#i hate kling

[wizardofwoof]

honest to god i hate kling but i HAD to redraw this scene

but im a kling hater through and through

[selbstzerstoerun9]

" Ich bin nicht gerne einsam, aber super gern allein ... "

@selbstzerstoerun9

[imhyperfixatingrn]

I'm like 20k words deep in this thing that was supposed to be "just a one shot", kling myself rn-

I hate hideduo I hate them sm

[quarktrinity]

quark watches star trek season 2 episode 15

i wanna burn kirks green shirt. i hate it. show me the tummy NOW!!

"i was making a little joke, sir" "extremely little, ensign" spock ily

hate to see kirk leave but love to watch him go

was so focused on the banter i forgot that this show has a plot

kirk is so passive aggressive sometimes. i want him carnally

kirks ass = amazing

weird ringing in the background, hard to focus on the dialogue its so distracting

"storagecompartmentsstoragecompartments?" "whatwhat?" kirk ily

spock is a know-it-all

Plot Grain

kirk is so sassy in this episode

uhura almost walks directly into kirks tummy. i wouldnt have stopped if i were her

weird space salesmen is giving rogueport vibes

lil fuzzball...

tribble...........

these are evil arent they

i thought currency didnt exist in star trek? theyre clearly exchanging currency here

uhura ily

This Grain Is Very Important

kirks fussy. baby needs a nap

the klingons are up to somethin

did the klingons send the tribble

"let me ASSURE you that my INTENTIONS ARE PEACEFUL." ok buddy

"kling-ins"

"my dear ~captain koloth~" kirk stop flirting with everyone who wants to kill you

hm i wonder which political event the writers were thinking about. perhaps. the cold war? no way

there are more tribbles now

spock is not immune to tribble calming powers

i want more side shots of kirk im obsessed with his tum tum

"pipeitdownheremisterchekov"

tribble mitosis

william shatners been getting pretty mumbly lately

return of space rogueport salesman

ok it appears the klingons dont know or care about the tribbles

nevermind they actively dislike them

the tribble economy is in shambles

"earthers"

klingon is passive aggressively praising/criticizing kirk in the most homoerotic way

klingon sounds drunk

"klingonese"

scotty can handle klingon dude dissing kirk but dissing the enterprise is too far. kirk was right, the enterprise really is a beautiful lady and we love her

Were Fighting Now

weirdly long fight scene

"i wanna know who started it" vice principle isnt a good look on you kirk

thought kirk was gonna smack scottys ass for a sec there. woulda been in character

scotty recalls the kirk criticisms verbatim

kirks fussy again

this is too many tribbles

mccoy likes tribbles more than spock

spock likes tribbles more than mccoy

make out already

kirk sits his ass on a tribble

Far Too Many Tribbles

"theyre born pregnant" what

tribbles are canonically bisexual

kirk is too cranky for tribbles

tribbles are an invasive species

This Too Is About The Cold War

yeah this is just way too many tribbles. its just too much

the tribbles are Problematic

kirk gets a tidal wave of tribbles dumped on him. i love this show

someone help kirk hes drowning in tribbles

dont yell at kirk hes drowning in tribbles

kirk is drowning in dead tribbles

i envy the prop person who got to drop tribbles on william shatners head

everyones pissed at kirk today

tribbles are klingonphobic

oh no! a sovie- i mean klingon spy!

"its been impregnated with a vahrus"

i think kirk just forced this dude into slave labor

does teleporting tribbles into a klingon ship count as biological warfare

[authoratmidnight]

youtube recced me some video about how Gen 5 was the best ever or something and I am HOWLING b/c ya'll would have fucking crucified it if it came out now.

Like, ya'll crucify them for something as minimal as *checks notes* how a tree looks or the multiplayer connectivity function.

Ya'll hated Sun and Moon's Festival Plaza with a *passion*, there's no way Join Avenue-which you are forced into doing the first time you pass through-would not have gotten away unscathed.

And, can you IMAGINE if Game Freak released a game now, and we discovered that an entire evolution line, of a new, regular pokemon in the regional dex, was effectively locked behind events from previous games that had ended BEFORE the new game dropped? Can you fucking imagine?? You'd be at GameFreak's door with pitchforks and torches calling for their heads if they did that now.

But oh it was totally fine for Gen 5 to do it. In an era where it was much harder to do WiFi events (cause you either had to go to a certain place or hope your wifi was compatible with the game/system).

And the fact that it was all new pokemon, no old pokemon (at least till post game or unless you transferred them in) would have pissed people off.

Not to mention how all the designs I hear people bitch about (Kling line, Trubbish line, Vanillite line, to name a few) are all from this gen as well. Like, are we *sure* you liked this gen? really?

Everyone got the worst double standards and it's laughable.

[wanderinginksplot]

Happy Valentine's Day, Ben Kling style!

This is somehow my exact sense of humor. I hope you all get as much of a kick out of them as I do!

And a bonus for all of my aces out there!

(Ben Kling's listed tumblr account is either inactive or the search function hates me (plausible). He doesn't appear to have a website, but he has a Bandcamp account and an Instagram. Go support him!)

[chaos-whatever]

10, 12 & 19 for the book ask game, please :))

Thank you ❤️

10. the worst book u have ever read?

Effie Briest probably 💀 Had to read it in 12th grade and I hated it. Fortunately we didn't have enough time to finish reading.

12. a book/book series u wish u could read for the first time ever again?

Idk maybe something from German class, now that I'm older I think I would actually like what we read back then.

19. a book u came across randomly but ended up loving it?

Qualityland by Marc-Uwe Kling. My mom gifted it to me for my 21st (?) birthday. I somehow never got into the Känguru books and stuff until very recently, so I didn't know much about Marc-Uwe Kling. But I loved Qualityland from the very beginning as well as the sequel.

[videostak]

kraftwerk 2 is such a cool album like aside from just being dope i think its so cool u have the songs with bass and guitar not just cause its bass and guitar but like u can hear that ralf and florian still gravitate toward similar playing styles on instruments that they dont seem to be as familiar with compared to their normal instruments. like ralf still pursues rhythmic stuff like he did on the electric organ/electric piano and florian still does like echo-y things and just more expansive spacial sounds like he would on flute but they dont seem as like able to conjure relaxing moods liek they were able to with the keyboard flute combo and instead all the guitar bass stuff sounds more moody. like its intereesting cause  i think theyre really great at the keyboards and flute respectively like florian was able to rly do great terry riley type stuff and ralf was able to improvise in a way that still contributed to the rhythm and deep end of the music while also sprinkling in the lil melodies that kraftwerk would eventually become defined by. but like with them on bass and guitar ralf would still do rhythm stuff but instead on bass and idk if florian was using like an echo still or was just letting the guitar naturally reverb or smthn but like its rly cool that theres still that formula but simply changing the instruments changed the music entirely. idk tho kraftwerk 2 may also be seen as an underwhelming album to some ppl so like its an album that invites being read and analyzed compared to like the psychedelic instrumentals of their first album or the more consistently mood pieces of ralf und florian. tho i do think kraftwerk 2 is a rly great album like i dont actually think its underwhelming at all its just one of those great albums that gets better with each listen and like def feels like compared to their firsst album they were actually trying to set out to make something rly just disciplined unlike the more dicking around type stuff of their first album. i like a lot of their first album too tho i think all their albums are great lol tho their first is probably the most like idk stuff that kinda feels aimless. ppl always say experimental stockhausen stuff in rock/krautrock stuff is aimless and i hate that cause i once saw some1 say taht augmn from tago mago was filler and on the same level as sondarangebot from neu’s debut and that made me want to ring their neck lol like smthn like augmn is def one of cans greatest achievements ANYWAYS ya like in the case of kraftwerks first album a good amount of the spacey stuff kinda feels more like idk just aimless and more just them playing with gadgets in the typical rock fashion than anything with a real weight but also at the same time i like the mix of stockhausen sounds with liek free improvisation sounds like its a cool mix. I REALLY FUCKING LOVE machine gun by peter brotzmann and brotzmann’s work in general cause i lovethat mix of john cage or stockhausen grupen type stuff with free jazz like its rly great conceptually and musically mixing the two with such straightforward success. i mean european free improvisation as a whole is like that and that makes it rly great imo. ANYWAYS i do feel like kraftwerk 1 as a whole is definitely uneven even tho its a great fun listen. like theres things ‘wrong’ with it that isnt in their other work stuff that dates it more but also its still a great fun album for sure. ruckzuck will always be a essential kraftwerk track for sure kinda sucks they disowned their earlier albums cause a song like that rly is an essential part of their history. like its ruckzuck -> kling klang -> tanzmusik -> autobahn -> radio activity -> trans europe express -> the model -> the entirety of computer world -> tour de france etc if you wanna chart their growth and changes as a band solely on a song to song basis. like those ARE the defining songs of their career. I FORGOT WHAT THIS POST WAS ABOUT AND LET MY MIND WANDER AIMLESSLY

[fashionlandscapeblog]

I think it's more the way the outfit fit. They just often don't fit, especially in the bist area. I also think that especially back then people wore a lot of outfits in that style because of Kanye, Celine, Alexander Wang etc. but do you

Oh you did mean to be rude and very. First off, that is not completely true and you can see it through most my outfits in the past two years. Maybe there are a couple pieces that don't fit so well anymore and I should replace, since my body has changed now that I'm older and I rarely buy anything anymore for a couple of years, but that has nothing to do with my overall style. However, I will take your criticism in a constructive manner, even if it's evidently not how you meant it.

Secondly, I am NOT a fashion influencer anymore and I very ocassionally post outfits here, not in any serious way whatsoever, only having fun with 95% of things I've had in my closet for many years. I am honestly surprised that someone even cares about the looks I'm posting here since I stopped using Instagram.

And lastly, big NO: most people who wore minimal outfits then were wearing normcore and that is a fact. I do not remember Kanye being an influence on anybody (not a hip hop fan , but punk, on the other hand, has been an inspiration), but mostly, I do not remember anyone with an overall elegant, experimental minimal style other than Centenera who was my biggest inspiration (she was Kanye's influence rather than the other way around and I hate streetwear BTW). There were people like Elin Kling, Columbine Smile, Camille Charriere, Ivania Carpio, Charlie May and a few others with their own brand of minimalism, but none looked like each other differently to today's influencers. There might have been people who wore here and there elegant minimal outfits, but it was overall not a thing. Everyone wanted to wear casual, relaxed, and effortless was a key word back then. I know it because I was there. There wasn't even one single Tumblr blog solely dedicated to elegant minimal style and collecting those brands and designers back then. Besides, if you are telling me that there was anyone in the blogosphere then with an overall style wearing all the exact elements I've continously worn since then (asymmetry, dresses over pants, skants, subversive clothing, puff sleeves, barely there sandals or mules, etc) then I can just laugh.

You very clearly do not understand what style is (general problem with the Instagram generation) and that it is a very personal thing about the very specific things one likes and one's experiences and personal background (I studied architecture and I put together outfits in a similar manner I would design). My style was formed in the Y2K era (Helmut Lang style) and the influence was always there. I even met my husband back in 2003 in an outfit similar to what I wear today: white capris, pointy kitten mules, and a black plunge halterneck.

Please find a better hobby than to troll people on the internet. If you are so bothered by the looks I post, ignore them, it's very simple. I don't even earn a cent by doing this.

[tarditardi]

15/06 Sidney Charles fa ballare Bolgia - Bergamo

Ogni sabato al Bolgia di Bergamo si alternano i top dj del pianeta. Il 15 giugno 2024 tocca al portoghese Sidney Charles, vero fenomeno in tutto il mondo, e protagonista al Bolgia Summer Garden, il giardino elettronico del top club sull'A4. Nella Main Room Indoor si balla invece con Malke, simbolo della scena hard techno mondiale.

Con quasi 88mila fan su Instagram, il nome di Sidney Charles è legato al sound della sua label Heavy House Society. Origini portoghesi, tedesco d'adozione, fa il dj da quando aveva 15 anni. Il punto di partenza sono i suoni hip-hop, soul e funk, tra la fine degli anni '80 e l'inizio dei '90. Pubblica la sua musica su label di riferimento come VIVa, Kling Klong, SCI+TEC e Suara. Nel 2013 è nella Top 100 di Resident Advisor. Techno e tech house restano il baricentro. Si sente nei remix per De La Swing, DJOKO o Neverdogs, in "Groove Avenue EP", o in "Space Bass EP", ipnotico lavoro composto da 2 tracce, appena pubblicato da You&Me Records. Tra un top club e l'altro, tra cui ovviamente il Bolgia di Bergamo, Charles è cittadino del mondo: infatti il giorno dopo, ovvero domenica 16 giugno 2024, vola in Spagna, per far scatenare il Pacha Barcellona. Nel giardino elettronico del Bolgia ci sono anche, durante la stessa notte, Frank Storm, Unknown7 e Mattia Caso. L'evento è in collaborazione con Momento Lab.

Veniamo alla Main Room Indoor, dove dominano le sonorità hard techno e hardstyle. Protagonista in console è il top dj produce brasiliano Mario Malke. Classe '87, prima dei 10 anni inizia a suonare la tastiera, seguiranno i primi mixati per le feste dei suoi amici e addirittura una band metal. La svolta, a 20 anni, quando impone il suo nome nella scena hard techno mondiale, suonando in tutto il Sud America e in Europa, nei club e nei festival più importanti. Tecnica, carisma, potenza: in console è una forza della natura. Con lui in console ci sono anche Unexist pres. Dntxst e poi Art Of Fighters, Paola Nyx, Not So Tall, e DØNZO. Per finire, ecco la Alternative Room, con il sound di Anela e Hard Style Brothers. Il Bolgia apre alle 23.30 e si balla fino alle 6 del mattino. 

L'appuntamento di sabato 15 giugno 2024 al Bolgia con Sidney Charles è solo l'ennesimo di assoluto livello al Bolgia. Qui si sono esibiti tra gli altri, top dj come Nico Moreno, I Hate Models, 999999999, Deborah De Luca, Joseph Capriati, Trym, Pawsa, Stella Bossi, Ilario Alicante, Franchino, Len Faki, Ellen Allien e Métaraph, Mathame, Sara Landry, Gordo, Marco Faraone, Indira Paganotto e top party come Kaluki.

15/06 Sidney Charles @ Bolgia - Bergamo

Bolgia - Bergamo

via Vaccarezza 9, Osio Sopra (Bergamo) A4: Dalmine

info: 338 3624803

[cantarellangel]

[ "Von, you were so butch, and in the middle of an era when few women were wearing pants, let alone tuxedos and sideburns. You wore heavy silver jewelry, men's sweaters and Levis, boots, cuff links, and never any makeup. You had a direct gaze and a guileless manner. I believe you got away with it because of your ability to use genuine charm. Because of the-how shall I say it? -purity of your soul, my mother was able to come to terms, if not with my Lesbianism (the word had too many negative mean- ings for her), at least with my love for individual women.

After nearly losing your teaching credentials when the Air Force told your college that you were connected to me, an open Lesbian, you stayed away from me for two years. How I begged you, to get you to come back to me. I even sent you money to ensure that you would make the thousand-mile trip, so you would know how seriously in love with you I was and how much I needed you. I simply couldn't launch my life without you. And you came back to live with me even though it meant risking your credentials all over again, for I was angry and restless for a better life for Gay people. I persuaded you to march in a Mattachine picket line for Gay rights, two of fifteen marchers in front of the White House and with the real threat of permanent unemploy- ment if we were seen by the wrong people. The risk for me was not so great, since "writer" was what I intended to become. You were a teacher; you could have lost everything.

When I brought you home to meet my parents during the second period when we lived together, after 1963, my mother took me aside in the kitchen for a whisper session. The horror of the letter my parents had gotten from the Air Force years before con- cerning my disgrace and "undesirable" status as a perverted person still shadowed her face. She feared social disapproval above all terrors. Her hands and eyes, however, were fluttering and spar-kling with a newfound understanding.

"I can't help liking her," she said of you, using her lowest voice. "She's such a good person, so warm, and smart, and unas-suming." My mother's eyes met mine. "Why, she's just like you," she said. "I can't hate her. It would be like hating you." I knew she was surprised at this. "Lesbian" in those days was something filthy and different that came along to wreck your innocent daughter's life. I grinned at her, knowing we were going to become friends again. I knew that once more, Von my hero, you had braved the vast army of social hatred and had won the field."]

judy grahn, from another mother tongue: gay words, gay worlds, 1984

[klingenprinzessin2001]

Wir sind die Kinder, die gelernt haben, ihre Tränen hinter Schnitten zu verstecken und das schönste Lächeln aufzusetzen, sodass unsere Eltern behaupten können, wir haben ausnahmsweise etwas richtig gemacht

klingenprinzessin2001

[mightnightmoon]

Du bist mein Villeicht , für immer.

×mightnightmoon

[xcut-yourselfx]

I‘m sorry again ):

[gloriousvermin]

Klinging on to anything that makes him feel real just for it become numb.

Forgeting everything so he never feels better.

Just a thief driven by I need for attention.

Just like everyone he hates

Is this what I've become?

A sad child rotting in his bed. Addicted to his pain so he can feel loved.

A complete failure within the system that he hates yet can't live without.

Good for nothing but amplifying his damage.

Stuck in a never ending feed back loop of manufactured hurt and suffering?

That's all he knows to make so that's all that he does. Nothing but a conduit for negative emotions. Spewing it forth for attention and taking it in to keep it going?

Pathetic

All you do is lay there looking sorry for your self. You cry out for help just so you get attention.

Why even post this it's just the same as ever other one.

I'm doomed to this hell of neverending suffering

[xxxneverbeinggoodenoughxxx]

Nicht alle sind glücklich, die glücklich scheinen.

Manche lachen nur um nicht zu weinen. :)