#i have a whole timeline written out but i’m probably not gonna just post that as-is unless ppl rlly want me to

[watcheraurora]

We’re gonna pretend I couldn’t just ask you this in our DMs, a’ight? I’m playing the game here xD

Anything you’re willing to share for the first P/S oneshot? If not, how about something for Neither Man Nor Mythical? ;P

-Fern

I appreciate that you're willing to play the game with me <3 You're the best <3

I can share a little bit of both! considering no one else has asked about anything else, might as well capitalize!

So, Untitled Perfection/Saint one-shot #1 is my response to the gazillion comments I got during the posting of Perfection/Saint from people who were really excited to see Jimmy get his wings. I teased them in Chapter 18 of P/S, but the timeline of the rest of the fic was never going to encompass enough time and magic training on Jimmy's part for him to actually manifest them on the page. So this one-shot is going to be that whole sequence! (Coupled with a little flashback to BB Tango manifesting his own wings for the first time ;-P)

Here's a tiny little snippet of it!

Tango reached up and cradled Jimmy’s face between both hands. Jimmy’s angular, pointed ears flicked in the wind. “Close your eyes,” he whispered, brushing his thumbs over the golden freckles on Jimmy’s cheekbones. Jimmy’s eyelids fluttered closed, pressing his cheeks into Tango’s hands. His breathing was audibly a little shaky. He could feel Tango lean closer to him, could feel his cool—but warmer than the surrounding cold mountain air by just enough to be noticeable—breath brush over his face. “Reach for your magic, darling,” Tango whispered, tilting his head down to press their foreheads together. Jimmy raised his hands and loosely wrapped them around Tango’s wrists. Just to have something to hold onto. His magic shimmered within him. Warm and bright. Summery. Tango seemed to feel the shift of Jimmy reaching out for it because he brushed his thumbs over Jimmy’s cheekbones again and took a deep breath. “Form your wings in your mind. They may not be exactly as you imagined them, but that’s okay. Our wings are an intrinsic part of our magic and each Fae’s is unique to them. There are trends, yes, like Winter Fae having snowy, icy wings. But the wings themselves are as individual as our faces.” Jimmy tried to follow along to Tango’s words. He had that brief memory of gold wings he’d seen when Tango was removing his glamour, turning him from essentially-but-not-really human into a proper Fae. The wings had been brilliantly bright and gold. He held onto that image in his memory. Grasping it and clinging on.

As for Neither Man Nor Mythical! It's an Even Ice Walls Fall Down main timeline one-shot! (Most of it is canon to the other timelines too, but certain events contained within the text that are main-timeline-specific, such as Deepfrost getting kicked out of the division. There's a tidbit for those who are curious.) It's also a very beefy one-shot, currently clocking in at 20.3k and not done. Inferna is writing pieces of it with me, but for the most part I have written probably 18-19k of that word count because I just can't stop.

Which, y'know, at this point, surprises no one XD

Oh. And it's all

Etho centric. Whole one-shot is Etho POV ;-P Take that how you will ;-D

Here's a snippet of it!

“Stop,” Arctic Fox said, one hand catching Deepfrost’s fist. Deepfrost was breathing hard from their sparring match, but he wasn’t sweaty. Frost glittered in his hair. “That’s enough for now.” “I can keep going,” Deepfrost protested. Arctic Fox tilted his head, his left eye burning to red, as he examined Deepfrost. “Is that right?” he asked. There was no sarcasm or condescension in his tone. Just a curious question. Exhaustion wasn’t an emotion—it was a physical sensation. But centuries of wars taught him what exhaustion did to a person’s emotions. Hundreds of thousands—if not millions—of soldiers all around him for centuries. Felt the way it dragged people down physically and emotionally. Saw the weight of it on mentality. He could feel it pressing down on Deepfrost’s stubborn, fierce determination. “Don’t patronize me,” Deepfrost growled, jaw tight and teeth clenched. Arctic Fox felt his own heart twinge. So, so young. Not even fifty years ago, a boy his age—he had to be in his late teens, by the rules of manifestation—would already look like a grown man. Deepfrost still looked like a child. Peach fuzz on his jaw, too thin, light, and wispy to even need shaving. Small and thin. Fox himself wasn’t bulky muscular like HoTGuY and Lore, he was on the trim side himself, but he was taller than everyone else here. Deepfrost was just so young. “I’m not patronizing you,” Arctic Fox said. “You have to train your endurance. For now, we’re not pushing you to your absolute limit. All that will do is burn you out. It’s a marathon, not a sprint, Frost. A long, slow roll.” Deepfrost scowled. Arctic Fox couldn’t help but laugh at the youthful pout forming on Deepfrost’s face. “C’mon. Let’s go grab some water and take a breather. I could use one myself.” He was breathing a little hard, but nowhere near as bad as Deepfrost. “Not… not as young as I once was.” He pushed the ropes of the sparring ring—it was a boxing ring, but Arctic Fox didn’t often teach boxing, though he knew how—up and down to make a hole for Deepfrost to sling himself through before ducking through himself. He hopped down to ground level and followed Deepfrost over to their water bottles. As Deepfrost grabbed his, ice crystalized over the surface with a quiet, shimmery, chiming sort of sound. He took several long, deep gulps. “Here,” he offered, holding a hand out for Fox’s water bottle. He passed it over. The surface turned icy on contact with Deepfrost’s palm. “Thank you,” Arctic Fox said. He took a few swigs himself. Deepfrost put his hands on his knees and dropped his head, just letting himself pant. Not seeming to mind the wraps around his hands. Arctic Fox got his breath back faster. Much more used to exertion. After a few moments, Deepfrost craned his head up to look at him. “S… so,” he said through his much lighter panting. “How did you come to learn so much about martial arts?” Fox shrugged. “I’ve been studying them for… most of my life.” “When’d you start?” “Long before you were born.” He playfully ruffled Deepfrost’s spikes, making the ice in them tinkle against one another. Deepfrost made a face and flicked his neck to throw Fox’s hand off. “Oh yeah?” Deepfrost challenged. “Mmhmm.” “And how old are you?” Etho felt his eyes unfocus.

Thank you Inferna! I'm really glad you played the game with me! This made me so happy! <333

[not-handsome-enough]

DICK KNUBBLER MAYE STILL BE ALIVE

Kinda

Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.

Alright! So!

On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.

NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it

Songs with “ * “ are canon, the rest are personal interpretation.

DURING ARMY OF THE DOOMSTAR:

* Aortic Desecration ( the first song of salvation but obviously not )

* SOS ( song of salvation )

Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )

Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )

BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )

Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )

POST ARMY OF THE DOOMSTAR:

* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )

DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )

Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)

I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )

Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )

Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.

Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.

ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know

Let’s look at them.

Dethalbum I ^

Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.

I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it

Anyways

Dethalbum II

Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus

Dethalbum III

Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.

So what about Dethalbum IV

Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..

Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.

If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.

Which leads to 3 possibilities.

Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it

Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.

It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.

I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla

something fun to think about tho yk?

TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray

[an0m0lyy]

I don’t know why but I can’t for the life of me respond to this ask I got by @/aliyson (that I also literally can’t find the @ of?? I rlly hope you see this!!) so I’m just gonna respond like this!!

Q: will they know about phantoms in the future?

A: They will definitely know about the phantoms in the future!! I don’t think that’s a huge spoiler so I think it’s fine to say lol

How and when they find out? I’m not really sure, I haven’t gotten that far. I’m basically free-balling this fic and only have a very vague outline for how I want it to go. I know FOR SURE that the bats will find out about the phantoms but idk how yet! (They also will find out about Aiden’s friends)

Q: how do the times works/how do the timelines work?

A: I think I mentioned this in a different post but the seasons run backwards. So it’s winter/fall in the SBG world and it’s Summer/Spring in the Batfam world. This actually came to be cause I FORGOT that the SBG timeline(around Aiden’s death) is literally during the fall

That or it’s like early summer cause they were wearing short sleeves in the beginning of the WEBTOON and during the whole Savanah fiasc(I can’t remember the specifics rn💔)

(Link to post shown below here)

Q: will the other members of the SBG be featured/pop up in the Batman universe?

A: I think this was also mentioned before(this time in the comments of my fic[link]) but the others won’t be spat up into the Batman world

I did talk about writing non-canon one shots of them showing up though!! It’ll probably be like, 5 small one shots for each character and then a sixth one shot of ALL of them showing up

I’m not sure when that’ll be written but I think it won’t be anytime soon (maybe? We’ll see)

Here’s screenshots of the comments:

Tysm for the questions/asks!! I’m sorry I couldn’t get the actual thing to work and I rlly do hope OP sees this lol

P.S: No wonder ppl love getting asks, they’re just so much fun to answer LMAOO

[vacantgodling]

HELLO ren i am finally here to yap your ear off about 'rose colored shotglasses,' one of my fanfic ideas that i'm thiiiis close to filing the serial numbers off of and making 100% original.

SO it's about three kids growing up in a small, isolated rural town, each in a shitty toxic home environment. there's spencer (he/him), whose parents are both extremely physically abusive to the; jack (he/him), who's been in foster care since he was 6 and hasn't had a consistent, stable home for even longer; and sabine (she/her, later she/they), whose parents are *there* but also not, and basically have expected her to fend for herself for years and offered her literally no support or care.

the trio became friends when they were younger and have stuck together for years and years as they grew up, deciding that if no one *else* is gonna take care of them, then they'll have to take care of each other--whatever it takes. and eventually, they run away together, escaping their shitty families and starting a life together.

and they eventually end up in a polyamorous relationship as adults <3 and they own a bar. and also spencer kills people sometimes and sabine helps occasionally, but mainly if they feel like jack's being threatened, so they think it's fine. jack is aware of it and chooses not to stop them because he likes being protected. i've also been heavily debating adding some supernatural/fantasy elements, but we'll see on that i suppose fjdjdhhd

there's a Lot that happens and i have a whole timeline for the story worked out in my brain, but mostly so far i've written little vignettes and snapshots of their lives and i wanna share summaries for some of em, and then one i wanna write but haven't yet.

house of cards - when the trio is in high school, spencer's father tries to kill him and nearly succeeds. jack and sabine find him in the aftermath. (this is what the excerpt i posted is from)

old-fashioned nightmare - told from the perspective of a guy who tries to pick an adult jack up at a bar, and learns the hard way that jack's boyfriend spencer doesn't like to share with strangers.

the world doesn't owe you a cent - sabine and spencer have a chat during high school. spencer is in love with sabine's boyfriend, jack. they figure out how to handle it.

and then i don't have a title for this one, but i think it'd be fun to write a story about the first year the trio owns the bar, told through yelp reviews the bar receives in that time.

and then i wanted to share some picrews of them (at least right now. if/when i decide to just make them ocs i'll probably change their designs up fjdjd)

in order: spencer, jack, sabine

HELLOOOOOOO THANK U FOR THE RAMBLE *eats*

i like this a lot!! tbh i’m a huge supporter of take those characters they’re yours now so LIKEEEEE i think you should do it 👀👀

[butterpony100]

I wanted to read your au but then i realized that there's lava

Can you explain what's the au about?

Hya there!

This ask made me realize I’ve never really advertised my au here on tumblr aside from posting the chapter links.

EverHearth is a fanfiction written by me about a post seabound/pre crystalized au where Kai is turned into an elemental (like how Nya ‘became the sea’ in seabound) and shenanigans insue.

First thing I wanna clarify, that while Lavashipping (Cole and Kai) is a main focus in this story, I intend to have all of the main 6 addressed and be the focal point of their own subplots.

So here we go!

The main plot of the au take place in a period between the ending of seabound and the start of crystalized. The big change is that we’ve already had the year long time skip from the end of seabound and gotten Nya back, but what’s different this time is that the ninja weren’t cause stealing the forbidden scroll. So while the police are looking for who did it, we have a point in the story now between getting Nya back and the ninja getting arrested, thus pushing back the official start of the crystalized plot (which may or may not change in this au 👀)

Ok that’s the technical shit dealt with, now to the lore.

It’s been a few months since the team got Nya back, and with this strange period of peace in comparison to their normally hectic ninja schedule, the team takes the time to spend it together and start taking all sorts of jobs around the continent (at least until the next big bad comes along).

During this time, all six of the ninja kinda start taking time to unpack some of their issues.

Jay almost drowned when Wojira was on her rampage and it had pretty devastating effects on his health, (not to mention uncovered some traumatic memories with a certain Jinn)

Nya is still recovering from her extended stay in the sea, with many of her memories still disorganized and blurry. She’s mostly been trying to keep an eye out on Jay out of anxiety (cause we all know what happened last time). Unfortunately, the whole mess also uncovered some memories of a nasty Jinn for her too

(NOTE: In this AU, Jay and Nya are the only ones who remember the alternate timeline)

Zane has been avoiding his issues with the never realm and the forbidden scroll for a little over a year now, still stuck with the anxiety of using his powers in fear of somehow ‘loosing control’. At least he’s finally taking the time to reflect on everything that happened with that now!

Lloyd through the course of time from all the way back to the end of MotO up to present day has been looking for any sign of his father. Less-so out of some kind of desperation to get his dad back and more-so in the ‘I’m gonna find you, beat the crap out of you, and then forcefully trauma dump everything you’ve done to me onto you so amnesia or not you know just how shit of a person you are’ kind of way. But after loosing Nya and finally getting her back, Lloyd realized he shouldn’t waste time on people no longer in his life, and focus on who he still has.

And then we get to the two ‘stars’ of the show (cough the ones I smack with the ouch stick a few hundred more times than the others)

Kai and Cole don’t directly have any pressing issues popping up as the team travels around the continent, aside from recovering from the team’s split up and getting the water ninja back.

Maybe it’s because of the combination of the absence of other concerns and the intense emotional toll of gaining back a loved one that had yet to fade, but the two slowly began to confide in eachother.

Until, of course, when shit hits the fan.

THATS ALL IM SHARING HERE FOLKS! If you want to learn more, check out the fic on AO3!

I’ll probably make a post in the future going into more detail about the OC content I’ve added into the story (mostly world building, some power system additions, and some unique background characters)

Until then, have fun!

[fandomsaremykryponite]

May I ask you some questions about your writing process for your Boondock Saints, The Walking Dead crossover? I’m curious how you approached something that you knew was going to be a long huge story that would take forever to write. Did you plot everything out from the beginning to end? And do you schedule yourself to write a goal each day?

Hi @livingdeadblondequeen

Thanks for the ask! I really like this one.

Tbh, I don’t think I have a real writing process. When I first came up with my fic series, it was really just for fun bc I thought it would be interesting to imagine how things would be affected if the Saints were in TWD. Then, I decided to write my own series and it just exploded from there. It’s kinda the same thing with all my stories (that I’m still working on before I post). Adding my OC was basically me jumping in to the story as well bc why shouldn’t I have fun in all this? Lol.

As for the plot as a whole, it’s kind’ve a mix between plotting everything out and winging it. I did download a timeline app on my iPad specifically to track major stuff through the series as a whole. Specifically figuring out exactly how long each season lasted (timeline wise, not the show’s runtime). Like how long from the virus’s initial outbreak to when Rick was left behind in the hospital, where would all my characters go, who died when and where (and maybe how if the idea comes to me). Since as many of you have probably already read, there are several characters that I’ve kept alive who (at the point of my series) should already be dead. For a few of them, they’re still going to die, but I wanted to give them, I guess, better deaths?? It’s hard to explain as it’s been a while since I’ve actually looked at my story timeline.

Though, I’m gonna go back and make a bunch of new ones later one that follow the rest of the series that I haven’t gotten to yet. Hell, I still don’t entirely know how to finish off the last season. I know what I want, but I need to watch the last season to really see how it ended before I figure out how to work my way there. Though, that probably won’t be until much later. I’m still on season 4 of TWD, which isn’t new information since that’s where I’ve been since I first finished writing season 3 (part 6 which is currently being posted) like almost 2 years ago I wanna say??

If you’re interested in what stories I’m writing, I think I actually wrote it all out in a post long time ago. However, I have made additional stories that I’d like to post one day. Though, it won’t be until I’ve written up to certain points for each story. I like having a bunch already written out so that I have breathing room before I need to write more in case I let myself get caught up writing other stuff (like I am now lol).

As for your last question… I don’t really set a schedule. I just write when I wanna write whenever I can write (which was a lot of times now that I think about it). I don’t set a goal either. I don’t like adding unnecessary pressure that I don’t need. I write because I had a fun story idea that I wanted to make. I share my story online because I thought that there might be others who would enjoy it. And there had been bc I’ve been receiving nothing but love since I first started posting and have always appreciated the support and adored the comments that readers would leave in AO3.

Thanks again for the ask! I really enjoyed this one. If you have any other questions, please feel free to reach out! I love chatting with you all!

Thank you for reading my fic series this far. I hope you continue to enjoy reading my fic series as I have been writing them.

[serendipitous-magic]

What is your writing advice for young people who want to write fanfiction and original stories in the near future?

If this is just Way Too Much, skip to the end (#16). My most important piece of advice is there. I also happen to think #5 is pretty good.

-_-_-_-

1) Literally just write. Write whatever you want, and do a lot of it.

_-_

2) You don’t have to post everything. In fact you don’t have to post anything. You can, don’t get me wrong, but it can be intimidating to sit down and think “I will now write something that other people will see and read and judge with their eyeballs.” Because that’s probably gonna lead to nerves and writer's block. Just write down the ideas that you have, the things you want to write, whatever’s in your brain that you want to explore and expand upon and make into something. And then if you want to, share it. Or don’t share it. I have plenty of half-baked ideas and documents and random story chapters and shit hidden away on my Google Drive that will never see the light of day, for a whole number of reasons. I wanted to write it but it wasn’t ~Spicy~ enough to warrant posting, or it’s only like an eighth of a good idea, or it’s like one scene with no story around it, or it’s just something incredibly self-indulgent I just wanted to write for my own enjoyment.

Point being, don’t write for other people. Don’t write so that other people can read it; write what you want, write for yourself, and then if you want to share it, do.

_-_

3) You can pretty much ignore any and all of these for fanfiction. In fact, you can ignore pretty much any rules or guidelines you want for fanfiction. Fanfic is a sandbox. You don’t have to be a “professional writer” to post fic. No one expects you to be Stephen King or Margaret Atwood. Fanfic is just for playing in a fandom and having fun. If you wanna write a 50 chapter slow burn with very little plot aside from the OTP slowly getting to know each other, and no real stakes or central conflict, I guarantee people would read that. Really, fanfiction is the Old West of writing: lawless, wild, unpredictable, and free.

However, here are the rules you must follow:

-Separate your paragraphs. (I’m sure you know this already, but I’m gonna say it anyway just in case.) Do not post one big block of text. Make a paragraph break when someone new is talking, when the characters are in a new place, when a new event occurs that changes the scene, when a chunk of time has passed, and when there’s a major change in subject.

-I know it’s obvious, but... grammar, punctuation, and capitalization. They exist to make writing easy for readers to read, and more people will read your stuff if they don’t have to stop and try to figure out what you meant.

-Use tags and labels, as is possible with whatever site you’re using. Especially if you include possibly triggering content in your story. Again, I know it’s obvious, but it’s common courtesy. Bonus: tagging the themes and content of your story helps readers find it and read it :)

-If possible, limit the use of all-caps and exclamation marks / question marks. 99% of the time, one ! or one ? will do. If you overload the page with a lot of all-caps and long rows of exclamation marks or question marks, it hampers readability.

... That’s literally all I can think of. And, like I said, it’s all pretty basic stuff. You were probably rolling your eyes like, “Uh, yeah, Gwen, I know.” But that’s literally it. You can pretty much do whatever you want in fanfic.

That being said, here’s my advice for both fanfiction and original work...

_-_

4) A quick and dirty rule for coming up with a plot, starting a story, keeping up pacing, or maintaining tension: figure out what dreams, desires, and goals are nearest and dearest to your main character’s heart (see #16). Then set up the main conflict to be directly in opposition to that goal. It doesn’t have to be in a tangible way, though it could be. But, if your main character wants more than anything to reach the ships on the southern coast of your world and sail to a new life, make sure the main conflict immediately prevents them from doing that - in fact, make sure to send them north. If your main character just wants to keep their loved ones safe, kidnap the loved ones. If your main character just wants to date their best-friend-turned-crush, make sure they think they have no chance - or, make them cocky about it, and make sure it makes Person B determined not to ever like them. You get it. Figure out what your character most wants, and then keep them from having that. Boom - your conflict now ties in with your character's motivation. It's like instant yeast for plots.

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5) If you’re anything like me, you want your first draft to be Good, despite all that advice about how the first draft doesn’t have to be good and it’s just to get words on the page, yadda yadda. And if you’re somewhat of a perfectionist (like myself), it’s easy to get stuck looking at a blank page because you don’t have The Perfect Words, and you want what you write to be Good the first time.

Here’s how I cheat that:

Instead of trying to write a Good First Draft from a blank page, hit the enter key a few times, skip a little down on the page, change your ink to red (or blue, or whatever - just something immediately identifiable as Not Black) and just thought vomit. Write whatever the hell you’re thinking, exactly as you think it. Don’t worry about it being readable, don’t worry about narrative flow for now, don’t worry about covering all the details, don’t worry about anything except either a) getting all the details of your idea out onto the page, whether that’s a lot or whether it’s just a sentence or two, or b) if you don’t have an idea yet, finding your way there.

Because this method is also very good for finding your way to ideas when you’re stuck in writer’s block.

Because of how human brains work, getting this stuff out onto the page - in all its messy, stream-of-consciousness glory - will likely spark more thoughts. As you write your original idea about the scene, it’ll likely spark more ideas. Creation begets creation. If you just start thought-vomiting your ideas onto the page, chances are you’ll think of more things as you go, and you’ll start filling out description or dialogue or tone or action or whatever, and pretty soon the scene starts writing itself.

Not sure where you’re going with the scene or which ideas you wanna use? Use a lot of ambivalent language in your “thought-vomit draft.” My pre-writing notes are chock-full of the words “maybe,” “perhaps,” and the phrases, “At some point...” and “...or something like that.” In this way, I don’t tie myself down to one idea; it’s just an idea, and I’m keeping it on the page in case I use it, but I might chuck it in the trash or change it or whatever.

And then, once your ideas for the scene (or story, or chapter, or whatever) are on the page, then go back to the top and start translating them into a “real” first draft. Use black ink, and start copy-pasting chunks of the thought-vomit up into the top part of the document and translating them into Draft 1. Separate out paragraphs where paragraph breaks should be. Add the correct punctuation and whatnot. Change “describe the lobby here - include potted plants, fancy carpet, blood stain, etc.” into an actual description of the lobby. Flesh it out, or condense, or whatever it needs. And if you’re still stuck, change back to red ink and ramble some more until you find a path that feels right, then plug that in. This keeps you from looking at a blank page, and it allows you to generate a kind of Draft 0.5, somewhere between a plan and a first draft.

You don’t have to use every idea. Like I said, jot down whatever comes to mind, put a “maybe” before or after it, and keep working. If the idea grabs you and you wanna keep expanding on it and exploring it, cool. If you just wanna jot it down so you don’t forget it and then move on, also cool. Red-ink draft / “thought-vomit draft” is your time to jump around in the timeline, add or finesse details at whatever point your brain moves to, etc. Don’t try to do it exactly in story order, because you will get tangential thoughts and ideas, and you will not remember to write them down five pages later when you finally get to taking notes on that scene. Trust me. On that note...

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6) Write everything down the moment you think of it. Seriously.

“I’ll remember it when I get around to writing that scene in a couple days / weeks / months (/years).”

You won’t.

Write it down.

Phone, journal, google docs - hell, my family regularly laughs at me for grabbing a napkin during dinner and scribbling thoughts down alongside pasta sauce stains.

And then, once you have it written down somewhere...

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7) Consolidate your writing ideas in one place.

Maybe this isn’t really your style, and that’s totally chill.

Buuuut, if you’re Type-A like me - or if you tend to be somewhat unorganized and you know you’ll lose track of your writing notes if they’re scattered across multiple notebooks, journals, napkins, phone notes, etc. - having one consolidated document of notes is a life saver. I keep mine on Google Docs so I can access it, add to it, and look through it for inspiration anywhere at any time. When I have one of those Shower Thoughts that I jot down on my phone or on a napkin during dinner, I set myself a reminder on my phone to type it up in my Story Ideas document later.

(Or, if the idea I had was for a story of mine that I’ve already started planning / drafting / whatever, I put it in the document for that story instead of the Big Random Story Ideas doc. You get it.)

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8) Have other ways to collect and save writing ideas, besides just writing stuff down. If you like Pinterest, make pinterest boards of your characters or stories or settings or whatever. If you’re big into playlists, make a playlist for your character / setting / story / etc. Or both. Or something else. I’m not good at drawing, but maybe you are, and maybe you like to draw your ideas. Whatever form it takes, having another way to save ideas and think about your stories is invaluable.

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9) Some writers can just start writing with no idea where the story is going, and they just kind of figure it out as they go. I envy those writers. And I do that sometimes for fanfiction, where the stakes are somewhat lower and the audience is reading more for scene-to-scene enjoyment (and to see their OTP kiss) than for a Driving And Compelling Narrative.

But here’s the thing: especially if you’re just kind of starting out, writing without some sort of plan is really, really hard, and will likely lead you into a slow, meandering narrative that will likely frustrate you.

Even if you think you’re someone that just can’t write with a plan (and again, I have the highest respect for pansters out there - I don’t know how you do it, you crazy bastards, but you keep doing you) - even if you think “I can’t work with plans, they’re too prescriptive, I just want to write and see what happens -”

Try at least making the most skeletal of plans.

Even if you have no clue what 90% of the story is, yet. That’s fine. But you need to have some idea of what you’re building to, even if that’s nothing more specific than a feeling, or a turning point for your character. Even if your entire plan for everything beyond Chapter 1 is, “At some point, Charlie needs to realize that Ed was lying to her.”

This is where those Draft 0.5 notes come in handy. Because, more than likely, working on your current scene that way will spark ideas for later scenes, which you can put down at the bottom of the document and save for when they become relevant. In my experience, the line between planning ahead and making a Draft 0.5 is exceptionally thin. One can quickly turn into the other.

If you’re really, really resistant to the idea of planning ahead, that’s okay. It’s not everybody’s style. But for the love of all that is holy, write down your ideas for future scenes, even if you’re a person that doesn’t like to plan and writes only in story order, because you will not remember that idea once you get to that scene.

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10) You don’t have to write in order.

Here’s the thing: I’m a person that can only do my Draft 1 in story order (meaning, chronological order). I just have to be in that flow; I need to write in story order for me to best channel where the character is at from scene to scene, both narratively and emotionally.

But my Thought Vomit Draft is another thing entirely. By using the brain hack of putting my notes in red (or another color, it doesn’t matter) and going down to the bottom of the document / page and taking notes there, and then integrating them into whatever plan I have, and then translating them into Draft 1 once I get there in the story - by doing that, I can get my good ideas onto the page (and expound upon them and let my muse carry me and ride that momentum while I’m in the moment of inspiration) without writing out of order.

Maybe that’s just me. But if you’re a person who really prefers to write in story order, that could be hugely helpful to you. It is to me.

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11) Emotion and motivation will do more for your story than technicalities of plot.

If your characters really care about something, and their journey through the (shaky or weak) plot is emotionally engaging, it will be a much more compelling story than a story with a “perfect” plot and unrelatable or unmotivated characters.

If your characters care about what they’re doing, and it means something to them, and their goals and actions are driven by dreams or fears or emotions that are integral to who they are, your audience will care too. If you have a perfectly crafted plot that hits all the right beats and has high stakes and fast pacing and drama - but your characters don’t connect with what’s happening in a way that’s deeply meaningful or emotional for them? You’re gonna have a hard time engaging readers.

When in doubt, prioritize character emotion and motivation over plot. Emotion is what drives story.

This power is highly exploitable. (Just look at pulp novels and shitty but entertaining movies.) You can even use it to glaze over plot holes or reinvigorate a limp narrative. Use it that way sparingly, though. It’s a band-aid, not a surgery. 

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12) Evil villains are hard to write - mostly because there are very few truly evil people in the world. (There are a few. Billionaires and several big name politicians come to mind.) But by and large, there aren’t that many evil people. There are plenty of bad people, but bad people have some good in them, somewhere in there. Trying to write an evil villain is hard, because they often turn very cartoony.

Here’s a tip: it’s much easier to write antagonists who aren’t evil. Even if they’re bad people. Of course, there’s no reason you can’t write a villain that’s just truly evil - a serial killer, or an abuser, or a billionaire, or someone who legit just wants to hurt people or blow up the earth or stay in control of an oppressed population, or whatever. But chances are, it’s gonna be really hard to make them feel real, and even harder to create a plot around them that doesn’t feel forced or contrived.

Instead, try writing an antagonist / villain whose motivations and goals directly clash with your protagonist’s - but not because they want to take over the world or see people suffer. Write an antagonist who’s chaotic good, but whose perception of the situation is completely opposite from your hero’s. Write an antagonist whose only desire is to save people, and who will do anything to achieve that goal - anything. Write an antagonist who believes in the letter of the law, and will hinder and oppose the hero’s methods even if they agree with the hero’s motivation. Write an antagonist who got in way over their head and did some things they regret, and now they don’t know how to get out, and they’re doing their best but whatever they set in motion is too powerful for them to stop now.

Write villains who are human. Write a killer who thought they were doing the right thing by taking their victim out of the equation, who vomits at the sight of the body and sobs over the grave they dig. Write a government leader who truly believes she’s doing what’s best for her people in the long-term, even if it might hurt them in the short term, and is willing to endure the hatred and belligerence of the masses if it means securing what she thinks is a better future for her people. Write a teenage bully that thinks they’re the one being picked on by the world, and they’re just fighting back, standing their ground. Write a scientist who will break any code of ethics and hurt anyone he needs to - in order to bring back his baby sister from the grave, because he promised her he’d protect her and he failed. Write an antagonist who is selfish and self-centered and capricious - because in order to survive they had to look out for Number One, and that habit ain’t about to break anytime soon.

Write villains who aren’t even villains. Write antagonists who oppose the hero because of moral differences. Write antagonists who are trying to do the right thing. Write antagonists who treat the heroes with kindness and dignity and respect and gentleness.

They don’t have to be good. They don’t have to be Misunderstood Sweethearts who “deserve” a redemption arc. They can be cruel and nasty and dismissive and callous and violent and etc. etc.

Just hesitate before you make them Evil-with-a-capital-E. Because evil is hard to write, and honestly, boring to read. Flawed human beings with goals and motivations that directly oppose the main characters’ are much easier to write and much more interesting to read.

Ask why. Why is your villain trying to take over the world? What does that even mean? Are they trying to create a Star-Trek-like post-capitalism utopia, but they know that won’t happen in a million lifetimes, so they’re trying to do it by force? Are they actually super in favor of human rights, but they got very impatient waiting for the world to do anything about poverty and war, so they decided to take it into their own hands? Are they determined to fix the world - no matter the cost? Are they terrified and overwhelmed, but committed to see it through to the end? Or - maybe they’re just doing it on a dare. Maybe they don’t really give a shit about world domination, they were just a mediocre rich white guy who decided to fuck around and find out, and now he’s kind of curious how far he can take this thing. And now he’s kind of an internationally-wanted criminal, so he’s kind of stuck living on his hidden private island in his multi-billion dollar secret base, strapping lasers to sharks’ heads for the hell of it. Gross, selfish, uncaring, and dangerous? For sure. Evil? Depends on your definition. See, now we’re getting somewhere.

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13) It’s tempting to let the plot control the characters. It’s easy to drop your characters into a situation and see how they react. But here’s the thing: that doesn’t drive plot. In fact, it bogs down pacing. Instead, try to build you plot off of your characters’ actions and decisions. Let your character build their own situation. Not to say it should go they way they wanted it to go; in fact, usually, their grand plans should go to hell very quickly. But having the characters take action and make decisions, and letting the plot develop based on that, is much easier to make compelling than making a rigid series of events and then trying to herd your characters into them.

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14) Having trouble justifying a character’s actions? Consider having them make the opposite decision, or having them approach the situation in a different way. For example: you need your character to go meet the bad guy, for plot reasons, even though there’s no way it’s not a trap. If the character goes, readers are gonna be groaning with their head in their hands, because c’mon man, that was really fucking stupid. But he’s gotta go, because the plot needs that. Two ways you might handle this: a) He knows it’s probably a trap. He decides not to go. The plot conspires to get him near the villain anyway. Or, b) He knows it’s a trap. But he needs to go, for (insert reasons here). So, he approaches it in an unexpected way. He brings backup, recruiting a side character we met earlier in the story. Or he arrives on the back of a dragon, because ain’t nobody gonna fuck with a dude on a dragon. Or he goes - early, and ambushes the villain. It may work, it may not. He may get himself kidnapped anyway. But it moves the plot along without having Stupid Hero Syndrome.

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15) This is a legit piece of advice: if all of this sounds overwhelming, literally just ignore it and write what you want. For real. Writing should be fun, and every single writer operates differently. If you’re sitting here like “I’m getting stressed just reading this,” just flip me a good-natured bird and get on with your life. I promise I won’t take it personally. Same goes for literally any other writing advice you see. Lots of rules and guidelines can very quickly make anything thoroughly un-fun. Just write. If you’re passionate about it and you do it for long enough, you’ll start figuring out the tips and tricks on your own.

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16) Here’s the best piece of advice I can give you: know your characters. More importantly, know what’s important to them. Build their personality and decisions off of that, and build your plot off of their decisions.

I see a lot of character building sheets that ask a shit-ton of questions like “What’s their most prized possession?” “Do they like their family?” “What’s their favorite food?”

And while these are good questions, my problem with this type of character building is that if you start there, with the little stuff, you’re building on nothing. IMO, to make a truly strong character (not strong like Inner Strength, strong like effective), you need a strong foundation.

Here are the things you must know about your character:

a) What are their greatest fears / deepest insecurities? And I don’t mean “wasps” or “heights.” I mean the deep shit. I mean fears like “living a meaningless life,” or “turning out just like their parents,” or “that no one will ever love them,” or “being powerless.” You may say, “But they’re really scared of wasps! They fall into a wasp nest when they were little and got stung so much they almost died!” Great! That’s a fantastic bit of backstory. They should absolutely be afraid of wasps, and that should absolutely be an impediment later in the story. But dig deeper. What about that event actually scarred them? Was it the helplessness? Stumbling around, swatting at the air, not being able to do a single thing to stop what was happening to them? Was it that they were alone, and no matter how loud they screamed, no one was coming? Was it the bodily horror of feeling themself turn into an inhuman creature as they swelled up from the stings, unable to move their fingers or face normally anymore?

And don’t forget insecurities, because those factor in, too. Are they deeply insecure about their identity? Do they believe, deep down, that they’re ugly? Did they grow up poor and they’ve always been really touchy about that? Why? Dig deep. Figure out what really, really bothers them.

b) What are their hopes and dreams? What do they truly want out of life? What do they consider the most valuable to their experience here in this thing called life? Is it the freedom to forge their own path and be independent? Is it the approval of their family or peers? Is it a home? Is it knowledge, or understanding? Spiritual fulfillment? Is it deeply important to them that they contribute to their community, or protect those they love? What do they need in order to feel truly and deeply fulfilled in life?

Figure out those two things (each one encompasses several things, btw, you don’t have to stop at just one for each), and then use that to inform how they behave and the types of decisions they make within the story. 

It also informs character behavior and personality. 

Let’s say we have a character who’s afraid of helplessness. They’re probably gonna be the person that always wants to do something, try something, no matter how hopeless the situation seems. They’d despise just sitting and waiting, probably, because it makes them feel powerless. They might even be the person that makes rash decisions and acts impulsively and puts themself in danger unnecessarily, because in their mind it’s better than being at the mercy of fate. This is one way you could use a character’s personality to inform their decisions, which in turn helps to inform plot.

Or, let’s say we have a character whose greatest fear is being left behind or forgotten. We may have a chatterbox on our hands. They might be obnoxious. They might love the spotlight, constantly vying for attention no matter the situation, because deep down they’re so afraid that they’d be forgotten otherwise. Or, it may go the opposite way. They may be so afraid of people leaving them that they’re terrified of bothering people. They don’t want to do anything that could annoy people, anything that might give people a reason to leave them. They might be exceedingly polite, quiet, accommodating. A push-over, really.

These are two nearly opposite types of personalities, both stemming from the same core fear/insecurity. You can go a lot of different ways with it. But if you build on that strong foundation, you’ll have a strong character, and a stronger plot.

Likewise, the structure of your story can and should inform the design of these character traits. If you need your characters to team up near the end, it may be impactful if you give your main character a deep fear of commitment, an insecurity about being unwanted or left behind, and make them highly value independence and freedom. That could make their team-up for the final battle very meaningful. Conversely, you can use your character’s deepest fears and desires to help design the plot. Is your character deeply insecure about voicing their opinions or taking a stand, because of trauma they faced in the past? Make them face that. Build that into the climactic third act. Give them the big inspirational speech where they stand up and talk about what they believe to be important, what they think the group should do. And then design that character arc to run through the story, giving you more handholds and stepping stones, more pieces of foundation on which to design the plot.

In this way, character should inform story as much as story informs character. It’s a feedback loop.

Bonus: if you build your character and your plot off of each other in this way, it automatically starts to build in the foundations of that emotional investment I mentioned earlier. If your character’s decisions are based on what they most want and do not want in life, you basically have your character motivation and stakes pre-built.

Note: you need to know these things about your villain, too.

-_-_-

I’m genuinely sorry about the length of this, lmao. But you did ask.

Best of luck!

Edit: I forgot an important one:

17) Start when the scene starts and end when the scene ends.

What do I mean by that?

If your notes say “Danny asks Nicole out after school and majorly flubs it,” start the scene when Danny approaches Nicole after school. Better yet, cold-open the scene on “I was wondering if, you know, you’d wanna. You know. Hang out some time?”

Don’t start that morning when Danny goes to school, unless you’re gonna cover the school day in like one or two sentences. Don’t spend whole paragraphs going through the school day, unless it’s to cover other plot points first (in which case apply these same guidelines there), or if the paragraphs are there for a specific reason, like to illustrate how stressed he is and how it seems like every little thing is going wrong. Even then, trim the fat as much as possible. Expounding and describing everything Moment-to-moment is for the meat of the scenes, not the leading-up-to and coming-away-from.

Here’s my rule of thumb: study how and when movies cut from scene to scene. Movies have exceptionally strict, limited time for storytelling; they’re excellent examples of starting a scene when the plot point starts and ending when it’s over. If you can’t picture a movie showing everything you showed, start the scene later and end it earlier.

[yuukei-yikes]

Honestly, I love all of your Kagepro nextgen hcs! They are sooo sweet💖

Also, you said that Ayano and Shintaro would adopt 3 kids before having Ayame. I’m really excited to learn more about them. What are their names and personalities, their relationship with their parents, each other and the whole dan, their reaction when Ayame is born, ect. Sorry if its too much, but your fankids are great and I really enjoy reading your Kagepro ramblings

THANK UUU FOR LIKING MY CRINGY FANKIDS LOLLLL this is really sweet but i am afraid i have not. gone that far ahead. i dont rly have answers for any of this. mostly cuz.... i designed ayame and konoha bc as bio kids i get to like grab things from the canon characters to design them yknow and that was the fun of it to me (even if ayame truly looks just like ayano but thats the thing hehe i wanted to give her a sweet face but somehow she's frowning most of the time which makes ppl be like omg youd be cuter if you smiled more!!) erm erm erm i mean i did think some stuff like age differences and dynamics and stuff... but id be lying if i said i have any proper ocs thought out lol. mostly i have thoughts abt the first kid because in my insane sick brain i have a whole shinaya arc written. while ayano is adopting this kid I DONT EVEN HAVE A NAME FOR is when she gets back together with shintaro and shintaro goes through this process of oh my god i got ayano back after all these years and OH MY FUCKING GOD I HAVE TO BE A DAD NOW because its like. this was ayanos choice BEFORE shintaro and she probably does an ultimatum like lol i wanna be with u too but...this is gonna be my reality like im planning to be a mom and if u dont want to be along for this i totally understand. but shintaro steps up💪💪💪 at first its probably like i dont plan to parent ayano's kid we're just... taking things easy but its difficult not to immediately fall in a family dynamic as soon as it starts. i think shintaro doesnt realise he's a dad til the kid asks him if he can call him dad and then he flatscreens. also i think its a very quiet kid so sometimes he has this sorta kinship with him that he doesnt with ayano bc shes just so ALL IN UR FACE yknow. thats all just shinaya thoughts tho ok he is adopted at around 6 or 7 years old, and ayame is born like *quick math in my head trying to remember my little insane timeline i wrote in my post* 3 years later. so they have a big age difference. in my doodles i picture ayame around 11 or 12, so by that age this big brother of hers would be in college or something. she completely idolizes him and thinks of him as this unapproachable coolest guy ever especially cuz he's so much older. but for the other 2 id be lying if i told u i even imagined genders or something LOL like designing this would be leaving fankid territory and enter Proper Oc area sort of you know what i mean. i think theyre a little closer to ayame though and theyre little rascals and have a very tiny mekatrio pranking mode sort of thing. but... the other 2 would have a big age difference too. they were all adopted as like... from 6 to 10 years old ig and ayame yknow. shes baby. with this i wanted it to be like... ayame's thing is supposed to be that she is The Little Sister. like how ayano was the big sister. GET IT.. DO U GET IT... so thats sorta my thought process. i think her big siblings think the world of her and they celebrate her so much when she's born!!! her dynamic with konoha is silly bc she has so many siblings and he's an only kid and they clash a lot bc of it lol. sorry. i cant answer ur questions properly but thank u for giving me an excuse to go a lil insane

[tabbyclaw]

A look forward

Another trip around the sun, another flip of the calendar. Another year gone by, and it's time to take a look back at it and see what you did. Last year around this time (well, all right, technically earlier this year, but shhh), I posted a recap of all the fic I posted in 2021, with a little bit of commentary on each one. I'm not gonna do that this year, because, well, you can take a look at my posting history and guess why. I participated in Mayura May and ran it into June, and... that's it. And I'm pleased with most of the stories I wrote for that (especially Blackened Lips, which was my favorite of the ideas that I had and it came out on the page pretty much exactly how I wanted it to go in my head), but they seem to have completely sucked up this year's supply of whatever magic it is that lets me grab hold of an idea and actually write and post it quickly. I've still been writing this whole time, I just haven't finished anything yet. It's all been long stories coming out of my head, or ones that are fighting me at every turn, or ones that get halfway written before I realize they need to simmer a little while longer. All of which I hope, with varying degrees of confidence, to actually finish and get into a presentable state eventually. And so, instead of looking back on this year and feeling like I should have accomplished more, it's time to look forward and talk about what I hope to accomplish in 2023. This isn't a road map, or a promise, or even a plan; this is me taking some of the ideas out of my head and putting them down on paper in a form where I can hype myself up for them and hopefully give the rest of you a teaser for what might be upcoming. I hope you're looking forward to seeing how it goes as much as I am.

First off, despite the fact that I just said nothing is set in stone I can tell you what the first thing you're going to be getting out of me is, because I'm going to be signing up for the Candy Hearts Exchange. It's this year's replacement for Chocolate Box, a short, low-minimum exchange focusing on relationships between characters, romantic or platonic, with a culture that encourages writing treats for multiple people, which I hope to be able to do. (And, yes, I will be posting a letter once I finalize my signups.) It's the first multifandom exchange I've done since 2009, and if it goes well maybe it won't be the last one I do this year, either.

That's the only thing with any kind of timeline attached to it, so my other thoughts are going to come in a scramble that's mostly organized by fandom and also by when I thought of it as I was writing this.

First off, the one that's been hanging over me: Yes, I am still working on editing the Gin and Bear It sequel. I don't know why it's fighting me this hard, but it turned out that a large chunk of the middle had to be rewritten from the ground up and now parts of it are back at square one. It will be finished, because I'm not going to go this far and stop just before the finish line, but it may still be a while. There is also the third fic in this series that I've hinted at, and that is also still happening. It's going to be a much smaller one, probably even shorter than the first one, and I've already been working on it between other projects. Those are the only two Oxventure thoughts that are really on my plate right now, but I can't promise I won't think of more down the line, and even though Oxventure in the Dark is a closed canon now that doesn't mean I might not still have some thoughts about that, too. So much worldbuilding in so little space, and so much still to be done with it both before and after the end.

Next up, and occupying a pretty large fraction of my writing brain at the moment, are some of my oldest friends. Yes, as I alluded to a couple months ago, that dormant but ever-present bit of me that's always ready to write Drakken/Shego has woken up in a big way lately. I've already got something relatively short mostly finished, a quiet little post-finale piece full of feelings and awkward moments, not to mention a few plants. That one's mostly done; it's one of the ones I mentioned earlier that just needs to simmer for a bit before the ending really comes together, and then I hope I'll have it polished and ready to share soon. But there's also at least one longer fic on the far horizon; I've already got an outline and the first few thousand words of setup (yeah, this is why editing takes me a while) down on the page. I don't want to say too much about that one, though, because it's a long way off and there are large parts of it that will benefit from being kept secret. Aside from those two, which are more concrete, there is a constant swirling in my head of other possible ideas that I've fleshed out far less and which are just waiting for their time. Maybe this will finally be the year of the competitive fake dating duology, because these two need to be tormented by both their families as well as each other, or maybe it will be time for something else entirely. (I saw the idea @souljellied mentioned about a body swap for these two, and while I'm not going to step on your toes it definitely gave me some thoughts!)

On the topic of other evil power couples, I have no particular thoughts at the moment about Miraculous Ladybug, at least none that are solid enough to make any commentary about at the moment. The ongoing shakeups of season 5 (I still haven't seen it but this is the internet and spoilers are inevitable) have a lot of potential, though, and there have been a lot of rumblings in my head of "You could do something with that, for sure." It's just a matter of seeing which ones, if any, come to fruition. Watch this space, as always, and ideally there will be something in it later.

But those are just the sandboxes I've been playing in the most frequently as of late, and the ones I figure people will expect me to have something to say about (and the ones I expect myself to have something to say about, come to that.) It's by no means an exhaustive list of the things I might end up chewing on, whether new or old. Willow and Steel still lives in that strange netherworld in my head of 'things I don't know if I'm done with yet,' and there's the start of a 'Roxanne gets Metro Man's superpowers instead' AU that's been on the back burner for a good long while now that I've been wanting to get back to. To say nothing of the various original fiction ideas that are always lurking, and which might or might not see the light of day here even if they do start to come to life, because if I come up with something that feels like it could be marketable I will absolutely try to sell it just to have had the experience of doing so. And of course this is just what I'm thinking about right now, before the year has even started, and who knows what other ideas are going to catch my eye, and what other fandoms will creep up on me from out of the woodwork. It's always an adventure trying to figure out where the hell I'm going, especially for me.

It's a new year, or it will be soon enough. Let's see where it's gonna take me.

[slitherbop]

.......Any papastuck hcs?

THANK YOU for giving me an excuse to publicly ramble about PAPA G AND CHUCK beware of Spoilers within ALSO HERE’S A PIC happy valentines day

When they met and Chuck was still Stuck in the floor, like Post-Chicken-Feed-Missing-Scene, Chuck would be RUDE as HELL to Papa G. But Papa G took it as realizing he’s just A Guy and was like AH MAYBE I SHOULDA BEEN GIVIN HIM REAL FOOD and then he does that, but Chuck is still a bastard to him. Not to The Kid’s knowledge tho, he only found out that Papa G knew about Chuck’s existence in the second episode like we saw.

Papa G literally just looked at Chuck and how Evil he was being at the beginning and was like OH YES WE CAN BE FRIENDS I LIKE THIS GUY cuz he DID save him and want him to be redeemed and have the last ring to be on the team... Papa G’s Immediate Trust.. like if u agree

I like to imagine that Papa G actually did have da iced tea with Chuck to get to know him :] this was Post-Chuck-getting-Cut-in-Half. Papa G is Very Curious about Chuck but Chuck’s still a rude little man at this point and Papa G laughs off his behaviour. Papa G might be f*cked up enough that he does enjoy his company, bad vibes and all

Chuck has NO idea what to make of Papa G here because no one else has ever shown him kindness or wasn’t annoyed at him. It doesn’t stop him from being a force of negativity though cuz at this point he still Believes he’s going to conquer the earth.

This ended up being like a timeline of their relationship and not relationship headcanon UUHH OOPS!!!!!

OK, Chuck actually likes that he calls him Charles it’s the special name :]

I’m prepared to be proven wrong but it would be epic if Chuck started calling Papa G “George” because he was there to hear that that is his first name and Papa G like with Tuna Sandwich doesn’t mind being called it, it’s just his name. Also George is my real name and I’d love to hear Chuck say. Also Also George and Charles are gay old man names

Uh oh I’m talking more about timeline stuff but some time after the events of the big showdown and they’re dealing with the fact that Chuck is deciding to stay here on earth, Papa G and The Kid make him his own living space there in the junkyard with them. Not sure where or what it’d look like but it means a lot to Chuck (makes this face -> 🥺) I’d imagine since his species aren’t given their own names / have individuality he wasn’t given a space of his own to do whatever he wanted with

Since they no longer have the rings, Chuck helps Papa G as an extra hand doing work in the yard (Papa G had to get used to doing stuff without being his own company :[ ) and Chuck ACTUALLY LOVES HELPING imagine that one scene where Papa G and Chuck are working together to build the ice cream megaphone truck, they’re both really skilled at building stuff and enjoy it so it’s like that pretty often!

I swear to god Papa G needs to get Chuck a wheelchair / make him one, I want to believe that he does have one and we just didn’t see it at the end of the time skip -_- :prayer: but they totally deck it the hell out (you KNOW Papa G is capable of making deadly death machines and you KNOW Chuck would absolutely love that sh*t!!!!)

Anyway back to the time skip relationship development thing: PAPA G SHOWS CHUCK AROUND HIS HOUSE I wish we knew what inside the house looked like besides the kitchen sink lol but Papa G figured if he’s gonna be around here more often he might as well show him where HE lives! Papa G is SUPER excitedly showing him all the weird stuff he’s accumulated over his lifetime. Chuck doesn’t Get the specialness of physical possessions and calls it Junk but Papa G doesn’t mind! He shows things and Chuck is confused about certain things (being an Alien) and Papa G is happy to explain everything to him.

Papa G shares Chuck his art and is showing him painting ;_; once again Chuck is a bastard and doesn’t totally get it. Papa G would definitely call HIM an artist, pointing out that all the building that Chuck does is artwork, those comics that he spent all that time reading was him appreciating the art, and that changes the way he views it. Chuck makes his own dam comics, I’d imagine the way he’d draw is very unique and the text is written in his language, and then it’s Papa G who doesn’t totally get it but is ENTHUSIASTIC ABOUT IT!!!

Also Papa G totally takes Chuck out to the middle of nowhere to go look for junk, this is probably Chuck’s Least Favourite Activity LOL but they do spend a lot of time talking about anything, I’m really curious about what the kind of things they’d even say when they’re not faced with any threat and are only with each other *looks up at the sky in thought..*

Chuck please go off about your previous life away from earth I feel like as soon as he came here he kinda just accepted himself being Stuck Chuck and therefore had no attachment to being a nameless body in an alien army. Also Papa G please open up about your messed up secret history that warranted the government keeping tabs on you and made you live almost completely isolated.

See^ I think whatever they got going on on a DEEP LEVEL could be wild and would have so much to unravel, Chuck’s life before this was probably just 90% seeing various people DIE and was simply made to Kill people for his leader. And. you KNOW Papa G has something Messed Up about him + Is Traumatized / got “bad flashbacks” + the whole seeing himself die and being numb to it. And now that they are people who are trying to save lives on their team they could Relate to each other as the two older guys with UNKNOWN HISTORY!!!!

UUUUH OK SO SHIP HEADCANONS RIGHT. RIGHT. They hold hands :] they rarely kiss it’s mostly Papa G who kisses Chuck on the face but Chuck is forbidden from kissing unless Papa G wants to go to sleep. Also Chuck likes to be held by Papa G, they hug a lot :D Papa G takes Chuck out to the diner and gets him everything he wants <3 they go to the house and watch movies and Kid joins them too as a family ;_; Papa G goes to sleep in his god forsaken hammock with Chuck, and Chuck is like So This Is Your Weird-Ass Cocoon Huh and Papa G is like HAHA YUP and its sweet.

I’m gonna end this here thank you for reading, this is the kinda stuff I ramble on and on like this in private but I hope u enjoy some of my thoughts about this I think it’s a genius ship with so much potential and is my favourite thing right now THANKS

[shining-magically]

so I’ve wondered this since the trailer came out years and years ago and Chloe defended the movie - was the red shoes teaser written by the same team that made the movie? were they forced to market it like that, was that based on an earlier draft, etc?? not sure if you know but you seem like the leading expert!

Sorry, this is gonna be an absolute novel because you know I’m an animation fan and the history and production of Red Shoes and the Seven Dwarfs is SO interesting and insane. Like, Tangled levels of insane. Thanks for calling me an expert, no one else was gonna do it so I just kind of took up the helm lol.

Here’s the low-down... The timeline of the movie’s production is an absolute mess and kind of an extremely wild ride. It was in production for ten years, went through a lot of different crew members, and went through at least two other major versions of the story before landing on the final version.

Since there’s not a ton of info on the movie’s production, a lot of this is pieced together from different interviews and context clues, and also a lot of what I’ve read and what I am quoting has been translated from Korean, sometimes pretty roughly. But yeah.

Here’s the story of why the Red Shoes and the Seven Dwarfs teasers and poster were so, so bad and fatshame-y and the actual movie was so, so good and body-positive. (With pictures and production artwork!)

(This is a beast of a post so I’m putting it under a cut.)

All right, so. After its conception originally as a short story by the South Korean studio Locus Creative in 2009-2010-ish, Red Shoes and the Seven Dwarfs was being worked on and was set to come out in Summer 2017, as evidenced by this poster at the 2015 Cannes Film Festival, featuring a different logo and very different character designs for most of the dwarfs.

In early-mid 2016, the first teaser (in which we see Snow White undress and then two dwarfs recoil in horror at her fatness when she takes her magic shoes off) was released, after the film had kind of been slowly chugging along for 6 or so years. (I am having such trouble pinpointing when the second teaser was released (in which one of the dwarfs basically attacks Snow while she is sleeping to steal her shoes), but I believe it was around the same time.) The teasers didn’t get that much traction because this was a small film from a small indie studio in South Korea.

None of the final actors had been cast yet. At this point in the production, the story was different, one of the many versions that the movie went through. As in the final movie, the dwarfs were actually cursed knights/princes and Snow White switched back and forth between two body types due to her magic shoes, but in this version, the dwarfs needed to steal the shoes from her in order to break their curse (rather than needing “a kiss from the most beautiful woman in the world” like in the final movie).

The weird thing is, I believe they had JUST changed the movie’s story when the teaser came out. I’m almost positive it was released more as a proof of concept than as an actual trailer for the movie. They had just recently combined two separate characters (seen above), a typical pretty, skinny princess character (Snow White) and a cute chubby girl character (’Bonnie’), into one single character that switches back and forth between the two appearances when she wears the magic shoes (also they had just dropped literally half of the movie taking place in the real world, with a magic mirror portal, it was a whole thing). 

They didn’t have the details of this aspect of the new story hammered out yet, and the first pass at presenting Snow’s magically changing body type, was, yeah, not good and super offensive. This was a really inexperienced indie studio making their first film on a low budget, so even the animation and voice acting wasn’t great. I think they just wanted to get SOMETHING out there because it had been 6 years and they wanted to have something to show for it.

But here’s the thing. Despite how the teasers make it seem, this was always supposed to be a movie about body positivity, letting go of appearance-based prejudices, and loving yourself and others for who you are and for who they are, which we see in the final film.

I like to think of our film as a kindhearted one. Our intentions are nice.

- Director Sung-ho Hong

It’s important to keep in mind that this movie was made in South Korea by a 99% Korean crew, and, as I understand it anyway, in Korean culture, ‘fatshaming’ is not really a thing that is seen as overtly offensive. Also, children’s media there seems to have more adult things in it than in the US, which probably accounts for the more risque parts of the teasers. That said, I really believe that at this point in the timeline, the movie was on-track to be bad (or at least not very good) when it was released, and it would have ended up bad IF a few key players hadn’t signed on (which I’ll get to in a moment).

Interestingly, the movie’s producer, Sujin Hwang, said in a 2017 interview:

“[Both teasers] were solely produced to induce curiosity. They’re completely irrelevant to the actual story.”

- Producer Sujin Hwang

I think what she was trying to convey was that neither one is a scene in the actual movie, because while the teasers didn’t reflect the revamped story as it existed in summer 2017 (the time of the interview), they DID reflect the earlier version of the story where the dwarfs wanted her shoes, which is what the story was at the time they were made.

Now that we’re in post-teaser 2016, HERE’S where things start to turn around. After the teasers were released, my guy Disney veteran and native Korean Jin Kim joined the project. He and Red Shoes director Sung-ho Hong had been buddies for about eight years and Sung-ho had been trying to get Jin to come to Seoul and work with him at Locus for a long time, and he finally succeeded.

Jin and his twenty years of Disney experience as an animator and senior designer on films like Tangled, Frozen, Big Hero 6, Zootopia, and Moana, had a HUGE HUGE HUGE influence on the movie. He redesigned almost all the characters, oversaw all the visual development from the moment he signed on, and heavily (HEAVILY) supervised the animation, literally going frame-by-frame through preliminary animations and drawing over them, teaching the inexperienced animators at Locus everything he knew. (Literally almost everyone except him either only had TV experience or had no professional experience because they just gotten out of school.)

From an outsider’s perspective, it really seems as though Jin joining the project (and his gargantuan effort) made the quality SKYROCKET. Not just in character design and animation, but also in things like effects animation, story, etc. After he joined, Locus really started pushing HARD to make a good, high-quality movie, and his influence and experience from being a prominent figure at Disney was absolutely key. The studio also began to really study Disney films and other well-made animated films from other studios to really try and pinpoint what the DNA of a good animated movie really is.

I don’t have any solid evidence, but I’m pretty sure that Tony Bancroft (an animator and the co-director of Mulan) then joined the project because he’s good friends with Jin Kim. He is only credited as the voice director (the movie was recorded in English and the characters were animated to the English dialogue), but I am SURE that he probably also had a pretty big influence on the movie, because like... How could he not? I really really think there was more to his role than his title would have you believe, even though there’s almost no info out there about it.

So now the movie goes through a gigantic metamorphosis. Character designs, visual development, and animation quality are all rapidly improving, the story is tightening, and the themes of the movie (which, again, were always the same and intended to be positive) are being presented in a more sincere way. The movie is becoming the sweet, self-love-encouraging and body-positive movie that was eventually released.

I’m putting a gif from the credits of the final movie here. As we move into 2017, when the giant eruption of backlash occurred, please keep in mind that the story was finalized at this point and that THIS was the movie people were so mad about:

Chloe Grace Moretz accepted the role of Snow White immediately after she read the script and she recorded her lines (I think) in early-ish 2017. Her co-star Sam Claflin also immediately accepted the role of the romantic interest, Merlin, after reading the script and recorded his lines in (I believe) July 2017.

In the summer of 2017, the story and script were more or less the same as in the final movie. Promotional images from that time show that most of dwarfs had been completely redesigned by this point and didn’t have their teaser designs anymore.

They also released a few screenshots that look exactly like the final film. The movie was advertised as coming out in ‘2018′ at this point. Here’s a promo image from 2017 that is MUCH more tactfully worded than the infamous Cannes poster:

So now we’re in summer 2017. The Cannes Film Festival. The movie’s script and story have been basically nailed down, animation is underway, and the Korean film company Finecut is beginning to market and sell the movie to worldwide audiences. They are planning on showing some footage to potential buyers at the festival, and they make a poster to advertise the film there.

Unfortunately, it’s THIS POSTER:

Now here’s where there are some unknowns. By this point, the movie is basically in its final form, which is an adorable, body-positive story about loving people for who they are, loving yourself for who YOU are, and that provides commentary on society’s standards of beauty and how they affect how people are treated/viewed. So why this poster??? All I can really tell is that someone (I think Finecut) really, REALLY messed up and either horribly mistranslated the tagline, or didn’t do enough research to know that this kind of thing is REALLY NOT OKAY in western culture.

The above picture is shared and the internet backlash begins, fueled by tweets from prominent body-positivity activists like Tess Holliday. Even Chloe Grace Moretz speaks out against it, because she of all people KNOWS that that’s not what the movie is about. The internet then finds the old teasers from before the movie was revamped and it makes things worse. Producer Sujin Hwang profusely apologizes and says that that is NOT the message of the movie. Locus pulls the advertising campaign, and takes down the two old teasers.

“Our film, a family comedy, carries a message designed to challenge social prejudices related to standards of physical beauty in society by emphasizing the importance of inner beauty.”

- Producer Sujin Hwang

Voice director Tony Bancroft also tried to explain the situation:

“The truth is the film has a body-positive message as its core theme–it’s the opposite of what reports are saying. The problem is one poorly translated movie poster that has been taken dramatically out of context.” 

- Voice Director Tony Bancroft

And then... There was nothing for a while. The movie didn’t come out in 2018 and was delayed. From what I can tell, I DON’T believe this delay was related to the Cannes backlash. I think it was mostly due to Locus’s limited budget and resources, because as we know, animation is difficult, time-consuming, expensive, and easy to do badly but hard to do well. Also, probably with Jin Kim and Tony Bancroft’s influence, they REALLY wanted to make sure to do a good job with the animation because they now had a great story and they really wanted the movie to be a quality, worldwide hit that would kind of put South Korean feature animation on the map. Just take a look at how nice the final animation was:

The movie was released in South Korea on July 25th, 2019. Unfortunately, the damage was done in the English-speaking markets and it was not released to an English-speaking audience until June 22, 2020, when it was released digitally in the UK. At the time of this post, there is no set US release date, but the distribution rights were recently bought by Lionsgate and the MPAA gave the film an official PG rating.

So who’s to blame? There’s no good answer. You could blame Locus for making those old teasers. You could blame Finecut for the competely tonedeaf Cannes poster. You could even blame cancel culture for raging against the movie based on one poster and two old teaser trailers without researching what the movie was actually about.

All I know is, it’s a damn shame.

[mortar-canyon]

Attempt 2! I had a longer version of this post up a while ago, but I was really emotional when I wrote that, so I’m trying again.

Here’s a warning for anyone who found their way here through a meme or something: I ship Vecpio, and as much as I’d like it to be easier, if three years of internal debate haven’t stopped me, I’m probably not going to drop it anytime soon. My main is @kernelbastard , so if you want, you can block that and make sure I don’t see any of your content in the tags. If you don’t mind, I’d appreciate if this would get boosted so more people see it and can block me as needed before I bump into them some other way.

Explanation under the cut.

To be honest, it’s very important to me. I do not usually consider myself a pro-shipper - that whole scene scares the hell out of me, and I do have rules I follow in most cases - but I have to make an exception for this because of what Espio as a character represents to me, re: family, recovering from trauma, and revenge VS justice.

To spare y’all the pity party, I’m just gonna say that Es feels more like a father to Charmy in my eyes, and that puts him into a mentor-ish role for the rest of the younger cast. Personally, I feel uncomfortable pairing him with characters in that range because, in the past, he's been written as much older; now that the "canon" ages have been removed, for better or worse, it seems like that might start up again.

In the AU timeline I’m working with, he’s in a completely separate generation; he's also partially meant to be a representation of generational trauma, who tries to break the cycle and mostly succeeds but ultimately cannot completely shelter his son the way he wanted to. In my absolute mess of a rewrite, he and Vector are paired together as a complement to Charmy's arc, but Es doesn’t have any interest in Vec that way until a full decade and spare after the 16 and 20 marks. The age gap still exists, and is something they would need to have a serious conversation about, but if there’s anyone Espio can genuinely trust to have his well-being at heart, it’s Vector. Above all else, the single most important theme for them is trust; when all else fails, they will have each other's backs. They will do whatever it takes to keep their family safe.

That's what it means to me. I don’t expect people to agree with me. I am putting this out there because I don’t want to take anyone by surprise. If you made it this far, I appreciate you taking the time to listen, either way.

[kcatta-wodahs]

MC Who Does Not Fear Death x OM! Demon Brothers

Or maiming, or apparently any other consequences. You’ve walked into this situation with absolutely no filter and no fear. Time to tear down every structure of Devildom society.

Lucifer

You look at him with a withering stare when he tries to intimidate you into behaving.

“I was summoned out of my trashy apartment to this place, where literally anyone could snap me like a twig on accident. I’m just working on the assumption that I’m already dead.”

He sternly looks at you. “You’re under my protection during your time here. No harm will come to you.”

You snort derisively, which visibly irritates him. “Don’t worry about it. I won’t come back to haunt you if it happens.”

As you continue through your life in Devildom he keeps calling you out for meddling and all that, like usual, and he HATES that you literally *do not care* when he threatens you.

Like HE knows that he wouldn’t hurt Diavolo’s transfer student but YOU are supposed to be AFRAID of him dammit.

His frustration at this ends up turning into a form of respect. You’re about the only person who will stand up to him, and tbh like you’re so fucking fragile but you’ll yell at him all day? That takes guts. Annoying guts. But you’ve got guts.

But also STOP IT. He has enough stress in his life and now he’s constantly terrified that you’ve decided it’s a great idea to adopt a baby balrog

Which you did once. He’s just afraid that “Flamin Hot Cheeto” is going to come back since you somehow managed to imprint on it.

despite the fact that the BABY could easily tear your arms off on accident

Not to mention he gets the flack for EVERY SINGLE ONE of these following stories. You stress him out so much. Please. Please, stop. 

He’s almost to the point of begging. The Avatar of Pride is three steps away from either locking you away for the rest of the year or begging on his knees for you to calm down. 

 But you know you’d find a way out if he locked you up so no worries. It’ll be a good challenge.

Mammon

“Well you WON’T be dead because it’s my job to protect you! Are you doubting the Great Mammon?!”

Stupid human. Yeah, you’re fragile and weak, but that’s why HE’S your bodyguard now, and there’s no way in hell (lol) that he would let you die on his watch.

Lucifer would kill him.

You welcome the challenge, and he thinks it’s funny at first but quickly becomes a flustered mother hen.

“NO, we are NOT going out to Madam Scream’s at 3am! Do ya know what kinda CREEPS are out there at 3am?!”

And you sneak out the fucking window.

He has had more heart attacks in the past week than he has had in the last 100 years of life.

He starts agreeing to your ridiculous adventures JUST because then he can actually keep an eye on you. 

He adores the chaos of the laugh that bursts from you every time you narrowly escape death. 

He HATES how often you have to NARROWLY ESCAPE DEATH. So he will never tell you.

He almost doesn’t have time for his own shenanigans anymore, because all his time is taken up by trying to make sure you stay alive.

And you’ve figured out that if you turn *any* of your ideas into a money-making one, he will join you whole-heartedly.

So you bribe him because what’s money to you anymore anyway?

Leviathan

I mean he doesn’t leave his room much, so tbh he probably just gets texts from you that make him want to scream.

‘hey uh levi say if someone were to hypothetically be stuck in a succubus’ devil basement to become an unwilling sacrifice to asmo what would that person, hypothetically, do?’

‘probably die’ is usually all he sends back

You always come back, because he always sends a text to the other brothers. In that case Asmo came to rescue you himself and scold the succubus.

You become the friend that he makes funny throwing-shade reddit posts about. (Devvit? Devil reddit? Eh??)

‘Levi so this has nothing to do with anything but is there a cure for a dangerously potent ‘always win at rock-paper-scissors' curse? Asking for a friend’

‘Friend is being held hostage tho so maybe be quick about a response’

He didn’t even know that kind of curse existed. None of them did. What the fuck did you do.

How did you get taken captive by playing rock paper scissors?

He doesn’t know. Nobody does. He expects the play-by-play so he can recommend it as a new anime to his favorite producers. 

Somehow your chaotic plans end up with stories almost as great as TSL. 

Beelzebub

He physically carries you around.

He’s like “fuck this you can’t get into trouble if I’m holding you.”

If Beel’s on MC watching duty, he’s almost the only one who is successful, just because you physically cannot get away. 

But at the same time, he is very easily bribed. 

So yes, he’ll go to Madam Scream’s with you at 3am. Sounds like fun.

But he is very protective after losing someone he cares about (who you remind him of so much….) so he keeps you close when you’re out and about too.

If you start getting into a fight with some other demon he literally just takes the fight for you and wins with no trouble at all.

You like having Beel with you.

Especially finding street festivals! You’re in a whole new world and there’s a MILLION things to try. Beel is more than happy to try them with you.

But that leads to arguments about whether deadly creatures to humans are still deadly when dead. 

“No, you can’t eat that it’s on fire. I know even small fires hurt humans. I’ll eat it for you.”

“That hot sauce makes every demon I know cry. You really shouldn’t buy a bottle. Please. No, don’t try it. No, that’s too much for one-- oh. Oh no.”

He forgives you as long as you don’t actually get hurt and you give him your leftovers.

Asmodeus

“If I get wrinkles because of you I promise you will never hear the end of it. I will curse you forever.”

He swears on every single one of his lovers that you have started giving him grey hairs.

GREY HAIRS, MC.

Why can’t you just settle down and let them all take care of you? You don’t have to prove anything to the other demons!

But you will. You’re living in Devildom now, and by everything unholy, you are going to live that life to its fullest extent.

He was thrilled at first when you were all for joining him at his nightclubs and parties. Now he hides every party’s date from you.

That time you almost threw yourself off a balcony to try and emulate a very drunk demon’s newest dance move.

“I need to stay TRENDY, Asmo!! I’ll be fine!!”

Ever since learning Demonus doesn’t affect humans you have challenged every single stuck-up tough boy to a drinking contest.

And every single time you win, Asmo has had to *narrowly* save you from being killed by said demon.

And you just say “he deserved it” every time.

And like, yeah okay, he probably did but YOU’RE NOT ALLOWED TO DIE.

Somehow, you manage to out-party Asmo.

dON’T TELL THE OTHERS but he lives for the times when you practically fall asleep on his shoulder while coming home from a rager. You may not get drunk, but when you’re sleepy, you’re so affectionate and something in his heart melts.

Satan

At first, Satan was all for the rebellious “life life with no restraints” thought process you explained to him.

I mean, he didn’t like the assumption that he and his brothers couldn’t control themselves to not accidentally kill you, but also… fair.

But he didn’t realize that this mindset followed through for EVERY demon in ANY place.

Including RAD, where old and wizened demons were *really* not used to being contradicted

Which led to you “accidentally insulting” your 5000 year old Human Studies professor by giving them a pop quiz on current memes (which they failed).

And left Satan as the one who had to make sure that said professor didn’t kill you. 

And the thing is, this keeps happening.

You’ve written all over the school’s library books, pointing out every error.

You *continue* to argue with the demons who threaten to kill you when you say silly things like “No, Solomon did not learn his sorcery at Hogwarts because Hogwarts isn’t REAL.”

(Solomon, meanwhile, refutes you vehemently and seems to grow three inches taller every time you glare at him.)

Satan assures you that he values knowledge and truth and all that, but could you maybe find a less dangerous way to push it?

No can do, Satan, because you already had plans with Mammon to use a curse that writes the history of the actual Sorceric Academy that Solomon attended like 400 years all over the desks in Human Studies. It’s activated by anyone saying “Hogwarts”. 

No, no, Satan, it’s brilliant, because you can’t do magic. It can’t be you who did it.

Satan, no don’t tell Lucifer.

I thought you hated him. Satan, wait. 

You are the only person in the history of ever who convinces him to come to Lucifer for intervention. You wear that badge with pride and also deep, deep, bitter sadness. 

Belphegor

Like, through the plot your willingness to be a thorn in anyone’s side just to get more information really works for Belphie.

He’s like all I gotta do is ask? Sweet. Yeah. Go, human.

But then when he’s all big and threatening and “im gonna kill you” and you just kind of look at him and nod like “yeah, this checks out.” 

Frankly, that’s rude, MC. 

And then he keeps threatening to kill you and it doesn’t even PHASE you like. You just keep listening to him rant and going “OH i think i get it now”

He liked that you were always looking for more information when he was the one pushing you around, but now?

No. Human, he is going to KILL you here, STOP ASKING QUESTIONS.

And then you do the time-travel bit, and see that he *literally has killed you in one timeline* and you just like

Shrug it off and keep talking about Lilith???????

Tbh what probably stopped him from doing it again is just that you’re fucking insane, MC 

“MC, you literally just saw yourself dead in Mammon’s arms”

You wave your hand vaguely in his direction and say, “Yeah okay, but can we talk about the lack of communication in this household because it is tearing this family apart.”

What the fuck MC

When he’s back to normal, tbh he loves that side of you. He loves getting into shit when he’s not sleeping. He will 100% encourage you and be there to make sure that you *don’t* actually die again.

He’s the only one who doesn’t actually try to stop you. Who knew he was so into chaos.

But if you try to drag him to a plan when he should be sleeping he will be like Beel and literally just hold you down while he naps dammit. You brought this on yourself. He needs sleep.

[worldviewcast]

The Origin of Worldview

So this is going to be a semi-personal, but also a semi-explanation post about alot of the background info regarding Worldview.  Yes it’ll be a long somewhat boring wall of text for many of you, but to ME it’s words I feel need to be said and it would mean the absolute world to me if people would take the time to hear me out.  Even if its only gonna be the five of you that continue on after this. Anyway...

Worldview technically started forming in my mind when I was probably about fifteen. (For reference, at the time of writing this, I’m about half a year to thirty-one) I was really into doing comics, I had done probably a hundred pages of a really dumb fantasy comic I came up with when I was TWELVE, a Sonic fancomic, and every morning on Monday, Wednesday, and Friday, I would upload my micron inked and colored pencil story about some DnD characters into the school scanner to post on Drunkduck which is probably all still there today. Adventure’s Guild is missed in my heart, for sure.  But in between looking for my first job, the constant writing and doodling I was doing, and my schoolwork I was tossing another idea around in my head. A really DUMB idea, cuz ya know I was FIFTEEN. And I wanted to call it ‘My Big Brother the Ninja’. At the time I was influence by all the dumb anime I was watching and my best friend at the time who always wore black and stood about two feet over me. I don’t know if he’ll ever read this, but trust me if he knew I was talking about this he would recognize this story right away.  Well. My first job came around, along with my post secondary college work, and then a tech school I paid for, and.....life really started to get in the way of development. I was more focused on drawing Adventures Guild and other doodles for a long time, and soon enough taking care of my daughter took precedence over everything, and then I started sewing, and doing conventions....and the idea of ‘My Big Brother the Ninja’ was just stuck in the back of my head. Sitting. Waiting. Forming slowly as it waited for its existence - its time in the sun.  And at some point I decided I wanted Android/Robotic like characters too...some of my FAVORITE series are Kikaider : The Animation and Chobits (the books, not the infants show they try to pass a a fully written anime) - things like that. So I KNEW long before Worldview had a proper name I would be writing robot characters with a twist. But I couldn’t figure out what that twist was, what would make it work. The whole idea was still....building. It needed a push.  Right around the time My Hero Academia came around everyone with a creative mind seemed to be suddenly struck with a similar idea - what if unique powers WEREN’T so unique in a world?  This is fairly common now, but at the start of MHA I remember finding it weird that suddenly every half the new shows out had a whole population of super powered badasses in a world where living daily life with it was more the norm than the exception.  And I remember finding it REALLY weird this all came out the same time I evolving a similar idea for my own thing.... I wish I could prove I was evolving this ideas before I saw em but I can’t. I have a much deeper theory about the evolution of cultural art and how influences drive creative minds to similar conclusions but that’s a LONG mental dive for another day.  ANYHOW.

So my original idea in ‘My Big Brother the Ninja’ was the Ninja would be the weird super power in the normal world.  NOW I wanted the NINJA to be the ‘normal’ one...and the younger sister would be the WEIRD one because she DIDN’T have some sort of power or ability.  I fell in love with this new dynamic and now things were REALLY starting to come together in my mind, what kind of powers were people gonna have, just HOW mundane was it gonna be, how many fantasy elements did I want to have?  Because I already KNEW another element I really wanted to include was modern day Paladins - and YES I WILL be covering modern-day style Paladins in Worldview proper, but this meant the universe needed a Deity system, a hierarchy or pantheon.  And the world just started to grow....but something was still MISSING, the binding, the elements of what all I wanted to do -  Aaaaaaaaaand then came UNDERTALE.  And yes this ENTIRE long post is just me mini ranting about how WV came to be so people can TRULY understand just HOW much is inside MY universe so we can stop tagging it as part of the UT Multiverse please and thank you - it’s not that I don’t UNDERSTAND the confusion, but here is your ultimate ‘for the record’ post regarding mine and @little-noko ‘s personal frustrations. Undertale was obviously a HUGE part of pop culture, personal experiences, my life, MANY of my readers lives, I GET why the emotional connection is there and why its the first thing that comes to mind - but the ONLY part I truly was fascinated by with Undertale was the way the Souls were.  PHYSICAL Souls - an actual magical entity that represented a person - THIS idea.  This was my missing piece.  To say artists get inspiration from other artists is beyond an understatement - even Sans and Papyrus are references to Helvetica, right? If not references, inspired by, or ‘great minds think alike’, whatever your argument there....its not uncommon.  And Souls being PHYSICAL was the element I wanted to play with - the idea I wanted to expand on, and so much more I want to go into detail about but don’t want to go into spoilers yet so I’m not going to - and the absolute CRUX of my frustrations when dealing with ‘WV is just UT with different characters’.  Worldview has.....humans. Only humans, divided into four race. Mechanoid. Masic. Skeleton. Metazoan. (The last one exclusively because I wanted an excuse to draw cute cat girls, so sue me)  A pantheon of Gods. It’s own world map. Special BIOLOGY that I have developed to work specifically with the races I have built. Ability trees (diagram to come, don’t worry, we’re just still working out the kinks).  It’s own countries, nationalities, and even it’s own tangible form of afterlife which I blame watching WAY too much Supernatural on but HEY Reapers are freaking COOL man.  It’s absolutely gut wrenching painful to have people argue with me over a world that I have nurtured and slowly tended to for a good fifteen years...now that it finally, FINALLY gets a chance to exist and be worked on....I feel like the one binding element I finally found and played with and tried to expand on is the ONLY element that people care about. As if absolutely EVERY other element that I want to show just - doesn’t EXIST. We started with Finch because its a good transition from the old projects to the new and it’s the earliest event in the timeline - nothing more than that. But I’m almost starting to feel like that was a mistake because it’s TOO familiar.  There’s no going back now, and thats fine. But it does make me anxious to move on to the next ‘chapter’ we’ll be delving into.  MAN.  I hope that helps clarify a few things.  I love answering questions (those that I can) about  WV...so my ask box is always open.  For those that made it, thanks for listening. :) 

[offbrand-deltatraveler]

(I just want to start this with, YOU DON'T HAVE TO ANSWER THIS. I just want to write something to you and you don't need to release this.)

...Hey I'm just checking in and uh...

You REALLY seem to be in a downward spiral. You're wishing people dead and, uh, that's a bit harsh, y'know?

Like people can do some REALLY horrible things, but can't everyone change and be a bit better of a person everyday?

And for artists, I don't know the whole story, and I'm going to admit, I think you're exaggerating, but artists need you to reblog their stuff within an hour or how Tumblr works is that it's dead and likes don't change things. (Of course this paragraph is null if you're not and that's valid and annoying.)

And I'm not sure this makes sense but, check how you're treating others. I'm saying this out of experience, and maybe projecting a bit, but PLEASE... When I was in a server full of my bestest friends, when I wasn't there I was surrounded by negativity and treated everyone else harshly.

Don't stoop to the level of those who cause you trouble. Be the change that you want to see.

Sincerely,

Anon

I’ve addressed this in a previous post, but I indeed am in a bit of a downward spiral. A lot of things have been going kinda South recently, and “Garbage in, garbage out” and all that

But I realize this is an issue and am trying to tone down on it

That being said though, while that sucks for them, I’m literally not obligated to reblog anything from anybody. The #1 thing Tumblr hammers into your head the most is that your blog is like a second home, or bedroom more specifically, and as such, you decide who comes in and what you decorate it with. “Curate your online experience” and so forth. But then suddenly you’re the bad guy because what you’re doing with your space isn’t beneficial to other people anymore

It’s like if some Karen from across the street came to your door fuming because you refused to put a custom sign of hers in your backyard. I’m an internet stranger who talks about Sanrio lore and pixelated class clowns, not your corporate slave /lh

People also often act as if people who say that stuff don’t know how it feels for your hard work to go unnoticed. Such people haven’t seen all the Headcannoned Timeline lore posts and Deltarune OneShots I’ve written who’s only reblogs are one I made myself as an announcement. Heck, I even tell people to ask me about the Headcannoned Timeline in my pinned post and bio and I’ve yet to receive a single ask related to anything Sanrio. I mean, hell, I’ve been busting my ass all month making a demo for a story that I know fullwell is only gonna be appreciated by like 6 people. And, wanna know why I’m not complaining the same way everyone else is?

Because unlike them, I know how it feels to be put on blast, having people wish death on me and claim that I “Don’t deserve anything” for just not feeling like reblogging something. Sometimes people just don’t feel the way you’d like them to about your shit. That’s life. And yelling at and guilt tripping them isn’t gonna make them any more interested. So I just accept that the people who reblog it will reblog it and the people who don’t don’t. It’s my responsibility as the artist to make myself more visible to those who want to see me, not everyone else’s responsibility as a hypothetical audience to pretend they like me because it will make me feel better. And if your post will die on Tumblr if it doesn’t get reblogs in a certain amount of time, then just. Don’t post it exclusively on Tumblr? There’s probably one social media platform out there where stuff doesn’t just die like that. Or you could just draw what the audience would be more likely to reblog, but that’s boring

I never really got what people expected to get out of that, anyway. Isn’t it better if people interact with your art out of genuine appreciation rather than felt obligation? Like. Being underrated sucks, but I think it would suck so much more to be reblogged because someone was guilt tripped or harassed into doing it. A lot of artists on this site seem to be setting themselves up to be “It don’t matter if they hate you if they all say your name!” people

Anyways,

Yeah, again, things haven’t been as great as usual and, as a result, I also haven’t been as great as usual. But that’s hopefully gonna be turning around going forward

[the-official-account]

A Dump of my last pre-s2 theories

(and probably my last unqueued post for the day goddamn.)

Originally written yesterday. Edits day of posting. This post builds of evidence not yet presented in cannon but that is public to build the theory. If you consider that spoilers, dni. But here’s the tea:

On june 6th 2022 I sent this doodle to the discord

[ID: a simple, scribbled ink four panel comic showing a person with a short afro working on a laptop and slowly leaning back in their chair, silently, for three panels as the shot slowly zooms on their face which lookis progressively more worried. The last panel shows a close up of their face as they say “I’m worried about Elio.]

in hindsight I don’t know why i had to draw it out but i did? Alongside this I sent the messages

“Part of me wants la catrina to be undeniably good so bad but the more I think about the "nobody tells you what possession feels like" bit from episode one the more nervous i get and then listening to the season two trailer MMMMMMMM me, knowing he's not gonna be okay: I hope he's okay”

to which samy reacted with a single server emoji of that dude smoking and sighing and i have thought about that fucking reaction EVERY DAY SINCE.

But the REAL kicker? this post

[ID: a red blurry zoom in of the words “elio in season 2″]

IT SAYS ELIO HAS SOMETHING TO DO WITH DIFFERENT VERSIONS OF GODS BEINGS PRAYED TO IN SEASON TWO. WHICH. WHAT THE FUCK? AS FAR AS WE FUCKING KNOW, EVERY OTHER PERSON WHO ORIGINALLY PRAYED TO LA CATRINA IS DEAD.

[ID: a meme reaction of a guy pointing to a red stringed, paper covered cork board, explaining a conspiracy.]

Anyways. Here’s where i start copying a lot from the discord so it’s more me being weird and less eloquent essay format.

La Catrina's WHOLE DEAL is that she's a blend between Christian and Nahuatl religion. And GUESS WHAT? THE SHORT STORY CONFIRMS THAT THE SAME IS TRUE ABOUT TALIA And the way the baron and la Catrina dance together? And their deeply worrying plan im the final trailer????? I dont have answers but I do have fear .

What does it meeeeean.........I mean clearly if Leo can be an angel while being anti crusade hope isn't lost but......okay this is a stretch but I wonder if there are crusade-approved....is missionaries the word? Like folks with the crusade, who's whole role in the system is to pray to Christian assimilated versions of dangerous gods to overpower past believers and try to control them. It's a STRETCH. But ??????

Shinji's Shinigami man fucker be stable. Shinji if it comes down to it pleeease pull through.

The Good...ish? news is that though the clip about Talia wanting to be a stripper instead of having to kill god (the funniest thing to say but queen shit) she says she HAS to kill god. Not HAD. So. Uhm. Based on structure shit, and stuff Samy mentioned I can't cite rn (understand that I am very tired and most of these rants happen in this same situation) about the show probably being about 3 seasons I think there's a pretty high chance that end of season 2 brings us up to speed with the narration timeline, because that's just a great opportunity there.

Which means that what I mentioned before about Shinji feeling unsafe mentioning where his family is still has a chance to come to change, so yay good. Elio refers to himself as the bane of crusaders or something along those lines, which means that BEFORE he fights god he's still doing pretty well so, hey, he probably won't get zalien god sucked again. Good, cool, chill.

Downside being we can't be absolutely sure if they live through the whole series but HAHAHA HEYYYY ITS FINE

I'm so mad cause I know there are so many details I'm missing that would make me actually chew on wood furniture as much as I say that like for real.  I might speed read the transcripts tomorrow [im not gonna so that asjdlfsfasd im tired] which it probably the worst way to consume this show but I have no defense. But the purpose of the recordings though it so help the next generation basically.

They're for preservation, I don't know how they phrased it exactly (sorry but you haven't seen my cry about the internet archive and I'm not gonna get started about the internet archive because it brings me to tears everytime but that's to say wow preservation is a subject and theme that HITS) but it could, alternatively, be very likely that the show recorded before finally preparations to fight TBMINTS

Which, you know, from a writing perspective there really are those two choices. Let the audience know there is a major format-shifting change end of season 2 to build anticipation for the final season OR save that getting up to speed but until the last few episodes of season 3 because a long term formatting change might annoy some audience members. There's also the idea that you can get up to speed, have daily/more recent audio-diary-like things, and then do a format switch end of season 3

We've got to find out about them fighting god somehow, and I don't know if the current format fits that whole deal? Maybe it could, I’d love to see it if it did, but I think the chances for a switch are high and what that says about the pacing of the show has some effect on how sure I am that my faves are gonna live ngl.

Like if you wait til the last few episodes a reflective on the noble deaths of the big 3 would work pretty well and yes it would be a wonderful story if it went that way I have full faith, but I also don't WANT it yk?

But I do not see all the cogs I am a poor fic writer leaning up a cypress tree etc.

[Here, a brief discussion on themes of cultural preservation and how they’re often recorded in real life]

Which HITS with elio especially. And also talia having read that short story. They had parallels but now they have PARALLELS. I just am literally so scared for elio next season though. And Talia by parralell extension but also cause I think Samy mentioned giving more into her deal s2 in the q&a? But less like SCARED scared.

Okay wait hello this is very  but IS it a stretch to say there may be legions of believer’s tainting how the god’s menifest? Like it's a stretch if you're assuming these people are AWARE of their roles in the system. That it's an intentional force by each individual directed at helping the crusade

BUUUUUUT TBMINTS runs on media. He run on major movies. If I was the god of a massive, relatively culturally cohesive continent (north America in comparison to, like, Asia, has very few thriving cultures, the colonialism will do that to you) and I was created by, and therefore knew how to leverage, media to harness belief to get more power from humans, like the next step would very obviously be to manufacture more media to help reach my goals.

And if I was manufacturing media to help me goals with a very large, organized force that surely has some sort of research division because what is marketing if not research but evil, I would totally say to myself

Hey!

I can control other gods by controlling the perspectives of their believers!

Hey! I can make people believers and shape their beliefs with media!

Hey! Why not send out various targeted feeds in the news and in pop culture funded by my massive organized theocracy showing the most powerful of my enemies as fitting more cleanly into the idea of good and evil that benefits me, both so that the I convince the subjects of my dominion their is no other alternative than the way I rule and also to hinder the other gods by making them more wreckless and more violent in ways that do not help their ultimate goals and create a cycle of demonizing them in the eyes of the masses? Literally what is stopping me from doing that?

NOTHING.

[Edit: There’s some evidence to by found maybe in that Elio who grew up in the americas had no fucking clue about the governments of europe and japan until he was told. Smells like a propaganda machine to me.]

And if it wasn't TBMINTS plotting himself he's got, like, at least a million bootlickers one of them has gotta be a mastermind with how much holy steroids he pumps into them. 

And like. The show's been...well it hasn't defined belief yet, which is really what leaves room for this theory.

Marcus didnt believe in lady luck in the same way elio believed in La Catrina (shrouding themselves in dark robes and praying In basements "it was all very dramatic") he just saw her once and just kinda lived his life knowing that. It only came into play much later when he needed to confront it.

Witches are just assured of themselves and their power. That's a background belief they don't pray to themselves they don't actively maintain that.

And Samar's whole deal?

My point is with the breadth of diversity in what "belief" is in the show and how it powers gods there's definitely space for this crackpot theory still (watch that change as soon as this ep drops shfskhslss) [edit: VINDICATION! you cant call me wrong yet] but if I get even one thing right I'm gonna be elated.

But god also?? Like I feel like we're lead to believe fighting TBMINTS is going to be a physical thing. The trio's growing strengths are very physically centered. But how do you kill a god REALLY? With as many followers as he has even if you somehow slew him, what stops TBMINTS from immediately being reborn? His power  comes from the cultural eradication of nonbelievers, and as Leo's sympathetic example could be taken to hint at: you really just can't kill all those people. Many of them are just ...people. not crusaders.

SOOOOOOOOO IN THAT CASE. If you're fighting a god of the media in a world where where all power is based on popular belief and perception is not the best counterattack to create your own media? Physical aptitude keeps them alive, it wins the small battles, but it hearts and minds that win the war

WHAT IF THE REAL UNIMAGINABLY POWERFUL WEAPON WAS THE PODCAST WE'RE LISTENING TO ALL ALONG?!?!?!!?!