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norikuna · 1 month ago

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(JUST MEET ME AT THE) APT! — gojo satoru minors dni. art by chitrartum on twt.

welcome to the christmas tour ! take a seat in section (a) and let the show begin !

prologue. → your ex, that sleazy and no-good scumbag won't stop posting tacky mirror selfies on instagram, arm around his fellow cheater-in-crime. so, christmas eve finds you morose in a dodgy dive bar. why not tumble back into bed with that random, gorgeous stranger you just met?

want to try sitting somewhere else ? take a look at the ticket chart again !

pairing. gojo satoru x afab!reader

warnings+. never drive, no matter how little alcohol is in you folks!!! never!!! making out, creampiè, hooking up with a stranger, ovèrstimulation, mildly rough sèx, gojo won't tell you what his job is

word count. 9.4k! song inspiration. apt — rosé & bruno mars

a/n. reader lowkey a hater, i love vanilla vodka eggnog </3 i said i was gonna post on 02/12 and i kept my word, literally rushed to finished this before my clinical exams in the cardiac ward 😭😭😭😭😭😭 hope y'all stay healthy. your future surgeons are writing gojo smut on tumblr.com

mp3. don't you want me like i want you, baby? don't you need me like i need you now? sleep tomorrow, but tonight, go crazy. all you gotta do is meet me at the apartment (아파트) !

you think your friends would kill you if they knew this was how you were spending christmas eve. not at some glittering holiday party, nor tucked away in a snow-dusted cabin. but here, holed up in a dimly lit bar with an atmosphere so questionable it should come with a warning label alongside a health and safety audit.

the place had charm, if your definition of charm included scuffed floors, a jukebox stuck on 'last christmas' and a string of blinking lights that looked like they'd been thrown at the walls rather than hung. still, you'd swiped a couple of minty candy canes from a jar near the door, which felt like a win.

your phone sat resolutely off in your bag. self-preservation. no instagram, and no tacky mirror selfies from your scumbag ex with the same smirk he'd worn a month ago when you caught him cheating. with someone who had always been 'just a friend, babe!' you weren't keen to let that ruin the rest of the night, though if you were being honest, you had already let it ruin a good chunk of the month.

"another christmas vodka...sour, please," you squint at the messy chalkboard above the bar, where the christmas specials were scrawled in what would barely pass for handwriting.

the bartender gave a single, surly nod. he looked as though he'd rather be anywhere but here, preferably somewhere free of customers nursing post-breakup bitterness like a fine wine.

and so, you found yourself staring at the tall glass now sitting in front of you, studying the rosemary sprig that swayed lazily in the translucent red liquid. a few cranberries bobbed among the ice cubes like they were on some tiny festive raft.

"woah, that one's way too strong for me."

the voice interrupts your private session of wallowing. you turn your head, slowly, to take in the culprit. he-who-hath-disturbed-the-peace. a man sitting close enough to be annoying, but not close enough to invade your personal space.

it takes you a moment to process the stranger, mostly because of the brain freeze from your ill-timed gulp.

"i mean, it's not bad," you shrug, hoping to sound neutral enough that he leaves you be. but then because you just can't leave well enough alone, you gesture at the specials board, "better than...that, at least."

you jab a finger at the chalk-scrawled abomination: vanilla & peppermint vodka eggnog.

the man frowns, a sharp but somehow charming movement that's overshadowed by the dim lights, "hey, i ordered that one."

you blink like a startled bovine, before breaking into a laugh, "my bad. i'm sure it's really fuckin' delicious."

the stranger chuckles too, a soft and low sound that seems more genuine that it has any right to be, "i hope so. otherwise, this is gonna be a long night."

the man finally shifts, casting aside the dim shadows that lay over him, into the blinking string lights. broad shoulders framed by a dark, tailored jacket that hugs him like a second skin. his hair, startlingly white, was pushed back by — wait, was that a blindfold?

you stare longer than you should have, trying to piece the odd sight together. a cosplay? a k-pop idol wannabe, hoping to get recruited for the next bts tour? perhaps, he was blind, hard of sight? you start to open your mouth, wondering how to phrase the intrusive and awkward questions, but he beats you to it.

"i can see you just fine, y'know," he says, his tone laced with amusement.

your cheeks burn at the realisation that he's caught you gawking shamelessly. so you quickly turn back to your drink, suddenly very interested in the cranberries floating in the glass.

the bartender returns, sliding the stranger's drink onto the counter with an audible clink. it was the most obnoxious cocktail that you'd ever seen. a martini glass filled with frothy, pale liquid and crowned with a cinnamon stick that jutted out like the mast of some ridiculous holiday ship.

you watch, mildly horrified, as the man picks up the glass and downs half of it in one confident gulp. he sets it down a satisfied sigh, and a smack of his glossy lips, and you wrinkle your nose involuntarily at the sight.

"i swear it's good," he says with a laugh, catching your expression. his grin is wide, playful. and you find yourself smiling back despite your sour, gloomy mood.

he has a nice smile, you note. not forced nor smug, but genuine. framed by pale pink lips that curl up in an easy, natural way. it was strange though, to look at someone without seeing their eyes.

"i'm gojo, by the way," he offers, his voice smooth and lightly amused once more, as if he'd caught you studying him again.

your gaze drops to his hands, long and slender, tracing the rim of the martini glass. something about the way they move — elegant and deliberate, hold your attention a moment too long for propriety. you quickly snap your focus back to his face, "what brings you here, gojo?"

gojo shrugs, and you can almost imagine him rolling his eyes beneath the blindfold, though you doubt his ire is directed at you, "work, i guess. or maybe i just got bored of going to work."

"they're working you hard, yeah?" you ask, trying for sympathy. employers loved squeezing their workers dry during the holidays. your own boss was proof enough of that, running the office like a sweatshop for santa's unpaid elf labour.

"something like that," gojo says with a scoff, the corners of his mouth quirking up again, "what about you? what brings you here? it's christmas eve, isn't it?"

you sigh, the weight of gauche embarrassment suddenly pressing down as the words spill out before you can stop them, "my ex-boyfriend cheated on me."

gojo's lip curls, the kind of expression that balances perfectly between pity and disgust, "that sucks," he offers. profound and wise, you have to agree as he continues, "you jus' find out or something?"

the question makes you cheeks heat, and you fiddle with the edge of your drink, "no, i've known all month." you gesture vaguely towards your purse, where your phone sat like an unsealed pandora's box, "but he posted...on instagram. and stuff. i'm still, y'know, getting over it."

gojo makes a thoughtful clicking noise with his tongue, "ah, see, i don't do social media. but that sounds rough."

you let out a weak huff, "yeah, well...now i just feel like a loser. my friends told me to go out and have fun, and here i am..." you trail off, downing the rest of your cranberry vodka in a single, decisive gulp. the sting hits your throat, sharp and sour, and you grimace at the burn.

gojo frowns slightly, leaning in just enough that you can hear how his voice softens, "i don't think you're a loser." the sincerity in his tone catches you off guard, pulling your gaze back to him, "it's fair to wallow."

his words hang in the air, and you find yourself smiling, albeit thinly, "that's...really nice of you to say."

gojo hums thoughtfully, "i meant it, i promise. but i can't exactly say i've been there, never really dated anyone."

you blink, openly gaping at the man, "really? you're joking."

it was hard to wrap your head around that. even with the odd blindfold, everything about him screamed 'pounce-worthy'. the broad frame, the charming smile, the striking white hair that looked like it belonged in a kérastase commercial.

gojo laughs at your incredulous expression, "same old work and stuff," he explains with a casual shrug. then his grin fades, tone shifting just enough for you wonder why that feels as though the clouds have covered the light of the moon outside, "always got in the way."

"at least you never had to deal with a breakup," you offer, trying to find some weak, silver lining.

gojo frowns, his pale complexion now tinged with a faint red flush that even the dim bar lights couldn't disguise. was he really that much of a lightweight, or was the eggnog's amaretto content deceptively boozy?

he sighs dramatically, "a friend once left me outside a kfc in shinjuku. then he became a murderer and a cult leader. that felt like a breakup."

"huh," you murmur, staring at the man with a mixture of amusement and faint alarm, wondering if you'd seen any cult leaders on the evening news lately. no, nothing save for the occasional incorrect weather report, a friendly good-looking priest running some scam association, and news reports about an octopus that could predict the lottery, "that's - well, okay..."

you couldn't quite tell if he was joking or not, but gojo seems to shake himself free of the odd reverie. he's running his hand through his shock of white hair, and his grin has returned, slower and a touch softer, "still, your ex must've been crazy. letting go of a pretty girl like you?"

the words land with surprising weight, considering they come from a stranger in a sleazy bar, but it leaves you momentarily stunned. you can feel a blush rising to your cheeks, your heart doing an embarrassing little flip before you manage to get a grip on yourself.

"wow," you laugh, feigning composure as you sip the last remnants of your drink, "smooth."

gojo's smile is wider now, "hah, i call it like i see it," and his lips now curl upwards as he leans in, "and i'm serious. if i had someone like you..."

you laugh again, but this time it's far more unsteady. you wonder if the cranberry vodka is playing with your head, "big words for someone who's never dated. should i be impressed, gojo?"

gojo's chuckle is a deep sound that vibrates in his chest, "i know a good thing when i see it. you don' need to date to know what you want. and i think i want you."

your stomach does a little flip, and you feel all rationality being pounded out of you just from staring at his unfairly gorgeous hands rest on sturdy thighs, "you do flattery well, i'll give you that."

"oh, i don't know about that," gojo says, fiddling with the stem of his glass, "but what'dya say we get out of here? how about my place?"

you blink slowly, and you're aware that your heart (and...nether regions) have already composed an answer before your mind has, "what if you're a serial killer? you're not about to silent night, deadly night me, are you? you haven't killed someone have you?"

for a moment, the man stills but then gojo leans back, "smart girl. asking the right questions. but no, i can at least promise that i'm not a criminal."

you hesitate just for a beat, the words lingering on your tongue, before you let out a breath and shrug, "fine. where's your place?"

"azabu," gojo replies without missing a beat, his tone smooth, like it's the most natural thing in the world.

you gape once more, blinking as you try to process the information. azabu? as in tokyo's ritziest neighbourhood, where a one-bedroom apartment could cost you more than most people's yearly salary? the kind of place where the floors are made of marble, and everyone's shoes are more expensive than your entire wardrobe?

gojo, ridiculously handsome despite looking like a circus runaway, too charming for his own good, and not the type you'd expect to find in a cheap downtown dive bar. definitely not on a christmas eve, at least.

for a split second, you wonder how a man like him even ended up in a place like this. maybe it's some kind of self-imposed penance. or he likes to keep things low-key when he's pretending not to be rich? maybe he's looking to cosplay a succession character?

whatever it is, it's working. not only does gojo have a face carved from marble, now you've got a solid ticket into seeing what a neighbourhood for the top one percent really looks like beyond it's wealthy exterior. maybe, you'll bring back a souvenir.

you wonder whether there's a group of small emotions standing around inside your head, inside-out style. glaring at you as if you're incapable of making good and rational decisions.

well fuck that, you gather yourself and shrug off the small wave of nerves, and loop your purse strap around your finger, "alright," you say, "let's get out of here then."

you don't miss at how the adam apple of gojo's throat bobs for a second, before he downs the rest of his drink in one go, "let's get outta here then."

you follow him out into the cold, your breath fogging in front of you as you try to focus, but the man is tall, like ridiculously so. but when you reach the curb, he turns to face you again, a frown marring his face.

"so, i have a small confession."

i changed my mind and i find you repulsive.

i was paid by your ex to do this, and now i've done enough to get my money.

i'm a serial killer.

you don't know which possibility is worse, "huh, a confession? what is it now?"

gojo chuckles, lifting a hand to the back of his neck, as though he's about to spill a dark secret into the night air, "i don't have a car."

"you've got to me kidding me. how'd you even get down here?"

gojo shrugs, a casual and almost lazy movement. and you feel your gaze lingering on his shoulders. broad, impossibly wide, the dark jacket hugging him in all the right places, like it was tailor-made to showcase just how much he filled it out.

"someone dropped me off. ages ago," like it was the most normal and rational explanation in the world.

your own laugh is short, a little disbelieving, but you pull your silver keys from your purse, "well, i guess i'll have to drive then. but what would you have done if i hadn't been here to save the day?"

gojo steps to the side, opening your own car door for you with a small flourish and exaggerated bow that makes your heart jolt again, "probably teleport back home. maybe fly, since the skies look clear."

what a weird guy. hot, but weird. he seems like the type to dress up with a fake beard and show up as gandalf at the next lord of the rings fan convention.

in the driver's seat beside him, you catch yourself staring too long. your gaze slipping over a model's jawline, the white of his hair being held up by the blindfold. even his vaguely expensive scent is disorienting, pleasant like pine and blackcurrant. but it's also hard not to be amused when he's furrowing teeth into plush pink lips out of concentration, pressing an address into your cracked gps screen.

well, merry christmas to you.

gojo's place is well...how do you say this? gorgeous doesn't quite begin to cover it. he leads you into the building with the ease of someone who knows every inch of it, tossing a casual smile over his shoulder as he swipes a key card to unlock the private elevator, "i tend to move around a bit. or stay in different places. keeps life exciting, don't you think?"

you step into the elevator alongside him, the polished mirrors reflecting the soft glow of gold accents and sleek, modern lines. his hand hovers over the control panel before he presses the button for the top floor. of course, it's the penthouse.

"you move around a lot?" you ask, arching an eyebrow, "what, like a restless billionaire or something?"

gojo smiles, leaning casually against the steel as the elevator begins its smooth ascent, "now you're exaggerating."

the elevator finally dings, and gojo steps aside, offering an exaggerated bow as he gestures for you to exit, "after you, my fair maiden."

you almost scoff at the ridiculousness of it, but there's something so endearing and charming about how he pulls it off, especially when paired with the unfair symmetry of his face.

floor to ceiling windows dominate the far wall, revealing a jaw dropping panorama of tokyo's skyline. the city stretches out in a glittering sea of lights, with the tokyo tower glowing a golden exclamation point against the velvet night sky. the interior is just as impressive, with polished wood floors that gleam in the warm light and a glass dining table that sits beneath a sculptural chandelier. that same faint scent of blackberry and pine lingers in the air, heady almost.

behind you, gojo strolls with an easy and languid grace, tossing his jacket onto an artisan leather armchair. beneath it, his sky blue dress shirt clings just right and rolled up to reveal forearms faintly dusted with pale hair. you think you've momentarily forgotten how words work, and you avert your gaze quickly. though not before catching the faint smile on his lips.

"not bad, huh?" gojo says, heading to the open kitchen as though he's unaware of the effect he's having on a rational and sensible mind such as yourself, "it's no dive bar, but i'll do."

you shake your head, bewildered. trying to process how someone you met in a dingy bar could live somewhere that looks like it belongs in architectural digest. even down to the odd, ancient looking pieces that scatter the wide living room. weird looking artifacts of some sort. maybe he's also a collector? go figure.

"not bad?" you repeat, incredulous, "gojo, this place is incredible."

the man laughs, opening a sleek fridge to grab a bottle of water, "i have good taste," he says with mock modesty, his tone teasing as long fingers twist off the cap, "and a thing for gorgeous views. though, between you and me, i'm not great with heights. ironic, i suppose. paying a fortune for a view i'd rather not get too close to."

he waves a hand vaguely towards the windows, the blindfold still firmly in place.

"so, what's the deal? did you win the lottery, or inherit a fortune. or are you some kinda secret agent who moonlights as a barfly?"

gojo lifts the bottle in mock toast, "let's just say i'm very good at what i do."

you arch a brow, crossing your arms and ignoring the warm flush creeping up your neck, "and what exactly is that?"

"oh, you know. standard stuff. international intrigue, thwarting evil creatures. i even saved a kitten from a tree the other day."

"right, because nothing screams the next member of the avengers like eggnog in a seedy bar."

gojo leans casually against the counter, "even the avengers need a holiday drink now and then. don't knock it." but then he gestures towards the sleek couch, "wait, you can make yourself comfortable, y'know. i'd hate for my guest to think i'm a terrible host."

"terrible host? no, but a mystery man —"

before you can finish, your foot catches on something hard, and you stumble forward with an undignified yelp. gojo reacts instantly, how does he move that fast, and his arm is shooting out to steady you. but glorious gravity and magnificent momentum has other plans.

both of you crash onto the couch, and you find yourself sprawled unceremoniously across his lap. gojo's laugh rumbles low in his chest, and you can feel the warmth of it underneath your palms as you steady yourself, "well, that's one way to get comfortable," he murmurs, voice teasing as his large hand lingers lightly on the curve of your waist.

you prop yourself up slightly, cheeks burning, and glance back at the offending object. your brows knit together when you spot what looks suspiciously like a katana gleaming under the soft light.

"did i just trip on a — hey, what the hell is that?"

gojo interrupts, smoothly extending a long leg to nudge that suspicious object under the nearby coffee table before you can finish, "nothing important," he says breezily, the motion so quick you almost think you imagined it.

his focus shifts back to you, almost guilty, but his fingers are pressing divots into the fabric of your top, "now, where were we? hi."

you blink, caught off guard by how strange it is to feel the searing heat of someone's gaze underneath a blindfold, impossibly intent, "hi yourself," you manage.

for a moment, neither you nor the gorgeous man under you move, and the world feels strangely airless.

but your fingers twitch against the fine linen of his shirt. and before you can second-guess yourself, you reach your hand up to the edge of the silk fabric over his face and you ask, "can i take this off?"

gojo tilts his head, like it's a genuine consideration and you catch the faintest flicker of hesitation. it's fleeting, replaced by a crooked smile as he nods, "go ahead, sweetheart."

your hand rests lightly on the silk, hesitant for only a second before tracing its way to the back of his head. your fingers brush through impossibly soft strands of white hair, and his breath hitches when you find the knot tied neatly to the base of his skull.

you wonder what manner of man gojo is, letting himself be stitched undone by a stranger. but with care, you undo the knot, working deftly and clutching the fabric as you pull the blindfold away.

the blindfold slips free, and for a moment, you're certain you've forgotten how to breathe. bright, piercing blue eyes. framed by thick white lashes blink up at you. the intensity of such an unearthly gaze is softened by something more vulnerable, almost shy. nervous even.

"wow," you murmur without thinking, the word spilling out as gojo's expression shifts, an unguarded openness replacing the playful smirk that you've seen all evening.

your earlier assessment echoes in your mind: k-pop reject wannabe. the recent memory now feels like quite the injustice, a careless slight against a face that defies easy description. each detail of his face is striking, as if some divine hand had taken special care to sculpt him from the fabric of time and space itself.

gojo seems to sense your analysis, and you're sure that he's parted his lips to speak, but whatever he was about to say falters. that faint flush, pale-red like vermillion watercolour bleeding across a canvas, blooms across his cheeks. gojo's hazy gaze flickers for a second, and it sends a thrill through you. he's affected by this, by you.

it's hard to resist the slow smile that curves your lips, light and playful if only to mask the way your own heart is racing, "are you seriously shy now, gojo?"

gojo's expression shifts again almost immediately, as if that subtle invulnerability has been replaced by something sharper, almost indignant. he sits up a little straighter, the movement making you acutely aware of how the hard planes of his body feel beneath you.

"shy? no," gojo says, his voice steady but edged with some need to defend his honour, "i just...don't usually do this. that's all."

there's a sincerity in his words, an almost begrudging honesty that takes you by surprise. you tilt your head, as your murmur, "i don't either."

before you can second-guess yourself, you tilt your head down. pressing your lips to gojo's in a featherlight kiss. his taste is intoxicating, honey and sweet grapes mingling with a hint of that ridiculous vanilla drink from earlier. you pull back almost as quickly as you leaned in, testing the waters.

but your breath catches when you see that the blue of his eyes has deepened, darkened. and his lips, pink-blush and slightly parted, form a quiet and stunned oh!

"cool," gojo manages, his voice rougher than you expected, and you bite back a laugh as you watch him swallow hard.

"huh, cool?" you echo, your amusement bubbling over, "that's it? that's all you've got?"

gojo's grip on your waist tightens, and his hands are now splayed over your spine. anchoring you to him, as his mouth curves into something sly, though his flushed cheeks betray his composure, "compliments to the chef?"

you shift slightly, pressing more of your weight firmly into his lap. though not yet close enough to situate yourself over his groin, delighting in the way gojo's blush spreads down his neck, staining his skin a shade reminiscent of ripe berries swirling in cream.

you can feel gojo's attention as much as you can see it, how his own gaze lingers, deliberate and unhurried. taking you like a masterpiece that deserves more than a cursory glance. the hand that had been steady on your back shifts, his fingers threading through your hair. he watches as the strands slip and fall beneath his touch.

"thought you said you wanted me, gojo," you tease, though you're certain your voice is betraying the way your pulse is doing its best impression of the macarena in your jugular, "are y'gonna do something or not?"

gojo's gaze snaps back to you, a flicker of something far more intense passing through those impossibly blue eyes. full of hunger, need even. the hand in your hair slides away, only to settle at your jaw. it's warm and steady, his thumb brushing slightly over the plush of your bottom lip.

"i do want you," gojo says, his voice low and steady and maddeningly genuine, "want you to kiss me again. and again. as many times as you want until i forget my own name."

"gojo —"

"satoru," he interrupts, his voice cracking slightly, stripped of any previous swagger. it's unsteady and raw, affected in a way that excites you. sends a dark heat curling low between your thighs, "you can call me that."

"satoru," you repeat softly, letting the syllables fall from your lips, unfurling in the most hazy way.

something within the man shifts. his hand tightens on your waist, dragging you closer in a way that punches the air from your lungs. right over -

oh. the thick, curve of his erection straining against slacks that probably cost more than your monthly salary. it's deliberate, almost desparate at how the invisible thread snapped inside him. unravelled the careful composure he's been clinging to until now.

"go on," gojo murmurs, his voice dark with need, "kiss me again, please."

you lean closer, eyes flickering to his lips, and your pulse roaring in your ears, "who would i be to deny you any wish, satoru?" the words come out more reverent that you'd expected, as if your entire world has been tilted off its axis.

and then you kiss him, hard. desparate. as if his lips are your birthright, a homeland to claim. and gojo's kissing you back, carrying a sweetness that seems both foreign and familiar. in an instant, the weight of another man, a dreary haze in your past, vanishes. gojo is suddenly everything you didn't know you needed, vibrant and electrifying.

"let me know if it's too much," gojo breathes against your lips, his voice shaky as if he's trying to tether himself to the earth. but your kiss deepens, frantic and unrestrained. his mouth moves against yours with a hunger that sends sparks down your spine, and you suddenly realise you quite like the taste of vanilla when it's dripping from his open kisses.

you pull away, for every human needs air. but the sight before you has you clenching your thighs desperately around the bulge where you sit atop. gojo's gaze is heavy, full of that desparate longing that makes your chest ache. his lips are swollen, a soft cherry hue from your kisses. and strands of white hair fall over his blue eyes.

"look what you've done to me, fuck. miss you already," gojo murmurs, and before you can respond, he surges forward, hands pressing against your face with the intensity of a storm. one hand reaches to find the nape of your neck, letting you surrender to the heat of this touch.

you crave more, so much more from gojo, who's taking you in like you're his last breath, his final indulgance. it's as if he's found a new devotion in you, ready to worship you at the alter of your false godhood. but before you can part your mouth to tell him exactly what you and where, gojo's hands are already sneaking under your top, brushing against the trembling skin of your torso.

his teeth are biting down on your lip, leaving you dizzy. and gasping, and so damp in your panties as the fabric of your top is peeled away, and you're left shivering, fighting against the cold of the december air. you find yourself pressing harder into the warmth of his chest, letting the swell of your chest press flat against him.

"shoulda' turned the heat on before we came in," gojo murmurs, breathless as his lips hover a mere centimetre away from yours, "got nothin' to worry about, sweetheart. i'll keep you warm."

"didn't t-think i'd spend christmas eve like this," you gasp, your head lolling to the side as gojo presses open-mouthed kisses to the soft arc of your neck, sensitive even to the cool air.

"no?" gojo's reply is breathy, almost frantic as if he's fumbling in the heat of the moment and has little grasp over the words tumbling out of his mouth, "neither did i. but this? b-better than any fuckin' mission they could've sent me on."

you cock your head, feeling the heat of his clothed cock underneath your thighs, "m-mission, huh? what are you talking about - mmph!" but the rest of the question never escapes your lips for it's swallowed up by another one of gojo's candied kisses.

his rough hands work deftly, finding the clasp of your bra with ease. a pretty crimson thing, almost sheer as it caught the light. and in the centre, a tiny satin bow sat like the final touch on a perfectly wrapped gift. you had only worn it half-heartedly earlier in the morning, some forced christmas cheer for your dreary day ahead.

the look on gojo's face was anything but composed, staring at your cupped tits like you'd knocked the air out of him and his chest rose and fall as though he were remembering how to breathe. in a single fluid motion, your bra is unhooked. the faint metallic click barely audible over the pounding in your chest and he's tossing it aside with a casual flick, his focus entirely on you.

you find yourself mesmerised by his eyes, those swirling pools of blue that seem to have stolen fragments of the sky itself, clouds brushed into cerulean depths with strokes of syrupy smoothness. they're breathtaking, but the thought shatters as gojo's canines graze the flesh of your breasts, a sharp and teasing nip that pulls a gasp from your lips. leaves you rocking sharply against his erection, making him throw his head back, ragged.

the playful string blooms into a flush of heat, and gojo's at it again, his mouth working to leave faint red marks in its wake. you squeal, half in surprise and half in helpless laughter (and entirely in a lusty haze) but gojo only pulls back enough to murmur, "what? can't help myself."

but then he peers at you abruptly, his lips parted as he catches his breath, "wait. do you wanna —?" and gojo tilts his snowy hair towards the shadowy doorway that leads out of the living room, the implication clear even through his panting.

you nod, breathless, "yeah, jus' help me up."

without hesitation, a strong arm slides around your waist, and before you know it, you're being swept into a semi-bridal carry, and your head is resting against the fabric of his dress shirt. not a bad feeling, one you could get used to.

at the doorway, gojo lets out a low 'shit!', nudging the door open with his foot. the faint sound of clattering follows as he kicks something out of the way. you glance down from your entirely too comfortable vantage point, spotting a smattering of cheap tinsel, all glittering in metallic silver and gold, tangled with round baubles that glisten faintly under the dim light.

some have little smears of glue, and uneven glitter patches, as if crafted by unsteady hands, but with earnest effort.

"you big on christmas or something?" you tease, delighting in how the tips of his ears light up like nose of a famous reindeer.

gojo freezes for a moment, almost sheepish as he clears a path, clearly trying to look as macho as possible as he gingerly pushes aside a string of green lights, "made those for my students," he mutters, "thought they'd like them in the classroom tomorrow."

your laugh grows louder, and gojo's brows furrow, his tone growing defensive, "it's a nice surprise for the classroom!"

"i'm not making fun of you!" you insist, leaning up to press a gentle, soothing kiss to the hollow of his collarbone, "it's sweet. i think it's really nice, actually. wait, you're a teacher?"

gojo's mouth quirks up in a faint smile, "something like that," he says cryptically, finally clearing a decent and hazard-free path into a sleek, and clean bedroom. it's all modern space, all clean lines in shades of cream and white, and navy.

gojo sets you down gently, and the plush fabric cradles you as your back lands on fresh linen. and for a quiet, tender moment, you're both caught in the stillness. gojo kneels at the edge of the bed, his hands resting lightly on each of your thighs as if he's anchoring himself there.

his gaze is steady, content, maybe even adoring in a way that feels too intimate for someone who you barely know. there's a warmth in his expression, like he's savouring the sight of you, searching for something — and he's found exactly what he's hoped for.

almost without thinking, you lift a hand, cupping the sides of his face. his skin is warm beneath your palm, soft with the faintest hint of pale stubble that seems to fade into his skin. the moment your hands makes contact, gojo leans into your touch instinctively, his white lashes fluttering closed.

"hey, 'toru," you murmur softly, "y'still with me?"

gojo's eyes snap open at the sound of that, sharp and bright, as if the nickname itself has sparked a challenge in him. a low and almost frustrated sound escapes from the back of his throat, and he presses a feather-light kiss to the inside of your knee.

you don't miss at how his teeth sink into his bottom lip again, worrying and working the plush flesh like he's trying to steady himself. spreading your weeping thighs aside, as his gaze is fixed on something. intense, unwavering. the sheer focus of it making heat creep up your neck.

at how he must be staring hungrily at damp, sheer red fabric that clings to the outline of your cunt. at how it must shimmer almost translucently now, the sticky slick of your arousal enhancing the gloss, making your panties glisten under the light.

you're feeling an unfamiliar kind of shy under the weight of his attention, at how he must see how the fabric clings closely to your puffy, swollen folds — the delicate weave exposing the shape of your taut pussy, practically weeping for his touch.

you needn't have asked, for gojo was already diving into deliver.

he's gliding his index finger over your dripping pussy, letting the tangy syrup sink onto his fingers, leaning in to press a sweet, almost innocent kiss to your clothed cunt, "she seems desperate for me, don'tcha think, heh?"

the sound of the fabric ripping is sharp and wet, a squelching and almost fleshy tone, a sound that's both soft and sharp to the blood rushing between your ears. a strained tear of your beautiful panties, leaving cool air to gently leave a kiss of its own upon your cunt.

you gape at him, a bit too stunned to find coherent words, "hey, what the f-fuck! those were like super expensive!"

gojo rolls his eyes, the kind of look that has a bit too much attitude for someone who's practically begging on his knees for a taste of you, "don't get all huffy on me, sweetheart. 'm gonna buy you more, is tha' alright?"

"i'll r-remember that, satoru," you murmur, giving a sharp tug at his white strands, "you gon' have to give me your number now."

gojo shudders, the muscles in his back rippling underneath his tight shirt, "was already gonna," and he's back to pressing soft, kitten licks to your now exposed folds, small circles over your throbbing clit.

you buck your canting hips closer to the heat of his mouth, to where the pink tip of his teasing tongue peeks out of a pretty mouth, "satoru, c'mon. can't you just, fuck—"

you sharply cry out as he presses his mouth forward, a sudden surge of heat jolting through you. burying himself deep, his nose brushing against the sweet, syrup that coats your pussy, and the rhythmic, wet movements of his tongue send shivers through your entire being.

"mhm, jus' as sweet as you look, baby," gojo gasps, swirling and flicking his tongue, teasing you with every deliberate patter of the muscle near your winking entrance. so messy, slick and you're not sure where he ends and you begin as it all glides together carnally.

gojo seems languidly tipsy, just from munching through the gloss of your cunt, far more intoxicated from your taste than any cheap christmas liquor. he alternates between pushing his tongue past the ring of your tight walls, and then wrapping his lips around the searing pulse of your clit, leaving your hips shaking and dragging over his mouth, smearing yourself over his chin.

you're fisting delicate white locks with fierce urgency, and he hisses and then chuckles into your pussy, "tch! ease up there for me, yeah? jus' move your hips like you were doin' before," and you comply, angling yourself better so he can flatten his tongue against your folds, jaw grinding deeper into you "hah, yeah, just like that."

"taking good care of you though, aren't i? wait, say it. say that 'm making you feel good," and he's bullying a long finger into your gummy walls, clingy and sopping, "say 'm making you feel better than a-anyone ever has," and you just mewl as your arousal must surely be dripping down his forearms, staining the cuffed sleeve of his shirt as he takes your sweet juices down his throat.

there's stars beginning to twinkle at the edge of your vision, and you know you must be close, for your heart is practically dancing a heavy beat against your ribcage, and you suddenly push his mouth away, watching as a clear strand of spit or your slick forms a taut bridge between his mouth and your folds.

"w-wait, satoru, s-stop."

gojo's head lifts, eyes blinking as if coming out of a faze. but then, like a switch, something sharp flickers behind his gaze and concern floods in. his thin brows furrow slightly, glossy lips parting as he reaches out, as if to steady your hips, "you okay, sweetheart? what's wrong?"

your heart stutters, pounding so loudly you're sure he can hear it. you try to steady your breathing, but the tremour in your fingertips betray you as they gently slide through your hair, the silky strands tangling around your hand.

"nothin' wrong, 'toru. but i was gonna cum," and gojo's face, still flushed and soft with arousal, splits into a shy, amused grin.

"hah, i know. that's what i wanted," he's close enough that you can feel the warmth of his breath hitting your aching cunt, but you shake your head again.

"feels unfair, wanna see you too. wan' you to cum in me,"

you watch, almost in awe, as a low and guttural sound escapes gojo satoru, raw and unfiltered. gojo runs his tongue over his lips, his eyes dark with something dangerously close to hunger.

"you sure?" and his voice is hoarse, unsure despite his roaming gaze. you nod, your hands digging into his shoulder, tugging at the crisp fabric of his dress shirt, desparate to feel the warmth of his skin underneath.

his shaky laugh of disbelief only makes you more aroused, whining for him to hurry up, and before you know it, he's standing up, towering over your boneless form on the sheets.

"how could i deny you anything?" he murmurs, echoing your earlier words. gojo's hands reach for the hem, the fabric shifting as he pulls it over his head, revealing a milky expanse of toned skin, smooth and taut over a set of abs that should easily land him on a gq list.

his waist is slender, defined in all the right places, and the soft taper of muscles make your breath catch. but the soft white trail of hair that reaches under his waistband makes your cunt clench.

"y'seem happy with the view, don'tcha?" gojo's voice is teasing, the cocky smirk tugging at his lips, but you can hear the impatience threading his tone now too. he's not as in control as he lets on, his hands now making quick work of his belt, leaving your mouth dry when he finally pushes his black boxers down.

you should have known that his cock would be as pretty and unfairly gorgeous as the rest of him. he's circling the strawberry-red tip, glowering and throbbing, right over your gathered slick, coating it and smacking the mushroom head in a thwack! over your poor clit, leaving you jolting as he laughs and leans down to kiss you sweetly once more.

"jus' look at me, yeah?" his drawl is slow, lazy and so ruined. at the first inch of his throbbing cock that slips through your walls, he looks utterly undone. a mess of sharp edges softened by something far more primal and raw.

gojo's head tips back, exposing the elegant line of his neck as the moonlight cascades over you, "hey, sweetheart, 's not too much, yeah?"

hazy blue eyes bore into you, and for a brief moment, in the time it takes for the lightning to strike the earth, you swear that his eyes glow. almost radiant and jewel-like, with cerulean fractals shimmering as if they're emitting life of their own. perhaps its simply the electrifying stretch of inches that's rendering you to hallucinate, whining as your nails find purchase in milky skin and rippling shoulders.

"i-it's big, 'toru," you pant, feeling him almost shudder at the clipped name again, as he grips the base of his cock to bully the final inch in, sighing in contentment as he finally bottoms out, with a wet pop!

gojo looks feral like this, heaving a breath through his mouth as though the air is being taken from him from every second he spends stretching you out on his fat shaft, "hah, 'm glad, i'm so glad i met you tonight, sweetheart. fuck, fuck, y'feel i-incredible."

he's pushing your thighs further back, running his hands over the plush skin, leaving bruising red prints that won't disappear tomorrow as you moan, wanton into his open mouth, letting gojo run his lips down your jaw and into the curve of your neck.

you're practically now folded in half under the bulk of his weight, feeling stars collide in absolutely astrophysical ways, impaled further on the long and thick length of his cock, "in so deep, s-satoru."

seems that gojo is a man of little mercy, for he seems only all the more invigorated by your squeals, drawing his torso back to watch the hypnotic smack of skin on skin, of your slick and creamy froth creating fresh rings over his pistoning cock.

he's entirely out of control, as you feel your body go limp from the pleasure shooting through every nerve and pore.

depraved.

you don't realise you might have let that slip out loud, so dizzy in your cockdrunk haze because gojo's suddenly ramming himself roughly in you, as though he was desperate to have his cock kiss your cervix, to feel for every divot and nook of your cunt's walls.

"d-depraved, hah. people call me, fuck, p-people call me a lotta things, sweetheart," and gojo's so good with it, letting your pussy have not even one moment to take reprieve, having you feel each vein and bulge of his cock, "but depraved is n-new."

the hand that was dancing over your thighs flies to your swollen, aching clit. practically glistening for his attention, and his attention you did receive, "right, t-there! 'toru, mmph!" you're trying to splay your legs wider, giving his quick hand more room to swirl tight circles where you needed him most.

your double-vision gaze lingers on the ripple of his muscles, the way his arms flex and shift as he seems intent on angling you just right for him to drill his cock over and over, at some freakish and feverish pace, "y'so good, gojo," you purr, and your nails curl against his arms, pressing just enough to leave tiny crescents in his skin, the faint dampness of his exertion clinging to him, "s-so strong!"

something shifts. the glow is back, electric blue flooding his eyes like crackling storm clouds. it's almost unnerving, this unearthly brightness, as if he's some ancient god wrapped up in human skin, and you've just stumbled into a divine revelation.

gojo stills for the briefest moment, the thick head of his cock snagging on your puffy folds as he draws himself almost entirely out. the absence of motion makes you whine, an airy and impatient sound escaping your throat. that hesitation feels like a tease, like a string that's been pulled so taut, before he finally dives forward, capturing your mouth in a messy, heated kiss. sloppy in its disregard.

"s-so strong, huh?" gojo's voice is rough, shaky, as though he's trying to centre himself but your tight pussy holds him in hypnotic sway, "y-you think so? think i'm the strongest?" his lips brush yours as he speaks, and there's something almost boyish and charming in the way that he seems to be fishing for a compliment, despite the low heat in his voice.

you pull back from his wet, spit-stringed lips. just enough to wrap your hands around his neck and push him closer, deeper into you as he gutturally groans, "if i s-say yes, are y'gonna keep showing off?"

gojo's laugh is short, breathless, "y-yeah, wanna see?"

he makes quick work of pushing himself back into you, pumping himself so far in that your slick must be painting and sopping the white hairs at the base of his cock almost translucent, "o-oh my god, 'toru, fuck, oh my god!" the stretch has your head spinning, as if the skies are parting above you, and you're melodramatically left to see the light of divinity as gojo bucks his hips harshly into you. as if he's too far gone, needs to prove himself to you with a good fuck.

"you h-have to say it," gojo stutters, his words tumbling out so quickly, like rough gravel, "say it, fuck, c'mon. say i'm — say i'm the s-strongest. you have to, hnghh, god. please, jus' agree, okay?" his voice is cracking, that cocky veneer entirely shattered under the weight of his rambling desperation as he practically rummages through your sopping insides, "y-you feel it right, i mean, you can feel me — i mean."

a high whine escapes your throat as his pace becomes almost olympian, and you wonder faintly how you haven't managed to sprain a muscle or break a bone yet, how he hasn't managed to shatter something with the sheer pace and force of how gojo satoru fucks, "hah, 'toru. i'm —"

"close? g-god, i hope so. 's what i want. nothing, like n-nothing feels better than this right?" his words are falling out of him in a messy, pussydrunk rush, his eyes flickering between your face and down to where your pussy lips are bulged around his shaft, "so good, right? the b-best thing you've ever —"

you truthfully don't even hear the rest of his words, blood absolutely roaring and rearing in your ears, your ribcage as you feel the tight coil snap, letting out short, slurred snaps of his name when you cum. as he doesn't quite let up on smacking his hips right against your ass, "s-satoru, 's getting s-sensitive, oh, fuck. fuck!"

he's suddenly whining, with pleading and erratic blue eyes chasing after you, sloppily pushing down so he can gasp and pant into your open mouth, before capturing you in a heart-stopping kiss as he finally gets milked dry by your pulsing and fluttering walls. in awe of how creamy white is practically leaking out of you, dripping a stringy trail over the flesh of your thighs.

you're agape at how utterly fucked he looks right now, though you're certain you do not look much better as fat tears prick at your eyes, streaming past your ears from the overstimulation, "s-still fillin' me up, 'toru. god, do ya always cum this much?"

at first, you don't even get a response from gojo who just sinks his teeth into the juncture of your neck, almost as if he's trying not to cry out, but then he's back to circling your clit with a rough hand, "makin' me sound like some kinda whore, s-sweetheart. 'n and i told you. don't do this m-much."

and now he's slowing down, pleasurably painful bucks of his hips keeping glossy, white seed in you. ensuring that it coats your entire entrance, "an' it's not my fault that she," and here, he gives your clit a small smack! grinning like a madman, "n-not my fault that she's so, hah, addictive."

each tight circle of his hand on your clit sends you hurtling into yet another orgasm, one that has you begging gojo for mercy, repreive, for more. an orgasm that has him whispering the sweetest nothings into your ear, "d-don't worry, gotcha like this. gonna let you rest n-now, jus' gotta relax for me."

by the time he's slipping his still somehow hard cock out of your creamed cunt, you can feel exhaustions heavy and caring hands caress you, rendering your body limp and boneless. your eyes heavy and hazy, but you can feel a soft ghost of gojo's kiss over the shell of your ear, "h-hope y'still here in the morning, sweetheart. don't leave, yeah?"

the morning sunlight filters through the blinds, and despite the ache in your limbs that cricks your bones, you drag yourself out of bed. christmas day, after all. you've thrown on gojo's dress shirt from last night, snug enough to flutter around your hips, but oversized enough around the shoulders to let you drown in it.

it's cozy though, and even the chilly air feels refreshing against the warmth clinging to you. gojo is still sound asleep, and you had smiled at how he took little puffs of air as he was passed flat out in bed. but you always like to be up early on christmas, and there's something about the holiday that makes you feel like you need to earn the right to nap later.

you wander around the bedroom for a bit, stretching your legs as your muscle protest in earnest. eventually, you decide to make your way to that kitchen. breakfast, right.

it seems like a good idea, especially considering the last thing in your stomach was a questionably sour vodka. so you pull open the fridge, expecting something befitting of this apartment. perhaps a slab of wagyu beef, a tin of caviar, a thick block of pistachio-cream dubai chocolate. you'd even settle for sushi.

instead, you're left staring back at a stack of candy canes, some strawberry yoghurt, a carton of milk and some fast food wrappers. despite your protesting stomach, a deep amusement washes over you. it doesn't surprise you that gojo would have a fridge stocked with food you'd find at a child's birthday party and a greasy diner.

still, breakfast is in order and because you can't help it, you pull out a candy cane and start unwrapping it. you're just about take a bite when you hear the unmistakable pad of footsteps. you turn, face to face with someone who would clearly not be out of place on a vogue covershoot.

gojo hasn't tossed on a shirt, and the sunlight filters over his chiselled physique before your sight is stolen by the loose sheet wrapped around his waist. delicious. you try to snap your gaze back to his face, but it's hard to not track your gaze down his torso, like a cat eyeing a particularly irresistible sunbeam.

"good morning to you too," gojo says, a grin curling his lips, "what are you doing?" his voice is still thick with interrupted sleep, laced with a morning rasp that forces you to ground yourself and stop falling prey to the god, eros and his machinations.

"breakfast, 'm starving."

"don't bother," gojo says, shaking his head, "we can go somewhere nice for breakfast. like real, actual food. don't think you want half-eaten yoghurt."

you nod enthusiastically, mind turning back to the peeling seal of the strawberry yoghurt with a spoon sticking out of it. but then, something else catches your mind's attention. a little curiosity piques, one that you cannot help but ask him.

"wait," you begin, snapping your teeth around the saccharine mint of the candy cane, "y'know what's crazy. like, i swear your eyes glowed last night. not even in a silly compliment way, but like electricity. i thought i was like, losing it.'

you expect gojo to brush it off with a wink, or maybe laugh it off like you're just teasing him. but instead, the man's face shifts, that cocky smile faltering for the briefest moment. it's gone so fast that you think you almost imagined it. but why does he look...almost guilty?

before you can process that, you realised you've leaned yourself over the counter, and in your absent-mindedness, your elbow presses a button on the answering machine. a small beep, and suddenly, a voice blares through the room,

"hey, gojo-sensei!" comes a high-pitched, distinctly teenage voice, an excited boy who sounds a little crackly over the speaker, "so, we found this grade one curse yesterday...and uh, we totally got rid of it. we were gon' call you, but you didn't pick up. but i almost got my arm torn off. wait, no! that sounds dramatic, i got shoko to look at it anyway. so what we're all wondering right is that we don't have to hand in any homework now right? as like reparations?"

the voice crackles off, leaving an eerie silence in its wake. you stand there, absolutely dumbstruck, staring at the answering machine like it's about to burst into flames or start singing christmas carols.

gojo, meanwhile, has the most awkward look on his face, clearly caught between embarrassment...and what? panic, amusement?

"satoru, what the fuck?"

he looks at you for a moment, but instead of speaking, he lets out a long and exasperated sigh before pulling out one of the counter chairs, "you're gonna want to sit down for this one, sweetheart."

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jirsungs · 5 months ago

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NO IDEA ☆ l.dh

pairing: loser!donghyuck x fem!reader

no idea synopsis: a story where both you and lee donghyuck seem to get what you want. he's the perfect pawn in making your ex-boyfriend jealous and the smarty pants tutor helping you pass your math class. donghyuck has it easy too, he's finally able to seek out and experience the world of dating through you, his long-devoted crush and surprisingly enthusiastic tutoring student. but then again, when meaningless tutoring sessions soon evolve into reciprocated feelings, is it really that easy?

genre: college au, nonidol au, fake dating au, social media au (includes written chapters), classmates to friends to lovers, he's a nerd & she's a popular cheerleader (you see where this is going), he fell first but she fell harder trope, kinda based off to all the boys i've loved before, fluff, crack/humor, angst, one-sided pining that turns into mutual pining

warnings: explicit language, unrealistic college partying, talks about family issues (this does NOT reflect any of the idol's families!), yuqi has an ex gf, some alcohol consumption, kys and sexual humor, bullying, hyuck and his buds are mistreated ☹️, hyunjin is a bad bf!!!, cheesy af, unrequited love, bad insults that sound like they're from the 2000s, HELLA miscommunication

no idea playlist: btr's no idea, taylor swift's you belong with me, the vamps + demi lovato's somebody to you, james arthur's can i be him, ariana grande's daydreamin, fitz & the tantrums' out of my league, shawn mendes' treat you better, bruno mars' just the way you are, lonely god's marlboro nights, the 1975's i'm in love with you, sam smith's like i can, arctic monkeys' wanna be yours

author's note: FIRST HYUCK SMAUU! how we feeling 😏 i needed to get this idea out of my system! plus, i love this type of trope, and haechan just fits the nerdy role 😭 I HAD TO! but happy reading :D <3

comment if you wish to be tagged for the story's updates!

profiles: "ncu freaks" + jeno 🤔 | gal pals & two men

intro. #manifestationiskey 🩷

ep 1. but a FAILING?

ep 2. i guess i'm her tutor

ep 3. WHY IS HE ATTRACTIVE

ep 4. COUGH y/n bag him COUGH

ep 5. i know i can treat youuu bettterr

ep 6. YNHYUCK PLOT IS FINALLY SAILING!

ep 7. bro texts with his 𝓯𝓻𝓮𝓪𝓴𝔂 𝓪𝓵𝓹𝓱𝓪 mode on 🐺👅

ep 8. bro fumbled HARD 🤦‍♂️

ep 9. LET THE BOY LIVE!! HES IN LOVE!!

ep 10. THE HARD LAUNCH GOES CRAZY

ep 11. lemme guess, fake boyfriend responsibilities? (written)

ep 12. jeno got me up... plotting

ep 13. AMAZING fake boyfriend

ep 14. meeting the ncu freaks? (written)

ep 15.

ep 16.

ep 17.

ep 18.

more to come. . .!

started: 09/06/24 finished:

© JIRSUNGS. ANY TRANSLATIONS/REPOSTS/PUBLISHES OF MY WORKS ON ANY PLATFORM ARE STRICTLY PROHIBITED! ALL COMMENTS, REBLOGS, LIKES, & FEEDBACK ARE GREATLY APPRECIATED! THANK YOU SO MUCH! I LOVE YOU, MWA! <3

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alicedrawslesmis · 1 year ago

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(sorry this is from a week ago but) Wait, what's going on right now that's complicated with Amazonian farmers' land rights?

Not farmers, indigenous people

See, recently they put a new law through congress that severely reduces indigenous land to the borders established during the late dictatorship, or immediately post-dictatorship, in 1988. An absolute joke of a border that was dreamed up by some military assholes. People in america may recognize this type of society from the times of westward expansion and think this is a thing of the past because for you guys it is. But here it is a reality. Murder is rampant. The reach of the law is incredibly limited. Government is just too weak and landowners basically run things. THAT'S WHY it's so important to donate directly to the native peoples instead of random NGOs because native people are fucking there and the more power they hold in the land the safer the land will be from agroindustrial expansion.

Well the law was vetoed by the the president and the Supremo Tribunal Federal, aka supreme federal court, labeled it as unconstitutional. Which it is, because our 1988 constitution describes native american land rights in some of its first articles. We thought this would be it for the law

But then the senate (that already overrepresents landowners in rural states) just went along and approved it anyway. I had no idea they could approve something unconstitutional. The progressives and particularly the socialists are fighting this in court. But it happens that for now the legal border is the severely reduced version.

Doesn't mean they'll just give up, because as it happens we don't have any stand your ground laws so even if you own a piece of land, you cannot legally speaking just shoot everyone there. Or attack or threaten them in any way. They'll just have long legal battles individually for the rights to occupy land based on use. Also the Xingu national park, the largest preserved land of the Amazon described as 'larger than Belgium', is being encroached by huge farms that are poisoning their water supply. The border is Visible. I'll try to find video of it but essentially you have a forest and a desert separated by a strict line.

Just last week in the south of Bahia (not the Amazon, let me explain more about the Amazon situation in a bit) Hãhãhãe leadership Nega Muniz Pataxó was shot and killed by an armed militia group that invaded and occupied the Caramuru territory.

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The situation in the Amazon, specifically the yanomami territory in Roraima our northernmost state, aka deep forest, is more dire than average given difficulty of access, sheer size, and government abandonment. It's a place that depends on government aid for medicine. It's land that is being systematically invaded by gold miners, pandemic, toxins from nearby farmlands, wood extraction etc. (wood extration is rampant everywhere tho). Early 2023 saw a massive federal government operation by now president Lula to empty the mines and try to look for where funding comes from. Yanomami land is still being invaded to this day, the struggle is ongoing.

The yanomamis need support right now more than any other. Last year saw a massive heat wave that (well, one, caused a girl named Ana Clara Machado to die during the Taylor Swift concert. This is unrelated but I feel like not enough foreign media covered this, Taylor even lied about it as well.) dried up a lot of rivers, killed a LOT of fresh water animals including an unprecedented amount of pink dolphins. Access that was already hard became damn near impossible without boats. I cannot overstate how many pink dolphins were found dead.

Another technique that landowners use to clear space for farms is to just set things on fire and then occupy the empty land, which they legally can do to land that was naturally burned in a forest fire. It happened that Pantanal, another national park of swampland, was massively devastated by fires last year too

this article is from 2020, the year that the worst fire happened, but in 2023 there was another one. It's been happening yearly now due to a) deliberate action and b) climate change aggravation.

And this is not nearly all. Just off the top of my head. If you speak portuguese I recommend following the APIB or the COIAB on instagram to keep up with the news. The FUNAI is the government branch of indigenous organization, but it's not generally that well liked. Still.

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mayordea · 1 year ago

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Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

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sugasiren · 1 year ago

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🧜🏾‍♀️ SIRENE (1009): Top 3 Sex Symbols! 💋

SIREN: A seductively beautiful or charming woman, especially one who beguiles men; A woman who is a very attractive but dangerous temptress. 🔥🔥

The Sirene (1009) asteroid is one of my absolute favorites to explore. 🧜🏾‍♀️ And I have many! Its placement in a woman's chart tells us about her brand of Dark Femininity. How she seduces and influences. How she harnesses her power and the TYPES of men who are helplessly drawn to her. 💋 Every Sign has incredible qualities! I'm simply sharing my Top 3 Sirens based on the research I've done. So enjoy and share your Siren below!

**FYI - Men with these placements are also very sexy and captivating in their own way. 💯 So I will include some famous examples for them as well.

~♡~♡~♡~♡~

Siren in Scorpio 🔥

Famous Women:

Sophia Loren (pictured above)

Sade (pictured above)

Lisa Bonet (pictured above)

Lana Del Rey (pictured above)

Dita Von Teese (pictured above)

Beyonce

SZA

Traci Lords

Monica Bellucci

Mae West

Grace Kelly

Bridget Bardot

Christina Aguilera

Angelica Houston

Zeudi Araya

Liv Tyler

Siren in Scorpio MEN:

The Rock

Brad Pitt

Paul Newman

Ryan Gosling

Carlos Santana

Idris Elba

Bruno Mars

Fabio

JFK

SCORPIO SIRENS lure you in with their hypnotic eyes that are as deep as the Blue Sea. 🧜🏾‍♀️ Their powerful aura will quickly swallow you whole and you will enjoy every moment of it. 💋 They effortlessly captivate and are explosive Lovers! They love to keep you guessing. As they know, you'll be addicted to the mystery of it all and keep coming back for more. And they're right! Just like Monica Bellucci and Lana Del Rey - these women can casually sit somewhere, smoking a cigarette, and *everyone* around them is watching in total ENVY of that damn cigarette. 🔥 Others like Lisa Bonet and Sade are gentle and ethereal but they will *still* snatch your SOUL. The Male Sirens are charismatic heartthrobs who make panties drop everywhere they roam. Women submit to them with glee. They want their 'Notebook' moment with Ryan Gosling, okay! And for The Rock to lay the smackdown (and pipe) on their kitty. 😺 And nothing less.

Siren in Capricorn 👑

Famous Women:

Brooke Shields (pictured above)

Megan Thee Stallion (pictured above)

January Jones (pictured above)

Stevie Nicks (pictured above)

Amal Clooney (pictured above)

Megan Fox (pictured above)

Teyana Taylor

Doja Cat

Mamie Van Doren

Ava Gardener

Mariah Carey

Shania Twain

Tyra Banks

Karrine Steffans

Amber Heard

Ellie Goulding

Eartha Kitt

Siren in Capricorn MEN:

James Dean

Robert Plant

Robert Pattinson

Matthew McConaughey

William Holden

Prince William

Kobe Bryant

Suge Knight

Andrew Tate

AJ McLean

Gerard Butler

CAPRICORN SIRENS lure you in with their deeply earthy, erotic energy. They are smoldering volcanoes underneath their cool IDGAF exterior and this enticing contrast drives people wild! 🔥 They have monstrous sex drives yet are very grounded in their personal power and selective about who they entertain, so others seek their approval. The Female Sirens often attract highly influential and/or dominant men who crave her submission and loyalty. Their desire to control her can truly consume them! 💯 They see her as the Ultimate Challenge and want her AT ALL COSTS. Their results vary depending upon what *she* actually wants. For instance, Amal Clooney. She was able to capture the heart of life-long bachelor George Clooney with impeccable ease. 🩷 He looks at her with stars in his eyes! They have the ideal marriage. Mariah Carey ultimately made Tommy Matola (the Record Executive who signed her to his label) wait until they were married before being intimate with him. She had such an effect on her ex-husband after **opening her luscious Pearly Gates** 🙌 that he put cameras up around the house to watch her every move. He was utterly obsessed with her! Amber Heard is an example of Capricorn Siren in full Destruction Mode. And Karrine "Superhead" Steffans in literal Maneater Mode slurping her way to THE TOP. The Male Sirens simply have Big Dick Energy - period. They are Doms, Bosses and Kings. 👑 Women yearn for them to (symbolically) suck their blood and their p***y like Robert Pattinson in 'Twilight' with carnivorous passion. 🔥 They want to surrender doggystyle to a man like Gerard Butler in the '300' movie. And even when they are stone cold killers like Suge Knight or manipulative pimps like Andrew Tate... they still command respect! They possess massive amounts of Masculine charm.

Siren in Sagitarius 👠

Famous Women:

Marilyn Monroe (pictured above)

Dorothy Dandridge (pictured above)

Rita Hayworth (pictured above)

Shakira (pictured above)

Indira Varma (pictured above)

Kim Cattrall

Margot Robbie

Robin Givens

Tina Turner

Dana Delaney

Emilia Clarke

Gwen Stefani

Aishwarya Rai

Rose McGowan

Sagittarius Siren MEN:

Paul Walker

Patrick Swayze

Elvis Presley

Clark Gable

Mario Lopez

Marilyn Manson

Shia LaBeouf

Michele Marrone

Marvin Gaye

SAGITTARIUS SIRENS lure you in like smoke rising from a bonfire in an enchanted forest during a Drum Circle. They illuminate dangerous levels of heat. ☀️ That will melt you like hot lava with their dynamic sex appeal. Baddies to the bone! Their esthetic widely appeals to the masses and individuals from *all* walks of life. People from *all* ethnic backgrounds admire and lust after them. 💋 They are exciting and make people feel ALIVE. And they're often the epitome of someone's Dream Girl or Guy. Marilyn Monroe is a FOREVER Icon who lives on generation after generation. 🌟 And her Feminine prowess remains unmatched no matter how much time goes by. Rita Hayworth is another immortal Sex Symbol and proud Latina. As is Dorothy Dandridge - who broke many barriers for Black Women in film and greatly appealed to a variety of powerful men such as Marlon Brando and Otto Priminger. Margot Robbie in the 'Wolf of Wallstreet' and 'Barbie' movies? 🩷 Nuff said! The Male Sirens are usually a strong yet suave bunch - like Clark Gable and Patrick Swayze. And that's a killer combination, my friends! They are often Rebels. 💪 Whether clean-cut ones like Paul Walker, goth ones like Marilyn Manson or rebels GONE WRONG like Shia LaBeouf. Either way, they are magnetic.

~♡~♡~♡~♡~

And that's a wrap for now! 💛 I'll be back soon with more on SIREN and other awesome asteroids. Thanks for reading.

#siren asteroid #asteroid astrology #asteroid observations #siren #astro tumblr #astroblr #astro observations #capricorn #sagittarius #scorpio #scorpio astrology #venus astrology #9th house #10th house #8th house #pluto #saturn #jupiter

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zafirosreverie · 10 months ago

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Bruno with a foreigner S/O

a/n: for anon! Hope you like it

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I think it depends a little on where you're from. Whether or not your culture is too different from his.

If that's the case, he would do his best to understand your culture first. He really loves it when you start talking about what you like or your childhood.

Your accent is kind of funny to him. He finds it cute and could spend hours listening to you without getting tired. He has the biggest heart eyes as he listens to you.

You're in charge of the telenovelas from now on! He will create the script, but he will definitely convince you to be the narrator.

He also consults you about your country and its customs to be able to make more variety of characters.

Introducing you to his family was quite an experience. Bruno knew you would be welcome at Casita without a doubt, he just didn't expect the enthusiasm.

First of all, you were the first person he introduced to his mother and sisters in...you were the first and only.

Alma was really happy, Pepa hugged you after threatening you and Julieta tried not to overwhelm you, but you could see the tears of joy in her eyes.

The children were less subtle. Camilo immediately mentioned your accent, receiving a scolding from Mirabel.

Dolores immediately grabbed your arm and began asking you questions, finding your way of speaking charming.

Isabela and Antonio asked you about the flora and fauna of your country and Luisa simply welcomed you, without wanting to make you feel more uncomfortable or axphyrized like the rest.

In the end, Bruno apologized for the fuss, but you assured him that you had a good time.

He begins to imitate your small gestures. He doesn't do it on purpose, he doesn't even realize it, but you do and you find it adorable.

The rest of the family makes an effort to make you feel included, Julieta and Félix invite you to share dishes from your country and Alma is really interested in your childhood.

Bruno really loves you and he's happy that you were able to open up his view of the world.

He simply loves being with you and learning everything you want to teach him (of course, you do the same, it's a reciprocal and beautiful relationship).

#reader insert #x reader #imagine #bruno madrigal x reader #bruno x reader #encanto imagine #encanto x reader #bruno madrigal #encanto #haven't write for this fandom in ages #I missed it

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nightmaremonarch · 5 months ago

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jojo’s bizarre fantasy au BECAUSE I LOVE PART 5 AUGHHHHHHHHH

i rewatched the entirety of part five in the span it took to make this. Details about the lore and characters below the cut ^_^

Ok. I will be separating this based on character… in an attempt to be more organized. Included will also be my friend’s description that she gave for each character upon seeing the drawing.

Giorno Giovanna — Race, half vampire. Stand name, Gaia. Unfortunately lost his silly victory rolls, which have been replaced with donut shaped curls. Has a dream of usurping the Crimson King and ending his oppressive reign.

Friend’s Description: “‘pink is still manly for this era guys trust’”

Trish Una — Race, human(?). Stand name, Spice. I like to think she tries to maintain an air of elegance and superiority, but she’s just a kid who doesn’t particularly want to be in the situation she’s in. The princess of an underground kingdom? No way. She just wants to be Trish.

Friend’s Description: “Noblelady”

Guido Mista — Race, human. Stand name, Coitus Cluster (good god the creative juices are NOT flowing). Best archer, like, ever. Probably enjoys animal furs but is too broke to get any. Stinky loser.

Friend’s Description: “Robin hood.”

Pannacotta Fugo — Race, elf. Stand name, Purple Death. Former nobleman and still dresses like it. Had to limit the holes in his clothes because he is, unfortunately, not immune to being sunburn.

Friend’s Description: “totally not a vampire”

Bruno Bucciarati — Race, human. Stand name, Strings of Fate. I love him. He’s the love of my life. I may or may not have put the most effort into his outfit. He’s so beautiful. No notes. Also, since zippers weren’t invented till like… mid 1800’s, rather than zippers, he uses strings!!! Tugs on ‘em the way you would a loose hem…

Friend’s Description: “Italian nobleman”

Leone Abbacchio — Race, drow. Stand name, Rewind. It takes the form of a snake!! Because Moody Blues had them.. neck thangs. I don’t know. Anyways. Abbacchio coulda been drippier, but at the time of drawing I was running low on brain power.

Friend’s Description: “TOTALLY NOT A VAMPIRE”

Narancia Ghirga — Race, human. Stand name, Pheonix. Due to the fact that airplanes did NOT exist prior to some point in the 1900’s, Narancia’s stand is a bird. Probably breathes fire and can detect carbon dioxide… cannot come back from the dead though. Sorry buddy. Also, his left eye is blind from his eye infection. Sorry again buddy.

Friend’s Description: “peasant working on a merchant ship”

AND FINALLY:

Diavolo — Race, Demon. The Crimson King. He took FOREVER to draw. Especially those tattoos. I tried to make his color scheme salvageable, but seeing as I was working with Diavolo’s actual color scheme… it is not the best. Diavolo used to have wings as well, but after an incident that prompted him to go underground, they’re gone. He hides in the body of a halfling named Vinegar Doppio… though they are two completely separate entities.

Friend’s Description: “Dante’s homosexual Inferno”

idk if ill elaborate more on this au. depends on the reception of this…!! this is all just for fun… goofs and gaffs… love u sorry for only posting wips for months before this

also in this au i think stands would be called spirits/be spirits ok that’s all fr now bye love u

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pickingupmymercedes · 11 months ago

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Welcome!

Ella ◦ (she/her) ◦ Masterlist ◦ 1k Jukebox (1k event)◦ reqs: closed ◦

My ask and inbox are always open to chat, come say hello!

1k Jukebox (1k Followers Celebration)

Agora Hills - Doja Cat (Fluff, bits of angst)

Nothing without you - The Weeknd (Fluff)

Through the night - Maeta (Angst)

Partition - Beyoncé (NSFW)

As you leave - Canaan Cox (Fluff)

Let me go - Lou Val (Angst and NSFW)

Die with a smile - Lady Gaga & Bruno Mars (Fluff)

No chill - PND (Fluff and Angst)

Bed chem - Sabrina Carpenter (NSFW)

Diamonds - Rihanna (Fluff)

Grovel - April Jai (Angst)

Steal my girl - 1D (Fluff)

Pretty please - Dua Lipa (NSFW)

Back to december - Taylor Swift pt.1 pt.2 (Fluff and Angst)

Sexual love - Maeta (Fluff)

Do me - Kim Petras (NSFW)

Let it happen - Gracie Abrams (Angst and Fluff)

Neva play - Meghan Thee Stallion (Fluff)

Dinasty - Miia (Angst)

Hold on til we're old - Jamie Miller (Fluff)

Rocket - Beyoncé (NSFW)

Kiss me - Cassie (NSFW)

Blessed - Daniel Caesar (Fluff)

That Girl - Olly Murs (Fluff)

London Boy - Taylor Swift (Fluff)

34+35 - Ariana Grande (NSFW)

You're in love - Taylor Swift (Fluff and Angst)

Won't say I'm in love - Hercules (Fluff and Angst)

Ruin my life - Zara Larsson (Fluff and Angst)

Nervous - John Legend (Fluff)

Bite-Sized Celebration (500 Followers) - Read the blurbs from the celebration

Lastest pieces

White Fireproof - NSFW

“I’m only pointing out the obvious. The 2019 ones were iconic. These? Meh.” “I don’t remember much from that race. But those ten minutes? Burned into my memory forever.”

Ageless Wonder - Fluff (Las Vegas Special)

“How long can I leave it up before PR calls me personally to tell me I’m banned from every Mercedes garage on Earth?”. “I’d say we’ve got a couple hours before the panic sets in. Maybe three if I keep ignoring my phone.”

What it means - Fluff

“Since I was five, since I first saw Ayrton race on TV. He was my absolute hero, and I didn’t know much about the world back then, didn’t know what I could be, but seeing him… it made me believe.

Can't check out - NSFW

“Where’s the cutthroat guy who would have had me pinned to the wall by now?"

Lucky you're hot - Fluff

The kind of kiss that would’ve been cute—if it weren’t for the fact that I was very much on camera, in a professional setting, with a dozen or so people watching.

A smile like that - Fluff

"And he’s out there, posting photos like it’s some romantic movie."

Lewis FULL Masterlist

I mainly write for Lewis Hamilton but I can be persuaded to write for Sebastian Vettel, Charles Leclerc and Carlos Sainz.

Also, I'm a huge Senna and Lauda fan, so they could be included as well.

There's little I consider too much, so feel free to send in anything. (This is a safe place ❤️)

Want to get to know me? Need questions?

NOTE: any bigotry/discrimination of any kind are NOT welcomed!!! Please, be nice.

WRITING TAG POST - if you want to be tagged interact with this post, comment on any of my works or send me DM/ask

#ella asks

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naomijoestar · 2 months ago

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hello sweets! I have been reading your works for few weeks now and i must say they are amazing!! (you are so talented🥰) I know your request box is now closed and im sorry for putting more things on your plate.. 😨💕 BUT i hope if you could write some amazing headcanons about:

Bucci gang having a significant other who is/ has been clinging on to them because they have been missing their bucci member. 😭❤️

Maybe he’s/or she’s(trish👀) been busy because of work !! or they have just been too tired to spend some time with their significant other and just instantly going to bed after work. And after few days/or weeks.. later they finally start to show some signs of being neglected.. (for example: not letting them leave the bed for work). 😧💕

ANYWAYS SO SORRY FOR MAKING THIS SO LONG !! feel free to ignore my rambling 😅

Thank you for your time and effort love !! 🙏❤️

have a nice day or night!!

Masterlist here <3

Hello ml! This is such a cute request, now I wanted to admit that while reading your request I didn’t notice that you requested headcanons and wrote this as a scenario instead🥲 I really hope you don’t mind and if you do I will gladly re-write this for you!

Sorry for the late reply and I hope you enjoy this 💞

(Trish Una included!)

Bucci gang with their s/o clinging onto them because they miss them

Pannacotta Fugo

Fugo had been working late nights, diving headfirst into planning and strategy. It wasn’t intentional, but his sharp focus on his tasks left you feeling invisible. At first, you thought you could handle it, but after weeks of stolen moments and fleeting kisses, the weight of his absence became too much.

This morning, as he swung his legs over the bed to get ready, you reached out and grabbed his wrist. “Fugo, stay.”

He turned, startled by the tremor in your voice. “What’s wrong?” he asked, his brows knitting together in concern.

You swallowed hard, trying to keep your emotions in check. “I just miss you,” you admitted, your voice barely above a whisper. “You’re always gone. Even when you’re here, you’re… not really here.”

Fugo froze, guilt washing over him in an instant. He’d been so absorbed in his responsibilities that he hadn’t realized how much he was neglecting you. He sat back down, pulling your hands into his. “I’m sorry,” he said softly, his voice unusually tender. “I didn’t mean to make you feel like this.”

You looked up at him, tears brimming in your eyes. “I just… I need you right now.”

Without hesitation, Fugo climbed back into bed, wrapping his arms tightly around you. “I’ll stay,” he murmured, pressing a gentle kiss to your forehead. “I’ve been a fool, but I’ll make it up to you. Today, I’m yours. Completely.”

You let out a soft, relieved sigh, burying your face in his chest. His heartbeat, steady and strong, was a comfort you’d been missing. For the rest of the day, Fugo didn’t touch a single work-related item, devoting every moment to showing you how deeply he cared.

Bruno Bucciarati

Bruno had always been devoted to his work, but lately, it felt like he was consumed by it. Late nights, endless meetings, and responsibilities left him coming home too exhausted to even share a proper conversation with you. He’d kiss your forehead, mumble an apology, and fall asleep almost instantly.

At first, you told yourself it was temporary, that things would calm down eventually. But as the days stretched into weeks, the loneliness began to weigh on you. This morning, when Bruno stirred to get out of bed, you instinctively reached for him, wrapping your arms around his waist.

“Stay,” you murmured, your voice soft but firm.

Bruno paused, his movements freezing. “Amore, I have—”

“No,” you interrupted, your face pressed against his back. “You don’t. Not today.”

The quiet in your voice struck a chord in him. He turned to look at you, his dark eyes filled with guilt as he took in the sight of your teary gaze and trembling lip. “You’ve been so busy,” you whispered, your hands clutching his shirt. “I know it’s important, but… I miss you, Bruno. I miss us.”

He exhaled deeply, guilt evident in every line of his face. Without a word, he slid back into bed, pulling you into his arms. “I’m so sorry, tesoro,” he murmured, his voice thick with emotion. “I didn’t realize how much I was neglecting you. You’re the most important thing in my life, and I’ve been taking you for granted.”

You nuzzled into his chest, your fingers clutching his shirt like he might disappear again. “Don’t leave today,” you pleaded softly. “Just… stay with me.”

Bruno kissed the crown of your head, his lips lingering there as if to seal a promise. “I’m not going anywhere,” he whispered, cradling you close. “Today, I’m yours, completely. I’ll make this right—I swear.”

For the rest of the day, he didn’t even glance at his phone. He was fully present, holding you, listening to you, and reminding you with every kiss and tender word just how much you meant to him.

Giorno Giovanna

Giorno had always carried the weight of responsibility on his shoulders, but lately, it felt like he was drowning in it. Long hours at meetings, late nights poring over plans—it had all left him coming home too exhausted to notice the growing sadness in your eyes. You’d tried to be patient, understanding the importance of his work, but the ache of missing him only grew stronger.

This morning, as he sat on the edge of the bed, buttoning his shirt, you couldn’t hold it in anymore. Reaching out, you wrapped your arms around his waist from behind, resting your head on his back. “Giorno… don’t go today,” you said softly, your voice trembling.

He stilled, his hands falling to his lap. “Amore?” he asked, his tone gentle but confused. “What’s wrong?”

You hesitated, your grip tightening. “I miss you,” you admitted, your voice cracking as tears began to well up. “You’re always working, and I understand, but… I feel like I haven’t had you to myself in weeks.”

Giorno turned to face you, his golden hair catching the soft morning light. His emerald eyes widened as they met yours, glistening with unshed tears. He reached out, cupping your face in his hands. “Oh, my love,” he whispered, his voice full of regret. “I didn’t realize how much I’ve been neglecting you.”

You leaned into his touch, your tears slipping free. “I just… I need you. Even if it’s just for today.”

Giorno’s heart clenched, guilt washing over him. He kissed your forehead tenderly before pulling you into his lap. “You shouldn’t have to ask for my attention,” he said, his voice soft but firm. “I’ve been a fool, but I’ll make it right. I promise.”

He lay back down, holding you close as if letting you go would break him. “I’m yours today,” he murmured, his fingers gently brushing through your hair. “No meetings, no calls. Just us.”

For the rest of the day, Giorno stayed true to his word. He didn’t glance at a single document or answer a single call. Instead, he spent every moment with you—holding you, laughing with you, and reminding you just how deeply he loved you.

Leone Abbacchio

Leone had never been one to sugarcoat things. When work needed to be done, he threw himself into it with everything he had. But lately, it felt like his everything was all going to work, leaving you with scraps of his time and energy. At first, you’d tried to be understanding—it was just his way. But as the days turned into weeks of him coming home too tired to do anything but collapse into bed, the loneliness became harder to ignore.

This morning, as he swung his legs over the side of the bed to get ready, you grabbed his hand. “Don’t go,” you whispered, your voice barely audible.

Leone stopped, his brow furrowing as he glanced back at you. “What’s wrong?” he asked, his voice gruff but laced with concern.

You didn’t let go, your grip tightening. “I miss you,” you admitted, looking down at the sheets. “You’ve been so busy, and I feel like… like I don’t have you anymore.”

He sighed heavily, his shoulders slumping. “I’ve been a crap partner, haven’t I?” he muttered, more to himself than to you. He turned fully, taking in the tears brimming in your eyes. It hit him harder than he expected.

“I didn’t mean to make you feel this way,” he said, his voice softer now. “I just… I thought you understood.”

“I do,” you said quickly, your voice trembling. “But understanding doesn’t make it hurt less. I need you, Leone.”

Something in his chest cracked at the way you said his name. Without another word, he climbed back into bed, pulling you against him. “I’m sorry,” he murmured, his lips pressing gently to your forehead. “I’ve been too wrapped up in work, but I’ll make it right. I’ll stay.”

You blinked up at him, surprised. “You mean it?”

Leone smirked faintly, brushing a strand of hair from your face. “I’m not going anywhere today,” he promised. “You’ve been patient with me for too long. It’s my turn to give you what you need.”

For the rest of the day, he stayed true to his word. He held you close, kissed you like he hadn’t in weeks, and spent the day reminding you why he was worth missing in the first place.

Narancia Ghirga

Narancia was always full of energy, constantly running off on missions or getting caught up in one task or another. At first, you found his busy nature endearing, but as the days went by and he barely had time to sit down and talk to you, you started to feel the sting of his absence.

One morning, as he tried to slip out of bed to get ready for another mission, you reached out and grabbed his arm. “Narancia… don’t go,” you said softly, your voice cracking just enough to make him pause.

He turned to look at you, his eyes wide with surprise. “What’s wrong, babe?” he asked, kneeling back on the bed.

You sat up, clutching the sheets tightly. “I miss you,” you admitted, your gaze dropping to your lap. “You’re always running off somewhere, and I feel like I barely see you anymore.”

Narancia blinked, your words hitting him like a punch to the gut. “Oh no! no no,” he said quickly, scooting closer to you. “I didn’t realize you were feeling like this.”

You let out a shaky sigh. “I know your work is important, but… I just need you right now.”

Without hesitation, Narancia threw himself back into bed, wrapping his arms around you and pulling you down with him. “I’m not going anywhere,” he said, his voice firm. “Today, I’m all yours. Whatever you want to do, we’ll do it.”

You couldn’t help but smile at his determination. “Really?”

He grinned, pressing a kiss to your nose. “Really. I’ve been so stupid, haven’t I? I should’ve noticed you were feeling this way. I’ll make it up to you, I promise.”

For the rest of the day, Narancia didn’t leave your side. Whether it was lying in bed talking, cooking together in the kitchen, or dancing to music in the living room, he made sure you felt loved and cherished with every smile, laugh, and touch. By the end of the day, the ache of missing him was replaced by the warmth of knowing just how much he cared.

Guido Mista

Mista was always easygoing, but lately, his carefree nature had been replaced by exhaustion. Missions, meetings, and late nights had drained him so much that he barely had time for you. He’d stumble into bed, mutter a quick “Good night,” and be out like a light before you could even tell him how much you missed him.

This morning, as he got up to get ready, you decided enough was enough. You grabbed his hand and tugged him back onto the bed. “Guido, no,” you said firmly, wrapping your arms around his waist to keep him in place.

He blinked, caught off guard. “What’s this about, babe?” he asked with a half-laugh, though his voice softened when he saw the pout on your lips.

“You’re always leaving,” you said, your voice trembling slightly. “I know you’re busy, but I barely see you anymore. I miss you, Mista. A lot.”

His playful grin faltered, replaced by a look of guilt. “Ah, damn,” he muttered, running a hand through his hair. “I didn’t realize I was making you feel this way.”

You looked up at him, your eyes glossy. “I just… I need you here today. Please.”

Mista’s heart sank. Without another word, he kicked off his shoes and climbed back into bed, pulling you into his arms. “I’m sorry, babe,” he said, resting his chin on top of your head. “You’re right. I’ve been so caught up in everything else that I’ve been ignoring the most important person in my life.”

You buried your face in his chest, your fingers clutching at his shirt. “Just stay with me,” you whispered.

He tilted your chin up, pressing a soft kiss to your lips. “I’m not going anywhere,” he promised. “Today’s all about you. I don’t care if the boss himself calls me—I’m staying right here.”

For the rest of the day, Mista made sure to pamper you with all the love and attention you’d been missing. Whether it was cuddling under a blanket, sharing your favorite snacks, or laughing together over silly stories, he reminded you exactly why you’d fallen for him in the first place.

Trish Una

Trish had always been meticulous with her time—balancing her work, appearances, and responsibilities left little room for flexibility. Lately, though, it seemed like every spare second of hers was being devoured by her career. You understood how much she had on her plate, but the ache of her absence had begun to weigh heavily on you.

This morning, as she reached for her planner to prepare for another busy day, you grabbed her wrist gently. “Trish,” you murmured, your voice tinged with vulnerability. “Can you stay today?”

She turned to you, her perfectly lined eyes widening in surprise. “What do you mean?”

“I miss you,” you admitted, lowering your gaze. “You’ve been so busy, and I know it’s important, but I feel like I haven’t had you to myself in ages.”

Her expression softened immediately, her glossy lips parting as guilt flickered across her face. “I… didn’t realize it had been that bad,” she said, sitting back down on the edge of the bed. “Why didn’t you tell me sooner?”

You bit your lip, shrugging slightly. “I didn’t want to make you feel bad. But… I just need you today. Just this once.”

Trish hesitated for only a moment before snapping her planner shut and tossing it onto the bedside table. “You’re right,” she said firmly. “I’ve been too wrapped up in everything else. That stops now.”

“Really?” you asked, looking up at her with wide eyes.

She cupped your face in her hands, her touch soft but certain. “Really,” she said, her voice filled with conviction. “Today is yours. Whatever you want—name it, and it’s yours. I’ll cancel everything.”

You couldn’t help the smile that spread across your face as she leaned in to press a tender kiss to your forehead. The rest of the day was pure bliss: long cuddles, indulgent meals, and quiet moments where she reminded you, again and again, that no amount of work would ever mean more to her than you did.

I hope you don’t mind me forgetting to make these headcanons, that was totally my fault and if you do mind you can always text me and tell me if you’d like me to make a hc version!

If you enjoyed this make sure to check out my other posts, and if you’d like anything specific written for a jjba character/squad you can request it if my requests are open!

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hugsandchaos · 8 months ago

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Danny in an Encanto crossover gives the impression of someone trying to befriend a stray feral cat and bring them inside to give the love and shelter, but the stray feral cat doesn’t trust them and keeps hissing every time they get too close.

Although, I’d love to see everyone being completely accepting of Danny. They don’t look at him with suspicion or hatred when they see him slip up, they’re amazed! He has powers just like the Madrigals? That’s super cool! And he has more than one? Not just phasing through solid objects, but also invisibility and sensing ghosts nearby? Even better!

I bet that Bruno would relate to him in a way. They were both looked down on for their powers, but in different ways. Bruno because he mostly predicted bad things with no control over it, and Danny because a lot of people, including his parents, really didn’t like “Phantom” because the sole reason that he was a ghost. Alma knew that it was Bruno who had the powers, Danny’s parents didn’t know he was the ghost they keep shooting at.

Also, Danny 100% defends Bruno from any villagers who blame him for having bad visions. Bruno’s lacked social interaction with other humans for ten whole years, but Danny’s up for fighting for him. His favorite line to use was “If I’m a child and I have to explain this to you, what does that say about you as an adult?”. He didn’t get in trouble for it.

Danny talks about space and teaches them about it! He’s more than happy to explain it all and answer their questions the best he can!

Danny eats Julieta’s food and is honestly freaked out because his ribs are suddenly not broken anymore. Take it a step further and say that he’s sleep deprived, and one of the side effects of having food that heals you is that it can make you really tired if you haven’t slept well for a while, so you can’t help but take a quick nap. So he just falls unconscious after a few bites and wakes up in the early morning not knowing what year it is.

It doesn’t get rid of his death mark, though, which confuses everyone. Speaking of his death mark, Danny doesn’t like to talk about it, but eventually explains that it’s a scar from being zapped. He doesn’t go into detail or talk about what exactly the incident did to him, though. He just mentions that he got zapped and has a scar from it.

Eventually, the Madrigals will come to the realization that he doesn’t just have ghost-like powers. He’s actually a ghost. Half ghost, at least.

Also, Danny swears he sees Pedro around the house, not just in the paintings, and the most often place is by Alma’s side. He’s even had conversations with him. To everyone else, it looks like he’s talking to thin air, but he seems so fixated on something that’s actually there and listens to nothing so much that they think he’s actually being serious. Once, during a conversation with Alma and she was telling him about Pedro, he looked at her very confused and said “What are you talking about? He’s standing right next to you”.

At first, she was upset, but he said it with way too much confusion and conviction that she starts to realize he’s serious. Every time someone says that he isn’t, Danny gestures to nothing and goes “Are you blind?! He’s right there!”. In his eyes, Pedro really is there, looking awkward because this kid sees him and is arguing with his family about it.

Honestly, Danny doing something by himself and then suddenly turning around and making immediate direct eye contact with Pedro would be really funny. Pedro is honestly freaked out because something seemed off with the kid from the beginning, and he just made eye contact with a ghost?

Oh, and you best believe that after being treated so nicely by everyone, Danny will start throwing hands the second another ghost tries to cause them trouble.

Make it even better by combining it with Good Vlad. The two just show up one day trying to find a place to live. Their dynamic confuses more than a few people because people usually treat their god father or technical uncle with love and respect. Danny’s constantly getting on his nerves for the fun of it, doing things including but not limited to taking his coffee. He also calls him a “fruit loop”, which apparently means someone insane. Vlad calls him “Little Badger”, and yes, he’s actually been bitten by Danny once because Vlad startled him when he grabbed him to pull him out of danger and Danny’s first instinct was to bite him.

#danny phantom #danny fenton #encanto #encanto x Danny phantom #danny phantom x Encanto #danny phantom crossover #Encanto crossover

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graysoncritic · 8 months ago

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A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Barbara Gordon

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

Out of this entire essay, this was the section that I considered cutting entirely. After all, in the past there have been instances when Barbara Gordon and her romance with Dick Grayson have been weaponized by Taylor and his fans against his critics.

The example that comes to mind was when Taylor and Redondo were criticized for not including Duke in a Nightwing cover that parodied The Brady Bunch.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022)

Personally, I believe that, while discussions of how Duke’s positioning in the Bat Family is warranted, the matter was blown out of proportion, and many of the attempts to cancel Taylor crossed the line into harassment (make no mistake, while I believe him to be a terrible writer, I do not wish him any ill-will). That being said, Taylor also escalated the matters when attempting to pin said negative comments onto DickKory shippers who did not like that he wrote DickBabs.

(While the original Tweet has since been deleted, the screenshot used is available in this tweet

Neb | 🏳️‍🌈 [@NebsGoodTakes]. Twitter, 20 June 2022, https://twitter.com/NebsGoodTakes/status/1538939571789934593)

For this reason and this reason alone, I considered removing this part of the essay. While I have no idea if anyone will read this monstrosity, I did not want my arguments to be invalidated simply because I did not have a favorable opinion on the DickBabs.

However, after much consideration and numerous discussions with other Dick Grayson fans, I found that the subject of Barbara Gordon’s portrayal in this run (as well as in many recent DC media), and her romance with Dick perfectly embodies many of ideas I wish to explore in this essay — mainly, how shallow approaches to progress ideals create deeply problematic narratives that not only undermines the themes of a story, but they also destroy characterization.

I will start by once again stating that I do not believe this is a problem unique to Taylor’s writing. As I alluded to above, I believe DC’s modern portrayal of Babs does a great disservice to her wonderful, empowering, complex character. This is but the analysis of one of the stories she appears in. It is my hope to prove that in Taylor’s Nightwing, Barbara Gordon is not written as a woman with a strong sense of self and an internal life, but rather idealized girl whose existence revolves around the men in her life, and whose perfect yet shimmering depiction serves only to make her into the reader’s proxy-girlriend.

Barbara Gordon in the late 90s and early 2000s was a mature and confident woman in her late-20s to early-30s. She had her own job, her own friends, team, villains, and the type of confidence that can only come with age and experience. She was serious while still having a sense of humor, pragmatic, and she knew exactly what she wanted for herself.

(Gail, Simone, writer. Bennett, Joe; Barrows, Eddy, illustrator. Perfect Pitch: Part One. Birds of Prey. 87, e-book ed. DC Comics, 2005. pp. 22)

She was also flawed. She could get angry at people for little reason, she could be too cold or too straightforward without considering the other person’s feelings, she could be purposefully petty and selfish, she could get unreasonably jealous, she was impatient, she could be too proud to admit when she was wrong. It was all of these factors which allowed Barbara Gordon to be her own person — to be a fleshed out, well-rounded woman.

(Dixon, Chuck, writer. Leonardi, Rick, illustrator. The Gun. Birds of Prey. 39, e-book ed. DC Comics, 2002. pp. 16)

Babs’ life did not revolve around Dick. Yes, she loved him, but she still had some interiority. She had a life outside of Dick Grayson, outside of Bludhaven, outside of Batman, and outside of Oracle. She had her own goals, her own dreams, her own likes and dislikes that worked independently of the men around her. She had her own history that informed her decisions, she had both positive and negative relationships with other women and those relationships were not dependent on her connections with Dick or Bruce.

(Gail, Simone, writer. Timm, Bruce; Lopez, David; Melo, Adriana, illustrators. A Wakeful Time. Birds of Prey. 86, e-book ed. DC Comics, 2005. pp. 02)

By comparison, Taylor’s Barbara is not a woman, but a girl. She is very young and very immature. If Dick is written like a young man who just left home and is experiencing adulthood for the first time, then Babs is written as his girlfriend who is still in college and does not have concrete plans for her future.

Note that when referring to Taylor’s Babs, I mainly characterize her through her relationship with Dick. That was intentional. While writing this essay, I struggled to think of Barbara having any meaningful interactions with characters who were not Dick or Dick’s friends, the Titans. I also struggled to think of her doing something for herself rather than for Dick and the Titans. I struggled to define her goals independent of Dick, I struggled to describe the plans she has for her future that do not revolve around her relationship with Dick, and I struggled to give an account of what she does in her spare time when she is not helping Dick, Nightwing, the Titans, or Batman. That is because everything in Barbara Gordon’s life, as written by Taylor, is constructed around Dick (As many may know, it is really hard to prove a negative. How can I get supporting evidence from the comics that Babs does not have a life outside of Dick Grayson when my argument comes from those factors not existing? For this, though I hate to do so, I’m afraid I’ll have to rely on the reader’s familiarity with the run being discussed).

Barbara is a constant presence in Taylor’s Nightwing run. She is a secondary protagonist, and she is often portraying helping Dick Grayson behind the scenes,

(Taylor, Tom, illustrator. Redondo, Bruno The Battle for Bludhaven’s Heart Part Two. Nightwing: Rebirth. 93, e-book ed. DC Comics, 2022 pp)

Helping Nightwing as Oracle,

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 19)

Or fighting by Nightwing’s side as Batgirl.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. You are Nightwing. Nightwing: Rebirth. 105, e-book ed. DC Comics, 2023. pp. 05)

She is always present, she is always doing something… But all of that is in the service of the men around her rather than for herself.

As Dick Grayson Fan A pointed out during a discussion, “Modern Babsgirl is forced to be perfect at everything. She's never allowed postcrisis Babs' edges, her flaws and intrinsic motivations. Taylor's Babsgirl is designed to be the perfect girlfriend for his blank self insert Nightwing. There's no meat to her bones, she's just shimmer and gloss.” (The subject of Babs came up when DC announced the lineup for Birds of Prey (2023) and Babs was not included on the roster.)

In other words, Babs as portrayed in Taylor’s run lacks any bite, edge, and maturity that would make her feel like a woman with her own sense of self and with a life that is not dependent on her boyfriend. Babs’ portrayal is a shallow girlboss-type of feminism, where though Babs is powerful and intelligent, she is not allowed to be a real person for she serves no purpose other than to be the perfect, understanding, badass girlfriend.

As a result, Dick and Barbara’s relationship becomes hollow. Because Babs lacks interiority, individuality, and agency, she becomes a flat character. This, in turn, makes it so it is hard to understand why Dick and Barbara are together other than for the fact that DC mandates it. The over reliance on the childhood friends-to-lovers trope only increases this hollowness rather than fleshing out their relationship. While Taylor includes flashbacks of Dick and Babs as friends when children, growing up together as teenagers, and fighting together as Robin and Batgirl, those instances feel removed from their individual histories. These moments exist in isolation, removed from the context of the rest of their lives, be it together or separately.

(Taylor, Tom, writer. Redondo, Bruno, illustrator The Battle for Bludhaven’s Heart. Nightwing: Rebirth. 92, e-book ed. DC Comics, 2022. pp 06 - 07)

DC currently treats Dick and Babs as a foregone conclusion. As a result, Taylor does not make an effort to get his readers on board with the relationship because he assumes that they should already support it. Dick and Babs are portrayed as getting along great, never having had any conflict, tension, or disagreements. This idealized romance would not necessarily be a problem if it didn’t come at the expense of developing Dick and Barbara as individuals outside of their relationship. They are not one being, but two separate people coming together. They should be written as such, but in trying to create the perfect relationship, Taylor robs Dick and Babs of their identity outside of their romance.

Not only does this inseparability that Taylor attempts to portray as “charming” destroy Dick and Babs’ individuality, it can also be downright insulting. In #106 Taylor infantilizes Dick when making it so Babs needs to be the one to wake him up so he can start his work as Nightwing.

As I mentioned previously, Dick is known for his toxic perfectionism, his obsessive tendencies that often come at the cost of his health. Making Dick laze around in bed while people need his help and having his girlfriend tell him to get ready for the day, as if she was his mother and he was a teenager who did not want to go to school in the morning, is not only out of character, it also diminishes Dick’s competence. It makes it seem like he cannot function as a responsible adult without Babs being there to hold his hand through everyday difficulties.

Not only that, the scene also plays into incredibly sexist dynamics where women are expected to carry the domestic labor in a relationship — the man cannot keep track of his own schedule, and so it becomes the woman’s responsibility to attend to his needs. What was intended to be a “cute” scene portrays Dick as being immature and irresponsible, and portrays Babs spend her time keeping track of an adult man’s responsibilities.

(Taylor, Tom, writer. Byrne, Stephen, illustrator. The Crew of the Crossed Part One. Nightwing: Rebirth. 106, e-book ed. DC Comics, 2023. pp 08)

This unhealthy codependency further insults Dick when, in #107, Babs demands Dick come back home as he is about to help his ex, Bea. Rather than believing Dick’s capability as a vigilante who has been operating in the field for far longer than she has, Babs shows her complete lack of faith in Dick’s ability to get anything done by himself by telling him that she “wants him home now.”

(Taylor, Tom; Byrne, Stephen The Crew of the Crossed Part Two. Nightwing: Rebirth. 107 e-book ed. DC Comics, 2023. pp. 19)

This is a great contrast to Nightwing (1996) #66, where Babs encouraged Dick’s independence and had full trust in his abilities to take on such difficult challenges on his own. When Lockhaven goes up in flames, Babs trusts Dick to be able to handle the situation by himself, even though she also knows that Dick’s mind is greatly preoccupied with Bruce and the murder of Vesper Fairchild. Indeed, in the next issue (not part of Murderer/Fugitive, but happening simultaneously to it), Dick does handle the Lockhaven fire by himself, without requiring any assistance, before returning to Gotham to help with the investigation that should clear Bruce’s name.

(Dixon, Chuck, writer. Burchett, Rick, illustrator. The Unusual Suspects. Nightwing. 66, e-book ed. DC Comics, 2002. pp 18 - 19)

This healthy separation and this unconditional trust not only portrayed Dick and Babs as both trusting each other’s abilities as heroes — Dick did not worry about Babs’ capability of taking care of herself, and Babs knew Dick could handle his own — it also portrayed them as being more secure in their relationship. They were individuals first. They had their own independent lives and personalities outside of their romance. They trusted the other’s ability to win on their own and handle their own cases without help. And that, in turn, made it so that they could stand on their own, and so that their relationship did not feel so vulnerable.

That being said, it wasn’t as if previous depictions of Dick and Babs didn’t present them with hardships, or demonstrated how, at times, they could bring out the worst in each other. As much as they could compliment one another, Dick and Babs could also disagree, get into arguments, and even fights. That is because they were individuals first, with their own opinions, preferred way of doing things, and their own background that would sometimes come in conflict.

Taylor avoids having meaningful conflicts in his story. While this negatively affects his narrative in a myriad of ways, the lack of the conflict in the plot also affects the relationship between Dick and Babs. It is fine to have a wholesome, sweet romance, so long as it is balanced with a plot containing other forms of tension. This way, the relationship can be a safe harbor for the main characters, the one space in their lives where they can be safe, and the one source of strength they can draw upon when facing the challenges ahead. By balancing a conflict-filled plot with a wholesome romance, the stakes of the plot feel higher while the romance feels sweeter. They foil one another to create a cohesive and unified story.

In Taylor’s Nightwing, all major plot beats take a backseat to the sitcom-like relationship between Dick and Babs. The lack of conflict in the plot and the lack of conflict in the romance makes it so everything is stagnant.

I do believe that Taylor thought he was writing a “Will-they-won’t-they” style romance in the beginning of his run. In Nightwing #95, for example, Batwoman implies that the reason Dick and Babs aren’t together is because Dick and Babs are scared of crossing that line.

(Taylor, Tom, writer. Redondo, Bruno The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 17)

Wally also played into that idea when, in #91, he pointed out that Dick and Babs were already together and just needed to make it official.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Get Grayson Act Three. Nightwing: Rebirth. 91, e-book ed. DC Comics, 2022. pp 19)

More than that, I believe Taylor attempted to make a commentary on comics imposing needless conflicts in relationships to keep two characters apart. In Taylor’s view, Dick and Babs were always in love, always meant to be together, and never had a complicated history that prevented them from rekindling their romance when Dick is trying to regain some control over his life after recovering his memories. This shows a lack of understanding as to why Dick and Babs often break up and does a disservice to both their characters.

Now, to explain this, I’ll borrow heavily from a private discussion I had with a Dick Grayson Fan A once distinguishing the difference between external and internal conflicts in a romantic plot. While we were not talking Dick and Barbara then, much of what we said still applies to their relationship.

External conflicts, as the name suggests, involve external forces that keep the couple from being able to develop their relationship despite their mutual feelings for each other. This is the case with a romance like Clark and Lois. Given Babs’ laugh at Dick’s condescendingly sexist claim that Babs shouldn’t be with him because it is too dangerous (as if he doesn’t know very well that Babs can easily take care of herself), it seemed that Taylor believed that this was the conflict that has been keeping Dick and Babs apart. And so, with one panel, he dismissed the idea that external forces could keep Dick and Babs apart because they are able to face their enemies together.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022. pp. 17 - 18)

But in the past, what broke Dick and Babs up were not external conflicts, but internal ones. If external conflicts are created due to external forces, internal conflicts preventing a couple from being together come from the characters not yet being who they need to be in order to be happy together. This can be due to a clash of personalities, worldviews, needs, wants, or goals. To prove my point, I want to look at Dick and Bab’s break up in Nightwing (1996) #87 and the Nightwing Annual #02. (I’ll be honest in saying that it pains me to cite Nightwing Annual #02 in this essay, for I absolutely detest it. I believe Dick is written incredibly out of character and it, quite frankly, captures one of my major problems with how some writers choose to depict DickBabs. In trying to prop Babs up, Dick gets knocked down and ridiculed, and often burdened with the full responsibility as to why Dick and Babs haven’t been able to get together due to timing and Dick’s immaturity. As such, writers make it so Dick and Dick alone must change in order to become a partner worthy of Babs. They greatly mischaracterize him, fault the failures of Dick and Babs’ relationships on those mischaracterizations, and then portray Babs as the patient woman waiting for her immature soulmate to grow up. This is both an insult to Dick’s character and a propagation of sexist tropes where a woman must put her life on hold in order for the man to “catch up” to her maturely. Not only that, it unfairly requires that only one party makes changes for another. It is not Dick and Babs that must change for each other, but Dick who must change for Babs.)

Just as Taylor uses Dick and Babs’ shared history to bring them together, their breakup explores how shared history can make being together so difficult.

In Devin Grayson’s run, their shared history can be painful to Babs. Not because she doesn’t look back on their time growing up together fondly, but because it was such a happy time in her life that it makes her feel bitter about what she lost. While she is incredible as Oracle, she is still frustrated that she can't be Batgirl anymore. The past, no matter how good, is a reminder of what she can no longer be, and Babs wants to move forward. So Dick bringing up their time as Robin and Batgirl, however fondly, is painful for it makes her feel like they are stuck in the past they shared rather than moving forward together.

(Grayson, Devin, writer. Zitcher, Path, illustrator The Calm Before. Nightwing. 86, e-book ed. DC Comics, 2003. pp 21 - 22)

But to Dick, the past you share with someone is what makes your relationship in the present special. The past informs the present and the future. Dick, much like Bruce, doesn’t move forward by disconnecting himself from the past. His parents are part of his past. So is Robin. His childhood with Bruce. The past is something good to Dick, even when it's also so filled with pain. Dick is not shackled by his past the way Bruce is because he does not see it as something that needs to hold him back. You can move forward while still embracing who you once were and honoring the legacy you carry on your shoulders. The past informed who Dick is now, the relationships he has, and the person he wants to be. The past is where much of what he loves exists. So when he brings up their shared history when talking to Babs, he is not doing it because he loved Batgirl but cannot love Oracle, and he is not doing so because he is just focused on who they were then and not who they are now; he does it it's because to Dick, there's no such distinction between Batgirl and Oracle. They are both Babs, and he loves both of them.

(Grayson, Devin, writer. Zitcher, Patch, illustrator. Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 16)

The way Babs copes with trauma is by divorcing herself from the hurt, by letting go of who she was and embracing who she wants to be. Dick, on the other hand, merges who he was then with who he is now. He doesn't see those people as separate entities, but rather as extensions of him. And that makes sense when you consider that Babs' main trauma relates to something that was taken away from her, and for Dick, the only way he can remain connected to his parents is through the past. It's a great example of incompatibility. Neither one is "at fault" for how they view this issue, neither of them is more correct than the other. They are just different. They care for each other, but the way they understand and interact with the world prevents them from being happy together at this moment. For that to work, internal change is needed.

In portraying Dick and Barbara as complex individuals first, who have different attitudes towards looking back at the past and looking forward to the future, Grayson managed to make their relationship feel real. There’s a weight to their breakup, you can see why they care for each other and why this decision is painful and not taken lightly. They love each other, but they are not in a place where they can be themselves and be happy together yet. It is not danger that keeps them apart — it is the very same differences which they admire most about each other which pushes them away.

In Nightwing Annual #02, we see other reasons why Dick and Babs failed to come together so often. These included Babs being scared of Dick eventually leaving her due to tensions between Dick and Bruce

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 22 - 23)

Timing,

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 25)

And, perhaps most importantly, the way in which Dick devalues his own life.

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 37 - 38)

This is something Grayson also alludes to during her run, when she often portrays Babs being both worried and frustrated at Dick’s tendencies to push himself too far.

(Grayson, Devin, writer. Zitcher, Patch, illustrator Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 13)

In both Grayson’s run and the aftermath of Infinite Crisis, the toxic perfectionism referred to many times during this essay led Babs to break off their relationship despite their mutual love.

Having lost the mobility of her legs due to the Joker, Babs sees her life as Oracle as a second chance, and one which she will use to its fullest by putting herself first. It makes sense, then, that she sees Dick’s self-sacrificing tendencies and his desire for approval as both concerning and irritating. As Dick constantly puts himself in near-death scenarios for even the smallest of things, Babs decides that she would rather wait for a time when Dick learns to value himself more rather than to continue in a relationship where she is the only one who cares about whether Dick lives or dies.

Whether this is the right solution to their relationship is up for debate. Personally, it irks me that stories will often frame this as Dick having to mature to be with Babs and not place an equal burden on Babs having to learn to accept that this is just who Dick is. But that is irrelevant to this discussion, for what matters is that there have been plenty of reasons why Dick and Babs did not work out in the past, and those are almost always rooted in who they are as individuals struggling to perfectly fit together as a unit. Dick and Babs have a messy history, both as individual characters with their own stories, and together as friends and romantic interests. They are two different people who, although their morals align, approach life differently. The development in their romance, then, comes with how willing they are to change for the other, and how willing they are to accept the things that cannot — and should not — be changed. It is about a balance of give and take, and when Babs and Dick broke up in the past, it was because they were not able to find that balance. It is because they, as individuals, clashed. As Fernando Gabriel Pagnoni Berns and Cesar Alfonso Marino put in their essay analyzing Dick’s portrayal in the Batman Family (1975-1978) series, Dick and Babs will often find themselves in “point[s] of inflection which marks that both heroes must go their separate ways to avoid further tensions (developed by sexual attraction and/or problems about leadership).” (Pagnoni Berns, Fernando Gabriel and Marino, Cesar Alfonso “Outlining the Future Robin: The Seventies in the Batman Family.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 32)

In other words, it was about interior conflicts, not exterior ones.

When taking this into consideration, one can see how Taylor’s portrayal of Dick and Babs’ relationship is not only incredibly hollow, but incredibly cynical. Because Taylor removed Dick’s self-destructive, toxic perfectionism, that is no longer a point of friction in their relationship. Because Babs is no longer the pragmatic woman who doses out tough love, that is also no longer a point of friction in their relationship. But as a result, Dick and Babs are no longer themselves, and their relationship is no longer representative of their shared history. Instead, we are left with an insulting and purposeful misrepresentation of their past relationship, with Taylor displaying a blatant disrespect and disregard for anything his predecessors contributed to these characters. Dick and Babs were never apart because of danger. Dick would never condescend to Barbara in this manner, and Barbara would never let something so trivial go unchallenged or get in the way of what she wants. What got in their way was a matter of compatibility. They may compliment each other in the field, be great friends, get along well, but in previous attempts to make their relationship work, they found that they were simply too different to share a life together, their goals did not align, and their approaches to life did not work together. Getting and staying together was not a matter of external factors, but rather whether they could do the difficult internal work necessary to make their romance last.

I want to make it clear that I actually love the childhood-friends-to-lovers trope. But what makes friends-to-lovers interesting is the fact that it creates inherently messy romances. If you two characters who have loved each other for so long, then they naturally have a history. They have seen each other at their best and at their worst. Yet, insecurities, timing, and compatibility keep them from being able to get their happily-ever-after. That creates a messiness that adds weight and meaning to the relationship. Seeing them overcome these challenges, become better individuals, and then finally come together is what makes the narrative so effective.

Dick’s and Babs’ romance, as currently portrayed, lacks that weight. Taylor and DC want that history, that “true love” aspect of their relationship without acknowledging the complications that come from having lived so many years in close proximity. In other words, they want the appearance of a long shared history without acknowledging the contents of said history. This robs both Dick and Babs of their individual personalities and backstories, for it is there where the source of their conflicts lie. All of the things that make them interesting individuals are sacrificed for the heteronormative DickBabs amalgamation. There is no Dick Grayson. There is no Barbara Gordon. There is only a happy, wholesome, smiling couple of nothingness — as it was put earlier it is all “shimmer, gloss, and no substance.”

And this does not affect only them.

In making Dick and Babs inseparable, Babs has become heavily involved with the Titans. This leads to the majority of Babs’s interactions in the current canon to be with Dick’s friends. And because, once more, Taylor skirts away from conflict, that means that all of Dick’s friends have become Babs’ friends. However, by making Babs friends with all of Dick’s female friends, Taylor created a shallow girlboss feminist narrative where all of these women’s individual personhoods are reduced their relationship to one man. He does not take into account who they are, only their gender and their mutual connection to Dick. In trying to do a girl-boss feminist empowerment, Taylor instead creates a deeply misogynistic narrative.

Kory and Babs, for example, should be allowed to dislike each other despite being on the same team. They are, after all, supposedly fully realized women with their own personalities, values, and goals. Their existence is not dependent on Dick Grayson or their romance with him. Real world women dislike one another for various reasons that are unrelated to men. Male characters often hate each other without it being because of a woman. So why can’t the same be true for female characters?

To attempt to make Kory and Babs friends simply to undermine expectations because one of them is Dick’s ex and the other one is Dick’s girlfriend is not empowering. It sacrifices characterization for the purposes of subversion.To think of the dynamic between these two characters in terms of their relationship with Dick reduces their existence to a man by implying that the only possible reason they could dislike one another is because of said man. It is not due to different value systems (which would be incredibly reasonable given their different background and cultures), it is not because their personalities clash (as they are two different people), it is not because their likes and dislikes may contradict (once more, because they are two different people). All the things that would make them realized individuals with agency are ignored in favor of focusing on their relationship with Dick.

Babs is a cisgender, straight, middle-class white woman from New Jersey. Kory is a warrior Princess from a different galaxy. It would not be unreasonable to expect their opinions to conflict when their backgrounds, upbringings, and experiences also differ. After all, those are things that shape our value system, dictating our perspectives.

Having different values or different ways to express your opinion does not mean that one is right and the other is wrong. It does not mean one is superior to the other. It only means they are different. Diverse. To believe one must be correct and the other must be wrong is to fall into the traps of ethnocentrism. By making Kory and Babs values indistinguishable, the story implies that there is only one correct way to interact with the world. This eliminates diverse perspectives in favor of a monolithic one. The fact that Kory's culture is the one that is ignored so that they are compatible with Babs implies that Babs – the cisgender, straight, middle-class white woman from New Jersey – is the one whose culture and world views are correct and, therefore, superior.

Dick’s relationship platonic relationship with Donna is also devalued and watered down in favor of Dick and Barbara’s romance. Because Dick and Barbara are depicted as having been each other’s best friends since childhood — when, in reality, Dick was closer to Donna during his preteen and teenage years, and Donna is often portrayed as his best friend — Donna’s place in Dick’s life is replaced by Babs. Babs must be everything to Dick — his true love, his longest childhood friend, his one female best friend.

This creates a narrative in which Dick cannot have a significant interaction with another woman without it being a threat to his relationship with Babs. Needless to say, this is an incredibly heteronormative worldview which implies that men and women who are not related cannot share deep and significant platonic intimacy without some underlying romantic tension. So naturally, Donna cannot he Dick’s longest friend, his best friend, because in the heteronormative world portrayed in Taylor’s run, that would mean that she is a rival to Babs.

Perhaps it is for this reason that Melinda was revealed to be Dick’s sister so soon into her introduction. If Melinda and Dick were not related but were still meant to interact with each other, that would create a bond that some might see as romantic or sexual. So by presenting Melinda as Dick’s biological sibling within moments of the two first interacting, Taylor strips Melinda of any romantic or sexual appeal. In this heteronormative world, only by being related can Dick and Melinda share intimacy without threatening Babs’ position in Dick’s life.

Needless to say, this heteronormative worldview which only allows for the relationship between non-biologically related men and women to be seen through lenses of romance and sex is also a misogynistic, male-centric worldview. In this story, women are not treated as people and are instead perceived solely through their relationship to Dick Grayson.

#nightwing #anti tom taylor #anti dickbabs

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