. His piercing gaze unsettles you for a second, leaving you frozen in place. In a flash his crimson eyes soften, filling with such a warmth that makes you feel like a soothing balm has been poured over the cracks in your heart. “I’d set the entire world on fire and spend the rest of eternity searching for any trace of you in those ashes.”  — He speaks in earnest, deep voice sounding hoarse. Words spoken slowly and low, as if he’s telling the secrets of the universe.  Secrets meant to be kept between you and the four walls of this room. Cupping your cheek with one hand while shifting his body weight on the other to not lose eye contact with you; he adds “Nothing, no one will ever take you away from me. Not the heavens or me getting lost in the nine circles of hell can rip me away from you. I will always search for you and I will always find you.”Lost for words all you manage out is a shaky breath. all as a response. If there’s one thing Sylus is, it is honest. This is something you know, but the profoundness of his words stun you. You feel like your brain is malfunctioning, not being able to come up with words. Eyes wide and watery, you can hear the rush of your blood in your ears. Your heart beats wildly like a trapped bird wanting to escape its enclosure.“I don’t enjoy these questions, sweetie. Especially coming from your pretty mouth” Placing both of his hands on either side of your head, he gently leans in for a kiss, the feeling of his warm breath ghosting over your lips. Giving you a quick peck, then you feel his lips brushing the shell of your ear “You’re mine and you’re not going anywhere”.Wrapping your arms around his neck you gently tug him towards you, so more of his body weight is on you. Just wanting to feel him close, enjoying the warmth of his body on yours.  There are many things you’d like to say, numerous emotions and feelings you’d like to voice. But it all gets tied at the back of your throat. With a lack of words to summarize it all a simple “thank you” escapes your trembling lips. 
Those words mean a lot to Sylus, it’s something he rarely hears. And with the way it fell from your mouth so willingly, no ulterior motives behind it only raw emotions dripping in sincerity; now leaves him lost for words. He hopes you know how much he adores you, how much you mean to him, how you’re the best thing to come into his life. How he’ll always defy fate and search for you. When the time comes he’ll sit you down and recount your past together. Not now though. For now he’ll just enjoy having you with him once again . 
Resting his forehead against yours for a few seconds he decides on staying in tonight. The meeting can be rescheduled, anything can wait when it comes to you. “Let’s just stay here tonight, Sweetie” he murmurs.
“I wasn’t aware I was even invited to accompany you in the first place.” you retort. A small chuckle rumbles in his chest. A sound you can’t get enough of. 
“You would think at this point in time you don’t need an invitation. You’re always free to come with me if you desire” Sylus says, like it should be the most obvious thing to you. 
Rolling your eyes playfully at him you quip “Well personally I prefer to be told that you’d like me there.”  
“I always want you with me. Are you not aware of that?” the silver haired male asks, looking quizzically at you. “Oh.” “Yeah, oh, sweetheart.” he taunted, with the corner of his lips upturning in that dangerous smirk of his. “You’d be wise to remember that in the foreseeable future.”Intertwining his fingers with yours, he pins your hand over your head. Softly he squeezes your hand and you squeeze back. A tender reminder, that both of you are here, together right now. In your mind, you know you both are tied together. There’s a pull that can’t be destroyed between the two of you, you can't make sense of it. It feels like you both have known eachother for lifetimes. Little did you know that's exactly what's happening.  Sylus has crossed galaxies, timelines, time and time again to find you. The bending of time or the fact that he's destined to lose you and find you again again is nothing. You are his love, the person his heart belongs to, he'll turn himself into a monster if it means seeing you once again.  Rising from on top of you he kneels on the floor. Once again snaking his big arms around the back of your knees and pulling your core towards his mouth. This is where I belong. Beneath you, you can do anything to me and I’d be grateful, you can command me to do anything and I’ll do it without a second thought. Ask and you shall receive.” He says while kissing your thighs.
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atrologynuances · 5 months ago
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astrology observations pt 3
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these are based on personal observations as well as acquired knowledge from books, websites, and other observation posts.
(some of these are brutally honest and some are very very general)
all signs included!!
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⚜️ aries mercury are the type of people whose intelligence you don’t hear because their voice is too loud. oftentimes they’re described as hardheaded or bold when in reality they’re the reality check not everyone is ready to cash out. they’re also fairly messy, too many thoughts with no clear direction.
⚜️ aries men make for irresponsible fathers. the ones that are present but in reality they aren’t.
⚜️ libra placements can be very charming! however, this charm can become obnoxious and overstimulating very fast.
⚜️ I never hear anyone talk about how beautiful the eyes of scorpio risings are!! not only captivating and mysterious but they look like they hold the weight of the world in them and with that comes the secrets of manipulating you without you ever finding out. like an online library with an organized database and when they look for your name there, they know all your secrets.
⚜️ talking about scorpio risings, do any of you have weird experiences while you sleep? sleepwalking, sleep talking, people being scared of you when you’re sleeping?
⚜️ natives with north node in the 4th might have more conflicts at home when they find a full time job. it is hard to find a balance between the home and work life. this is more prominent if the north node is aspecting a malefic planet.
⚜️ a specific placement that will love their pet like a mother loves their baby is moon in the 6th!
⚜️ natives with pluto in the 10th house have to change jobs often because their coworkers subconsciously feel these people are overqualified for the job and envy them or envy how fast they were able to get promoted so they start hating on them. this creates a tense energy within the workplace making the pluto native to just quit the job and move onto the next. I find that there is nothing a pluto in the 10th house can’t master.
⚜️ natives with chiron in the 11th house attract friends with the same sun sign chiron is sitting on. this might be true with other chiron placements but it is especially true with chiron in the 11th. the sun sign person will bring challenges and leave the chiron native in the cold. the sun person also tends to belittle the chiron person a lot, thinking they are better than them.
⚜️ most taurus women have long torsos and short legs. I find that they’re also more prone to getting plastic surgery or cosmetic procedures. also, they have a very standardized beauty, like they don’t have a specific feature that sticks out, their face just blends together very prettily to the eye. i’ve also noticed they like gold or gold colored jewelry.
⚜️ gemini risings have gapped teeth. they also tend to have a bigger head than the rest of their body and be on the skinnier side. one thing i’ve noticed is that their energy feels light and familiar but also unknown. like a new friend whose vibes you like but you don’t really know much about them.
⚜️ unevolved gemini moons have a need to be liked by people; they want to feel and be included. in general, when you hear about them from other people they sound mean and intimidating, but when you get to know them they’re actually pretty cool to talk to. they also make for great listeners, and will have you saying things you wouldn’t have confessed to other people as easily or fast lol.
⚜️ sagittarius mercuries are story tellers! what I love about them is they know how to identify the interesting points with the ones that aren’t so their story is always fun to listen to. the thing with them is they’ll tell you the same story multiple times lol.
⚜️ I have personally noticed that cancer mars MEN are more likely to commit domestic violence. this is a very broad accusation I know. it is just an observation i’ve made with celebrities and men with this placement around me. they tend to act out on their current emotions. on the other hand, cancer mars women are veryyyy passive aggressive lol.
⚜️ venus in leo always attract people that get them better jobs, better deals on something or an upgrade of some sort lol. or they tend to be in good terms with a superior which later helps them get promoted.
⚜️ virgo mars are hard workers!!! I love love love this mars sign. they can come off as know it alls sometimes but sometimes they do know it all lol. a lot of actual life experience. they’re the ones you should call if you’re looking for a job, because they always know of a place that is hiring lol. if you ever need something done efficiently, call a virgo mars! not only are they willing to do it, keep if between you two, but they also do it well! three for one deal.
⚜️ a lot of capricorns make bad friends. they’re not the type to embarrass you in front of people type of bad friend, I find that brings embarrassment to them as well and they can’t have that. they are the type to belittle you throughout the friendship to check off their competition list though lol.
⚜️ aquariuses fall in love with their friends a lot! even when they are in a relationship, they still fall in love with other people. they’re very individualistic and if they think being with someone else will bring them happiness they will pursue that without caring about their current situation. that’s why they’re more prone to “sleep around” lol.
⚜️ pisces risings daydream a lot, sometimes they’re ashamed of how far they go when daydreaming. also, pisces risings might look like they’re on cloud nine, but nine times out of ten, they read the room before stepping a foot in it. i’ve also noticed that sometimes they act gullible just to see how others react to it. like you think you’re manipulating them but they’re the ones manipulating you by letting you think they’re actually getting manipulated lol.
guide
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certaimromance · 4 months ago
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𝜗𝜚 Hide & Seek.
Post prison Reid x Reporter!reader
Read part two here!
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Summary: The night with your boyfriend is going perfectly, and you couldn't be happier, until he receives an unexpected call telling him that information about an important case has been leaked to the press, and many doubts about you appear.
Words: 2,5k.
TW: mentions of crime. established relationship. angst without a happy ending. mistrust and lack of communication. english isn't my first language (sorry for my mistakes, be kind please).
Note: Again I apologize in advance for this, but I love exploring Spencer's character and his changes. It's so funny to know that the one from the first seasons would never do this but I love him anyway.
♡ Enjoy! ♡
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Your smile couldn't have been bigger at that moment.
After several weeks of work and no time to see your boyfriend or send him more than two text messages, you finally find yourself humming cheesy love songs next to him and hugging him whenever you want. You had only been in his apartment for a few hours after the universe and all the stars had aligned so that neither of you had to work that night and you could have your long-awaited quality time together. It was certainly much needed for both of you and could be a bit of a celebration for finally getting a raise.
The sweet smell of the candles you both had placed on the table mixed with the ingredients on the countertop, creating a much more homey atmosphere. After much thought, the two of you had decided to make some homemade cookies with different fruits to eat yourselves and give some to your friends. You had always loved baking, especially when it came to desserts, and being able to do it with Spencer was even better. Although you knew he was only doing it to make you happy because he was pretty clumsy in the kitchen.
“I think you have some flour here, sweetheart.” You could feel him running his finger over your face, laughing as he smudged you, then stepping back a little to look proudly at his handiwork. “You look so cute.”
“Really? You want to play, Dr. Reid?”
You raised an eyebrow and gave him a menacing look, and made a quick move to smear some flour on him and get on the same terms. But you barely managed to mess him up a bit when he gently grabbed your wrists and planted a kiss on your lips, pushing any thoughts of revenge from your mind.
“You cheated, it's not fair.” You murmured against his lips as you both pulled away from the kiss.
“I didn't do anything.” He replied in an innocent tone, kissing you briefly before pulling away to feed the cat. “I think this kid has been eating cookie dough because he doesn't want to eat his food.”
“He's an unruly kitten, just like his daddy.” You said as you watched Spencer pet him and laugh at your bad joke.
The two of you had officially been together for almost a year, but you had known each other for much longer. A coffee shop tucked away in the middle of town was the best place for an FBI agent and you, a news reporter, to meet and start talking. From the beginning, you knew there was something different about Spencer, and it was much more than the fact that he was the only man in the country who didn't know you because he didn't watch television and therefore the news you had anchored for years. He didn't care that your face was what people saw every day and that put you in the spotlight, he liked you for who you were and how you thought about the world.
“I think they'll be ready in a few minutes.” You reported after putting a tray of cookies in the oven.
You were about to ask your boyfriend where he kept the dishes, but when you turned around, you noticed he was still playing with the cat and you couldn't help but smile at how relaxed he seemed. It had been a good idea to convince him to adopt the animal that always followed you home and peeked out of the fire escape. Nothing made you happier than seeing him happy, so you followed your instincts and noticed that the kitchen was still organized as usual. You may not have lived with Spencer yet, but you spent more time in his apartment than yours and had already memorized how a couple of things worked, though you were afraid to tell him because you knew he had trouble opening up too much and taking such big steps in a relationship so quickly.
All your attention was on picking out the prettiest plates and pots for the cookies when his phone rang over the counter. Your hands were still dirty with flour and dough, so you didn't hand it to him and could only read that it was Penelope before you saw him answer.
“Yes, I'm with her now. We're making cookies, and yes, I'll bring you some. Yes, she says hello to you too.” You listened as Spencer repeated into the phone with an encouraging tone.
You barely listened to his conversation because you were nervous it was about work and that he would have to leave so soon.
“You're out of milk, I'm going to the supermarket downstairs.” You informed him quietly after checking the fridge, not wanting to interrupt his conversation. “I won't be long.” You finished, giving him a chaste kiss on the lips before leaving.
He couldn't help but smile like a fool at the kiss and stopped listening to his friend's voice on the other end of the phone for several seconds.
“The full profile was leaked to the press, along with details about the crime scenes.” Garcia's voice brought her feet back to the ground.
“What? How?” He asked blankly, needing to sit down to process the information. “We were very careful.”
Spencer thought the case was already closed, he had filled out the profile himself, they had everything they needed to make the arrest, and Emily had insisted on giving him the night off for it.
“We don't know, but it was on the evening news.”
Wait, the evening news? They were the ones you presented every day. It was strange that you hadn't mentioned it, since you'd just come home from work a few hours earlier, happy about your raise.
“Which channel was the first? Who gave the scoop?” His voice trembled slightly, as if he was a little afraid of the answer because his mind was telling him something he didn't like.
There was a long silence for a few seconds and his anxiety increased.
“You need to calm down and not jump to conclusions.” Penelope tried to be the voice of reason at the time and sugarcoated things a bit. But he insisted that he wanted to know. “She said so...she broke the news a few hours ago and I think that was the first network to do it.”
His whole world seemed to crumble before his eyes again and everything was a blur amidst the feeling of betrayal and bitterness that gripped his body. Every thread in his mind began to connect in just a few seconds, and for the first time in a long time, he hated having that ability.
“Reid, listen, I don't think it was her. Emily said we'd fix it, but you should know before you watch the news.” She tried to defuse the situation, but his words only made them feel more betrayed. “I forgot to tell you before because I didn't want to ruin anything, you looked so happy.”
Since meeting you, Spencer had watched at least a minute of the evening news every day just to see you, and everyone knew it. Only today he hadn't because he'd been busy trying to finish the damn profile so he could get off early and spend some time with you.
“We don't want you to jump to conclusions, we all know her and I don't think she would do this. Maybe it's a mix-up or...”
“Don't do that, don't try to make me feel better when she's the only one I tell about the cases.”
And about absolutely everything. He always talked to you about his dreams, his deepest fears, his hopes for the future, his worst moments, and even things he never thought to say out loud, even to his therapist. All his life he had felt silenced until you showed up to listen to even the most complex thought and his mental discussion of possible names for the cat you both shared and treated like a son.
Since his release from prison, his view of the world and himself had changed. He no longer felt worthy of love or anything good until you came along and insisted on entering his heart and saving him from the emptiness he faced every time he woke up in that dark, lonely apartment that you came to fill with light and the smell of cookies.
It weighed heavily on his heart that the bad thoughts that always haunted him made sense.
“I'll be there soon.” He finished, not paying attention to the thousand and one possible explanations and theories Penelope had given him so as not to blame you for everything.
He ended the call and walked quickly to the bedroom to find your computer for answers. You had been staying with him for several days and always used it for work, so it was on the nightstand. He was about to turn it on when the sound of the front door startled him and let him know you were back.
“Spencer? Where are you? Do you want to play hide and seek?” Your voice echoed through the apartment, coming closer and closer to the room.
There was no movement or sound from him, just silence, until you entered the room and saw him sitting on the bed with your computer in his hands. You couldn't help but be a little startled by his expression.
“Are you okay, love? You scared me.” You spoke as you approached him and took his hand lovingly. “Do you need to use my computer? It's out of battery, but the charger is in my bag.”
The strange thing was that Spencer didn't return your affectionate squeeze, he didn't even kiss your hand like he always did. He just froze in place and looked at you as if he was waiting for you to confess to a crime.
“Is something wrong?” You sat down in front of him and grabbed his chin to force him to look at you.
He looked at you for a few seconds and clenched his jaw, pulling away from your touch as if it burned him. “You tell me.”
Confusion washed over you and you bit your lip, trying to think of something that could have changed everything so suddenly. For a second you thought that maybe something had happened at Spencer's work and he had to go now, but his expression and his teary eyes said much more than that. Something serious had happened, you even thought it might be his mother and your heart shrank.
“I know what you did.”
You frowned at his words, trying to find some trace of a joke in all this. “What have I done?”
Once again, the room was filled with silence and his piercing gaze. You made a feeble attempt to approach him to give him some comfort as he looked like he was about to cry, but he rejected you and moved further away from you. He got up from the bed, put the computer down and looked at you as if he expected you to be the one to give the explanation.
“I don't understand this, baby. I really don't know.” You got out of bed and tried to get closer to him.
At your action, he backed away from you.
“Don't call me 'baby'. Don't pretend you don't know what you've done.”
The problem was, you didn't know what you'd done to give him that attitude. It had only been a few minutes since you left and everything was fine, so it didn't make sense that he was suddenly angry.
“I should have seen it coming before, how could I not, why would someone like you notice me? You obviously wanted this, you wanted to use me to get that raise and have all the fresh information.” Finally he seemed to react and started to blurt out everything that was on his mind without any filter. “I was an idiot to think you loved me.”
The confusion in your bright eyes only made things worse for him. His defense mechanism told him that you were an actress, that you must have known him well enough to manipulate him for so long and not even flinch. It made all the sense in the world that the whole perfect relationship you had was a sham, because he never understood how you, who had the fame and beauty to be with any man in the world, could have chosen him, a former addict who had spent months in jail and had more trauma than happy memories, to be your partner.
You took a step toward him, trying to process what he had just said. “I do, you know I love you.”
“Come on, you don't have to pretend anymore, I already know that you leaked the information I gave you about the profile.” He said after pacing the room a few times, trying to control his anger. “And maybe how many times you did the same.”
“Wait, you think I'm some kind of spy or something...you're joking, right?” You tried to make sense of his words, wanting to believe again that it was a joke. It had to be, or the pain you felt in your heart at his rejection would definitely kill you.
The silence that followed his words was enough to know that he was serious.
“You're the only person outside the team I talk to about cases all the time. And you magically get a raise when there's a big leak.” His every word was like a knife in your heart, digging deeper and deeper. “You even broke the news a few hours ago, you're unbelievable.”
That was too much, and it was the move that pierced your heart with the knife.
“Do you really think the only way I can get a raise is to betray you? That I've been pretending for almost a year that I love you for my own benefit? Do you really think I can stoop so low and that my job is worth so little?” You asked him almost pleadingly, as if begging him to tell you no, but in vain. “Tell me it's not so, please. Tell me you don't distrust me.”
Silence. Lots of silence.
“Please...”
He said nothing again and that was answer enough for you. You loved Spencer Reid like you'd never loved anyone before, but you weren't going to let this go. You weren't going to keep begging him to believe you when you told the truth and never gave him reason to doubt.
“Fine. I hope you don't have to come back to me when you realize you made a mistake and ended up with the best you had.”
The pained look you gave him and the tears streaming down your cheeks stayed in his mind as you left your apartment keys on the table and walked away, closing the door behind you at the same time as the oven beeped.
His smile could not have been more nonexistent at that moment.
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jelliedink · 1 year ago
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Ancient Vampire Partner as a Service Top Headcanons
Warnings: Pure smut. Mentions of death, blood, violence. No gender specified, but reader do get periods. Implication of abusive relationship. Author's note: I wrote an extensive introduction to this post, but then I realised that was mostly me rambling. So I decided to get straight (and kinda gay) to the point. Shall we? Divider by @animatedglittergraphics-n-more
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Here's my take on how I think the sexual dynamic between a human and their ancient vampire lover would go:
Your ancient vampire partner knew they had to be gentle and careful with you. Much like us when carrying a newborn puppy, they were aware of how easily your bones could break if they got too excited. Since sex for them was now more of an echo from their human days and not a survival need, they were ok with going without sex for long periods of time, perhaps waiting until you were ready to be turned. For now, they thought it was safer to wait.
You, on the other hand, were very much not ok with this. You were human, your body evolved to make happy chemicals from sex. As if that wasn't enough, the main survival strategy of your partner's species was looking hot as fuck to lure humans, getting their thoughts so clouded by lust that they'd ignore the stone cold touch, the sharp fingernails, the bluish hue of their skin and the sharpness of their teeth. Your whole body went crazy just by looking at them.
They knew you couldn't help it. So, whenever you were needy and in the mood, they didn't mind putting you on their lap, back against their chest, and touch you until you've had enough. They loved being able to make you feel good, whispering on your ear while playing with your body: "What do you want to try today?" "Do you want me to get one of our toys?" "Does it feel good like this?" "Is this intensity enough?"
In the days you desperately needed to feel them inside of you, they ignored their own desire while watching you ride them mesmerised, gently guiding your hips up and down while kissing and caressing whatever part of your beautiful, soft and warm body they could reach. God, how pretty you looked with your eyes out of focus, using their body to get off and scratch that itch.
And when you were too tired they gladly took the lead, paying attention to your every reaction, focusing on how to serve you better: "Hold my shoulders tight so I can reach deeper without hurting you, ok?" "Slow and steady, precious, or you'll be tired before we can have the amount of fun you deserve." "Here, it will feel even better if you touch yourself too."
But they were far from being selfless. The moment you got your period they morphed into a feral and self-serving beast, unable to control themselves any more than a hungry lion would if near a trapped deer. This was one of the very few times they could feed off of you and they were not letting all this food go to waste.
You'd get properly cushioned in a comfortable position, a heating pad on your lower belly, your legs on their shoulders and they would lick you clean. Prepare to be there for a while, no amount of begging would make them let you get up until they're finished. Of course you always tried to. Every time this happened, they'd first try to convince you with love and praises, but their tone got increasingly more authoritative and mean until you couldn't recognise your lover anymore. "My baby, you taste so good." "How can you be so good to me, my little angel?" "Can't you hold on just a bit more? Please? For me?" "Oh, you're being tortured with too many orgasms? You poor thing, that sounds so terrible." "Pretty, you're not getting up. Don't think that you have a choice just because I'm trying to be nice." "Maybe if I show you how painful I can make it you'll realise how good you're having it stop being such a whiny ungrateful brat. You want this, my baby? You want me to hurt you? So don't make me hurt you."
In the end they'd kiss your whole weak body and your puffed teary face while begging for your forgiveness. They'd say they don't deserve you, they are a monster, they just don't know how to control themselves when you smell like this and they were so hungry. You'd be pampered: a hot bath, body massage, your favourite food, that thing you've been eyeing for so long but was way too out of your budget.
They'd do just about anything you ask for. Anything but promise not to do it again.
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hughiecampbelle · 5 months ago
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The Boys Preference: Reacting To Your Tattoos
A/N: I have so many ideas for The Boys cast! Be sure to look out for more posts! I'm updating my request list to include them 😊 I'm sorry I've been a little MIA! I'll be getting back to requests asap! Hope you like it! Feedback is always appreciated 💜
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Butcher loves them. This is not the moment to say something, to react, but he definitely takes notice. You got hurt, really hurt, and the only way to save you was for Annie cauterizing your wounds, buying you a little more time. Butcher didn't need to hold you down, you'd already gone limp, losing all color in your face. He begs you to wake up, to stay with them. There was so much blood. So much red. He was covered in it, seeping through his shirt. Your jacket was thrown off, the collar of your shirt torn, ripped, for easier access to your shoulder and they both discovered the tattoos. Your chest, your arm, neck, you were covered. He had a feeling there were far more, wondering why you never showed any of them. You were always so bundled up, he never even questioned it. He warned you this was going to hurt, though he wasn't even sure you could hear him. Still, as Annie's hands grew bright, he cringes, hoping you were too out of it to feel anything, hoping this would all seem like a far away dream. Hoping you won't mind the large scar that will warp your ink.
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Hughie is pretty intimidated by them. The Boys are already a scary looking group, but meeting you, he thought you were going to bite off his head. Your body was pretty covered. After getting to know you, he realizes how wrong he was. You're snarky and stubborn, but you're also thoughtful and funny. If it were up to you, you'd never hurt a fly, just Vought. Still, every so often you'll do or say something that reminds him of that first impression, especially when you feel threatened or your friends are threatened. You'll show up with a few new ones, filling in the gaps. When it comes to open wounds you're ready to treat it with a strong drink and duct tape. When it comes to your tattoos, you're meticulous in your aftercare. He's never seen you so serene looking as when you're taking care of them, so gentle. Something about that makes him feel like he shouldn't be witnessing it, but he's grateful that he is. When they're in tricky spots, he's the first to offer to help. He works with nervous hands, afraid he'll do something to ruin it. You just laugh, walking him through it.
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Annie knows all about your tattoos. They are, after all, linked to the V in your blood. You didn't start developing them until your late teens, your parents assuming the V they injected was a dud. Images started appearing and with them, your powers. By the time she met you, you were covered. You didn't like showing off to The Boys. You still had a long way to go to gaining their trust. Parading around the fact that you were a Supe wasn't going to help. Still, when it was just you and Annie you were less reluctant to show her. All kinds of images adorned your skin: weapons, insects, animals. You liked the weapons the best. The thing could project itself from your skin as if it were real. In seconds, you had a sword in each hand, as real and sharp as if you'd physically gotten one. The best part? Your skin was indestructible. Every few months, maybe years, a new tattoo would appear, giving you a leg up in the fight against Vought. She thinks you have by far the most interesting powers of any Supe she's met.
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M.M. hates them. Because they're linked to the V you got as a baby, he sees them more of a warning than anything else, the way brightly colored animals are poisonous. He hadn't realized the first time you met, what they were from, and you were smart enough not to tell him. It was only when you were fighting for your life did you use your abilities: the circles on the back of your neck, layered, you let out a sonic scream that shattered windows, set off car alarms, and drew blood. The group that had attacked you were coughing it up, it was running down their necks from their ears. M.M. was far enough away not to be affected, but the way he tells it, he was *this* close to having his insides turned to goo. Some were safe enough to run away. The ones who were closer dropped dead with a wet squelch. He trusts you even less for not telling him. When he breaks the news to everyone else, he's shocked to find out that they either knew (like Annie) or they were unfazed, more impressed than anything else, like you'd become this great asset. You apologize profusely, but you know it'll be a long time before he can even look you in the eyes.
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Frenchie thinks they're so cool. He went with you once and got one of his own: while you were getting a rather large piece finished, he wants to get a smiley face on his ass cheek. Despite the discomfort, Frenchie's all giggles. He's more than excited to show this off to everyone he decides to moon. You try to tell him how to take care of it, but he waves you off. He's eager to show The Boys. He's lucky it heals properly and by the end of the week, everyone he comes into contact with has seen it. Besides that, his favorite thing is to study the ones you have. They're intricate and beautiful and some of them are pretty silly. You never understood the sentiment that there had to be some grand kind of meaning behind them. If you like it, you get it tattooed. He asks questions about them, most done all over the world or, a couple, in prison. He thinks you look badass, especially when you shed the bulky layers and show off what they normally don't get to see. Your back piece is his favorite. When you're wearing something with a low back, or disregard a shirt completely, he can't help but watch you. You're careful, covering them with clothes or makeup so that whatever illegal thing you're doing can't be traced.
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Kimiko asks a lot of questions. Did it hurt? Why that image? What does it mean? How long did it take? You never mind, in fact you like talking about them. You spent enough time getting stabbed, you wanted someone to ask. She especially loves the ones on your hands. They look beautiful as you sign back to her. Some are still a little raised despite how well you took care of them, those are her favorite. She touches them delicately, afraid it might hurt, but you assure her they're all healed. She watches when you're getting changed together, how they move with your skin and muscles. They make her smile knowing you feel so much more at home in your body because of them, something you admitted to her late one night after a few drinks. They help you like yourself, covering up insecurities, making you feel cuter/cooler than you would without them. She's always the first to notice when you get a new one, making a point regardless of the situation to tell you how nice it looks and that she likes it a lot.
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Bonus! Homelander thinks they're horrendous. Disgusting. Just another way you've defiled your body. He can't stand to look at them and made sure you understand that. Around him, you keep them covered, either by clothing or makeup. You know better than to draw attention towards them. Regardless of how you acquired them (Compound V or just an aesthetic choice) you know not to bring them up or let anyone else bring them up. A-Train noticed the one of the back of your neck and that put Homelander over the edge. You were both thrown out of the room. You consider yourself more than lucky. He could have killed you, both of you, but he was feeling generous. He had bigger things on his mind. You knew working for Vought would lead to sacrifices, uncomfortable situations, but being interrogated by Homelander about your tattoos was never something you ever considered. He thinks about using his lasers every time he sees them poking out from your sleeve or pants. But he needs you. As long as he needs you, you're safe. The moment you stop being useful, he's going to cut off every individual image until there's nothing left. Until you look normal again.
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fireflyinks · 6 months ago
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I have an idea for a request :) 💗 sorry if this is long but what if hamzah did one of the solo out of character podcasts and then he invited y/n but then the sexual/romantic tension between them so they stop filming to do other stuff (can be the deed if you want to take a smut route or just making out or being cuddly for a fluffy route!) or maybe 🫣 they forget about the camera and accidentally capture stuff on camera
special guest
hamzah x reader smut
contains : smut, oral sex (both giving and receiving), no p in v, use of y/n, cursing, sort of exhibition (they record themselves but don’t post it), munch!hamzah
a/n : I LOVE THIS SM, munch!hamzah is my new favorite thing to write, i’m obsessed. anon you’re literally a genius. thank you so much for the support on all of my hamzah posts, i love you alllll
18+ MINORS DNI
∗ ࣪ ˖༺ ♡ ༻˖ ࣪ ∗
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Hamzah and I had been friends for a couple of years. Both of us had YouTube channels and lived near one another so we would hang often. There was an obvious connection between us, but Hamzah nor I were bold enough to point it out. The two of us simply enjoyed dancing around the face that we obviously had mutual feelings for one another.
I sat on my couch, editing my latest video when I felt my phone buzz beside me. I picked it up, reading “hamzah” spread across my screen and a .5 picture I’d taken of him. I swiped right to answer the call.
“Hello?”
“Hey Y/n. Are you busy?”
I shook my head as if he could see me, “No, what’s up?”
“Well, Martin is busy today and can’t record for our podcast, so I was wondering if you’d want to come record with me. Like a ‘special guest’ type thing?”
I thought for a moment. I hadn’t seen him in a while just because the two of us had busy, and viewers loved it when we made content together. We actually got shipped a lot, but Hamzah always ignored it, and I never brought it up. Part of me was glad that even the fans noticed that there was something between us.
“Yeah, why not? That sounds fun, when do you want me to come over?”
Hamzah took a beat before answering. “You could come over now, and afterwards we could order dinner or something, yeah? You’ll have to come to Martin’s apartment because that’s where we film, it’s not too far from mine. I’ll send you the address.”
“I’m on my way, see ya in a second.”
“Thanks, y/n, drive safe.” He hung up.
My heart fluttered at his last comment.
I went to my room and quickly put on something sort of presentable. The star of my outfit was none other then a small denim miniskirt.
The drive to Martin’s house was only about ten minutes, but it felt like an eternity. I was way more excited about spending time was Hamzah than I should’ve been.
Once I arrived at the apartment, I knocked on the door. I was greeted immediately by Hamzah. I couldn’t help but noticed as he looked me up and down once he’d opened the door, a small grin on his lips.
“Hey!” He said, pulling me into a hug. It surprised me a bit but Hamzah was always very affectionate with me, even as a friend. He’d play with strands of my hair on late nights after filming when we’d sit and talk about pretty much anything, and would always grab my hand when leading me places.
“Hi” I smiled into his shoulder right before he let go.
“I have everything get up in here.” Like clockwork, he took my hand and led me through Martin’s apartment. I looked around, seeing the scenes that had made appearances in many of Hamzah and Martin’s videos.
“So…” He sat down on the couch, motioning for me to sit to his right, “it’s going to real casual, just like it is with Martin. I might ask you a couple questions about your channel, if you want me to.”
I shrugged, “I’m fine with anything, just happy I could help you out.”
Hamzah smiled, handing me Martin’s microphone and looking at the camera. “Well, are you ready?”
I nodded, and he got up and began recording.
“You gotta just sit here for a second awkwardly while the intro music plays.”
A few seconds went by as we tried not to laugh at the silence. I couldn’t help but notice how his eyes flicked down to my thighs, exposed by my mini skirt, every few seconds.
“Hey guys, today I’m here with someone who is not Martin.”
Hamzah motioned to me. I lifted my hand and gave the camera small wave.
“Hi there, I’m y/n.”
“Martin decided to skip recording today to go roller skating with Mandy.”
I giggled, “Well, I think they sort of trapped you into recording without them so you wouldn’t third wheel them for once.”
Hamzah rolled his eyes. We went on and on, talking about how much better I am at rolling skating than Hamzah is, how ice skating isn’t real and it’s all just an illusion because neither of us can even stand up on the ice, and after about 40 minutes, somehow the topic of none other than Ice Spice.
“Munch is an absolute banger, but I’ve never met a dude that actually enjoyed eating it.”
Hamzah furrowed his eyebrows, “Are you serious?”
“Yeah,” I went on, “like most of them do it but they don’t like it, which makes it awkward. Like I’m yet to meet a dude that actually gets pleasure out of it too.”
There was a slight pause in the conversation, and I was scared I had made him uncomfortable.
“You’re talking to one right now.”
My cheeks flushed as his comment sunk it. I couldn’t respond, no words would come out of my mouth.
“Sorry,” he looked at me worried, “I totally just made it awkward.”
“Nah,” I shook my head, desperately. My heart thumped as I looked back at him. Maybe I wasn’t delusional about our obvious connection. Why in the world would he make a comment like that if he didn’t mean it in a flirty manner? “it’s okay, really.”
I couldn’t get the thought out of my head. Hamzah’s mouth on my heat, suckling on it like it was his last meal, rubbing my clit with his thumb. I bit my lip. The way he was looking at me showed that he was possibly imagining it too.
He shifted on the couch, looking at me desperately.
“I could show you, if you want.”
I nodded dumbly.
“Please.”
Hamzah leaned in, slowly pressing his lips onto mine. He slowly worked his mouth on mine, growing more and more passionate.
His mouth moved down my body, trailing down my neck. He paused, slipping my shirt and skirt off my body and taking a moment to stare at my breasts.
“God, you’re so beautiful, you know that?” Butterflies fluttered in my stomach. “I was so distracted, I couldn’t stop staring at you.”
He rubbed my thighs, looking down at them. It’s like he was mesmerized. “These thighs are so pretty. I couldn’t stop imagining them spread for me.”
Hamzah’s boldness surprised me, but I couldn’t say that I didn’t enjoy his praises. No matter how lewd they were.
“Can I take these off?” He curled his index finger into the band of my panties.
“Yes” I breathed out, shyly.
Hamzah chuckled to himself, “You’re so cute.”
He pulled my panties off of me, spreading my legs and looking down at my aching heat. Leaning down, he slowly kissed my core. I whimpered at the feeling.
“Tell me you want it.”
I bit my lip, looking down at him with pleading eyes. “I want it. I want it so fucking bad, Hamzah.”
Without further discussion, he dove down into my aching heat, swirling his tounge through the folds. I took his hat of his head with shaky hands and ran my fingers through his curls.
He looked up at me for a moment.
“Do you feel good?” He said quickly, wasting no time to get back to his meal.
“Yes! Yes! So good.” I moaned, my legs involuntarily closing in on his head. His hands held them back in place, spread wide for him to have the fullest access.
“You taste so damn good.” He groaned out. It was entertaining, watching how much he genuinely enjoyed this. He moved his mouth like it was his last meal. I’d never felt this much pleasure just from being eaten out, and it was so sweet.
My brain felt all fuzzy from the way his tounge worked through the folds of my heat perfectly, finding all of the sensitive places and causing my legs to shake under his hold.
“Fuck- I’m gonna cum.” I threw my head back, pure pleasure filling my head as I let out breathy moans.
“Go ahead, cum for me. Cum in my mouth, baby.”
I let myself release on his tounge, my body writhing against his working mouth.
After a few seconds, he pulled away, looking up at me with hopeful eyes, almost like he’d expected me to have had a bad experience.
I didn’t. I had the complete opposite; I couldn’t stop thinking about Hamzah’s tounge.
“Fucking wow.” Is all I could manage to get out.
“Was it good?” He asked.
“More than good. That was… can I please return the favor?”
Hamzah was quick to shake his head, “You really don’t have to. I know most girls don’t like to, and I don’t expect anything in return.”
I genuinely couldn’t let myself live knowing that I didn’t repay Hamzah back after he had me seeing stars.
“No, please, I really want to.”
I couldn’t lie, I’d imagined Hamzah’s cock plenty of times. I’d wondered how big it was, what it looked like, how it would feel in my mouth, what he was like in bed, pretty much everything. But now that I might finally get it, I felt more giddy than ever.
Hamzah slowly nodded, “Alright, go ahead.”
I reached down to his jeans, unbuttoning them as he helped me pull them off his legs, followed by his boxers. His member slapped his stomach, and it surprised me just how hard he was solely from eating out.
It was… big to say the least.
I slowly bottomed him out in my mouth, gagging slightly. He groaned, keeping his eyes on me. I bobbed my head, feeling him hit the back of my throat over and over again.
“Fuck, y/n, just like that.”
I continued these motions, occasionally pulling him out of my mouth and leaving small kitten licks on the tip. He was fighting the urge to throw his head back into the sofa, continuing to keep his eyes glued to me. He breathed out shaky praises to me.
“You’re so good at this, fuck. I- I’m gonna cum.”
“Cum in my mouth… please.” I begged, sucking his faster.
He moaned before filling my mouth with his loud. I swallowed it all before taking him out of my mouth, looking up at him shyly.
“Fuck… that was amazing.”
I giggled as we looked at each other for a few moments. It was crazy, the very things I’d been fantasizing about coming true, all because of a podcast episode.
Fuck. A podcast episode.
My eyes darted over to the recording camera, my cheeks flushing. Hamzah was still looking at me, almost in a hypnotic state.
“Hamzah…” I tried to grab his attention, he hummed in response. “The camera…”
His eyes widened as he looked over, coming to the same realization that I had.
“Fuck- sorry.” He got up, pulling his boxers on and walking over to the camera. “I’m deleting all the footage. You can check afterwards if you want. Recording us really wasn’t my intention.”
He was panicking, his fingers fumbling with the cameras buttons.
“Hamzah… relax. It’s okay. You- nevermind.”
Hamzah looks over to me, his eyebrows raised in amusement. “I what?”
“You can keep the recording if you want.” It felt so lewd to say, but I meant it. It was sort of hot, knowing he had that footage of us and could watch it anytime.
He smirked, looking down at the camera and nodding. “Alright… I will.”
I blushed, “Now can we get that food that you promised me?”
Hamzah chuckled, grabbing his phone.
It was strange, a couple of seconds ago we were performing such lewd acts for a camera we’d forgot was recording, and now we were arguing about whether we should get chinese or mexican take out.
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angel-of-the-moons · 1 year ago
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Need Steven with a freak. Let’s say he’s been dating this girl for a while and he’s ready to take it to the next step. He’s super worried he’ll make you all uncomfortable and stuff when he asks but the next thing he know he’s being ridden till the break of dawn
(I’m ovulating I am so sorry-)
OMG SAMESIES AND I. AM. ✨FERAL✨ RN
Please
Steven Grant x Fem!Reader
TW/CW: Smut, just smut af, protected sex (implant), oral sex (m!receiving) creampie, overstimulation
MINORS DNI I AM NOT RESPONSIBLE FOR CONTENT YOU CONSUME
A/N: This lil dress here is what I had in mind for the outfit in the start. (I'm a sucker for sunflower patterns)
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🌒🌒🌒🌒🌒🌒🌒🌒🌒🌒
It had to be tonight. He just couldn't take it anymore. None of them could.
But Steven was the worst about his urges. He felt awkward and worried it would chase you away, the first girlfriend he ever got to finally have; all the others didn't understand his... Problems.
Problems he later learned were triggered by Marc (and in some cases, Jake), but you? You took them in stride, like a duck to water.
The moment he first saw you, his breath had been sucked right out of him. Marc and Jake went dead silent, too.
It was a gloomy, dreary day; the rain coming down in heavy droplets, casting a grim light down on the London streets.
But there you were, walking around the museum, looking at exhibits and scribbling notes in your tiny notebook with oh, so many post-its sticking out, fattening the tiny book until it looked close to bursting.
You were the only ray of sunshine on that day, your yellow dress that hugged your body just right, little sunflowers covering the fabric. Your hair done just the right way to accentuate your face as your eyes studied each artifact and bauble you saw.
To say the boys were instantly smitten was an understatement.
It took weeks of bumping into you to work up the courage to talk to you, and it was only when you came in to buy a rather dinky looking scarab plushie in the gift shop. It's this conversation where he finds out you're in school, trying to become an archaeologist and historian.
Steven's dream girl, and he had hearts in his eyes at every word you spoke.
He couldn't help but blubber out a request for a date, and you agreed.
The rest... History in the making.
You'd been dating for two months, but already he could feel the pull of urges he didn't necessarily indulge in often.
Sure, he, Marc and Jake could indulge in it themselves, trying to take the edge off. But sometimes it felt like the more he indulged in it, the more intense his fantasies got.
He simply couldn't keep tugging his cock for momentary relief anymore, imagining it was your soft hand, your mouth, your tits or something else wrapped around his cock that had him practically drooling: your sweet cunt.
But tonight? Tonight was the night. He was afraid to bring it up because he didn't want you to feel like he was moving too fast; and he could barely function when you admitted you were a little surprised he waited so long. (And teased him a little for how sometimes he just wasn't stealthy when trying to conceal a surprise boner.)
You'd told him that you thought about him too, and that you were more than willing to let him indulge.
But it was from there that you found out that Steven had never actually been intimate with anyone. Jake and Marc had, yes. But poor Steven has just never had the luck.
And that's how Steven found himself in this precarious situation, you on your knees, your pretty little mouth wrapped around his cock as you bobbed your head so sweetly, tongue laving around his length, hollowing and sucking your cheeks with every drag, tracing the vein that ran up the side of him.
He couldn't stop with the babbling praises, the sweet petting in your hair.
Honestly, if you knew he was this weak? You'd have jumped his bones a lot sooner. Probably after the fourth or fifth date. It was rare you found someone who was intellectually a joy to talk to (not excluding Marc and Jake) who was so handsome and sweet to you.
One hand was thrust down into your panties, playing with yourself, dress hiked up so you could have better access as you continue sucking him off, the lewd sounds coming from both of you more suited to a pornography than the quiet air of his flat.
You could feel your orgasm cresting already, but you knew that you didn't want to just cum on your fingers like you had so many times before, you wanted to feel Steven inside of you and god did you want to drain him for everything he had.
Steven made a whine, babbling your name again.
"L-luv, I'm--I'm gonna--ugh--"
He couldn't even get the sentence out before you felt him spill down your throat, his hips bucking suddenly you gagged, carefully adjusting so you didn't choke as he pumped his load into your greedy mouth.
Well... you weren't surprised he didn't last very long...
He immediately started rattling off apologies that had you giggling.
God damn, you were going to enjoy draining him. Maybe Marc and Jake, too.
The blush that spread up to his ears made him look absolutely adorable.
"I-I'm sorry, I didn't mean to--" He stammered out, covering his face. "In--in your mouth, I--"
With the fluid grace of a cat you climb into his lap, straddling him.
You cup his cheeks and kiss him softly, before pulling away.
"You're alright." You assure him, peppering his adorable face with kisses.
It's when he squeezes your thighs and ruts up into you, his face buried in your neck that you realize he's still hard.
You bite your lip and kiss his ear.
"Steven, do you want me to ride you?"
"Ohgodsyesplease." He breathes out on a whimper.
You hastily line his cock up with your hole and sink down, taking him in inch by delicious inch until you're stretched beautifully around him.
You tip your head back with a groan. He certainly had girth for days, that was for sure.
"I'm... Already close. Can you help me?" You say, giving him a sweet pout that makes his heart jump up into his throat.
"Y-yes, I can--"
The way he keeps cutting himself off makes you want to cuddle him and cover him with kisses, but at the same time fuck him until his legs go numb.
Maybe you'd do the former later.
You pull his fingers into your mouth and he makes a soft moan when you suck his fingers, swirling your tongue around his calloused digits until you deemed them wet enough.
Then, you guide his hand down your body to your throbbing clit, and show him the rhythm that'd work for you best.
"Try to keep it in time with me, m'kay?" You groan, grinding down on him in one slow, languid movement.
His eyes roll back, but he nods and keeps his fingers over your clit, massaging the bundle of nerves in time with each downward stroke of your hips.
Every bit of him had you aching, from his electric touches to his fat cock spearing you open and fucking your weeping pussy in the best way possible, you kicked yourself mentally again for not bringing up sex sooner.
Steven's cock felt far better inside of you than your fingers or your toys at home. He felt hot, he felt real. And real is what you'd been lacking lately.
Whatever Steven would give you, you planned on taking happily. You would--
Your eyes flutter open when Steven suddenly arches his back and hits you deeper than you expected him to; opening your mouth in a quiet cry, no sound escapes as your orgasm hits you and Steven continues swiping at your clit, fucking you from below as you shudder and collapse on top of him as he continues breathing on the hot embers of your orgasm to keep it going for as long as possible.
"Please." He whines in your ear.
"Pleasepleasepleasepleaseplease."
"In-inside--" You whimper, biting down on his shoulder, earning a toe-curling moan from him.
"You can do it inside."
He grits his teeth and let's out a hissing cry, veins popping in his neck and forehead as he fucks his spend up into you, his orgasm burning and flaying his nerves raw as he pumps you full.
He drops back onto the cushions of the couch and sofa, breathing hard, desperately trying to drag oxygen back into his lungs.
Reality however, is a cruel mistress and he looks down at where you two were connected.
"Oh, b-bloody hell. I--I didn't--"
"Relax, hon." You giggle, leaning back with one hand braced on one of his knees for support, your other hand trailing lazily down to where his cock still split you open, his cum leaking out around his length. The sight of you sent a dizzying spiral through him.
"I'm safe, promise. I have an implant. Still good for another three years."
The thought that he could keep doing this for three years--
His mind went blank when you grind down on his lap, feeling his cock stir to life despite the fact he was now exhausted.
"L-luv, I... I don't think I can..." He panted desperately.
Your brace your hands on his chest and start bouncing on his lap, grinning wickedly the whole time.
"I'm gonna keep going until I drain you dry, sweetheart. Get comfortable."
The gulp he made was audible in the space you shared, as was the sinful slap of skin on skin.
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xamag-draws · 7 months ago
Text
BBR thoughts 2024
Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies
This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not
So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters
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I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash
I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted
Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it
At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do
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Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction
So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older
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I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet
When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"
But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work
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If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now
I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:
Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)
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I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat
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I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least
I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example
I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep
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I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor
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I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence
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The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers
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Some new Dolly outfits
Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days
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Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo
I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused
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One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book
An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well
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So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)
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jzprncess · 1 month ago
Text
the missing melody ♪
pairing : franco colapinto x singer!reader
faceclaim : various people!
summary : after several months of silence, Y/N L/N, a renowned singer, unexpectedly surfaces at a Formula 1 Grand Prix, leaving everyone wondering about her disappearance. Her arrival catches the eye of a talented rookie driver, intrigued by her in many ways then one.
part 1 out of unknown parts
warnings : some singers do not exist in this au since i might take their songs! read my note before reading!
note : first smau! Let me know in the comments for feedback! I actually had inspiration for this one. i don't think this is too long or too short, so expect the next parts to be the same length! this will be at the cota race in austin in october but with the the baku results because thats when they both got points (the william drivers). i
   ── ⋆⋅☆⋅⋆ ──
F1GOSSIP just posted
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F1GOSSIP after several months of speculation and silence, y/n l/n resurfaced this weekend at a grand prix, and fans are buzzing! our sources say that y/n has always been a f1 fan but has never actually been to a grand prix! why now? did she get bored doing what she was doing? why was she gone for so long?
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username1 WHATTT?!?
username2 wait? MY QUEEN?!?
username3 where? i’m here also!! where is she?!?
username4 she’s still so pretty 😍
username5 NO WAY YOURE LYING?!!?
username6 no one understands how bad i missed y/n!!! 
username7 i almost had a heart attack oh my FUCK
username8 i’m totally not freaking out rn 😊😊
username9 i used to pray for times like this 🙏🙏🙏🙏
username10 DOES THIS MEAN MORE MUSIC? PLEASE ITS BEEN MONTHS IM STARVING!
yourusername added to their story
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username1 we missed you y/n!
f1 hi y/n! we’d love to have you come down and join us in the paddock! let us know if you’re interested!
y/n’s pov
I stare at the text message from the F1 account on Instagram, my thumb hovering over the screen. It’s been months—months of quiet, isolation, and letting the world forget me while I tried to remember myself. I glance around the room, so used to its stillness. The familiar hush, once comforting, now feels almost suffocating. Outside the window, life goes on, people go on, and I’m here, still debating whether I’m ready to step back into it.
My eyes drift over the message again. Maybe it’s time. Time to hear the noise, to feel the movement, to breathe in more than just silence. I sigh, gathering the courage I didn’t realize I still had in me. With a deep breath, I pick up my phone and click on the message. It’s time to be out there again.
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I turn off my phone and place it face down on the table, the screen going black as if signaling the shift I’m about to make. My eyes wander out the window, where the grandstands loom in the distance, already buzzing with life and anticipation. A knot of nerves twists in my stomach as I realize what stepping back into the limelight really means. After months of silence, the thought of all those eyes on me again makes my breath catch in my throat.
I close my eyes for a moment, taking in a few deep breaths, willing myself to calm down. The air feels cool and crisp against my skin, a slight contrast to the rising anxiety inside me. Reaching for the complimentary bottle of sparkling water on the table, I unscrew the cap, the soft hiss breaking the quiet. I take a sip, hoping the bubbles will settle me.
Just as I set the bottle back down, I catch movement out of the corner of my eye—someone walking toward my table. My heart skips a beat, but before I can gather my thoughts to say something, they speak first, breaking the moment.
“You must be Y/N! Hi, I’m Diana (not relevant to anyone irl), here to guide you down and give you the paddock tour!” Her smile radiates warmth, as if it spreads from her lips all the way down to her toes, instantly putting me at ease.
I return the smile, though mine is softer, still testing the waters. “Yes, that’s me.” My voice feels steady, which is a small relief.
I stand up from my seat, taking a moment to smooth down my outfit. Carefully, I push the chair back into place, making sure every movement is deliberate, giving myself just a little more time to adjust. I reach for my phone, sliding it into my back pocket, the familiar weight grounding me. Then I pick up my purse, feeling its soft leather strap slide over my shoulder as I take a deep breath.
“Ready?” she asks, her eyes sparkling with excitement.
I nod, feeling a mix of anticipation and nerves swirl inside me as I let her lead the way, stepping back into a world I’ve been away from for so long.
As we make our way through the winding hallways of the paddock, the hum of activity grows louder with each step. My heart beats in time with the click of my heels on the hard floor, and I can feel the familiar rush of anticipation building as we head down the stairs toward the grid. With each step, I mentally brace myself for the crowd—the faces, the voices, the attention. It’s been so long since I’ve been in the thick of it all, and I silently rehearse how to hold myself together.
Just as my nerves start to rise, Diana slows her pace and falls into step beside me. Her presence is steady, comforting. “If you ever want to head back up during your time down here, just let me know,” she says gently, her voice low enough that it feels like she’s speaking just to me, despite the noise around us. “The team let me know you might be feeling a bit nervous with how sudden all this is.”
Her words catch me off guard, and my heart skips a beat, warmth spreading through me. The thought that the team has gone out of their way to make sure I’m okay—that they’re taking precautions for me—feels incredibly thoughtful, almost protective. It’s more than I expected.
I can’t help but grin, the tension in my chest loosening just a bit. “That’s really sweet, thank you,” I say, my voice light with gratitude. Knowing they’ve got my back makes everything feel a little less daunting.
I smile as I hear the start of one of my songs, love story , start playing (by taylor swift) in the background. As I start to hum, my phone dings.
I took my phone out of my back pocket and looked to see a message from Williams Racing on instagram.
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I slip my phone back into my pocket, feeling its familiar weight settle against my hip. Turning my attention to Diana, I notice she’s mid-conversation, her voice lilting as she discusses the unusually warm weather for this time of year. The sun beats down, making the air almost sticky, and I can feel a light sheen of sweat beginning to form at the back of my neck. I clear my throat with a small cough to get her attention before speaking.
“I’ll be alright now,” I say, my voice sounding steadier than I feel. “I got invited to the Williams garage.”
Her eyebrows lift in mild surprise, and she tilts her head with a curious smile. “Oh? That’s nice. I can walk you there if you’d like,” she offers, a hint of genuine warmth in her tone as she falls into step beside me.
I nod gratefully, returning her smile. “Thanks, I’d appreciate it.”
As we make our way through the crowded paddock, the buzz of activity surrounds us. The hum of engines revving in the distance, the faint scent of burning rubber, and the excited chatter of fans create a sensory tapestry that is unmistakably Formula 1. The Williams garage is up ahead, its blue and white banners standing out among the sea of team colors.
Just as we draw closer, I spot a familiar figure—Mr. Vowles, the team principal, standing by the entrance, his hands clasped behind his back as he speaks with a group of engineers. There’s a calm authority in his posture, even as the hustle of the race weekend unfolds around him.
My pulse quickens as we draw even closer to the Williams garage. The flurry of activity around us feels almost suffocating, and I can’t help but notice the curious glances from passersby. It’s my first public appearance after months of being away, and the weight of those unsaid questions hangs heavy in the air.
As we approach the entrance, Mr. Vowles looks up from his conversation, sensing our presence. His expression shifts from concentration to a welcoming grin, the lines around his eyes crinkling with warmth. “There you are,” he says, his voice carrying a tone of easy familiarity. “Hello, Y/N! I’m James Vowles, but please, just call me James.”
He extends a hand, his demeanor friendly and inviting despite the bustling surroundings. There’s a hint of recognition in his gaze—like he’s aware of who I am, or maybe just curious about the singer who suddenly vanished from the limelight.
I hum softly, finding my voice as I step forward to shake his hand. “Hi, it’s nice to meet you, James.” I offer a small smile, hoping it comes across as more confident than I feel. “Thank you for offering up your garage for me. I appreciate the hospitality.”
His grin widens, and there’s a flicker of something in his eyes—respect, perhaps, or a subtle acknowledgment of the unspoken stories that linger between us. “Our pleasure. It’s not every day we have a special guest with such a storied background. You’re more than welcome here.”
Diana hums thoughtfully and glances at James, a playful glint in her eye. “I leave her in your care,” she says with a smile, her tone light but sincere. She then turns to me, her expression softening. “It was nice to meet you, Y/N. Until next time,” she adds, giving me a small wave before turning on her heel and walking off, her figure soon blending into the sea of people.
I’m left standing at the entrance of the garage, the faint sounds of machinery and chatter surrounding me as I take in the unfamiliar scene. There’s a moment of hesitation, the feeling of being out of place creeping in despite the warm welcome.
“So… what now?” I say, glancing up at James with a faint chuckle to mask my uncertainty. “I’ve never been to one of these before. No idea what I’m supposed to do.”
James chuckles at my honesty, his eyes glinting with amusement. “Well, I’m sure Diana gave you a good tour around the paddock and the grid,” he says, crossing his arms casually. “But how about meeting the drivers? I’m sure Alex and Franco can spare a few minutes to say hello.”
There’s a friendly enthusiasm in his voice, as if he’s eager to make me feel at home in this high-octane world. The idea of meeting the drivers piques my curiosity, and a hint of nervous excitement stirs within me.
I perk up at the suggestion, though the flutter of nervousness in my chest is hard to ignore. Meeting the drivers feels like venturing into unfamiliar territory—a glimpse behind the curtain that I’m not entirely sure I’m prepared for. I’ve spent so long away from the public eye that even casual encounters seem daunting, like I’m out of practice.
“That sounds great,” I reply, managing a genuine smile despite the unease tightening in my chest. “I’d love to meet them.” My voice wavers just a little, betraying the anxious energy simmering beneath the surface. “I’ve seen Alex race on TV before, but I’ve never actually met a driver… or been this close to the action.” I laugh softly, hoping it comes off as lighthearted rather than strained.
“Lead the way?” I add, glancing at James with a mix of eagerness and uncertainty, my hands fidgeting at my sides. There’s excitement, yes, but also the familiar weight of anxiety, making me wonder if I’ll manage to fit into this world—or if I’ll just feel out of place all over again.
f1 just posted!
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f1 a little birdie told us y/n is in the williams hospitality! it looks like williams was the only team to invite y/n inside or the only team she was interested in? #F1 
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username11 i doubt williams was the only team to invite her!
username7 why’re you making it sound like the other teams dislike her? 😭
username2 i still can’t believe y/n is outside 😧
williamsracing the little birdie is correct! she’s safe and sound with us! 💙
↳username11 does this mean she’s meeting the boys???  
↳williamsracing she’s about too! 
username3 but what does this mean musically? is she back? #imdelusional 
third pov
James had sent a message to the drivers’ group chat well before inviting Y/N to the garage, giving them a heads-up to expect a couple of guests later in the day. In the text, he made it clear that they should stay put in Franco’s room and be on the lookout for their arrival. With James’s usual eye for organization, he had made sure to emphasize the importance of keeping things discreet, hoping to avoid any unnecessary chaos in the busy environment.
Inside Franco’s room, the air buzzed lightly with anticipation. Alex and Franco were seated on the worn leather couch, chatting casually about their upcoming schedules. The conversation meandered from the logistics of travel to plans for the off-season, each driver sharing his own ideas for how to make the most of the downtime. Their words overlapped occasionally, excitement rising as they discussed possible locations for training and leisure.
Suddenly, a sharp knock interrupted their conversation. Both men paused, glancing at each other before Franco rose from the couch, crossing the room to open the door.
Franco approached the door, turning the handle and pulling it open just enough to catch a glimpse of James standing on the other side. As recognition set in, he swung the door wider, making room for James to step through. A moment later, Y/N appeared behind him, her presence drawing immediate attention as she trailed closely after James.
James strode confidently into the room, his usual air of authority softened by a hint of excitement. “There’s someone I’d like for you two to meet,” he announced, his tone carrying just a touch of mystery. With a subtle gesture, he stepped aside, allowing Y/N to take center stage, her figure framed in the doorway as the focal point of the room.
As Y/N stepped into the room, Alex’s eyes flicked over to her, and he stood up slowly. He knew of her—the whole world did—but seeing her in person, especially after her months away, was different. She held herself with a quiet determination, though there was still a hint of uncertainty in the way her gaze briefly dipped to the floor before rising again.
“Hi, I’m Alex,” he said, keeping his voice soft and extending a hand. He noticed only the slightest hesitation before she took it, her grip firmer than he’d expected.
“Nice to meet you,” Y/N replied, her voice steady. She met his gaze, her expression composed but carrying a guardedness that suggested she was still finding her footing. It wasn’t shyness, exactly, but a careful control—like she was reminding herself to be present in the moment.
“It’s good to see you here,” Alex offered with a gentle smile, his tone casual. “Hopefully, things are looking up.”
Y/N nodded, a small smile touching her lips. “Trying to,” she said, her voice a little stronger now. There was more left unsaid, but she seemed willing to let the silence speak for her rather than rushing to fill it.
As Alex stepped back, Franco took a step forward, his gaze irresistibly drawn to Y/N. The moment their eyes met, the world seemed to still, and time stretched in that small space between them. His breath hitched as he glimpsed something in her expression—more than just shyness. It was a quiet determination touched by a vulnerability that tugged at something deep inside him.
“Franco,” he introduced himself, his voice unexpectedly tender. There was a softness in his gaze, as though he could sense the silent courage it took for her to be there, facing the world anew.
“Y/N,” she replied, her voice steady, yet intimate, as if sharing a secret. She held his gaze for a heartbeat longer than necessary, then looked away—not out of hesitation, but as if deciding how much of herself to lay bare.
“It’s nice to meet you,” Franco murmured, the warmth in his tone matching the gentle curve of his smile. He kept a respectful distance, aware that while she exuded strength, there was still a part of her that seemed fragile, as though testing the waters.
“Likewise,” Y/N responded softly, her hands settling at her sides. She resisted the impulse to fidget, letting the moment linger between them. The silence that followed felt almost deliberate, as if it was allowing something unspoken to take root. Franco found himself drawn to the quiet resilience she radiated—a kind of beauty that seemed to unfold with every second he spent in her presence.
y/n’s pov
After a while of simple yet engaging conversation, I found myself feeling more at ease. I shared how I had always been a fan of racing, my voice growing steadier as I spoke. “There’s something thrilling about watching it unfold on screen,” I said, trying to convey my excitement.
Alex leaned in, intrigued. “That’s great to hear! It’s always nice to meet fans who really appreciate the sport.” His enthusiasm was infectious, and I couldn’t help but smile back at him.
Franco nodded, a smile on his face. “It definitely takes a lot of dedication to get here. Every race pushes us to prove ourselves.” His sincerity made me feel even more connected to their world.
As the conversation shifted to their plans for the day, Alex described the strategies for securing points in the race, his passion evident. “It’s all about timing and reading the situation,” he explained, and I listened intently, occasionally asking questions to show my genuine interest.
I relished this moment, enjoying the chance to connect with them. For a brief time, the weight of my absence from the limelight felt lighter, and I was just another fan in the room.
Just as they began to delve deeper into the day’s logistics, James cleared his throat, breaking the moment. “Time to head back to the paddock area,” he announced. “The pre-race interviews are about to start.”
I felt a twinge of disappointment at the thought of leaving this conversation behind, but I nodded. “Good luck out there. I’ll be cheering for you both,” I said sincerely, glancing at both drivers, though my gaze lingered on Franco a beat longer, as if the words were meant just for him.
As I followed James toward the door, I glanced back over my shoulder, catching Franco’s eye one last time. I offered him a small, lingering smile, hoping to hold onto the quiet connection we had just begun to form, even as we braced ourselves for the chaos of race day.
F1GOSSIP just posted!
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F1GOSSIP oh? Is this just franco being his charming self or is something brewing? this is after franco got asked how meeting y/n was. If you have the full clip, please send it in!
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username2 me when y/n announces new music #imdelusional 
username9 no! y/n’s mineeee stay back 🤺🤺🤺
username1 my reaction when i see my leftovers still uneaten in the fridge 
username3 let’s not get carried away chat
username8 they’d lowkey be cute ,no?
username4 here goes mr rizzler
username5 we think y/n giggling at this or not even knowing that he’s basically down bad? 
As I gaze out the window of the paddock suite, my heart thrums with a mix of anticipation and anxiety, waiting for the drivers’ parade to conclude so the race can finally commence. The vibrant colors of the team uniforms blur together in a whirlwind of excitement outside, a stark contrast to the stillness within me. 
I’ve spent so long in hiding—wrapped in the suffocating embrace of identity crises, exhaustion, and a profound sense of disconnection from everything I once held dear. The weight of fame had become unbearable, each flash of a camera a reminder of the lack of privacy I craved. I’d watched as my personal relationships—family, friends—slipped through my fingers, one by one, until I was left with only echoes of laughter in empty rooms.
For the past several months, my life felt like an endless loop of anxiety and depression, a tangled web of emotions that left me feeling isolated and unrecognizable even to myself. The music that once flowed so freely from my soul now felt like a distant memory, a faint whisper drowned out by the noise of my insecurities.
I close my eyes, massaging my temples gently as I let the world around me fade into a soft murmur. The noise of the paddock, the distant roar of engines, and the chatter of eager fans all blend into a soothing backdrop as I focus inward. I think long and hard about what I truly want to do, contemplating the next steps I need to take to reclaim my sense of self and direction.
Images flash through my mind—memories of laughter, music, and the vibrant life I once lived, alongside the shadows of doubt and uncertainty that have lingered for far too long. I sift through these feelings, weighing the burden of expectations against the freedom of possibility. It’s not just about what others want for me; it’s about what I want for myself.
I draw in a deep breath, letting the air fill my lungs as I clear my mind of the noise. Slowly, I allow the weight of indecision to lift, replaced by a flicker of clarity. I envision the goals I’ve set aside and the dreams that still ignite a spark within me. With each thought, I feel a renewed sense of determination taking shape.
Finally, I open my eyes again, and the world around me comes back into focus, sharper and more vibrant than before. There’s a newfound sense of purpose coursing through my veins, a conviction that I can chart my own course and embrace the unknown. I sit up a little straighter, feeling invigorated by the possibilities that lie ahead, ready to take the next step with confidence and resolve. With all that said and done, I picked up my phone with an idea in mind.
yourusername just posted!
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yourusername I’ve tried in so many ways to come back, but I always took a U-turn, doubting myself and slipping deeper into a place I never thought I’d find myself in. The past several months have been a struggle—a relentless cycle of exhaustion, anxiety, and moments of profound loneliness. The weight of the spotlight felt more like a shackle than a blessing, and I lost sight of who I am and what brings me joy.
I hope you guys miss me as much as I missed you. It’s hard to be away from the people and things I love, especially when music has been my lifeline. I spent so long in my own head, pushing away friends and family, that I forgot how vital connection is to my soul.
But here I am at a Formula 1 Grand Prix, surrounded by the roar of engines and the thrill of the upcoming race, feeling that spark igniting again. This moment is a powerful reminder of the joy that comes from pursuing what we love. I’m learning to embrace the chaos and take the first steps toward rebuilding my life, piece by piece.
So, this isn’t just a post; it’s a promise. I’m finding my way back to music, to the stage, and to myself. I can’t wait to share new songs with you, but more importantly, I want to reconnect with you all in ways that matter.
Stay tuned, because I’m not just coming back; I’m coming back stronger, and I have so much to share. 
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username1 the scream i just scrumpt and the race hasn’t even started yet!!!
username2 god answered my prayers and i’m not talking about lando world domination!
↳username10 lando we can be world champions i said!! 🧡
username3  lowk just got chills omg
username4 NEW MUSIC COMING ALERT!!!!
username5 it’s too early to be crying 😢
username6 WE MISSED YOU MORE!!
username7 you’re never alone y/n! i’m here 🤗
username8 lowk heartbreaking knowing the reason you left was due to struggles and not because you wanted to go on vacation or something 😔
username9 my queen, im deeply glad to have you back with us 💕
williamsracing ay, i see the williams team! the team will always be here for you y/n, especially when you need motivation and support! 💙💙
↳username5 ok now im sobbing
↳username11 this is deadass too cute 
↳username2 who’s cutting onions?
I shut my phone off and tuck it into my purse, sealing away any connection to the world outside this moment. No more notifications, no more distractions—just me, here. I glance around the paddock, surrounded by a sea of busy engineers, media personnel, and team members, all bustling with excitement as the race is about to begin. The walls of the hospitality suite insulate me from the noise of the crowd outside, but I can still feel the thrum of energy reverberating through the glass.
I shift my focus to the grid on the screen in front of me, watching the drivers as they line up in their spots, engines purring in anticipation. Outside, the Texas sun beats down relentlessly on the Circuit of the Americas, casting long shadows on the track. I can feel the tension building, a nervous buzz in the air as the seconds tick down to lights out.
I take a deep breath, but it’s not because of the race about to unfold. No, this moment is about something much bigger. The relief that comes with turning off my phone is like a release—a tangible sense of freedom I haven’t felt in what seems like forever .And now, watching the cars settle into position, the drivers preparing for the challenge ahead, it feels symbolic—like I’m waiting for my own race to begin.
The engines rev louder, vibrating through the floor beneath me, and I exhale slowly. The lights above the starting line flash red, one by one. My heart pounds in time with the countdown, but this time, it’s not out of fear or anxiety. It’s out of anticipation. I’m ready. As the lights blink off and the cars roar forward, I feel it—this is the start of something new, not just for them, but for me too. My own restart, right here, right now.
✦ .  ⁺   . ✦ .  ⁺   . ✦
taglist : @heluvsjappie @awritingtree @steamy-smokey
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cipheress-to-k-pop · 8 months ago
Note
Hello, Happy Holy Ramadan. I know your request box is closed, but when your request box is opened, can you make this request? if it doesn't bother you, could you do Long Ramadan headcanons for Damian Wayne and the reader? I saw your Damian wayne x muslim reader post before. And I thought it was appropriate to ask you this. If this request bothers you, feel free to ignore it. Have a nice day 🩷🩷🩷🤚
Ramadan HCs
Muslim!Damian Wayne x Muslim!Reader
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hey there sweetheart and Ramadan Mubarak <3! firstly i'm so sorry that it took me so long to respond to the ask! im ashamed it took me a year honestly. requests are closed but i still wanted to be able to write for this because we obviously need more muslim representation and also the last time i posted the muslim hc for damian there were just so many of the readers who texted me or sent asks or commented saying that they really appreciated the representation
anyways i wasn't sure if i was going to respond or not because it has been a year but since it is currently Ramadan and it's going to end very soon I figured why not
Thank you for being so respectful in your ask, I really appreciate it and I hope you like it. Hope you have a very blessed Ramadan and wishing everyone a lot of health and happiness during this time. Even to my non-muslim readers, I hope you all are doing well and you're all healthy <3333
also i know that there is a very slim chance of this happening because all of you are amazing but i will not tolerate any hate of any kind. if you
your first Ramadan after being married to Damian was certainly a new experience
before being married, you were just used to your parents handling everything for you
by the time you wake up for suhoor, the table would be set
by the time you'd be home from university, your mother would be waiting by the door with a date and a glass of water
so now that you were married and you had to handle everything on your own, it took a little bit of getting used to
luckily for you, Damian is a very hands on type of man
he's the kind of person who'd just drink a cup of water or a glass of milk, maybe a couple of dates or a fruit and he'd be ok for the remainder of the day
but god forbid you even think of doing the same thing
he'd just about have a heart attack
absolutely not
initially, he'd request Alfred to make meals for you so he could bring them home for the both of you to have suhoor together
just until the both of you got the hang of it
after that damian would either help you cook before patrol so there would be food ready for the both of you
or he'd swing by some restaurant that was open and grab some takeout for the both of you
he'd heat up the food and set the table and making sure everything was absolutely ready before finally waking you up
practically carrying your sleepyass to the table and handfeeding you so he can make sure you're eating properly
since he handles suhoor, you handle iftar and keep the table set so you can eat together
you could always just stay at the manor so you wouldn't have to worry about the meals, like bruce or dick have suggested so many times
but you prefer living alone with your husband
no offense to them at all
but it's just easier for you to maintain your modesty at your own home
anyways
your marriage gets really tested during Ramadan
the two of you are barely getting any sleep and it's difficult for you both to get used to
the only time that you both spend together and are completely present is when he should be patrolling
the lack of sleep makes you both kind of cranky
and it's difficult to not snap at each other
eventually you both get pretty tired and exhausted and just slip into routine
but of course it's nothing some sleep and some time spent together can't solve
and since you've been trying to reduce watching movies and listening to music during the holy month, you end up playing board games together or going for long drives together where you just talk and talk and talk
you thought you were extremely secure in your marriage
that was until you saw damian pout and give you the silent treatment after losing a game of gin rummy
then claiming you shouldn't be playing a game called 'jinn' in the first place
not swearing or talking shit during ramadan was especially hard for him
especially with tim and steph yelling 'fi ramadan?' at him everytime he makes even the slightest snide comment
you find it hilarious but i digress
whenever you go to the masjid for nightly prayers, damian and you will go and find a new ice cream place to try out late at night
you mention in passing how the women's side of the mosque is so bland compared to the men's and damian immediately looks into getting the mosque refurbished so that you and other women can enjoy it
damian's shoes get stolen once and the great detective actually couldn't find out who it was
you hear him complain about it constantly
CONSTANTLY
this time is when you both really lean into the adorable muslim couple aesthetic
matching prayer mats with each of your names embroidered on it
matching tasbih
and other things you get the picture
you both go all out for ramadan and decorate your home from top to bottom
since you both don't really celebrate many of the western holidays, he really wants to make this a memorable time for the both of you
and so do you
you hold an iftar party at your place many times with all your friends and family
it started out with you just inviting everyone but eventually it became a weekly potluck, which you really appreciated
bro damian is more excited about Eid than you are
he literally has to keep reminding you to get your dress ready for Eid al fitr
because he wants to get a jubbah in a matching color and surprise you
you know how you have those cute texts of girlies asking their bfs for their opinions on their nails?
the exact same thing
except with HENNA
you send him like 100 different pictures a week, planning which design you want to wear for Eid
he responds to all of them with utmost seriousness
obviously, he's an artist
he knows whats the difference between arabic and indian designs for henna
but secretly he's wondering why you're sending him so many when you only have 2 hands
but um hello he's never going to tell you that
because it's ramadan and obv ramadan related stuff is going to be appearing on everyones fyp he has to deal with both you and dick sending him videos of the scholars being funny (iykyk)
hey guys let's start ramadan w a bang
also has to deal with jason asking him CONSTANTLY how he's still able to walk around when all the demons are supposed to be locked up for the month
plus he has to now deal with you watching mukbangs and restaurant reviews and crying to him about how you're starving
why on earth did silent asmr mukbangs of wingstop get so popular only during ramadan?
believe me every single prayer damian makes during this month, he is thanking god for bringing you to him and praying for your health and your happiness
when you found out, you cried in his arms for a good solid 5 minutes
he also secretly kind of prayed for kids on laylat ul qadr but you didn't hear it from me
not only is this month really special for the both of you, you take it as an opportunity to give back
damian has wayne enterprises run soup kitchens for the entire month and they serve all people meals as well as suhoor and iftar
you both volunteer there personally
you donate money of course and damian will tell you that everytime he does it, he feels fulfilled in a way he never has before
you honestly feel so proud of the man you feel blessed to call your husband
also, like the perfect husband he is, he sends gifts and food to your parents
who quickly begin to regard him as better than your own siblings
much to his secret pleasure
uk i wish i could keep going
honestly ramadan is such a magical and rewarding time of the year
and you are so happy to spend it along with damian
P.S.
while damian completely understood the point of sacrificing a goat for Eid al adha
he still cried about it to you the night before out of guilt
you definitely donated the meat that came out of that
Forever Taglist:
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DC Taglist:
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jeonsbabygirlsworld · 11 months ago
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SUMMARY: In which you are about to give birth, but Jungkook won't stop panicking.
PAIRINGS: Husband Jungkook X Wife Reader
WORD COUNT: 1.4k
WARNINGS: Childbirth, Screaming, fluff, crying,SO MANY kisses. Dad kook >>>
A/N: Hello all I hope you all are doing good. I thought of releasing the first part as 600+ followers here :0. Also, I'm sry to say @ahgasegotarmy116 won't be collaborating on this series anymore and I'll try to post the drabbles from now. Thank you for the cutest banner @ahgasegotarmy116 and I hope you like the first part of series please like, comment and reblog. <3 ❤️
Sitting in front of the TV and watching your favorite show you start to feel a few cramps here and there. Being nine months pregnant can sometimes be concerning but you had called your doctor a few times to make sure that experiencing things like this was normal he said that you shouldn’t worry too much since they never lasted more than a minute or two. At this point, all they’ve really suggested is that you sit there and wait it out for a few more days until your baby girl decides it’s time to come out. 
Jungkook being the ever-doting yet mildly nervous husband is always ready to drop everything to help you. He massages your feet, helps you take a bath and even helps you shave if you want him to. Even after he’s had a long day at the office. He never complains, he just wants to make sure you and the baby are always okay. 
While he was in the kitchen grabbing you some snacks and making you your favorite chamomile tea you started to feel the baby start moving around but it seemed pretty normal, so you thought nothing of it. Soon though you started to feel a really rough contraction running through what felt like your whole body and leaving your back aching and you letting out a huge groan in response. 
“Shit are you okay? Jungkook asks, running up to you panicking and hands you a glass of water, trying to think of something that might help. You let out another groan in pain and he starts to realize that it might be time. “I think the baby is coming,” I say, trying to stay calm and ride the wave as the next contraction starts. 
I’ll go get your hospital bag and we’ll leave as soon as possible. I’m here okay don’t worry” he says in a hushed tone, doing his best to help me stay calm before he starts running all over the house and makes sure that we have everything that we need. He packs a bag for himself quickly throwing random things he thinks would be helpful and rushes back over and helps me walk out the door. 
“Okay let me help you stand up. One, two, three-” Jungkook says "it's okay I’m not helpless so please stop worrying so much. Let’s just make it there as soon as we can” he nods in acknowledgement and makes sure to help me nonetheless as he walks me over to the elevator that takes us down into the lobby so we can head outside to where our car is parked. He helps you sit down in the passenger seat and closes the door for you before opening the door to the backseat quickly and packing everything into the car as quickly and carefully as he can so we can get on the road. 
He runs back into the apartment to grab a few more things and while he’s gone you let out a few tears just thinking about the fact that the next time you come back here you’ll be bringing your beautiful baby girl home. 
He rushes back to the car a few minutes later with the last few things he had forgotten including your Favorite wool sweater and your warm winter coat. “We’ll be there in a few minutes love, don’t worry everything's gonna be okay” he says leaning over and giving you a quick kiss before sitting back and putting his seatbelt on. “Everything is gonna be okay,” he says more to himself starts the car pulls out of the parking lot and rushes to the hospital. 
Once you reach the hospital that you’ve been going to for all of these months you meet with the nurses take you back to your room and have your husband fill out the forms to check you in. He’s hesitant to leave you but they’re able to complete everything quickly and he runs to the room they’ve put you in immediately and helps you change into the hospital gown they’ve given you before helping you lay down. 
AFTER SOME TIME 
The doctors suggested taking an epidural to ease the pain and your a few cms away from getting dilated. Jungkook sat beside the hospital bed holding your hand and gave soft kisses on the back of your hand whispering I love you and you going to be okay. But deep down Jungkook was afraid and just prayed for a safe delivery. 
Yours and Jungkook's talking resounded in the hospital room when you feel a sharp contraction and you groan in pain clutching his hand Jungkook hurries up calling the doctor and they tell you are ready to push.
"JEON JUNGKOOK GET THIS BABY OUT OF ME RIGHT NOW " you scream your lungs out and grab onto his collar your mouth just some inches away as the doctor and your husband try calming you down. "Baby calm down and just push... we will soon have our baby girl in our arms" Jungkook said drying the sweat forming on your forehead. 
Jungkook tries not passing out and staying with you the entire time while he panics himself and helps you push while the doctor in between your leg tells you she can see the head and tells you to let out more pushes while hardly clutching on your husband's hand and squeezing the life outta him. 
Soon enough soft cry resounds in the room, and you have a breath and collapse on the hospital bed... tears leave your eyes staining your now red cheek "Daddy wants to cut the umbilical cord?" The doctor asks snapping Jungkook out of his thoughts to lost when he sees his baby the nurses hand him a pair of scissors and he cuts it.
Making some space Jungkook removes some of your hospital gowns to allow some skin-to-skin to contact the doctor happily lays down your baby girl while you coo to make her stop crying, Jungkook giggles looking at her and smooths his fingers on her face and bows down towards your forehead and leave a kiss "you did so good baby" Jungkook speaks in between chuckles. 
A few minutes pass by while your baby opens her eyes and coos out the softest voice you have ever heard and you lay a kiss on her cheek "Hi baby" You speak to and she smiles up as if she understands what you are saying "Jungkook here you wanna hold her?" you ask your voice a bit raspy from all the screaming to get this baby girl out, nodding he removes his black t-shirt so he can have skin to skin contact with her and sanitizes his hands, and you pass her to your husband.
"Hi baby, it's me your dad" Jungkook introduced himself while the baby just whined and cuddled herself in his embrace chuckling, after a few kisses and talking to her in a baby voice he handed the baby to the nurses so they could take the baby so they could clean her and get her wrapped in a baby cloth.
In the meantime, the nurses bring in a birth certificate and you both name her Na-Eun the name you both decided after the gender reveal party and get it written on the birth certificate.
Na-Eun arrives in a purple swaddling which makes her look like a sweet potato smiling at the nurse she hands her to you and Jungkook lands a kiss on your face and tells you he will leave for a few minutes and call your parents.
You smile and nod at him and shift a bit so you can keep your daughter beside you, looking closely you notice her soft features resembling Jungkook so much a mole under her lip and a mole on her neck make her more beautiful you tear up a bit. 
“Oh my god…...” A small gasp is imitated by your mom as she stands there with some gifts in her hand and a bouquet in another, chuckling at you she kisses your forehead “You did great baby…. oh and look at this cutie right here” she says softly her own eyes tearing up and your dad stands beside you kissing your cheek. 
Na- Eun is held by her grandmother and grandfather who wouldn’t stop sweet-talking to her and you just wish you could stay in this moment forever and you can’t wait to bring your baby bean home.
A/N: Thank you so much if you made it till the end ill soon post the second part which is them bringing their baby home and how the first night goes :)
MOODBOARD
In which you teach your daughter an important life lesson.
TAGLIST: @kimmingyuswifee @jungk97kwife @jksgirlhere @httpjeonlicious @bunnykoos @ohsweetmimosa @dragonflygurl4 @lovingkoalaface @snow-strawberry @jungkooks21 @jklvrs-world @aloverga @vsr4197 @skzthinker @kpop-nct @--xxchrissyxx- @sarai-ibn-la-ahad @olimpiiaa @cassies-cookies @angelbiaa09 @ravynn-12 @lovebtsforever24 @yuyupie @100butterfliesinthesky @tannies-luv
Italics couldn’t be tagged :(
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1moreff-creator · 1 month ago
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DRDT CH2 PT2: Full Analysis
While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!
WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.
Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).
(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)
How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.
Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.
The Case
Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.
Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.
If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.
As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.
To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.
We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.
In the series, however, we get:
Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.
You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.
That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.
And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.
Character Analysis
I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.
Mai Akasaki
No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p
Xander Matthews
He got mentioned, but he’ll come up in David’s section so. Skipping him. 
Min Jeung
Well, there were a few references. Such as:
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Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.
Something something, David-Xander vs Teruko-Min parallels, etc. And also:
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I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!
There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.
MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.
Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.
Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?
We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.
But hey! We might get more Min content in the future! I, for one, am very, very excited.
Charles Cuevas
Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-
Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.
-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)
J Rosales/Moreno
Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.
I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).
Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 
…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 
Or maybe Mariabella killed a guy. Yeah, sure. Why not?
Veronika Grebenshchikoba
There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 
We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-
Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?
… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).
The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:
Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.
I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D
But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.
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Veronika: Oh my. How tragic.
She is such an awful person, just such a piece of garbage. I adore her.
Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"
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Veronika [about Min, 1-12]: Min died in such a cruel manner...
Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.
Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...
So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!
+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.
+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.
+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.
+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.
Whit Young
.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?
Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.
Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 
That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?
Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…
You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?
Food for thought. Again, not much reason to believe it yet. 
Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.
Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...
And, of course.
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Whit: ...
Of course.
Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.
You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.
As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.
That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.
Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.
Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?
Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.
This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.
For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.
The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?
Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?
He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?
Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.
And you know when he splits off from Charles?
Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.
My guy will genuinely do anything except investigate the playground.
And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:
Whit [2-9]: Eden has [the note]. Ask her.
He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.
With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.
By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.
This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.
Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.
Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.
Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.
Arturo Giles
I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.
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Arturo [2-12]: You shut your whore mouth!
"I thought you were only doing necessary imag-" This one's necessary shut
I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.
The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.
Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:
Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--
Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...
Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.
Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:
Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?
Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.
MonoTV
I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.
Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-
Rose Lacroix
Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol
Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.
Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--
Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.
You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.
The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.
Arei Nageishi
You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.
For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.
But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!
Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.
... Well the context's different but you get the idea.
Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.
Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?
David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.
Ah right because David is a well written character. Carry on then.
I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.
Eden Tobisa
Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)
There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.
Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.
I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).
There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.
Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!
On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!
The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:
Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....
AAAAAAAAAAA-
Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:
Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.
The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v
Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.
Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.
How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.
This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D
To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-
Ehem. The point is I like Eden a lot :D
Speaking of wonderfully human moments, time to switch to the other big Eden character moment!
Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.
You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.
Anyways, here's a few more fun Eden moments this part gave us.
Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.
I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)
Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?
For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(
It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.
Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.
Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-
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Ah. Right.
Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!
So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...
Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
Fuck am I supposed to gather from this.
Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???
Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.
Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-
Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D
Nico Hakobyan
Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.
First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.
Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...
Were they just... lying here? Did they mean something else?
My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:
Nico [2-14]: I tried to kill [Ace] because I don't like [him].
When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v
Second.
Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.
Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:
Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.
I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.
Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.
Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.
Next point:
Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.
... Yeah.
Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.
I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.
Except:
Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]
This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.
Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.
Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.
But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.
Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.
... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.
Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.
So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.
Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.
Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
... We're gonna have to talk about this in the Hu section.
Finally, "I don't expect you to forgive me. Very few people ever do."
Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?
Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.
There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.
Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...
Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.
That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.
Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.
And it's not like anything this chapter erased the FTE:
Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.
So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D
Final highlight:
Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...
Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.
Hu Jing
Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.
Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.
Well that's just sad.
I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:
Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.
And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.
(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)
As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.
Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.
Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.
Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.
Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.
(Obligatory props to VAing ofc)
I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:
Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!
Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.
Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--
Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?
Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.
If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.
So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.
Though, speaking of Hu blaming herself for what happened to an extent:
Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.
This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.
Did any of that make absolutely any sense? Maybe. Hopefully.
And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.
Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.
The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.
But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:
Hu [2-14]: Eden? Please don't cry.
She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.
So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?
Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.
The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.
Veronika-Arturo is funny because, well.
Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!
I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.
Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.
Miscellaneous highlights!
Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.
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Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...
Damn she really gets defensive when you question her reliability huh?
Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.
...
Oh. Oh no.
David Chiem
YOU
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WHAT THE FUCK IS WRONG WITH YOU?!
Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.
The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.
David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.
While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."
This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.
David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.
You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.
This is where we get to Weird Point #1. David didn't want to lose the first trial.
Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.
If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).
However, something in David shifts upon seeing Min's execution.
David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.
This line is said pretty somberly.
Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.
David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?
Where he seems to imply a wrongful vote will cause 16 deaths.
But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.
David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.
(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)
However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."
David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...
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Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.
Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.
So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?
Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.
David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!
(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)
I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...
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So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.
So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.
But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.
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Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:
Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.
Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.
Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).
Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.
What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.
Especially because David does, in fact, seem to have a very weird fixation on Teruko.
David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...
(Obligatory props to VAing ofc)
... Alright so it's five questions. Because how does he know all that?
Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.
Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.
Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.
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Like, that's the face of a man who tried to be slick and failed miserably.
(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)
In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.
Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.
And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.
By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.
That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.
So, let's recap.
David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.
David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.
Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.
David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.
As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.
And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.
David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.
So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.
But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.
So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.
And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.
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David [2-8]: Of course. Of course this would happen.
David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.
(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)
Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.
There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.
Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.
Final note, completely unrelated.
Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!
Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.
Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!
Levi Fontana
Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D
Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.
Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.
Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.
Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.
Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.
Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.
Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?
We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.
Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.
One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.
Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.
Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.
Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.
Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.
One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.
Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?
Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.
Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.
This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.
Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.
Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.
(why is everyone blue you're fucking up my color schemes-)
Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~
I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.
Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.
I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:
Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.
Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.
Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!
Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.
Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.
Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."
However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.
Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-
Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."
-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.
By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.
Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.
So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.
I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."
Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?
So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.
Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.
Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.
Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.
Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.
Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.
Also, "I did everything so I could have a better life," huh?
Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?
Get paralleled, idiot >:D
Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.
But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?
Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.
Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.
Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!
Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.
To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.
They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.
However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.
Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.
Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.
Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.
I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/
Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.
Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?
Nico [to Hu, 2-14]: I never asked you to defend me--
Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.
Okay time to continue with 2-13 because no we're not done with it.
Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.
Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.
We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.
Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.
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Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.
The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.
Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.
Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?
Very interested in seeing where Levi's character goes from here!
Teruko Tawaki
You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v
I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.
David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!
She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.
Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?
I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.
2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.
Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.
Yuri stays winning.
Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.
Speaking of that.
Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.
YURI STAYS WINNING!!!
That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.
That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.
Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.
Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.
Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.
Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.
Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.
I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.
Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!
So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-
Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!
The foils ever.
Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.
Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p
Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.
Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.
But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.
Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.
Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...
Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.
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Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(
Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.
But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.
Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.
Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.
Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-
Yeah you get the idea. Too much peak for me to write it all out.
Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.
That was the biggest Teruko thing, but there's still more to cover.
Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!
Uh... someone's projecting~
Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O
(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)
Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.
Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!
Ace Markey
Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.
That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.
Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p
Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?
Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.
Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.
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We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:
Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!
Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.
So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p
But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.
Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.
So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."
No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:
Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!
Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.
To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.
Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.
Well he sure did take the killing game seriously after this point now didn't he?
Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.
The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.
Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.
Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!
Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.
Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?
This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.
Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.
And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."
Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.
How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.
J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.
My personal opinions on this are probably best saved for when we get the full picture in just a moment.
And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?
Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]
Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.
Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...
Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.
Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]
I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.
The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.
You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.
And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.
Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?
At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.
In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.
Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.
Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.
But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.
Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!
There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.
You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!
Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.
It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.
I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.
As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.
---
I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.
I'm being silly, of course. Thanks for reading, hope you enjoyed!
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darcydarlingdabbles · 6 months ago
Text
You are Safe - Deepest Desires
//One shot of Deepest Desires - Astarion Drabble. Very fluffy/comforting smut with many feelings. Not edited... Song Rec: Light by Sleeping at Last//
Explicit, Astarion x f!Tav, post cannon, 2.2k
cw: coping with sex/intimacy issues & allusions to Astarion's past
Astarion Ancunin was a sight to behold in any light.
The moon might make him look like some ethereally wicked beauty, but Tav much preferred the golden glow they were bathed in now. 
She sank into the plush leather sofa near the crackling hearth, cradling a cup of mulled wine. The spiced aroma chased away the chill of the night fallen outside the inn as her eyes drew lazily over the trophies adoring the walls—swords, shields, mounted heads of beasts. Theirs was just another story to add to the collection. 
Tav might be warmer still, without the vampire stretched out languidly beside her, but she would not give up the comfort of his closeness for the world.
“You know, I still don’t like being the hero. It is beyond tedium. ”
Astarion mused over the rim of his cup, as if he could detect her thoughts and had to refute them. 
“That so? You play the part so well.” Tav quipped back lovingly. 
“Well, I suppose I do enjoy all of the fawning adulation.”  Astarion mused. “And the gold, of course.” 
Tav shook her head fondly. She’d let him maintain the charade as long as he liked; she had already seen under the mask. He sent a smirk her way, his ruby eyes glinting with the firelight. Distracting her from the way he was balancing his goblet on its very edge, one of his dexterous fingers on lip of the drink, tilting further and further as if he dared the wine inside to spill. 
Or he was simply teasing Tav with the threat of it. 
“Beggin’ your pardon,” The inn keeper, a matronly half-orc with a smile around her tusks approached them. “Finest room we have is ready for ya, token of our gratitude for dealin’ with our Worg problem.”
“Thank you, Gerda, that’s too kind of you.” Tav said graciously. “We’re happy we could help.” 
She shot her companion a glance, but he was intently finishing his wine with only a raise of his eyebrows. 
She felt Astarion’s eyes on her as she conversed cordially with the inn keeper, his gaze as tangible as a caress along her cheek. Tav knew the warmth of that look. Little flickering moments of unguarded affection more sincere than any pretty picture his words could paint. 
The only recognition Tav gave was the smile at the corner of her lips. Because that was the game they played. Sparing his pride until the rest of the world faded away. 
This. This was everything she fought for. These quiet nights  brighter than any flames. 
Soon they retreated to the comfort of their room after a long day. Astarion led her up the stairs, silently twining their fingers together. Tav knew it was another gesture she wasn’t supposed to linger on, but if he kept this up, the dam would burst sooner rather than later. 
He pushed the door to their chambers open with an overly theatrical flourish. “Not quite fit for a king…but I suppose it will do.” 
Tav rolled her eyes, stepping past him to take in a very comfortable room that was downright luxurious in its details. Plush carpet, dark wood walls, and a canopied bed piled with silken sheets and pillows. 
“After sleeping in bedrools on the hard ground,” Tav put her hands on her hips, a smile on her lips with her tone placating him. “I think it will suffice.” 
Astarion came up behind her then, his cool breath ghosting over her ear as he murmured. “Then it is a shame you will not have the time to admire the finer details.” 
In the second of warning he gave, Tav knew well he could hear every uptick of her heart.
Astarion had her spun around, capturing her mouth in a searing kiss. Tav’s back hit the wall with a soft thud, her lover’s lithe body pinning her in place as he lifted their still entwined hands above her head. 
Those clever fingers hand already snuck under the hem of her tunic, drawing lines over the swell of her hip. 
“I have all that I need to admire.” Tav arched to the touch with a sigh as she finally exhaled. 
“Such flattery.” Astarion’s smirk was downright sinful, sending heat and want curling through her. Those ruby eyes glinted bright in the soft firelight of the room. 
Soon, their packs were dropped to the side, shedding the last trappings of battle with the armor and gore already tucked away. Leaving no more barriors between them as passion sparked in the scant space between them. His nibble fingers made quick work of the laces of her tunic, the fabric falling away to expose her collarbones, and her chest. 
Tav lifted her chin, playfully offering her neck, knowing how it thrilled him though he would not bite—not just yet. But Astarion would duck his head to draw his teeth teasingly along the colomn of her throat. 
She peered over his white curls. “My love, the door is still—” A sharp kick shut the door, and its lever lock clicked into place. “Thank you.” 
Astarion’s scoff tingled against her pulse point. He was far more preoccupied with mapping out the newly exposed skin, like it hadn’t been under his lips a thousand times. As if he wasn’t intimately familiar and once again confident with his ability to drive her mad. As if she didn’t know him just as well. 
When he pulled back to rid her of her pesky tunic, she used her chance. Tav’s fingers slid into his silky curls, just brushing her thumbs over the tips of his pointed ears. 
That got his attention. 
Astarion made a low, pleased sound in the back of his throat, finding her mouth again. 
The kisses grew more urgent as Astarion pressed Tav back against the wood-paneled wall, her arms around his shoulders as he used his thigh to part hers. 
Easy as could be, like they were dancing together again. Tav took his lead, her leg hooked around his waist before he had to reach for her. Their bodies were brought flush together--letting her feel the hard press of his arousal. 
“It would be a shame,” Tav murmured against the vampire’s lips. “Not to make use of the bed, don’t you think? I know how much you do enjoy fine linens.” 
Astarion laughed, the sound decadent yet playful. “My darling, the only thing more appealing than being wrapped up in silk, is being wrapped up in you.” 
Heat flooded into her cheeks, just like he knew it would. Even now, his lines always worked on her. 
Tav reached for the hem of Astarion’s shirt, ridding him of it and letting it join her tunic on the floor. He was already walking her back towards the bed—but it just wasn’t enough to map out the planes of his chest with her fingers, hooking into the waist of his breaches. 
“Can I?” Tav lifted her eyes, her mouth already watering. 
“You hardly have to ask.” He purred, pecking her lips just once more. “But…I’m glad that you did.” 
She always would. Sometimes to his annoyance, but the vampire seemed more than in the mood to humor her sweetness tonight.  Astarion freed his cock from his breeches as he sat back on the bed, stroking himself languidly, watching her with bright ruby eyes as she eagerly sank to her knees. 
He was so damn gorgeous like this, confident in seeking his pleasure, knowing Tav was more than willing to give. 
Her hand curled around his, before she was drawing the tip of him between her lips. She adored the sweet, strangled sound he gave as he relenquished his hold to her, those deft fingers threading into her hair as she swallowed him down. 
Tav loved him like this. Loved that she was the one who got to see Astarion this way—wanting and vulnerable and utterly hers. 
She poured every ounce of devotion into the slide of her mouth, wanting him to shatter from it. For all pretense to fall away like the filthy praise faltering from his lips, and let her catch him when he fell. 
Astarion tensed under her, the muscles in his thighs and the hand in her hair gone ridgid. 
Tav pulled back, her eyes seeking his, looking for the glassy sheen to cover his red irises or the distance in his gaze. “You can let go, love.” lacing the reassurance his ego sometimes spurned in a seductive purr. “I want you to.” 
Astarion’s scoff was breathier than he intended, she could see it on his face, but the hand in her hair curled around her chin, capturing her jaw as he bent to claim her lips. 
“As tempting as that mouth of yours may be…I’d much rather be inside you.” 
Her pulse quickened under his hold. 
Tav was on her feet, ridding herself of any thing that could get between them. Before straddling Astarion’s lap. Reveling in his groan as he tasted himself on her tongue. 
Those damned fingers of his were already delving between her soaked folds, thumbing her clit so perfectly it was maddening in an instant. 
“Astarion, please…” Tav breathed against his mouth. 
“I know darling.” His grin nipped at her lower lip, fingers sliding into her and curling just so. “No one knows you as I do.”
He was distracting her, and he was so very, very good at it. Tav rocked needily into him, pleasure sparking up her spine. Her fingers  clutched into the fine curls at the back of his neck. Trying to ground herself to meet his burning gaze. 
“No one loves you as I do.” 
Something beautifully yearning moved across his face. The ghost of a longing to be known—and to still be loved. It was all he could never bring himself to ask for, and yet she gave it, freely, whenever she thought he may need it. 
The next meeting of their lips was filled with nothing but tenderness, even as he pulled her closer still, breaking only as he filled her completely. 
Astarion’s grip tightened on her hips, and Tav understood. 
She let him bear her back onto the plush bed, surrendering to his need for control. Her hands fell back to either side of the pillow, as she searched the ethereal beauty of his face above her, assuring herself that he wasn’t lost to the old shadows. 
Clear crimson eyes gazed back at her, their only darkness that of desire. 
Satisfied, Tav wrapped her legs around Astarion’s waist, urging him deeper inside her. He obliged her with a precise roll of his hips that nearly had stars bursting behind her eyelids. 
“That’s it, my love.” Astarion purred, his breath played over her lips as his body moved with hers, sweet and aching, their fingers wound together even as he kept her wrists pinned. 
Tav could feel the edge of her bliss tugging at her, the way she clenched desperately around his cock, it was so damn close—
Astarion shuddered above her, tensing on instinct, resisting that final surrender, even now. His old wounds would never go fully away, but she could soothe them when they surfaced. Because she knew him. 
“Let go, my love, I have you.” 
He did, spilling into her with a choked cry, his hips snapping hard and fast into hers, sending pleasure that arched up her spine until it overwhelmed her. 
Spent, still tangled together, collapsed together. 
Astarion’s cool skin was a balm against her heated body, when he finally released her hands. Tav’s arms wrapped around him, feeling the faintest of trembling in the raw moments after.  He hid his face crook of her shoulder, letting her fingers slide through his curls. 
Tav shifted only enough to bare her throat to him, remembering how he teased that she tasted better shortly after their coupling. 
Far from a distraction, it was a gesture of the intimate trsut they shared. Astarion only hesitated a moment, before sharp fangs pierced her skin, and Tav relaxed into the familiar heat and sting. 
He drank from her, lost in the bliss of her blood. Comforted by the familiarity of it. 
When the vampire pulled back, a trickle of red dripped from his grin, and Tav swiped it away with her thumb. 
Astarion turned his face into her touch, a kiss pressed into her palm. Before he gathered her into his arms for the rest of the night. 
Golden sunlight crept across the room as dark became day. 
Astarion stayed with his head tucked under Tav’s chin, her heart beat a comforting rhythm against his ear. He stirred only as the warm glow softened his sharp features, and she finally gave in to the urge to trace the contours of his face. 
Astarion’s eyes fluttered open, immediately seeking hers. A lazy smirk tugged at his lips as he lifted a hand to caress her cheek in turn, the warmth of the Ring of Daylight around his fourth finger a delicious contrast to his cool skin. 
“Looking for a cuddle?” he asked, his tone playful yet tender, echoing their first morning together.
Tav laughed softly, leaning into his touch. “Always,” she replied, her heart swelling with love for this man who had come so far, who had learned to trust and to love despite everything he’d endured.
Their fingers intertwined with the comforting sound of his ring meeting hers. Warmed by the golden light forevermore. 
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therealcocoshady · 3 months ago
Text
Come inside
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Eminem x Assistant!Reader
Author's note : so, funny thing... I got this request I really like and started writing to it. But I realized I needed to give it some sort of prequel, just to set context, y'know ? Long story short, I wrote something rather long and I could have waited until the whole thing was complete to post it on here, but I'm a really nice person and I thought you guys would enjoy it 😉. Stay tuned for part 2 !
CW : Implied smut but nothing NSFW. Tipsy reader. Marshall being a consent king. Coco pouring all of her energy into describing a kiss.
When you started working for Marshall, you had immediately developed a crush. How could you not ? Your boss was not only talented, he was also handsome, kind and funny as hell. You had a blast working for him and, even though being a personal assistant to a celebrity had never been your dream job, it sort of turned into it. Only a fool would complain about being paid to hang out with a talented musician, helping them managing their day to day life and enjoying a lot of perks, such as trips and occasional presents. Sure, the job was demanding and didn’t really leave a lot of room for personal life, but your boss definitely made up for that. It all started during a work trip to Los Angeles. 
You had been working for Marshall for a little over a year and you were used to trips to California. He often went there, whether it was to work with Dre or to meet with people from Interscope. It was often the same song and dance : you did the coordination for the trip, took care of the day to day management of his schedule and, while he was busy making music in Dre’s studio, you were on call but allowed to do whatever you wanted. You had heard a lot about celebrities that demanded that their assistant be with them at all time, ready to indulge their every whims but Marshall was pretty low-maintenance, especially when he was in studio mode. As long as the his schedule was coordinated correctly and his lunch was delivered on time, he didn’t care what you did or how you chose to spend the day. You actually came to enjoy the work trips to California, which were less hectic than life in Detroit. You got to sleep in a comfy suite in a nice hotel, go to the beach, lounge by the pool, answering the occasional email while your boss was in the studio. All you had to do was meet him in the morning for breakfast, keep him informed of his daily schedule before he went about his day, be available if he needed to call you to sort something out (he never did), and join him for dinner, either at the hotel’s restaurant, in his room or at Dre’s. You also went with him to a couple of parties. At first, you didn’t think you would enjoy the events and attended them in a strictly professional capacity, but as time went on and you got to know Dre and his team, you let your hair down and allowed yourself to have fun. Everyone in the Aftermath family was friendly and the parties were always really great. During one of them, preceding the launch of Gin&Juice, you were offered the opportunity to sample taste the flavors and, one thing leading to another, you ended up indulging in gin-based cocktails with everyone. Being a lightweight when it comes to drinking and handling your liquor, it didn’t take too much for you to be tipsy, showing your boss a side of you he had never seen. 
While the two of you had always gotten along very well and had a friendly relationship, you usually kept things on the professional side. Due to the nature of your job, you knew a lot about him and his personal life but you didn’t share too much about yours and, since he was very respectful of people’s wish for privacy, he definitely didn’t pry or ask too many questions. However, the liquor had you being a little more talkative and, on the way back to your hotel rooms, you ended up opening up. You weren’t too sure how the subject turned to your love life, but you certainly ended up laughing out loud when he brought up the topic of boyfriends. 
What’s so funny ? He asked with a confused look on his face. 
That you think I have boyfriends, you chortled. That’s… hilarious. 
Sorry, he chuckled. Girlfriends, then ? 
What I mean is that being your assistant doesn’t exactly make dating easy, you explained with a smile. You’re a great boss but, believe it or not, you’re the biggest cockblock ! 
Am I ? He chortled. 
Oh yeah, you giggled. Apparently, not a lot of guys are willing to accommodate that kind of schedule. And the ones that do usually end up blowing it when they find out I work for you. 
Do they ? He mused. 
Are you kidding ?! It’s a nightmare ! Last guy I dated was great. But when he found out I work for you, he absolutely lost it ! You chuckled. He was absolutely obsessed and he spent all night asking questions about you and was pissed when I told him I wasn’t allowed to answer any of them. And don’t get me started on the guy who went on a rant about how he’d never trust me, since I work for a « sexy millionnaire ». His words, not mine, mind you. 
Wow, I’m sorry, he chortled. I feel for you. 
Eh, it’s fine, you shrugged. You kind of ruined me for other men anyway. 
Oh yeah ? He asked with a grin. How so ? 
Well, you certainly made me rethink my standards, you giggled. I can’t go for the first loser that comes my way when I work for a really handsome man who takes me on cool trips and gives me presents. 
Should I stop being such a nice boss, then ? He grinned. 
Please don’t, you giggled. I really enjoy working for you. I can’t complain. 
Even if I’m a cockblock ? He asked with a smirk. 
Yeah, you said with a laugh. That’s your one and only flaw. 
Is it ? He mused. I would have thought you’d find quite a few of them… I know I’m not easy to put up with. 
You’re fine, you said. 
Good to know, he chuckled. 
And you’re really fine, too, you added without a second thought. 
You didn’t even catch yourself, not realizing that you had just told your boss that you thought it was really attractive. And to help matters worse, your own flirty facial expressions really flew over your own head. It was only when Marshall looked at you with a smirk on his face and returned the compliment that you realized what you had done. 
Why, thank you, Y/N, he said with a smug face. I think you’re pretty fine too. 
Oh my god, you said as you blushed. I’m so sorry ! 
Come on, it’s no big deal, he chuckled. I can think of worse things than being complimented by someone like you. 
Someone like me ? You asked with a raised eyebrow. 
Well… You know, he said as he gestured towards your body. Come on. You’ve seen yourself. 
His words, the gesture, the look on his face made you blush even harder. Not only could you feel the heat rise to your cheeks, warmth was invading your whole body, and the gin was definitely not helping. The rational part of your brain was trying to tell you to lower your gaze and go to bed but, unfortunately, it was being silenced by the other part. The irrational one. The one controlled by your hormones, that was urging you to jump this man’s bones. 
You’re making me blush, Mr Mathers, you said in a sultry voice. You’re such a big flirt. 
You’re one to talk, he whispered. Telling me you think I’m fine. You’re the one making me blush. 
Am I in trouble, boss ? You asked in a voice that was all but innocent. 
I think the headache you’ll have tomorrow will be enough trouble, he said with a playful grin. 
I didn’t drink that much, you giggled. 
He hummed and chuckled before taking a look at you. You were in front of our hotel room, standing close to each other. You smiled and looked into his baby blue eyes. You had always been so drawn to them. You liked everything about his eyes, from the color to the depth of the emotions they conveyed. They had an intensity to them and, most of the time, you managed to refrain yourself from staring too long, knowing you could drown in these waters. But in this moment, you couldn’t stop yourself. And when you did, it was only to look at his lips for a second, before holding his gaze again. You didn’t even need to speak. Your eyes were doing all the talking, supported by the biting of your lower lip and the soft sigh that escaped you. 
How much ? He asked carefully. 
Enough to have the courage to tell you to come closer, you said as you batted your eyelashes. 
I think you’re a little drunk, he said with a slight shake of his head. 
I’m sober enough to give informed consent, you purred. 
His lips twitched into a smile, though you could see him try and hide it. He held your gaze and inched a little closer. You weren’t touching but the atmosphere was heavy and had your heart pounding. You smiled to yourself, noticing how evident his attraction  was. You still had it. You still had game. He was close enough so that you could notice his breath hitching. And he got even closer, his forehead touching yours, one of his hands brushing against your hip. 
Is this ok ? He whispered. 
More than ok, you murmured at you leaned in and cupped his jaw. Is this ok ? 
He didn’t even reply. Simply nodded with a grin, before capturing your lips in a gentle kiss. You could tell that he was testing the waters and you were quick to respond, your other hand finding its way to the back of his neck as you deepened the kiss. It became more urgent, more intense. His arm wrapped around your waist and he slowly pushed you against the door to your room, as he kept on kissing you with a passion that made your brain glitch. It was everything a kiss should be. Soft and hungry at the same time. Warmth was invading your chest as Marshall captured all of your senses. You lost track of the time, of where you were. All that mattered was the lingering taste of Diet Coke on Marshall’s tongue, the intoxicating scent of his cologne, the softness of his fingers on your cheek and the sensuality of him playfully biting your lip before your mouths reluctantly parted ways to allow for some much needed breath catching. When you opened your eyes, you saw him blink a couple of times as he regained consciousness. Evidently, he was as dizzy as you, the newfound chemistry absolutely exhilarating. Your eyes met again and the sparks of attraction were obvious and, this time, none of you needed to ask, practically jumping on each other, your bodies mirroring each other’s raw and unguarded desire, your chest pressed against his as his mouth crashed on yours with a fervor that took your breath away. You wrapped your arms around his neck and brought him even closer to you, his body moulding you as every inch of space between the two of you disappeared. Your lips moved in a desperate rhythm, tasting, exploring, as if making up for all the time they’d spent keeping their distance. Your nails lightly raked down his chest, sending a jolt of heat straight through him. He groaned into the kiss, pulling you even closer, his other hand gripping your waist with a possessiveness that matched the urgency in his kiss. You responded eagerly, your tongue tangling with his, and the kiss became a wild, feverish dance of lips and breath. Every touch was charged with a need that neither of you could ignore. When you finally pulled away again, both of you were breathless, hearts pounding as if they’d run a marathon. Marshall’s thumb brushed against your cheek, his breath ragged as he looked at you, eyes dark with desire.
Holy shit, he muttered. That was… Wow. 
I don’t want to stop, you said in a voice that betrayed your hunger for him. 
Then don’t, he whispered, pulling you back in for another searing kiss. 
It was as if you’d both been craving unknowingly craving for this. It felt right. There was something about the way you held on to each other, the exhilaration of newness mixing with an odd familiarity. It was all but foreign, and he seemed to know all the right ways to touch you, that had your pussy throbbing, aching with desire for him. 
Come inside, you pleaded in between kisses. 
To your room ? He asked breathily. 
Yeah, sure, that too, you shrugged. 
For all you cared, he could have his way with you in the hallway. He let go just long enough for you to fumble with the keycard and, as soon as you stepped in your suite, he was all over you again. You nearly tripped as you made your way in, both of your desires so urgent that you didn’t even make it to the bed. Not until round two anyway. In the heat of the moment, caution was thrown to the wind. You didn’t care that he was your boss. You didn’t care that it might be weird in the morning. Neither did he, it seemed. All that mattered was your carnal need for each other, your senses only focusing on pleasure, touching and tasting each other as the room filled with moans and whimpers for a night that seemed never-ending. 
Only the night did end and, as you woke up alone in bed, naked and wrapped in the bedsheets that reeked of sex and your boss’s cologne, you knew you had to have a much needed talk. You had never thought of yourself as a coward, but you sure as hell didn’t feel too good as you knocked on his door, unsure of how he felt about what had happened and a bit upset that you couldn’t even hide behind excuses of alcohol clouding your judgement. You had wanted this and it was time to face the music. There was a bit of awkwardness as he opened the door and greeted you, before allowing you to step into his suite. You could sense the weight of what had happened in the atmosphere, none of you being sure where to start. You decided to do what you did best : focus on work. 
The car to take you to Dre’s studio will be there in 20, you informed him. The chauffeur will pick you up at 4 and drive you to the airport for our flight back to Detroit. No lunch delivered at the studio today since you’re going out with Dre. I will pack your bags and I’ll meet you at the airport. I have texted Dre’s assistant and she’ll have energy drinks and snack ready for you when you arrive. I know you don’t do too well when you haven’t slept. 
Thanks, he hummed. Is 20 minutes enough for a talk ? I’d like to… sort things out before we start the day. 
Of course, you said as you tried to sound as neutral as possible - not willing to let your anxiety show. 
You stared at each other awkwardly for a second and he gestured for you to sit on the couch. 
Are you alright ? He asked carefully. 
Yeah, you hummed. Are you ? 
Of course. Look… last night was amazing and I don’t want you to think that I regret anything, because I don’t. But you work for me and it complicates things.
It does, you agreed. I don’t have regrets either, but I think we should keep things professional. I actually like working for you and I know I’m good at my job. I’ve worked too hard for one night to mess things up. 
Agreed, he said. We’ve got something good here. 
So, what happens in LA stays in LA ? You suggested. 
Exactly, he said with a smile. 
You both sighed in relief, happy to be on the same page. Just like that, the talk shifted to something work-related, and it was back to business as usual. You both went about your day and met again when you boarded the private plane for your flight back to Detroit. During the flight, you attempted to read a book but you could feel the atmosphere heavy, as well as Marshall staring at you. You didn’t say anything, though, figuring it would take a little while for things to go back to normal. It was probably a good thing that you were flying back home, getting to sleep in your own place rather than in a hotel room next to his. Going back to the studio would probably help too. The sooner you’d go back to working like usual, the better it would be. You didn’t talk much and simply wished each other a good night before parting ways as the chauffeur dropped you at your place before heading to Marshall’s. 
You spent an awful evening, trying to shake feelings of frustration. You attempted to pamper yourself and have a spa night at home but, as you lathered your skin with lotion, you could only think about Marshall’s touch, and how you wished it were his hands against your skin. And it didn’t get much better when you decided to touch yourself before bed, struggling to get off, your bullet vibrator obviously not comparing to the man who had made you see stars the night before. You were starting to get there when your doorbell rang, making you grunt as you quickly tossed the toy to the side and put your pajama shorts back before going to open the door, ready to yell at whoever thought it was ok to bother you at 11PM. Your heart dropped when you saw Marshall standing there, holding the scarf you had worn on the plane. 
Hey. I know it’s late but you left it in the car, so I figured I’d bring it back to you, he said as he gestured to the scarf. 
Thank you, you said softly. It could have waited until Monday, though. You didn’t have to drive here so late. 
It’s no big deal, he shrugged. I, uh… Mentally, I’m still in LA. 
Oh, you mean the time zone ? 
Yeah, sure, that too, he muttered. 
You held his gaze, understanding what he meant. You scoffed softly and stepped closer, taking the scarf from his hands, your fingers brushing against his as you did so. You felt the tension, some sort of electric current coursing through your veins when you touched. Letting go of what had happened in LA seemed impossible. You bit your lip and cursed your brain and dripping wet cunt for what you were about to do. 
Do you want to come inside ? You offered. 
Inside your apartment ? He asked as a grin formed on his lips. 
Sure. That, too, you said in a sultry voice before pulling him inside of your apartment. 
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