#i had many thoughts on this episode so good thing it got its own part

[clairenatural]

hey sorry to ask you but what is the destiel lamppost thing? if u know what it is

Hi anon!!! I wasn't ignoring you I just wanted to be able to sit down and type out the lore.

So "why lamp"/the destiel lamp thing starts with 15x10, The Heroes' Journey, in which Dean and Sam are stripped of the luck/protections that being written as protagonists gives them by Chuck (very meta) and Dean ends up needing cavities filled.

Garth gives him laughing gas for the procedure, during which Dean has a dream of a black and white 50s style dance sequence. It takes place in the bunker and while initially it's Dean dancing with Garth, eventually Garth leaves and Dean runs over to pick up a lamp from the corner of the room to dance with. Here's the whole thing:

But once it's Dean and the lamp, the dance becomes markedly more romantic - he's dancing with the lamp as a partner, not like the tap dancing he and Garth do side-by-side.

Also important to note that they're dancing to "Let's Misbehave," which is about sex and also was written by Cole Porter, who was gay. This is a really good breakdown of the dance itself, the significance of the song and Cole Porter and its connections to old queer Hollywood.

At the end of the episode, Dean sees Bess and Garth dancing in their living room through the window and says "You know, I always thought I could be a good dancer if I wanted to be."

This is pretty clearly associating the dream sequence, and Dean dancing with a lamp, as about Dean longing for a partner and therefore the lamp as a stand-in for that partner.

NOW. Meta was written as soon as this episode aired with people linking the lamp to Cas, and there has continued to be much better meta than I can write here - this one is in-depth and connects it to themes across the seasons and Dean's years-long character arc. "Cas is Lamp" even has its own superwiki page.

But besides all the normal meta deancas reasons and the fact that this comes at a time when Dean's character arc had been building both to him wanting to settle down with someone AND that someone being Cas (this is the episode right after The Trap and Dean's "I should have stopped you/of course I forgive you" prayer), Cas (and angels broadly) is associated with light and lamps throughout the series, perhaps most iconically in 4x16.

So, after 15x18, "the lamp thing" was something frequently cited and that we held onto as another thing they'd dropped alluding to (nay, ensuring - because they'd surely somehow have to wrap up Dean's own arc of wanting a partner to settle down with) a happy deancas endgame where Cas is rescued and they live happily ever after.

And then. 15x20 happened. And "why lamp" took off as part of a long list of "if they were just never going to mention Cas again, let alone resolve the confession or this very key part of Dean's story arc of wanting to settle down, why did they include [long list of things that make no sense with the ending we got]." Why lamp has become shorthand for a long list of missing links and loose ends and things that just don't add up. If deancas wasn't going to be the happy endgame, then why lamp. Why did they drop so many clues and work up to a very clear resolution for Dean's character arc if they were just going to drop it. Why lamp. It's one of those things that will haunt us because we will never get an answer. Okay grandma, let's get you to bed. But why lamp.

[myfriendpokey]

tunnel notes

i wrote some extra little notes and thoughts for the bonus tunnels in anthology of the killer, and then removed them before release; i didn't like the prescriptive feeling of leaving that stuff in the "final package" as if it was something people should feel obligated to engage with. but as of today it's been 30 days since the loader came out, so i figured i'd dump some of them online, for the benefit of whoever is interested in these things.

History: HISTORY IS A NIGHTMARE FROM WHICH I AM TRYING TO AWAKE is one of many famous zingers given to Stephen in Ulysses and I’ve always wondered if it’s especially Irish as a sentiment, Ireland sort of feeling like the “Oops! All Peasants” edition of European history as a whole – same misery, exploitation and death minus the occasional episodes of feudal colour or triumphant empire-building that seem to make the past tolerable for other people, and give them their own sense of demarcated time. But then I’ve never been much good on Irish history, which has always just felt like an interminable, indistinguishable series of massacres and betrayals and missed shots. Was I not paying attention or was this how it was taught in school? Well, it would have fit the style at the time – I was born in 1989, smack at the start of the famous end of history era. The 90s in Ireland meant the peace process and infusion of American capital to our backwards shores, all the more reason to cosign the idea of an abrupt and permanent break with a history notably lacking in the non-depressing or picturesque. All our history textbooks seemed to trail off at the point we’d joined the EEA. And even as this new modernity just started seeming like the monstrous antiquity dressed up in different clothes – hooded prisoners transported to torture sites through Shannon airport, our patchy social infrastructure dismantled by burghers, ghost estates and half-completed monuments scattered around like the ruin theory of value with more leprechaun imagery – there was still a sense that any change was off the table. You didn’t want to drag us back into history, did you? History seemed to have “ended” in the same sense Freddy Krueger did – done away with in ways that none of the grown-ups ever wanted to talk about, and now officially a non-presence, even if all the kids in town were mysteriously disappearing.

--

Art: One reason I wanted to do an episodic series is just to see what would turn up, if any recurring interests would build despite a minimum of planning. One of the themes turned out to be, “art” – or specifically modernist art – and I am curious about why that would be. A recurring tendency in modernism was the idea that only by destroying the world as it currently existed could we clear space for anything better to emerge. Under the cobblestones, the beach! But this was always attended by a kind of fear: that clearing away the old structures would just allow something even worse to emerge, unmasked. Under the cobblestones, more corpses! And that the bleakest tendencies of the period would now run free without even the emptiest symbolic constraints to chafe against. Max Ernst’s painting of the fascist victory in Spain, of a huge, grinning oaf rampaging over the landscape like a kaiju while a miserable birdlike figure remains haplessly grafted to its leg – is titled both “The Angel Of Hearth And Home” and “The Triumph Of Surrealism”. As if to suggest that these are each the same thing, as though a cause of creative liberation worth devoting your life to and an empty cliché of domestic repression had so little light between them as to not even be worth the effort of distinguishing.

Part of the reason works like that make their way into the games in little ways is because I just like them, and go back to thinking about them. But the status of modernism in the 21st century is an odd one; the most tentative and inventive parts got dropped, while the brashest and stupidest aspects curdled into a kind of official state ideology – the idea of “creative destruction”, which just seems to mean a vague sense that it’s punk rock to create ridesharing apps. The monkey’s paw curled and the emptiest version of the modernist credo became something we all have to live with.. and yet I still can’t help but be moved by the source works and the goofy, ridiculous temerity of that wish to transfigure the world. sometimes it feels like only way to keep faith with those ideas is to travesty them, to try returning to them some of that sense of fear and doubt without which they just sound like so many web design agency manifestos. Kept alive in the breast of so many grimacing waxworks, underground.

Another reason to put this stuff in a horror game: to try getting at that feeling in a dream of looking in the eyes of people you know, people you love, and seeing nothing there anymore, seeing them look right past you. An earlier horror game idea I used to think about would have ended with the protagonist being dismembered and eaten by Gertrude Stein.

--

The moral: I’ve seen people express a sense, now, that merely working in the negative is not enough; to just outline what’s bad without also trying to give a vision of the good, some glimpsed utopia to shoot for. For the benefit of these people here is an epilogue. Imagine it’s the future and the long nightmare of prehistory is over; history proper unfolds as the full expression of human powers unhindered by material subjugation. Some students are given an assignment by a professor to investigate the meaning of a term that no longer exists, the meaning of horror. Well, the students do their best: they watch lots of old movies, put on rubber masks, comb through old fragments of the world that was. They’re enjoying themselves and that enjoyment warps the process, they keep drifting into pleasure, unsure what’s meant to be funny and what’s not. They get lost, get confused, lose the thread, famous faces appear under the wrong names, espousing things that are the opposite of whatever they believed. In the end they all have to admit defeat: they hand in their assignment with a note saying that in the new world, we can’t even imagine what horror may have been. The professor reads their findings, nods, and gives them all an F. No moral.

[image source: James Ensor, "The Intrigue"]

[lurkingshan]

Every time I see a Wedding Impossible GIFs on my dash I keep thinking that when it's over I'd love to read your take on what went wrong with this show. In a form of a very spiteful rant preferably.

(the show probably doesn't deserve too much of your time but I am just very VERY curious and had to share)

WELL! I was considering just letting this show go quietly into the night, but I will take this excuse to do a good rant instead.

*cracks knuckles*

You asked what went wrong with this show, but truly, nothing went right with it. From top to bottom, it's an utter waste of a good premise and a total destruction of the rare opportunity to get some positive queer rep into a het kdrama for a broader audience than will ever be reached by a ql. Let me list the most glaring problems:

They made Do Han a supporting character in his own narrative. Do Han, his sexuality, his desire and need to hide who he is to protect himself, and his desperate plan to avoid a life he doesn't want is the core of the story. Despite that, the story treats him like a minor supporting character with limited screen time and virtually no interiority or character development that made any sense.

The relationships were poorly written and the bonds were not believable. Ah Jeong was meant to be Do Han's ride or die bestie, but nothing in their scenes together or her behavior towards him suggested this was actually true. They seemed more like acquaintances who were friendly enough but had no real loyalty to each other, or even like she was a random actress he hired to play his wife. And Ji Han and Do Han had no brotherly bond or affection to speak of; their relationship consisted entirely of Ji Han throwing tantrums and demanding things for no reason other than he wants them, and Do Han trying to avoid being forced into them.

The leads were terrible people and the show did not realize that. Do Han's brother and best friend entered into a romance while she was engaged to Do Han. Ji Han thought it was a real relationship and did not seem to feel any guilt about pursuing his brother's lover. Ah Jeong was under a contract she agreed to as both his best friend and as a job to protect him and did not seem to care that she was breaking her commitment and threatening his safety. They gallivanted around flaunting their relationship in public with no regard for Do Han or his reputation whatsoever. And the show tried to convince me that Do Han was the selfish one in this scenario for the great sin of being gay and not just fucking off and getting out of the way of their relationship. Ji Han and Ah Jeong were never held accountable for what they did to him; instead we got to watch many scenes of Do Han being shamed and berated. Anyone who contributed to the writing and depiction of this can get fucked.

Every element of the story was poorly written and the resolutions were either unearned or so badly set up that they fell flat anyway. Do Han was being harassed and stalked and the story only barely cared about this. The family drama was boring and the grandpa character was a mess of contradictions who changed on a dime depending on the demands of the plot. There was no chemistry to speak of between the leads. The romance was utterly unbelievable and developed so poorly that it was impossible to care about whether these two assholes got together. The show used romcom tropes randomly to fill time even if they didn't fit. The final episode was stuffed with cameos by actors with personal connections to the cast and crew in the hopes it would distract us from what an unsatisfying conclusion it was, and the whole thing ended on a bizarre wedding gag that didn't work at all. The only good part was Do Han coming out on his own terms and leaving to go live his own life in New York, but the way they framed that was so gross I couldn't even enjoy it.

Most importantly, the messages of this show were deeply, unforgivably homophobic. This story went out of its way to tell us over and over again that Do Han is a selfish coward for being closeted, that his sexuality is a burden for his loved ones, that his family and friends are the real victims for having to deal with him, and that he was the one in the wrong for trying to protect himself. At no point was he allowed to get truly angry at the way his family and friends were treating him; he remained benevolent and shouldered the guilt and blame for everything, despite doing absolutely nothing except try to live an authentic life. At every turn the show depicted his siblings and grandfather and friend being hateful and/or careless with him, but then told us it was Do Han's fault for being who he is. They wanted us to blame the gay character and sympathize with a brother who resented him for not being the straight business leader he wanted him to be, and a friend who betrayed him without a second thought. The show argued passionately that the lies Do Han told to protect himself were the real problem, not the homophobia and hatred and rejection he faced every day of his life. It was an abysmal and offensive message and exactly the opposite of what a responsible piece of media would be trying to communicate.

I don't know if the people who made this show are actively malicious or just deeply incompetent, but they had no business telling a story involving a queer character if they were going to do it like this.

[veninorchid]

Bridgerton S3 Review

Dearest gentle reader, I am disappointed, sadly.

And as I respect your opinion, so too, shall you respect mine. I'm not here to bash on #Polin fans and the fact that they enjoyed it, but what -was- season 3 of Bridgerton truly?

I love the Mondriches, but do they really need so much screen-time? What did their own ball add to the story exactly? Had the same feeling about the Dankworth-Finch ball at the end, but at least that one proved its necessity as -the reveal all- ball. Because there was of course no Duke of Hastings (Simon) to host it, so they improvised.

This season had too many stories going on at the same time which were all fighting for the spotlight when it should've focused on #Polin, cause that is what was advertised/hyped. It did not deliver…

Season 1 - Daphne and Simon They had the most screen-time and all other stories got a little bit of shine. But even then some of those had either Daphne or Simon in the picture/background. (Marina-Colin, with Daphne as chaperone is one of the examples) None of the other stories distracted from the main focus.

Season 2 - Kanthony Same here. While there was a lot going on in this season with Anthony courting Edwina and going all the way to the alter with her (creative license, since it didn't happen in the book) and then on the other hand we were seeing the other side with his having the thickest desire and longing for Kate. You could cut that shit with a knife, I tell you. But no side stories were overpowering. It was 90% lead character -stuff. Season 3 - Benedict---, I mean #Polin -minus the actual #Polin Were their (the directors/screenwriters) initial thoughts that we've been seeing them for 2 seasons, so we don't have to pay that much attention to the leads? Wrong! That was friendship, this is love, longing and passion. So much new ground to explore for these two. Little scenes like dancing in the church, stealing loving glances is cute and all, but we got nothing more than that. Nothing memorable.

No wait, we got carriage frolicking in part 1 and a mirror first time in part 2. You're right, I apologize. Anything else? Name any other thing you remember from this whole season. I'll wait, seriously.

Did maybe the night scene come up in your memories? Where they had an angry make out and he once again let his hand venture below? I felt the anger/passion in the coming together and pushing her against the shop, sure. The quick flash of him reaching between her thighs was more of a recycled scene from episode 4 or even from S03 Kanthony. I mean honestly. Was there really even a chance he'd take her in the streets? It felt unnecessary and forced. The dialogue was good and would've been better at their home where it's believable they could enter an intimate scene that -could- be finished if they so wanted it. Or not if his anger won over his desire. Did I mention they were both drinking before they met? I didn't say drunk, I said drinking.

I guess they improvised the whole Mme Delacroix scene (before the angry make out) with her offering advice and booze just to give Pen a reason to drink and coincidentally be in Colin's path for the scene? Wasted screen-time. Do I also need a drink to feel the -love- this season?

First part, Colin helping and chasing Pen. Second part, let's ignore and distance myself from her. They really stretched out Colin's pulling back from her because of the whole Whistledown thing, when they could've done fast forwards, saying things like 'Colin, it's been weeks. Or it's been so long, can we get passed this' just to show the time frame. But instead we get long minutes of silence and ignoring each other. Filming Colin from the back, zooming in. Then from the front zooming in. Then him watching her leave the house, slowly getting up from sleeping on the sofa, walking towards his desk. Lifting and opening and reading her old letters. Do you have any idea how long that feels? When she exited the bedroom and delivered her dialogue he could've already been behind his desk. Did we see Simon (S01E02) walk into the room, open his father's desk, take out the unopened letters etc.? No, the flashback ends with him already seated and holding the letters. Same thing could've been done here.

Oh, let's not forget side character-stuff. Let's talk more about that.

Again, I cannot stress it enough. Mondriches. Duke of Kent stuff and moving up, is fine. Seeing them struggle constantly onscreen is not. Wasted screen-time. You can easily have us hear about that in conversation. How miserable and sad he is because he had to close the bar when he became part of the ton. So many ways to handle that. Moving to part 2. Why did we have to get the whole preparation for their ball? What did it add to the story exactly? Just let everyone arrive at the ball and let that be the first we all see of the decorations. Did we see Lady Danbury prepare for the huge conservatory ball in S2? Lady Trowbridge's ball in S1? All of Her Majesty's balls? No, so it was wasted screen-time.

Francesca's story was sweet, bless her, but also unnecessary detailed. Was it the autism angle they were trying to push forward? I'm all for it, but only when you have a series with more than 8 episodes. (God, I miss 22 episode series) Because she is still a side character in #Polin's book, no matter which way you turn it. At Francesca's wedding we had the whole vows scene and everything and the two LEADS!!!! were stealing glances at each other while standing behind the whole ass family. You're the leads, act like it! It felt like S1 and S2 with them being in the background.

We all know Bridgerton's known for taking liberties with the wardrobe. The tailored waists for Pen enhance her body beautifully, but Cressida's wardrobe is bordering… scratch that! has taken a 250 MPH free-fall, into ridiculousness. I also absolutely did not care for -seeing- the reasons behind Cressida claiming to be Whistledown. Should've just kept her as a bitch. That's what we enjoyed about her. Fine, you decided on that development for her character, so here's an idea. She was so chummy with Eloise. Could've just had her tell Eloise that she was being pressured by her parents to marry and then being send to the country to live with a horrid aunt. Wasted screen-time. You only have 8 episodes to work with for crying out loud.

And then there's the side character of all side-characters. Benedict. Didn't they make the very -deliberate- decision to push back Benedict and Sophie's story in favor of #Polin as S3? To then give me so much useless Bentilly sexy time; Time that could've easily been given to #Polin things. If you can make up stories about him being confused as to his sexuality, you can just as easily come up with new, none book, stories for the actual leads. Could've left everything they forced on us about Benedict for his actual season. What's gonna be left for his own season? Wasted screen-time. Should've made him absent, continue the art-school in the background, anything. I mean, an extended honeymoon for Kanthony instead of a forced story to have them onscreen. Do the bloody same for Benedict and focus on #Polin. Every time we saw Benedict, he was playing twister with Tilly and later with what's his name (don't even care) It's not relevant, it's wasted screen-time.

I'm gonna end my review (rant!) with one last thing.

Shallow kisses. Heck it's acting, so you don't have to shove your tongue down your co-actor's throat, but keep your lips open and hollow out your mouth to at least make us think you're playing tongue-twister. As soon as their lips touched, they closed their mouths and it became a fervent peck-fest. Like kissing air and practicing in front of a mirror. Yes, they look good kissing each other, but the kissing itself was bleh.

First kiss in part 1 was going the right direction and was pretty believable, but after that… shallow as f*ck. And to think they were supposed to be increasing in passion after that first kiss. All of them were closed-mouth pecks, I'm sorry. Was it the height-difference that didn't allow them to actually suck each other's face off? ---------------

I will not do a TL;DR, because if you skip this review/rant, you will not have missed anything. Have a great day people.

Yours truly, Venin Orchid (aka Lady Regency-nerd) PS: did anyone notice the nice touch at the end? The Whistledown Silhouetted lady on the top of the page had been changed to look more like Penelope. You're welcome <3

[genericpuff]

How long do you plan making rekindled? I loved Lo at some point, But now I cant get enough of your version!! And I wanted to know how did you come up with the darker back stories for Rekindled?

I have a semi-detailed skeleton of the plot with basically every story beat planned out, but I can't definitively say how long it will be as I haven't actually scripted every single episode out yet.

Not to mention a lot of the time my scripts will change from their original versions, by the time I get to an episode I've planned ahead for I've either thought of new ways to do it or don't like how it's paced so I change it. Case in point, there was a specific scene I had planned for the next episode and then wound up not liking the pacing because it was too fast so I moved it to several episodes away and restructured everything on the fly, took a whole new text document and scrapping sketches to figure shit out LOL I actually do have up until Episode 70ish scripted out in my documents with like, actual notes and dialogue for each episode, but I already have sooo many of those crossed out now because of how much I've had to tweak and change as time has gone on. This is why I plan ahead well in advance though, so that if I do need to make those changes, I can make them long before the episodes are even due to be drawn (and believe me, they get changed during the sketching phases too LOL).

What I can confirm for certain is that the current 'arc' we're in right now is definitely the bulk of the story. And that's not to say there isn't any content afterwards, more like the pacing just gets completely turned on its head in the last 30-40% of it where shit gets N U T S and just can't go back to the same energy that it was in the beginning. Without spoiling, there's a certain 'turning point' in the plot and everything after it isn't quite as long as the stint of story we're in now. This is mostly because the arc we're currently in is still establishing a bunch of stuff like the Underworld Corp, Persephone's schooling, etc. and once that turning point hits, it's basically all character development and focusing on the consequences of everything setup in the first arc.

I guess if I had to illustrate it, the story progression in the end will look something like this?

It's basically just this slow and chill climb that, once it hits that sharp peak, doesn't ever return to normal levels LMAO So I guess enjoy this part of the story while you can because it's the chillest it'll ever be w(°ｏ°)w And boy, I am EXCITED for that peak, but we have a long way to go before we get there. As for how long, well, I'm hoping I'll be able to have Rekindled's story wrapped up in the next 2 years, tops. Just depends on how the update schedule goes, and assuming the plans I have put down for the plotting don't change in any major way. I don't have as much of the latter half of the story actually scripted out yet so for all I know it could wind up being way longer than anticipated, but right now I have a pretty good sense of how the story beats will play out in relation to each other.

So it's kind of a wait and see thing, at least until I have every episode scripted out, and even then I won't be 100% sure because things are always being tweaked and fixed and changed on the fly! I'm guessing it won't go much longer than 170 episodes, give or take, but that's a very very VERY rough estimate.

Regardless, Rekindled still has a lot more story to tell, and I'm hoping y'all enjoy the ride with me <3

As for the darker backstories, y'all don't even know yet. Like... I've got stuff planned. Stuff that even Banshriek (my BG assistant) doesn't know about. Stuff that I keep buried very deep in Rekindled's episode documents that won't see the light of day until they have to be ripped out of the deep dark trenches of the characters' own buried secrets, and by that point, the toothpaste will be out of the tube, there will be no going back. So, again... enjoy it while it lasts. Because I don't pull my punches. And maybe even you won't be able to look at me the same way again once the final blow has been dealt.

Sleep well.

:)

[cnwolf-brainrot]

T-May-NT Day 16: Favorite Episode

OK, THIS WAS A HARD CHOICE because, favorite episode?? Of any TMNT canon??? That's a tall order and I had so so many that I debated picking... however, there's one episode that I would always choose to watch as a kid, one that I still adore to this day, so I stuck with it without thinking too much about all of the other choices I could make because then I would never be able to pick just one.

Turtles in Space (Part 3): The Big House, from TMNT 2003! One of my favorite episodes of all time, there are just so many little moments from it that made it a childhood favorite, and it still holds up so well rewatching it now <3

For some of my out-of-order favorite moments in this episode along with some of my ramblings, see below the cut!

I absolutely love Don's dorky little salute here; sweetheart you just got captured by aliens after surviving the vacuum of space, I don't think they're looking for a salute.

And then the fact that after the triceraton pushes Don both Leo and Raph immediately jump forward to defend him? PERFECTION, I love how protective those two are!!

"FLOOR WAX???" haha I thought that was so gross as a kid

These shock things are only used like twice in this whole episode. Guess who got it both times? So fitting for his character, honestly I love it.

*Giant muscled alien bully walks through the cafeteria* Raph (immediately): I'm gonna fight that guy Don (who already knows its inevitable): RAPH NO--

That's not exactly how it went but also yeah that's basically how it went

Also "green guy green guy!!" always cracked me up for no good reason

"I got a rock?" *visible brother judgement*

Also though this whole sequence shows all of the turtles so perfectly. The fact that they all looked at each other, knowing that they had all (well almost all) started thinking through and working out an escape plan, and then the subsequent way that they were each using something they brought to the table to form a plan (Raph timing the door, Don figuring out the smoke bomb, Leo putting it all together)? All so well done, I love this scene.

Speaking of which:

The fact that Don took one look at the floor wax through Mikey's vomit and said "I'm gonna make a bomb with a bit of dirt" is so hilarious to me. His little "I love it when I'm right" is also adorable.

Don't think I'm hating on Mikey, he was just waiting for his moment to shine! Seriously without him swiping that keycard they would have been toast.

The fact that the two idiots in the back literally forgot to make sure that their own plan was going to be carried out like come on guys

This moment.

And of course "SPOOOOOOOOOOOOOONS!!!"

I love this episode a lot, there's a whole lot more that I love from it but I digress; good episode.

@tmaynt

[saltygilmores]

Thoughts While Watching Gilmore Girls-Episode 3x9, Deep Fried Korean Thanksgiving, Part II

LOOK OUT BEHIND YOU! NINJA MARIANO ATTACK! The Pea Soup Vomit coat makes its triumphant return (and possibly its last appearance?) In the spirit of Thanksgiving, perhaps he will return it to the Savlation Army reject dumpster from whence it came, to beclothe another down on his luck Victorian orphan.

It's never too early for some good old fashioned public macking.

Rory Gilmore, World Class Public Macking Self Saboteur: But but but...what about Dean?! If anyone wonders why I often go weeks without updating these things (and I'm sure this is something that keeps you all awake at night)... I've been stuck writing this piece for over two weeks because I plum ran out of new and novel ways to complain about this idiot in the red coat's continued preoccupation with Dean. Like, how many times can I say I want to smack her over the head with a rolled up newspaper like a disobedient dog? You're killing me here girl.

Rory, you're a dumbass. And also you're frigid. In the spirit of Thanksgiving, you should put out and let Jess stuff you. One of your legs is Thanskgiving and the other leg is Christmas and you should let him spend time between the holidays. I know having to look at the pea-soup-vomit coat is probably putting a damper on your libido, but you can take it off of him, I promise he won't mind. He's quite touch starved, that boy.

You wish, pal. Seeing as there's no high speed internet, premium cable porn, or dirty magazines to be found anywhere in Stars Hollow, a little street show might provide some tittilation to the sexually constipated residents of The Hollow. R: Yeah, you know, in the the street...with people watching... J: Go on...

Wow, this screen shot is a real beaut. Look at this gorgeous curly man. Someone should give me a gold medal in pressing the little button on the browser extension that takes screen shots for me, an award that is both real and possible to achieve. Shout out to GoFullPage. Why is his collar popped up so damn high? Is he trying to protect his neck from vampires?

R: We shouldn't flaunt it. J: But I want to flaunt it. R: It doesn't feel right. J: He's a big boy, Rory. It's not the first time a couple has broken up. R:It is for us. J: This is insane. Edit: Thank you @ernestonlysayslovelythings for reminding me that Rory is claiming she doesn't know how to manage her first breakup when Dean The Clod had actually dumped her twice by this point. She should maybe go and eat two beach pails of Ben and Jerry's ice cream over it again if the wound is still that raw.

WHAT doesn't feel right, Rory? Kissing your own boyfriend? Not that I'm unhappy you kinda sabotaged your relationship with Dean in order to get with Jess, but you did kinda sabotage your relationship with Dean to get with Jess. Now that you have him you're treating him like a collectible beanie baby, puttng him under glass and refusing to remove his little tag. Take him out. Play with him. Rough him up a little. Bring him to show and tell. Put him through the wash. For goodness sake.

Narrator: And they would never experience a single moment of comfort together ever.

By the time Millennials like me and Jess and Rory here are old enough to qualify for social security, there will be nothing left. So, yeah, never.

Me, outloud: Girl you are demented. Oh Rory, I don't know what you're so worked up about. I mean, what's Dean gonna do if he sees his ex girlfriend kissing someone else? Stalk her new boyfriend in an alleyway late at night and call him The Glad Man? Pshaw.

Narrator: Things did not get better over time. In fact, they got much, much worse.

ARRRRGH.

[tenebraevesper]

Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 6)

Welcome to Part 6 of my Shadow and Sonic character analysis, which is actually part analysis, part me just gushing over the Sonadow ship. In this Part, I will be covering the second half of Episode 17: Grim Tidings, which can be summed up as ''little brother is jealous of older brother's boyfriend and also is trying to kill them''.

With this done, I have three more episodes left in which Shadow appears, and unless I get too many screenshots/gifs so Tumblr won't let me post them all, Episode 21: Home Sick Home and Episode 22: The Devil is in the Tails will be one post, while Episode 23: From the Top will be its own post. There might also be a slight delay in me covering those episodes because I need to gather all of the material for them.

In any case, let's dive into this episode!

In the first half of the episode, we already saw a very prominent shift in Shadow's character, aka his protective and caring side and his attempt to reach out and comfort Sonic, which was genuinely really cute from him.

So, Shadow and Sonic manage to enter The Grim, with Sonic (who for once didn't faceplant upon landing in the Shatterspace) being surprised to see Nine having gone full Elsa by creating a citadel with the Paradox Prism energy. As they approach it, they're confronted by Nine, who tells Sonic how Sonic's plan was never Nine's plan.

''So, it was always about power?'' ''No, that's not-'' ''Exactly. With the Paradox Prism, I'll be able to turn this world into a paradise. MY PARADISE!''

I find it genuinely interesting how Shadow's first thought is that Nine was after power, rather than approval or companionship. Nine agrees, but he wasn't seeking power for the sake of power. Knowing Nine's character, he is a loner who had been bullied all of his life and after believing that he found a true friend in Sonic, all he wants is to create a world where he and Sonic can be happy. However, with Sonic ''betraying'' him, he decides that he is better off alone.

Now, doesn't this sound a bit familiar?

So, this is speculation, but I think that Nine is supposed to be a foil to Shadow. Both are loners with a cynical view of the world and a strong connection to Sonic. However, while Nine started out as Sonic's ally (after some initial trust issues) and looked up to him, Shadow was quite antagonistic, fighting Sonic and berating him for shattering their reality. However, over the course of the show, things changed, with Nine taking over as the main villain while Shadow became Sonic's closest ally.

While the reasons for Nine betraying Sonic have been seen and discussed in and out of the show, I want to point out something I didn't really see anyone bring up - how much does Nine really know Sonic (and for that matter, how much does Sonic really know Nine)?

Nine acted on the belief that Sonic wants to stay with him in The Grim and create a world just for them, at least until he got the confirmation that Sonic wanted to restore Ghost Hill. Nine is not Tails, so no matter how much he interacts with Sonic, he wouldn't know about any of Sonic's past actions or how he acted in similar situations to get a good understanding of him.

Shadow, on the other hand, knows Sonic well enough to point out his mistakes and flaws and is not afraid to knock him down a peg, while also understanding that Sonic genuinely has everyone's best interests on mind. He has seen how Sonic behaves in situations like this, and even if he fights Sonic, he has no issues working with him and trusting him (albeit, after he admits that, yeah, they need each other to fix reality). Unlike Nine, he has enough experience with Sonic to understand why he acts like this.

''Let's destroy this traitor.'' ''Wait! Maybe I can reason with him.'' ''Reason with him?!'' ''Just let me try. If that doesn't work-'' ''Then he's mine.'' ''No, he's ours.''

*Soviet anthem starts playing* Sorry, not sorry! X3 But seriously, was anyone reminded of that one meme when Sonic went ''he's ours''? Because that's the first thing that popped into my mind.

Also, why do writers love writing Shadow trying to destroy Tails? Like this is the third time this happens!

First we had Shadow fighting Tails in Sonic X (granted, he was targeting Cosmo, but still!).

Then we had Shadow fighting Tails in Sonic Boom (granted, he was targeting Sonic, and Tails and Knuckles were in his way, but still!).

Now we have Shadow targeting Nine in Sonic Prime, who betrayed them, took the Paradox Prism and left their reality to fracture... which for once is actually a valid reason for Shadow to go after him.

But still, why is Shadow having beef with Tails in every animated media he appears in? Going by this pattern, I guess that Shadow will also target Tails in Sonic Movie 3.

*shakes head in amusement* Anyways, where were we? Ah, yes!

So, Shadow and Sonic's conversation is actually quite interesting when you take into consideration everything that happened between them. Shadow wants to do the obvious, while Sonic, despite having experienced a great loss, still hopes that he can reason with Nine. Shadow is stunned, but Sonic asks him to let him at least try. If it doesn't work, Shadow will deal with him... No, Shadow and Sonic will deal with him.

This is certainly the culmination of both Sonic and Shadow's character growth. Not only did they talk about their plans, but Sonic acknowledges that, if he cannot talk to Nine, he will have to fight him. Shadow, in turn, let's Sonic do try the more diplomatic approach rather than take the violent option, clearly showing trust in Sonic's negotiation skills. It is genuinely amazing to see.

Unfortunately for Sonic, Nine doesn't care about fixing their relationship, as he already replaced him with his own version of Chaos Sonic, called Grim Sonic.

''Woah! Who or what is THAT?!'' ''It's you.'' ''Yeah, but if you squint and tilt your head to the side, it's also kinda you.'' *gives Sonic an unimpressed look*

Honestly, I genuinely laughed at this little exchange, especially when Shadow just gives Sonic that look. It's really fun to just have them talk like this, showing off their dynamic.

''Whatever it is, it's in our way.'' ''Not for long!''

The conversation even continues, with both preparing for the fight. Once again, I just love how these two can hold a banter in one moment and leap into action in the next one.

At first, they get caught off guard by Grim Sonic, with Sonic being exasperated there's another robotic version of him, with Nine pointing out how he saved Sonic from Chaos Sonic, but how this time, Sonic is on his own. Sonic's expression falls as he hears that, clearly hurt by Nine's words.

''He's not on his own.'' *Sonic perks up, both confront Grim Sonic* ''We're all on our own.''

Honestly, this is really sweet of Shadow, showing that he now stands firmly by Sonic's side and cheering him up. Shadow really has undergone through a lot of character growth, affirming that he and Sonic are now a team and they will work together to beat Nine. Not to mention, Sonic just looks so happy to hear this.

What follows next is Sonic and Shadow beating up Grim Sonic, showing some amazing teamwork together.

''It's over Nine!'' ''I decide when it's over!''

Nine summons the other Grim Variants, that of Amy, Knuckles, Rouge and Birdie (no Big or Froggy tho, and certainly no variant of Tails), claiming how they're his friends now. Sonic and Shadow continue the battle.

''Behind you!'' ''Behind you!''

I'm absolutely loving this! Seriously, before Sonic Prime, when was the last time we saw them work together like this?

Anyways, as the battle continues, Shadow tells Sonic to go for the Prism, but Sonic protests, not wanting to leave him alone. Shadow assures him that he'll be fine and tells him to go, with Sonic listening to him. Nine laments about Sonic's recklessness, throwing crystals at him and knocking him down.

''Sonic!''

Shadow looks absolutely devastated when he sees Sonic fall...

...and his first instinct is to rush over to Sonic to protect him.

Fortunately, Sonic gets up, with Nine joining the Grim Variants, praising the power of the Prism and how there's nothing he can't do. Sonic questions him whether this is really what he wants, to spend his life all alone with robots as his companions. Nine responds how he can at least trust them, with Sonic the pointing out how The Grim is decaying, and Nine reveals that, while he rebuilt the Paradox Prism, some of the Prism energy is still missing.

Now, observe this closely.

''Oh, I've rebuilt it. But it turns down there is some Prism energy missing.''

When Nine mentions the missing Prism energy, he briefly glances at Sonic's shoes, smirking. Sonic clearly has no idea what he's talking about, thinking about his words.

Shadow, on the other hand, follows Nine's gaze, looking at Sonic's shoes, then back at Nine, who gives him a firm look, as if confirming something. Shadow's eyes widen in realization, then he gives Nine a look of pure anger.

Shadow has put together that Nine is now targeting Sonic, and he is pissed.

''Sonic, you have to get out of here!'' ''What?''

Shadow's first words and actions after this realization is to tell Sonic to get out and then protecting him from Grim Sonic.

''It's you! He's after your energy!''

It is as if someone flipped a switch. Shadow's thoughts are basically ''Forget the Paradox Prism, I need to protect Sonic now!'' He literally switched priorities the moment Sonic had been put into danger, and when he sees Sonic struggling with the Grim variants, he basically encases him into a tornado to protect him, telling him that he has to go.

''What? Shadow thinks he can steal Sonic away from me!? Not a chance!''

I know that Nine is after Sonic's Prism energy, but he sounds so much like a little brother who is jealous that his older brother spends more time with his boyfriend than with him. I mean, he certainly isn't over Sonic, no matter what he says about the robots being his friends now, so it certainly checks out.

Nine then fires a blast of energy at Sonic and Shadow, with Shadow managing to grab Sonic's leg...

''This is for your own good!'' ''Shadooooow!''

...proceeding to throw him out of The Grim and right into The Void, much to Nine's dismay. Nine then sends Grim Birdie and its clones to follow Sonic, and while Shadow fights the rest of the robots.

He is not in the best state, but damned if he doesn't give his all to cover Sonic. Unfortunately, he is outnumbered and eventually knocked into the abyss.

You fought as best as you could Shadow, but unfortunately, you will need more help in the fight against Nine. Fortunately, Sonic knows where to find that help.

So, the second half of the episode just cemented everything I had said about Shadow's character growth, with the inclusion of him putting Sonic's safety above his own. Sure, Sonic is Nine's target, but you can't say that Shadow hasn't been doing that even before he learned about Nine's plans.

Oh, and Sonadow shippers? I think you can definitely add ''Protective Shadow'' to your story ideas.

#Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 5)

#Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 7)

#Sonic the Hedgehog Analyzer (Masterlist)

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 民国奇探/My Roommate is a Detective.

My Roommate is a Detective is a 2020 drama about the Jazz Age shenanigans of a terrible OT3: a useless noodle boy, a spoiled journalist girl, and a handsome thug-turned-cop, who together solve Agatha Christie mysteries in 1920s Shanghai.

I mean, seriously, have you ever wondered what Hercule Poirot would be like if he were a 6'2" Chinese rubber man? If he had a long-suffering sugar daddy from the wrong side of the tracks and a spunky sugar mommy who owned their shared apartment? The answer is, it would be a laugh-out-loud-funny series about a ridiculous and charming assortment of weirdos solving only slightly believable murder mysteries in charming period clothing.

This is another one of those shows where I'm kind of shocked at how not well-known it is, except I'm not, because I can see exactly the problems that keep fandom from descending on it like horny little vultures. Nonetheless, I think it's a good time that more people would enjoy if they gave it the chance. Here's five reasons why you should:

1. Equal parts smart as heck and dumb as butts

On the one hand, especially given its tone and tenor, this show has many surprisingly clever turns and thoughtful moments, carried along by some talented actors. On the other hand, [.gif of a guinea pig in a rollerskate being pushed merrily down a hallway]

This show is not a complicated intellectual exercise. It's an action comedy about a goofy sleuth, a rich-girl reporter, and the cop who should be the straight man in this trio, except he's as much of a goober as the other two are. If the promotional tableaus are giving you real "cover of a Clue box" vibes, you've understood the kind of pastiche it's pulling off.

The mysteries are preposterous. They're all the kind of thing that exemplify the Doyle line about how, when you've eliminated the impossible, whatever's left has got to be the answer, no matter how ding-dang improbable it may be. You know the type: tons of overly elaborate setups, unbelievably perfect timing, coincidental long-lost relatives, people hallucinating right and left. They're also very short -- most full cases take only 2-3 episodes to introduce, investigate, and resolve, even when interspersed with the larger goings-on in these weirdos' lives. The DramaWiki page for the show lists 23 separate arcs over 36 episodes, so you do the math.

And yet, it's way more thoughtful and clever than its doofy little setup would indicate. Its attention to detail surprised me on more than one occasion. Add to that a bunch of solid performances from an ensemble of real characters, and what you get is definitely more substantive than a junk-food waste of time. You can't turn your brain off while watching it, but you sure can turn it down, and that's great.

It also doesn't hurt that everyone is super attractive and wearing great outfits. The whole show's worth it for the wardrobes.

2. THE GIRL

Fuck the haters, fuck everyone, I am going to climb right up on my little soapbox and tell you all why Bai Youning is awesome.

She is insane. She's a troll. She's a clever little monster. Every other character's response to her is, oh my god, you are literally the worst. And she is! She has been spoiled beyond belief by her incredibly rich Crime Dad, and she has learned to leverage her uwu just a widdle girl status to get her whatever the hell she wants. She simply cannot hear it when someone says the word "no." She will look her future sister-in-law in the eye and point a loaded gun at her own head without blinking. Every ball she has is made of brass.

She's hardly perfect. During the course of the show, there are some times where her entitlement runs face-first into the brick wall of reality. She's not nearly as good at her chosen career path as she's been told (mostly by the people who get paid to tell her she's good). She's rarely prepared to deal with the consequences of her actions, especially when she can't just throw money at the problem.

So she learns, and grows, and changes. She's always going to be a stubborn bitch, but she can become a stubborn bitch with a more accurate conception of her relationship to the world around her.

She's actually a really good romantic foil for Lu Yao, who is equally stubborn and spoiled and obnoxious as hell. It is a pure brat4brat relationship, where each one thrives on comically enraging the other. What this means, though, is that when they actually start showing one another some vulnerability, it's really sweet.

Now: I'm pretty sure that you could not have made a female character in her position that everyone did not hate, no matter how cool you made her, because that is the fate of all girls who theoretically keep the two boys from kissing. (More on that next point.) If she were less outgoing and friendly, she would've been hated for being too cold. If she were less headstrong, she would've been hated for being a pushover. If she weren't as into the boy, she would've been hated for being frigid. I know the "god forbid a woman do anything" meme is a joke, but ... man, god forbid this girl do anything. She gets a level of hate entirely disproportionate to what she's actually like. As I said with Eom Dada, it's not always sexism, but sometimes, yeah, it's sexism.

(Real talk: Her character is also fighting both how she's definitely not written as well as the boys are and how the plot sometimes needs her to be artificially stupid and jealous for Straightness Drama Reasons, so that's a legit problem on a structural level. Also, she's dubbed by someone else and the boys aren't, which gives her voice an annoying not-quite-there quality that's hard to ignore. The deck is stacked against her real hard even before she steps onscreen.)

So here's my advice: Go into this show wanting to like her. Embrace her terribleness as a positive, intentional quality. Don't be mad at her for straightening up an endgame that was never going to be gay, even without her. Welcome her contributions to the chaos. Realize that she is exactly as entertainingly irritating as her boys are.

Truly, this is a story of three terrible people in love. They're all just awful, and you wouldn't want to be in a room with any of them for longer than you had to. Left to right up there, Bai Youning is spoiled and self-absorbed, Lu Yao is arrogant and lazy, and Qiao Chusheng is suuuuuch a fucking cop. If you're into the kind of dynamic that can only be described OT3: You All Deserve One Another, then this one's perfect for you.

3. Do you really miss '00s queerbaiting?

Like, really? Are you just super-nostalgic for being able to see the showrunners go, ha ha, girls, we know you're watching and we know you want these cute boys to kiss, which they never will -- but what if we pretended for just this one scene??? Do you just carnally ache for that with every fiber of your being?

Yep.

Now, why am I calling the occasional really gay moments between these two gentlemen "queerbaiting" and not "bromance"? Because these moments are a) obviously intentional, b) completely sporadic, and c) never spoken of again.

For example: There's a scene (which you can see a gifset of here) where the two of them are at a restaurant frequented by the cop, who brings a lot of ladies there on dates. When the waiter points this out, useless noodle boy says, I'm his date. The waiter looks mildly surprised by this, the cop says not to listen to his bullshit, and that's the end of it. The scene moves on. There is no further discussion of this comment. It does not affect their relationship.

That's the essence of queerbaiting: that little on-purpose nod to the homoerotic tension between the two, in a way that isn't a joke but also isn't not a joke, and either way is never going to happen. (In fact, the show is going to go out of its way to make sure that ship gets sunk, so, uh, get your fanfiction lifeboats ready for that.)

A true queerbaiting move is something that should make a difference in a relationship, but doesn't. It should make a difference that our cop is so comfortable in the noodle boy's personal space that he invades it at will. It doesn't. It should make a difference that noodle boy keeps getting real weird every time the cop has a date with a girl. It doesn't. Those are some real romantic moves the two of them keep pulling, and then nothing comes of them.

I had this show sold to me as being incredibly shippy, to the point of being even more so than its censored-BL contemporaries. And ... well, it is and it isn't. It has textually gayer individual moments, but it is much less pervasively gay. It's clear from the start that it's going to throw all its actual relationship points into its canon het romance. When it comes to these boys, the show is toying with you. It knows you want to see those boys smooch, just as much as it knows (and it knows you know) they're never gonna.

How you feel about this is entirely up to you -- and indeed, it may be a dealbreaker on the whole drama for you. If you are inclined to pitch a fit when your ship does not become canon, you'll be happier somewhere else. If, however, you see this as a delightful opportunity to do whatever the hell you want with the situation as it is presented, all the while enjoying little moments of startlingly blatant homoeroticism between two handsome dudes, well, here you are!

(I mean, if you want my take on it, what needs to happen is that the cop and the girl need to fuck while the useless noodle boy watches with asexual bisexual interest, and then they all need to snuggle with the noodle boy in the middle so they can both annoy him appropriately, but your mileage may vary.)

4. The multicultural extravaganza!

1920s Shanghai had a lot going on in terms of cultures and languages, and this show actually does a fair job of representing that.

By now, I've seen a number of shows set during this era, and they all at least acknowledge the international nature of the city -- usually by mentioning the French Concession and having a handful of evil Japanese characters. However, this is the first time I've seen a show go to such lengths to actually show so many non-Chinese characters onscreen, even to the point of making one a recurring character supporting the main squad.

Salim is the best. Whatever he is being paid, it's not enough. He's Qiao Chusheng's right-hand man, which means he is also the dude who most often has to put up the main trio's bullshit. (The actor himself is also a dude with a pretty cool backstory, which is another great layer.) He's sharp, he's loyal, he's patient, and he looks great with his shirt off. He's got it all!

Other non-Chinese characters include a white Jewish art collector (I'd issue a warning for period-typical antisemitism, except … honestly, it's mostly just confused), a sadistic priest who maybe is supposed to be Italian, a completely different priest who [last episode spoiler], and three whole sinister white dudes behind it all.

It's not just the world coming to China, though! A large number of the Chinese characters are said to have spent significant time outside of China, whether for business or for schooling. Near the end, when some characters are discussing moving away from Shanghai, they consider a number of foreign cities as potential destinations.

Here's a delightful detail: When Lu Yao and his sister speak English, they're dubbed by actors with posh British accents who sound like native (or near-native) English-speakers. This makes perfect sense, because both of the siblings did a lot of their schooling in the UK. When Bai Youning speaks English, she's dubbed by someone who speaks English very well but also has a noticeable Chinese accent, which makes perfect sense for her character's background. And Qiao Chusheng never speaks English at all, because he's a street tough who has no reason to know more than three words.

...This is also kind of weird to say about something literally made in China, but go with me on it: Everything's kind of got that Art Deco Orientalist vibe to it. It looks like China's idea of what Britain's idea of China during that period would have looked like. The result comes across less like what 1920s Shanghai would actually have looked like, and more what an ad for 1920s Shanghai would have looked like. It's a fascinating aesthetic, and more so for how it's mostly pretty subtle. The show isn't some visual extravaganza, but it's always very nice to look at, and I appreciate that in a show.

5. A wonderful horrible protagonist

A lot of mystery-themed prestige television involves an asshole genius detective who gets away with being a dick to everyone because he's sooooo smart, while all his long-suffering friends and colleagues spend a lot of time doing damage control for him because, sigh, he's an asshole but we need him, genius excuses all dickhead behavior, we'll always make exceptions for him because he's just ever so special. (Watch histrionic sage hbomberguy's video on Sherlock if you're unfamiliar with the trope.)

Lu Yao is an asshole genius detective, but one who winds up spending most of his time being an asshole to a) people who deserve it, or b) his horrible friends who will be assholes right back at him. When he is awful to the people who don't deserve it, the show smacks him pretty hard on the nose for it and makes him apologize.

This is a show where you'll figure out pretty quckly if you'll love it or hate it, because if you love Lu Yao, you'll love it, and vice versa. He carries most of the show himself, with his goofy charm and his incredibly bendy slenderman body and his ability to make the one competent person he knows both protect him and give him money.

Like so.

For my own part, I find him intensely charming, and I think a lot of this has to do with Hu Yitian's ability to play him as an affectionately bullyable weenie who needs to get shoved in a locker for his own good. He's the worst, and it's comically endearing instead of offputting because at the end of the day, he really does have a good heart. He's just also lazy as heck and disinclined to do anything that he does not want to be doing, and really, aren't we all?

As I alluded to in point 3, he comes across as real asexual. He's just not that interested in sex, and he is in fact pretty uncomfortable in situations where he finds himself the subject of someone else's sexual desires. He's perfectly capable of romantic feelings! I mean, not only does he get Bai Youning as a love interest, we actually meet one of his ex-girlfriends. He's just not partciularly horny about them -- which is even more noticeable as a sharp contrast to how extremely horny Qiao Chusheng is for just about everyone, but this exasperating little dork in particular.

(Like seriously, 90% of the time, Chusheng is about to explode with sexual frustration at Lu Yao's skinny oblivious ass.)

This isn't to say you couldn't get Lu Yao into bed, because you absolutely could, and he'd probably have a good time. You'd just have to remove all distractions from the room, lest his ADHD ass wind up running off to solve a crime mid-coitus.

Twiggy little nightmare man. Garbage-animal boy. Love him.

sidebar: A word about the ending

I'm going to be vague and talk about general vibes instead of specific events, but you should still skip this section if you want to remain completely unspoiled. Jump to the picture of Chusheng holding the sledgehammer.

Okay, so, a lot of people do not like the ending, and I'm including myself in that number. I honestly don't know if they got rushed and had to wrap everything pretty last-minute, or if they thought they might get a second season out of it and were leaving things open-ended accordingly. Either way, it's incredibly unsatisfying.

I think there's a clue that the show didn't actually want to end this way, and it's not actually in the text of the show itself. Every episode, between the last scene and the start of the credits, you get to see a couple still frames from the episode (usually some of the queerbaity ones). After the very final shot of the series, you get two images: the boys hugging goodbye, and Chusheng's upset face. That's not a resolution! That is at best a "to be continued..." ending!

But no, that's it. That's all, folks.

It's not quite an ending so bad it ruins the rest of the show, mostly because it doesn't feel finished, so it's less like you're watching a car being deliberately driven into a wall because someone thought that was the best route to take, and more like you're watching someone leave a car on the railroad tracks because they figured they'd have time to move it later.

As far as I know, there has been no noise made about a second season. These 36 episodes are the entirety of the narrative. It had the distinct misfortune to start airing in March 2020, which wasn't exactly prime time for planning sequels, and that seems to have been that. (There is a 2022 show called Checkmate that stars the two main guys in extremely similar roles, also adapting Agatha Christie stories, but it's apparently pretty meh? Somebody else who's actually seen it, go ahead and weigh in here.)

I'll say that if you turn off the episode right after Lu Yao gets out the handcuffs, you'll save yourself the worst of it the awkward and unsatisfying moments (though I'm impressed at your willpower to stop watching something five minutes from the end). That's not all of it, though. Structurally, there are several situations rushed to a resolution and loose threads left flapping untied in the breeze. I guess stopping before the last five minutes simply saves you the hope that it'll pull a good ending out of the fire, because it won't.

And let's be real: The more you hate Bai Youning and her romance with Lu Yao, the more you'll hate the ending. (Not that liking those elements will necessarily make you like the ending, of course, because I'm a fan of hers and I still think the ending is butts.) The ending is already like a pair of uncomfortable shoes; if the het romance especially makes you grind your teeth, the ending becomes a pair of uncomfortable shoes that also have a rock in them. A lot of the comments online indicate plenty of people dropped the show when they learned the het romance would be endgame. It's a pretty common dealbreaker.

Oh well. Bring on the fanfic, I say! Those of us who are used to taking a sledgehammer to canon are unafraid.

Smash it, baby.

Still want to see some of these mysteries?

Both iQiyi and Viki have the answer to your sleuthing!

It's not a perfect show -- as evidenced by my digression about the ending -- but it's a lot of fun. If you can handle the occasional foible and some eyebrow-raising moments, you're in for a good time with some attractive people that occasionally tastes very gay.

Every roommate crazy 'bout a sharp-dressed man

[ju-vondy]

Jason's past info reveal on EP. Five X My own thoughts...

After playing the latest episode of MCL New Gen I had to do this post because when Jason told us about his father I almost fell of my chair screaming "OMG I WAS RIGHT???!!!!!" For those who didn't play the episode 5 yet: 🚨⚠️spoilers 🚨⚠️

So... I had this feeling that Beemoov was going to introduce a family drama for Jason, particularly involving his father, to justify his poor behavior, ya know? Like...: the typical story where the teenager loses his father, faces family problems and ends up becoming bitter and tough because of it. The whole "family is a mess" narrative LOL (I honestly hate that concept of "You can heal she/he" thing that usually come together with this kinda plot, that's why even though I made a difficult past for Jason in my fic, he secretly goes into therapy often... so Candy won't need to worry about being a damn "healer" for him 😂)

In fact, I even considered killing his father when Jason was a teenager in my fanfic because I was so sure his dad was dead. But then I thought, "No... Beemoov wouldn't use that cliché of the man who lost his father too soon and had to take on family responsibilities at 18, right? What a drama!"

So, today I'm here to justify the plot I thought about to you: I didn't kill off Jason's father in my fanfic because in my mind it would be too obvious and cliché. Instead, I wanted to explore a different angle that still included family issues and could add depth into Jason's character. But then... I realized that my own story also ended up being quite dramatic LMAO 🤣😅🤐

The way I created Jason's family tragedy, I know it got intense, and sometimes I feel like such a villain for it (~crying in author language~). For a kid, it must be very though waking up from an accident and listening "So... Your father is in a coma. We don't know if he'll wake up or no. He can live but he can also die suddenly, be prepared." And then you wake up everyday hoping your father will wake up but he didn't and you get nothing instead of a fake hope that the next day will be different... You are unsure if he's going to live or die. You didn't lost the person, but you lost its presence, voice, bad jokes, caring, etc. However, you still don't want to lose hope. So, for Jason kid it was like "I'll do my best everyday so when papa wakes up he'll be proud of me :D"

I decided to put Jason's father (I named him as Gregory) through a coma when Jason was a kid for two main reasons: 1) Give Jason a motivation and 2) don't make him deal with "taking care family matters out of the blue" once he was too young.

> That leads to his uncle (named Viktor) accompanying Jason's growth and teaching him everything about the family business, being a leader and etc. Of course Viktor had an aggressive method once Jason father's part of the family is crap and cruel (as I shared on this post).

Despite growing up with his uncle filling his head with nonsense about love being a weakness and such things, young Jason didn't want to be bitter and iced-heart like that. (Yep, he was a hectic kid but that doesn't mean he was evil, he just liked to have fun messing around.) He remembered his father being kind and gentle, almost as if he wanted to break the tough mold of the family. But later Jason faced many disappointments because, being from a wealthy family, (BTW, I got kinda sad when Jason said they were not rich in the EP 5, but now that's done and I don't regret describing his family the way I did once we didn't have any information hehehe) many people around them were fake. He also suffered bullying for being skinny, so... All of those bad things led him to think around the age of 16-17: "Well, there's no other way. When I'm not at home I'll have to put on this mask that my uncle taught me so others won't walk all over me."

However, internally Jason still held hope that Gregory would wake up someday and... Within his good heart, there was the desire of wanting to make his dad proud ~if he woke up~ Jason had as a kid > it still remained there in his mind, so he gave his best effort in everything they put he to do back that time. But at a certain point there was so much pressure on the poor boy that he ended up having a breakdown. 'Do this' 'Don't do that' 'Be perfect' 'Get good grades' 'Blah blah blah'... At the age of 18-19 Jason found himself having like those "I'VE HAD ENOUGH!" moments of life LOL 🤣 He never really liked everything the Mendal stood for, anyway. He always found it a drag to attend luxury dinners, close deals and pretend to be someone he wasn't… Jason ended up becoming a rebellious young-adult despite being studious and dedicated to his goals.

And then things got worse when Jason was near his 20-21 years old: his father sadly woke up in a minimally conscious state. (So: today his father is not dead, but he's not "living" as well. You know? When someone is awake but can't talk, move, etc. sometimes the person can exhibit limited and inconsistent responses to external stimuli, but that's all.) I think that was the "breaking point". Jason got deeply disappointed: He felt like everything he had done in his entire life was for nothing. As a result, the dark-haired began to exhibit dysfunctional behavior, skipping work at the family company, arriving late etc, etc. Viktor took advantage of this moment of weakness and convinced the board/the general council that Jason became irresponsible, went off the rail and therefore was unfit for any leadership position and would never be good enough to take the vice president or president's company role. That made our hated beloved protagonist really angry, it felt like a big betrayal for him. Following that, in a fit of impulsivity, Jason had those moments of "'Fuck you guys. I don't need you idiots. My family sucks and I'll prove them that I can make it on my own without using my father's name.' And that's why he resigned from his position and began working on something else, which would later culminate in the founding of Goldreamz. (Fortunately, this was the moment he decided to start seeing a therapist again, for our sake's.)

Well... I gave you too many spoilers of the fic already, so, basically: Jason’s past sucks and his journey in my point of view is intertwined with themes of redemption, ambition, growing and a desire to protect those he cares about besides his own heart ~which he chooses to not open up with random people. He's not an asshole/jerk, but he decides consciously to behave as if he is one because a bunch of internal reasons. (His therapist is still trying to work on that btw 👀) Jason only shows his truly self when he with his mom, brother, close friends and some of his mother's relatives. (And hopefully, near Candy... As time goes by and they fall for each other) Selective behavior, ya know? It is common for people undergoing therapy to selectively share their true feelings and thoughts with a trusted inner circle, while emotionally protecting themselves from others. Besides, we must remember that therapy is a long and sometimes non-linear process: Jason may resist complete changes, preferring to maintain a protective behavior while slowly working on his internal issues. Jason does not intend to change it, actually. He's happy with only the people he cares about knowing who he truly is... He's like: "bitch, I don't care" about the others. 😅😆

With all of that said: I can’t wait to delve deeper into Jason's motivations in my upcoming chapters, exploring the intricate web of personal and professional stakes that drive Jason’s actions. 🤭 Stay tuned for more revelations and twists 🤪

If you’ve been following my fanfic, let me know your thoughts on Jason’s development and how you think his backstory ties into the larger narrative. And if you’re just catching up on the game itself (MCL New Gen), what do you think of the latest episode? Let’s discuss!

If you're not following my fanfic, I recommend you read this post first 😅 Thank you all for supporting my work and crazy ideas 💖

[revenantghost]

When Tristamp was coming out, there were two (2) scenes in particular that people got upset about for mainly shipping reasons, but, honestly? After having seen the whole thing and having thought about it for awhile, I think both are perfect for this iteration of Trigun and the narrative foils that Wolfwood and Meryl play against Vash. In no particular order:

Meryl Awakening Vash

I’ve already gone off about how closely Meryl and Rem are tied together, so I won’t retread old ground, but it’s so, so, so pivotal that Meryl believes in Vash unlike anyone has since Rem. And not in a motherly sort of way, either. (I think Rem would have a heart attack with the trouble these two get into lol.) That was important for Vash in its time, but now? Now Meryl is everything that Vash is fighting for in humanity. She sees the good in him, sees something worth fighting for, sees something worth loving. And the love in Trigun is just so integral to everything and everyone. It defies explanation sometimes, and that’s really beautiful to me.

As absolutely hilarious as it would have been for Wolfwood to have come in gun (singular in this iteration lmao) blazing to help Meryl break Vash out, he’s not at that point yet. It wouldn’t have made narrative sense, it would’ve broken the scene. It’s Meryl who has that hopeless, senseless faith in Vash, in the good that humanity could be. She still believes in justice, even after having gone through hell since meeting Vash. She’s seen ugly, undesirable parts of him that no one’s seen in years and she chooses to stay. She is the faith in humanity and the love for Vash that Rem had. She’s the reminder of what he’s still fighting for.

The Scar Reveal

As you can tell from above, I love Meryl in this story, and I honestly think we’ll probably see hers and Milly’s reaction to Vash’s scars at a later date. But for this first reveal to us, and especially for Tristamp in particular, it makes perfect sense for Wolfwood to see these scars and still, somehow, be horrified. This man has been tortured in ways unimaginable since he was a child. He’s had to turn off his humanity for years. He’s been broken and battered by monstrocities we can’t imagine. And yet he’s still horrified.

He probably wouldn’t have been at the start of the season. (See: Eriks barking like a dog very early in their relationship in the other versions, at VERY different emotional points.) So for Wolfwood to have been changed enough by Vash and for him to care enough about Vash to be horrified for him, to want better out of humanity for him? Despite the fact that he’s about to toss him to his ruthless brother because he can’t afford to care for Vash and the orphanage? It was really critical in setting up his own decision for episode twelve, coming back for Meryl and choosing Vash over Knives in his own way. Wolfwood’s been crumbling for awhile, but this is such a huge crack.

TL;DR: It’s about love and faith in humanity and justice, and so much more. I���m so happy that we got to see these characters shine in different ways, and in significant ways that we haven’t seen before. And don’t get me wrong! There are valid criticisms about many parts of Tristamp, but I ain’t having none for shipping wank lol

[corvusalbus93]

Thoughts & Feelings after the TBB Finale

Loved the show, but there are a couple of things I wish had been different/added. We still got damn good finale; pretty tense at times, action was great, Hemlock died (and Hunter and Crosshair got to do it together. Remember; sharing is caring), the way Rampart and Nala Se met their end, we even had a pretty happy ending for once, lots of good stuff.

However, I am disappointed Rex and his rebellion didn’t really play a part, despite being the reason Echo was gone for so much of the show and the screen time they got in season 2. They were also looking for Tantiss, determined to free their brother, so I’d been hoping Echo would manage to get a message out. Just imagine Rex with his boys showing up clutch, keeping troops occupied, evacuating the prisoners, giving the Batch the opening they need to get to Hemlock or something.

While I like how the show stayed focused on the Bad Batch, and didn’t drag in too many characters from other stories, this could have made Echo’s absence/working with Rex feel more vital. Maybe the Rex-storyline was dropped and they’re saving some of these plotlines for another Rex-centred show; those might also show when Wolffe switched sides or what happened to Cody, after he went AWOL.

Now, am I sad Tech is really dead? Yes and no.

While I am sick of every other character in Star Wars returning from the dead, part of me had hoped he’d survived somehow. As mentioned in previous posts, it felt like he died in the middle of his character arch (which his death certainly didn’t complete); Romar in the first episodes of season 2 gave him inside into the value of culture, and how people weren’t defined by what side they were on during the war. Phee added to this with her own love of history and culture...and then it didn’t go anywhere. They also teased the possibility of a romance with her, but it was ended with an awkward goodbye and we didn’t see her react to his death. She mentions him, but its business as usual for everyone at that point. Tech could have been on vacation the way everyone acted most of the time in season 3.

Seriously, the main reason I’m unsatisfied with his death is the lack of reaction and consequences in this season. Even in the episode he died in, it was kinda overshadowed by Omega’s abduction 5 minutes later. Not to mention that it ended with Emeri revealing she was her sister; you lost a science-inclined sibling with glasses? Well, don’t worry, here’s another. Bit overdramatic on my part, I know, but I really didn’t like that reveal, not at the time. Should have been in season 3.  Though honestly? Emeri didn’t need to be related to any of them; just have her be a not morally bankrupt person and the story wouldn’t have changed. She didn’t need to be related to the other kids to care about them, so what really was the point of her being another clone?

Going back to Tech, it’s a shame we didn’t see Crosshair or Phee react. Like, did Crosshair blame himself for what happened? I’m sure he did on some level, but we have not really seen it. Even in episode 5, when he argues with Hunter, Crosshair says he risked everything to send the message, but Hunter ignored him and allowed Omega to get abducted...but nothing about Tech’s death. They all just silently look down a few episodes later, when Tech is mentioned, and in the final episode Crosshair points out the team died with Tech. It’s something, but I wish there had been more. Maybe show different ways they deal with loss and how to support each other. Maybe Phee and/or Shep show them what funeral rites on Pabu are like, as a way to say goodbye to the departed. Compare how clones and civilians handle death, something like that. We had a little mourning in season 2, but again, was abruptly ended/undercut by Omega’s abduction.

Concerning consequences; the team operated pretty normally, once Crosshair was back with them. I think it would have added weight, if there had been more things they weren’t able to do at all without Tech. Really make his loss be felt/shown in the way they approach their missions, but there was only like one instance, when they were trying to find out about M-count and otherwise they operated pretty much as usual.

Now, even if Tech had survived there still should have been consequences. I have made posts like a year ago, talking about the possibility of him being permanently disabled (e.g. paralysed below hip/unable to walk), but still able to help the team, as his mind has always been his greatest asset. Still, I’m okay with him staying dead, so I’m not going expand on this further here.

Moving on, we never learned why Omega was created the way she was. We know why she was useful for Hemlock, but why did Nala Se made her to begin with? Did she have similar goals/did the Kaminioan have a similar project at some point? Was Emeri like a failed test-version of Omega? Just things I wish they had answered, rather than spending two episodes on finding out what M-count means, something the audience already knows.

Which brings me to my next point: why Ventress was in the show? The Batch found out what the M-count was, which honestly is a piece of information Shand could have given them at the end of her episode. Testing if Omega was force sensitive or the taming of that sea creature, didn’t set up anything in the finale as some suspected, so despite enjoying Ventress’ episode, I wish they’d used the time on other plot points. 

We also never did find out what exactly Project Necromancer tried to accomplish (though we got a good idea), or how close Hemlock was to achieving his breakthrough. Could have added tension, if we’d known how far along he truly was, added catharsis to see him fail so close to his goal.

Overall I’m not quite happy Omega got brought to Tantiss and escaped twice with minimal help (really undermining the place as a whole). Why did infiltrating Tarkin’s “summer home” feel more dangerous/consequential than the secret mountain-base they built up so much? I love we finally got a happy ending, but one named character on the good guys’ side should have died, not just nameless prisoners we only just met. This is where the clone rebellion could have come in, some sacrificing themselves, helping the Batch, or maybe have Phee (who felt underutilised) get shot down, after getting them to Tantiss.

If you’ve seen previous posts, you know I’m pretty mad about what they’ve done with Scorch overall. What happened in the final episode can be summed up like this:

He’s unrecognizable from the games and books, to the point I wonder why they even bothered to include him. He didn’t even really do anything. Was it just because he was recognizable? And where is the rest of Delta? We never got closure concerning Sev and now this, a waste of a pretty fun character.

Speaking of clones working for Hemlock.

While I don’t mind the CX-clones being no one special, they had no personality, and except for CX-2 perhaps, no rivalries with the Batch either. They didn’t even get voice lines, so they looked cool for 5 minutes of screen time and died, but were pretty forgettable overall. They are this far down on my list, ‘cause I legit forgot about them. If only they’d been introduced sooner.

Anyway, those are some of my thoughts. I still like the show and would recommend it to any Star Wars fan, but there were a few things I just needed to get off my chest.

[darkpoisonouslove]

HotD S02E01

Many thoughts, head full, zero ability to articulate so I'm just gonna scream about it... on main. That'll end well.

First thing I have to say is that the atmosphere and tone definitely work very well here. You can feel the tragedy in the air, the way that it's already happened and it just waits to unfold, to be witnessed in its full glory. Everything is so eerie and bleak and everyone keeps going but they cannot escape the framework of the war. They're trapped in it and you feel it.

Daemon is... he kind of surprised me ngl. There are definitely layers of emotion there that isn't just rage or bloodthirstiness. I didn't want to strangle him the entire time so that's a positive.

Emma D'arcy was amazing in this episode and (I could be missing something; too lazy to check but) she only had that one line??? And still, you feel her grief. That was certainly an interesting approach and it worked for them!

Aegon is such a contrast to all the other characters! I know he's supposed to look completely out of place and incompetent but damn, I am On. His Side! He's ready to be so generous to the small folk. He's trying to compensate on what he missed with his own father by spending time with his son. He has no idea how to interact with Helaena but he's trying his best and goddamn, if that's not a summary of his character! 😭😭😭😭😭😭 (this is an Alicent AND Aegon stan account now, I guess)

(that scene of him and his buddies drinking in the throne room has such fuck boi vibes and yet, SOMEHOW he was utterly hilarious and still sympathetic in it (I'll talk about the place of that scene in the plot later))

@ Otto and Larys: STEP AWAY FROM THE CHILDREN!!!!!!

The scene with Otto and Alicent was surprisingly touching. They finally reach some kind of understanding... and then he turns right around and continues to scheme behind her back. Sure, what he was trying to accomplish with Aemond is in line with his talk with Alicent but he's going to have his own agenda 100%. This wasn't just a strategical decision because Aemond is mad at Alicent rn and wouldn't want to hear any of her opinions even if they're also Otto's opinions.

Which leads me to THE SITUATION BETWEEN ALICENT AND AEMOND AAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!! I. Am. Screaming (as you can see)! They are both so hurt and angry at each other 😭😭😭😭😭😭😭😭😭😭 And I can't even take a side because both of them are correct in different ways. What Aemond did is actively hurting the whole family because it certainly exacerbated the war proceedings. But he's also right to be upset that Alicent would (seemingly) place her old friendship with Rhaenyra above her love for her children. She should feel vindicated that the one that mutilated her son is now dead. But instead, she's angry and has turned away from Aemond. When she was the only one who stood by him (and vice versa) on that awful night when his eye was gouged out????? The disappointment that they each feel in the other is KILLING ME!!!!!!!!! (I have to say that I hadn't thought about the possibility of Aemond being angry but it makes perfect sense and it hurts me so badly. Look at the contrast of this and this)

And now for the absolute fuckery of this episode (pun unintended). I have zero problems with Alicent and Criston fucking. Good for them! Love the moral dilemmas that are 10000% going on in their heads. HOWEVER, the decision to make them have sex while Blood & Cheese is going down? More anti green propaganda from the writers and I am SICK of it. Alicent was originally part of the scene, she was there to experience the horror of it first hand and they choose to switch that for her having sex????? You know the same thing that Rhaenyra and Daemon were doing when the whole fight between the kids in 1x07 was going down and they got no shit for it whatsoever but, of course, Alicent and Criston are going to be torn apart about this, I am 100% positive about that! Once again, the writers are trying to manipulate the viewers by going "See! Not only is Alicent being a hypocrite because she said she wasn't going to do this with Criston again, but that's what she was doing when her grandson was getting murdered" when originally she was bound and gagged and had to watch the whole thing happen in front of her. You could say that they spared her that trauma but they literally could have had her doing anything else if that was the intent. I am ANGRY about this. Not to mention the fact that Helaena literally interrupting Alicole while they're having sex adds an obstacle to Alicent offering her comfort. At the very least she has to get dressed first before she can hug her and try to provide some kind of feeling of safety, which inserts awkwardness if not downright shame into Alicent's actions and choices during that night. (Oh, and this will probably make her stop having sex with Criston, which is going to be another big L; let her be marginally happy and have orgasms, goddammit!)

Let's go back to Aegon now! So while Alicent and Criston are too busy fucking to be any the wiser about what's happening with her grandchildren (even though they literally couldn't have known anything like that would happen), what is Aegon doing? (Probably) drinking and stroking his ego by trying to come up with titles for himself... as the assassins are walking past him, right under his nose. Don't think he's not gonna get shit about that by fans if not by the writers themselves! They have set everything up so perfectly to blame all the Greens for allowing this to happen (since Otto and Aemond are so ready for war and yet were nowhere to be found during this either) but what about the Blacks, who organized all of this? Well...

They are whitewashing Daemon now by making Jaehaerys's murder be the idea of the assassins themselves. You see, Daemon would have never gone after a 4-year-old! He was only going after Aemond! And this is yet another misunderstanding like with Lucerys' death, except that this was way more deliberate but you cannot blame the Blacks when the people that they hired acted on their own. I hate it here! The writers are cowards and cannot commit to the actual characters that they're supposed to be writing so they're just doing whatever they want. And doing it badly at that! (That whole sequence was so fucking disjointed and lackluster also so congrats to whoever wrote this on the terrible job that they are doing!)

Poor Helaena! She's literally not going to get anything in this season. They already did Blood & Cheese so now they're just going to make her lose her mind and give her nothing else to do. I hope I'm wrong about this but I don't think I am given their track record.

Anyway, go team Green!

*I already bitched about this in the tags of another post but the fact that in the extra ("inside the episode" or whatever it's called) they had the gall to say that Alicent was in a "marriage that was loving but not exactly romantic or physical for quite some time" is a fucking insult. HE CALLED HER BY AEMMA'S NAME! HE USED HER AS AN INCUBATOR AND COULDN'T EVEN BE BOTHERED TO CARE ABOUT HER OR THEIR KIDS. SHUT UP SHUT UP SHUT THE FUCK UP!!!!!!!

[meenawrites]

So.. I finished Alchemy of Souls

Guys, the amount of tears I just shed in front of my entire family in the last episode of part 2 is crazy.

They were just sitting there like, you good? It's fiction as I'm sobbing my eyes out.

Anyway.

I have many thoughts. So many. And I lowkey want to make a separate post for each of them.

But for now I do want to leave some of my impressions about the finale: (spoilers ahead obviously)

I thought it was pretty well done. I expected to be a bit more shocked about the whole Jin Buyeon is Jin Seol-ran plotline but it honestly made sense to me and I feel like it was actually foreshadowed pretty well for the most part, even in season 1.

Also they definitely got me good with the deaths of Park Jin, Maidservant Kim, and Jin Hogyeong (if that's how you spell her name). Like that's when I started crying tbh. (I could care less about Mama Jin tbh, she sucks, but that deserves its own post). And I'm glad that them actually being alive didn't feel like a cop out to me. They established early on that Jin Seol-ran knew what would happen and used that to their advantage so it was believable and didn't feel like a Deus Ex Machina move for them to be saved. Well, maybe one of them should have died (cough–Mama Jin–cough). But it's fine.

I do feel like the last two episodes were kind of rushed though. I don't know if they had budgeting constraints or if Netflix didn't give them more than ten episodes, but I think that they should have had at least 12. Two more episodes would have allowed for more expansion on the climax and allowed them to up the drama more, which I think would have done well for the series over all, and would have been a better payoff.

I think the time could have been used well to flesh out some of the side characters arcs more. I feel like Danggu and Jin Choyeon were kind of pushed off to the side this season, and especially in the latter half, but I would have liked to see more of them and their relationships not only with each other but with Jang Uk and Naksu/Jin Buyeon.

For all intents and purposes, Naksu/Jin Buyeon lived as Jin Choyeon's sister for three years, and we can see that despite everything that happened three years prior, Choyeon did treat her as her sister even knowing the soul was Naksu's and cared about her. I think that could've and should've been expanded upon, her choosing to care about Naksu/Jin Buyeon or how that came to be. Also, after Naksu regained her memory AND found out Jin Mu had been for sure controlling her at the end of Part 1, I would have loved to see the conversation between her and Choyeon about what she did, an apology and an explanation that she would never have done that if she were sane of mind. What I said about Choyeon applies to Naksu as well because she lived three years as Choyeon's sister, and we can tell she cares about her, so I would have loved to see more of her feelings towards her, especially upon remembering all that had transpired in part 1.

When it comes to Danggu, I mean, he's one of Uk's best friends, and he was left out of the loop a lot when it came to anything Naksu-related. I would have liked him to find out or for Uk to tell him at some point and see how he makes peace with that. Because Danggu and Mudeok were friends in part 1 and he supported her (erroneously) in her supposed romance with Seo Yul. But then she killed his fiance's father and tried to attack him. I can't imagine the sense of betrayal he felt, but also finding out that it wasn't her fault and how he could come to terms with that would have been great to see. I also think his whole experience/trauma from part 1 was kind of glossed over. Like his main thing this season was his broken heart after Choyeon didn't end up marrying him, and I think that was making his feelings a bit too one-dimensional there. They do talk about how he feels slightly uncomfortable/doesn't know what to do with Jang Uk at the beginning of the show, but once Seo Yul comes back, that's kind of forgotten about and the three of them just start hanging out again no problem. I would've like to see a bit more about him struggling with becoming Leader of Songrim as well and how he adapted to that amidst his heartbreak for both his love and his friend who he doesn't even know how to act around anymore, and even towards Naksu/Mudeok who kind of ruined his future and that of his best friend but also being intuitive enough (because he is and he has one of the best hearts we've seen in the show) to realize that there's more to the story than her just going on a murder spree.

I've seen some talk about people saying they didn't like the actress for season 2 as much as season 1 (forgive me, I forgot their names), but I think both brought something good to the table.

Season 1 actress for Mudeok was really good. Her facial expressions were spot on and her chemistry with Lee Jaewook and the other cast members was really good. I think she definitely had great stage presence and made the show popular in the first place. I just don't agree that season 2 actress was worse.

I think season 2 actress definitely put in the work and embodied who Naksu/Jin Buyeon was for the majority of the series. There were times where she made expressions that perfectly resembled/echoed Naksu/Mudeok's that really got me like yes they are the same person even if she doesn't remember. She may have been cuter than we were used to with out sharp-tongued and emotion-resistant Mudeok, but I think Naksu needed that. As Mudeok and before then she didn't have the luxury to be more emotional and girly, it's only now in this body that she does, and I'm glad she had the opportunity to express that side of herself that had never seen the light of day.

We did get a glimpse of that side of her at the end of part 1 where she's playing around with makeup and what might make her look pretty, and it really spoke to all that she had missed out on and had to give up in order to survive. So yeah despite all the angst, I'm glad Naksu/Jin Buyeon had that opportunity through season 2 actress who played it really well while keeping in line with the essence of Naksu/Mudeok.

This whole thing about Naksu being the shadow to Jang Uk's light and if light exists then it needs a shadow broke my heart you guys, it was so perfect. And the fact that they were each other's light and shadow at different points but were also wholly necessary to each other in that was beautiful. I want to talk more about this in a separate post, so I'll table this metaphor for now.

Shout out to Crown Prince Go Won, a great character this whole season in terms of both comedic relief and massive character growth. So good.

Uk's arc was fantastic too but again want to save that for a full post.

Those are my out of order first thoughts about part 2, but I have SO MUCH MORE to discuss, so I will come back for sure. I just needed to scream to the world for a bit (virtually of course).

Question though for all of you more knowledgeable in the k-drama world: is there going to be a season 3?

[jaydexbg]

Aite, Jay's thoughts on Restoration now that the emotional dust has settled.

My non-spoiler thoughts are... it's okay, a love letter to the series? No. A love letter to fans? For the most part.

No shade to RT, Burnie or anyone who worked on this, they did what they could, and had time for. This is going to be loooooong as its my full summary of the movie as a long-time fan, RvB is my special hyperfixation/interest. Spoilers below the cut.

Alright, to start. I personally will believe that s14-17 are cannon, and that Restoration is a simulation/Jax movie/AU/Alternate ending./what have you. I believe this for many reasons, but let's get the Big 3 out of the way first.

1. Sarge's death. I understand it's inclusion, and I understand that with the anvil and steel boot of WB it was hard to produce something of immense quality. Sarge had been a consistent key player and many of us expected this.

But his death was... wrong. It didn't feel impactful, he didn't die a Sarge death. While the reasoning was good (saving Caboose) the execution and runtime made it feel sloppy and just a plot driver(barely). He deserved a much more heroic send-off, and this comes from a avid Red Team supporter, so this should have impacted me. If Sarge had a proper heros death (and the movie had more time), set in a similar vein as Church (or even like he would have died to Meta in s8) then I think I would have had a lot more feelings, and I think it would have also allowed me to accept it much easier, I'm not insanely upset at Sarge dying(however I still would prefer them all to be happy), im upset at how it was handled.

2. Doc's death. Alright, this one peeves me a bit. I LOVE the idea at play, I personally even think it works with Wash given their history in S8, it is a really good reveal. But this also means Doc, an integral character who's been there since Season 2. Doc, who had been the most mistreated and abused character--and JUST got over being overshadowed by O'Malley in universe(S17)... died off screen. And that alone makes me not want to take this as cannon.

It was a moment of "WHAT??-wait." I like Doc, I like all the characters of RvB, but Doc dying off screen after the battle is not it. The Matt Hullum double kill is arguably funny, but I won't stand for Doc dying like this. Sorry.

And 3. The one that bit me the most, hold your sighs/tears; Grimmons. I'm sorry, but I refuse to believe that Grif would leave Simmons, or that Simmons wouldn't go with him. These two characters have been joint at the hip since episode one, they have been through EVERYTHING together. There is a LOT of subtext behind these two, Grimmons barely felt like a fan ship, if they revealed the two were married the entire time I wouldn't have batted an eye.

I don't like their ending. They should have either both went to earth, or both stayed in Blood Gulch. I understand Grif's entire thing was hating the military, but he loved his friends, he cared so much (saving Sarge MULTIPLE times despite Sarge still always bullying him, agreeing to go with Sarge and Caboose to fight the Meta even though he didn't have to, him throughout all of the Chorus Trilogy, and this is just the stuff that is cannon no matter what.), and I don't believe him simply being dismissed would have him leave, he stopped being apart of a proper military when Project Freelancer shut down, and while he was apart of Chorus they'd clearly been demoted/let go since they were ranked down to Privates in Restoration. (I also believe S15 handled the idea of them being moved after S13's ending far better)

And while I don't mind Simmons coming into his own as a leader, he dosent... have a team? They abandoned Lopez, Sarge is dead, Donut is an Admiral (likely for the UNSC), and Grif left. The Blues only have Caboose and Tucker. Carolina and Wash are likely going to go back to the hospital to let Wash heal (which is another thing). So its just Simmons, Caboose and Tucker alone in Blood Gulch? Doing... what exactly? Fighting? This is not a good ending for any of them and it barely makes sense. Id honestly have preferred a "where are they now" segment to this ending.

With those out of the way, lets go over a small lighting round of stuff i didn't like;

Wash felt like he was just there to tell us Doc died, and to get Carolina to the final fight. If you removed him entirely and just said "Carolina has been tracking Meta" nothing would change.

Carolina's inclusion felt like someone threw a cyan bolder into the script, her entrance being a homage to Maine's entrance in S10 was cool but she appeared out of nowhere.

I refuse to believe that after all of this none of them would be checking in on Wash, that man has been the glue of the Reds and Blues since he joined the team and I REFUSE to believe they would just dump him at an institution, however this is especially insane for Carolina. She would be with him every second.

Tucker was INSANELY underused, his moments of breaking through Sigma's control were good, but Tucker felt like he wasn't important. He should be, he should have been the main character of the story, he is the main character of Red vs Blue to me (after Church).

The way Lopez and Sheila were just abandoned is disrespectful. Its in character, and the whole gag but for a final season I dont want a gag like that in a finale. I wanted to see Lopez at that campfire scene imagining him not talking but enjoying the reminiscing. That would have been so sweet and nice. This also applies to Sheila.

The lack of Donut outside of a mention of him being an Admiral and the silly memory of him from Simmons is outrageous. He is a main character, we established this in S17 and retcon or not, he earned that development and it should have remained.

Grif was was insanely angry in the beginning, I imagine this more as Geoff because his performance throughout was probably the best of the movie. He's taken RTs closure hard and I completely understand him being upset, so this is barely a complaint.

Alright... with the negative out of the way, lets talk positive! i wish I could say my positives outweighed the negatives, but unfortunately that isn't the case, however I do have two big standouts.

1. The campfire scene. This, this scene alone is what adds a chunk to the positive section of my feelings. It was the scene that really gut punched me, the moment I heard Ed Robertson's voice I crumpled into tears (I am a HUGE Barenaked Ladies fan). The pure bittersweetness of watching these characters who have been through so much together finally taking a serious moment to reminisce is all I ever wanted from RvB. I wished with all my heart that Tucker, Church, Sarge, Donut, Doc, Lopez, and Sheila could share in it, who knows maybe Sarge and Docs ghosts popped by to listen. But, this is to me, what I wanted.

2. Agent Texas. This was good, this was REALLY good. The bait and swap to have Caboose bringing Tex back and not Church was good, and especially nice development from Caboose despite how rushed it feels. The kicker of this though? this Tex was not the same Tex as before. That reveal that this Tex was not based on the Directors memories of Allison's failure, but instead based on the Reds and Blues memories of her beating their asses is ACTUALLY insane, and a genius twist. And her getting her black armour plus the playing of Round One/Bullfight got me more hype then I was ever expecting to get from Restoration. I also believe that Tex finally being remembered properly and being able to move on with Church was heartwarming and very much deserved.

My negatives far outweigh the positives, but the positives are so good, and with it being the finale of 21 years worth of content I cant in the right mind say I dislike Restoration. I don't like it as the ending to Red vs Blue, call me bias (my favourite season is 15) but the trade off of development for the characters between Restoration and Shisno is just not worth it for me. Say what you will about the Shisno Trilogy but you cannot ignore that it gave us the much needed development for many characters, Grif and Donut standing out the most. While the "god"-plot is far fetched and out there, and I've heard that Tucker was character regressed in s16 (which I do not believe and will die on that hill but thats a topic for another day), or the inclusion of the Blues and Reds putting a wrench in some lore I still don't think it was all bad enough to warrant a retcon entirely. Who knows, maybe this was all planned from the start, or it was just because of WB. But this ending is not satisfying to me. I won't say its a bad ending, if I didn't like Shisno so much and never bothered to watch it I'm sure as a direct continuation from S13 I would have a much more positive look on it.

I also do believe that Burnie wrote it in such a way that you can decide for yourself if S14-17(and 18 if you enjoyed it) or Restoration is the cannon ending and to that I respect it.

So in short, my review of the final piece of official Red vs Blue content, is that its okay. A lot felt OOC, and plot was rushed and messy, things felt like they were all predetermined and not driven by the characters as is RvB's biggest strength. It was far too short and even still I generally don't like retcons. But for what it is, and the positive moments it brings I still think its good. Not cannon to me, but I will definitely be taking points from it into my personal cannon post-s17 (Admiral Donut my beloved, you would be so cool if you actually showed up).

[marshallpupfan]

Hopefully this isn't too weird or invasive a question, but I'm curious what draws you to Paw Patrol as an older fan, and also what your experience has been like in the fandom and as a collector? (I'm assuming you're an older fan and probably close to my age from the non-Paw Patrol media you share haha).

I am indeed one of its older fans, and I can think up a few reasons that keeps drawing me to it.

One I can say right away is the fact I have a big love for canines, thus I tend to gravitate towards anything with dogs (and wolves, depending on if they're heroes or villains). They make up plenty of my favorites characters, as some of you seen in one of my previous Asks, and I generally tend to enjoy things more when they're involved (a friend recently recommended an older game to me, which I enjoyed all the more because you got to travel around with your trusty dog).

Funnily enough, not too long ago, I took an interest in the Asterix and Obelix franchise because of its dog character, Dogmatix... and I was quite thrilled when I heard he was getting his own spinoff cartoon! Of course, it was only available in French at the time, but much to my luck, the first half of season one got dubbed in English and [officially] posted on Youtube, free to watch! I gave it a go, and I thought it was pretty good! If anyone's curious, click this link to check it out. And yes, this might've been a thinly-veiled attempt to talk about this cartoon somewhere, since there aren't many English-speaking fans. lol

Arquebus/Musketix is the best character.

But yeah, the pups are one of my biggest draws to PAW Patrol, and unlike some fans, I rather like it when other pups get added to the cast. Boomer and Claw both certainly helped renew some of my interest in the franchise, particularly during a time in which I felt things were going downhill. Hey, I just love dogs!

Obviously, Marshall's easily my biggest draw to PAW Patrol. I'll admit, I tend to take a far bigger interest in an episode when he actually gets some good attention... and it's why my interests start to wane when he doesn't. The dude's legit my #1 favorite animated character, so I suppose it's no surprise to hear I often tune in specifically for him. That's not to say I don't get enjoyment from the other pups, but I'm just so crazy about that spotted pup!

Another aspect that draws me to PAW Patrol is just how fun it tends to be (or used to be, but the modern seasons still have their moments). I don't want to go too deep into this because I don't want things to get too serious, but let's just say... life can be quite rough anymore, and it never seems to get much better. I often look for something that can help me escape that for a while, even if it's just for a half hour at a time. I found that PAW Patrol does that for me. It's cute, colorful, fun, doesn't try to be complex, and by the end, everything turns out okay. And if I need cheering up after a bad day, a certainly clumsy, spotted pup often always puts a smile on my face. Some days, I need that.

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As for my experiences with the fandom, I'd say it's been largely positive. I do tend to meet a lot of friendly people, many of which tend to be supportive and/or cheerful when I need it, and I generally enjoy interacting with most of them right back! I certainly don't regret being a part of it for the last five years or so.

With that said, I've had encounters that certainly weren't pleasant. I think everyone knows about my copycat by this point, so no need to retread that old ground. There's one infamous user out there who just seems to hate everything (unless it involves Everest), and he often turns hostile if you don't agree with his opinions. The same dude even tried arguing and verbally attacking those who work on PAW Patrol... including their families, too! Crazy guy. I've also encountered some fans who seem to make stuff up, believe their headcanon to be fact, and then become angry when people don't agree with them. I once had someone tell me Ryder is "gaslighting" Rubble, and... I don't even want to know what that means or why they believe that.

And in-regards to being a collector, the reception I often encounter has been quite positive, too. Most fans really seem to enjoy seeing my collection, even if it's just out of curiosity to see just how much merchandise they made of one single pup. I still get compliments on it all the time, from both fans and non-fans of Marshall, and I've even seen other folks who just think it's legit cool.

Surprisingly, I've only had one negative encounter so far, and it was, believe it or not, from someone who used to be a fan of PAW Patrol. She became one of those folks who encountered bad users, got tired of them, and then decided every fan must be awful... and of course, she tore into me because I "talk too much" about Marshall and deemed me a "freak" for collecting so much merchandise. Most of what she said was largely laced with swears and insults, and I'm sure she believes she put me in my place or something... though in truth, I was laughing at most of her replies. Why she felt the need to throw such a temper tantrum on me, I'll never know, but she didn't succeed in even the slightest to discourage me or anything. lol