#i have a thesis to write and my god is it not fun to do at all

[cherrybeez]

your style and coloring is eye candy tysm for. existing

T__T <33 thank you..

[cuddlingsun]

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[starbuck]

that reviewer who complained that the one dude’s “subplot went nowhere” clearly missed the five minute long scene of him having freaky and thematically coherent sex with the main guy which i hallucinated

[ichorblossoms]

amusing to me how ttw's story has evolved into something where there's really no reason for half of the cast to be dragons but also consider a) they've always been dragons b) i'm not about to redesign them to be humans c) i like it :D

[silly-mode-cilia]

doing research on writing and stem and how it's taught as an aspect of a research paper has given me a deep desire to write a like. thesis about this and get research on the experiences of my peers and go to the dean and go "hai bestie uhm fix urrrrrrr bio degree hehe see: my sources". what if i just did that Because I Could.

admittedly this is largely based on my own, fairly justified i think, opinion that many of my peers don't write scientific stuff well. from observations and group projects and such. but like. just the relationship between writing and the sciences...the perceived disconnect despite it's absolute vital role in developing identity and communicating findings and synthesizing understanding of phenomena in the context of past/present research/data UGH sexy

[gnc-tits]

i have to write an essay today and like. i overall have enjoyed the professors classes but mostly just bcoz theyve been asynch. the professor…..idk maybe itd be different if it were taught in person or multi modal with a set class Time but overall she is just not tht great at teaching 😭which is FINE like im fine with teaching myself especially for a lit class but also??? this essay is a “literary analysis” and not only is the rubric ultra fuckin specific with what we have to write about but its also broken down by paragraph structure like in the rubric she Tells you what to write about paragraph by paragraph. like what are we even doing here

[andhumanslovedstories]

I am not closely following the election results tonight, but I am occasionally seeing flashes of them out of the corner of my eye. The most obvious sign that things aren’t going well right now is the complete lack of celebrating on my dash. I know what tumblr looks like when it’s happy. Maybe I’ll go to bed tonight and see something different in the morning. I hope to god that is the case. But I’m thinking about the way I’m thinking right now, and I want to get some stuff down before the future kicks in.

In 2016 I was in a period of my life I affectionately refer to as as my fuckup era. I wasn’t even fucking up really. More just chilling out and falling short of the vague expectations I’d had about what I was supposed to be doing after I graduated college. While my friends from college rented apartments in the city and got jobs that didn’t supply you with a uniform shirt, I lived at home and worked as a barista at a fancy movie theater. That’s a real job you can do for almost five years. I didn’t have a clue what the back half of my twenties should look like. The only long term plan I had in my life was moving out west with my best friend, and my plan for finding a job once I was out there was basically to cross my fingers and hope.

Those days weren’t bad on the whole, but it felt like I was not actually living a life so much as I was goofing off in the waiting room. Sometimes that felt embarrassing, sometimes it felt fun, and sometimes it felt like I was completely pointless to the world.

On 2016’s Election Day, I went to bed early. After watching the votes come in, I needed the night to be over. I woke in a world that felt different than it had been the night before—not just in the actuality of who would be president but down to its foundations. I realized for the first time how much hope I’d had in human nature because now I didn’t feel it anymore. It’s almost silly when I think about it—so many horrible things had already happened that year, people had done horrible things as long as there have been people, and I didn’t think I was naive to that—but something clicked into place that morning.

It felt the same way my world had changed a year earlier, in 2015 during my last semester of college. My college victory lap felt like a prolonged downward spiral. Very early in the morning on a Monday, after pulling an all-nighter and overwhelmed by self-loathing that I could not just motivate myself to work on a paper that had been my only thought all weekend, I self-harmed for the first time in a way that was impossible to pretend it was anything else. Earlier that weekend, I’d tried staving off the urges drawing or writing on my arm, something that did (and does) usually work. I’d written this quote in silver sharpie on my forearm: “Good is not a thing you are. It's a thing you do.”

I picked that quote from the Ms. Marvel comics and liked the words so much, I thought that I wouldn’t be willing to purposefully mess it up by hurting myself there. Didn’t work. They just made me feel more ashamed of myself as I did it.

That was the worst I had ever felt. Then, on the Friday of that week, a friend of mine was senselessly, brutally murdered.

It doesn’t feel now like there was ever a time before her death. My memoir class is now where I wrote about her. My favorite professor is now the one who held me as I cried. My final thesis, the culmination of my history degree, never got finished and certainly never got polished. I turned it what I had and got an A minus. Sometimes I think of rereading that paper to see if that’s the grade it actually deserved. We hadn’t been the closest friends, but my name was still on the email admin sent to professors, listing students who might be emotionally affected by this tragic event. Grace’s murder hangs over every memory I have with her and everything she ever touched. It feels like its own type of obliteration to leave her reduced to her death.

Grace wanted to be a lawyer because she believed in justice and also liked arguing. She could be rude when she wasn’t interested in what you were saying. When you caught her attention, you felt like the most fascinating person in the room. She was so proud of being Jewish. I watched her become proud of being gay. She was so universally friendly that it took me a year to realize that she actually liked specifically me. She had a somewhat silly laugh and an astonishingly luminous smile.

I thought less of the world and the people in it because of how she died. Trump’s election in 2016 felt like that.

After he won, I left stasis. From November through December, I thought harder about my future than I ever had before. Who did I want to be? What did I most value? What did I think was worth protecting? What work wouldn’t kill me to do? At one point, in presumably a fit of madness, I thought, “what if I got into politics.” Epiphany eventually hit me. By the time of Trump’s inauguration, I was already enrolled at community college, getting my pre-reqs for nursing school.

Now it’s election night again, eight years later. I live on the west coast with my best friend, in a house that we bought together. I work as a nurse in a hospital in a city where there are homeless encampments off every highway and someone begging for change on every corner. Meanwhile, there’s Palestine. Meanwhile there’s Sudan. Meanwhile refugees drown in the sea and border patrol shoots jugs of water. Even hurricanes have human cruelty now.

I don’t think people are inherently good or the universe inherently kind. But I am very good at tricking myself into thinking it for a little while, and when I do, I can remember the a specific feeling from Friday of my senior year, from that morning in November— how fucking hard the disappointment hit me because I had expected people to be better than this. It makes me want to be better than that.

I believe, and hope that I always will, that we can make a better world. I don’t know what it looks like, but I think I will see it in my lifetime. Those of us who can believe such things owe a bit of that naïveté to the world—not to excuse atrocities or think them impossible but to believe that we can stop them at all. You have to have a couple people sprinkled around who are genuinely shocked when people do bad things. It’s not that the pessimists are wrong, but you need the occasional counterbalance. I want to be a reasonable cynic’s pleasant surprise.

Every shift, I interact with people at their lowest and worst. I see the direct pipeline from pain to anger to violence, and how fragile that pipeline can be. So many situations can be changed by things as small as a warm blanket or a kind word. Violence can be quite easy to avert. Crises can be quite simply to resolve. Even when I know that whatever I do that shift will not change the circumstances of a person’s life, I think that what I do that shift still matters.

I’m lying in bed, writing this post instead of looking at the news. I wonder how tonight will change me. Been thinking about what I’ll do if Trump wins. Been thinking about how whatever I think I need to do under Trump will still need to be done if Harris clutches out a victory. I guess this is a pessimist’s optimism: to a degree the election doesn’t matter. Good is not a thing you are. It is a thing you do. Our better world will always take a lot of work.

But please god please, why can’t it be just a little easier to do it?

[butchhamlet]

do you have any good shakespeare retelling book recs?

what a beautiful time to ask this, says guy who has left this ask collecting cobwebs in his inbox for months! because guess who has two thumbs and just finished queen goneril by erin shields! WHAT a fucking play, holy SHIT, this is some of the best characterization of the lear sisters that i've ever read and the exploration of womanhood as filtered through class + race + shitty families + political maneuvering is so so so good. also the things shields does with the og playtext... chef's fucking KISS

anyway, recency bias aside, i've been meaning to make a post about my favorite shakespeare retellings for a while, and i think i never actually did it because i wanted to make a lear retelling ranking list and then i never read some of the ones on my TBR. so whatever. the learlist will happen someday. here are my favorites in general. (here is my goodreads shelf for the retellings i've read, good and bad, and here is the shelf for the ones i have yet to read.)

in no particular order:

a thousand acres by jane smiley: outsold. epitome of what makes an effective retelling--a book that clearly has something to say about and to the original text, but that also isn't afraid to diverge, to exclude here and zoom in there. ungraciously, this is "lear on a farm" and it starts a little slow, but holy fucking shit, i can't do justice in a paragraph to the way this book unraveled me. one of the best books of all time mayhaps. also, introduced the edmund character by describing his ass. 10/10

the last true poets of the sea by julia drake: i don't read that much YA anymore but jesus fucking christ. books tailored for me specifically. twelfth night retelling about siblings + mental illness + being bisexual + love triangles that actually make sense (emotions are confusing!) instead of being contrived + beautiful description + excellent dialogue + THE MENTAL ILLNESS. books that made me start crying in zoom class in 2020

rosencrantz and guildenstern are dead by tom stoppard: kind of a cop-out answer because we all know this one. but that does not detract from how good it is. this is one of those plays, at least for me, that makes me think, "ohhhhhh, THIS is what theater can do. this is using its medium to the absolute utmost." it is so clever and it makes me want to cry. i think about "i don't know. it's the same sky" more often than i can say

american moor by keith hamilton cobb: not exactly a retelling, but a one-man play about a Black man auditioning for the lead role in Othello, tangling as he does with his relationship with shakespeare's work and cultural dominance. suuuuuch a good fucking play even beyond the analysis of othello (which is excellent); the language is so fucking incredible. everyone who likes shakespeare should read this.

teenage dick by mike lew: modern teenage richard iii; this one's more reimagining than retelling, because it diverges pretty sharply from the plot of richard iii, but god, it's so fucking fun. and upsetting! really upsetting also.

foul is fair by hannah capin: i will be so real. i read this in high school and some of the YA books i've revisited since did not hold up for me. so idk if i can tell you this is "good" with my full chest. but the pitch is "lady macbeth gets sexually assaulted at a party and decides to fucking kill the boys who did it" and i stayed up until like 1am to finish it because it was such a vicious gleaming wild ride

the stars undying by emery robin: does this count? hard to say, because it's just as much a retelling of roman history than shakespeare's antony and cleopatra (honestly, more, since it focuses on the era where caesar and cleopatra were lovers, which is before shakespeare's play). but i'm counting it anyway because it's bisexual space opera cleopatra and it's the best book i've read so far in 2024 and it's making me crazy and i'm writing a thesis on it < genuinely

peerless by jihae park: macbeth, but college applications, featuring asian macbeths (they're twin sisters >:3) who think their classmate has taken their place in their dream school because of affirmative action/DEI. this play is absolutely VICIOUS. it's macbeth x heathers. think it mirrors macbeth in faltering a little in its final stretch, but it still fucks hard

the wednesday wars by gary d. schmidt: okay, not a retelling; this is about a preteen boy in the 60s. but it's one of the best most genuine and heartwarming books i've ever read and it manages to be hilarious while also foregoing cheap slapstick punching-low humor for a hell of a lot of warmth and passion. and the main character interacts with shakespeare a lot as a running theme so i can justify putting it on this list. #evangelizing

of course, i would be remiss not to mention that @suits-of-woe / @mjulianwrites has written the best take on Two Gentlemen of Verona to ever exist, and i mean that quite seriously. unfortunately it hasn't been published yet so we'll all just have to prayer-circle about it. i would also be remiss not to take the opportunity to. uh. coughs. do a bit of casual self-promo. if you 1. have ocd 2. have gender or 3. think about malvolio a lot. boy do i have the novella for you

will definitely add to this when i read more retellings; feel free to drop recs in the tags/replies/reblogs/my askbox!

[lovelykrystal]

nyaho ! i saw ur request is open . this has been on my mind for few days now ,, i cant stop thinking abt scara "accidentally" cumming inside you while cockwarming him hehe. thats my request, feel free to ignore this when you feel uncomfy tho! ＼⁠(⁠^⁠o⁠^⁠)⁠／

ahsshdj tysm for the request !!!!! this is my first time doing one so i hope i understood it well enough and made it to your liking!!

🎀 cockwarming him ...!

cw ... established relationship, cockwarming, unprotected sex, creampie, degradation (terms whore + slut used), reader uses afab terms

synopsis ... scara makes you cockwarm him while he writes a thesis paper for the akademiya <3

another kinda indulgent one tbh. scara and creampie is such a good combo 🤤🤭 god that's so hot,, i definitely had a lot of fun writing this if u cant tell hehe 😋

scaramouche was sat among one of the comfortable cushions facing the table of the kotatsu inside your shared home, his hand holding a pencil as he gracefully wrote down upon the paper he was writing his thesis for the akademiya. the only thing different about today was that he had you cockwarming him as he wrote – you were sitting in his lap facing him, his length buried into you to the hilt.

"...try to stay quiet now, alright?" he teased, his lips just ghosting beside your ear as you shuddered from his voice.

oh how he hadn't expected it to actually work though – surprisingly enough, the sensation of his girth settled within you seemed to help him focus – so long as you didn't move.

your arms are wrapped over his shoulders, your face buried into his neck as you tried to refrain from fucking yourself on his cock right then and there. the only thing distracting you were the small kisses you planted on his neck, a feeble attempt to get him riled up as much as you were.

you grind down onto him slightly to test him, rolling your hips against his, whining quietly as you tried to pleasure yourself. his hands slide down to your hips to keep them in place, his voice sending a shiver down your back as he whispered into your ear harshly.

"if you move i won't hesitate to punish you after, whore..."

– before picking up his pencil again and going right back to his work. it just wasn't fair! your quiet whimpers and whines for him didn't seem to have any affect on him either!

"mmm p-please, please..." you begged, it was just too much, and you just wanted him to fuck you senseless already. your cunt ached for release, squirming against him while your heat clenched around his twitching cock.

"f— fuck, don't just tighten like that, slut..." he breathed out, his voice cracking under the sudden pleasure he felt from your wet pussy squeezing around his shaft.

you took advantage of this opportunity, biting your bottom lip as you raised your hips slightly, before dropping them back down, a muffled whimper behind your lips. you threw you head back, his name a chant on your lips.

"fuck, fuck, fuck, so good, sc– scara, scara..!"

his writing became scrawled while his breath hitched, hot against your neck as he almost whimpered, trying his best to keep his focus, but failing miserably. he finally dropped his pencil to the table, hands coming to grip your hips as he thrusted his own up to meet yours, suddenly giving into his desire to fuck you.

the grip he had on your thighs was agonizingly euphoric, pressing crescents into your skin as his nails dug into the supple plush of your hips – there was sure to be bruises left afterwards. but who was scaramouche to say he didn't enjoy the sight of you having subtle marks on your skin to prove how you were his? it didn't take long for the pleasure to build up, feeling his orgasm approaching rapidly while he guided your hips to meet his own thrusts up.

"s- shit, fuck— gonna c– g-gonna cum...!" his voice was music to your ears, a groan mixed with a moan as you felt his cock throb inside of you before coming undone, his warm cum spilling into your tight walls, coating them white. his hips stuttered as he rode out his orgasm, fucking his cum into you.

the feeling made the knot inside your core snap, drawing a lewd moan from your lips from the absolute bliss, repeating his name over and over like he was the only thing you could think of. coming right after him, your cunt pulsated around his cock as you squirted, the combined fluids leaking out around his dick as you both came back down from each of your orgasms.

"hah, made such a mess..." he whispered, his voice filled with lust as you could almost feel his lips curve into a smirk against your neck as he pressed a kiss to it, his teeth just barely grazing against the sensitive flesh. "...guess I'll just have to punish you now..."

© lovelykrystal 2023 • do not plagiarize, repost or copy my works.

[the-golden-comet]

✨OC Reddit AITA Tag✨

Aha! A crossover from Reddit! Thank you for tagging me here @paeliae-occasionally , here @willtheweaver and here @theink-stainedfolk ❤️✨

Rules: Make an Am I The Asshole? post (look at r/amita or r/AITA for examples if you haven’t seen them) for an OC. The community will then vote to see who is the asshole in the given scenario.

Noah from YWIMC is a redditor, so he’d probably be on this forum:

AITA for giving my roommate the cold shoulder after he dragged me to a party?

Hey, everyone! I had an argument with my roommate, and I’m trying to see whether or not I’m in the wrong here.

So for context, I (25M) am NOT a partygoer. I’m in grad school ffs, I have deadlines to meet and my thesis to do. I can’t waste time at college drinking my grades away. This behavior concerned my roommate (1000+M 28M), who is the direct opposite. He loves to chat, goes out to parties, and is generally a really cool guy to be around. He’s usually really nice and careful about my boundaries, but there have been a few things that annoyed me.

For starters, he sometimes comes into the bathroom while I’m showering despite me telling him to give me privacy. Recently he started sleeping in the same bed as me after his evening prayers. It was awkward at first, but these little things I could let slide…until last week.

So roommate (let’s call him A) approaches me while I’m finishing up one of my assignments. He’s all like, “Hey, OP. There’s a party tonight and I think you’ll really benefit.” Um hello?? I told him that he could go without me and that I was busy with my project. A huffs and stated that, “You’re always working on your computer. Relax a little, sadiq.” Again, I told him I was busy and that he could take my bag (He can’t go too far without it; it’s a weird thing that’s a little hard to explain) if he really wanted to go. A was adamant that the party wouldn’t be the same without me.

This is where I may be TA, but wasn’t sure: I told A that I didn’t want to be around a group of C averages pissing my college tuition away, and that if he wanted to associate with that crowd he could go right ahead. A finally leaves me alone and goes to the party, letting me finish up my paper.

But then, A came BACK to the apartment, grabbed me, and forced me to go to this frat house. (Thank God I finished my paper and hit save before he did this). It was loud, people were obnoxious, and I was tense the whole time. I ended up taking an Uber home early, and have been giving A the silent treatment since.

So, AITA for not wanting to go to a party with my roommate?

Update: A has since apologized and made me baklava, but I’m still pretty pissed.

This is fun. I’m going to (gently) tag: @tragedycoded , @wyked-ao3 , @gioiaalbanoart , @jev-urisk , @drchenquill , @honeybewrites , @nczaversnick , @finickyfelix , @autism-purgatory , @sableglass , @words-after-midnight , @aintgonnatakethis , @ominous-feychild , @mysticstarlightduck , @saturnine-saturneight , @davycoquette , @thecomfywriter , @addicted2coke-theothercoke , @kaylinalexanderbooks , @katenewmanwrites , @lychhiker-writes , @zackprincebooks , @paeliae-occasionally , @agirlandherquill , @avaseofpeonies , @topazadine , @thatuselesshuman , @moltenwrites , @rivenantiqnerd , @writeahurricane , @differentnighttale , @houseplantblank , @lavender-gloom , @smellyrottentrees , @48lexr , @saebasanart , @theaistired , @mundanemoongirl , @fantasy-things-and-such , @clevah-girlboss , @inseasofgreen , @corinneglass , @alinacapellabooks , +open tag for whoever wants to join!

[tunamayojazz]

Love your art, any Toge/Yuuta fanfic recommendations? Thanks so much!!

hi!! thank you so much...🥺🩷🩷 and i am SO glad you asked this. i have so many!! here are the ones i read/reread more recently along with some of the tags. tried to make every rec here different from each other hehe have fun reading!!! can't help it (if you look like an angel) by glimmiks (12.4k)

tags: college au, friends to lovers, mutual pining, IKEA

THIS WAS SO FUN TO READ PLEASEEEE i absolutely love college aus so much. and you just know the 2nd years would be the most fun and chaotic as college students. their dynamic is just chefs KISS, and it's written so well here. the mutual pining in here is truly a 10-course meal and i always go back for another round.

i'm alright if you're alright by anonymous (14.2k)

tags: spoilers up to ch146, fluff, hurt/comfort, injury recovery, fix-it, love confessions, pining

post-shibuya fic excellence. i always have such a great time reading this like inuokkos really do eat so well in this fandom. yuta pining is always so great to read like he is Longingly thinking about toge at all times im cry

Magnificently Cursed by diggingupthegrave (91.2k)

tags: dark academia, magic au, magic school au, slow burn, angst, mutual pining

i will always always recommend diggingupthegrave fics. they are easily my favorite inuokko writer pls you have to read all their inuokko fics...i saved this particular one of theirs to read for much later bc i knew it was going to change my life (7 chapters ok) and boy did it do exactly that. the way they implemented canon elements into a magic setting was so so brillaint and i savored every bit of it.

Beat the Turtle Drum by CasuallyScreaming (7.4k) tags: major character death, post-shibuya incident arc, angst, minimal comfort, no shibuya spoilers read this before sleeping the other night and honestly how i managed to still fall asleep after was my body trying to protect me from full out bawling and having a mental breakdown...i don't think i've read a lot of MCD inuokko but god this one shook me to my core. almost like the feeling of loss and grief were bleeding through my phone screen. so well written and while it's definitely mostly painful, the ending....well you'll find out :')

a special occasion by Cheshire (2.5k) tags: idiots in love, established relationship, first dates this was so so cute...!!!!!!! panda: but aren't you two already dating? yuta: well yes! no. sorta, kinda. super cozy and fluffy read!!

is this how every day begins? by mitgi (5.4k) tags: roommates, living together, mutual pining, hurt/comfort, angst i will always love me a roommate au. this fic was such a lovely read and i'm actually going to reread this right after i finish writing this! there's so much to explore in inuokko's relationship and also when it's in different settings. every time i think about how the actual source material are literal crumbs, i'm just even more amazed by how writers are able to draw out the most of what info we have and write their mannerisms so well. it all feels right and so WARM UOGHHHHH

haunted by sieling_fan (3.3k)

tags: pining, hurt/comfort, canon typical angst, character study

😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

you showed up just in time by diggingupthegrave (14.6k)

tags: time travel, friends to lovers, mutual pining, hurt/comfort, slight age gap

another diggingupthegrave fic that had me crying screaming shaking throwing up because god. this was so so good. the build up had me at the edge of my seat bc like oh my god what happened? what's happening?? why is this like that? @#$%^&*()_!!!!!!!!!!!!! and when it's all pieced together? oh it ended me. read this again and again for DAYS you would think i was researching it for a thesis or something. take your time reading this btw like im so serious.

okie that's all for me from now, i have so many more to rec honestly....sending out 100000000000 hearts to inuokko writers you are my roman empire....

[explainslowly]

Day 31 of @spnficrecfest - All time favorites

I have decided to interpret this as "fics that strongly influenced how I think about the canon or how I want to write fic"

a trick of the light on the face of your daughter (and/or your son) - Destiel, Dean/OFC, Dean/OMC The transfem Dean fic that blasted my mind open about the possibilities of writing trans people. Without wanting to disparage anyone (I struggle with the same issue) a lot of trans fic tends to fall into a very didactic tone, overstating everything to the point of boredom. I get where this comes from (the reflexive need to explain many trans people feel in the face of hostile scrutiny) but it does make the works worse. So reading something that was an unappologetic examination of Dean's strange and indirect thoughts about gender felt like a revelation.

The Dean Winchester Beat Sheet - Destiel, background ships The one and only Beat Sheet. Hilarious fic, I remain obsessed with it. What makes this one so memorable to me specifically is that Dean as the narrator does not have a single true thought in this entire work and yet you always know what his stupid ass is thinking. Also the definitive thesis of gay Dean. Especially powerful for opening with one of the most deliberately miserable sex scenes I've read in my life.

i fold in half so easily - Destiel, Dean/Anna and Dean/Lisa mentioned Author often works in a register I privately think of as "very uncharitable reading" which is to say picking what canon is very much saying/presenting as a possibility and taking it to it's conclusion. As such it has the fun quality of making you aware of issues you were perhaps deliberately overlooking before, but now cannot unsee. Also this is tagged fluff and angst which is very funny. Could have gone with fluff and horror, in all honesty.

Waveform Frequency - Destiel The misunderstanding trope taken to it's logical extreme. An exploration of how Cas won't say shit about shit if he can just be around Dean a little longer. The discrepancy between Dean (living his personal romance movie climax) and Cas (living in a horror movie) is very interesting and merits so much more exploration - I have taken a half hearted stab at in Lucid Waking myself, but I want to do more with it still. It's so good.

Tidewaters - Rape, Underage, Graphic depiction of violence - Dean/John (well no but also yes but also no), Dean/Deacon, Dean/others God truly the one and only. A look at what if Dean was even more traumatized, what if Dean knew he was gay and it didn't fix him even a little bit. Influential in the sense that the fact that Dean is closeted is not even in top ten of his issues and this fic is kind of a thesis about that. In many ways I DO read this as a fic that is in conversation with fandom and with popular tropes, even though that is perhaps not obvious from the description.

[ganondoodle]

Not gonna lie, the "It looks like a Divine Circle but is actually just hundreds of years of superstition & propaganda"-Concept is the coolest fucking thing I didn't know I needed until ten minutes ago. It's a super cool inversion of the classic trope, opens up a million possibilities for stories and arcs and on top of that, in game, you would obviously not know about it form the beginning but slowly have to collect clues and hints that things are not quite as everyone tells you.

So yeah, very cool concept!

Not directly related, but it's probably no surprise that my favorite Ganondorf line is the "I coveted that Wind"-line from the finale of Wind Waker. He doesn't even go into detail, cause he doesn't have to, this line alone instantly humanizes him. Like, its the end of the game, we are about to fight him, there is no way this will not end in a fight, and yet, at that point, that line, just goes so fucking hard. Because you instantly know what he's talking about, that he simply wanted a future for his people, which, you know, is a very human thing to do. It wont stop us from fighting him here and now, way too much has happened for that, but it reminds us, the audience, that he has motives and reasons and thoughts and is an actual character.

So yeah, in case it's not obvious yet, I too despise the extremely flat "I'm evil because evil, waaaaaaaaagh!" Ganondorf from TOTK. Why even include him if you cant be arsed to actually write him?

Anyways, last thing, I'll have to somewhat disagree on the Gameplay vs Story thing, at least partially because I work in the field and have had experiences with this problem myself. Not saying its impossible to have both, but its a lot more difficult than one would expect.

Towards your point, yes a good story can pull people through a game, but so can strong gameplay. Take the Doom games, I dont really care about their story, but the gameplay is great. On the other hand, the gameplay of the average Telltale game would be incredibly boring without the story behind it. There are hybrids, but even they tend to lean one way or the other: The Assassins Creed or Uncharted Series have solid and fun gameplay, but would probably get repetitive or boring if we didn't have strong characters and stories that keep us interested. And all of that is before you consider that there are different player types that gravitate to one or the other and it gets even more complicated. (There's more to this but I my thoughts on the topic could easily be a full bachelors Thesis, so I'll stop here.)

I should add that I dont think that the gameplay over story (or vice versa) argument can or should be used to defend games or design choices. Yes, Nintendo does prefer to focus on Gameplay over Story. Does that mean we shouldn't expect a good story, or are not allowed to criticize a bad one in their games? Hell no! (And if my previous ask sounded like I was doing that, I apologize, that was NOT what I meant to say! I'll happily critique all of TOTKs flaws, both in gameplay & story, otherwise how can we learn from it?)

This argument can be used to understand and analyze or interpret design decisions but it shouldn't ever be used to defend them. Just like the "just for kids" argument, by using such arguments, the person in question basically admits that they are aware of the weaknesses and faults in their story/game/whatever but didn't fix or improve them. So yeah, I do agree with you on that front 100%, hiding behind such arguments is a problem.

Anyway, sorry for leaving another wall of text in your inbox, hope you're having a nice day!

thank you! that 'cycle' concept is also what destiny (zelda comic) is based on, since it takes place before skyward sword you get to see the set up for it, and, in this story, the gods have been trying to achieve it countless times, throughout the story of it its supposed to slowly be revealed- like demise already knowing some parts since hes yet another 'failed' version of that plan (im reusing that concept for the totk rewrite as well bc i am very original wahoo)

oh you work in that field! thats cool!! yeah my opinion on this sort of thing is very much a thing i formed bc i play games, though i still dream of gamedev, i guess i understood your mention of it a little too much into the dismissive argument way (though not as an attack) and its been repeated so so many times i cant help but get a little >_> at it; the point i was trying to make was more like ... they need to find a balance with it, like you can make it all about gameplay, but then dont pretend you have the most epicest story that ever storied, maybe even do it less or more subtle, like the fromsoft game i feel like are very well balanced in that regard, bc their lore and story is very neat and intertwined, but you have to look and think to get it, and the gameplay is strong on its own so much so that it kinda ends up being both soemthing for people that dont care about lore and those that do, more than about the gameplay

zelda feels like it doesnt quite know what to do (even moreso modern zelda), bc they prioritize the gameplay but then still put in a story that they want understood .. so its like, babiefied? like there is a "simple" story and its few points are repeated into your face over and over and over so the people that dont care to read into soemthing GET IT but also annoy them, bc they dont care anyway, and the people who care about lore/story above gameplay are bored bc the narrative isnt engaging enough and they dont care as much about the gameplay

especially so with totk i think, its so weird, botw wasnt like that imo, it wasnt overly complicated either but at least it left you wondering, and let you think, the more you thought about the more interesting it was (at least to me) totk feels like the opposite, it doesnt want you to think, bc the more you think about it the more it falls apart and makes less sense

like theres types of games that focus HARD on one or the other (like slay the princess for example, its like an interactive audio book, there isnt much gameplay but it goes hard on narrative), so obviously the balance of gameplay and story isnt applicable to every game, but for zelda in particular they say they are one but then still want the other part just as much? like the lore in skyward sword isnt great, the characters are strong though, the gameplay isnt that engaging (to me, since that needs to be said) i got through it mostly just bc i wanted to see what comes next and liked the characters, in botw the freedom and world and gameplay were like nothign i ever experienced, exploring was addictive and the story took a bit of a backseat, but it was fitting for the game and lend itself so well to theorize, in totk they .. idk what the focus was, the .. glue? the toys to glue together? nothing fits together there and each part works against another instead of together, somehow, its so weird to me

the thing is, if you do gameplay over story, you need to roll with it? if thats what it is then let the story take a backseat, make it subtle and in the background or vague, dont stuff the game full of unskippable cutscenes where a character you dont care about explains you a thing you already figured out through the gameplay; like the zelda dragon point, let the design of the dragon and its music, what its carrying speak for itself, the way the deku tree is weirded out by the sword moving, maybe a quick subtle voice line once you get the sword fading away like the last parts of her soul being whispered away- but dont mention it in one of the first cutscenes, fail to bury it in 'thats illegal though and irreversible so nono dont you do it' (why mention it then huh) allude to it multiple times, and then just straight up show it (i get people like the scene but man, it would have been way cooler to figure it out yourself)

same goes for the fake zelda thing, the weird way she said the bloodmoon text already alluded to it, have her show up here and there but vanish before you (no "omg thats zelda omg what is she dooooing") , or go even harder and make her an NPC standing around the world interacting with you all nromally but animals react weirldy to her- make the midfight against her (maybe even that she isnt talking so you are unsure if its actually her but controlled by sth else, or talk all normally while literally going for your throat) and then have her dissolve into goop and woa the bloodmoon thing is without her now the zelda you have been talking to has been fake the whole time, its creepy!! leave out the stupid cutscenes of showing it multiple times!! stop monologing at me!!

ppl that dont care about it can go and do a fight and i can think about it! everyone wins yahoo!

(actually ... if you leave out all the cutscenes in totk i feel like it improves the game by alot ...)

(what my point in the previous thing was in the end that you can repeat the same old trope only so many times without changing anything before it gets boring as hell, like what you said here, and the series seems to really be setting itself on fire bc it just wants to do the trope of old so badly and at some point its gonna drag down even the best of gameplays like gameplay over story means (to me) gameplay is prioritized so whatever narrative there is is in the background, subtle and not overtly in your face with big cutscenes etc- but what i feel like its often supposed to mean is "its fine if theres a shitty story that makes no sense pasted on top bc they prioritize gameplay so stop complaining" like to me what it should mean is more gameplay, less story, a measure of quantity not of quality, but what i feel like it often means is better gameplay, bad story, a measure of quality, not quantity )

maybe my problem lies elsewhere and im just projecting it on gameplay > story, that could very much be the case, i could have a fundamental missunderstanding about this here, im still just a guy with opinions in the end and got no knowledge about anything other than i play games sometimes and these are the things i like and dislike and would do differently *puts my head in my hands*

idk if im making sense, im usually not very good at explaining how i feel or think :/ (or i THINK im bad at it, autism be damned)

(sorry this got so long again ......................)

[alexanderwales]

Chapter 4 of Save the Cat! was the one that I was most looking forward to: the Blake Snyder Beat Sheet and some discussions on story structure.

Maybe because he's a hack writer, or maybe because he's writing specifically with the intent to sell mass market movie scripts, he goes very structured. The Blake Snyder Beat Sheet is basically what this chapter is about, and when he's describing it, he's very firm about where each individual beat will be. A screenplay of the kind he's describing is 110 pages, and by God you better have the Catalyst exactly on page 12.

Going in, I was curious about two things. First, I'm very familiar with both Joseph Campbell's monomyth and Dan Harmon's story circle, so I was curious how easy the mapping would be, or whether there were any notable deviations in terms of what he suggests.

The BS2 is extremely similar to the monomyth. Of course, the monomyth was meant as observation, and the BS2 is meant as rules to follow for making a good story (or one that will sell), but many of the steps are identical. Snyder calls it the "Catalyst", Campbell calls it the "Call to Adventure". Snyder calls it "The Debate", Campbell calls it "Refusal of the Call". Interesting, Campbell said that refusal of the call was optional (since it didn't show up in all stories across all cultures) but Snyder insists on it.

Snyder doesn't call it the underworld, but he does repeatedly reference the "fun house" or "upside down" aspects of the middle part of the story, the antithesis to the setup's thesis. But here there's a break from Campbell, because for Snyder this is where we have the B-story, a plot that's contained within what Campbell would call the "underworld", which I found conceptually interesting, and which I could immediately map to a lot of stories and movies.

So there wasn't a lot new for me on that front. Opening, catalyst, underworld, enemies close in, triumph, synthesis ... it's not revelatory, and Dan Harmon does a better job explaining the fundamentals of why each piece is there, which helps if you ever want to monkey with them. I specifically found the "underworld B-story" bit interesting, and the phrase "promise of the premise" tickled something in me, but that was it.

Snyder's "promise of the premise" happens during a section he calls "Fun and Games", which happens in the second act, usually before the midpoint. It's the place where the characters are just having fun, where the plot isn't racing forward, where we're seeing all the stuff that's cool and awesome about our premise. I could immediately picture this in my head, and so far as I know, this isn't part of Campbell nor mentioned by Harmon (though it's been a bit). This is "the gang's all together and having fun", it's most of the stuff you'd put in the trailer, and yeah, I think conceptually this is a really strong narrative beat, and a valuable addition to my arsenal of storytelling concepts.

So second, I don't write screenplays, I write webfic that's ideally written in such a way that it becomes ebooks to sell on Amazon, and so I generally have some sense of what I'm doing in terms of structure, but wanted to see if these screenplay lessons had any mapability to the stuff that I do.

And overall ... kind of? Dan Harmon has this insight from TV work that the whole season of television is a big ol' monomyth circle, and each episode is a circle, and each bit of television between the ads is a circle, and you can just nest circles like that.

So my first step would be to say "fuck it" to this stupidly rigid structure, then to duplicate it across different spans of writing, and maybe make sure that I'm not missing anything that way. I think this would be fine, though mostly what I care about are the fundamentals, making sure that there is an underworld, that there is a synthesis, and that we do get some kind of climactic battle where the thematically appropriate forces of darkness seem like they might win. And then subvert a lot of that, because that's more interesting than playing it straight, and eventually playing it straight becomes so cliche that it just won't hit.

I generally do book-level plotting similar to story circle, though I'm not consistent in my approach, sometimes to my detriment. Understanding Snyder's method is helpful in the sense that it reinforces my understanding of what's important to have, what plot beats are most vital for having pleasing structure ... but I actually think that's maybe it?

I really do dislike the dogmatic approach, and really would have loved an exploration of movies that deviate hard from this approach and what makes those work. But Blake Snyder doesn't do that, and maybe is incapable of that level of analysis.

At this point in the book I'm thinking that he's a guy who can only build a single type of bicycle. He understands that bicycle really well, but not the actual mechanics of bicycles generally, so if you showed him a tandem bike or a recumbent he'd just scoff and say that it doesn't work in spite of clear evidence that it does.

[punch-love]

2, 7, 10, 15, 16

greedily takes up five of the options

I'm actually going to answer these for both lokius and spideypool to be fair to what fandom you read for and also to what I'm reading for right now.

2. 🔁 A fic you’ve re-read several times

There's a clear theme in these.

i could show you by jilliancares

I think this was the first real gender-affirming trans porn I had ever read and kept on re-reading. It's so good. It's very hot and I love everything about the smut and the dynamics but it's also just - a trans guy talking about oral sex and his disappointing experiences with it and there's a lot of intimacy in the way that's handled. It's just very real so the fantasy of it is even realer. I have read this one many, many times.

Turnabout loop - Mirilya

The Mobius coochie fic. It's great. I could say that I love the idea of Loki using his magic for shapeshifting his partner in bed and the genderbending of it, which I do. It's also just hot. Objectively. I think there needs to be more fics with this exact thesis of Mobius getting eaten out. I support it.

7. 💯A fic that makes you think #writergoals

morning in the burned house by antivenom

Just a really stunning character study and piece of prose. It's such a complicated, nuanced approach to Wade Wilson as a character and his relationship with Spider-Man. It has my favorite approach to a backstory I've seen for in the fandom. This just really sits with him as a character and explores the side roads and back alleys of his brain and the reason he is who he is. It's beautiful. I think anything that sits with you afterward is something I am inspired by, and this sits with me.

The Shapeshifter's Guide to Butt Stuff by comrade_bucket

I just recommended the first part of this series (and the whole series is #writergoals) but this one is so conceptual, so out there, so fucking weird and strange and beautiful that every time I read it I'm struck at what a piece of art it is. The way this work addresses genderfludity, god-hood, the human experience, love, gender conformity, and compromise is just so wonderful. I would love to write something as strange and shocking and daring as this! Again, both installments of this series including The-Infinity-Year-Old Virgin are both something I love to re-read and also get inspired by every time. The endings on both of these are something I've taken notes on.

10. 👽 A fic that isn’t prose (poetry, text fic, etc.)

I got really into the Wickerman tag the other day and this AMV is one of my favorite things I've ever seen.

Lovely Day (Good as Hell) [Favid] periru3, Tafadhali

hare toss, check my nails, baby how you feeling? feeling good as hell!

15. 📚 A fic you wish you could display on your bookshelf

They're both by the same author, surprise. (I think it's funny that @primewritessmut wrote two masterpieces in my favorite genres.) I also have told them before that I would book bind them both, and I am extra serious about doing it for the second one.

Songs for the Zombie Apocalypse by zerospoons_onlyknives

I love zombies. They're my favorite horror genre and I have read and watched as much of it as possible but it's so rare to find the good stuff because no one goes far enough. (Prime goes farther.) It's dark, demented, violent, gloriously unwell and erotic. It's not a love story, it's something so much more interesting, and each chapter I got to read in advanced had more and more tangled in it. The ending is unbelievably glorious. It was one of those things that I was like "this feels written for me" and it wasn't (and it kind of was) but I enjoyed it so much. It deserves to be bound in a book that looks suspiciously like human skin.

Midori Sour - oprime

This is the hallmark rom-com bait and switch psychological thriller family drama slice of life romance of all time. It's so good. It really has no business being as good as it is. The idea is so fun and the dynamics are great and the setting and side-characters are so lived in but the underlayers of this. I want this book bound so I can just re-read sections and underline the lines that stick through onto the other side. I love this thing so much. It's so human and compelling and deliciously deep. The depth that Prime goes in on with this one is just unbelievable. I love it very much. I would bind it in green leather and put a little fruity drink in the middle of it and highlight the whole thing in a green neon with red on the cherries.

16. �� A fic that led to you making friends with the author

I think it's funny that these are both series.

Bad Things - wanderingflame

I was so, so obsessed with this when I first read it. I remember sitting in a car outside a thrift store just binging through it (and then I re-read it at least two times.) I also think @in-my-loki-feels is the first person I have ever asked to write inspired work for (and also, found out we both share the same feelings on inspired work lmao) because I was just so enchanted by this story. It's so fresh, thoughtful, compelling, and just the right hint of dark. Their passion for these characters and the nuanced groves of their natures is just - god, it's so good. We have a very "writers who like each other's work" friendship in a way I really appreciate.

gunpowder triology - periodicallypuzzled

It's rare for me to find a writer with such a personality through their work. I couldn't get enough of this series when I first read it - the humor, the personality, the characterization, the heart juxtaposition with the grit. I don't often say "I really want to know the person who wrote this" but I remember thinking that after reading that. @periodically-puzzled read something of mine and offered to exchange discord handles and after that we became friends. I should also re-read this, now that I'm thinking about it again.

[shrekgogurt]

Ten Questions for Writers

Thank you for the tags! @artsyunderstudy @roomwithanopenfire @youarenevertooold @emeryhall @monbons @larkral I'm eating up reading your answers because we're all so DIFFERENT.

How many works do you have on AO3? 9 (technically 10 but we orphaned one of them out of shame)

What’s your total AO3 word count? 99,978 (mine) + 7,531 (shared) + 9,991 (someone else's) = 117, 500 (total)

What fandoms do you write for? presently, Carry On but back during my high school ff.net days I did some Percy Jackson/Heroes of Olympus (Percabeth and some separate OCs), Alex Rider (OCs), The 100 (as an elaborate prank), Harry Potter (literally just a My Immortal parody), and Divergent (OCs) and if they weren't oneshots they were never finished.

Do you respond to comments? Why or why not? YES! I'm currently behind on my replies, but it's so fun! It's like a book club but for stuff I created!!???? Shit rocks. I fully didn't expect anyone to read IKABIKAM (my first fic on ao3) when I first published it and so every comment still feels like a miracle.

Have you ever had a fic stolen? No.

Have you ever co-written a fic before? Yes! I love collaborating because it gives me something to bounce off of. A scene partner. A ticking timer. It's like lifting a heavy object by yourself versus getting someone else to bear some of the weight with you. It's easier. I also find myself constantly seeking collaboration with other people even with my solo fics. I'm all up in those DMs pestering people both as motivation and as external processing. And by GOD, do you fuckers have some good ideas. Y'all make me exponentially better.

What’s your all-time favorite ship? SnowBaz but also in a very real sense...Percabeth. (You never forget your first.)

What are your writing strengths? I got my start with rping, so dialogue is really comfortable for me. I also think my training in other art forms (dance, music, theatre, film, academia) positively influence my approach. When writing action, I often mentally frame it as 'blocking' the scene or 'choreographing' the movement. When crafting sentences, I'm constantly evaluating the rhythm and rhyme and repetition (not to mention alliteration) as if it's a song, always searching for the perfect word or metaphor. I also listen to actual songs and pull the emotion from them, using them as character studies or a musical soliloquy. I imagine shots and then write what I see from the perspective of a director explaining the actor’s motivating thoughts. I constantly revisit my thesis, grounding the narrative in callbacks and a cohesive structure like it's an academic paper. And all those things combined create this kinetic cause and effect style I'm really proud of and tangibly improves every time I write something new.

What are your writing weaknesses? I do not have a firm grasp on proper grammar. I'm also really slow and inconsistent with my output because my process is so physically disorganized and meticulous which often frustrates me. I'm also impatient. I don't do wholesale messy drafts; I edit as I go and when I'm done I want it published immediately. I also fall victim to the white room syndrome with physical descriptions. Establishing shots? Don't know them. What a guy looks like? What they're wearing? Sorry, I haven't told you because it felt weird to jam in there. Outside of fanfiction, I also struggle with creating something from nothing. I'm a theologian rather than a god. I much prefer playing in a sandbox and exegeting meaning from someone else's grunt work rather than conjuring the wood and the sand myself. My writing is also incredibly referential to pop culture which I'm not sure would translate outside of fanfic, but I guess I'll cross that bridge if I ever get to it.

First fandom you wrote for? Divergent (big cringe)

Now tagging! @onepintobean @cutestkilla @theearlgreymage @thewholelemon @mooncello @brilla-brilla-estrellita @you-remind-me-of-the-babe @bookish-bogwitch @facewithoutheart @fatalfangirl @urban-sith @prettygoododds @valeffelees @ileadacharmedlife TELL ME HOW YOU WRITE YOU GENIUSES