#i guess the nature of fandom IS that every so often someone will invent a conspiracy theory and hundreds will believe them

[areyoudoingthis]

people will make fun of tjlc for being a conspiracy and then turn around and do the same thing with their show and be 100% convinced that they're right actually and the difference is that the tjlcers were wrong

[prince-of-elsinore]

happy wincest wednesday!! asking folks similar questions on a central theme: what elements of sam and Dean's relationship, or things about themselves as characters, do you think are often done REALLY well in fic? any examples??

(or, salty edition: which elements are often done poorly, in your opinion?)

Happy Wincest Wednesday! What a good but tricky question. It's difficult--impossible, really--to generalize wrt fanfiction, when you consider the sheer breadth of works in Wincest fandom, from early fic to new and every niche of taste besides; and then there are my reading habits, which are hardly representative of fanfic at large.

All of which makes it much easier for me to think of elements often done poorly, imo 😅 (I do get to positives below the cut as well!) The biggest offenders that come to mind are:

for Dean, his lack of boundaries, possessiveness/entitlement wrt Sam, and overriding of Sam's--forgive me for the overused word--autonomy. These are all, to some extent, present in his canon character and important themes of the show, but I find they are often grossly exaggerated in fic. Of course a lot of this comes down to how one interprets canon; if you see Sam as brainwashed/Stockholm Syndromed by his brother from Carver era on, then I guess it seems natural to write a Dean who deviously manipulates Sam and rides roughshod over his sense of self, who rules the bunker with an iron fist. If, however, like me, you see Carver-era+ Sam as coming to terms with his relationship with Dean and how much he not only needs but wants to be with him, and if you view him as the primary agent in his own life decisions, and if you recognize how much (often tacit) power he holds in his relationship with Dean, that characterization becomes nonsensical. Dean does in some ways harden over the years, particularly with his anger, but he still carries an innate emotional vulnerability that is his need for Sam and fear that Sam can and will leave him (he's the only one who's ever walked away from family!). Simultaneously, in later years he has more trust in his partnership with Sam than ever, which includes, I think, trust that Sam will stand his own and be a counterbalance to Dean when need be. Anyway, all that is a roundabout way of saying that I don't think it's in character for Dean, especially a late seasons one, to seriously violate or disrespect Sam, and on the whole "possessive Dean" is a fandom invention.

for Sam, relatedly, it's writing him as too yielding and needy. While I appreciate a rare and earned moment of vulnerability, Sam, even at his most victimized, isn't innately as emotionally vulnerable as Dean for reasons mentioned above. He has a firmer sense of self, even if at his lowest he has serious doubts about his abilities and worth. Except in very rare moments, I don't see him as someone who willingly gives up control. When he seems to "go along" with Dean I see that as an intentional choice, not a weakness. He chooses his battles, and God help (hm, poor choice of words but you get it 😅) the person who tries to cross Sam Winchester when he's drawn a line in the sand, even--actually especially--if it's his brother.

But I don't want this post to be nothing but salt! Here are some things that generally, at least in the fic I read and like, people nail on the head:

Sam and Dean love each other! They mean everything to each other! Even when they're on the outs over something. They are ride or die. Their love is a love that can destroy and save the world <3

They belong together. Especially in later seasons, they are truly domestically committed (whether it's Established Relationship or not). There's no one else who gets them like they do, no one else they could ever feel so comfortable with. "It's always been you"--you know the rest!

They're brothers. First and foremost. Teasing, bickering, one-upping, gross-outing, sniping brothers.

I'm always pleased to see a version of this done well, and many of my favorite fics nail it: how scary and new everything is when crossing that line the first time. Whether you spin it towards fluff or angst, I love those moments of discovery--of each other's bodies, of their own pleasure--unease, awkwardness, giddiness or terror, when a sexual element is added to their chemistry. They know each other so well, but not like this. Everything is so familiar and foreign at once, and how much does it change things? Too much? Practically nothing? I love them figuring those things out together, and I'll never tire of reading it. Luckily there is a feast of such moments in Wincest fic 🍿

Okay examples of diverse fics that I think get all of the above right!

This Next Town by @nigeltde-fic (gentle, domestic late seasons, with a wonderful description of the stunning newness of their intimacy)

The Elko County Adventure by candle_beck (the brothers of it all! The underlying tension and fear and care and love!)

Carry Me Over the Sky by killabeez (for an angstier take--the pure need for each other and the horror of changing things irrevocably)

Baby Blue by edwardina (for a kinky take that may not be everyone's cuppa, but I was surprised by how well it sold it to me--this Dean is right on the edge of over-the-line possessive for me, but works I think because of how surprised he is by his own feelings, and how sturdy Sam remains despite his outlandish and dependent circumstances)

side two, track one by @zmediaoutlet (they're brothers, they're committed to each other already, and then all of a sudden something shifts and they're both in terrifying, thrilling new territory)

Thank you for the ask! Hope you enjoy the longer-than-expected answer and recs :)

[ominous-horse-noises]

as someone who fell off of genshin for similar reasons (gameplay loop became meaningless busywork way too quickly, the story became too self-referential and unfocused, etc.), i also want to add that i feel like the writers wrote themselves into a corner from the start with the traveler.

the traveler's motivations are kind of counterintuitive to the interests of players. from lumine's (the twin i played) perspective, she wants as little interaction with this world as possible, and thus any story conflict she's drawn into has to be kind of against her will. sure, lumine can make connections with the characters, but genshin isnt really written well enough to express a lot of those relationships as organic and a meaningful obstacle to her objective of grabbing her twin and leaving teyvat. there are exceptions (xiao, for instance, has actually been built up to have a close bond with the traveler specifically), but overall, the writing strongly implies that if it wasnt useful for her to be helping others, she would have stopped by now.

full admission, i stopped playing soon after sumeru dropped- partly because i had gotten bored with the gameplay, and partly because a lot of the new mechanics and puzzles introduced were too dense to parse easily. however, from streamers i watch who've played up to fontaine, there seems to have been an overarching arc of the traveler's good nature being taken advantage of so often and for so long that they're starting to become embittered over having to lend a hand at all in all threads of the plot- because the writers keep having characters (usually the archons or similarly high ranking members in each nation's society) promise them progress and then go 'teehee guess i can't help you after all' in a cycle that feels a little like the writers taunting the players themselves.

now, i say this is counterintuitive to the players because the players WANT to linger in the world. they want to get to know all the characters, they want to explore every inch of the map for puzzles and chests, they want to do all the quests, they want to understand the lore. so now the story is caught between inventing more and more grating reasons why the traveler has to get involved with the narrative of the world against their will, the characters seem more and more like assholes for being able to provide nothing useful in return (bc as op accurately pinpointed, the writers keep holding their story cards tight to their chests), and the traveler becomes more exhausted and cynical about doing the things that the player is playing the game to do. its basically a running joke in the fandom at this point.

the difference between botw having a similar 'racing to save someone dear to the protagonist but getting involved in the minutiae of an open world' and genshin is that botw is VERY clear why link can't just grab a few overpowered allies and run straight for the castle. in genshin, because the story is so bloated and yet underdeveloped, the player doesn't get a real sense of the scope of the danger beyond cryptic allusion and other characters just saying so.

and the tragic thing is hoyo knows this is, objectively, a bad set up to tell a story like this from, because the first thing they did with the protagonist of honkai: star rail (i have complaints about the storytelling from the second world, but overall, the writing is head and shoulders above genshin by every metric) is give them no past and stick them on a crew of people who are literal do-gooders. amnesia is a cheap writing trick for player avatars, but it ends up working because the avatar is put with a group of people whose whole motivation is to travel and help others, which gives them an easy and plausible reason to get involved in conflicts of both A plot and C/D plot importance.

so. uh. in short, writing a protagonist whose express purpose is to get out of the world the entire game takes place in as soon as possible punishes players who want to try and be immersed in the story and their avatar's goals with endless frustration.

i kinda really wanna see a big ol vent/rant from you about genshin now lol. I would read an essay

I'm not sure you understand the insanity you just unlocked in me but ok

genshin impact is probably the clearest modern example i can think of of capitalism absolutely eviscerating a creative project. For context, I started playing genshin in 2021, just after the 1.4 update. it was venti's first rerun/the first windblume festival if that means something to you. and I really genuinely thought that it might have had something special. It was a gacha that didn't FEEL like a gacha, which was a huge feat to me.

it began with a very simple story pitch--you, the protagonist, are one of a set of twin siblings traveling through space. you come upon a seemingly unassuming world and your attempts to continue your journey are suddenly stopped by a mysterious, all-powerful figure. you are separated from your sibling and wake up alone on the shores of this planet you were attempting to leave together. throughout that opening cutscene and scattered through the world and your character's dialog there are implications that all is not as it seems, that your character is something unique to this world and that they possess powers and abilities that you've yet to unlock. You are told that you must travel the seven nations of this world in order to find your sibling, which is great--a simple, zelda-like objective which drives the player to explore the secondary narratives of the world. none of this is bad on the surface. in fact i'd argue it's pretty good. there's a ton that can be done with these story bones. even at launch the map and combat system were full of potential as well.

Note: for ease of reading, i'm going to label the different storylines of the game now. A-plot refers to the central objective of the entire game; the find-your-sibling plot and everything that encompasses, including the abyss order/dain, the heavenly principles, the fake sky, etc. B-plot refers to the secondary objective present in each new nation, usually meeting the archon and/or solving a problem for the archon. (A and B-plots will occasionally intersect.) C-plot refers to any story, location, or background information which remains in permanent gameplay but which isn't directly related to the A or B-plots, such as dragonspine, the chasm, enkanomiya, etc. D-plot refers to any story, location, or background information which is confined to limited-time events and does NOT remain in permanent gameplay, regardless of its connection or lack thereof to the A and B-plots, such as the golden apple archipelago, the infamous albedo/dragonspine event, the infamous kaeya/diluc event, etc. Lore as i will refer to it in this post refers to any information which is present in permanent gameplay but which is not directly told to the player within the A or B-plot story quests and objectives, including books, weapon, artifact, and item descriptions, world quest dialog and puzzles, etc.

So now we're in mid-2021, there are two nations' worth of B-plot story quests released in full, and we've run into our first problem, which is that the game isn't finished yet. I don't have any actual information about how the game was/is written, but based on what i've observed over the past few years, my best guess is that the A-plot has been fully written since the beginning, at least in some form. there were very early-game events and information pertaining to the A-plot that would take years to see any actual payoff in the main story quests (kaeya's origin story, the 1.3 scaramouche fake-sky drop, the flowers in lumine's hair, etc.) but those kinds of A-plot story easter eggs very quickly dropped off when the game absolutely EXPLODED during the pandemic.

this sudden burst in popularity was the true beginning of the end for genshin, i think, because suddenly they had a HUGE fanbase that desperately wanted more content faster than they could pump out new A-plot or even B-plot story quests. one of the most pervasive complaints about the game when I began playing in 2021 was that there was nothing to do between story quests. update 1.4 (which was the update I started playing at) was important in that it was the first time since genshin's release over a year before that players recieved any new A-plot, in the form of the archon quest We Will Be Reunited, also known as the quest with the most fucking misleading name of all time. you'll never guess what doesn't fucking happen during this quest. anyways. we were a year into gameplay, two nations out of seven released and a third on the not-so-distant horizon, and it seemed obvious that players were owed some sort of A-plot payoff. and that's very much what WWBR was advertised as, from the quest's name to the banners full of art of the twins staring wistfully at each other. The thing is, what i'm describing as A-plot payoff was actually. not really A-plot payoff at all. WWBR was the reveal that the protagonist's sibling was working with the abyss order, and that the abyss order was connected somehow to Khaenri'ah, which at this point casual players would only have known about from THAT QUEST and MAYBE kaeya's character descriptions if they were diligent enough to get him to friendship level 10 (which, btw there is no indication that you should do to get important context about the story of the game, because kaeya is a 4-star starter character and the only character in the entire game that actually has genuinely important story hidden in his character descriptions.) So what I'm calling A-plot payoff felt at the time a lot less like A-plot payoff than it did like an abyss sibling cameo in an attempt to satiate everyone who was begging for more story. We actually gained almost net 0 information. this is very quickly going to become a pattern.

As I've already alluded to, the motives behind this writing decision are transparently obvious. Genshin is a free gacha game which relies on a consistently active and engaged userbase to make its money. With fans getting restless about the lack of engaging story at the time and a new, very ambitious B-plot quest gearing up for release that would require major support from that fan base in order to remain profitable, the writers were backed into a corner. they HAD to throw the fans some sort of bone in order to keep them engaged with the A-plot, since it was originally pitched as the driving force for the story as a whole, but they were also clearly not at a stage of the writing process where it was prudent to give the player any REAL information about the A-plot. This is how we ended up with a 10-second abyss sibling cameo and an offhanded mention of Khaenri'ah, a nation whose plot-relevance was at that point still basically unknown.

The real problem is, WWBR worked. at least, it worked as intended at the time. It satiated story-focused fans in the interlude between B-plot nations, as hyv was gearing up to release inazuma, which required a lot of time in preparation. WWBR was followed almost immediately by the C-plot golden apple archipelago in 1.6, widely regarded as one of the better events of version 1. GAA was memorable especially because it was the first event that involved an entirely new, limited-time-only map, meaning the event had much more longevity than the standard events players were used to. This is, imo, most likely the update combination that led to the standard formula which hyv uses for its quests and events nowadays. the back-to-back release of WWBR and GAA satisfied both fans who wanted A-plot story AND silenced criticisms about the game lacking endgame playability, which at the time must have seemed like a goldmine to writers desperate for a solution to their content-to-fanbase ratio problem.

From here, genshin started following a standard method of release for their next three nations--inazuma, sumeru, and fontaine. the formula generally went as follows: one major version update (usually version x.0) containing a major map update which included all B-plot relevant locations in the new nation, and the first chapter of the B-plot story quest relevant to that nation. this would then be followed by 2-3 version updates which would each contain the next chapter in the nation's B-plot story quest, sequentially. After the nation's B-plot quest ended, during the downtime in which the next nation's story and map would be finalized, subsequent updates would be largely C-plot, and would contain minor expansions of the map to increase endgame playability via exploration and world quests. This is how we ended up with updates like the chasm, the several extra islands in inazuma, and the quite frankly ridiculously large sumeru map, as well as the offloaded maps like enkanomiya and the sea of bygone eras. with the possible exception of the chasm, none of these areas are A OR B-plot relevant. hyv has realized that artificially inflating the map makes their game technically more engaging during the downtime between nations. However, this comes at a price. While the scenery and set design of the game remains consistently beautiful, the actual, mechanical gameplay that populates that scenery very quickly became mind-numbingly boring if not borderline unplayable. While the 1.0 questlines were not perfect, there was at least an emphasis on the player actually DOING things. 1.0 B-plot quests would have you going to mini-dungeon temples and completing challenges which would acclimate you to the combat system while also serving narrative purpose. There were quests that required you to navigate open-world dungeons. Because your characters were lower-level, combat challenges that arose during these quests were CHALLENGES, rather than two-second buttonmashing segments. By the time we get to sumeru, though, both B-plot AND C-plot quests have become little more than moving your character from location to location and tapping through (usually unvoiced) dialog. there's no GAMEPLAY in the quests anymore, because gameplay isn't what makes money. What DOES make money is giving players 300 hidden chests to find in an open-world map segment, each of which gives them 1/80th of a gacha pull. And so the story suffers and the map gets bigger.

Along with the map expansions, downtime between nations usually also nets us one A-plot quest, usually involving the character dainslief, who was the driver of the initial WWBR quest. This is the second half of hyv's magical formula for keeping fans happy between major releases. the A-plot quests will, as a general rule, give players either very little new information or no new information at all, but will dress up the delivery in such a way that it ALMOST feels as though the protagonist has moved forward somehow. the most recent example of this writing style, the 4.7 quest bedtime story, amounts to about an hour and a half of gameplay and, while it DOES contain a segment in which the protagonist finally actually has a conversation with their sibling, that conversation literally begins with the line "I have so many questions, but for some reason I don't want to ask them right now," ensuring that the sibling will not actually be required to give away any plot-relevant information whatsoever, and the quest ends with the protagonist FORGETTING THAT THE CONVERSATION EVER HAPPENED IN THE FIRST PLACE.

As I think I mentioned before, the cardinal problem of genshin impact's writing is that fans want answers faster than the writers are prepared to give them. I don't doubt that there's a game bible or relevant equivalent somewhere within hyv which contains the explanations we are currently lacking in regards to the A-plot. the game is consistent enough in its storytelling for me to believe that this isn't all just being made up as we go along. But I'm also certain that a lot of the late-game A and B-plot that is planned (especially if the Khaenri'ah is truly planned to be the 8th nation of the game) hinges on the player knowing very little about the A-plot. this would be fine if genshin was a standard single-release video game that players could work through at their own pace, but it isn't. it's unfinished, and each nation in the game releases months to years after the last, leaving the writers to scramble to fill in the gameplay gaps and players struggling to remember plot-relevant information when it's brought up literal years after they last heard it mentioned. Not only does the time between updates leave players frustrated about the lack of A-plot, it makes the A-plot harder to understand when it is brought up, because the writers are required to throw in so much dense C and D-plot just to keep engagement high enough to make the game profitable in its downtime. we joke about the insane convolution of genshin's lore, but that is first and foremost a byproduct of its financial model. the game requires engaement to be profitable, and adding lore for players to look into drives up engagement. The fact that having so much story with so little plot relevance muddies the waters and makes the A and B-plot stories considerably harder to understand doesn't matter as long as money is being made.

I want to take a quick detour here to talk about the release of sumeru specifically, because this is when I really began to clock the fact that genshin was declining. on paper, racial sensitivity issues aside (Not that they're not important, but i'm doing this deep dive from a storytelling and game design point of view, nothing else. that's a whole can of worms i don't have time to get into here) sumeru was a really promising addition to the game. The new B-plot quest which was set to drop in 3.0 was highly anticipated for several reasons. Two fan-favorite characters (kaeya and scaramouche) were expected to play major roles, because of earlier C and B-plot quests, and much of the nation's scenery that was teased in trailers and promotional content appeared to tie into the A-plot. the most exciting draw about sumeru and version 3.0, though, was the major update to the combat system.

Arguably genshin impact's most interesting feature upon release was its combat system. The map was basically a botw clone at that point, and the story quests, while decently engaging, were rough around the edges to say the least. What genshin DID have going for it was a unique real-time combat system that rewarded strategy and quick thinking.

Genshin's combat system is elemental, and on release there were 6 elemental affiliations: anemo (wind), cryo (ice), pyro (fire), hydro (water), geo (rock), and electro (electricity.) in a sort of pokemon-like system, certain elements were weak to other ones, but more importantly, certain combinations of elements could drastically boost combat stats. Players got to construct four-slot teams of characters, each with an elemental affiliation and certain "skills" which would match their element, and you were encouraged to use the interactions of these elements to build teams. very quickly, a huge community formed dedicated to optimizing teams and tiering characters. People would even make a game out of building teams specifically to do high-level damage with "bad" characters or characters who weren't designed to be damage drivers (my 100k jean burst was an incredible moment fr.) this was, of course, also a picture-perfect driver for the gacha aspect of the game, which was how players obtained new characters.

Pre-3.0, combat was... well i won't say it was balanced, but there was no elemental reaction that had any MAJOR advantage over the others. when you actually ran the numbers, i believe vaporize was the best reaction in terms of damage output, with the best team being raiden national with kazuha for EM buffs. but a well-built freeze or melt team could do similar numbers, or even better numbers depending on your artifact rolls. (ayaka permafreeze you will always be my #1.) Despite a steady stream of new characters with each update, characters from the earliest version of the game like xingqiu and xiangling were still topping the charts in terms of usefulness and versatility in teambuilding. However, as early as 1.0, players had been teased that a major update to the combat system was planned. There was a seventh element, dendro (plants) which pre-3.0 only existed as an elemental affiliation for menial enemies. there were no playable dendro characters, and the only elemental reaction that existed relating to it was very low-level and not particularly useful in combat.

Originally, dendro was projected to be added to the combat system somewhere in version 2, but its release was delayed substantially, meaning it came out along with its affiliated nation, sumeru. And as soon as it came out, it basically broke the combat system. I assume that the scaling they ended up going with may have been out of fear that players would be hesitant to integrate a new element into their pre-established team builds, and thus they may have been worried about sales on their dendro character banners, and i assume that the fact that 3 elements are required to get the highest-level reaction was an attempt to make the meta more balanced in the face of that scaling, but, well... it didn't work. At this point, the genshin impact combat meta is basically "if you're not using hyperbloom what the fuck are you doing." there's basically no reaction in the game that comes close to it in terms of both damage and ease of use. you are not going to beat a hyperbloom team with anything other than a better-built hyperbloom team. combat is now very heavily skewed in the direction of dendro, meaning that if you DON'T want to use a dendro team, you're going to be doing significantly lower numbers. And since enemies are added with each update, post-3.0 combat becomes difficult and annoying if you don't have a hyperbloom team on-hand.

The major gripe i have with dendro isn't even the scaling, though. I mentioned offhand earlier that the 1.0 B-plot questline had a section which taught you the basics of the combat system via mini-dungeons. These mini-dungeons, of course, taught you the version of the system that existed pre-3.0, so there's no tutorial for dendro reactions. Rather than integrating the tutorial into the story and world like they did in their early quests, upon playing 3.0 for the first time players were given a popup that explained, very wordily, how dendro reactions worked. there was no opportunity to test these reactions in an environment without consequences--if you wanted to try them you'd have to remember the relevant information, build yourself a team, find an enemy to try them on, and just hope you got it right. This lack of integration is something i began to notice more and more with genshin as it progressed, especially in sumeru. where in mondstadt and liyue open-world puzzles would be explained to you by an npc or via environmental context clues, in sumeru you'd be stopped while exploring every two seconds by a popup explaining some puzzle or another which, of course, you wouldn't read, because you didn't want to do the puzzle right that minute anyway, and then by the time you DID want to do that puzzle you'd have no in-game way of figuring out how to do it. The puzzle popups may seem like a small thing, but it's one of the clearest examples in the game to me of the fact that the player experience is so clearly not being prioritized here. the game doesn't even TRY to be immersive anymore. they have no qualms about pulling you out of the story to read a paragraph about how the puzzle works. they don't care how your character, in-universe, is supposed to have acquired that information. they don't care why your character, in-universe, is doing the puzzle in the first place. because they know the reason YOU are doing the puzzle, which is to unlock a hidden chest that gives you 1/80th of a gacha pull.

That was not "a quick detour" was it lmfao. ok anyways. back to the story. Now i want to talk about D-plot, meaning limited event stories, and lore as i defined it earlier, meaning contextual details not present in quests or playable story. This is where i think genshin's story becomes completely inaccessible.

Already, we've covered the fact that in order to consume the very basic story, players have to be willing to wait years between A and B-plot quest releases, punctuated by irrelevant map expansions and interlude quests. I mentioned before that genshin's incompleteness is one of the major problems of its story. the fact that players have to wait years, remembering plot-relevant information that they have no way of knowing will even BE plot-relevant, for the payoff of these narratives is frustrating at best and actively malicious at worst. But in theory, there should be an obvious way to circumvent this. One could just wait until the game IS completely finished to play the whole thing. Sort of like buying a game in early access but waiting until it's actually finished to play it all the way through. that's theoretically possible. but, as i have been hammering home this whole time, genshin is a free game, and therefore genshin relies entirely on a consistently engaging fanbase in order to remain profitable. if genshin does not have a base of players who are willing to log in every day, or at the very least once every update, the game's financial model collapses on itself. therefore, genshin puts on limited-time events. this is a standard in gacha games, as a way to keep the fans consistently engaging. What is not standard, however, is the way that genshin uses these events as vessels for its story. about 19 out of 20 limited events in genshin impact will be useless menial bullshit with no effect on the story or really even the player aside from maybe making you fucking angry. 1 out of those 20, though, will be innocuously named, with nothing in the banner or event description to indicate that it's special in any way, but it will contain serious A or B-plot relevant information that exists nowhere else in the game. My personal favorite example is the infamous 1.3 scaramouche appearance, in which he showed up, told the protagonist that the sky was fake, and then immediately fucked off again. Scaramouche did not show up again until at least 2.0, and the fake sky wasn't so much as MENTIONED again until 3.2, almost TWO YEARS LATER. but there are others, such as the (almost equally infamous) albedo doppelganger event in which a major character's loyalties are called into question, or the event where major biographical information is revealed about kaeya, the only playable character with major known connections to the A-plot and Khaenri'ah. With all of these events, once the event period ends, the information contained within them vanishes from the game completely. there's no way to replay old events that you've missed, even sans rewards, so if you miss a plot-relevant event the ONLY way to catch up on that story is through word of mouth. again, this is a transparent way to keep genshin's userbase engaged during downtime between B-plot quests; if you don't log in and play every event, how will you know if you've missed something important? You might not be able to fully understand the future story if you miss out on the D-plot now!

The D-plot problem is something that I think could, in theory, be circumvented by dedicated record-keeping. if the wiki had anything resembling an easily accessible event database that marked story-relevant events and contained summaries or gameplay videos, at the very least you wouldn't have to fear being completely lost on the off chance that a random throwaway line in an event from fucking 1.3 becomes plot-relevant. but hyv obviously doesn't want that, because it undermines their financial model, and the sheer number of events and the amount of rerunning of irrelevant events they do makes the task of recording and categorizing them all daunting if not impossible.

Then, of course, there's lore. this is arguably what genshin is infamous for in certain circles of the internet. You know that unraveled video where bdg reads every book in skyrim? if you tried to do that with genshin the video would probably be about 10 hours long. and it's not just books; genshin hides (potentially) plot-relevant information in weapon and artifact descriptions, in random hidden world quests, in character bios... the list goes on. and 9 times out of 10, the information is essentially written in code. Plot-relevant characters will have multiple names, or the relevant information will refer to them as vaguely as possible, presumably to further the "mystery" and encourage theorizing among fans. but the sheer amount of information like this that exists within the game makes it all but impossible to determine what is plot-relevant and what isn't. For a topical example, the most recent A-plot quest bedtime story mentions the name Rhinedottir in connection with events in Khaenri'ah, suddenly making that name A-plot relevant. Rhinedottir is an alternate name for the character Gold, whose existence you would only have known of before this point if you'd unlocked and read the character Albedo's character bios. (Albedo is a limited-run character who hasn't been available since november 2022, btw.) the only other information about Rhinedottir permanently available in the game comes from the description of the weapon Festering Desire, which was only obtainable from a limited event back in 2020, anyway. So basically, if you wanted ANY context for that remark, you'd have to have been playing the game since AT LEAST 2022, AND you'd have to have taken the time to go over your weapon and character descriptions with a fine-toothed comb. keep in mind that as of right now (june 2024) there are 85 playable characters in this game, each with 10 unique unlockable character bio sections, and over 150 weapons, each with their own unique descriptions, not to mention over 50 artifact sets, each with 5 unique artifacts, which all have their own unique descriptions as well. there are also 51 different collections of books which contain written lore as well. the idea that any player could keep up with all this, or that anyone could even sift through it all to pick out the important things that they NEED to keep up with, is insane, especially when the game makes a point of withholding crucial plot information from its players within the A and B-plot quests. this amount of written lore only exists, again, to drive up engagement in the hopes of subsequently driving up profit. Even if the average player isn't reading and absorbing all this information, the fact that it's there coupled with the fact that the writers consistently refuse to reveal anything beyond surface-level A-plot information means that there's basically ENDLESS theory fodder. and THAT means that people will be posting their theories and talking with each other and getting into arguments. it means "genshin impact" trends on twitter. it means engagement, and engagement means money.

basically what it comes back to is that everything is so transparently money over player experience with this game. I think what we're witnessing with genshin is what i would call an end-stage gacha game--a gacha game that's gone on a little too long and gotten a little too popular, and so the veil has started to slip a little more than usual. Gachas work primarily because they operate by toeing the line between what is fun to play and what is a predatory mechanic. As long as the actual gameplay remains engaging and rewarding, players can ignore the unsavory business practices underneath. At this point, genshin has swerved too hard into the money-hungriness and is still hoping that they can use their old tried-and-true engagement farming methods to remain popular regardless. currently, it seems like those methods are still working, unfortunately. Like I said in the post that prompted this, i really can't wait for the hyv writer NDAs to expire 10 or so years down the line, because I can only imagine what an insane shitshow writing for this game must be. I want to see the tell-all articles. I want carnage.

That being said, I played genshin impact religiously from 2020 to 2023. I loved the game. Despite myself, I am still really, REALLY interested in the A-plot. I want to know what's going on with the protagonist and their sibling; where they came from, what happened to them, what the heavenly principles are, what role celestia plays in all of this. I want to know Kaeya's full backstory, what role Khaenri'ah plays in the overarching story, and what happened to it in the past. but I don't really have any faith that I ever will, because I know that as long as keeping their fans in the dark and stringing them along remains profitable, that's what hyv will continue to do.

Do I think genshin impact is unsalvagable? in its current state, yes. If I was given the ability to turn back time and convince a bunch of executives of the profitability of this venture, I would change almost nothing about the story of genshin and completely rework the mechanics of its release. I would make it a series of single-release self-contained games rather than a constantly-updating gacha. Each game would be one B-plot quest, or one nation, eight games in all, preferably released once every year. Removing the gacha mechanic, players would be given access to a certain pool of characters to build teams at the start of each game, and then periodically unlock new characters as the story progressed. for example, if you were playing the inazuma game, you'd start out with only your protag, and after progressing to a certain point in the story you'd get a pool of inazuma 4-stars to teambuild with freely. Then, as the story progressed and you met plot-relevant inazuman 5-stars you'd add them to your pool. I'd change basically nothing about the combat system except for a properly integrated introduction of dendro when it makes its appearance in sumeru. Once you completed the story in that nation, you could move onto the next game in the series if it was out, or if it wasn't, you could continue to explore the open world while waiting for the next release. Would this be as profitable as the gacha model? probably not, but what it WOULD do is allow for much more consistent pacing and writing, with the added bonus of not making your userbase feel like you'd shoot them in the head for their pocket change.

[neuxue]

Just got taken out at the knees by a risk assessment document of all things, in which someone decided to be cute and replace the bog-standard red/ orange/ yellow/ green status flags with appropriately-coloured fruit emojis. There weren’t any items flagged as red, which is good for Work Things but bad for my sanity because it meant that - and if you’ve been in fandom long enough that you think you see where this is going you’re absolutely right - it was just a list of oranges, lemons, and limes.

anyway I guess the nature of humanity is such that every so often someone goes and invents the fucking citrus scale again

[lilydalexf]

Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Syntax6

Syntax6 has 17 stories at Gossamer, but you should visit her website for the complete collection of her fics and to see the cover art that comes with many of the stories (and to find her pro writing!). She's written some of the most beloved casefiles in the fandom. I've recced literally all of them here before. Twice. Big thanks to Syntax6 for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

I’m delighted but not surprised because I’ve written and read fanfic for shows even older than XF. Also, I joined the XF fandom relatively late, at the end of 1999, so there were already hundreds of “classic” fics out there, stories that were theoretically superseded or dated by canon developments that came after them, but which nonetheless remained compelling in their own right. That is the beauty of fanfic: it is inspired by its original creators but not bound by them. It’s a world of “what if” and each story gets to run in a new direction, irrespective of the canon and all the other stories spinning off in their own universes. In this way, fanfic becomes almost timeless.

What do you think of when you think about your X-Files fandom experience? What did you take away from it? What did you take away from your experience with X-Files fic or with the fandom in general?

(I feel these are similar, at least for me, so I will combine them here.)

First and foremost, I found friends. There was a table full of XF fanfic writers at my wedding. Bugs was my maid of honor. I still talk to someone from XF fandom pretty much every day. Lysandra, Maybe Amanda, Michelle Kiefer, bugs…these are just some of the people who’ve been part of my life for half my existence now. Sometimes I get to have dinner with Audrey Roget or Anjou or MCA. Deb Wells and Sarah Ellen Parsons are part of my pro fic beta team. I have a similar list from the Hunter fandom, terrific people who have enriched my life in numerous ways and I am honored to count as friends.

Second, I learned a lot about writing during my years in XF fandom. I grew up there. Part of this growth experience was simply due to practice. I wrote about 1.2 million words of XF fanfic, which is the equivalent of 15 novels. I made mistakes and learned from them. But another essential part of learning is absorbing different kinds of well-told tales, and XF had these in spades. Some stories were funny. Others were lyrical. Some were short pieces with nary a word wasted while others were sprawling epics that took you on an adventure. The neat thing about XF is that it has space for many different kinds of stories, from hard-core sci-fi to historical romance. You can watch other authors executing these varied pieces and learn from them. You can form critique groups and ask for betas and get direct feedback on how to improve. It’s collaborative and fun, and this can’t be underestimated, generally supportive. The underlying shared love of the original product means that everyone comes into your work predisposed to enjoy it. I am grateful for all the encouragement and the critiques I received over my years in fandom.

Finally, I think a valuable lesson for writers that you can find in fandom, but not in your local author critique group, is how to handle yourself when your work goes public. Not everyone is going to like your work and they will make sure you know it. Some people will like it maybe too much, to the point where they cross boundaries. Learning to disengage yourself from public reaction to your work is a difficult but crucial aspect of being a writer. You control the story. You can’t control reaction to it. It’s frustrating at first, perhaps, but in the end, it’s freeing.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

I participated in ATXC, the Haven message boards, and the Scullyfic mailing list/news group. For a number of years, I also ran a fic discussion group with bugs called The Why Incision.

What got you involved with X-Files fanfic?

I started reading XF fanfic before I began watching the show. I had watched one season two episode (Soft Light) and then seen bits and pieces of a few others from season four. I’d seen Fight the Future. Basically, I’d seen enough to know which one was Mulder and which one was Scully, and which one believed in aliens. An acquaintance linked me to a rec site for XF fanfic (Gertie’s, maybe?) so that I could see how fic was formatted for the web. I clicked a fic, I think it was one by Lydia Bower dealing with Scully’s cancer arc, and basically did not stop reading. Soon I was printing off 300K of fic to take home with me each night. I could not believe the level of talent in the fandom, and that there were so many excellent writers just giving away their works for free. I wanted to play in this sandbox, too, so I started renting the VHS tapes to catch up on old episodes (see, I am An Old). After a few months, I began writing my own stuff.

What was it that got you hooked on the X-Files as a show?

I had to be dragged kicking and screaming to The X-Files. I’m not a sci-fi person by nature. I think my main objection is that, when done poorly, it feels lazy to me. Who did the thing? A ghost! Maybe an alien? I guess we’ll never know. You can always just shrug and play some spooky music and the “truth will always be out there…” somewhere beyond the story in front of you. You never have to commit to any kind of truth because you can invent some magical power or new kind of alien to change the story. I think, by the bitter end, the XF had devolved into this kind of storytelling. The mytharc made no kind of sense even in its own universe. But for years the XF achieved the best aspects of sci-fi storytelling—narrative flexibility and an apotheosis of our current fears dressed up as a super entertaining yarn.

What eventually sold me on the XF as a show is all of the smart storytelling and the sheer amount of ideas contained within its run. At its best, it’s a brilliant show. You have mediations on good versus evil, the role of government in a free society, is there a God, are we alone in the universe, and what are the elements that make us who we are? If Mulder and Morris Fletcher switch bodies, how do we know it’s really “them”? The tonal shifts from week to week were clever and engaging. For Vince Gilligan, truth was always found in fellow human beings. For Darin Morgan, humans were the biggest monster of all. The show was big enough to contain both these premises, and indeed, was stronger for it. The deep questions, the character quirks, the unsolved mysteries and all that went unsaid in the Mulder-Scully relationship left so much room for fanfic writers to do their own work. As such, the fandom attracted and continues to attract both dabbling writers and those who are serious craftspeople. People who like the mystery and those who like the sci-fi angle. Scientists and true believers. Like the show, it’s big enough for all.

What is your relationship like now to X-Files fandom?

I look at it like an old friend I catch up with once in a while. We’ve been close for so long that there’s no awkwardness—we just get each other! I love seeing people post screen shots and commentary, and I think it’s wonderful that so many writers are still inventing new adventures for Mulder and Scully. That is how the characters live on, and indeed how any of us lives on, through the stories that others tell about us.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I ran the Hunter fandom for about five years, mostly because when I poked my head back in, I found the person in change was a bully who’d shut down everything due to her own waning interest. A person would try to start a topic for discussion, and she’d say, “We’ve already covered that.” Well, yes, in a 30-year-old show, there’s not a lot of new ground…

Most other shows, Hunter included, have smaller fandoms and thus don’t attract the depth of fan talent. I don’t just mean fanfic writers. I mean those who do visual art, fan vids, critiques, etc. The XF fandom has all these in droves, which makes it a rare and special place. But all fandoms have the particular joy of geeking out over favorite scenes and reveling in the meeting of shared minds. It will always look odd to those not contained within it, which brings me to the part of modern fandom I find somewhat uncomfortable…the creators are often in fan-space.

In Hunter, the female lead joins fan groups and participates. This is more common now in the age of social media, where writers, producers, actors, etc., are on the same platforms as the rest of us. Fan and creator interaction used to be highly circumscribed: fans wrote letters and maybe received a signed headshot in return. There were cons where show runners gave panels and took questions from the audience. You could stand in line to meet your favorite star. Now, you can @ your favorite star on Twitter, message her on Facebook or follow him on Instagram. In some ways, this is so fun! In other ways, it blurs in the lines in ways that make me uncomfortable. I think it’s rude, for example, if a fan were to go on a star’s social media and post fanfic there or say, “I thought the episode you wrote was terrible.” But what if it’s fan space and the actor is sitting right there, watching you? Is it rude to post fanfic in front of her, especially if she says it makes her uncomfortable? Is it mean to tell a writer his episode sucked right to his face?

Do you ever still watch The X-Files or think about Mulder and Scully?

I own the first seven seasons on DVD and will pull them out from time to time to rewatch old faves. I’ve shown a few episodes over the spring and summer to my ten-year-old daughter, and it’s been fun to see the series through her eyes. We’ve mostly opted for the comedic episodes because there’s enough going on in the real world to give her nightmares. Her favorite so far is Je Souhaite.

Do you ever still read X-Files fic? Fic in another fandom?

I don’t have much bandwidth to read fanfic these days. My job as a mystery/thriller author means I have to keep up with the market so I do most of my reading there right now. I also beta read for some pro-fic friends and betaing a novel will keep you busy.

Do you have any favorite X-Files fanfic stories or authors?

I read so much back in the day that this answer could go on for pages. Alas, it also hasn’t changed much over the past fifteen years because I haven’t read much since then. But, as we’re talking Golden Oldies today, here are a bunch:

All the Mulders, by Alloway I find this short story both hilarious and haunting. Scully embraces her power in the upside down post-apocalyptic world.

Strangers and the Strange Dead, by Kipler Taut prose and an intriguing 3rd party POV make this story a winner, and that’s before the kicker of an ending, which presaged 1013’s.

Cellphone, by Marasmus Talk about your killer twists! Also one of the cleverest titles coming or going.

Arizona Highways, by Fialka I think this is one of the best-crafted stories to come out of the XF. It’s majestic in scope, full of complex literary structure and theme, and yet the plot moves like a runaway freight train. Both the Mulder and Scully characterizations are handled with tender care.

So, We Kissed, by Alelou What I love about this one is how it grounds Mulder and Scully in the ordinary. Mulder’s terrible secret doesn’t involve a UFO or some CSM-conspiracy. Scully goes to therapy that actually looks like therapy. I guess what I’m saying is that I utterly believe this version of M & S in addition to just enjoying reading about them.

Sore Luck at the Luxor, by Anubis Hot, funny, atmospheric. What’s not to love?

Black Hole Season, by Penumbra Nobody does wordsmithing like Penumbra. I use her in arguments with professional writers when they try to tell me that adverbs and adjectives MUST GO. Just gorgeous, sly, insightful prose.

The Dreaming Sea, by Revely This one reads like a fairytale in all the best ways. Revely creates such loving, beautiful worlds for M & S to live in, and I wish they could stay there always.

Malus Genius, by Plausible Deniability and MaybeAmanda Funny and fun, with great original characters, a sly casefile and some clear-eyed musings on the perils of getting older. This one resonates more and more the older I get. ;)

Riding the Whirlpool, by Pufferdeux I look this one up periodically to prove to people that it exists. Scully gets off on a washing machine while Mulder helps. Yet it’s in character? And kinda works? This one has to be read to be believed.

Bone of Contention (part 1, part 2), by Michelle Kiefer and Kel People used to tell me all the time that casefiles are super easy to write while the poetic vignette is hard. Well, I can’t say which is harder but there much fewer well-done casefiles in the fandom than there are poetic vignettes. This is one of the great ones.

Antidote, by Rachel Howard A fic that manages to be both hot and cold as it imagines Mulder and Scully trying to stay alive in the frosty wilderness while a deadly virus is on the loose. This is an ooooold fic that holds up impressively well given everything that followed it!

Falling Down in Four Acts, by Anubis Anubis was actually a bunch of different writers sharing a single author name. This particular one paints an angry, vivid world for Our Heroes and their compatriots. There is no happy ending here, but I read this once and it stayed with me forever.

The Opposite of Impulse, by Maria Nicole A sweet slice of life on a sunny day. When I imagine a gentler universe for Mulder and Scully, this is the kind of place I’d put them.

What is your favorite of your own fics, X-Files and/or otherwise?

Bait and Switch is probably the most sophisticated and tightly plotted. It was late in my fanfic “career” and so it shows the benefits to all that learning. My favorite varies a lot, but I’ll say Universal Invariants because that one was nothing but fun.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I never say never! I don’t have any oldies sitting around, though. Everything I wrote, I posted.

Do you still write fic now? Or other creative work?

I write casefiles…er, I mean mysteries, under my own name now, Joanna Schaffhausen. My main series with Reed and Ellery consists of a male-female crime solving team, so I get a little bit of my XF kick that way. Their first book, The Vanishing Season, started its life as an XF fanfic back in the day. I had to rewrite it from the ground up to get it published, but if you know both stories, you can spot the similarities.

Where do you get ideas for stories?

The answer any writer will tell you is “everywhere.” Ideas are cheap and they’re all around us—on the news, on the subway, in conversations with friends, from Twitter memes, on a walk through the woods. My mysteries are often rooted in true crime, often more than one of them.

Each idea is like a strand of colored thread, and you have to braid them together into a coherent story. This is the tricky part, determining which threads belong in which story. If the ideas enhance one another or if they just create an ugly tangent.

Mostly, though, stories begin by asking “what if?” What if Scully’s boyfriend Ethan had never been cut from the pilot? What if Scully had moved to Utah after Fight the Future? What if the Lone Gunmen financed their toys by writing a successful comic book starring a thinly veiled Mulder and Scully?

Growing up, I had a sweet old lady for a neighbor. Her name was Doris and she gave me coffee ice cream while we watched Wheel of Fortune together. Every time there was a snow storm, the snow melted in her backyard in a such way that suggested she had numerous bodies buried out there. How’s that for a “what if?”

What's the story behind your pen name?

I’ve had a few of them and honestly can’t tell you where they came from, it’s been so long ago. The “6” part of syntax6 is because I joke that 6 is my lucky number. In eighth grade, my algebra teacher would go around the room in order, asking each student their answer to the previous night’s homework problems. I realized quickly that I didn’t have to do all the problems, just the fifteenth one because my desk was 15th on her list. This worked well until the day she decided to call on kids in random order. When she got to me and asked me the answer to the problem I had not done, I just invented something on the spot. “Uh…six?”

Her: “You mean 0.6, don’t you?”

Me, nodding vigorously: “YES, I DO.”

Her: “Very good. Moving on…”

Do your friends and family know about your fic and, if so, what have been their reactions?

My close friends and family have always known, and reactions have varied from mild befuddlement to enthusiastic support. My father voted in the Spookies one year, and you can believe he read the nominated stories before casting his vote. I think the most common reaction was: Why are you doing this for free? Why aren’t you trying to be a paid writer?

Well, having done both now, I can tell you that each kind of writing brings its own rewards. Fanfic is freeing because there is no pressure to make money from it. You can take risks and try new things and not have to worry if it fits into your business plan.

(Posted by Lilydale on September 15, 2020)

[akookminsupporter]

People can really be imaginative in the fandom. The discussion of observation vs invention is an intriguing one. We talk sometimes about Tkkers and their 'analysis' and how they seem to have a direct line to Taehyung and Jungkook's thoughts. A lot of theories are built on top of baseline assumptions that are based on nothing (such as Tkk are in love, BH hides their love, Jimin is a prop for this). If you accept this baseline premise to be true, than it isn't hard to build presumptions on top of that. That way, every time they touch hands, it is something illicit (and often sexualized). There is a certain smugness and pride that comes along with this. It is the smug feeling of thinking they are seeing something that others do not. It is the thrill of seeing through the veil. I guess that might be part of human nature.

Sadly, I have come accross Jikookers who operate like this too. For example, they will use a few totally arbitrary 'observations' and build an argument about how Jikook broke up in the beginning of 2020 and were waging war on each other to make each other jealous. They will use footage we all see in bangtan bombs etc to say that Jk was so jealous when Yoonmin touched or that Jimin was being petty touching Namjoon to make Jungkook jealous at the BE press conference. Just because these people are Jikookers and believe their relationship could be more than friends, doesn't mean they aren't coming up with groundless drivel Tkk style. And the more content comes out that disproves their theories, for example seeing Jikook be touchy and sweet in material filmed during their supposed 'break up', the more they need to double down and say that they were doing that for the cameras only and that they can turn off their emotions or something bizarre like this. It enforces some very negative assumptions about Jimin and Jungkook's personalities. It's like people would rather paint Jimin and Jungkook out to be a monster than say they might have been wrong. I guess this is pretty harmless, because it is just some people's opinions. People can share opinions even if those opinions are not intelligent. And on a human level I understand the need to feel like you are seeing more than is being shown. I understand people wanting to turn some innocent thing someone said into some petty war between Jungkook and BH. I guess. Imaginary narratives are fun. And I guess it feels fun to pretend they know the REAL story of Jikook that no one else sees.

Anyway, sorry for the tangent. I don't have any problems with anyone saying their opinions. I just hope we can all keep our heads on and remember the people we are watching and supporting are human. It isn't a drama. It is normal to be curious and to want to know more. I think Jikook are a couple myself. But I will never presume to know about the internal workings of their relationship and what they fight about.

I think it would be a bit hypocritical not to acknowledge that some jikookers do the same or similar things as tkkrs, I think all ships within BTS have fans that are good, bad and a bit of both. I want to believe that not all tkkrs are bad or delusional but they tend to go to extremes with "supporting" their ship. And that is one of their problems.

Imaginative narratives can be fun, the problem is when the person starts to believe they are real, starts to force other people to believe they are real and gets annoyed when they don't.

And yes we all have the right to have an opinion and that opinion should be respected, as long as it is not offensive of course. But I also think that when you put your opinion on social media and it is read by any number of people, you should be responsible with what you say because there are a lot of impressionable people out there who will probably read what you say and take it as fact.

If you are a shipper or supporter of a ship you have to always keep in mind that all you will have is an opinion, which is subjective. And you have to keep in mind that the possibility of being wrong exists, no matter how confident you feel. And that is something that many do not accept.

[antihero-writings]

Stolen Sunlight

Fandom: Tangled | Tangled the Series | Rapunzel’s Tangled Adventure

Summary: Arianna never thought she'd find herself afraid of a fourteen-year-old boy, but the events of Secret of the Sundrop won't seem to leave her.

She needs to talk to Varian in prison. Not for his sake...but for her own.

Character focus: Arianna and Varian

Notes: This is a fic I started writing many many years ago, during the hiatus between seasons 1 and 2. I intended to post it way back then, as a long one-shot. I continued to occasionally work on it over the years, however, it's proven one of the hardest fics I've ever written to edit, (mostly due to the amount of internal monologue).

I finally decided that probably the only way to get it actually edited and posted is to break it up into multiple chapters, despite the fact that it's essentially only one scene, and I feel like that messes with the format. Hopefully it'll help me edit, and end up making it easier for people to read too XD I might post the full version of this, unbroken up, too after I finish it. But I finally got fed up with my editing process and decided this was the only way.

I'm aware that plenty of other people have written Varian and Arianna fics over the years, but at the time I started this there weren't that many yet, and I worked so hard on this, I still wanted to post it, even if others have done things like it. Plus, I'm not sure how many people have written it this heavily from Arianna's perspective.

I hope you all enjoy it, either way! Please don't hesitate to leave a comment to let me know, if so!!

Chapter 1: Fractured Memory

Sun splinters through the castle windows, designing reflections on the newly polished floor.

When she walks into the library, her mouth drops open; The entire room gleams. That Corona sunlight bounces between the tiles, tables, and shelves like a little boy full of energy, laughing as he leaps around the room. 

It may be a royal library, but there’s usually still a layer of dust draped over everything, sealing up the gaps, and clogging up the stories. The servants try their best, but it’s hard to get into all the crevices between the shelves, the cracks between the pages. 

The tiles glitter, the shelves look new, the books don’t cough up dust when she lifts them, even a few of their bindings are mended. 

She stays a while to admire it before heading back for her room, and as she does, Arianna smiles, her gait almost dreamy—so like her daughter’s. 

Who would take such care to polish her library? She appreciates the gesture more than words can express, but she would like to say ‘thank you’ at least. 

A curious sight down the hall interrupts her wondering; a laundry cart, moving on its own. 

A very full laundry cart, that is…Cassandra doesn’t usually fill them so much.

“May I…help you?” she walks up to the cart, tilting her head, strands of hair falling to the side. 

“Oh, no, it’s fine! I got this!” the laundry cart replies. 

The ventriloquist reveals himself: a boy steps out from behind it. She guesses he must be one of Rapunzel’s friends, since she doesn’t remember seeing him here before, and he doesn’t exactly look like a royal servant, (despite the fact that he’s performing one of their jobs).

He pushes back his hair—black, with a streak of turquoise at the front—and smooths out his apron. Upon seeing her, his eyes widen with shock.

 “Oh!” he stumbles, attempting to bow too low, too quickly, “Your majesty! I-I am so sorry! I didn’t realize—!”

She laughs, holding out a hand to steady him. 

“Don’t worry. Please. I’m Arianna.”

“Oh—O-Okay. That…seems to run in the family,” he mutters beneath his breath. “I’m Varian.” He leans confidently against the laundry cart…which starts moving, so he pulls it back with all his strength before it gets out of hand.  

“Oh! Varian! Rapunzel told me about you!”

He freezes, his eyes trailing back to her, like people talking about him is usually a bad thing. “She…She has?”

“Of course!” she steps closer. “You’re the alchemist, right?”

He pauses, blinks, then his face breaks into the biggest grin. He clears his throat, rubbing fake dirt off his gloves, trying to hide his joy, as he looks back up at her. “Ten points to the lady in the crown.”

She smiles.

“Are you here for the completion today?” 

He nods. “I think I’ve got a pre-tty good chance of snagging that first prize if I do say so myself,” he pulls on his apron straps, then pauses, realizing how arrogant that sounds. “Not to uh…toot my own horn or anything. But it doesn’t seem like there’s anything like my invention in the running, so I think once Master Doctor St. Croix sees it he’ll be impressed! At least I hope so.”

“Well, if your invention is anything like the ones Rapunzel has told me about you’ll have no trouble snagging that blue ribbon.”

“Oh stop,” he flicks his wrist to wave her off, but is beaming from ear to ear. 

She notes that she may be encouraging him a little too much. The experiments Rapunzel has told her about aren’t exactly all blue-ribbon worthy. Or, perhaps they would be…if they all worked properly. At the same time, she isn’t sure labelling him as dangerous, and reckless is really fair. She and Willow had tried out their share of inventions, which often failed in a grand array of explosions. If they had worked properly, growing up wouldn’t have been as colorful. At least he was trying his best to help people with his inventions. Without the explosive failures, there was no room for fiery success either. 

 “Wait, shouldn’t you be there with the other contestants now?”

“Oh, yeah.” He says nonchalantly. “But I figured since I’m going second-to-last I’ve got a decent amount of time before I have to present. Cassi—Cassandra has agreed to be my assistant, so I’m helping her out with her lady-in-waiting duties first.”

“Don’t let her make you do all her work.” She says in a motherly way. Then gasps, “The library!” 

 He winces. “Did I do something wrong? I-I can fix it, don’t worry!”

“No, no!” she puts her hands on his shoulders, “So you were the one who cleaned it?”

“Yeees…?”

She pulls him into a hug. “Thank you so much.”—his eyes widen with shock—“I’ve never seen the place look so beautiful.” She releases him. 

“Oh!” he rubs the back of his neck and the smile turns sheepish.

“That must have taken you hours!”

“It was no big deal. Nothing a little home-alchemy can’t fix.” He says like a salesman.

“How did you do it?”

“Just a compound of my own invention,” he digs in his pocket and holds up a little, blue orb between his thumb and forefinger. “Most people don’t understand the more practical uses for alchemy.” he marches forward, hands on his hips, in a hyperbolic show of pride, making his voice sound deep, “that’s why I make it a mission to show the world the value of alchemy! To boldly go where no man has gone before!” he laughs, his pose collapsing, “Or something like that.”

No wonder Rapunzel had such nice things to say about him. There weren’t a lot of people out there who were so…genuine. People who cleaned libraries because they needed cleaning, who created solutions for problems simply because they needed fixing. 

 “Maybe one day you can teach me.”

“Really?” He drops the ball and it explodes into a sudsy mess on the already polished floor. “I mean, not that I think a queen should be doing housework! But…really?”

“Please,” she waves him off. “I wasn’t always a queen, you know. If Willow and I had had tricks like this maybe our house would have always looked like a pigsty. Sometimes I think we started going off on adventures just to get away from the smell.” She leans in closer, whispering behind her hand, “One time, I set the kitchen on fire trying to bake a birthday cake for Frederic.”

He laughs, then pauses like he isn’t sure he’s allowed to. “I guess not every queen is scared to get her hands dirty, huh?”

“Uh huh,” she puts her hands on her hips, “You should have seen the look on his face.”

“Happy birthday huh?”

“Now make sure to always send someone to Monty’s for his cake…spare us all.”

He fails to keep himself from laughing again, then pauses.

“Well�� I really should be getting back to these chores. This laundry isn’t going to clean itself, amIright?” he bobs his head and walks backwards to the cart. “But it was really nice talking to you, your Maj—I mean,” he points, “Arianna.”

“Let me help you! This cart is too heavy to carry on your own.” she rushes over to the other end—he’s so thin, she’s afraid he’ll snap in two if he does all the chores by himself.

“No no!” he comes dangerously close to slapping her hands away. “I mean,” he smiles nervously, pulling his fingers close to his chest, realizing his outburst to the Queen. “I wouldn’t want you to get your…er…royal hands dirty…Right?”

She smiles. 

Well, if a little stubborn. 

“As long as you’re sure.” 

*

*

* The scene shifts, smearing like a painting left out in the rain. The reflection becomes more sinister; a glowing tower of amber, and encased within, a man reaching to the sky as if trying to catch rays of sunlight; as if light alone can break himself out of his prison of stained glass. The curtain to this godforsaken show is crumpled at the bottom. A giant machine stands in the middle of the room, made of metal, lightning, and cold, haunting music. 

The room smells like sulfur, and rust, and a lot of other chemicals she can’t quite place. Things from the earth which don’t smell natural at all. 

The same boy stands before her. The same, and yet…not the same at all. Along with the light from the windows, so too has disappeared the light from his eyes. The blue is something akin to moonlight; less the gleam of day, the reflection of the sunrise, full of hope, instead, more an eclipsed glow, shrouded by darkness. 

She feels that rusted metal, the cold in his eyes, wrap like icy hands around her ankles. 

She looks quizzically from her cuffed ankles to him. Doesn’t the warden usually cuff the prisoner’s hands? 

He seems to understand her confusion, because he answers her unasked question;

 “Please,” he scoffs. His eyes meet hers, and he smirks. The words, the smile, no longer contain compassion, they are manufactured with bite and scorn; “I wouldn’t want you to get your royal hands dirty.” 

He tugs hard on the chain, showing that it’s connected to the lab’s floor, as if saying to a toddler You’re stuck here, understand? He walks back over to his desk—littered with bottles, liquid bubbling and seething like his emotions, an array of colors that tell nothing of what they contain. 

If the color green is sleep, then what color is death? 

She looks up at the golden tower in the center of the room. She doesn’t want to, but she can’t look away. 

—Look away…like Frederic did, when people like Varian were crying out for his help against the rocks. Look away, like Rapunzel had to when the storm was coming, and Quirin was being imprisoned. Look away, like they all did after the storm passed.

 She still couldn’t believe her husband would, could do something like that. That was the reason she was here, the reason the boy was hurt, the reason…the mistake, the poorly made choice. 

No, she couldn’t think that way. Besides, she knew he had his reasons, that he wanted to make sure people didn’t panic, and he wanted to keep Rapunzel safe. It wasn’t his fault he didn’t fully understand the situation. 

And she would never blame Rapunzel. Rapunzel had had to make one of the most difficult choices of her life that day, had had to learn too much about being queen, too soon: that it was about choices, and sometimes those choices would be leaving behind the one, for the sake of the many. 

And the amber was the other reason, and that wasn’t Frederic’s fault...The amber Varian himself had mistakenly made.

Still, it would have been so easy. So easy to come back to him once the storm had ended. So easy...

So where did the fault lie, really?—

Was it amber? Was amber the color of death? Or just another kind of sleep? 

The boy’s eyes shift, glaring at her with nothing more than bitterness. 

Or was it blue? The color of the moon, a well-timed strike of lightning, an icy landscape. Was blue the color of death?

 “What are you going to do?” 

“Yeah,” he scoffs, “I’ll reveal my whole plan to you. Let me go into the tragic backstory of Varian,” he waves his hand grandly, “The poor boy, who lost his father to an experiment, a few rocks, a storm, and a princess’ broken promise.” He leans on the desk, resting his cheek in his hand in some mock-loving fashion, his eyes aimed on her like gunfire. “It’s simple; Rapunzel broke her promise.” He stands back up to his full height—which, admittedly, isn’t very high, but it’s more impressive from her place on the ground. “I tried asking nicely for her help, and I was denied.” He jabs a finger on the table to emphasize his point; the first sign of violence. “Now I’m going to ask” he smirks, tilting his head to the side, his eyes half-lidded in the dark, “not so nicely.” 

He pauses a moment, glancing at the chemicals on his desk. 

“I once said I’d teach you the ways of practical alchemy.” He reaches forward and takes up a flask. “Well, this isn’t exactly what I had in mind, but I will show you something.”

He walked over to her, holding the flask full of something green and frothy that smells like dog breath.

Was it green? Was death’s color the same as sleep? The colors of leaves and grass and everything everyone thinks is a sign of life. ...It would be a cruel joke.

“This is a little solution I like to call…Varium.” There’s something hurt in his eyes when he says the word. “You see, when it reacts with the rocks,” he runs his fingers along the black spire jutting through the wall between them—one could be fooled into thinking in an intrigued way, but there was something harsh in his touch, resentful in his eyes, “it has this tendency to—” he held it over the stones, the liquid trickling slowly downwards in the flask, teasing her breath to catch itself and fall. He turns the bottle upright, and bites his lip, closing his eyes, willing himself not to turn around and look at what this has done before. 

What he’s done. 

“Well, you get the idea,” he mutters, returning the flask to his desk.

She doesn’t have to ask, and he doesn’t have to finish. 

“You think if you threaten me Rapunzel will work with you?” there’s a bite to her words. 

 “Ten points to the lady in the crown.” 

She pauses as he returns to work, her eyes trailing along the chain, the floor, jumping onto the windowsill—the rocks interrupting her gaze at every bend and break of the room—searching for any way out, any chance at rescue, anything her husband and daughter could use against him.

Was death black? The color everyone thinks it is. The black of these rocks, the low blue glowing beneath them, destroying his home, destroying their hearts, their chances at friendship and…It surely seemed like it. 

“She won’t, you know.”

He raises an eyebrow as if to say oh, you think?

“Rapunzel.” She tries to urge her confidence, like a stubborn pet, to come out, but it shies away by the second. “She won’t help you.”

He smiles. “You make your hypotheses, I’ll make mine.”

“And what are yours?” her own eyes are half lidded. 

He thinks over his words. “She can’t…help but help. She always had this sick compassion about her.” After a moment he adds softly, “…but only for her kingdom.”

Anger, injustice, bubble within her chest. 

 “You don’t have to be like this, you know.”

“And she didn’t have to break her promise,” he tilts his head, “ya know.”

She grits her teeth, clenches her fist. “I met you once. What happened to that boy who—”

He laughs a little, cutting her off. “Yeah, well, he learned a couple things about the real world.”

For a moment, just one brief moment, there is something there. Something in his eyes, a memory, a reaction, like the chemicals. Something real, something lost, something hurt, something…something not this. Incased within a prison of blue—

And then that moment ended.

[ferryportlandingmayor]

Got any favourite AUs u wanna rant about? Doesn’t have to specifically be about one fandom too, just go buck wild!

omg i’ve been waiting for someone to ask this >:) and i will be going buck wild so be prepared to read a LOT

so basically, i LOVE my tua and wild kratts au’s but i dont really feel like talking about my tua one right now so LOL. so if you’re particularly interested in my wk au, you’ll be getting that. but if anyone wants a post about maddie and my tua au, just ask in my asks so i can make a whole post about it!! :)

so it all started with the creation of lacey (who in this is martin and chris’s younger sister. also in this au she’s 15, chris is 21, and martin is 22) and i realized i had to sort out other things to make sense because 1) she lives on the tortuga and 2) she’s 15 and still in high school. so her sort of backstory is she had been begging to live on the tortuga ever since they moved on and as a christmas present, her parents were like yeah u can move onto the tortuga if she kept up on her school work. and the “basic boring” au in my head is that she lives with the crew and goes on creature adventures with her brothers (she has a CPS) and she’s super close with martin and chris. mk and ck are also super protective of lacey. but the au i’m writing about is practically the same as the “basic boring” but she moves in with the crew because zach knows lacey exists and that’s a problem because he moved neighbourhoods just after she was born and was never friends with the brothers to begin with. so you can see how it’s a problem. and on halloween night, one of the kratt kids overhears zach telling his zachbots to go find and kidnap lacey and the bros and then they get the news and emergency move her into the tortuga and then a few months later on chris’s birthday, he finally kidnaps them and lacey manages get out of her cell and become zach’s assistant, helping him with inventions and crap. a bit later she becomes a sort of co-inventor and the whole time she’s visiting martin and chris in their holding cell and secretly planning a way to get everyone free and expose zach, which they end up doing.

but really, in any lacey au, it comes down to her and the brothers sibling love, which is my favorite thing about them. it’s also my favorite thing to write with them. and while her basic au has a not interesting backstory, she’s just a sweet girl who loves her brother and loves hanging out with animals.

a bit more details about lacey because i can and you said to not hold back >:)

she’s the sassy one of the siblings

she’s also super smart and knows how to use it to her advantage

she knows how to drive the createrra xv despite chris’s anxiety

she doesn’t have a favorite brother but she prefers martin, probably cause she looks like a girl version of him

people never really liked her but i guess that comes with having famous brothers

chris got her into marvel movies and now they have marathons every so often

her and martin are closer in the category that they’re both sort of emotionally soft and their love language is touch do they’re always hugging

koki, aviva, and lacey love taking girl days and most of the time, those girl days are just them chatting while aviva does some inventing

the crew has movie nights every friday and it’s mostly just them scrolling through netflix or disney +

she is such a science kid omg. when she was just a little baby, 5 and 6 year old chris and martin would always take her out into their backyard and show her all the wildlife they could find. and as she got older, they would take her to local ponds and creeks/brooks and they would teach her animal and nature facts, which led her to being the animal-loving kratt kid she is

she also sizes up everyone in her science class with animal facts and her teachers are always annoyed but still give her A’s

she’s got like one friend who eventually betrayed her who i’ve decided to name skylar. this is a skylar hate club. also idk what she looks like so if u wanna draw them being angsty friends do it and be creative besties

they’re all such taylor swift and olivia rodrigo fans

i think that’s it but thank you for asking! i had a lot of fun writing this out :)

[lamphous]

@cefantomeenhabitnoir replied to your post:

I have been harboring the same ones for ....... 11 years. And for many years I was like 'haha I'm over that' but NOPE still exactly the same and very much raw. I've been out of the loop since s6? 7? so I have no clue but it's been on so long fandom has been through multiple eras of ship naming culture tbh

Also now trying to think of trends in ship naming: early 2000s was like, pet names: literati, jack daniels etc, then replaced with portmanteaus in early 2010s, then got sort of over taken but just a/b or a x b which I guess then just became ab ?

yeah same, I last watched. oof. end of season 8, I think. and I also have no idea what the kids are up to these days anyway, in terms of new fandoms (thus new monikers etc). I think this sort of ab is how crit role ships work? some animes I see still? what else are people into lmao. it def feels different from just the straightforward portmanteau, though—like, I don’t want to say lazier, but less involved? even when it’s just parts of the names (ostensibly the same) they feel less integrated—more easily separable/understandable

tbh in a way it’s kind of cyclical; the oldest ship names I can think of are like. k/s, msr, LoVe (I never even watching veronica mars, I just deeply admired that name lmao). the nature of humanity is just that every so often someone accidentally invents kirk/spock again

man I'd love to see a study on this or smth... it seems like kind of a recent shift, though. ah, and I was about to say I feel like I’ve read about this somewhere and as soon as I opened zotero I saw this & its forementioned article lol (sometimes hoarding comes in handy). that’s just about portmaneatus though and like. no fun citations to chase :C

[helsaguy]

Maybe this counts as a request, I love your new drawing. The message in your art is always sweet and loving. Drawing happy/cute Helsa. And I like Elsa with her hair down and all, but I would like to see Helsa is some Arandelle-ish attires (btw, I love the Green coat you drew for Hans before). Elsa may not need to be Queen, but she deserves to return to her homeland...or do you agree she shold stay in the EF instead of Arendelle? Request turned to ask in the end, sorry ^^u LOVE your art! Chao

Thank you for the message of support and appreciation.

I'm feeling like breaking down this nice message. So if I may:

Some melancholic, sad, even brutal ideas have popped up in my head when thinking about things to draw. But I rather work on the happy stuff for these two. They went through so much in life and the fans of this ship, the ship itself, and Hans get so much unnecessary and undeserving cr*p that I definitely want to put a stop to all that (even if for a little while) with my happy Helsa fan art. That’s one of my goals and reasons to draw what I draw.

When you say you want Helsa in some Arandelle-ish attires I have some questions. I can draw something like that for Hans. I still have to draw my concept or reference sheets for Hans’ outfits in Frozen 2 and two or three of those are Arendelle style (if you want to count sleepwear. Also glad you love the green coat. That would be Hans’ travel outfit and yes; it’s one of the Arendelle style outfits) But what do you want for Elsa? I always have trouble with her hair down and ice dresses. I don’t know if it looks like I pull it off well or not in my pictures but it’s not the easiest for me to draw her magic clothes lol If I were to draw Elsa for this request, do you want me to draw Elsa with her hair in a braid, a ponytail, down? And what kind of clothes do you want me to draw for her? Normal clothes or ice? What am I getting myself into? I have zero knowledge in fashion XD I can’t believe I’m actually willing to take a request! Long ago I said I wouldn’t take those anymore lol But I guess this is because your request sounds very reasonable to me.

I do think Elsa doesn’t belong in the EF. I don’t care the excuses some make about the tribe being Elsa’s mother’s people or whatever. They are still strangers. I have relatives from Spain and that doesn’t mean I’d be ok with moving over there with a bunch of people I don’t know and to a place I’m not familiar with. I have a life and family where I am. And so does Elsa in Arendelle.

And if that’s the excuse some want to use, guess what? Anna should go live there as well then. It’s her mother too. And much like I’ve said before, if they wanted to have the sisters separated (which sucks for this franchise) and have one live in the forest, Anna made the most sense since she’s the one that wanted to meet strangers, get out, has a committed partner that also has lived outdoors, and is a reindeer fanatic much like the Northuldra XD Anna and Kristoff would fit right in instead of Elsa lol And don’t get me wrong, Anna can make a good Queen? Maybe. But I don’t see being married to Queen Anna as the best life for Kristoff. I feel like in order to stay with her Kristoff would put himself through anything, even royal life. Which it doesn't sound like a bad thing per se. But Anna is not the only one that matters in the relationship, or does she? I guess Anna and Elsa’s mother did the same when she married their father. But it looks like she had no other options and I don’t care about those two anyway. However, is that really a good thing for Kristoff? He can’t spend more than an hour in formal clothes and I presume things will be demanded from him now that he is the Queen’s fiance and has literally nothing to offer to a kingdom. Disney really didn't think this sequel and all their nonsense through...

I think is clear no one in this movie is doing things they want to do but things they have to or were told or taught by someone else to do. Anna becomes Queen because Elsa said so and in consequence Kristoff is bound to a life style that might not agree with his characteristics. There’s no evidence that this is what neither Anna nor Kristoff want, they just roll with it because the movie says so. This is your life now so deal with it. Elsa was born to be Queen and her father thrust her with nothing but bad advice and is one of the catalysts for Elsa’s disorders. We don’t know if she ever had problems with being Queen. Her problems came from not controlling her powers because of the fear of hurting others. Nothing of which has to do with her not being happy in Aredelle or not being comfortable with her role as Queen. That’s the life she knew all her life. Some may want a different life after some time if they’re not happy with it, but if that were the case for every royal in the world, then there wouldn’t be Queen of England or Kings and Queens of Spain, and other countries that still live under monarchies. The people who made Frozen have zero respect for the role of a monarch. If Elsa wants to take some time off (which she deserves) she can count with advisors and even her sister. Anna as Princess should hold some responsibility as well and help her sister. But the title of Queen isn’t something that sisters should be throwing onto each other as if playing a game of hot potato. The reign over a country or community is something serious, is important, and those behind these movies are taking it as a joke or nothing but a babysitter job. And on top of all this Elsa now has to deal with being a “fifth spirit” (whatever that entails) because her DEAD mother basically says so...

If Elsa wants to visit the Northuldra to get acquaintance with her mother’s birth culture, that’s cool. Also is fine to some extend if she wants to spend some time over there to atone for the crimes committed by her grandfather. But Anna should go through that stuff as well. It’s her freaking family and legacy too, damn it. And this is something I believe the entire fandom is taking for granted or ignoring altogether. But leaving her life in Arendelle to go live in the forest? Yeah, that’s not the answer to anything.

Now going back to my fan art. I only depict Helsa in the "wild and free" life style because that’s what Frozen 2 gave me to work with. And this is also my way to cope with this forsaken sequel. But I have alternate universes of my own invention to allow myself the exploration of several different outcomes. Some include:

Creating Good Childhood Memories AU. Hans met Elsa and Anna as kids. In this one Elsa and Anna’s parents aren’t a$$holes and everyone in the royal family of Arendelle welcomes Hans with open arms. The boy lives an awful life in the Southern Isles but deals with it a little better because now he is friends with the Arendelle Princesses; he goes to visit and spend time with them often. In their early teens Elsa and Hans develop a crush on each other (Anna roots for them but won’t help doing some occasional teasing embarrassing the awkward pair) that evolves into their late teen years with Hans asking the Arendelle King and Queen for their blessing to court Elsa.

Aunt Elsa and Uncle Hans AU. In this one Frozen 2 doesn’t happen. Elsa keeps being Queen (and is happy that way), Hans is her consort and they live happily balancing the duty of governing over Arendelle and spoiling Anna and Kristoff’s kids (courtesy of frozenmusings) The kids spoil them as much in return since they love them as a second set of parents as well.

Into the Unknown AU. One I haven’t put much thought into and is my excuse for playing more with a fantasy theme. I came up with it a couple of days ago. Elsa and Hans stay for some time with the Northuldra little by little getting comfortable with an outdoors life style and they get deeply in touch with nature; Elsa’s specialize in the elemental spirits while Hans thrives with animal life and living from the earth. In this AU they leave the tribe to establish their “home base” in Ahtohallan. They have evolved into something different and kind of leave the mundane life behind. Maybe they are true mythic figures. 

God bless imagination!!

Back to your request. I am considering taking it. So please leave me a message with the answer to the questions I asked above^^ And thank you for such inspiring message. The proof is all the writing I did XD

[ghoultyrant]

I've tried a few times to write Samus' pov before and I've had a lot of trouble. I feel like she is fairly inscrutable as characters go, being largely voiceless, and taciturn even when she does speak (not counting Other M). A lot of her dialogue is also removed from social interactions, being internal memos in scan logs. Idk. Maybe this is just me.

Samus as a character isn’t so much a cipher as an archaeological mystery.

The point of that comparison being that the Metroid series actually tends to tell a large fraction of its story through its environments, and does so quite well. Metroid II makes it clear that the endgame area is some manner of laboratory where the Metroids were apparently created, probably by the Chozo, but at some point control was lost. The laboratory is their nest because that’s where their existence as a species started, rather than the Metroid Queen selecting it as a good brooding ground for some other reason. Notably, the laboratory is unusually isolated and difficult to reach, even by Metroid II’s standards of travel distance, suggesting that the lab was deliberately cut off from the rest of the planet, and also probably explaining why the Metroid Queen didn’t wander off elsewhere to nest; she very possibly couldn’t.

In turn, this grounds a detail many players probably never questioned, but which is slightly odd on its own: that Metroids can apparently only grow into their Alpha and so on forms on SR388. As a consequence of natural evolution, this is certainly possible, but seems odd. But given that they’re clearly artificial, it’s easy to guess that the Chozo put that in as an artificial constraint; most likely the Chozo had plans for shipping them out to other worlds, and for some reason or another didn’t want them to change form once they were off the planet. (There’s a lot of plausible reasons for why they’d want this, but that’s a bit of a tangent)

Furthermore, this also grounds the Metroid Queen itself. Most players probably never question the fact that there’s literally only one Metroid Queen on an entire planet, because after all she’s the final boss. There’s obvious video game design reasons involved. But actually, it makes perfect sense in-universe: while fandom frequently assumes that any Metroid could potentially molt all the way to being a Metroid Queen, and that’s not an unreasonable assumption, it’s also entirely possible the Metroid Queen was one-of-a-kind because the Chozo carefully designed things so she’d be unique; that the Metroid Queen was built to be a Queen from the ground up, and is not supposed to be capable of producing more Queen-capable Metroids. That would be a logical thing to do to limit the damage in the event of a containment failure, and neatly explains why the planet has only one Metroid Queen even though Metroids themselves are running rampant across the planet.

Speaking of the Chozo and environmental storytelling, the fact that we saw their statues on two different planets back in the original trilogy was already a strong indication that the Chozo were a spacefaring species. Metroid Prime using scan logs to spell it out was a confirmation of an already-likely-true thing, not a state of canon invented by that particular entry. Again, I imagine a lot of players never questioned it because there’s game design reasons that are obviously applicable (eg that Chozo statues are frequently used to mark Important Power-Ups), but it���s extremely good environmental storytelling.

Anyway, that’s just some bits from Metroid II. Aside Other M and let me be brutally honest Samus Returns (I enjoyed it, but it mostly doesn’t try to do environmental storytelling, and probably-accidentally heavily retcons things, with the Metroid Queen’s nest no longer being set deep inside a laboratory being the most blatant example), the Metroid series does this heavily and constantly. The player is expected, if they care about the story and the world it takes place in, to look at the details they can see and make inferences.

And if they don’t care about any of that, it’s not intruding on their experience: they can just play a fun little game with blasting aliens and whatever.

Looping this back to Samus, though: yeah, we mostly don’t get Samus’ voice, both in a literal sense and in the writing sense. What we get is a ton of secondary information hinting at the kind of person she is, supplemented with concrete facts (eg that she was substantially raised by the Chozo), and then are expected to draw inferences.

As one of the more obvious examples: the first two games implicitly establish that Samus has to have a high degree of confidence in her abilities, or if she doesn’t she’s got a literally suicidal streak. She twice accepts missions to travel alone, deep into hostile territory, with the interstellar bounty hunter equivalent of nothing but the clothes on her back. Metroid II’s manual tells us that some elite corps of soldiers was sent to SR388 and never heard from again, and this didn’t dissuade Samus from going in completely alone.

This strongly implies she earnestly believes she can do the job when a literal small army couldn’t even survive: it’s not just that the Egenoid Star Marines failed at the mission, it’s that they were so completely out of their depth that none of them were able to escape the planet to report their failure!

Important and related is that starting from Metroid Ii it’s very normal for Samus to unambiguously have the option of just turning around and leaving. Her ship is on-planet, she uses it to leave at the end of a given game, and nonetheless she sticks each given mission out. She doesn’t encounter Omega Metroids and go ‘no, this is too dangerous, I’m out’. She doesn’t rampage across half of Zebes in Super Metroid and give up in disgust when she fails to find the stolen Metroid reasonably quickly. She doesn’t report the Space Pirates on Tallon IV to the Federation and leave them to clean up that particular mess while she goes to get a drink. Echoes and Fusion are the only games that actually trap Samus on-site temporarily to justify her ongoing presence, and even then if you bother to visit and scan her ship regularly in Echoes you’ll discover it’s ready for liftoff well before it’s time for the endgame, while in Fusion it actually doesn’t take that long to get back access to the Main Deck and thus her ship.

A lot of games that place a player character alone and far from civilization are very careful to explain that the player character was stranded in this strange place, and implicitly or explicitly sets the player character’s goal as escape back to civilization. The implication is generally that these are people who would never willingly inflict such a situation on themselves, and if they ever accidentally found themselves in such a situation with the ability to back out, they’d take it in a heartbeat.

Samus, meanwhile, keeps ending up in these situations and sticking them out. She doesn’t mind being alone with her thoughts for long periods of time.

It’s worth mentioning that the Japanese version of the original Metroid tracked how long you’d played, only your hours of play were presented as how many days Samus had been on Zebes. If you treat this ratio as canonical to all future games, which are generally designed so a first-time player will beat them in 4-20 hours... yeah. Samus has repeatedly spent several days or weeks in a row far away from civilization, and is just fine with sticking those situations out, and even inflicting them fairly spontaneously on herself if she has a specific reason for doing so. (eg she goes to Tallon IV in pursuit of Ridley)

Now, since this is inference there’s a fundamental ambiguity here. I personally tend to interpret Samus as being someone who finds socializing with her fellow sentients to be a stressful experience, such that going out into the wild for a week is a form of decompression and relaxation, but this isn’t the only plausible interpretation, and honestly I probably go to that interpretation because I don’t cope well with that kind of social interaction, rather than it actually being a better interpretation. One could plausibly interpret Samus as someone who, say, is actually fairly intensely social and just rates (Insert mission objective here) as more important than her own personal comfort. (In this interpretation, it would be assumed she instead decompresses from her missions by partying with her must-exist-in-this-interpretation large circle of friends) That’s certainly an excellent justification for her chasing Ridley in Metroid Prime, for example, and if we ignore Other M entirely I can’t think of a Metroid game that could be said to contradict that particular interpretation. (And Other M doesn’t count because it contradicts literally every other game on so many levels; if one game doesn’t fit while the rest are consistent with each other, you toss that one game as an inconsistency)

(Well, actually, another reason I take my interpretation of Samus is that she was raised by Ascetic Space Bird Monks, but then again plenty of people rebel against their upbringing. It’s perfectly possible to say Intensely Social Samus was driven crazy by the Chozo expecting her to be an Ascetic Space Bird Monk But As A Tiny Human, and even suggest that she takes being Intensely Social even farther than she would’ve otherwise as pushback against that whole thing)

BUT

While there’s room for interpretation and murkiness on details, Samus across the games has a fairly clear sketch of a certain range of plausible personalities. This range is also further reduced if we actually, for example, acknowledge Samus’ monologues from Fusion, which make it clear Samus concerns herself with the big picture (Suggesting that she sticks out her missions at least in part because often The Fate Of The Galaxy hinges on them kind of thing), and also seems to indicate (Consistent with her observed behavior), that Samus isn’t someone inclined toward negotiation as a problem-solving mechanism -that is, she doesn’t even countenance the possibility of trying to talk the incoming Federation goons into not trying to weaponize the X, going straight to ‘I need to make sure it’s not possible for them to try’- and that she’s got a bit of a philosophical streak to her, of exactly the sort one might expect of someone raised by Ascetic Space Bird Monks.

But even without the Fusion monologues, it’s not actually that hard to dig up a coherent personality for Samus, consistent with what we see across most of the games and compelling in its own right. It just takes a mentality that, while unusual for most writing/reading, is completely consistent with how the Metroid series prefers to convey its stories.

[leilas-digital-scrapbook-blog]

Giving Love a Bad Name – Confessions of a Fanfiction Writer

I know we’re supposed to blog about our major projects this week and I promise I will get to that soon, but I’d like to go off book for a moment to address something that’s been bugging me since last Thursday’s class. As someone who’s always tried to engage with fandom in as creative a way as possible, I hoped a class on user generated content would offer a fresher perspective than the usual amount of prejudice and self-righteous superiority that sadly seem to accompany the subject of fanfiction even amongst people that make stories and their passion for it their bread and butter.

Guess I should have known better.

In the world of professional writers, fanfiction is still a filthy word. It sums up everything that’s wrong with the people you’re sharing your stories with: the obsessiveness, the entitlement, the disregard for boundaries, the penchant for making everything about sex. Worse, gay sex, as unspeakably dirty as it’s hilarious. Be warned, writers: if you make it big, your stories will inevitably become a free-for-all at the mercy of those people. A worse fate than even George R. R. Martin could wish on his own characters.

I’m used to seeing the world of fanfiction belittled and disparaged, of course, and I’m the first to admit that the community is often its own worst enemy. But for some reason it still hurt a little to sit in class and listen to people I’ve come to like and respect during these past few months buy into every bad stereotype associated with the form. Not because I felt called out (though yes, I do write fanfiction from time to time, and I happen to quite enjoy reading it too), but because of the underlying assumptions that 1. something that’s not 100% original cannot be art, it’s a violence in fact, especially if it twists someone else’s creation into something it was never meant to be (in this case, queer representation); and 2. there’s something wrong with creating exclusively out of love, without ever expecting to be paid for it. And I have Strong Opinions on that.

So let’s talk about fanfiction.

Actually, scratch that, let’s talk about my favorite subject – yours truly. As you may have gathered by now, I love fanfiction. A whole fangirly lot. My gateway drug into it was my obsession with Lost about 10 years ago and its pesky habit of offing every character I was foolish enough to get attached to. But lo! Someone was keeping them alive through their stories! I felt blessed. I got to spend more time in a world I loved, and I stopped flirting with the idea of giving up on the show every time another character I liked bit the dust. Everybody won.

Even more than as a fan, though, I appreciated the world of possibilities that fanfiction opened up to me as a non-native speaker. I come from a small town in the north of Italy; the access I had to foreign books in their original language was limited, and if I wanted to read something in English I’d have to spend quite a lot of money on one of the very few novels (usually chunky airport bookshop thrillers or housewife romances – not exactly my preferred genres) that shared a single shelf in the bookstore with German, French, Spanish titles. But fanfiction was free, accessible, and there was so much of it. If I didn’t like a story, all I needed to do was move on to the next. Suddenly there was an infinite library of engaging stories to help me make my English better. True, they didn’t all read like a published novel would – there’s a lot of unpolished, error-plagued, stream-of-consciousness-y material out there. But there are also so, so many beautifully written works, and believe me, even for a non-native speaker it’s very easy to spot the difference.

Fanfiction also gave me the chance and motivation to practice my English writing in a way school never could have done. I’ve been writing my own stories since I could hold a pen, but I didn’t dare write in English until I was a fanfiction-loving teenager. It was a marketing decision, really – my first foray into writing fanfiction was for a fandom so small that I wouldn’t be surprised to find out I’m the only Italian representative, so if I wanted any kind of feedback on my work I’d have to suck it up and try my hand at writing in a language that didn’t come natural to me. I would never argue that the feedback I got on my works made me a better writer – contrary to popular opinion, the fanfiction community is made up of the nicest, most supportive people, and alas, you’ll never get a comment on everything you did wrong with your structure or even just pointing out common grammar mistakes from them (though I was lucky enough to have someone explain to me how dialogue punctuation works differently in English than in Italian, so I guess something can be learned even from the Internet). It did motivate me to keep writing, though, and that made me a better writer. If you think I’m being too dramatic, dishing out this monster of a post nobody asked for just to declare my eternal devotion to fanfiction, it’s because it’s personal to me. I can’t even count the number of times I’ve been told that I write in English as well as native speakers, and fanfiction is a big part of why that’s true. I doubt I would even be in this course if it wasn’t for it.

And then, of course, there’s the gay thing. I’m not going to argue about how heteronormativity sucks and representation matters because I’m sure everyone’s as sick of talking about it as I am, but please try to understand how it felt for a gay person like me, used to be depicted in media as a plot device or token secondary-character representation if at all, to be able to step into a world where queerness was the default for once. Where queer protagonists had meaningful queer love stories and queer friends and got to save the world from the Apocalypse too. Or to fight the Empire or go to Hogwarts or everything else fictional straight people have had a right to do since the dawn of storytelling in addition to romancing the hottie of their choice. I’m not asking you to feel as passionately about it, of course, but (especially if you’re straight) you might try and empathize the next time you think a fanart of two boys kissing is something deserving of your amused contempt.

I hope I’m not coming across as the person that screams “homophobe” at everyone who disagrees with her because I guarantee that’s not what I’m trying to do here, but I think the general distaste for slash says a lot about the way our society sees heterosexual relationships as love and homosexual relationships as sex. Yes, there’s a lot of gay porn in the world of fanfiction. But you know what you’re most likely to find? Romance. Not in the saucy literary sense of the word, but in its simpler, most literal acceptation. Fanfiction is just one more way for humans to express themselves, after all, and love has always been front and center in our art. Love, not sex – even if it’s gay. In fact, explicit material doesn’t even make up the majority of what you’ll find on a fanfiction website. Don’t worry, I don’t want anyone to taint their souls by visiting one of those dens of iniquity so I pulled some stats myself. Here’s the number of works for each rating in three of the most popular fandoms on Archive Of Our Own, the current go-to website for the fanfiction community (sorry Fanfiction.net) – Harry Potter, Supernatural and the Marvel Cinematic Universe as of 9/3/2019:

Even counting both Mature and Explicit works as straight-up porn (which I don’t think is quite fair, but that’s a discussion for another day), they only make up less than 1/3 of the material. Kinda disappointing, for a medium that’s supposed to be all about filthy graphic gay sex. Imagine if only one in three musicals actually featured singing and dancing, or superheroes weren’t in the majority of superhero movies. They’re lucky fanfiction is shared for free, or I’d be screaming for my money back.

Maybe I’ve just been brainwashed by SJWs, though, and this has nothing to do with my being an immigrant or a lesbian. Maybe my inability to see what’s so bad about appropriating someone else’s intellectual property for your own amusement is a cultural thing. I apologize – as mentioned, I’m Italian, and we all know Ancient Roman culture was basically just a ripoff of everything those inventive Greeks came up with. It’s in our blood. Hell, our 2€ coin, the biggest, has the face of Dante Alighieri on it, a writer most famous for having written 14.000+ verses of self-insert real-person-fic in which the girl he fancied as a teenager, his favorite author, and God himself all fall over themselves to tell him how awesome he is and he gets to prophesy an eternity in Hell for his political enemies. Talk about wish-fulfilling entitlement. Not to mention all those creatively arid Renaissance “artists” celebrated for stealing characters from the Bible and Greek mythology (seriously, the fact that Greece hasn’t unleashed an army of lawyers on us yet is nothing short of a miracle) and putting them in their cheesy paintings. Other countries can rely on a much stronger moral backbone and endless imagination – I’m sure Shakespeare, Milton, Goethe, those creative geniuses at Disney and countless others never had to resort to something as cheap and despicable as borrowing other people’s characters to tell the stories they wanted to tell.

Either way, I can’t help it – I see the prospect of creating something that will resonate with people so strongly that they’ll make it a part of themselves, that it’ll compel them to make more art, to reach out and connect with other fans, as something incredibly beautiful rather than scary. Maybe this is my usual naiveté speaking, and I will come to eat my words. It’s certainly disturbing that a bunch of entitled fans bullied the Mass Effect developers into changing the series’ ending, and sending actors explicit fanart of themselves is straight-up harassment, but is fanfiction really the problem here? Or is it social network culture, with its power to destroy all barriers and foster hive mind? To give resentment a platform to spread and be heard? I promise that the average fanfiction writer wouldn’t campaign to get an ending changed. They’d just roll up their sleeves and write a better one themselves.

[sage-nebula]

I love myself. I love being myself. And I would not want to be anyone else.

It’s taken me so long to be able to say those first two things, and sometimes I still struggle, but for the most part it’s true. And I’m still discovering new things about myself all the time. It’s weird, because some things I took forever to discover about myself were things that took forever to discover about myself because I didn’t have access to the resources to help me. Like I didn’t realize that I was asexual until I was twenty-one and stumbled across a Wikipedia article about asexuality. I didn’t realize that I had fallen in love with my best friend until I was pretty much in college, which is ridiculous to me considering I look back on how I only went to our senior prom because I was jealous over the idea of her going to said romantic dance with a mutual friend of ours. They were only going as friends, but I felt strong jealously, like, “She should be going to that dance with me” and somehow did not put two-and-two together that being jealous that another girl was going to a romantic dance with someone else was a very not straight way to feel. (For the record, I was a third wheel basically the entire night even though we were supposed to be a big friend trio and it was no one’s fault but my own. I regret it, but I don’t blame my past self because I was a teenager and, as a teenager, I was well within my rights to do stupid things. It was part of the learning and growing process, and thus there’s no need to shame my past self over it. I’m still astounded that I didn’t realize how very not straight I was at that moment, but still.)

One of the recent things I discovered about myself at nearly twenty-nine is the fact that my preferred fashion style---my fashion style---is, and always has been, pretty grunge. I’ve answered meme questions on here before that ask similar questions, and I’m always like, “idk, comfortable and cool?” because I never knew what to say. And hell, when watching Queer Eye, whenever Tan would ask the champion of the episode who their style icon was, I never had an answer. But after I saw Captain Marvel, I realized that my style icon is Carol Danvers when she was wearing the leather jacket + the Nine Inch Nails shirt + the (ripped?) jeans + the flannel + the boots. You know, the “someone’s disaffected niece” look. I saw online that this was a grunge look. I saw a list of grunge traits. And what I saw was:

Oversized, baggy clothing

Muted colors

Makeup, if worn, is preferably dark and a bit smudged

Ripped jeans

Leather jackets and/or flannels

Converse shoes or Doc Martens boots

Band t-shirts

Messy hair, sometimes dyed bright punky colors

Pretty much all of those bullet points hit things I’ve always had in my own fashion sense. My hatred for skinny jeans is well documented; I’ve always worn baggy jeans, and oversized hoodies and often baggy t-shirts are my jam. I definitely prefer more muted colors (see my favorite shades of blue and green for examples) over very bright ones. Wearing makeup is a pain in the ass, but when I do wear it I wear dark eyeliner that looks a bit smudged due to how I apply it, and eye shadow and lipstick that aren’t very bright. Pretty much every pair of jeans I own is naturally distressed and ripped; my absolute favorite pair, which I’m wearing as I type this, has GIANT holes in both knees, and a smaller hole on the back thigh. This is because I’ve been wearing them since high school (they still fit!), and have just naturally worn these holes into them. They weren’t distressed at all when they were purchased for me about fourteen years ago, but now they’re very distressed, and also very beloved. They spark a lot of joy. I’m never getting rid of them.

I don’t have many flannels at the moment (though I have a couple), but I have several different leather jackets. I wore Converse shoes for YEARS, but unfortunately they offer no support and are the reason my achilles tendon is pretty much permanently damaged (might also be why I have knee crepitus as well), so I don’t wear them anymore and instead have legit tennis shoes instead (but ones that are black with white soles so I feel they still fit). However, I do have two different pairs of Doc Martens, one of which is a platform pair, and I love them to death, so. The fact that my preferred shoes were Converse and Docs before I even knew about this is pretty . . .

I used to wear band t-shirts almost exclusively in my teen and young adult years, and stopped pretty much only because I stopped going to concerts, and lost a lot of my band t-shirts to boot (though I do thankfully still do have a 10 Years one, and I hope to get the one currently on their website soon too). But I do have a 10 Years light jacket (super oversized of course), and replaced the band t-shirts with gaming t-shirts. I guess this would make me a bit of a geeky grunge? I don’t think that’s really a “thing,” but if people can invent things like “soft grunge” or whatever, then I feel this should be allowed. I am donating some of my gaming shirts to charity in a couple days because I don’t think I really want them anymore (either because they’re for games I don’t play but got them for free, or because I don’t really like the colors on them and also got them for free), but I still have quite a few of them. I’m a geek, I can’t help it, it’s just who I am.

And my hair is always messy no matter what I do. Even when I pin it up, it still looks a bit messy. It’s just the way it is. 

While I do shower every day and so I don’t fit the “greasy” part of the grunge criteria, and while I’m obviously not going to change myself to more closely fit the grunge criteria, it still felt like a huge “OOHHHHHHHH” moment for me when I realized this. It also makes it a bit easier to shop for fashion things, I feel, because I now have a starting point. I’m not sure this is a starting point that Tan France would approve of given that I am almost twenty-nine and so the “someone’s disaffected niece” look is one I feel that he would think I should not be striving for, but it’s not like I’m really striving for that look, but rather, that that look is who I am. Like it’s what calls to me. And you know what, if Karamo can live off Skittles and Coke every day of his life, I feel like I should be able to dress in a geeky grunge style every day of mine (excepting the days I’m at work since that doesn’t fit with the dress code there). Not that these two things are related, but hey. (Besides, I’m sure that Tan would help me find a way to make it work. Orrr he might try to steer me away from it. Or maybe a meeting point of both? Hmm. Who knows.)

Anyway, there’s no real point to this post. I just felt like making it. And I’m fine, or even happy, with looking like someone’s disaffected niece when I’m outside of work. Sure, I’m almost twenty-nine and therefore nearing thirty, but that doesn’t mean that I need to give up the things I enjoy or who I am, especially since in so many ways I’m still discovering them. You know, there’s this idea that permeates society that at some point you have to grow up and leave behind all the things you liked to do and wear in your younger years behind, but that’s ridiculous. No one magically changes into a boring, plain adult once they hit a certain age, and no one should have to. I still love video games. I still love series and things that I loved when I was a kid. I still like wearing graphic tees and ripped jeans and oversized headphones. I am still a mature, responsible adult despite all this. I still own my home, my car, and hold a steady 8:30am - 5:00pm, Monday through Friday job. People are complicated, they’re complex. You can be someone who enjoys silly, frivolous things like fandom and alternative fashion, and also be an adult who carries adult responsibilities. You never have to worry that you’ll get to an age where you should have yourself figured out by that point, or else you’ve failed, because life is an ongoing process and learning experience. You’re never too old to learn about yourself or embrace who you are. This is something I’ve been realizing with regards to myself and my own life, and it’s something I think so many people could stand to realize, too.

Anyway, this is just some personal rambling, so please DO NOT reblog this, or I’ll just delete the post so it won’t show up with the “keep reading” link is clicked anyway and also block you. It’s just something I wanted to get out of my head, and now I have, so I’m going to go get some sleep. Good night. ♥

[9lph9tr0n5s]

Meet Rohan and Valkyrie (aka my take a stand au)

So, everyone in the zootopia fandom has seen all sorts of OC’s, fanships, stories, fanarts and other stuff that would be too much to remember. But, i’ve never seen someone create a fusion OC (even though they exist in other fandoms). So, without further addo, may I present you zootopia’s FIRST fusion character…

ROHAN WILDESAVAGE!!!

This beauty is the merged character of Robyn and Hannah by @crewefox . After eight months of wait i’m finally glad and proud to introduce you all to my OC. what follows will be a bio of her charachter. Then I’ll put a link to her backstory and the whole series of events that led to her birth. Beware that the read more option may not work, both in the app and in the computer

BIO:

Full name: Rohan Marheather Wildesavage

Species: fusion, fox/rabbit hybrid

Fusion components: Robyn Heather Wilde and Hannah Marian Savage

Date of first fusion: 28th of june 20344, Canary Islands

Jobs:

-Robyn: mechanic

-Hannah: radio host and ballet dancer

-Rohan: fitness and MMA trainer

-common jobs: superhero leader, dimensional traveller and peacekeeper

Physical description

-Age: same as Robyn and Hannah

-sex: female

-gender: bisexual with more intrest in females due to Hannah being lesbian

-height: 8.2 feet (around 2.5 meters)

-fur density: soft and smoother than silk, can get winter coats

-fur color: overall ginger with darker spots on the fingertips and the eartips, black eyebrows and tail tip and black and white stripes following hannah’s pattern. Rohan can change her fur color in any possible color scheme: from plain tan, to cream with red spots or patches, to black with yellow stripes (as a chevron) to even purple or shining blue silver

-paws: all have paw pads like a fox, the feet are as long as a rabbit and can stand up digitigrade and both hands and feet posses retractable, sharp claws

-tail: long, wavy, poofy, soft and capable of moving as a third arm thanks to more muscles in it. Rohan usually likes to smack unsuspecting targets to prank them

-Body shape: slender like Hannah with wider hips and strong muscles taken from Robyn

-eyes: right one teal and left one turquoise normally, can be changed in any color like the fur in any combination possible: red, green, pitch black, blue with orange shard… the eyes can also assume a plain colorization

-ears: longer than Robyn��s, slighty wider and capable of hearing further than any other mammal.

-muzzle and mouth: the muzzle lenght is between Robyn and Hannah’s and the nose has a very sharp smell range. The mouth is composed by sharp teeth and a razor buck tooth

-other peculiarities: Rohan can assume a feral form, standing on four legs, or just with her hind paws digitigrade; unlike most hybrids she’s fertile and this fertility has been transmitted to the components; her body is very flexible, but it can’t stretch like plastic

Character

-personality:

Robyn’s side:

-rash: Rohan can trip into dangerous situations without thinking twice, but always manages to get out alright, mostly

-crass: when Rohan is angry or really pissed, she can swear as instant reaction to an insult or a bad comment

-loyal and trustworthy: like Robyn, Rohan is loyal to her friends and, in no case, she can be corrupted or turn with the bad guys. She’s also extremely careful in respecting a promise or keeping a secret

-respectful: despite having the habit to center herself in rare situations, Rohan knows who’s in charge or is the most experienced on something. Many times, she asks for constructive criticism or honest thoughts about a certain subject and acknoweldges when she’s wrong

-hot tempered: strictly related to having a coarse tongue, Rohan has robyn’s short fuse when being pestered, mocked or scolded. This can occasionally lead to a fight when it happens and the one who insulted her heavily won’t go back home without a bruise… or a broken bone

-gold heart: deep inside, she cares about who she loves and is always willing to help for any problem

-energetic: Rohan as a carefree and upbeat personality just like robyn

Hannah’s side:

-empathetic: Rohan, like Hannah, instantly recognizes what somebody else feels and either joins someone in their happy moments or comfort sad mammals

-polite: from Hannah, Rohan has inherited her calm and collected demeanor, which strangely enough, doesn’t clash with Robyn’s short fuse

-focused: Hannah’s focused mind is another trait that distinguishes rohan: she can elaborate a good startegy, study someone from the outside and guessing the inside and never lose track of an individual or lose control of the situation

-clingy: when Rohan gets attached to someone, it’s hard to take said attachment away, and this can lead to rohan putting first him/her than her team if he/she’s in danger, just like Hannah with Robyn

-emotional: while this is mostly a trait taken from Hannah, Robyn has also a tender side: when sad, Rohan can easily burst into tears while trying to keep herself collected and this leads many people to believe she’s a crybaby

-romantic: Hannah’s romantic side shows up in Rohan when being courted by someone; this unfortunately has led to episodes of boys and girls chasing her for a date because they found Rohan “lovable as hell”

Common traits:

-dorky: both Robyn and Hannah are dorky af, so it’s normal to see Rohan being silly in a playful way

-adaptive: wheter the situation is a long wedding or a hard strike againts a crime lord gone wrong, Rohan quickly adapts to the situation and keeps up, just like Robyn and Hannah

-smart: although many see Robyn as a normal C student and Hannah as a top A mammal, both girls are extremely intelligent. Just don’t overestimate her

-loving: is there much to say about this? Rohan deeply cares about anyone and is always available for comforting or cuddling someone

Unique traits:

-tricking: Rohan seems dumb from shallow and small-minded individuals, but 75% of the time she’s just faking; she’s a cunning mammal and this shows in her ability to pull of tricks or turn the tide of a situation in a way neither robyn or hannah are capable of. This seems to be a recessive trait taken from Robyn’s father Nick.

-charismatic: this charismatic side the wildesavage couple has doesn’t show up very often; things change when rohan is in the game: thanks to her charisma, Rohan is a natural born leader, and everybody follows her or ask for her advice; this trait seems taken by both Nick and hannah’s father Jack

Favorite things in groups

-Favorite foods and drinks: everything KFC cooks, turkey meatballs, spaghetti with tomato sauce, masala cod, fried ginger crickets, pepperoni pizza, crispy mcbacon, oven pasta

-favorite movies and TV shows: Enter the dragon, the princess bride, Star Wars: the last jedi, black panther, karate kid, the big bang theory, steven universe, every disney princess movie, fantasia, the incredibles

-favorite games: the uncharted series, the last of us, overwatch, call of duty black ops 3, rise of the tomb raider, destiny 1, Star Wars battlefront 2 (the old and the new one), titanfall 2, horizon zero dawn, GTA 5, team fortress 2, god of war (the 2018 version)

-fandoms: disney princesses, Star Wars (the sequels side mostly), MCU, love stories, Overwatch (not the porn, nor the toxic side)

-favorite music: punk rock music, dancable music, Green Day, Ed Sheeran, Queen, the Pirates of The Caribbean, Star Wars, star trek, back to the future and the incredibles themes, Cole Rolland, Imagine Dragons

General Likes and dislikes:

likes:

-being petted, cuddled or having her fur stroked

-crude humor

-dancing

-being a dork

-topping herself

-being nurturing and kind to everyone

-friends and family

-protecting zootopia for good

-dancing

-comfortable clothes

-travelling

Dislikes:

-bullies

-being pressured

-having a fight with a loved one

-hypocrites

-being harassed just because of who she is

-small minded mammals

-corrupt people

-whoever threatens her city

-heavy junk food

-strobo lights

-nudity in public

-toxic mammals and fans

Family:

Robyn’s side:

-father: Nick Wilde

Occupation: mayor of zootopia

Status: alive

-mother: Judy Hopps

Occupation: police chief of the first precinct

Status: alive

-grandmother: Marian Wilde;

Occupation: former vigilante known as “the maid”, now hero trainer and supporter, mostly for hacking and I.T. professor at the zootopia university

Status: formerly dead, currently reanimated and alive

-grandfather: Robin Loxley Wilde

Occupation: former vigilante known as “hood”, now hero trainer and couple advisor

Status: formerly dead, currently reanimated and alive too

-Grandparents (Judy’s side): Bonnie and Stu Hopps

Occupation: carrot farmers

Status: alive

siblings:

-Ryan, Ronan and Reginald (reggie) Wilde: Robyn’s triplet brothers; Ryan is a laid-back lover of yoga, Ronan is a pro gamer and Reggie is a panmusical mammal

Status: stillborn at the beginning, now brought back to life

-Luna Wilde (Robyn’s half sister)

Occupation: surgeon at the zootopia hospital by day and patroling zootopia by night as the vigilante Andraste

Status: alive

Hannah’s side:

-father: Jack Savage

Occupation: MCB agent (major crimes bureau)

Status: alive

-mother: Skye Winter

Occupation: MCB agent, works with Jack

Status: alive

-known grandparents:

Hannah Savage

occupation: pensionate

Status: deceased then brought back to life

-siblings: none

Others:

-Victoria Todd (luna’s mother)

status: dead, then reanimated

-Alice Kirabito-Wilde (Robyn’s sister in law)

Occupation: videogame and anime reactions youtuber, superhero, quartermaster and weapons assistant

Status: alive

CHILDREN:

After a year Robyn and Hannah adopted their first son Aaron, he wished to have siblings like her moms (who also wanted biological kids on thier own); this was possible through a pregnancy pen: a device invented by olivia dawson and crafted by her and luna which allows two blood drops and a drop of seed of each couple member (gay or hetero) to mix and create full embryoes and literaly plant them into the one who wants to be pregnant, but the “carrier” has to be female; from this union, five kits were concieved and born from robyn as aaron’s birthday gift, who decided to carry on the pregnancy and aaron welcomed to the family his new siblings. Also, after a foster home was shut down due to cruel personnel and heavy mistreating of the orphans, robyn and hannah decided also to adopt two mammals who were unwanted and left without a family. Needless to say: all those children made judy go on cloud nine… and it gave nick a heart attack.

Biological:

-Ash, Sarah, Iris, Dylan and Mitchel Wildesavage (respectively M,F,F,M,M)

Species: fox/ rabbit hybrids

Date of birth: 8th of december 2039

Adopted:

-Aaron Wildesavage (this character is also by crewefox, he was so adorable i decided to keep him in my AU too)

Species: male koala

Date of birth: 31st of december 2033

Adoption date: 21st of december 2038

-Skylar Wildesavage

Species: non-binary otter

Date of birth: 24th of august 2033

-Penny Wildesavage

Species: female black labrador

Date of birth: 15th of february 2032

Both skylar and penny were adopted the 27th of october 2040

Side notes:

-i know dogs shouldn’t exist in the zootopia universe, but in mine they do

-Robyn and Hannah originally wanted one or two kits, but Robyn’s bunny genes let her have five kits in the end 

Since Robyn and Hannah are both superheroes, there had to be Rohan’s superheroine alter ego so, i present you VALKYRIE 

 Now it’s time for the superhero part

SUPERHERO SHEET

Alias name: Valkyrie

Alligned to: team Ceartais, ZPD, MCB, Camelot

Role: leader

Hero suit: red carbon fiber jumpsuit with white parts, a dark red hood and cape made for gliding and flying when necessary, a dark turquoise chestplate, blue and white shin and forearm guards, a blue and white checked mask and a gem storage in the middle of the chest for the infinity fragments protected by a small sheild. The suit itself has tron-like lines as an attire choice. The suit, the cape, the armor plates, tthe mask, the lines and the weapons can change colors into everything and every pattern. The suit itself is resistant to fire, shocks, electricity, cuts and explosives; the problem is that some parts are left exposed and rohan has to be careful to those weak spots

Power level: supermammalian to god-like

Steel blood powers: Robyn and Hannah’s originary power both originate from some nanomachines called “steel blood” which helped them survive a severe case of sepsis and other damages occured during a tsunami that nearly killed them

Robyn:

-healing factor: Robyn’s primary power consists in a powerful healing factor which repairs and wound or damage instantly. This also renders her, and by proxy Rohan, immune to poisoning of any kind, by simple alchol and cigarettes to vast amounts of cyanide in her body. Unfortunately, the more poison enters her body, the more it takes to rohan to process it. Also, the healing process takes more time if Robyn or Rohan are shot to the head. Another good side though is that Robyn and Rohan can survive being grinded, having their head chopped off, being squashed by two walls and being liquefied

-super strength: the steel blood also strengthened Robyn’s muscles, giving rohan an immense physical force, at the point of being five times stronger than robyn normally is

-high jumping: strong muscles and an energic, athletic attitude is the perfect match to jump high. Rohan can jump about

-high stamina: the nanites powered up her whole skeleton and inner system, which means that rohan, and robyn in the first place, can fight for a long time, running over 100 miles, training in a gym for 24 hours straight without getting tired if put under pressure. Eventually in the aftermath of one of those things, Robyn (or Rohan’s) body feel and become more tired than usual and require more amount of sleep to return in shape

hannah:

-faster reflexes and speed: since hannah was blind when she received the steel blood nanites, those should have supposedly healed her sight; instead they went on powering up her reflexes and speed. This makes rohan agile and fast on the battlefield

-ability to become blind and go back to full sight on command: this power was mastered during a time when Robyn and Hannah were left stranded. Hannah managed to get her sight back, but also practiced between shifting in full sight and blind. While seemingly useless, this power can come very handy if someone generates a strong light and rohan can still fight without necessarily closing her eyes, especially if she doesn’t have a protection

-super senses: when Hannah or Rohan go blind, all the other reflexes (hearing, taste, contact and smell) heighten up to compensate the lack of sight. Those senses can become handful depending on the situation

-pulse field generation: Hannah’s trademark power consists in “seeing” while blind. While tecnically what hannah sees is a blank world with no writings or images but just the primitive shapes of her surroundings, the nanomachines allow her heart to generate a pulse everytime it beats that detects all surfaces and objects in five miles. Rohan’s area is wider and can arrive up to 20 miles

-healing factor: Hannah also has a healing factor, but it works slower than Robyn’s. Rohan partially compensates this with a faster regeneration in case of sight or hearing loss

common:

-memory link: Rohan’s memory is made up of all memories from robyn and hannah and her own, which are all stored into a neural, indestructible cloud. If one member loses all memories, just one tap on the body or fusing can make the lost memories come back. By proxy, the wildesavages share rohan’s memories and their own, this means no secrets between the couple in normal life

-feral state: if robyn is shot to the head, all her strenght and speed multiply by nine, but, as the name suggests, the nanomachines while healing the damage awaken her feral instincts, making her a savage beast. If this should happen to rohan, she would turn savage for a shorter time than robyn. Only few mammals and beings know how to tame while savage

infinity gems powers (they’re much more than the listed ones and some must be discovered): after being found out by Robyn and Hannah, six fragments of the infinity gems linked with them and grant more powers. while these powers are mostly used by rohah, robyn and hannah also use them separatly, abeit with less efficiency than their fusion. The fragments after rohan unlocked the infinity state, transformed into full gems

power (red):

-energy control and manipulation: the power gem allows rohan to manipulate all sorts of energy in any form, from kinetic to nuclear, and any way: force fields, power sharing, recharge, power overload…

-laser, maser wave or pulse energy blast: most importantly, rohan can use that enery to mimic and use a certain energy primarly for a laser blast; said power can manifest in a powerful shockwave or a presence that burns and slowls incapacitates everyone near her. Rohan could kill someone with her powers, but she chooses not to unless there’s no other choice, or her foe is unpowered and defenceless. In that case, she uses the power for knockback

-energy and power share: Rohan can gift some of her power to anybody else who needs it to strenghent him or her. This also applies to electronic devices

-maximum power state: when rohan unleashes the full power of the power fragment her body becomes glowing red in color and physically a pure manifestation of energy. In this form rohan is surrounded by energy vamps like a sun and is totally invincible. This form consumes a tremendous amout of energy, leaving her helpless when she stops, so rohan must use this as a last resort

Time (orange):

-time manipulation and travel: thanks to the time gem, Rohan can control time around her and with others. She can freeze a single moment, create a loop, rewind her own time or a recent situation and even age or de-age every living being. With the right amount of focus rohan can also travel through time

-time mastress state: at full strenght, the time fragment turns Rohan’s body orange and magical gears appear. In this form rohan’s time powers are amped up to ridiculous heights at the point rohan BECOMES time itself and is able of creating or erasing some events or a complete timeline. In the aftermath Rohan dissociates temporarly for three hours before her molecules line up

Reality (yellow):

-reality manipulation: the reality gem allows Rohan to bend the primary shape of everything around her at her will, always turning the situation to herself, like a wizard using magic. But if the power is used without limits, rohan could alter reality for a long time before fixing it, thus she has to be very careful when using the reality related powers

-creation of everything: this superpower allows Rohan to do everything she imagines: she can materialize a toy in front of her, turn water to fire of give herself new powers; the only things she can’t do are: copying powers related to the other gems (unless she temporarely gives new powers to other beings) and bring people back from the dead

-illusion and hologram control: rohan can create multiple copies of herself or turn temporarily a place in what she wants to with hard light

-reality bender state: this state renders rohan yellow and the surroundings in an area of 10 meters constantly shape. All the afromentioned powers are strengthened at the point rohan can create multiple universes at once. This state doesn’t consume much energy and it’s currnetly rohan’s most used super form

Soul (green):

-soul dislocation: with the power of the soul gem Rohan can either exit her body becoming a green ghost or force the enemy’s soul to exit the body, leaving both, rohan or the foe, numb and defenseless

-control and power over life: the soul power can also heal wounds, physical and broken morales, temporarely take back the dead as zombies or trap other souls into the fragment

-soul detector: Rohan can discover and make visible all ghosts (souls of dead beings), talk to the and even command them if necessary

-ability to travel to the soul realm: the soul gem hosts a pocket dimension called soul world; here all the souls of the dead live a neverending life of joy. Rohan can enter this world and take whoever she wants without turning them into ghosts and her soul powers within the world increase even more

-soul guardian state: in this state Rohan gets engulfed by green light and has total control over the spirits: she can evoke hordes of ghosts againts her foes, catch easily all souls within a certain range and gradually weaken everbody. The aftermath leaves Rohan internally weakened and unable to move, though she still can see everything happening around her with the same perception as someone in a dream

Mind (blue):

-mind control and other abilities: Rohan’s most basic abilities with the mind gem include: controlling the mind of the weak, shutting their mind down leaving them open for attacks, creating false memories, breaking brainwash and telepathic control on others and reading memories. Rohan is also immune to all mind-based powers; for example, she can’t be brainwashed

-mind link: Rohan can connect minds withan ally and see through its eyes. She can also talk to them in their mind by giving them advices and makes them immune to mind control. Usually though, Rohan uses this tecnique to calm down scared mammals since she can also alter emotions

-memory share: just by touching on the head somebody, Rohan can share her memories to other mammals

-brainstormer state: Rohan becomes all blue by entering this form and becomes able to access all the minds of a single planet she can go into. The aftermath isn’t as bad as the other, but it does leave her with a huge headache that lasts for five minutes after she exits this form

Space (purple):

-teleportation: Rohan can teleport herself in any place she wants. Where she goes depends on her memories of the place, or where she looks at. She can also teleport enemies or teammates away or where she wants too

-ability to control space and movements around: the space gem also allows Rohan to speed up, slow down or stop movements in a maximum area of three miles, usually by bloking foes in mid air or speeding her time up becoming faster from the eyes of the spectators. Rohan has also total control over gravity: she can increase it or decrease it to the point of nullification in a certain spot

-molecular dislocation: Rohan can phase out her molecules becoming intangible; while dislocated phisically, she can’t be hit or touched and can pass through any solid object. She can also phase out her opponents and stick them into solid objects, but she doesn’t use that power very often on normal, powerless criminals since she finds it brutal

-traveller state: Rohan’s last normal final state covers her body in purple light and nullifies gravity in an area of 50 miles. Rohan’s space powers heighten up exponetially at the point of teleporting an entire population on another planet or move planets herself. Rohan can also create gravity wells or black holes and dislocate entire armies. The aftermath leaves rohan intangible for one hour

common:

-immortality: since the infinity gems are part of the universe itself, Rohan and by proxy Robyn and Hannah can’t die in any way. If they should be disintegrated, their bodies would simply regenerate and their aging becomes stuck at the age of 25

-self awareness: this doesn’t mean rohan has total control over her senses, instead, rohan is fully aware she is an original invented fusion character by me, that their components were born from the mind of an irish, bisexual assistant surgeon and that their parents come from a very beloved disney classic movie. In few words, she can break the fourth wall

-SECR (acronysm for supreme energy coalescence ray): rohan can channel the power of the six fragments into a powerful, multi colored beam which can totally erase existance where it hits; she swore to use this power only if the enemy outranks her or in apocalyptic, near failure scenarios as her goal isn’t to cancel life. Rohan doesn’t need to enter the infinity state to use the SECR

-the snap: Rohan’s most powerful move definitively constist into the snap, where rohan uses all six gems and snaps her fingers to make every wish of hers come true. This time the aftermath is a mix of all the other aftermaths of the singular powered state of the fragments: namely, rohan becomes intangible, dislocated in time and soul, physicaly and mentally weakened for eight hours. The only way to carry her to safety is trapping her into an electrostatic box. When the “hangover” effects vanish, rohan wakes up with a giant headache. The snap has a cooldown of a year

-infinity state: even if the snap is indeed powerful, Rohan can enter the ultimate state by unlocking all the ultimate power states of the fragments and combing them. In this form, Rohan becomes totally white in color with gold shades. her powers heighten up to god-like levels and she’s able to use any power, steel blood or infinity based, heightened up, while accessing to every mind in the universe, bending all matter and reality at her own will, moving entire galaxies, controlling time while also having vision of future and past events and powering up every ally, no matter where they are or which species they are, temporarely gifting her powers to them. The aftermath effects are the same of the snap, but the time for the relocation lowers to two hours, and there’s no headache

weaponry, gadgets and arsenal:

-mega nightstick: Robyn uses a titanuim telescopic baton 1 meter long in combat, formed by two nightsticks and two handles which can simply split in two or also form two tonfas with the two handles. When Rohan plays the baton (which becomes 2 meters long with her) and it’s subweapons become harder than diamond. Each stick also has a hidden blade made out damascus steel with a diamond tip in case of tougher opponents

-constructo guns: Hannah’s primary weapons are two guns which can combine into other weapons after their upgrade: for example, a simple machine gun, a shotgun, a grenade launcher, a minigun and a small crossbow. They can also fire traquilizing pellets, laser shots or normal bullets

thanks to the realty fragment both weapons can combine into five other weapons, which also have powered up forms

- a baton with guns on each end; this doesn’t have a powered form, but it can still split and form two tonfa guns

- a javelin with a ninjato-like blade and a double barrel gun where the blade is placed. When powered, the guns spin in a circle and fire faster than a minigun while the blade knocks back enemies up to three miles

-a double sword with the central handle curved, a blade with an axe tip (like megatron’s sword on TF5) and a long barrel for sniping as long as the blade on each sword; normally it can also split up into two blades with curved handles, turn into a hi-tech bow or a giant boomerang. Powered up the guns shoot bullets and laser that pierce through everything, the blades cut even more (but not everything), the bow shoots further, its arrows strike harder and the boomerang locks onto the enemies until it gets them

-a halberd with a giant blade and a grenade barrel on top; this could be considered as a more brute version of the javelin since Rohan uses it for larger opponents. The powered form grants two additionals grenade launcher barrels and allows every strike to cut enemies or generate slices of pure red energy

-a baton that turns into a whip with a flick of the wrist and a double gun separated from the melee weapon unlike the previous four; the baton can let the tip and the rings of it’s whip form exit and let a yellow energy blade come out of the handle while the rings and the tip form a small shield. Powered up, the whip can generate small quakes where it lands, the shield assumes the aspect of a circual saw and the energy blade becomes able to slice through everything

(if you are confused and don’t know what the weapons look like, i can say that for some i got inspired from the weapons the praetorian guard from The Last Jedi wields)

volcano comet: while the nightstick, the guns and their combo forms are more than a match for any enemy, rohan wields a red, double bowed crossbow which can shoot tranq darts, arrows and laser beams at ligthspeed, for sniping attacks

concussion grenades: these grenades developed by Robyn and Hannah’s friend Olivia Dawson, create a shockwave that pushes everyone meters away from the explosion point

hacker spine: in honour of Marian Wilde “the Maid”, Robyn asked to graft into her suit a short-range hacking device which activates only whey she and hannah fuse and allows her to enter the enemies’ computers and devices, thus controlling them or shutting everything down

hyper goggles: Rohan’s domino mask contains many options into her lenses: x-rays, heat vision and ray beams

-fighting styles: boxing, MMA (mixed martial arts), blood ballet (a style invented by hannah which mixes dance styles and MMA), cloak and dagger strikes, teräs-kasi, shien, djem so and yuvo

small side notes:

-when dressed in civilian clothes, rohan sports her gems combined into a single rainbow gem embedded into a jade bracelet

 As for her backstory, the link is here

And there she is; after months of working on her bio i’m finally proud to welcome the first zootopian fusion to the fandom. I hope you like her and if you wish to use her for a story or a fanart, message me first. I may add extra info later.

And to finish, here are the credits:

thanks to @crewefox for allowing me to use robyn, hannah, scarlet, bullet, aaron and other characters (too many to name) and helping me with the correction of the post

thanks to @jafethortiz who made the arts and the coloring

special thanks to  @chickwithdreads and this post for giving me inspiration about the charater sheet

And last but not least, thanks to the whole zootopia fandom, who dedicate a bit of their time to admire the first zootopian fusion character

thank you and see you soon 

the infinity gems, iron man, namor, mister fantastic, black bolt, doctor strange, professor x, the skrulls, the super skrull, the kree and ronan belong to Marvel®

[ganymedesclock]

I’ve made bitter sort of posts in the past comparing Ulaz and Regris to Narti in terms of fandom reception and I guess what it boils down to, is, every time I go into Narti’s tag I find at least one post that says “she deserved better!” but has very little substance or thought into her character.

And the thing about Ulaz and Regris is both of them were alive for only one episode and in Regris’s case, said very little. He was a guy who got rescued by Keith and then got blown up in an exploding ship. But they’re given a lot more substantial fanwork, people develop entire complex relationships and backstory for them.

I’m not saying you should feel bad if you’re interested in Ulaz or Regris. Rather, my feelings are... it just feels like there’s this very passive acceptance of if Narti’s gone we’ll never see her again, we can’t think of her any more.

This is an incredible inventive fandom full of creative energy and a lot of really talented people. I refuse to believe that we can just give up on a character so easily, especially when we’ve made more out of characters we’ve known so much less about.

Who was Narti? What was her history with Kova, with Haggar, with Lotor, with the other three generals? We don’t even know the other side of her heritage or if her powers are normal for them. There’s so much to explore, and so much we were given. With that in mind, this post turned into a sort of, looking over Narti’s canon because there’s actually a fair bit there.

Of her own team, Narti seems the closest to Ezor- Ezor thinks about how Narti might feel about something even when Narti is not seemingly in the conversation or paying attention. This is noteworthy since Ezor can be rather cruel with others (her pulling the face of the Puigian leader) which suggests Ezor cares about Narti’s feelings quite a bit.

Her comment about “no offense” after she says the Lions on Thayserix would be blind and Narti’s casual body language would also suggest that Narti is not very upset about being blind- if anything, Ezor thinks she might be offended by the idea that being blind makes it easier to take advantage of someone.

Narti is very fond of Kova, as she can be seen stroking him in s3e1 and often carries him on her shoulders. It’s very clear that Kova is not merely a seeing asset to Narti, but a friend and companion. This would suggest Narti is, at least on occasion, sentimental and affectionate towards people she considers closely attached to.

At the same time, this is contrasted by the very obviously callous way that she lets go of both of the Puigian leader and Throk once she’s done controlling them- she basically throws both of them onto the floor.

So Narti is very fond of certain people, and operates on strong emotional bonds- Ezor states that Narti trusted Lotor, not merely worked for him or with him, and this is reinforced that Narti pointedly does not defend herself when he rushes towards her in s4e3.

This lines Narti up neatly with her Voltron counterpart, Pidge, who is a prickly and distant person towards people she doesn’t like or isn’t comfortable with, ranging from irritable and snappy to sardonically amused at their misfortune (as she is in s4e2 with the bomb merchant). 

It’s very likely that however Narti chooses to communicate, she only does so with people that she trusts very closely. Given the information-based operating style of Team Sincline, it’s clear that Narti’s associates have no problem understanding her or knowing her feelings, but to others, she can be quite an enigma.

When it comes to expression, Narti does not flex her features to emote. However, she can be noted to on many occasions turn her face to point at people. As Narti’s upper face is smooth, without any scarring or leftover eyelids, it’s an easy assumption that Narti’s blindness is congenital in nature- whether or not this is normal or common for her non-galra lineage, her body did not develop eyes when she was first growing. Thus, she would have been blind her entire life except through the eyes of others.

This would tell us that for Narti, pointing her physical face at others is either a learned behavior for social reciprocity.

This is also seemingly sometimes an indication of interest from Narti, such as during her fight with Pidge and Hunk, when she attacks Hunk, she points her face at Pidge’s position, suggesting her focus is on Pidge.

Narti is both quite strong and incredibly fast, and doesn’t appear to have shown obvious fear or hesitation so far. If anything, there are a few times in both s3e2 and s3e6 where, when fighting an opponent, she moves slowly and languidly or waits for them to ready their defenses before attacking. 

This might suggest Narti, like Ezor, has a playful streak and sometimes toys with opponents. Again, as she’s set up thematically as Pidge’s counterpart, for Narti this could be motivated specifically by curiosity- that Narti is more encouraged to play with those who strike her as interesting, or who pose some sort of a challenge- with her main targets for “toying” being the rooftop snipers and Pidge, while with other opponents she is very efficient and does not hesitate.

On several occasions she can be observed to swish her tail without any particular objective, suggesting that she uses it to express herself.

Narti is a competent pilot, and along with Acxa, piloted the comet ship against Voltron, making her one of very few characters that has engaged Voltron directly in mecha-vs-mecha conflict and survived the encounter. Both her tail, and seemingly her toes, are prehensile, and in s3e6, Narti ambushes Throk by dropping down on him from above showing that she is able to climb across ceilings, and, presumably, walls.

Underneath her hood she has small, high-set ears.

Narti’s tactics as an ambusher who often strikes opponents suddenly from behind and the fact that she seemingly does not commonly offer opinions through the avenues available to her would suggest Narti has a tendency towards patience and industriousness- she doesn’t always feel the need to directly intervene or commentate on situations, even though in her setting, it’s clear her voicelessness does not hold her back.

When Narti appears to speak through the Puigian Leader and Throk, she does so in a fairly dispassionate and concise manner. While the Puigian leader adopts a more tense, concerned tone to Throk’s dreamlike indifference, the word choice is similar- both conversations consist basically entirely of matter-of-fact statements that, at least on the surface, appear to lack opinions.

This suggests Narti has a rather analytical mind and tends to evaluate situations, and to speculate a bit, I suspect would voice her emotions, if she does at all, in a very indirect sort of manner, making observations that are tinted with particular feelings.

[rationalisms]

forgive me for this nerdy ass post but

the thing that gets me about all these people who are furious that there’s more content for gay ships than their het ships is just how often they’re plain wrong

i mean, take dragon age for example where the fandom is notorious for making post after post about how maligned their precious f/m is because people dare to prefer the m/m version of the romance. by the way they’re talking you’d think het ships would be sinking under the m/m juggernaut.

you wanna know what the reality looks like?

(source)

yep. there’s literally more het fic for dragon age than m/m and f/f combined.

why does this happen? why is it such a phenomenon that people whine and scream and cry about how much the mean gays are taking over fandom when the reality is that gay people still draw the short end of the stick on top of getting yelled at for it?

imo it’s because hets don’t notice het content because they subconsciously categorize it as Correct and Natural but are hyper aware of gay content because they feel it’s somehow the opposite of that.

part of that is probably because of how often het content is canon compared to gay content-- so many het ships aren't even counted as het but are seen as “gen” just because they’re canon compliant. and making content for the actual happenings of the narrative is seen as somehow different than inventing content. so it slips under the radar.

the other is obviously that they’re much more likely to discount gay subtext and validate het subtext due to heteronormativity. the smallest scene is proof that a het ship is real and ~obviously people would create content for it but gay subtext is far fetched and outlandish and therefore worthy of special attention.

the other side of the equation is the way fanfic is seen as the be-end-all measuring stick of fandom content output. i know it’s because ao3 with its nice screenshottable numbers is easiest to use as a reference point (i did it myself). but that’s inherently a flawed metric because

a) canon ships are much less likely to have the same fanfic output than non-canon ships for the simple reason that less wish fulfillment is needed if the canon is giving you the content you want. guess hard whether het or gay ships are more likely to be canon

b) ao3 skewing gay is not a surprise considering it was partly intended specifically for the gay fic that was banned on other fanfic archives (have you never wondered why it’s called ‘an archive of our own’?). you used to get deleted for posting gay stuff on ff.net (idk if it still happens i haven’t posted there in ages), and fandom-specific fic archives and later LJ/DW comms were (and, tbqh, still sometimes are) rife with homophobic rules banning or heavily censoring gay content. if you visit any other fic archive the numbers will look a lot differently, i assure you (and yes, they /are/ still active), people just can’t get statistics as easily from them.

c) tangentially related to the above point, people forget that fandom isn’t just the people they follow on tumblr. using dragon age as an example again, reddit, the BSN boards, ff.net, etc are all part of the dragon age fandom and as someone who spent a lot of time i should have honestly applied better on the BSN boards i can tell you they were suffocatingly heterosexual (and homophobic!). i can’t vouch for reddit personally but i have friends who can and who had the same experience there. the fact that gay people have to cluster in specific spaces like tumblr tags and ao3 because they’re entirely unwelcome in literally every other general fandom space is not some sort of privilege, lmao.

d) and honestly most importantly: fic is not the only fandom output. like, i can’t believe that even has to be said but fanart, gif sets and graphics, fanmixes, meta, fanvids, even shitposts! are all also fandom output. they just don’t get counted because they’re much harder to quantify. but if you look at e.g. which tumblr tags are most active (as for example curated here) there is quite obviously a ton of het shipping happening on tumblr (the most popular ship last week was a het ship-- mike and eleven from stranger things). you just don’t recognize it as such because the medium isn’t fic. this is again related to how likely gay ships actually get satisfying in-canon content-- the fact that gay ships often get a lot of fic is because we gay people have to turn to fic for what canon refuses to provide for us. het ships have tons of content and active tags, but it often consists of e.g. gif sets or meta because they are far more likely to have canon content to rely on with no need to invent anything on top of it.

the reason why f/f sometimes runs counter to that rule and produces a lot of fic for canon ships is imho because quite frankly... canon f/f ships make up most of the rare occasions in which two female characters get to have a complex, interesting and well written relationship that isn’t almost entirely overshadowed by how their narrative revolves around a man. there’s also a lot to be said about why the numbers for f/f are small most of the time that would require a whole huge ass separate post and i am a tired lesbian and do not have the energy.

i also don’t really wanna get into why these accusations are often hurled at gay people. i’ve been called a misogynist for not giving a shit about het one too many times by people who can’t fathom that a lesbian might find m/f content a hundred times more alienating than any m/m content could ever be. but the fact is that it’s all too often based on an entirely fabricated idea of how the fandom landscape actually looks like, and i just wish we could stop entertaining that lie.