#i hate the image limit

[swagboi7tmblr]

Been updating my sprites to have a more detailed aesthetic

[crowemoji]

heres the other part

[solcarow]

Look Back by Tatsuki Fujimoto // Omniscient Reader’s Viewpoint by Sing Shong

[spark-circuit]

last post on the Sweepers for now i promise, but it's 5AM and i had to get this out of my head

[cosmophalhemr]

WERE BACK IN BUSINESS BOYS

[i-am-but-a-beta-fish]

don't look at me

@the-elder-polls — hello! it is tcs friday, so i wanted to share this piece i made of my ldb road, who enjoys magic, extreme mountain climbing, and never talking about herself, ever. don't worry about it. she's definitely not lying about her name or her age or any significant personal information like that. the mask is just a fashion statement. don't—don't worry about it. 

(she's sixteen. she only started going by road because she thought she got carted to helgen for being an enemy of the thalmor, so when hadvar revealed no one had any idea who she was she was so startled she just blurted out the name of the first thing she saw. which was the road. somehow no one has caught on to the fact that this is a really weird and suspicious name for an altmer to have, even if their parents didn't like them very much. she's come to genuinely prefer it over her original given name, but she's been living in horrible teenage anxiety about it for so long that it hasn't once occurred to her that maybe introducing herself like that at this point is not, in fact, lying, and therefore road does not, in fact, have to feel incredibly guilty about it.

she still does, because she's a emotional disaster masquerading as a functional and mentally stable adult, but she'll get there.

…eventually.)

[silli-illi]

Updates for the people who don’t use Twitter (super long thread so stick with me y’all, rest of the thread in rebloggs):

(Note: Please take all of this lightheartedly this is lore and for content purposes only they don’t actually hate each other please don’t send hate to kab or red!)

1/2

[respectthepetty]

Joke's (Sad) Face

This post is about Joke's face.

But it's not about his actual face.

It's about his Joker face.

While Joke was surrounded by Jack's blue at the hospital, I just couldn't stop thinking about how pretty War is.

Which is why it's so tragic that his character, Joke, spends so much time being sad.

He has been sad since the very beginning and has remained in this state throughout the series.

Which is probably why he created the red Joker moniker.

A joker is a trickster. A joker is similar to a jester. A joker should be happy.

But Joke is anything but happy and his sadness began when he was child who couldn't cope with academic stress, so he began to use the sad face.

Then a kid he never met fixed his frown and turned it upside down. Jack made him smile.

And years later, at a bar late at night, that kid would make Joke smile again.

By simply sitting with him.

Joke was sad about his life, and Jack told him that it was okay.

Then he told him to smile.

Because like I believe, War Joke is so beautiful when he smiles.

Jack, with his blue (spray bottle), has been wiping Joke's sadness away for years, even without knowing it.

And as Joke returned to his childhood home to all the sticky notes marked with red sad faces, he believed he would never be as happy as he was with Jack again.

The time Joke spends with Jack is the happiest of his life because Jack makes Joke happy, which is why Joke got the smiley face tattoo.

Because Jack was a truly happy kid when they first met, and gave that happiness to Joke.

But things change.

Joke's other tattoo is of a dual smiling face and sad face, and when Joke approached Jack after five years, he said he wanted to bring back the old Jack. After that encounter, Jack asked his grandmother if he had changed to which she responded that he couldn't stay a kid forever.

Jack let Joke escape in the fashion event. Jack was blamed for the necklace being stolen, yet showed up to the hotel to help Joke. Jack put himself in the way during the fight to keep Joke safe. Jack always turns the worst situations around and has sacrificed parts of himself as a result.

So Jack is darker now. He is no longer blue. He is black. He can't be Joke's source of happiness when he is struggling to find the good in life himself, so while Joke is in the hospital surrounded by Jack's blue with family and friends, Jack sits alone wearing a red shirt with one tiny lamp to give him warmth.

Jack has his grandmother, who blends both his and Joke's colors, but she's all Jack has ever had, and now she cares for Joke just as much as she loves Jack.

And this is a point Aran made in the very beginning and Hope repeated this episode — Jack, just like Save, doesn't really much. He doesn't have options. Joke does. Jack had to do what he had to do to survive and keep his grandmother safe, but Joke gets to return home to a family and a room that has been kept spotless. Jack doesn't. Well, not if he doesn't fight for it.

And that's what hurts. Jack has to fight for everything. So even though Joke has done a lot for Jack, Jack has done just as much for Joke. He gave Joke a place to stay, food to eat, friends, family, and happiness when Joke had nothing to give and nowhere to go. Jack himself has nothing, yet still gave Joke everything he has had to fight for, including his limited happiness and even the last bits of his color.

So it's important that the episode showed Joke not only giving Jack his color, but also his happiness. Joke has finally turned his sad face into a happy face, on his own.

Joke is depressed, and for so long, because of that, he believed that he couldn't be a source of happiness. Yet on this journey, he has brought happiness to his friends, grandma, and countless people along the way, so here he is, not only giving his color to Toi Ting and Jack, but also his happiness.

Jack has never wanted to see Joke's sad face, which is why he gave Joke his happiness.

And now that Joke is realizing that he is happiness, hopefully Jack never will.

But they'll have to fight for it first.

[that-fish-who-writes]

hello.

.

.

.

*deep inhale*

KEEFITZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ

...uhhhmm.

.

what's a keefitz...?

I don't think I've ever heard of such a thing :( sorrryyyy /j

anyways wanna see this cool drawing I made of a certain two characters? :3 !!

[coffindependency]

kit9 progress report #9

happy september!!! progress report time!!

to start, we’re given these images:

ashley doesn’t look her best here :( she’s pissed off. there are bags under her eyes. she has a bruise on her face (or blood?). this is not a girl who is having a good time

then we have… this? we’re back to the woods!! i wonder who Square Head and Cone Head are?? i wonder what ashley SAID!!! and what’s with the colorful flowers at the bottom??

(not to mention, they could totally sacrifice these people, and pretty easily too!)

next, we finally have some development progress reporting from kit9!! apparently episode 3A is super long & they’re trying to find a place to end the episode and start another one (4), but they haven’t been able to. they’re adding another several months to their estimated release date, which was previously “sometime in 2024” and is now “sometime in 2025… maybe”

they say, once again, that episode 3 (A and B) will be bigger and longer than episodes 1 and 2 combined, so episode releases won’t be as quick as they had been previously

finally, we have an episode three preview clip!!! it’s titled “voicemails” and the thumbnail is julia on the phone

a summary of the video for those who don’t want to watch, or can’t:

julia and andrew are in julia’s room. she tells him to listen to the voicemails she’s been getting on a daily basis. he declines, saying he’s “had [his] fill,” but julia insists

julia thinks that they’re from ashley, but she doesn’t know for sure because the voice is distorted. the voicemails contain graphic descriptions of julia’s “oncoming, painful and slow death” and then talk about how andrew would rather have sex with ashley than with julia. julia is disappointed in andrew’s lack of reaction to the upsetting content of the voicemails, and implies that he was previously upset about julia receiving these messages, but now he doesn’t care

she brings up the fact that she thinks ashley is sending these messages to her, pointing out that only ashley would use the word “floozy,” and andrew (probably lying) denies thinking that ashley has sent these.

julia disagrees, asking if he really thinks that some girl from college is pretending to be his sister and claiming that they’re a little too close, just to get julia to break up with him? he counters with “it’s working, isn’t it?” julia again disagrees, saying that she really does think that ashley is sending these messages. andrew then mentions that people teased him and ashley in high school for “keeping it in the family.” julia says that his relationship with ashley can seem incestuous, to which andrew reacts by slamming the phone back on the receiver, and getting really pissed at julia

julia gets scared of him, which makes him backtrack very quickly and clairify that he’s upset that julia would “think so lowly” of him. he says that he thinks she’s a wonderful person, while she thinks that he’s a “piece of shit” who “probably fucks his sister.”

julia then starts crying, denies thinking that he and ashley are having sex, and apologizes for starting a fight. andrew hugs her and says it’s fine, it wasn’t a fight, but he’ll “forgive her” either way

finally, andrew decides that they should “stay in after all” and it ends with julia saying she forgets what she even wanted to talk to andrew about

it’s fun to see andrew’s more… “genuine” side, even if he’s kind of an asshole. i guess “authentic” is a better term there. i think there’s an interesting contrast between how he acts with julia versus how he acts with ashley, and i’m so glad that we get to see more of him and julia!!! his lack of reaction to the threats against julia is so, so telling. it makes me think back to the part of episode 2 where andrew can bring ashley into the cult party and the cultist calls ashley a bitch and he immediately gets in the cultist’s face to defend her. there are some similarities between how he acts when he has upset each girl, but he doesn’t excessively compliment ashley when they fight. he doesn’t have to worry about ashley crying when he’s rough with her. he doesn’t have to worry about ashley breaking up with him because they’re not dating and she’s his sister

(chosen family is just as valid as blood family, but with andrew and ashley, their codependency shines)

i love how manipulative andrew is. don’t get me wrong, i’d absolutely hate him irl, but i love him as a character. he’s an asshole. he’s charming. he knows what to say to get people (like julia) to feel guilty of accusing him of something he’s thought about on more than one occasion. he knows that if he acts mad towards julia, that she’ll start fawning and apologizing, and he uses that to his advantage. he is not normal (affectionate)

and i’m glad we get solid “proof” that andrew is just as bad as ashley. before, people have argued that there’s plausible deniability, but now?? omgggg. especially when he’s hugging her, saying to julia the things he wishes he could say to ashley instead… they make me crazy. absolutely insane. i am so fucking excited for episodes 3 and 4

[artashipatrick]

“With Tashi, every time she does something that could be read as cruel or manipulative or playing a sort of game,”

“I do think it’s always also coming from a place of her trying to get not just what she needs, but what she thinks these other two people need too—and to take care of them in a way that she feels resentful for having to.”

“But she’s not shirking her responsibility, she’s taking her responsibility of taking care of them very seriously.”

“She has entered into this dynamic somewhat willingly. It’s never the case that someone is doing something for just one reason.” (Justin Kuritzkes on Tashi’s motivations)

[glitter-covered-bodybag]

I don't think we talk about how awful the Dubai penthouse really is. I mean look at the dining room.

HUGE table that encourages distance (especially as there's only 2 of them living here). When it's only Louis with his little bowls of blood he's gonna sit there alone with the heaps of space available at this table and no one else sat at it and be reminded that he really is alone. The bland walls with only a painting or two. The crisp and cleaners of everything. No warmth.

Then there's Louis's (supposedly) relaxation room with Armand's magnolia tree and Armand's library. A library that book-obsessed Louis cannot access. He's wholly dependent on Armand to retrieve things from it. "Please daddy Armand, may I have a book?" 😒 We literally see this when Louis asks to see the removed pages. Those belonged to Claudia, Louis's companion/sister/daughter. Why should that be something he has to ask for? Bare, grey walls like concrete. Like a prison. White stones in the zen garden the same as those Louis was buried in.

Then the bedroom. LOOK AT THIS BED. ITS MADE OF ROCKS. You CANNOT convince me this is comfortable to sleep in. The width of it meaning Louis and Armand can sleep entirely separately. The coffins, padded as they were look so much more comfortable and we know Louis likes laying in his coffin more than a bed from when he was recovering from the full body burns and asked to be put in his coffin even though the room was sun-proof and he would have been safe on the bed. Then the bars surrounding the bedroom. He's sleeping in a cell. (I've seen other people point out the similarity between the bars over the arches and the turning of Louis which is a detail I LOVE for reasons unrelated to this post. Here's a visual)

Everything is controlled through Armand's iPad. Armand controls the lighting. Armand controls the window shades. It just shows this unequal dynamic between Louis and Armand. "Armand protects my happiness"?? No, Armand is the one with the power here. You're his pet. You're his ward. Armand is an owner, a parent, almost a jailer (I'm not saying Louis can't leave or Armand is Evil, at all, just that the power dynamic is heavily tipped towards Armand as he tries to prevent a repeat of San Francisco. I wholeheartedly think he's just so overprotective that it tips into unhealthy territory). Louis doesn't do anything for himself. This is not how romantic relationships work. This is the first clue that their relationship is not what it seems, the first sign that Armand is trying to keep control of the narrative.

There is not one thing that shows me that Louis enjoys his space. Nothing to show it's lived in. It's cold and plain and boring. Compare to Daniel's apartment, a man who has had a long successful career and also lives alone.

Warm. A little messy. Lived in. An apartment of Daniel's size is hardly cheap either. But you can feel that Daniel's space is Daniel's space. The Dubai penthouse has no identity. I know this is just a modern, high-value aesthetic but there are so many other 'rich person' aesthetics that could be adopted that would be comfortable. Even keeping the clean lines. Look at these...

Still clean, still modern but warm. Everything about the penthouse is depressing to me.

[skania]

Let's talk about Aqua "using" Akane

So Aqua makes a very big deal about "using" Akane, but... did he actually use her at all?

I mean, he makes it quite clear that he is only keeping her close because she's useful, right?

So, what is Akane useful for, exactly?

Aqua's entire premise is that Akane understands Ai better than he does. He can't lose Akane because she may help him figure out Ai and find out who his dad is.

But we never, ever see Aqua asking Akane questions about Ai. At the contrary, most of his time with Akane is spent either on Aqua and Akane helping each other, or on Aqua talking to Akane about himself rather than about Ai.

(Spoilers for the entire manga below the cut!)

Let's take the TB arc for example, since this is the arc where Aqua and Akane interact again. What do we see?

First, Aqua helps Akane voice her concerns about the script:

Then he helps solve the disconnect between the ones in charge of the script and the original author, thus doing Akane and everyone involved a big service:

Then he helps Akane win against Kana, going as far as to agree to do emotional acting in order to accomplish it:

And then he helps Akane draw Kana out into the spotlight:

In other words: Aqua spends the entire arc working as a team with Akane. He makes no effort to use her at all.

What's more, all the occasions he had to get Akane's insight about Ai? He uses them to give Akane insight about himself instead.

Which is ironic, because we eventually find out that he even went as far as planting a GPS on her sometime after Love Now, in the off-chance Akane came in contact with the culprit. He obviously was pretty serious about making the most of Akane's deduction skills...

... but how was Akane supposed to deduce anything when Aqua never gave her any info? After all, Aqua only shares that information with Akane after he thinks his revenge is over and he has no use for her anymore.

Which means that, up to the point where Aqua temporarily drops his revenge plans, we don't actually see him using Akane at all.

Despite this, we still see Aqua going on and on about how he has "used" Akane.

So, let's take a closer look at all the ways he has "used" Akane, shall we?

• "About my father" is the simplest one, since that's what Aqua wanted to use Akane for in the first place. Except that, as we saw, things don't go quite as planned and he literally doesn't do anything to have Akane find his dad.

So yes, Aqua did intend to use Akane to find his dad, but he doesn't actually put her to use. In fact, Akane finds him all on her own by pure chance much, much later.

• "The corpse" is a very interesting one, because by Aqua's own admission, he trusted Akane's capabilities enough to think she may be able to find his corpse, and fed her information to help her achieve this.

This is indeed true, except for two things. One, when Aqua starts looking for the corpse, he actually tells Akane to stay behind. She's the one that chooses to follow after him. Aqua makes it sound like Akane finding his corpse was his goal from the get-go, but his actions are at odd with his words.

Secondly, Aqua stops looking for the corpse the moment Akane suggests it may be buried, but he still takes her to Goro's house either way.

Nothing he tells her about Goro is relevant to the search of his corpse. It's completely irrelevant, in fact. But Aqua still opens up to her, sharing everything about Goro, from his upbringing to his goals to his feelings.

Once again, his words say one thing, but his actions tell a different story. Akane is the first person Aqua has opened up to about Goro, and he does so without any ulterior motive.

Which leads me to the way Aqua has "used" Akane:

• "And many other things."

This is what Aqua means by "many other things". Ever since that day, Akane has been giving Aqua emotional support and he has come to treasure it, so much so that it "saves him little by little".

I'd even say he has come to rely on it, as his monologue later shows.

Now, you may say, but isn't receiving and giving emotional support a normal part of every relationship?

And you'd be completely right! But Aqua isn't a normal guy.

Aqua is guilt-ridden to the point he is in pain whenever he enjoys anything. Since the guilt he feels colors basically everything he sees, it permeates his relationship with Akane as well.

Instead of seeing all the good he has done for her, he just sees all the ways he ties her down.

Instead of seeing how much of himself he has shared with her, he focuses on what he has kept from her.

He is such a guilt-ridden, self-deprecating person that he even apologizes when Akane finds his corpse. As if getting murdered and not being found for 20+ years was his fault!

Akane puts it best: Aqua is always trying to carry the burden on his own, always acting like every wrong is his fault.

It's no surprise then that Aqua feels guilty over allowing himself to cherish Akane's support. It's also no surprise that he tries to paint it negatively as him "using" her, because Aqua has been trying to convince himself that his relationship with Akane is a lie.

If he repeats it enough, if he makes his every action about using Akane, then it will be easier for him to let go of her — even when that becomes the last thing he wants to do.

This all comes to a head in Chapter 98, where we see Aqua cutting ties with Akane to keep her safe. This was the perfect time to use Akane, for real this time — but "using" Akane has become a lie that he can't keep up any longer.

Akane has become too important to him. So important in fact, that leaving her side marks the moment he makes a wrong turn and gives himself into the darkness of his revenge.

TL;DR Aqua did want to use Akane, but he never gets around to it. He comes to rely on her emotional support and feels so guilty for it that he sees that as "using" her. Ironically, by the time Akane becomes the perfect "tool" for him to use in his quest for revenge, she matters too much to him and he lets her go to keep her safe. In fact, Akane only makes herself "useful" to him by pure chance! lol

[landscaping-your-mind]

[ID: Gifs of the tenth Doctor (David Tennant) and the Master (John Simm).

The Doctor walks away from Martha (Freema Agyeman) while bringing a flip phone to his ear. Into the phone, he says, “I’m here.”

The Master says, “Doctor,” into the phone.

The Doctor stands still and responds, “Master.”

The Master says, “I like it when you use my name.” It then cuts back to the Doctor who says, “You chose it. Psychiatrist’s field day.”

The Master (viewed from a wide angle shot) says, “As you chose yours. “The man who makes people better.””

The Doctor is walking again and says, “Who are those creatures? Cause there’s no such thing as the Toclafane, that’s just a made up name like the boogeyman.”

The Master sits in a chair and says, “Do you remember all those fairy tales about the Toclafane when we were kids?”

The Master says, “I was so scared.” It cuts to the Doctor who says, “I know.”

We see the Doctor. The Master says “You must have been like God.” The Doctor says “I’ve been alone ever since.”

The Doctor bends down and says, “But not anymore. Don’t you see, all we’ve got is each other.”

/End ID]

[skellerz]

HI TUMBLR!!!

Little beginner art dump wahoo!!!

[ygoartreviews]

Limiter Removal

Limiter Removal is one of those iconic Cyber Dragon deck cards that basically everyone knows about, so much so that I didn't realize it's actually used in other contexts in the anime as well. Because of the close association, though, a combo like this just felt inevitable, and now we finally have it! Part of me is almost surprised that it didn't end up being a separate (but related) card altogether, but it's great nonetheless. I really don't think my words will add much here. It's a cool alt art that feels like it's been a long time coming. I DO have a very specific comment to make, however. And that is... Well. You can absolutely kill me for saying this, but Cyber End Dragon's pose looks identical to the iconic He Man pose from Fabulous Secret Powers (perhaps better known as "HEHEYYEYAAEYAAAEYAEYAA").

Rating: 10/10, Cyber End Dragon says, "Hey. What's going on?"