#i guess my main criticism is that it should have been a longer episode or two parter to build up to that ending properly

[firstkanaphans]

That one ask/reply shitting on THK and GMMTV in general is really.... something. 🙃 I think you and @invisiblegarters already expressed most of my thoughts on that but I just want to add that based on every Jojo interview I've ever watched (and I've watched a lot of them during Only Friends), I never once got the impression that he's being forced to worked with branded pairs and, as you pointed out, it's actually kind of insulting to suggest he's having these pairs forced onto him and has to write stories he actually doesn’t want to tell just to suit those pairs. During OF I saw a lot of talk (from the same circle of people who are now criticising THK before a single episode has even aired) about this too (about Jojo probably being forced to keep SandRay and TopMew together just because the actors are branded pairs) but everything always pointed to the opposite being true: Jojo (along with the other OF writers) wrote a script where 2 of the couples are together at the end and one is not. And he chose the actors according to that story, NOT the other way around (he chose branded pairs to play those 2 couples because he always planned on them to be together and therefore felt branded pairs would fit that kind of a story/ending).

Not to mention I thought Jojo being a simp for Khao was common knowledge, but I guess not? But yeah, uh, anyone that has ever watched any of the Soonvijarn videos knows this. It was only a matter of time before Jojo got to work with Khaotung tbh (and clearly wants to keep working him and First, given he chose to work with FK immediately after he already worked with them). Directors have faves and it's very clear Khao is one of Jojo's.

The only thing I will agree with that original post on is the fact that it'd be nice to see some of these branded pairs act in projects solo or with a different partner. However, that doesn't have to mean they should stop working with their branded pair altogether. I don't see why they couldn't do both. Though honestly, for me the main determining factor is what the actors themselves feel happiest doing. There are certain actors who definitely do not/did not enjoy being stick in a branded pair and that was visible from the moom. I'm glad for those of them who are no longer in branded pairs, since that's obviously not something they wanted. However, FK are not one of those pairs. From everything I see of them right now, they both feel happy and fulfilled working with each other. The moment they stop feeling that way, I will stop wanting to see them act in shows together as a couple. People seriously need to stop being so vehemently against branded pairs as a whole. (There's also a lot of hipocrisy going around: Branded pairs are totally fine if it means these people will get to see a pair like MaxTul play a couple in multiple series, but as soon as a GMMTV branded pair acts in several BLs together, branded pairs are suddenly bad and are holding the actors back. Double standards much?)

[This ask was sent in response to this post, but I would just skip down to @invisiblegarters addition because it's the only part worth reading]

Yeah, there’s an anti-GMMTV branded pair movement going on here on Tumblr and I don’t understand where it came from or what its purpose is considering early GMMTV pairs such as OffGun and TayNew are exempt from criticism. 

It seems to come down to just a fundamental misunderstanding of the genre. In romances, the two main characters end up together. If they do not end up together, it’s not a romance. It does not matter if the two main characters are played by a branded pair or not. This is just how romances work. 

Not to mention that these shows are conceptualized way before they are ever cast and are oftentimes based on novels, so the casting has literally no bearing on the story at all. In the case of THK specifically, Jojo has been working on that script for at least two years. FK weren’t even a branded pair back then!

To suggest that queer characters are only getting happy endings because a company is trying to sell fan meets is incredibly insulting to not only the queer creators who make these works, but also the queer viewers who want to see a happy ending for themselves on screen.

[majestic-kestrel]

oh dear.

from what I've seen (on my dash) I feel like I'm the only one who was okay with that ending?

BBC ghosts spoilers in the tags

[angelduffhazbin]

My Critics about Hazbin Hotel

I'm actually not a fan of cartoons and senseless violence. But Hazbin Hotel was thrown into my timeline with the song “Addict”. The first thing that caught my eye was the color combinations, which I found absolutely unique about this animation style. I also liked the Angeldust twist. On the one hand the super erotic stripper, on the other hand the victim of his pimp. This made me want to look at the plot. And what should I say? I fell in love with the characters. I particularly liked Alastor. Since the series didn't continue for a long time, I watched Helluva Boss and also thought this series was good. 1. From SA to an Rapefetisch(?): The series is criticized for sexualizing Valentino's abusive behavior and the fact that he rapes Angeldust or has him raped. I must say. I am rather ambivalent about this criticism. I remind you again of “Addict”. Angeldust is seen dancing erotically on a pole, while sequences are shown in which he is seen suffering in his bed and Cherry comes to comfort him. You see Valentino force a kiss on him at the end and drive away with him. Basically it doesn't matter whether Raph or Ralph (?) drew a rape comic, which Vivziepop used for her series. Because what happens in episode four is nothing like what happens in "Addict." This interplay of relationship-eroticism and abuse-rape can also be found in the voice messages that Valentino sends Angel. In this way, Valentino continues to bind Angel to him, even without a contract. On the other hand, I can understand that fans are still upset by this. I mean, there is sexual tension between Valentino and Angel Dust. The way Valentino blows the smoke in Angel's face or the way Angel dances on the chains... Then you see them in bed together. Between the scenes in which you see Angel suffering, you also see scenes that could ensure that Val's behavior could be put in a positive light. Maybe Viv should pay a little more attention to this in her production. 2. The old Cast is gone: What made me very sad was that the old voices of our favorite characters weren't used at all. As far as I know, it was because of an argument between Vivziepop and Ashley. Erin, a Spindlehorse team member, revealed a WhatsApp history by messaging Ashley about her mental health during production and Vivziepop seemingly saw it as an attack. Others say Vivziepop learned something unpleasant about Ashley and gossiped about it to others. Whatever it was, the voice actors were dragged into the dispute and fired, among other things, because they were friends with Ashley. I don't know if that's true now. If so, then Viv has a nice place in hell. In any case, I'm a little sad for the old voice actors because I find it unusual to hear the characters now have different voices. I wish Viv had kept the old team. 3. The Main-Characters seem to be Mary Sues: The headline is a little exaggerated. But I had to roll my eyes at some points. Husker is said to have been an overlord. Why? How important is it to the plot that Husk was an overlord? So that he is particularly strong? I liked him as a player who gambled away his soul to Alastor. It hardly makes any sense since we were told by Vaggie in the prologue that Alastor has already killed overlords. So why spare Husk? A fan theory has come true. Vaggie is an angel. *Head greets tabletop* If she knows about Alastor and what he did, I'm guessing she'll be in hell for longer than 10 years. If not, it doesn't matter. She speaks Spanish, likes to swear and as background information we know that she was in an abusive relationship with a man. This had such an impact on her that she became a lesbian, because of it. She also takes the people from the hotel to a gun fight and has them fight there... She's definitely an angel. *irony off* To me it would have been more logical if she had killed her violent boyfriend as a human and ended up in hell because of it. But no. She must be an OP angel. I then wonder what Niffty is. Probably God. lol (Part 2)

[bettsfic]

betts your obiwan posting makes me want to watch it, as a prequel fan. i havent looked at star wars in ages and dont have disney+ is this worth pursuing??????

i was certain, CERTAIN, i would be immune to Obi-Wan Kenobi (dir. Deborah Chow, 2022). for 17 miserable years i've been adamant that should disney exhume hayden christensen's acting career for the sake of new darth vader content, i would not be among its audience.

i've been angry most of my life about the prequels--not just that i loved them while recognizing they didn't live up to their potential and that the success of the franchise was largely because a mediocre dude had the right idea at the right time 45 years ago. but also what i loved about the prequels went totally unseen by many fans and made me feel very alone and like i was just making things up (i've since found a lot of people who love the prequels in the same way i do).

what made me angriest though was the unfair and wildly offbase criticism of hayden's acting. i can agree the dialogue is weak. the direction is weak. but hayden christiensen chews the scenery and spits it out. he's phenomenal. so i just couldn't bear the thought of even more of that in the year of our porg 2022, after the hatred for the prequels had finally died down in the wake of rise of skywalker which i think many of us can agree sunk star wars to a new low. not to mention the disneyfication of the franchise which pushes out new shiny happy content nonstop so that star wars is no longer an eagerly anticipated event, just another show on tv, fighting for attention against all the other content out there.

i can't tell you what exactly changed my mind. it wasn't like i saw any positive reviews or a ton of gifsets or anything. in fact it might have been the total absence of hype that sparked my interest. four of six episodes had aired and my feeds were still mostly ofmd and tgcf. so i gave the first episode a shot.

as expected, i was not wholly impressed. the first episode is a lot of plot setup. a little boring. i didn't end up watching the second episode that night. but for days after i kept thinking--isn't this what i've always wanted from star wars? a well-crafted character study that takes its time? a thoughtful story about the aftermath of revenge of the sith, the more intricate economic and social consequences of the clone war and the rise of the empire? ewan mcgregor being a dilf???

i guess until now i didn't believe i'd ever see live action prequel-related star wars content made by someone with more respect for the source material than shock value or high tech explosions. and that was silly of me--i loved rogue one and solo. i wasn't super into the mandalorian but i watched it and recognized it was trying to do something new. those were all different to me though. i wasn't emotionally attached to the original trilogy and its adjacent stories the way i'm attached to the prequels.

[some spoilers after this but nothing you couldn't piece together from the fact hayden has been on the press tour]

i finally watched the second episode. darth vader was there. i thought, did they really bring hayden back just to be the dude in the suit? and they did. they did bring hayden back just to be the dude in the suit. and the bacta tank. and a heartbreaking mirage in the desert. i was expecting just random high-stakes plot content until the very end of the series when we'd finally get an ominous peek at vader. but no. he's like. a main character. obi-wan's love for him and his regret at the events of RotS is overt. his love for padme is there too. like Deborah Chow really said "padobikin is canon lol." it's emotionally devastating in a way i didn't think any new live action prequel content could be.

[spoilers for episode 5 here but i've also reblogged about a thousand gifsets of what i'm talking about so if you've seen those you've already been spoiled]

then in episode five we get a flashback. pre-AotC. and i don't know why this was the thing that really sealed the deal for me but it just meant a lot to me that they didn't fully de-age hayden back to 19. maybe they couldn't or maybe it was a Choice. they might have done a little polishing but but for the most part you look at him and know you're looking at a 41 year old man. it's a flashback, yeah, but i can't help but think "this is what he would have looked like."

and so there i was imprinting onto darth vader again the way i did when i was 15. but whereas back then i related to his eternal struggle to have agency in a society that only wanted to exploit his gifts while denying him any real personhood, now i relate to the abysmal feeling of regret, the long-term consequences of a million wrong choices. and i guess i'm just impressed that despite the disney backing, the show leans into the real tragedy of the whole thing and doesn't let up. it assumes that the thing we care about most isn't the fate of the galaxy but the fate of one man in it, and we already know how his story ends.

the finale airs tomorrow and i'm not nervous. it follows the canon so closely that you can easily deduce where the story is going, and even though many dudebros would have you believe predictability is bad, personally i find it exciting to see the cause and effect sequence of a story told over many generations totally out of chronological order.

and what's more, i've been watching interviews with ewan and hayden and getting the sense that they enjoyed filming the show, and that it wasn't filmed on green screen but on something called The Volume and that seemed to make a big difference. i think it was moses (reva) who said, "you get on set and you're in star wars."

on a personal note though, what i'm most excited about is that after nearly a year struggling with the motivation to write and a total lack of inspiration, somehow i managed to pound out 12k words in 3 days of a longform RotS fix-it fic i've been wanting to write for 17 years.

tl;dr Kenobi isn't a perfect show and it does fall prey to the overbloated nature of the undying big budget franchise disease, but it's thoughtfully made, entertaining for casual fans, and cathartic for diehard prequels fans.

ps i can't stop thinking about middle-aged wifeguy anakin skywalker and that will be my undoing.

[shadowed-dancer]

My Thoughts on the New MHA Opening and Ending

I have thoughts, and I will share them because oh boy if I don’t get this out I’m gonna explode

Vague Spoilers for the manga (up to chapter 258 and vigilantes) because I discuss the upcoming arcs, but I don’t discuss any major plot points in detail. Still, proceed with caution if you’re anime only

Keep in mind, this OP and ED will cover the Endeavour Agency Arc and the MVA Arc, so I will be judging them accordingly.

First, the OP

This is a good OP... in theory (that’s going to become my catchphrase for this post). It’s nice to look at and flows pretty well, but my biggest problem is that it doesn’t do it’s job. An OP is supposed to be a sort of... summary (?) of the Cour it plays for. That means any cool plot points, emotional beats, and important characters should be featured in some way, shape, or form. We’ll talk about that more later, but first let’s discuss the music.

The song is really good. I have a feeling it will continue to grow on me as I listen to it more often, but yeah my first impression is that the song sounds great. My only complaint about the music itself is that it ends kind of abruptly (I noticed this is the JT opening too). The previous openings used to have a bit of instrumental to “play us out” and lead us to the end card, but this one feels like it ends very suddenly and unnaturally.

As for the visuals...

Yeah alright I’ll admit, the visuals are stunning... in theory. I appreciate the variety in backgrounds and colours, it makes the OP really interesting to look at. This was actually one of my biggest problems with the JT Opening, it all took place on the training grounds, so there was no variety (everything was metal tubes with a blue sky, with only 3 shots set somewhere different). I appreciate the style of this OP.

But like I said, that’s only in theory, as in, through screenshots these are all pleasing to look at. The pacing of this OP is wild, and I truly don’t know who to blame for this.

That sunset shot above? It lasts approximately 12 seconds, zooming in every few to make it seem like something is happening (when in reality it’s still the same poses, angles, etc). While there’s nothing wrong with a nice, drawn out shot, it becomes irritating when compared to the pacing of the rest of this op.

At the 41 second mark, we are given the shot above. It has flowed directly from the previous sunset scene. We still have not moved away from the image of the trio (aside from the opening shot and the title card) yet we’re approaching the halfway mark of the OP.

The next shot is the MLA, which lasts about 5 seconds. Ok, perfect. Not too long, but also not short enough to be confusing. It cuts away a little fast once the dude on the far left appears, but does anyone actually know who that is? No, seriously, I’m asking. I don’t remember his name and he’s not on the wiki, so I can only assume he’s not important. Therefore, it’s not all that bad if the shot cuts away shortly after he comes into frame. The audience is able to take in the scene without having to pause...

... And then the problems start

While this shot is fine in theory, it pans up fast and  cuts away quickly. You know how hard it was for me to get this screenshot? Really hard. You want to know why I struggled so much? Because, due to the timing of the cut and the way it pans upwards, it’s almost impossible to pause on Dabi’s face. I literally had to go frame by frame to get it, because he’s in shot for so little time that naturally pausing is guaranteed to miss him.

When watching this in real time (without pausing) the cut away makes you feel as if you missed something because “something was there, I just couldn’t register what because now it’s gone”. Unlike Compress, who wears a very colourful coat you can recognize the entire time, Dabi’s pants are more blended into the background.

It also doesn’t help that this shot is literally composed to draw your attention away from Dabi until the last possible second. Due to framing, your eye is naturally drawn to the brightly coloured Toga in the foreground, making it super easy to miss Dabi in the back (until, of course, his bright face appears and contrasts against the background, drawing your eye just in time for the scene to change, leaving you to wonder who or what you missed).

I know this sounds like nitpicking, but this shot is the only group shot we get of the League, and is also the start of a seriously weird trend for the villains in this OP getting the short end of the stick.

Anyways, then we get what I’ll call “The Carousel Shot” in which every Class 1A kid shows up and poses dramatically, as if they were on a carousel. It’s a lovely sequence and I really enjoy watching it but... why is it in this OP?

Seriously, this is a genuine question. Class 1A barely shows up in the Endeavour Agency Arc, and NONE of the students are in MVA. This sequence (not counting the three boys at the end) lasts 8 seconds. Why is this much time dedicated to characters who are barely in the arc? (Unless Studio Bones extends their work studies into fuller plot lines which oh my gosh please don’t do that, or if they do, do it quick).

We then get what I call the “Oh God I Blinked And Missed Everything” sequence, which lasts 3 seconds (not including the longer, moving shot of Shigaraki at the end) and features NINE INDIVIDUAL IMAGES, none of which are related to each other. Not only is this 3 images per second, but the fact that they are all unrelated means you can’t even use previous information to fill in the blanks.

What do I mean by that? Well, imagine if I show you 9 images of various pro heroes posing. If I play that in 3 seconds you’ll absolutely miss some of them, but as long as you catch some you’ll still get an idea of what I’m trying to show to you. Your brain is able to fill in the gaps that “I recognized 4 pro heroes, therefore the rest must have also been pros” even if you didn’t register every single frame.

That doesn’t work if every frame features a completely different subject. The shots in this sequence vary so widely that it’s impossible to find a through line. Some feature multiple characters, some feature one, some are closeups, some are super far away, some are character’s we know, others are characters we don’t. It’s impossible to get a solid read on what you’re being shown.

Now, again, there’s nothing wrong with these super quick shots... in theory. The problem comes from the fact that these shots are the only indicators for some of the major themes that will be explored during this Cour (like Twice’s growth and young Shigaraki).

That being said, let’s move away from criticism and talk about speculation, because hidden amongst this sequence are two... interesting images.

This All Might one is very reminiscent of the shot in Chapter 257, where Aizawa and All Might have a conversation while staring up at the stars. However, this is technically the start of the “War Arc” (or the “prologue”, if that’s what you want to call it), so this might indicate that we’re going to get farther into the series than a lot of us guessed.

(Many people suspected we’d get to that cliffhanger at the start of the season (if you read the manga you know the one), but after seeing the pacing for JT a lot of us assumed we’d be lucky to even finish Endeavour Agency. It seems we’re back to the cliffhanger now though lol). 

This is another really interesting shot because it’s indicative of Shirakumo, meaning we might get to see Aizawa and Mic confront him some time this Cour (this also makes sense, since this confrontation technically happens before that All Might scene I mentioned in the previous paragraph).

But the cat specifically is a really strange addition. That cat is named Sushi and, correct me if I’m wrong, but I don’t think Sushi is ever mentioned in the main series. I think he’s only in Vigilantes.

This might just be a little Easter Egg for Vigilante readers, but I’m personally hoping that they’ll add at least a few Vigilante shots in there to really tug at the heart strings. I’d say I want a whole Vigilante episode but I don’t think they have the time (unless they really cram MVA, which I do NOT want).

I don’t have much to say about the last bit of the OP. The action shot between the 3 boys was nice, and it follows the sort of narrative through line they established from the early shot of them sitting at the sunset. I also like the shot of Endeavour fading in to replace All Might, even if it’s very simple.

But I want to talk about an overarching problem I touched upon earlier in that villain shot: the way the villains are handled in this OP.

This is a good OP... in theory. The problem is, it doesn’t represent half the arcs in the cour! Every shot of the League is so rushed that you can barely register that they were on screen before they’re gone.

I have no idea how many Episodes Endeavour Agency will take, but I’d assume 3 (4 if you count the Christmas episode). 12 episodes for this Cour minus 3 for Endeavour Agency = 9 episodes left. If we truly do get the prologue for the War Arc (and if we assume it’s only 1 episode) that leaves us with 8 villains episodes.

8/12 episodes (aka two thirds of the Cour) will likely be about the villains. And yet they’re pushed to the background so hard in this OP.

I want to dream, and I want to believe that this OP is going to magically change when MVA starts. The song fits super well, and I can imagine like an inversion of the OP but from the Villain side! Wouldn’t that be neat? Imagine right after the “it’s alright” part Shigaraki just freaking decays the title card... oh man that would be so cool. But, alas, I highly doubt they’d do that.

Side rant, but you know what was so fun about MVA in the manga? It’s that, for 21 chapters, we leave the kids behind and the villains become our protagonists. Suddenly Shigaraki is the one we’re rooting for, suddenly we’re learning backstories for everyone, and suddenly we find ourselves just as attached to the villains as we are to the kids. It’s an inversion that’s SO RARE to find, and I think many people (myself included) were hoping it would be reflected in the OP.

A big part of being the protagonist means featuring heavily in the OP, and a lot of us just wanted the villains to get that honour, even if only once. As is, the OP still treats them as the antagonists when... really they aren’t. Not right now, at least.

So yeah, final thoughts on the OP are that it’s good, it’s just not very representative of the arcs it’s supposed to cover. If this was just for Endeavour Agency, I’d say it’s actually really cool, but if we assume that this is what will play for the Villain Arc, then it simply doesn’t do it’s job. And it makes me sad to say that because, again, this OP is really well done.

If I had to rate it? Hmmm

If Studio Bones actually grants my wish and creates a different visual for the Villain Arc (while using the same song) and then this version only plays for the Endeavour Agency Arc and the War Prologue? I’d give it an 8/10. It’s really good, but it could use a few more elements that are clearly derived from the Agency Arc (ahem, Todoroki siblings).

But if this is the OP that will play for the entire Cour? a 6.5/10. It’s nice, but it’s not representative of one of the arcs it’s going to cover. And, unlike other arcs like Pro Hero or Summer Exams, the villain Arc is so important and takes up so much time that it honestly feels like a bit of a disservice.

Now for the Ending

I want to say that I appreciate how soft this ending starts. This cour will likely feature a lot of episodes that end on... heavier themes, and I think the sight of peaceful, falling raindrops is the perfect way to let the audience process their emotions before starting the ending in earnest.

The song itself is very nice, and I like that it’s a bit slower than the more recent endings.

(Side note, but the FUNNIEST moment in the entire series is when Sir Nighteye dies because it’s so emotional and everyone is standing around his bed in his heartwrentching silence, only for the ending to come BLARING IN out of no where. If you forgot how jarringly hilarious it was, go listen to the Eri ending and tell me that’s not the funniest thing this series ever did. Anyways yeah I’m glad that’s not gonna happen this Cour).

This ending is a bit all over the place in terms of it’s visuals, but honestly I think it works. Most endings usually have a theme tying them together (all the Class 1A girls, a fantasy AU, old photographs, planning a party, etc) but this ending’s theme is a bit harder to identify.

That being said, I think it’s just supposed to show everyone going about their day. It’s calm, it’s peaceful, and it’s just very sweet to think about

I like this shot. Actually, scratch that, I like this whole sequence. I enjoy anything that allows Class 1A to chill and have fun.

Hawks is featured quite heavily in this ending which, fair. He’s pretty important in this arc.

I really love the shot where Endeavour immediately switches to Hawks, I thought that was a lot of fun, and very good symbolism on how Hawks wants to be like Endeavour. I also love all the shots of Baby Hawks, because it’s adorable.

Something about this shot is just so cute. It’s the little domestic things like waiting for a bus that make this ending feel... idk the word, real? It shows a side of the characters that we’ll never see in the episodes, but we know have to exist.

Like yes, of course the kids have to wait for the bus. We never see it, but of course there are those moments of quiet. Agh, I love it.

The villains also make an appearance and I’m very happy about that (I’d love to see more of the villains just chilling around, I think they deserve it). I kind of wish they weren’t sitting in a dark room for the sake of being edgy, since I think it would be nice to see the villains just... sort of existing, but honestly it’s still a nice shot. I also like how this shot sort of mirrors the first one with Class 1A (someone coming in while everyone else is sitting and waiting for them).

That being said, as much as I love looking at Dabi and his stupid face (affectionate)... why is Dabi the one getting the closeup?

Mind you, endings don’t need to be connected to their Cours (they can be, like the Eri one, but they don’t have to be). But this ending does seem to be connected to the arcs it intends to cover, given all the Hawks appearances, the boys wearing their work study scarves, etc.

So, I ask again, why Dabi? Out of the six League members, we learn the backstory for four of them in this arc (Shigaraki, Toga, Twice, and we very briefly learn about Spinner). The only two left out are Dabi and Compress.

I can only assume they chose Dabi because he’s constantly in contact with Hawks, and therefore that makes him important? If the OP told us anything, it’s that Bones values the Endeavour Agency Arc over the Villain Arc lol...

... Oh my gosh please tell me that’s not actually the reason Dabi is focused on here BONES WAI-

Anyways, the ending comes to a close with Hawks watching over the kids and Endeavour. The relaxing time is done, it’s time for work studies.

Overall impression? It’s great. It’s hard to screw up an ending, so as long as you have something pretty on screen, it’s wonderful.

I’ll give this a 9/10

[dndeed]

Crit Role Miniature Rollout: C3E12 Make It Fashion

With Andrew Harshman

An archive and analysis of the minis used on CR.

Wowie, that deluxe edish of Tal'dorei Reborn has some fine accessories. Plenty of maps with which to place miniatures upon. However, there are no miniatures to be found this episode, so I’ll be answering some questions instead.

Anonymous submitted: Hi! I have a thing I've always wondered, do you work with minis, or are they just a hobby?

Firstly, thanks for your questions. Appreciate your interest. I am not a member of the miniature manufacturing industry. Minis are a big hobby of mine and this post series is a way for me to exercise my enthusiasm and an enjoyable way to contribute to the CR fandom.

How in the world can you recognize such small pieces that are usually turned away and in shadow? Do you look at it on an 100 inch screen playing the stream at full hd? 

A 100 inch dedicated mini view screen sounds great, I should look into that. Even at full HD, some miniatures are too far away or too obscured to get a proper look at. And in those instances, I have to record them as unknown. Other times, when there’s a clear shot of a model that I do not recognize (or cannot find through research), I take to FB or Reddit to ask for assistance from the community. 

Most of the time, I have a pretty solid sense of which miniatures are which. This is due in large part to the types of miniatures used on Critical Role. The majority of them are prepainted minis from three product lines: the discontinued Hasbro Dungeons and Dragons Miniatures Game (DDM), active Wizkids D&D Icons of the Realms, and active Wizkids Pathfinders Battles. 

I have spent years collecting and gaming with these prepaints, so these sculpts are pretty well imbedded in my memory and I recognize most of them at a glance. I do not always recall the miniature’s exactly title. But I recognize the miniature visually and then confirm the name using miniature sites such as MinisGallery.com

That curiosity aside, when do you think they'll tell us who made this campaign minis? 

Any day now. I imagine they have a bunch of glamour shots of the assembled campaign player character minis. I would guess they have been waiting for the introduction of all the PCs before the grand photo and source reveal. That being said, it’s taking a little longer than I expected. So perhaps there are bigger campaign mini related plans in the works? Or they simply don’t realize there’s a fair bit of public interest?

And do you think they will get a custom nightmare king? Sometimes I think the don't have reason to fight him again and other times I think he will be the first arc's boss. 

I think we will definitely see the Nightmare King again and he will definitely get a custom mini. Given his knowledge of Fearne and his involvement in various plots, I think he’s too embedded in the fabric of the campaign to not reappear. The only way I see the Nightmare King not getting a custom miniature, is if the party makes finding him their main priority and they kill him before Matt can commission a mini.

And lastly, would you maybe consider opening the askbox for anonymous questions to make my life easier?

Done and done. Cheers!

See ya next sesh!

#critroleminiaturerollout

[aotopmha]

Attack on Titan in 2020

I've sort of dropped doing detailed chapter posts on the series because that type of writing wasn't very fun for me anymore and I have taken a liking to a bullet point kind of approach where I list the elements that stood out for me in the chapter or make a separate post for some specific topic I'd like to talk about in it.

I've started like 10 different posts to attempt to talk about AoT this year and I always end up with incoherent rambling because of all of the elements I'd love to to talk about.

This year's chapters were 125-135 and this year's episodes episodes 1-4 of season 4.

The anime episodes in particular have given me a lot of food for thought, so I'm just saying fuck it.

I think the biggest misstep of the story for me will forever be the fact that it decided to use fairly specific historical imagery.

The Eldians are clearly supposed to have allegorical equivalency with Jewish people, but the Jewish people were never the oppressors. There weren't any Jewish empires. That's conspiracy theory bullshit.

But on the other hand, the series clearly takes great effort to not stereotype any of the groups it's portraying and gives complex reasons for what both sides do. It's one of the few Japanese series that I've seen not stereotype Middle Eastern-coded people (Ramzi and Halil) or black people (Onyakapon). Everyone are people, it says. It even champions diversity:

(Chapter 118)

It is also very much true that a bunch of fascist states use long-term history as an excuse for their actions:

(Chapter 127)

Nation did X 2000 years ago therefore our conquest of them is justified.

This makes discussion about the series' themes like a minefield.

The people who are very critical about its imagery are right, but the people defending the series aren't wrong, either because it condemns all of those nasty ideas of conquest and hurting innocent people.

You can't have a more clear-cut condemnation of genocide:

(Chapter 127)

If you combine all of these details instead of zoning in on them one by one, to me what the story is saying is that *even if* all of that conspiracy bullshit is true, innocent people don't deserve to be slaughtered no matter the reason because they are still people who have their own feelings, thoughts and wishes.

The story clearly gets the baseline, but fumbles the details. I decided to look up some more discussion surrounding this these past few days and I just wish there was more good faith discussion about it. A lot of it feels like a moral superiority contest.

I think it's these kind of flawed stories that actually deserve detailed scruitiny over stories that are rotten to the core because they are *almost there*. Talking about them is a good topic starter in what to do and not to do in a story like this.

Speaking of rotten to the core, I think the absolute highlight of the chapters this year is Eren and some of the chapters this year finally gave me a pretty clear picture of what is going on with him.

Context from 123 certainly helps, though:

(Chapter 131)

This is about Eren's perspective. He can't accept the destruction of Paradis.

It's not that this solution was inevitable looking in from the outside (which is one of the interpretations I see around for Eren's actions), it's that *Eren* can't see any other way out of this except the most extreme because of all of the horrible things he has seen from the outside world. It is very similar to the way suicidal people can only focus on the negative.

You can tell them everything is going to be okay, but those words won't reach them because their mind won't let them and loops them back to those negative thoughts.

Eren can't see the ice cream or silly clowns. But he can see how the other Eldians in the league of Eldians are willing to push Paradis under the bus. He can see how Grisha's sister was killed. He can see how racist and cruel Marley is towards the Eldians in Liberio (and how the people have racist leanings towards other nations, too).

He can only see those bad things. But he also understands how everyone outside of the walls are human just as the people inside of the walls are.

So he is torn to pieces by guilt.

He doesn't want to do this, but he can't see any other solution.

This is why I also think he can't rob his friends of their agency. He is fighting for them to have a good future:

(Chapter 133)

(Chapter 131)

What really stood out to me on a revisit is that Eren considers himself much worse than Reiner.

I've seen criticism on how the story pushes the narrative of both sides being the same and this detail is really important to me because this is the story acknowledging that what Eren is doing is worse and gives all of the following exchanges about this the context of it being a similarity in principle.

Both sides have killed for what they think is right and have to deal with how they have killed people. This is such an important detail in the Uprising arc, too, where Erwin firmly acknowledged that overthrowing the government might not actually be the right choice by him. It was simply what he saw as right. On a narrative level this avoids absolute truths and preference of one character perspective over the other and once again makes it about individual perspectives.

The theme of individual perspectives is so ingrained in this story at this point in my eyes that it's another cornerstone in understanding what is going on with Eren to me.

I think it's great.

I also really appreciate Annie and what was done with her in this chunk of chapters.

(Chapter 127)

There has been this narrative going around that proposes that the story is in Eren's corner too much. But these chapters are nothing but questioning Eren and Annie is one of the main voices in this. It's the Marleyan girls, really and I think this is a very necessary part of making the narrative work. Once again, it separates the narrative and character perspective.

It says that the Paradis side caring is about character perspective, not what the narrative sides with and Annie is even sympathetic to Mikasa in that instance.

She gets it. Unexpectedly, I think Annie might play a bigger role in taking down Eren than expected. Her character arc about deciding to no longer go with the flow because she doesn't want any more tragedy to happen is basically calling for it.

(Chapter 128)

Another element I've seen brought up is the fact that nobody seems to address the Bert-sized elephant in the room, but some of our characters are certainly thinking about him.

This is such a thematically strong element and really interesting because Connie joined the military to make his mom proud and be a good soldier. This is the motivation behind his claim when he says they are going to save the world. But what does becoming a good soldier mean, exactly?

Well, apparently possibly gunning down people you care about.

This moment is so good because it's another moment where the idea of glory in war is taken down a peg.

The moment with Connie declaring they're going to save the world is so often criticised, but it is actually turned on its head in 128. There is no heroics in this. This is actually Connie's big "killing a person" moment because it strips away the final bit of comfort in killing in war, the excuse of killing for good moral reasons.

It is also a wonderful complex evolution of the series' themes. Trost was about fighting monsters. In the Female Titan and Clash of Titan arcs some of those monsters turned out to be human. In the Uprising, Return to Shiganshina and Marley arcs all of those monsters turned out to be human and here in the War of Paradis arc, everyone is human and the only separating system is what everyone views as right.

I really hope the anime will let this chapter breathe a little bit more.

Moving on, I guess it is time to address the rumbling.

I love it as a horror spectacle.

(Chapter 130)

And I really I think it needs to be non-CG when animated. CG is fine in spectacle battles, but not in horror settings because it is too clean.

The rumbling needs to be disgusting and dirty.

Chapter 132 gave me one of the few moments in which I truly cared about Levi. I think him telling Hange to dedicate her heart was a very good moment to cap off their relationship. He sent another SL commander to fulfill their duty.

The speech about hatred in chapter 134 also stood out to me. I think it definitely should be fitted in there somewhere in this, but I also see a bunch of criticism for it.

I want to point out that this is the side of present Marley talking here. It's the military dictatorship.

It's the Nazis. I think the Nazis should feel regret for exploiting innocent people and admit they're wrong.

I also like how the horrors here are undoing the brainwashing and showing the truth to the citizens.

I guess you could read it as heavy-handed, but it is also something that needs to be addressed and in principle, it's not wrong.

I'm also going to put a mention of Historia here. I've talked about how this is my biggest and most glaring problem with the series because of how thematically unfitting it feels, but I've also talked about it in many posts. I wanted to focus more on other stuff in this post.

So now, we make it back to chapter 135.

I think having stewed on it for a month now, I like the element of mindscrewing our cast with the Titans of the people they love is the strongest element of it. It's making them face their personal traumas and we also get some great character moments and payoffs from it.

Mikasa ended off the year in a very good note in my eyes.

Even this deep in the story, this chapter left me in a situation where I have no idea how things might turn out.

I might have rough ideas, but not anything specific and that's fun.

Well, this is it on my retrospective.

2021 is confirmed to be AoT's final year of publication as volume 34 is set to be the story's final volume.

Those who hate the story can finally be free of it and those who care for it, can look back on it with fondness and sadness and many other emotions and evaluate.

It's been 7 years for me. What a wild ride.

So, I'm asking everyone, what are some of your observations on AoT in 2020?

Is there anything you'd like to add or do you have any observations or counterarguments for anything I've said?

I'd be curious to see what everyone else thought of AoT in 2020!

[frenchfriesoverguys]

the falcon and winter soldier series (2021) *SPOILERS*

i graduated 2020 with a film degree and am now in real estate so this is my outlet for my film experience :*)

i’ve always been a big fan of these two characters and am so happy they created more content that focuses on them.

the story line, so far, is good. the show sets up the characters very well. they show sam’s experiences as a black man trying to make ends meet while still trying to save the world. its the financial aspect of being a superhero that they never got into when tony was around. this leads me to believe that the original six didn’t have funding outside of stark and shield, both of which are gone. sam talks about having contracts that prove income, also leading me to believe that he gets paid by the government for his missions. probably not much and considering how often this probably happens...it doesn’t seem like he’ll get much out of it. i can’t wait to see more from him. especially his reaction to the “new captain america”. the way my jaw DROPPED. i was both shocked and completely saw it coming. marvel had hinted at his character but when that guy said “it was the right thing to do” and i had a feeling they were going to screw him over, i was hoping i was wrong. sam wilson deserves so much better.

bucky’s character is actually flushed out, which is a nice change of pace. he’s healing and learning how to be in the world now. i thought they might talk about how he’s used to the world when it was 1944 - and they sort of do. but they talk about dating, not about social issues like i expected. at this point i don’t think they will as they’d rather pretend that he just doesn’t have those implicit biases. it would be interesting to explore. it’s why i want a reaction from him about the “new captain america.” like will he say “oh that makes sense” or will he be like “we ride at dawn.” my guess is the later. his therapist scene was so funny but it is proof that he’s trying to recover and reform. he just wants to make up for his mistakes. i also love that he’s like “i’m not the winter soldier, i’m bucky barnes” with that smile at the end. can’t wait until we see more.

i want more joaquin torres. he’s so sweet and cute - i mean badass... in all seriousness, i like his character and can see him growing into a full fledge recurring marvel character. in the comics, torres takes over as the falcon. if sam wilson does decide to take up the captain america mantle, we might see him as the new falcon. or maybe he’s mephisto. who knows.

they better not mess with sarah wilson. she owns my heart. more importantly, they are setting her up as a recurring character. she has dimensions and isn’t a flat character in the first episode. the trailers suggest there might be some flirting between her and bucky. similarly to sharon carter, i don’t want her to be a delegated love interest. i can count on my hands how many black women are in the mcu. lets not minimize or belittle her character to support the men of the show. 

the only real critic i have about it was the pacing was off. the audience had to sit through sam’s part, then sit through bucky’s part. the only cutting between the two happened in the end. it made the 50 min feel longer and yet much too short. its honestly just an editing problem but it’ll be very disappointing if it continues as it is an amateur mistake. once the characters are together on a screen, the problem should be solved. this is a common issue in scripts that involve two seperate main characters. this is not a critic on anthony mackie or sebastian stan as the editor/writer/director are at fault. the audience didn’t see the second main character until half way through the show. i am also not criticizing how long sam wilson’s part is as it does set him up well and really gets into his family situation and fighting abilities. 

all in all, i did really love it. i didn’t really doubt i would since these are my two favorite marvel characters. we’re in a time right now where not exploring sam’s experiences with systematic racism would be so inauthentic. anthony mackie has talked a lot about this show addressing these issues and i’m looking forward to seeing more from him both in the show and in future marvel movies. sebastian stan and him are phenomenal actors who are finally being utilized. both are underrated but the acting in this one episode alone proves how talented they both are.

[ariainstars]

Thank You, Disney Lucasfilm… For Destroying My Dreams

Warning: longer post.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So… I watched The Rise of Skywalker on Disney+ a few weeks ago. Again.

Sigh.

I guess it has its good sides. But professional critics tend to dislike it and even the general audience doesn’t go crazy for it. I wonder why?

  The Fantasy

When his saga became a groundbreaking pop phenomenon in the 1970es, George Lucas reportedly said that he wanted to tell fairy tales again in world that no longer seemed to offer young people a chance to grow up with them. The fact that his saga was met with such unabashed, international enthusiasm proves that he was right: people long for fairy tales no matter how old they are and what culture they belong to.

“Young people today don’t have a fantasy life anymore, not the way we did… All they’ve got is Kojak and Dirty Harry. All the films they see are movies of disasters and insecurity and realistic violence.” (George Lucas)

I’ve been a Star Wars fan for more than thirty years. I love the Original Trilogy but honestly it did not make me dream much, perhaps because when I saw it the trilogy was already complete. The Prequel Trilogy also did not inspire my fantasy.

The Last Jedi accomplished something that no TV show, book or film had managed in years: it made me dream. The richness of colorful characters, multifaceted themes, unexpected developments, intriguing relationships was something I had not come across in a long time: it fascinated me. I felt like a giddy teenager reading up meta’s, writing my own and imagining all sorts of beautiful endings for the saga for almost two years.

So if there’s something The Rise of Skywalker can pride itself on for me, it’s that it crushed almost every dream I had about it. The few things I had figured out – Rey’s fall to the Dark, Ben Solo’s redemption, the connection between them - did not even make me happy because they were tainted by the flatness of the storytelling reducing the Force to a superpower again (like the general audience seems to believe it is), and its deliberate ignoring of almost all messages of The Last Jedi.

Many fans of the Original Trilogy also were disillusioned by the saga over the decades and ranted at the studios for “destroying their childhood”. Now we, the fans of the sequels and in particular of The Last Jedi, are in the same situation… but the thought doesn’t make the pill much easier to swallow. What grates on my nerves is the feeling that someone trampled on my just newly found dreams like a naughty child kicking a doll’s house apart. Why give us something to dream of in the first place, then? To a certain extent I can understand that many fans would angrily assume that Disney Lucasfilm made the Sequel Trilogy for the purpose of destroying their idea of the saga. The point is that they had their happy ending, while every dream the fans of the Sequel Trilogy may have had was shattered with this unexpectedly flat and hollow final note.

I know many fans who dislike the Prequel Trilogy heartily. I also prefer the Original Trilogy, but I find the prequels all right in their own way, also since I gave them some thought. However, it can’t be denied that they lack the magic spark which made the Original Trilogy so special. Which makes sense since they are not a fairy tale but ultimately a tragedy, but in my opinion it’s the one of the main reasons why the Prequel Trilogy never was quite so successful, or so beloved.

Same goes for Rogue One, Solo, or Clone Wars. They’re ok in their way, but not magical.

The sequel trilogy started quite satisfyingly with The Force Awakens, but for me, the actual bomb dropped with The Last Jedi. Reason? It was a magical story. It had the spark again that I had missed in the new Star Wars stories for decades! And it was packed full of beautiful messages and promises.

The Force is not a superpower belonging solely to the Jedi Anyone can be a hero. Even the greatest heroes can fail, but they will still be heroes. Hope is like the sun: if you only believe in it when you see it you’ll never make it through the night. Failure is the greatest teacher. It’s more important to save the light than to seem a hero. No one is never truly gone. War is only a machine. Dark Side and Light Side can be unbeatable if they are allies. Save what you love instead of destroying what you hate.

Naively, I assumed the trilogy would continue and end in that same magical way. And then came The Rise of Skywalker… which looks and feels like a Marvel superhero story at best and an over-long videogame at worst.

Chekov’s Gun

“Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.”

(Anton Chekov, 1860 - 1904)

If you show an important looking prop and don’t put it to use, it leaves the audience feeling baffled. There is a huge difference between a story’s setup, and the audience’s feeling of entitlement. E.g. many viewers expected Luke to jump right back into the fray in Episode VIII, because that’s what a hero does, isn’t it? The cavalry comes and saves the day. And instead, we met a disillusioned elderly hermit who is tired of the ways of the Jedi. But there was no actual reason for disappointment: in Episode VII it was very clearly said (through Han, his best friend) that Luke had gone into exile on purpose, feeling responsible for his failure in teaching a new generation of Jedi. It would have been more than stupid to show him as an all-powerful and all-knowing man who kills the bad guys. Sorry but who expected that was a victim to his own prejudice.

A promise left unfulfilled is a different story. The Last Jedi set up a lot of promises that didn’t come true in The Rise of Skywalker: Balance as announced by the Jedi temple mosaic, a new Jedi Order hinted at by Luke on Crait, a good ending for Ben and Rey set up by the hand-touching scene which was opposite to Anakin’s and Padmés wedding scene. Many fans were annoyed about the Canto Bight sequence. I liked it because it felt like the set-up for a lot of important stuff: partnership between Finn and Rose whom we see working together excellently, freedom for the enslaved children (one of whom is Force-sensitive), DJ and Rose expressing what makes wars in general foolish and beside the point. So if we, the fans of Episode VIII, now feel angry and let down, I daresay it’s not due to entitlement. We were announced magical outcomes and not just pew-pew.

The Star Wars saga never repeated itself but always developed and enlarged its themes, so it was to be expected that delving deeper, uncomfortable truths would come out: wars don’t start out of nowhere, and they don’t flare up and continue for decades for the same reason. In order to find Balance, the Jedi’s and the Skywalker family’s myths needed to be dismantled. Which is not necessarily bad as long it is explained how things came to this, and a better alternative is offered. The prequels explained the old political order and the beginnings of the Skywalker family, and announced that the next generation would do better. The sequels hardly explained anything about the 30 years that passed since our heroes won the battle against the Empire, and while The Last Jedi hinted at the future a lot, The Rise of Skywalker seemed to make a point of ignoring all of it.

  The Skywalker Family Is Obliterated. Why?

Luke was proven right that his nephew would mean the end of everything he loved. The lineage of the Chosen One is gone. His grandson had begun where Vader had ended - tormented, pale and with sad eyes - and he met the same fate. Luke, Han, Leia, all sacrificed themselves to bring Ben Solo back for nothing. Him being the reincarnation of the Chosen One and getting a new chance should have been meaningful for all of them; instead, he literally left the scepter to Rey who did nothing to deserve it: merely because she killed the Bad Guy does not mean she will do a better job than the family whose name and legacy she proudly takes over.

I do hope there was a good reason if the sequels did not tell “The New Adventures of Luke, Leia and Han” and instead showed us a broken family on the eve of its wipeout. It would have been much easier, and more fun for the audience, to bring the trio back again after a few years and pick up where they had left. Instead we had to watch their son, nephew and heir go his grandfather’s way - born with huge power, branded as Meant to Be Dangerous from the start, tried his best to be a Jedi although he wanted to be a pilot, never felt accepted, abandoned in the moment of his greatest need, went to his abuser because he was the only one to turn to, became a criminal, his own family (in Anakin’s case: Obi-Wan and Yoda) trained the person who was closest to him to kill him, sacrificed himself for this person and died. And in his case, it’s particularly frustrating because Kylo Ren wasn’t half as impressive a villain as Vader, and Ben Solo had a very limited time of heroism and personal fulfilment, contrarily to Anakin when he was young.

The impact of The Rise of Skywalker was traumatic for some viewers. I know of adolescents and adults, victims of family abandonment and abuse, who identified with Ben: they were told that you can never be more than the sum of your abuse and abandonment, and that they’re replaceable if they’re not “good”. Children identifying with Rey were told that their parents might sell them away for “protection”. Rey was not conflicted, she had a few doubts but overall, she was cool about everything she did, so she got everything on a silver platter; that’s why as a viewer, after a while you stopped caring for her. Her antagonist was doomed from birth because he dared to question the choices other people made for him. It seems that in the Star Wars universe, you can only “rise” if you’re either a criminal but cool because you’ve always got a bucket over your head (Vader / the Mandalorian) or are a saint-like figure (Luke / Rey).

One of Obi-Wan’s first actions in A New Hope is cutting off someone’s arm who was only annoying him; Han Solo, ditto. These were no acts of self-defense. The Mandalorian is an outlaw. Yet they are highly popular. Why? Because they always keep their cool, so anything they do seems justified. Young Anakin was hated, Jake Lloyd and Hayden Christensen attacked for his portrayal. For the same reason many fans feel that Luke is the least important of the original trio although basically the Original Trilogy is his story: it seems the general audience hates nothing more than emotionality in a guy. They want James Bond, Batman or Indiana Jones as the lead. Padmé loved Anakin because she always saw the good little boy he once was in him; his attempts at impressing her with his flirting or his masculinity failed. Kylo tried to impress Rey with his knowledge and power, but she fled from him - she wanted the gentle, emphatic young man who had listened to her when she felt alone. Good message. But both died miserably, and Ben didn’t even get anything but a kiss. Realizing that his “not being as strong as Darth Vader” might actually be a strength of its own would have meant much more.

The heroes of the Original Trilogy had their adventures together and their happy ending; the heroes of the Prequel Trilogy also had good times and accomplishments in their youth, before everything went awry. Rey, Finn and Poe feel like their friendship hardly got started; Rose was almost obliterated from the narrative; and Ben Solo seems to have had only one happy moment in his entire life. Of course it’s terrible that he committed patricide (even if it was under coercion), but Anakin / Vader himself had two happy endings in the Prequel Trilogy before he became the monster we know so well. Not to mention Clone Wars, where he has heroic moments unnumbered.

The Skywalker family is obliterated without Balance in the Force, and the young woman who inherited all doesn’t seem to have learned any lesson from all this. The Original Trilogy became a part of pop culture among other things because its ending was satisfying. We can hardly be expected to be satisfied with an ending where our heroes are all dead and the heir of their worst enemy takes over. What good was the happy ending of the Original Trilogy for if they didn’t learn enough from their misadventures to learn how to protect one single person - their son and nephew, their future?

For a long time, I also thought that the saga was about Good vs. Evil. Watching the prequels again, I came to the conclusion that it is rather about Love vs. War. And now, considering as a whole, I believe it to be essentially Jedi against Skywalker. The ending, as it is now, says that both fractions lost: they annihilated one another, leaving a third party in charge, who believes to be both but actually knows very little about them.

Star Wars and Morality

After 9 films and 42 years, it still is not possible to make the general audience accept that it is wrong to divide people between Good and Evil in the first place. The massive rejection of both prequels and sequels, which have moral grey zones galore, shows it.

It is also not possible without being accused of actual blasphemy in the same fandom, to say the plain truth that no Skywalker ever was a Jedi at heart. As their name says, they’re pilots. Luke was the last and strongest of all Jedi because he always was first and foremost himself. Anakin was crushed by the Jedi’s attempts to stifle his feelings. His grandson, too. A Force-sensitive person ought to have the choice whether they want to be a Jedi or not; they ought not to be taught to suppress their emotions and live only on duty, without really caring for other people; and they ought to grow up feeling in a safe and loving environment, not torn away from their families in infancy, indoctrinated and provided with a light sabre (a deadly weapon) while they’re still small. A Jedi order composed of child soldiers or know-it-all’s does not really help anybody.

The original Star Wars saga was about love and friendship; although many viewers did not want to understand that message. The prequels portrayed the Jedi as detached and arrogant and Anakin Skywalker sympathetically, a huge disappointment for who only accepts stories of the “lonesome cowboy” kind. The Last Jedi was so hated that The Rise of Skywalker backpedaled: sorry, of course you’re right, here you have your “hero who knows everything better and fixes everything for you on a silver platter”. The embarrassing antihero, who saves the girl who was the only person showing him some human compassion, can die miserably in the process and is not even mourned.

Honestly: I was doubtful whether it would be adequate to give Ben Solo a happy ending after the patricide. I guess letting him die was the easiest way out for the authors to escape censorship. (I even wrote this in a review on amazon about The Last Jedi, before I delved deeper into the saga’s themes.) The messages we got now are even worse.

Kylo Ren / Ben Solo

A parent can replace a child if they’re not the way they expect them to be. A victim of lifelong psychical and physical abuse can only find escape in death, whether he damns or redeems himself. An introspective, sensitive young man is a loser no matter how hard he tries either way. A whole family can sacrifice itself to save their heir, he dies anyway.

Rey

Self-righteousness is acceptable as long as you find a scapegoat for your own failings. Overconfidence justifies anything you do. You can’t carve your way as a female child of “nobodies”, you have to descend from someone male and powerful even if that someone is the devil incarnate. You are a “strong female” if you choose to be lonely; you need neither a partner nor friends.

In General

Star Wars is not about individual choices, loyalty, friendship and love, it is a classic Western story with a lonesome cowboy (in this case: cowgirl) at its centre. Satisfied? 

The father-son-relationship between Vader and Luke mirrors the Biblical story of Cain and Abel, saying that whoever we may want to kill is, in truth, our kin, which makes a clear separation in Good and Evil impossible. The “I am your father” scene is so infamous by now that even non-fans are aware of it; but this relationship between evil guy and good guy, as well as the plot turns where the villain saves the hero and that the hero discards his weapon are looked upon rather as weird narrative quirks instead of a moral. 

In  an action movie fan, things are simple: good guy vs. bad guy, the good guy (e.g. James Bond may be a murderer and a misogynist, but that’s ok because he’s cool about it) kills the bad guy, ka-boom, end of story. But Star Wars is a parable, an ambitious project told over decades of cinema, and a multilayered story with recurring themes.

A fairy tale ought to have a moral. The moral of both Original Trilogy and Prequel Trilogy was compassionate love - choose it and you can end a raging conflict, reject it and you will cause it. What was the moral of the Sequel Trilogy? You can be the offspring of the galaxy’s worst terror and display a similar attitude, but pose as a Jedi and kill unnecessarily, and it’s all right; descend from Darth Vader (who himself was a victim long before he became a culprit) and whether you try to become a Jedi trained by Luke Skywalker or a Sith trained by his worst enemy, you will end badly?

Both original and prequel trilogy often showed “good” people making bad choices and the “bad ones” making the right choices. To ensure lasting peace, no Force user ought to be believe that he must choose one side and then stick to it for the rest of his life: both sides need one another. The prequels took 3 films to convey this message, though not saying so openly. The Last Jedi said it out clearly - and the authors almost had their heads ripped off by affronted fans, resulting in The Rise of Skywalker’s fan service. It’s not like Luke, Han and Leia were less heroic in the Sequel Trilogy, on the contrary, they gave everything they had to their respective cause. They were not united, and they were more human than they had once been. Apparently, that’s an affront.

The Jedi are no perfect heroes and know-it-all’s and they never were, the facts are there for everyone to see. Padmé went alone and pregnant to get her husband out of Mustafar - and she almost succeeded - although she knew what he had done and that he was perfectly capable of it (he had told her of the Tusken village massacre himself) because she still saw the good little boy he had been in him; Obi-Wan left him amputated and burning in the lava, although he had raised Anakin like a small brother and the latter had repeatedly saved his life. But Padmé was not a Jedi, so I guess she still had some human decency. Neither Obi-Wan nor Yoda lifted a finger for the oppressed populations of the galaxy during the Empire, waiting instead for Anakin’s son to grow up so they could trick him into committing patricide. Neither Luke nor Leia did anything for their own son and nephew while he became the scourge of the galaxy, damning his soul by committing crime after crime. On Exegol, Rey heard the voices of all Jedi encouraging her to fight Palpatine to death. After that, they left her to die alone, and the alleged “bad guy”, who had already saved her soul from giving in to Palpatine’s lures, had to save her life by giving her his own. The Jedi merely know that “their side” has to win, no matter the cost for anyone’s life, sanity, integrity or happiness.

Excuse me, these are simple facts. How anyone can still believe that the Jedi were super-powerful heroes who always win or all-knowing wizards who are always right is beyond me. Luke, the last and strongest of them, like a bright flickering of light before the ultimate end, showed us that the best of men can fail. There is nothing wrong with that in itself. But it is wrong and utterly frustrating when all of the failure never leads to anything better. If Rey means to rebuild the Jedi order to something better than it was, there was no hint at that whatsoever.

  And What Now?

The Last Jedi hit theatres only 2 years before The Rise of Skywalker, and I can’t imagine that the responsible authors all have forgotten how to make competent work in the meantime; more so considering that Solo or The Mandalorian are solid work. Episode IX is thematically so painfully flat it seems like they wanted us to give up on the saga on purpose. The last instalment of a 42-year-old saga ought to have been the best and most meaningful. I had heard already decades ago that the saga was supposed to have 9 chapters, so I was not among who protested against the sequels thinking that they had been thought up to make what had come before invalid. I naively assumed a larger purpose. But Episode IX only seems to prove these critics perfectly right.

The last of the flesh and blood of the Chosen One is dead without having “finished what his grandfather started”?

Still no Balance in the Force?

And worst of all, Palpatine’s granddaughter taking over, having proven repeatedly that she is not suited for the task?

Sorry, this “ending” is absurd. I have read fanfiction that was better written and more interesting. And, most of all, less depressing. I was counting on a conclusion that showed that the Force has all colours and nuances, and that it’s not limited to the black-and-white view “we against them”. That’s the ending all of us fans would have deserved, instead of catering the daddy issues of the part of the audience who doesn’t want stories other than those of the “lonesome cowboy” kind. I myself grew up on Japanese anime, maybe that’s one of the reasons why I can’t stand guys like James Bond or Batman and why I think you don’t need “a great hero who fixes the situation” but that group spirit and communication are way more important.

It was absolutely unexpected that Disney, the production company whose trademark are happy endings and family stories, would end this beloved and successful saga after almost half a century on such a hollow note. Why tell first a beautiful fairy tale and then leave the audience on a hook for 35 years to continue first with a tragedy (which at least was expected) and then with another (unexpected one)? And this story is supposed to be for children? Like children would understand all of the subtext, and love sad, cautionary tales. Children, as well as the general audience, first of all want to be entertained! No one wants to watch the legendary Skywalker family be obliterated and a Palpatine take over. The sequels were no fun anymore; we’ve been left with another open ending and hardly an explanation about what happened in the 30 years in between. If you want to tell a cautionary tale, you should better warn the general audience beforehand.

The Original Trilogy is so good because it’s entertaining and offers room for thought for who wants to think about its deeper themes, and also leaves enough space for dreams. Same goes for the first two films of the Sequel Trilogy; but precisely the last, which should have wrapped up the saga, leaves us with a bitter aftertaste and dozens of questions marks. 

We as the audience believe that a story, despite the tragic things that happen, must go somewhere; we get invested into the characters, we root for them, we want to see them happy in the end. (The authors of series like Girls, How I Met Your Mother or Game of Thrones ought to be reminded of that, too.) I was in contact with children and teenagers saying that the Sequel Trilogy are “boring”; and many, children or adults, who were devastated by its concluson. There is a difference between wanting to tell a cautionary tale and playing the audience for fools. This trilogy could have become legendary like the Original Trilogy, had it fulfilled its promises instead of “keeping it low” with its last chapter. Who watches a family or fantasy story or a romantic / comedic sitcom wants to escape into another world, not to be hit over his head with a mirror to his own failings, and the ones of the society he’s living in. Messages are all right, but they ought not to go at the cost of the audience’s satisfaction about the about the people and narrative threads they have invested in for years.

This isn’t a family story: but children probably didn’t pester the studios with angry e-mails and twitter messages etc. They simply counted on a redemption arc and happy ending, and they were right, because they’re not as stupid as adults are. I have read and watched many a comment from fans who hate The Last Jedi. Many of these fans couldn’t even pinpoint what their rage was all about, they only proved to be stuck with the original trilogy and unwilling to widen their horizon. But at least their heroes had had their happy ending: The Rise of Skywalker obliterated the successes of all three generations of Skywalkers.

If the film studios wanted to tease us, they’ve excelled. If they expect the general audience to break their heads over the sequels’ metaphysics, they have not learned from the reactions to the prequels that most viewers take these films at face value. Not everybody is elbows-deep in the saga, or willing to research about it for months, and / or insightful enough to see the story’s connections. Which is why many viewers frown at the narrative and believe the Sequel Trilogy was just badly written. This trilogy could have become legendary like the Original Trilogy, had it fulfilled its promises instead of “keeping it low” with its last chapter. As it is now, the whole trilogy is hanging somewhere in the air, with neither a past nor a future to be tied in with.

The prequels already had the flaw of remaining too obscure: most fans are not aware that Anakin had unwillingly killed his wife during the terrible operation that turned him into Darth Vader, sucking her life out of her through the Force: most go by “she died of a broken heart”. So although one scene mirrors the other, it is not likely that most viewers will understand what Rey’s resurrection meant. And: Why did Darth Maul kill Qui-Gon Jinn? What did the Sith want revenge for? Who was behind Shmi’s abduction and torture? Who had placed the order for the production of the clones, and to what purpose? We can imagine or try to reconstruct the answers, but nothing is confirmed by the story itself.

The sequels remained even more in the dark, obfuscating what little explanation we got in The Rise of Skywalker with quick pacing and mind-numbing effects.

Kylo Ren had promised his grandfather that “he would finish what he started”: he did not. Whatever one can say of this last film, it did not bring Balance in the Force. What’s worse, the subject was not even breached. It was hinted at by the mosaic on the floor of the Prime Jedi Temple on Ahch-To, but although Luke and Rey were sitting on its border, they never seemed to see what was right under their noses. It remains inexplicable why it was there for everyone to see in the first place.

We might argue that Ben finished what his grandfather started by killing (or better, causing the death of) the last Jedi, who this one couldn’t kill because he was his own son; but leaving Rey in charge, he helped her finish what her grandfather had started. The irony could hardly be worse.

Episode IX looks like J.J. Abrams simply completed what they started with Episode VII, largely ignoring the next film as if it was always planned to do so. We, the angry and disappointed fans of The Last Jedi, may believe it was due to some of the general audience’s angry backlash, but honestly: the studios aren’t that dumb. They had to know that Episode VIII would be controversial and that many fans would hate it. The furious reactions were largely a disgrace, but no one can make me believe that they were totally unexpected. Nor can anyone convince me that The Rise of Skywalker was merely an answer to the small but very loud part of the audience who hated The Last Jedi: a company with the power and the returns of Disney Lucasfilm does not need to buckle down before some fan’s entitlement and narrowmindedness out of fear of losing money. And if they do, it was foolish to make Rey so perfect that she becomes almost odious, and to let the last of the Skywalker blood die a meaningless death. (Had he saved the Canto Bight children and left them with Rey, at least he would have died with honor; and she, the child left behind by her parents, would have had a task to dedicate herself to.)

The only reason I can find for this odd ending is that it’s meant to prepare the way for Rian Johnson’s new trilogy, which - hopefully - will finally be about Balance. We as the audience don’t know what’s going on behind the doors. Filmmaking is a business like any other, i.e. based on contracts; and I first heard that Rian Johnson had negotiated a trilogy of his own since before Episode VIII hit theatres. Maybe he kept all the rights of intellectual property to his own film, including that he would finish the threads he picked up and close the narrative circles he opened, and only he; and that his alleged working on “something completely different” is deliberately misleading.

Some viewers love the original trilogy, some love the prequels, some like both; but I hardly expect anyone to love the sequel trilogy as a whole. What with the first instalment “letting the past die, killing it if they had to”, the second hinting at a promising future and the third patched on at the very last like some sort of band-aid, it was not coherent. I heard the responsible team for Game of Thrones even dropped their work, producing a dissatisfying, quickly sewn together last season, for this new Star Wars project and thereby disappointing millions of GoT fans; I hope they are aware of the expectations they have loaded upon them. George Lucas’ original trilogy had its faults, but but though there was no social media yet in his time, at least he was still close enough to the audience to give them what they needed, if not necessarily wanted. (Some fans can’t accept that Luke and Leia are siblings to this day, even if honestly, it was the very best plot twist to finish their story in a satisfying way.)

I’m hoping for now that The Last Jedi was not some love bombing directed at the more sentimental viewers but a promise that will be fulfilled. “Wrapping up” a saga by keeping the flattest, least convincing chapter for last is bad form. Star Wars did not become a pop phenomenon by accident, but because the original story was convincing and satisfying. Endings like these will hardly make anyone remember a story fondly, on the contrary, the audience will move to another fandom to forget their disappointment.

On a side note, I like The Mandalorian, exactly for the reason that that is a magical story; not as much as the original trilogy, but at least a little. Of course, I’m glad it was produced. But it’s a small consolation prize after the mess that supposedly wrapped up the original saga after 9 films.

We’re Not Blind, You Know…

- Though Kylo Ren (Ben Solo) has Darth Vader’s stature, his facial features are practically opposite to Vader’s creepy mask. This should have foreshadowed that his life should have gone the other way, instead of more or less repeating itself. - As a villain Kylo was often unconvincing; by all logic he should have been a good father figure. (Besides, Star Wars films or series never work unless there is a strong father or father figure at their center.)

- Like Vader, Kylo Ren was redeemed, but not rehabilitated. Who knows who may find his broken mask somewhere now and, not knowing the truth, promise “I will finish what you started”. - The hand-touching scene on Ahch-To which was visually opposite to Anakin’s and Padmé’s should not have predicted another tragedy but a happy ending for them. - The Canto Bight sequence was announcing reckoning for the weapon industry and freedom for the enslaved children. It also showed how well Finn and Rose fit together. - Rey was a good girl before she started on her adventures. Like Anakin or Luke, she did not need to become a Jedi to be strong or generous or heroic. - Rey summons Palpatine after one year of training. Kylo practically begged for his grandfather’s assistance for years, to no avail. Her potential for darkness is obviously much stronger. - Dark Rey’s light sabre looked like a fork, Kylo’s like a cross. - The last time all Jedi and Sith were obliterated leaving only Luke in charge, things went awry. Now we have a Palpatine masquerading as a Skywalker and believing she’s a Jedi. Rey is a usurper and universally cheered after years of war, like her grandfather. - The broom boy of Canto Bight looked like he was sweeping a stage and announcing “Free the stage, it’s time for us, the children.”

Rey failed in all instances where Luke had proved himself (so much for feminism and her being a Mary Sue): - Luke had forgiven his father despite all the pain he had inflicted on him. She stabbed the „bad guy”, who had repeatedly protected and comforted her, to death. - Luke never asked Vader to help the Rebellion or to turn to the Light Side, he only wanted him back as his father. She assumed that you could make Ben Solo turn, give up the First Order and join the Resistance for her. She thought of her friends and of her own validation, not of him. - Luke had made peace by choosing peace. Rey fought until the bitter end. - Luke had thrown his weapon away before Palpatine. Rey picked up a second weapon. (And both of them weren’t even her own.) - Luke had mourned his dead father. Rey didn’t shed a tear for the man she is bonded to by the Force. - Luke went back to his friends to celebrate the new peace with them. Rey went back letting everyone celebrate her like the one who saved the galaxy on her own, she who were tempted to become the new evil ruler of the galaxy and had to rely on the alleged Bad Guy to save both her soul and her body. - Luke had embodied compassion when Palpatine was all about hatred. Where he chose love and faith in his father, she chose violence and fear. - Luke had briefly fallen prey to the Dark Side but it made him realize that he had no right to judge his father. Rey’s fall to the Dark Side did not make her wiser. - Rey has no change of mind on finding out that she’s Palpatine’s flesh and blood, nor after she has stabbed Kylo. Luke had to face himself on learning that he had almost become a patricide. Rey does not have to face herself: the revelation of her ancestry is cushioned by Luke’s and Leia’s support. Rey is and remains an uncompromising person who hardly learns from her faults.

This is cheating on the audience. And it's not due to feminism or Rey being some sort of “Mary Sue” the way many affronted fans claim. Kylo never was truly a villain, Rey is not a heroine, and this is not a happy ending. The Jedi, with their stuck-up conviction “only we must win”, have failed all over again. The Skywalker family was obliterated leaving their worst enemy in charge.  Rey is supposed to be a “modern” heroine which young girls can take as an example? No, thank you. Not after this last film has made of her. Padmé was a much better role model, combining intelligence with strength and goodness and also female grace. The world does not need entitled female brats.

Bonus: What Made The Rise of Skywalker a Farce

- The Force Awakens was an ok film and The Last Jedi (almost) a masterpiece. The Rise of Skywalker was a cartoon. No wonder a lot of the acting felt and looked wooden. - “I will earn your brother’s light sabre.” She’s holding his father’s sabre. - Kylo in The Last Jedi: “Let the past die. Kill it if, you have to.” Beginning with me? - Rey ends up on Tatooine. - The planet both Anakin and Luke ardently wanted to leave. - Luke had promised his nephew that he would be around for him. - Nope. - Rey had told Ben that she had seen his future. What future was that - “you will be a hero for ten minutes, get a kiss and then die? (And they didn’t even get a love theme.) - “The belonging you seek is not behind you, it is ahead.” On a desert planet with a few ghosts. What of the ocean she used to dream about? - Ben and Rey were both introduced as two intensely lonely people searching for belonging. We learn they are a Force dyad, and then they are torn apart again. - Why was Ben named for Obi-Wan Kenobi in the first place, if they have absolutely nothing in common? - The Throne Room battle scene in The Last Jedi was clearly showing that when they are in balance, Light Side and Dark Side are unbeatable. Why did the so-called “Light Side” have to win again, in The Rise of Skywalker, instead of finding balance? - Luke’s scene on Ahch-To was so ridiculously opposite to his attitude in The Last Jedi that by now I believe he was a fantasy conjectured by her. (Like Ben’s vision of his father.) - Anakin’s voice among the other Jedi’s. - He was a renegade, for Force’s sake. - The kiss between two females. - More fan service, to appease those who pretended that not making Poe and Finn a couple was a sign of homophobia. - We see the Knights of Ren, but we learn absolutely nothing about them or Kylo’s connection with them. - Rose Tico’s invalidation. - A shame after what the actress had gone through because for the fans she was “not Star-Wars-y” (chubby and lively instead of wiry and spitfire). - Finn’s and Rose’s relationship. - Ignored without any explanation. - Finn may or may not be Force-sensitive. - If he is: did he abandon the First Order not due to his own free will but because of some higher willpower? Great. - General Hux was simply obliterated. - In The Force Awakens he was an excellent foil to Kylo Ren; no background story, no humanization for him. - Chewie’s and 3PO’s faked deaths. - Useless additional drama. - The Force Awakens was a bow before the classic trilogy. The Rise of Skywalker kicked its remainders to pieces. - The Prequel Trilogy ended with hope, the Original Trilogy with love. The Sequel Trilogy ends on a blank slate. - “We are what they grow beyond.” The characters of the Sequel Trilogy did not grow beyond the heroes of the Original Trilogy. - The Jedi did not learn from their mistakes and were obliterated. The Skywalker family understood the mistakes they had made too late. Now they’re gone, too.

  P.S. While I was watching The Rise of Skywalker my husband came in asked me since when I like Marvel movies. I said “That’s not a Marvel movie, it’s Star Wars.” I guess that says enough.

P.P.S. For the next trilogy, please at least let the movies hit theatres in May again instead of December. a) It’s tradition for Star Wars films, b) Whatever happens, at least you won’t ruin anyone’s Christmases. Thank you.

[mymadmedleyw]

Fic Writer Review

I was tagged by @dp-marvel94 (I am just saying this is my very first occassion to by tagged in a thing like that, so filling this made my day really, thank you!)

1) How many works do you have on AO3?

22 – wow, that sounds many…

2. What’s your total AO3 word count?  

206.997, and more than the half belongs under one idea – that’s creepy…

3. How many fandoms have you written for and what are they?  

Oh, it’s many… once, I am into something, I have to write in that – surprisingly I am addicted to DP for nearly a year, and nothing else.

(But little bit of history, from the newest to the oldest: Danny Phantom, The Irregulars (that was really a short one), Guardians of Childhood/Rise of the Guardians (my very first finished multi-chaptered one was in that), Dark, Charmed (the old one, not the new series), Gravity Falls, Venom, Doctor Who, a crossover within Tangled: The Series and Milo Murphy’s Law, Death Note/Death Note: Another Note; and I had some ideas about a Rick and Morty and Gravity Falls crossover, and it seems I never uploaded here my concept about a not crossover Tangled: The Series idea, and either an independent one in Rick and Morty, hm… shame. Most of those are not finished. Okay, like 99% of it…)

4. What are your top 5 fics by kudos?

Core (Danny Phantom), stand-alone, ~3k

What The Past Holds (Danny Phantom), wip, ~91k

Pitch’s Secret (Guardians of Childhood/Rise of the Guardians), finished, ~14k

We are not alone (Venom), really short one, ~1k

Phantom (Danny Phantom), stand-alone, ~2k

5. Which of your fic do you want more attention for?  

Definitely it’s WTPH. It’s my current work. The idea about it came in December, and since that, I am working on that constantly. At first, I had ideas for eight chapters, and nothing else. Now, it grew into this monstrosity: a side-line (Bonds Over Time), and a collection that contains the deleted scenes or ideas that appeared in my mind and could fit into the story (Bits Of The Past), and also an entirely finished concept for Vlad’s past (Certain Moment Of Time), that could be connected to it too.

I also put many headcanons in that, and ticks of characters, and parallels, and layers that I just love: like Vlad having a sister and some details about his family background, Dan having Vlad’s memories too, how the explosion in the Nasty Burger happened and how Dan turned out like that… some precious things, really, but I won’t elaborate much, in case of anyone wants to give a read to it. Overall, I tried to make the TUE-mess into a somewhat more reasonable logical mess – if I managed to do that at all. I don’t know I’m just like a mother with a new-born with it: look, it’s my child! I made it! I developed it! here, hold it! and love it too, as much as I do! (Sorry, I don’t know how that metaphor came…)

6. Do you respond to comments, why or why not?

Even if it’s a kudo, or a keysmash as a comment, I write back. I mean, if someone writes – literally anything – and spends time with it, I write them back too. (And my very bad habit, that sometimes, if the comment hits an interesting thought, I tend to explain the background behind that more, and accidentally spilling some things I shouldn’t yet... In many cases, it’s like a brainstorming, and then I use that idea. I mean as, for example many of @dp-marvel94’s comments on ff, made me to realise some things, and how then I fixed those forgotten parts made my story along with it much better – once, I will list them, and you’ll be surprised how long is that list, and how obvious things I forgot about entirely…)

7. What’s the fic you’ve written with the angstiest ending?

Okay, I don’t have many finished story – shame on me. So, I’ll count the shorts. I think it’s then Phantom. It rolls around the idea what if in Forever Phantom, Danny can’t change back to Phantom, and his parents blame Phantom for the disappearance of Danny, and they start chasing madly the ghosts, making them leave the human realm once and for all – which means, Danny has to go with them. It’s really a short fic, but I very like this idea, and it was my very first in this fandom. (I was watching DP that time, I mean, getting familiar with it, but this idea got stuck in my head as I watched that episode, so that was my introduction here. Also, I watched my very first DP episode that time, which means, less then a year ago, so, I am that newbie here…) I am not spilling the end of the story, but it doesn’t have a very happy end I could say.

8. Do you write crossovers? What’s the craziest one you’ve written?

Uh, yes? I have a crossover within Tangled: The Series and Milo Murphy’s Law. It’s unfinished, but that time I thought Milo and Varian have the same vibe, including clumsiness. It was only a short idea that time, but it’s definitely worth once to continue or finish somehow. I have a crossover within Rick and Morty, and Gravity Falls. That is standing within my very big idea, but it’s halfway written on my original language and English and that’s like after how a certain trilogy end, but it has some mentioning of ideas I never finished, so yeah… it’s not even published anywhere. Maybe, once, I’ll decide what language I prefer for that, and translate the other part and then, hardly, but I’ll finish it some day... – or, never, it actually would be a very big bite if I try to imagine it.

9. Have you ever received hate on a fic?

I don’t remember to that. I mean, my main story (WTPH) kind of not everyone’s preference, ’cause of Dan, so that’s already divides the readers and I haven’t got all in all many comments yet on my stories (kudos are appreciated too, I am shy too to leave comments on fics, so don’t worry, I get it), so I think I haven’t got any. But I'd be curious to experience if someone reads one of my stories and leaves behind a comment that then criticizing it. I mean, I’d be open to learn what part is not fitting, or just too much. (I am surprised that no one ever mentioned my ’weird’ sentences. I mean for me those make sense, but those make sense for a native English person too? I’m always worried about that…)

10. Do you write smut? if so what kind?

Uh, yeah, I did. Not very proud of it, though I don’t have a heart to orphan that work. I mean, it belongs to me too. Sometimes I wonder to delete some of my works, but then I realise, no, that’s me, I won’t pretend where I came from, and shove into the dustbin my mad thoughts... All in all, my stories now, for a while, are much more family-friendly – if, anything within DP could be really counted as ‘family-friendly’…

11. Have you ever had a fic translated?

Yeah, I was very proud of my story back then, called Metamorphosis (Death Note), and I had a crazy idea and tried to translate it. So now, the first chapter is out there both in English and both in my native language, but I got stuck at the second chapter. I couldn’t translate wisely and logically the title of it to give out the many meaning it has in English. And I once tried to translate California (Gravity Falls) to English, but that would be a hard work, so I left it behind – maybe once…

Over that I sometimes has a crazy idea to translate back and forth my stories, no, beyond that, I haven’t had a fic translated from anyone else. And I think I am the only masochist that it ever crosses my mind, I guess…

12. Have you ever co-written a fic before?

No, not really. I’d be curious to once do that – maybe, but I’m not sure...

(To tell the truth, I’d be worried about that. I’d be glad to do that once, but I am anxious if I could understand my co-writer, or not. I mean, do you have any idea that I have to give five reads to any longer comments to understand it? I understand those (and I really love getting those!), but I have to give many reads to make sure I understand those well, and then, making sure, I answer back right, and my sentences make sense. My fics have ’fancy’ words, and I love working in English, but sometimes it’s a curse it’s not my native one. So then, I’m constantly worried about interactions, if I receive well something, and if my sentences are understandable for others or not. So, in short, you can see my struggle here… same reason I don’t do Invisobang, but I am considering it...)

13. What’s your all time favorite ship?

I’m not very much a ship-type. But I count Danny and Sam, as a fix point. (Danny and Val was nice and I’d have been very glad to see them in more episodes, but let’s face it, that wouldn’t work, because both of them are too stubborn to choose their other life and if once, they would face with each other, knowing everything about the other, they’d remain allies or at most very good friends.) If, the question is, what are the ships in my head (but not necessarily just ‘romantic’) that I prefer to read, well, it’s Dan and Valerie. I love their dynamics, especially in Deliverance. I don’t know why I just love reading it. 

For other reasons I ship Dani and Valerie. Though I can’t write romance and stuff like that, but in one of my planned ideas they are dating - sort-of...

14. What’s a WIP that you want to finish but don’t think you ever will?

Okay, there are many. Surely, it’s my Gravity Falls story, called California, but that’s a huge one, and the first one in a trilogy (plus some additional side-lines), and mainly in my head for years, so yeah… I think I won’t ever reasonably finish that as it should be finished. A Tale of Fords (Gravity Falls) could be count as one too. Oh, and Envision and ties (Doctor Who). Sad to say, but yeah, I am always saying, “maybe once”, but I am not sure when…

15. What are your writing strengths?

Okay, this is a funny thing, but I’ve realised I can’t deal with many characters at the same time. So, I think my strength are dialogues and interactions within two people. And I get into their thoughts, so I guess if I have to word it somehow: it’s character-studies then.

16. What are your writing weaknesses?

Can’t handle more than two people. No, seriously, somehow it always turns out, the third is unconscious, sleeping, leaves the room, and so on. I’ve just recognised it recently, and it was a hilarious recognition…

I am also bad at actions, like very very bad, I don’t even try that, because my brain just simple can’t come up with fight-scenes at all. I think I only can write character-studies, and nothing else.

17. What are your thoughts on writing dialogue in other languages in a fic?

Oh, man… does it count I am not a native English-user? So, technically I ‘always’ write dialogues in another language? But jokes aside, sometimes, I have ideas that the people use another language, and I am like “are you aware, you can’t even write English slang?”, so then, I gave up. Right now, though, I am planning to add ASL in one of my future ideas. I am wrecking my mind, how to do that nicely – but that’s only a forming plan, and dated for next year, currently, I am only collecting ideas for that.

18. What was the first fandom you wrote for?  

Does it count my very first fic was a fanfiction of one of my friend’s fanfiction in high school? She wrote a really good story – not shared anywhere, we were just giving each other the hand-written exercise book (oh, the old days…). If I remember well, it was a crossover within Supernatural and Queen of the Damned (the movie, not the book). I had no idea about Supernatural, but the story was good, but I was not satisfied with the end, and in secret I wrote another end for it, to myself. I’m not sure where is that anymore, but I clearly remember that was my very first written stuff, and that’s how my origin story began and how is I am here now.

(Oh, and once, I wrote a H2O fanfiction short story to my sister as a name-day present, in which she was a mermaid, discovering her powers during a holiday at a beach (we were at that time in Croatia in a family holiday, so the timing was fitting), and that was one of my very first fandoms to write in it too… God, I have no idea why I wrote it down, it just crossed my mind, and I remember I thought it was cute, I think she was eleven or twelve that time, so I am not sure she appreciated as much as I found it fun to write that…)

19. What’s your favorite fic you’ve written?  

This is mean… anyway, currently it’s WTPH, for obvious reasons. But I am very proud how the Angst Week turned out (my work for that is called Certain Moment of Time). First of all, I doubted I would be able to write for every day, since I planned to do the whole DannyMay, but things turned out differently and I am still sad, I haven’t done many. But I did not just managed to write for all days, but all could be counted under one idea, and also each of the chapters could be read independently at the same time. It includes a little bit of background story about Vlad, about a rewritten time, his struggles at the hospital, things around Danny’s birth, how Danny managed to survive the Portal incident, how Vlad was informed about the Ghost Boy, and that actually Danny’s separation was just a ‘plan B’ that Vlad tried to avoid… it’s complicated to describe the many things in that, but when I feel WTPH an unescapable mess, and I am frustrated by the lack of proper words to finish the coming chapters, CMOT is my absolute favourite. And I love the whole idea about it. No, I’ll be honest, that’s my beloved so far (just because it’s finished). But I like so much too my idea about Dan and Dani in Bonds Over Time, how they try to live together a normal life… okay, let’s admit it, this question is mean, I seriously can’t tell, and I am thinking right now only my current ones…

20. What fic are you most proud of?  

Okay, this is mean too. I am proud of my old works as much that I always go back to them when I am in a nostalgic mode. (I haven’t read any of my old ones in ages, because I try to avoid distractions, and knowing myself, I’d start thinking about the continuation and never finishing my current works at all...)

I am proud of Pitch’s Secret, because that was my very first multi-chaptered one idea that I actually managed to finish. That in fact, gave me the courage to start working on a multi-chaptered DP one. (My original plan was to be brave and aim doing eight chapters, to top the five, and I would have been very proud of myself, but instead now it’s way longer than that original idea, and I seriously don’t know when it will end – twenty chapters maybe?)

I think, if I don’t include the previous question. (It’s the same, isn’t it?) I am very proud of the first chapter in my Doctor Who fic. That doesn’t tell anything about the plot or about anything, that just gives a very good atmospheric background. Every time I read that, it gives me shivers.

---

okay, I don’t know who to tag, anyone who feels like it, serve yourself, I am curious... :)

[ectora]

Review episode 312

It’s weird because I enjoyed the episode but most of my comments are actually criticism so bare with me 😂

Overall it was a nice episode to watch. The acting was on point especially for Sarah and Poppy imo they carried this episode but also probably cause they’re the one with the most compelling stories on this one. The episode kinda felt like a filler but honestly that’s because the show is focusing too much on the allergy and we know that’s not gonna be fixed til the end so as long as they make that the main story of the sisters, most episodes are gonna feel like fillers when it comes to them. Macy and Maggie had their own little adventure with a ghost which was funny (again kudo to Sarah), Harry and Mel went on a quest for a soul tho we still have no clue what it actually meant and Abigael was going through her own little traumatic hell in the tomb (Poppy really has been particularly slaying this storyline acting wise ).

Screen time

Abigael: 6m11s

Macy: 17m24s

Mel: 11m15s

Maggie: 18m24s

Harry: 11m03s

What I liked

Maggie still got the internship and I’m glad back she deserved it. I really don’t dislike Antonio but I’m also glad they kinda made it clear she wasn’t interested and that she finally made progress with her feelings for Jordan.

Abigael. I liked it because it gave us more insight on Abigael’s past (tho I still think they should have given us this earlier). I always theorised that from her childhood, she was obviously scared from the fact her mom never really accepted her demon side which created her deep feeling of rejection and how she was never accepted and never belonged. But I also thought she had some kind of loving family. Like to me these two things were not necessarily contradictory. Well apparently not. Her mom straight out abused her during her childhood. Which definitely explain why she choose the demon side like that. Both her parents were terrible to them but as she said in the past, at least she can understand demon a little but. She can rationalise it base on their nature. When it came from her mom however, it came fully from a place of dislike which must have been very harmful on a child. So obviously when I say I like it I don’t mean I like what her mom did to her, but I really like the insight and explanation. And again, Poppy did an amazing job. She made Abigael feel so vulnerable and scared, and confirmed that, ultimately what Abigael always wanted was acceptance. Which she first needs to give to herself.

Marisol and Macy sharing a scene. I have my issues with how it went which I’ll come to later. But I’m glad it existed and Mads really showed great emotions.

That was a short list because if I did enjoy the episode and there was some highlights I’ll talk about later, I also can’t really pintpoint things I loved.

What I disliked

Harry’s story. I just really don’t like how they make it all about the relationship when it could be so much deeper than that. I also am not sure I like the length to which he’s ready to go for it. Like the entire soul donation is a bit weird to me.

Marisol and Macy. Listen that one made me angry. Maybe it wouldn’t have if Macy actually had other stuff going on than her relationship with Harry but with the way the show has been writing her mostly around her relationship with Harry, it really didn’t come across well to me. The fact we had for the first time a in present tense scene between Macy and Marisol and all they talked about a man has me fuming. Maybe if they had had a longer time to talk. But they had like two minutes and most of it was about men.

The sisters. I don’t like the fact Mel wasn’t there when they were going to connect with their mom. I feel like that should have been a story kept for all three of them. I’m also annoyed that they once again refused to give us some Mel and Macy. I would have liked to see them a bit. Once again that sisterly bond feels like it’s non existent.

Melby. I cannot believe anyone would actually look at them and think yes that’s good. The treatment is absolutely terrible. The buildup was bad - because it was supposed to last - and the fact it’s all off screen is absolutely terrible. Ruby has been in three episode this season. One of them she didn’t actually share a scene with Ruby. The second episode they were full of drama and jealousy and they were so easily breaking up. And suddenly we jump to the I love yous. And were supposed to find that cute ? Like what are we supposed to think they love about each other? The constant breaking ups ? Cause that’s the most consistent thing about them. It kinda feels cheap in the way it’s done ngl.

What doesn’t make sense

Why was Jordan in the description ? I feel they’re kinda trying to avoid putting Abi’s name in the summaries (or at least it feels like it) but like .... Jordan had not reason to even be talked about. He didn’t appear once. It should have been Abi’s name in there.

The pills falling from the pocket Like ... Harry you had literally one job. How exactly did they fall ??

Why did they seem lost until their realised Jordy was a descendant and they could use his soul. Did I miss something saying it needed to be a male descendant ? Cause like ... Gil (Jil ? Idk) was literally right there. (Nevermind apparently I missed them saying « male descendent » my bad dkdjd

How did abi know she was in the tomb. Like I know my girl is smart but like ... she has basically no contact with the sisters at this point so how on earth did she learn how the tomb works and what happens inside ??

Highlights

The hammer. Listen, don’t ask me why but this picture of abi has been sending me for weeks now and I’ve been wondering the context since I’ve seen it. Like it gives me the biggest dumb bitch energy ever. The fact that abi is a very smart person and just thought a hammer would get her out of the tomb just has me laughing like it’s just too funny to me 😭

“The British hot lady” Swan I understand You

The way Maggie calls for Abi and gets into her apartment. I don’t know why I just love it.

Macy trying to lie to Antonio. Macy’s face when she lies is always a delight.

No but do any of these older generations know what not having an affair even mean? But I mean like father like son I guess.

« Who footnotes a spell » Macy’s face was so funny 😭 she was so done with it.

Theories

Not gonna lie. I’m a bit scare about next episode. I think it might be really interesting but also I’m very scare of the execution especially when it comes to Abigael and Macy. I do believe Macy has valid to distrust Abigael. However the show has been terrible at portraying those. And ultimately, especially lately, the sisters and Abigael have barely crossed paths. They’re barely in each other’s lives. All the do is coexist in the same city and interact when demons are involved which isn’t really the case. So right now all abi is doing is keeping the demons in lines. So I’m scared that Macy’s rightful dislike and distrust is almost gonna come across as pettiness or jealousy. But I also think that there is a difference between not trusting Abigael and say she deserves to be in the tomb. Cause at the end of the day past episode 4 what has she really done so terrible that deserves eternal suffering/delusion or whatever the tomb actually does. She’s manipulative and self serving sure but she also helps more than anything. The sisters have actually nothing to win have having Abigael stuck in there. And more to lose.

One theory is that the perfecti are trying to isolate the sisters. Putting abi and Jordan in the tomb is separating them from their allies and helping Harry to lose his powers is taking their guidance/healer away from them.

Another is just that really just have a very strict black and white vision and Abigael being a demon and Jordan helping them makes them automatically in the black category. Which the title seems to be referring to so it’s probably this.

I think the upcoming episode might be a way to introduce the whole controversy around Macy’s demon powers. And slowly bringing up the story of Abigael giving them back to her.

I think it also might be a way to actually have the show approach the wrongs Abigael did in the show. But also the rights. After all, it seems like they’ll need to prove she doesn’t deserve to be in it. Which I personally don’t think she does. Though she definitely did wrong things in her life. So I think they might actually use this as an occasion to have the sisters talk about what she did do that was wrong. And hopefully also highlight that she did help them on multiple occasions.

With the “previously in charmed” it makes it feel like they’re still going with Maggie not knowing Jordan can actually touch her and this doesn’t stop confusing me. But I can see the show have them hug once he’s out of the tomb and then kinda admit their feelings finally and Jordan say something in the lines that he kept it from her because he didn’t want to put pressure on her or that him being able to touch her didn’t change the fact she wanted to focus on herself or something on those lines.

One thing I want to talk about is Abigael. Please don’t read this paragraph if you haven’t heard about the rumours going around. //// The fact is, there is a very strong change Poppy is leaving the show. And the way they made this episode made it very clear Abigael was abused as a child. But that she is also absolutely craving love and acceptance. And that she does love her mom and always wanted her love. I’m very scared that if they make Abigael leave (better than die) they’d make her go back to her sister and family and try to fix their relationship. Which would absolutely be terrible message to give as we literally know now that she was abused. And making a character go back to their abusers because of the trauma it caused (her fear of rejection and inability to actually accept herself) would just be disgusting. But I’m scared that’s the road they’re gonna take.

[themonkeycabal]

WandaVision Ep 4 SPOILERS

Yes, spoilers, 

Wherein I watch and say stuff that might or might not be worth reading.

After a little bit of a lackluster start, there was good story progress last week. An escalation of weird, which I appreciated. I'll probably have to relive it, because Disney doesn't want to let me skip the previously. Ever. Why are you the way you are, Disney?

Geraldine/Monica is made of whispery voices and swirling dust and such. Weird. She's sitting in a chair, sleeping, and apparently being reconstituted. She wakes to a hospital room but outside is chaos. Lots of yelling and people running about. There's like swirling dust or human confetti everywhere, and other people are being reconstituted left and right. Seems unusual. Not the sort of thing that normally happens in hospitals. Oh, are they being un-snapped? The great un-snappening. The un-snapapalooza. The fall of the snappocalypse. I'll stop. I guess we're in a flashback of sorts.

Dudes, Monica just like full on hip checked some dude into the boards. She didn't mean it, but, damn, that guy went flying. Nobody knows what's going on, it's madness. A doctor recognizes her and asks where she went and Monica's all "uh, what? I took a nap?" Napping and then snapping and then popping back into existence. Ain't that just the way? Oh, sad, her mom died while she was missing for five years. :(

Sentient Weapon Observation Response Division — please nobody expect me to remember that. They have a Cape Canaveral looking compound with multiple launch pads and a very large hanger smack in the middle. Gee how neat for them that they get to operate out in the open, Phil Coulson says (in my head) with a whole lot of sarcasm.

Oh, right, they called it the Blip. The Great Un-Blippening. That doesn't sound as good. What on earth with the massive monitors in the main lobby. Nobody likes watching the news that much. Monica is trying to brazenly walk through the front doors with a badge that doesn't work and wow, security guy is kind of a dick. Oh, she belongs there. Captain Monica Rambeau. Captain, good for her.

And now security dick is revealed to be even more dickish, since this is just after the Blip and she's trying to go back to work. Like, SWORD couldn't put out a memo "Be on the lookout for recently unblipped personnel. Don't be massive dicks to them when their security badges don't work, because of how they got blipped and all"? Also maybe a reorientation packet, or like a desk out front "Back from the Blip? Talk to Lt. Mandy Smith in HR about your reactivation options today!" I'm just spitballing here. I get it was chaotic, but that's no reason to let the unblipped get a rude welcome. It wasn't their fault Thanos was critically dumb.

Blip no longer sounds like a word.

Anyway, the acting director is fortunately there to meet her before she could drop her gloves and punch the security dick in the dick. Aww, Maria Rambeau is on the Wall of Valor, or whatever they call it at SWORD.

Things aren't going well at SWORD. The Blip put the hurt on the division. Their remaining astronaut trainees have chickened out. Oh, what if there was like crew up in orbit that got blipped and then when they unblipped five years later … yikes. Well, I'll allow the 'lost their nerve' may have a solid basis in horribleness that probably occurred around the Blip. I retract the 'chickened out' comment.

This is a very long walk-and-talk. Maria Rambeau built SWORD "from the ground up". Bless.

The Director has grounded Monica. Well, actually, her mom grounded her, making protocols in case vanished personnel one day returned. Lol. Though, I mean, I'd guess she'd know, what with Carol and all.  "I know it's a raw deal, but there is one positive takeaway. She believed you'd come back." Awww

So, she's off to deal with some sort of missing persons case in New Jersey overseeing the loan of one of their drones for the FBI. I guess Wanda will be the missing person. Yep, she's off to Westview. Which has seen better days.

Hey! It's Agent Woo! I like you Agent Woo! Did I know he was in this? I don't remember. Randall Park's great. A happy surprise.

Hmm, he has a missing witness. So, not Wanda, then. Hmm again. Agent Woo contacted known associates, family, friends — none of them have ever heard of the witness. A mystery!

Oh and there's another wrinkle.

"Pardon me Sheriff, would you mind repeating your claim about Westview to my colleague here?"

"No such place," he says, standing next to the 'Welcome to Westview" sign.

Hmmm, puzzling. Jimmy Woo can't reach anybody listed as living in town. So, wait, the town doesn't exist, except it does, but, nobody thinks it does, so where did he get the phone records for residents? The phone company was just like "here's your records for the imaginary city of Westview, all 3,000+ residents that never existed, and yet we have the numbers and we're just not going to question that". Weird.

"So you can't reach anyone inside and everyone on the outside has some sort of selective amnesia?" That does seem to be the case, Monica. Super odd. Agent Woo is very sanguine about the whole thing. He dealt with Scott Lang, I guess after that everything else is like, 'meh'.

"Why haven't' you gone inside to investigate?" A fine question, Captain.

"Because it doesn't want me to." That's just creepy, Agent Woo. "You can feel it, too, can't you? Nobody's supposed to go in." I guess this is where the drone will come in handy. Oh, it's the little helicopter that Wanda found in the bushes in the second episode. I'm going to pretend that super advanced SWORD drones would totally look like cheap RC toy helicopters. I guess that's a disguise?

Monica wants to know why she and Agent Woo are aware that Westview exists and nobody else is. Does that mean the Sheriff was standing next to the Welcome to Westview sign and just did not see it at all? He was just hanging out in the middle of nowhere with a weirdly laconic FBI agent who kept asking about the town that very clearly wasn't just right behind them? That's a little more than amnesia.  

Also, Agent Woo's hero was Elliot Ness. Of course it was.

Oh no, the drone vanished as it crossed the town line! There's an energy field around the town that looks like what happens when you push your fingers against an old monitor and get the weird pixelly rainbow. Agent Woo's all "please no touch" and Monica's all "yes, I think I'll stick my whole hand in there." And she got sucked in. Agent Woo's gotta be like "WHY DOESN'T ANYBODY EVER LISTEN TO ME?"

24 hours later. Darcy! Some sort of transport van. A trio of other suits in the back, plus Darcy. She tries to talk to one of the dudes and he's all "we're not supposed to talk to each other!" "Boy Scout leader, got it." Relax, uptight guy. Pfft, what sort of team is that? The rest give up their specialty. Aww, bless, she went into astrophysics. "We've got the full clown car." heh.

Boy Scout leader finally caving to peer pressure: "I'm a chemical engineer." Darcy: "No one cares." lol. Missed you, girlfriend!

And in 24 hours SWORD/FBI whoever have set up a little military camp. Oh a "response base". How banally euphemistic. There's like a whole bunch of agencies there, as well as Army and Air Force.

Dr. Lewis. Oh, I'm so proud. I bet Jane was over the moon. Saved from poli-sci!

Elsewhere another drone vanishes. Darcy darcys a lot at an uptight uniform who is breathing down her neck "make your assessment" and it's delightful. Darcy notices some high levels of cosmic background radiation and also something weird layered over the top of that. Hmm, she needs a tv. "An old one, like not flat." One with vacuum tubes, perhaps?

In another part of the camp, they send in a guy in a hazmat suit, down into the sewers, looking for Monica. I guess he'll be the beekeper Wanda tosses in ep 2. Jimmy Woo is not optimistic about that plan. He tells the SWORD Director all about it.

"Someone must really miss you back at Quantico." "No, sir, softball season is over." Lol.

All their high tech scanning is turning up nothing.

Uhoh, screaming. Oh, nevermind, it's the laughtrack. While everybody else was dicking around with the LIDAR, Darcy has tracked down the last tube tv in New Jersey and has tuned into the Wanda Dimension. Episode one is playing.  

Darcy is understandably particularly baffled by Vision. "Look, I know it's been a crazy few years on this planet, but he's dead right? Not blipped. Dead." Poor Vision. Alas.

Director wants to know if the broadcast is realtime or a recording. Or what? Darcy's like "how tf should I know?"

Jimmy asks the good question "So you're saying the universe created a sitcom staring two Avengers?" "It's a working theory."

Now SWORD fans out! And collects every ye olde TV on the eastern seaboard. Who doesn't love a good sitcom, amiright? (Me. Me do not love sitcoms). The Director storms off to wherever for whatever reason. I don't know, don't care. Jimmy and Darcy are on the case.

Darcy is IDing the other "characters" in the sitcom, who appear to be real people with NJ driver's liscenses, while Jimmy is wondering why the force field is hexagonal. You've got me there. And now we're montaging.

Jimmy ponders the big board of 'characters' and Darcy drops her cup o' noodles when she spots Monica in the second episode. He and Darcy discuss and he's like "is it an alternate reality, time travel, some cockamamie social experiment?" Darcy's all "it's a sitcom." A pure mystery.

Darcy comes up with the idea to reach out to Wanda via the radio in her kitchen. "Next time she's washing dishes — which by my count happens about once an episode, barf." heh. She tech babbles some and I'm very proud.

A minion agent runs up with the latest intel from the most recent episode, it's a picture of the SWORD drone that looks more retro (frankly it looks better than the 'real world' one.) Hmmm, such a puzzler. Why did it change, they wonder.  

Darcy Lewis and Jimmy Woo are a partnership I can totally get behind. Jimmy was the voice trying to reach Wanda. Darcy's watching the show while Jimmy's trying the radio thing. It's the second episode where Wanda's talking to Emma Caulfield and things go weird. Good. I'm glad they jumped us to the outside world by ep four. While I thought the first two eps were slow, I think maybe they'll work better once we can watch the whole thing at a go.

Dude is still crawling through the sewers. I completely forgot he was down there. And the field extends below ground and he just crawled through it and became a beekeeper, and his safety rope snapped and … became a jumprope?

And then Wanda wishes him to the cornfield. (I guess? We don't see what happens to him.)

SWORD is watching episode three.

"1950s, 1960s, and now 70s. Why does it keep switching time periods. It can't be purely for my enjoyment can it?" Guys, it's so good to see Darcy.   "I can't believe Wanda and Vision are having a baby." No really, Jimmy and Darcy, BFFS 4EVAH! They're eating chips and watching the episode. Delightful. Just delightful.

"Twins. What a twist." Jimmy gives Darcy a look. "I'm invested!"

Monica mentions Ultron and Jimmy and Darcy are like "Whoa!".

They notice the screen sort of glitches and then Monica is gone and it's the end credits. Like when Bee guy vanished. Darcy and Jimmy are confused. "Someone is censoring the broadcast." Yeah, Wanda. She's gone to the scary place, friends.

Alarms go off and they run off. But, we go into Wanda World the aspect ratio changes from 4:3 to 16:9 and it's a new angle on when Wanda went all scary at Monica, demanding to know who she is. And then, of course, she gets kicked out of Wanda World.

"Wanda, I'm just your neighbor." "Then how could you know about Ultron?"

Wanda brings up the glowy hands of scary. "You are a stranger and an outsider and right now you are trespassing here. And I want you to leave." And then she zooms Monica out through the walls and fences and fields and that looked like it probably hurt.

Oh gross. Wanda turns around and sees Dead Vision. The big hole in his head and his face all, you know, dead looking. She looks away and then he's normal when she looks back. Well, now this has turned all sad, you guys. "We can go wherever we want." "No, we can't." Sad. Poor Wanda. The aspect ratio goes back to 4:3. I’m sure Editorial was like “oh god, again?” 

"Don't worry darling, I have everything under control."

I don't think so, Wanda.

Good ep! My only real takeaway is that none of this is going to end particularly happily. 

So … Darcy and Jimmy, BFFS 4EVAH!

[rachelbethhines]

Tangled Salt Marathon - Lost and Found

Another plot episode and another mountain of missed opportunities, failed set ups, and foreshadowing that goes nowhere. But outside of that it’s pretty entertaining. Are we seeing a pattern yet? 

Summary: Rapunzel and Eugene go on a journey to retrieve the fourth and final piece of the scroll that will lead them to the Dark Kingdom. They receive help from Vigor the Visionary, who reveals himself to be Lord Demanitus himself, the author of the scroll depicting the purpose of the Sundrop and Moonstone. He leads them to the maze that he hid the last piece of the scroll in. Guiding them through the maze, they obtain the last piece, which united the four into one singular map. As they are about to leave, they are attacked by a stone monster.

Maybe That’s Why You Should Have Brought the Only Person Who Can Read It Along?!

Once again, having the characters acknowledge their stupidity in meta dialogue doesn’t alleviate the fact that the audience is going to think them stupid.

Regardless of your personal feelings towards Varian or what he has done in the past that does not change the fact that he is literally the only character in the show thus far who can translate the scroll. The mains knew that before leaving and they knew from the get go that they were going to need the scroll piece which is why they took it from him.  

Not bringing him along, not getting a translation key from him before leaving, nor even showing us a scene of Raps trying to ask him to translate the scroll for them before leaving and then having him refuse to do so, is a plot hole. 

Timeline Hint...Sort Of...

Rapunzel said last episode that it had been almost year since they left Corona, and it’s now close enough to her birthday again that Eugene could be tricked by it but not enough to actually be her birthday. 

So...when are we again? 

I’m going to guess 10 months after Secret of the Sun Drop? Maybe... It could also be 9 or 11 who knows... but I am still seeing fall like trees which is our only indication of a changing season in this show because the creators don’t understand climate apparently.  

Maybe cause we’re now further north of Corona we see fall/winter leaves even into early spring? 

Where Was This Rapunzel In Season 3? 

Rapunzel actually giving a crap about what Eugene wants is as rare as seeing a fawn in the woods. It happens, but most of the time you forget it's even there. 

While come season three, Rapunzel will just shoot the poor deer dead. 

Madame Canardist is a Wasted Character

I’ve already discussed at length the biggest problems with Madame Carnardist in my Vigor the Visionary and Curses reviews. So I won’t rehash those talking points here again. However what I spoke about were larger problems with the media industry and bigotry as a whole and not the specific impact the character has on the story. Which is next to none. 

The crew went through all of this trouble to make a deleted character from the film relevant to the series’s plot, and even there they failed. Madame Canardist is nothing more than a translator for Vigor when Demantius isn’t around. The story doesn’t utilize her properly despite her connections to one of the more plot important characters. 

What is her relationship to Demantius and Zhan Tiri? How did Vigor come into her care? Why is she the only person who understands him when Demantius isn’t in control? If Vigor is centuries old by this point than how old is she? What is her stake in all this and why does she bother with Rapunzel at all if she has nothing to gain from it? Why doesn’t she go along on this important quest through the maze seeing as how she is Vigor’s caretaker? 

She’s not completely useless, but like with Lady Caine, Xavier, and Hector before her, she has far more potential than the series is willing to explore with her.  

So Much For Caring About What Eugene Wants 

Welp that lasted all of five seconds. 

Man, Rapunzel is a shit girlfriend.  

The Pay Off Works, But It Then Serves No Purpose Afterwards 

I don’t mind the idea of Demantius being the monkey. I mean it is one of the very few plot points in the show with proper foreshadowing and follow through. And yes, Demantius does accomplish one thing here, by helping Raps obtain the last scroll piece. 

The problem is, nothing changes with this revelation. 

No one’s perceptions or interactions with Demantius/Vigor are altered after this reveal. No one changes their plans, goals, or motivations afterwards. Things carry on more or less afterwards the same as if they had never met. The only thing of importance here is the scroll pecice and that’s only relevant in Cassandra's Revenge and is then forgotten about completely for the rest of the series. 

What’s the point of having a plot twist if the status quo still remains?    

If the information being revealed doesn’t alter the story then why keep it secret to begin with? 

How Could You Research Them If You Never Found Them?

So did Demantius write the incantations or not? 

He is the one who put them on the scroll, so it’s natural to conclude that he did create them, but he couldn’t have done that unless he had studied both the moonstone and sundrop to see the effects the two macguffins had to the spells. 

Now according to this exposition dump, the sundrop and moonstone had been around for ages before Demantius and had become legends by his time. It is possible that someone else studied the two macguffins before him and came up with those incantations, but who? 

The ancient people of the Dark Kingdom might have studied the moonstone since they were tasked with guarding it, but no one knew where the sundrop was until Gothel found it. 

The audience needs to know this sort of information in order to understand the motivations driving the conflicts of the characters. 

Imagine a Lord of the Rings trilogy that never bothered to say where the one ring of power came from or how it came into Gollum’s possession. You’d be left wondering why everyone was fighting over what amounts to an invisibility spell that once belonged to a small deformed hobbit who used to catch fish.   

This Explanation Goes Nowhere 

Why did the disciples betray Demantius? What did they gain from siding with Zhan Tiri? Why was Gothel with them? Did she betray everyone once she found the sundrop? What was Demantius and Zhan Tiri fighting over to begin with? 

Don’t expect any of those questions to be answered. The series inexplicably makes a big deal over Gothel being connected to Zhan Tiri, but then never actually explains what that connection is, what they’re relationship dynamic was, nor how it connects back to Rapunzel’s and Cassandra’s current conflict. 

That’s the real failing of the show’s lore and backstories. They don’t connect back to the current conflict. It’s just there. 

In a well constructed show, Demantius would have been a parallel to Rapunzel who was also ‘betrayed’ by people she trusted. It would have been revealed that it was Demantius’ own actions that drove away his followers and caused them to side with Zhan Tiri. Thereby serving as a warning to Rapunzel herself and forcing her to realize in the end that in order to save everyone she’s have to apologize to those she hurt. We also would have gotten three betrayals instead of two since that’s more thematically impactful. 

But this isn’t a well constructed show and the characters in it don’t ever evolve.   

This Contradicts What We Find Out In Season 3

We find out in the last season that Zhan Tiri was originally from this world and that the only reason she was ‘bent on destruction’ was because of Demantius ticked her off somehow.  She also had no magical powers of her own until after Demantius had banished her to that other realm where she was imprisoned. 

Also Demantius didn’t use any powers. He just chucked her into a portal he had built without any warning or trail, with zero idea if it would kill her or not, all because she just stood there yelling at him. Like there wasn’t even any physical fighting, so it wasn’t a case of in defense either. 

Demantius should have been revealed to be the real antagonist all along but that would require the showrunners to be actually clever for once and not misogynistic towards their female characters. 

This Makes Zero Sense

First off, when was Zhan Tiri ever looking for Demantius? She’s been too busy trying to escape from her prison and it’s been centuries. She has no reason to suspect that he’s still alive nor does she care. Zhan Tiri’s plans are not dependant upon whether or not Demantius still exists. 

Secondly, how is the host body still alive after centuries? Why go with monkey when I’m sure there are actual human beings out there who would agree to living forever. Does the transfer actually destroy the mind? Cause if not you could have had an actual coherent host that could have helped out when Demantius was dormant.   

And don't give me any guff about ‘ethics’ because this is the man who played judge, jury, and executioner to his supposed friend/possible lover and probably killed one of his disciples as Sugarbee’s spirit was trapped in his device.  

Not the Best of Plans My Dude

So Demantius is basically committing suicide here for no real reason. 

Unless he was just already dying anyways when he made the transfer, then Demantius is drastically shortening his conscious life span. The monkey will live on, but he won’t. 

So why? He had no way of knowing that the sundrop would become a person in the future, it’s completely coincidental that he met Rapunzel just at the right place and time to help her, and as stated above, Zhan Tiri was no longer a threat to him or the world since he imprisoned her and defeated his disciples. 

Like what was his thought process here? “I just really, really want to be a monkey?” 

Eugene Isn't Wrong 

Look, I am a deeply religious person and I have faith in many things, but even I know that critical thought is necessary for basic survival and that scepticism is just plain common sense. Believing in something doesn’t mean shutting your brain off and never thinking for yourself. 

Demantius has yet to give any reason for why Eugene and Rapunzel should trust him. Him saying ‘have faith’ repeatedly does nothing to instill confidence and in fact does the opposite. If you want to people to believe in you, especially in a dangerous situation that you dragged them into, then you need to earn that trust. 

There’s a world of difference in assuming the best in people and being a fool, and Rapunzel is not the better person just because she blindly goes along with anything because she stubbornly wants to do whatever she wants and assumes she’s always right. 

Eugene is Still Right

Is ‘Faith’ the new ‘Destiny’ now? Are we just assigning different meanings to random words in order to push the story’s narrative along? 

This entire maze only involves solving puzzles, answering riddles, and a bit of running and climbing here and there. ‘Faith’ has absolutely nothing to do with it. 

This theme doesn’t even work when you take into account the reveal that it’s Eugene who needs to have faith in Rapunzel. Because Rapunzel isn’t the only one doing these things and getting them through here. 

In fact Demantius being here, and being the one who built the maze in the first place, kind of negates Rapunzel’s importance in this area. Secondly, Eugene is doing half the work anyways so it should be a message about having faith in each other. But they already have that so...yeah what’s the point of Demantius constantly bringing it up? 

Why Are You Caring About Money While Stuck In a Death Trap?

You’re rich now, Eugene. You’re the future prince consort and live in a palace. As soon as you get back to Corona or a place that recognizes Corona as a kingdom you’ll have plenty of money to spare. But you can’t do that if you’re dead inside a maze. 

Moreover, Rapunzel still has money on her. She just threw two coins in to the well; one for her and one for Demantius. You two live together! You’ve been traveling inside a caravan together for over a year now and neither of you work. Ergo, you should logically be sharing your finances at this point in time. Especially since that is what you’ll be doing anyways once you’re married for real, as you’ll both be heads of state.   

That’s Now How Faith Works

Faith is evidence for things unseen, or to put it more accurately the evidence for things that are unprovable. God, death, the future, creation, souls, the meaning of life, ect, are all concepts that can’t be proven nor disproven. No one upon this earth will ever know for certain what happens after death, how the universe was made, or if there is any intelligent life out there beyond ourselves.

People don’t like the unknowable.

Believe systems of all kinds, whether they be religious or not, exist to bring us comfort when face with the dread of such existential questions. Even if that belief system is agnosticism itself.

Gravity, weight, and basic physics however are all provable concepts that have been around since Ancient Greece, if not longer. Man has always known that if you drop something it falls, even if they didn’t have the math to back it. It’s just a fact of life.

‘Faith’ isn’t going to stop Eugene from falling. It’s not going to make the bridge more sturdy. It’s not going to magically make him as light as a feather. It won’t turn the acid below him into water. “Faith’ can’t literally give you wings and make you fly; that’s just a metaphor.

What Demantius is promoting here isn’t faith. What he’s asking Eugene to do is to blindly follow his orders without question.

This is especially jarring when you consider that Demantius is supposed to be a famous scientist. He should know very well the importance of critical thought and that having faith doesn’t mean shutting your brain off.

The Scroll is Such a Let Down

We’ve spent a season and a half finding the pieces for this thing and it won't actually be relevant until the halfway through season three. Mostly because the one person who can translate it isn’t here.

On top of that, it’s no longer important outside of  one episode. It’s an example of  the payoff not living up to its hype.

So This Is a Lie

The scroll only contains four incantations on it, and one is on the back in invisible ink and not the fourth pecice itself. None of those incantations involve combining the moontsone and sundrop together. In fact, after using two of those incantations only once they’re never seen being used again for the rest of the series. Furthermore, once the moonstone and sundrop are combined they only allow the user to perform the healing and hurt incantations, which Rapunzel can do anyways without the moonstone. 

Demantius wrote the dang scroll himself! He should very much know what is on it and what it does. This is yet another case of the writers not planning things ahead. 

Being Good at Riddles Doesn’t Make You ‘Pure of Heart’ 

Being ‘pure of heart’ means that you are kind. One does not need ‘faith’ to be kind. Being kind is doing the right thing and helping others even if it doesn’t benefit you at all.

Not only does running through a maze not have anything to do with faith, it also has nothing to do with kindness.

The only thing it proves is that Rapunzel enjoys running through a maze, and will do so in addition to dragging others along with her regardless if those people want to do it or not.

That’s not being kind.

If anything Rapunzel has only proven thus far in the series that she is a very selfish person who shouldn’t be trusted with such grave responsibility.

But as already pointed out, Demantius doesn’t care about actual faith, kindness, or purity. He just wants blind obedience. He’s mistaken Rapunzel’s exuberant and stubborn nature for nativity; not realizing that her complancany is only because they both desire the same goal.

Had he asked Rapunzel to do something that she didn’t already want to do, she wouldn’t have been so ‘pure’ to his mind.

That Is a Very Valid Question 

Eugene has a point. There’s no reason to go on this quest. In fact knowing about season three in hindsight, turning around now and not going to the Dark Kingdom would be the better option for everyone.

Cass couldn’t steal the moonstone. Zhan Tiri would never be freed. Corona will never be destroyed and the brotherhood never mind trapped. As for the black rocks they will just sit there impotently not doing anything.

Even freeing Quirin, not that Rapunzel cares, only requires the hurt incantation, which she already has.

The only problem is that Cassandra has ZT trapped in her mind but without the moonstone that has no consequences outside of Cass hearing a annoying voice in her head that she is perfectly capable of ignoring. And even that wouldn’t have happen if they had turned around after the Great Tree.

SHOW DON'T TELL

Nothing in the show back up what Demantius is saying here. We haven’t seen the rocks being active since season one. Even when Rapunzel was lollygagging around or going off the path. 

When they do become active again in the next episode it’s to help her, and after that in season three it’s all Cassandra’s doing. 

Also in season three Rapunzel is able to rebuild Old Corona around the rocks with little problem even though she didn’t reunite with the moonstone. 

In a Competent Show This Would Be Foreshadowing. This Is Not a Competent Show. 

I genuinely thought this was hinting at Moon Eugene, when I first saw this. Now couple that with the talk of ‘three betrayals’ earlier and I thought Eugene would be the final ‘betrayal’ and that a true love's kiss, after Rapunzel had apologized to him, is what would reunite the two powers and save the day.

I’m not going to fault the show for not living up to my expectations and predictions, but I will fault the series for failing to utilize Eugene properly and not working him into the main conflict. He’s the duel protagonist of the franchise. He should have just as much weight in the narrative the same as Rapunzel has.  

Oh How I Hate Where This Arc Goes

What the show does wind up doing to Eugene however, is incredibly stupid and frustrating. 

Remember how I said that ‘faith’ in this show is just blind obedience? 

Yeaaaahhh.... 

That’s what Eugene takes from all of this. Not that he should support and believe in his partner, something that he already was doing by the way, but that he needs to be a doormat to her and her whims. 

Like with Rapunzel yelling at Hook Hand in Brother’s Hook, this is the point where Eugene’s character starts to break. You just wouldn’t know it until after watching season three. 

This Is Such a Lazy Cop-Out

Like the audience has these questions too. Neither us nor Rapunzel will ever have these questions answered. You just backed out of committing to any real answers because you didn’t have your story planned out like you should have.

Why Does Everyone Act Like There’s a Prophecy When There Isn’t Any Actual Prophecy? 

Once again, Demantius had no way of knowing that the sundrop would become a person. No one did. There’s no prophecy and there’s zero explanation for his psychic abilities, which are inconsistent at best.  In fact I don't think he does have such powers, otherwise he’d be more helpful inside the maze. I think those are reserved for Vigor only and we don’t know where he got them or if he even is a ‘real’ psychic. 

Tangled the Series wants to act like it’s running on a predestination plot. That events must occur and will occur regardless of what actions you take to prevent it. Now ignoring how that causes problems with the characters’ agency for a moment; you can not have any predestination if there’s no actual destiny. 

Chosen one plots often have prophecies for a reason. Predestination is there to evoke either tragedy that can’t be prevented or present consequences for  if/when the main hero doesn’t follow along. Either way it’s there to establish conflict. 

Everyone in TTS acts like there is a conflict when said conflict hasn’t actually been established! 

This is writing 101. You need conflict. You need to establish shit. You can’t just pretend that a conflict exists where it doesn’t. ‘Fake till you make it’ doesn’t work in long term storytelling and television animation. It has to be pre-planned.  

Also The Timeline Doesn’t Match

Demantius said that it was a millenia when the sundrop and moonstone fell.He also just said he’s been waiting for a millenia to ‘meet the sundrop’. Yet Demantius acted like the sundrop and the moonstone were already legends by the time he started to search for them. That means they had to be around longer than he has. It also brings us back to the first question of who wrote the incantations if he and Zhan Tiri never found them? 

Believing In Someone Does Not Mean Shoving All the Work Onto Their Shoulders

You’re supposed to be in this together. Couples should work as a team. Both of your lives depend upon getting out of here so you should both be coming up with ideas and working together.

Not only does this miss the entire point of what ‘believing in your spouse’ actually means, it’s also incredibly unfair to both of these characters. It’s unfair to Rapunzel for put so much pressure and unrealistic expectations onto her and to have her be the person to carry both of them through when Eugene is perfectly capable of physically doing things. It’s also unfair to shove Eugene to the side and make him a useless character all of a sudden.

Rapunzel Does Nothing To Earn Such Blind Devotion 

Rapunzel’s magical hair has nothing to do with Rapunzel as a person. It’s an entity separate from her being. Literally. The hair can move of its own accord as shown here and it’s possible to physically separate Rapunzel from her powers as seen in the finale.  

Believing in Rapunzel should be about believing in who she is as a human being, about her individual character. It should not be because she has magic glowing hair.  

Not only is this a betrayal of Rapunzel and Eugene’s relationship and why they came to love one another in the first place, but it’s also a betrayal of Rapunzel’s growth as a character. It’s not only Eugene who blindly kisses her ass after this point, it’s everyone, even though she gives them little reason too. 

This the Last We’ll See of Vigor and Madame Canardist

Three episodes spent establishing these characters and now they’re just gone for no reason. They’re never seen of nor mentioned again beyond a single meta joke. Despite the main conflict revolving around Demantius and them both having the closest connection to that character.  

This Is Bad Foreshadowing, But At Least It’s Actual Foreshadowing  

Up till now any ‘foreshadowing’ we got for Cass’s villain arc has been confined to poorly thought out background images; the painting of the moon, the broken mirror in Gothel’s tower, and I won’t even dignify Chris’s bullshit about her handmaiden dress being blue. 

Not to mention all of that was only in season one. Outside of her conversation with Eugene about their parents, way back in Cassandra vs. Eugene, we haven’t had any real foreshadowing until we hit the Great Tree. 

Since the Great Tree we’ve only had a couple of bitch fights with Raps, which I personally don't consider real foreshadowing since no ill will was attached to those, and her glaring angrily at Rapunzel after escaping the shell house. 

In light of that, this scene is at least genuine foreshadowing, it’s just poorly done foreshadowing. 

While the other attempts at foreshadowing were too subtle, this one is too obvious. It gives the game away too early because there’s no other viable options within Rapunzel’s group. Adira comes closest and she’s not actually here and not really considered a friend by Rapunzel herself.  

So what winds up happening is that Cass’s arc feels rushed despite being planned since the beginning.  

Conclusion 

I spent three days fighting tumblr to get this review posted! Appreciate it! 

As for the episode itself, it’s fun to watch in isolation, but it’s such a let down knowing what’s to come from it all. 

[thechildofstark]

Fuck John Walker (and also some other stuff): A Response To Episode Four

WARNING: some bad language, death mentions, violence mentions, blood mentions, racism, spoilers for for ep 4 of tfatws 

DISCLAMER: I have some Opinions about various characters. These do not extend to the actors, who I’m sure are lovely and should be treated with the dignity, privacy and respect that they deserve. 

“Fuck John Walker” was originally meant to be the subtitle. I decided on it when he screwed up the op for Sam. It got ungraded during the final scene, because nothing else could possibly compare as a necessary title to this post. 

Essentially, some (out of order) thoughts on episode 4:

~*Sam and Bucky, working together*~ (pretend this is a musical jingle)

The contrasting ways that they interacted with the displaced

While the incredibly valid argument can be made that Sam is the least privileged of the group (I’ve made it) it is obvious that he has had the most structured civilian life: approaching the people he comes across openly. Yes, he is polite and calm, but the closest thing to this he has personally come across in the past (that we know of) would be the war vets he worked with and the critical difference is that they wanted to be there. From what I remember of Sam’s groups they didn’t seem to be a sort of mandatory requirement: you came because you chose to. Or at least, you came prepared for the situation. Here, Sam is an outsider and an unwelcome threat. These people are not going to open up to him. 

Bucky is quieter, but still quite straight forward in the way he presents himself. I think he may show a little more care for the environment he is in than Sam but that isn’t saying much. Yes, he has experienced much worse things than Sam but we still see his unfamiliarity with this sort of situation paired with some less than stellar social skills really not working in his favor. 

Look, I love both these 2 to death. But this is not what they know. 

Zemo on the other hand quite likely lived in a place similar to this after his family was murdered. He shows an understanding of how this sort of situation would work, going to children who:

a) wont necessarily peg him as an outsider

b) are bribable

also I think he was genuinely super glad to give those kids that candy and money. He would have been such a good dad. now I have Zemo feels. somebody help me.

The inclusion of the Dora Milaje was incredibly awesome, and not just because I simp for powerful women. Narratively, this was the perfect place for them to join the party and assert their right to apprehend Zemo. 

Bucky speaking Xhosa (i think it was?) is very cool

 I would like to take this moment to formally state that Caption John Walker is a motherfucking asshole. 

It was also really nice to see Sam’s therapist skills, that worked against him earlier really help him here. 

I liked seeing that more human side of Karli, and having her interact with the “enemy” and have serious conversation about what everyone is doing.

Until Captain Insecurity has to destroy the op because he doesn’t trust the people he chose to work with, no one has comms or anything I guess?

Also Walker deferring to Bucky for team decisions over Sam, talking over Sam and acting like he knows better than Sam?

I smell racism in this Chili’s tonight

It was also really interesting to get a more in-depth look at how Zemo views supersoldiers. Nearly all the ones that he has either heard of or interacted with (destroyed) had either volunteered for the serum or were so brainwashed that it didn’t make a difference. These people are a dangerous enemy to be eliminated, alongside people like Dr. Nagel. His entire worldview is focused on their destruction that the idea that one of them could be a normal person is impossible to him. The only exceptions acknowledged are Steve (paragon of saintly virtue) and Bucky. 

And the fact that after his family died and his country devastated he would most likely have fixated on both the Avengers and the “concept” of a superhuman being as something to blame for his loss. His refusal to concede his position to Sam isn’t just arrogance, although that seems to be a part of it, but the fact that he has spent so much time and energy in destroying both the Winter Soldier program and most likely other similar operations, along with the Avengers that this hatred and belief in the danger has most likely become one of his core beliefs. To change this would be to question his vendetta against the Avengers, to question his actions against the Winter Soldier program which he knows was a horrible thing, and to question why he has spent the past seven years in maximum security prison. This isn’t something he is ready to do yet.  

The fact that Bucky is a noted exception is something that stands out to me. Zemo knows that Bucky is a good person, regardless of the serum. 

Bucky is also the only main character (that I can think of) that was injected with the serum against his will. The fact that he didn’t seek it out could quite likely be part of the reason that Zemo doesn’t look down on him for it - it is framed that the sort of person that seeks out that sort of strength/power would be a “supremacist”, someone who would use their abilities to harm and subjugate others.

And while we are at the apartment may I say how funny it is to see Zemo just. Literally being Sam and Bucky’s sugar daddy. He transports them and houses them and makes them fancy tea. It’s possible he’s providing them with clothes. Either way, love it. Cannot wait for the boys to work it out.

Sam and Lemar’s responses to being offered the serum are an interesting juxtaposition to how they view the concept of supersoldiers. They have both experienced hardship and survived war but Sam is the one that has gone up against Gods and monsters and he wants none of that, thank you. 

And Lemar is so comfortable with saying yes because it isn’t actually being offered to him. Walker expresses some hesitation in their discussion because for him, it isn’t hypothetical. This is something real that can and will effect him for the rest of his life and he wants to make the “right decision”.

The return of Erskine’s belief that the serum not only effect the physical but the mental, emotional and (possibly?) spiritual. This isn’t something that’s really been touched on outside of The First Avenger and I liked that it turned up here. But the fact that it was the reason Walker felt comfortable taking the serum? Eww

The Dora Milaje kicking names and taking ass is super awesome. They are so incredibly skilled and have such amazing teamwork and are also super beautiful I love them 

Sam and Bucky just. Watching. Enjoying the show. Absolute kings. 

Zemo being the sneaky little sneak that he is :)

One one hand, Bucky losing his arm in the fight was very awesome. One the other hand, he has a long history of complicated bodily autonomy in relation to that arm so........  Neutral opinion it is then 

Karli, honey, I really want to like you but can you please keep the mans family out of it. Okay?

And another thing that this show made me think about: kids left to fend for themselves after the Blip (uuuurrrggh it hate calling it that. stupid canonical name). I think it’s good that at least some people took it on themselves to take these children in, to give them good lives and families.

The way that Sam has incorporated his wings into his combat style is very cool

Okie dokie can’t avoid it forever lets get this over with. 

LEMAR MY BEAUTIFUL SON NOOOO

those fuckers (the writers i mean)

Side note: did they really have to make the first main character death of the series a Black “sidekick” character? No. No they did not. 

Side side note: I understand that this is a perfectly valid way (ew) to “advance the plot” but I can and will be annoyed about it

And now we really get into the shit. But...........................

As much as I absolutely unequivocally hate John Walker I actually like the thematic parallels of how they did this. All throughout The First Avenger Steve is adamant on how he doesn’t want to hurt anyone, he just wants to stand up to the bullies. It’s only after Bucky dies that he says he wants to kill all the Nazis and really get into the horror of it all. The fact that John, who has absolutely been on the edge for the entire episode if not longer, only loses it after Lemar dies?

Because Lemar is arguably meant to be that stand-in for Bucky in the eyes of the public, and they are obviously close friends..........

Just - 

I feel I may have accidentally been slightly nicer than I planned to Walker in this post. I’m not sure how I feel about that. 

But C****** J*** W****** is NOT Captain America. Up until now I’ve been calling him “Fake Cap” in my head and to my family, but he doesn’t even deserve that honor. 

And the blood on the Shield. Dear god that was horrible. 

And the fact that, as it was pointed out in this very episode, this man fully represents everything that is Captain America, to the world. He isn’t only tarnishing his own legacy, he is also destroying Steve’s. And to some extent, Bucky’s. The whole reason that Bucky Barnes is considered a “Superhero” is because, at least in America he is known as “Cap’s Best Friend”. He was marketed that way for over half a century, and after the whole “Winter Solder” thing, goodwill or no, brainwashing or no, this could end very ugly for him. Not to mention that Steve Rogers is most likely to be forgotten to history in favor of this freak. 

And on that note, where the fuck is Steve? This is set only 6 months after Endgame, if he had died we would know. So what the hell is he doing? Because I know he got perpetual brainrot going back in time to be str8 and boring but dear god if the show tries to tell me that he’s just chilling in some senior’s center in Alaska I will actually call bullshit. Steve Rogers would never. Okay this is a whole separate post on my thought on Steve. Watch this space I guess. 

And while we’re all here, Bucky Barnes needs a goddamn boyfriend. I’ve done some thinking, and here is a compiled shortlist: 

Sam

Zemo

De-aged Steve (he would be higher but I’m still mad at him for the whole “vanishing without a word to relive Jim Crow and the Lavender Scare. :/ )

IN THAT ORDER. 

That’s all folks. 

Feel free to send me asks if you want clarification or extra details on anything. 

And finally - 

the thing we all came to see:

FUCK

JOHN 

WALKER

fin

[lilydalexf]

Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Jintian

Jintian has 21 X-Files stories at AO3 all posted during the original run of the show and all fics you should read if you like beautiful words and lovely character insights (and you do!). I've recced some of my favorites here before, including Argus, Diving, God's Breath, and Seven Days. Big thanks to Jintian for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

Many authors from the original run still loom large in my mind, so I'm glad to hear it. The show had great production values and cinematography and iconic characters, and I think that level of quality was reflected in fanworks. Good writing is good writing no matter how old. For myself, I'm happy if anything I made still resonates with people. What do you think of when you think about your X-Files fandom experience? What did you take away from it?

Just doing the math, I first discovered XF over half my lifetime ago. I was a sheltered introverted young'un. Online fandom introduced me to a diversity of people and perspectives I couldn't have found in my "real" life at the time. I'm especially grateful for the wisdom of women who, over the years, advised or supported me or simply led by example – not only with writing, but with everything from relationships to job interviews to finances. And I love that in so many places I've lived or traveled, I've been able to meet someone local who already feels like a friend.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)? The Scullyfic mailing list, ATXC, and archives were my main venues. Scullyfic was such a well-run group, with structured discussion topics, post-episode commentary, and writing challenges.

Also, an image comes to mind: for some reason my dad put our computer in the garage, where we had a fan but no air conditioning, and we lived in the US southeast which feels like the armpit of hell in the summertime. I'd sit in that sweltering muggy heat for hours getting my fandom fix. And the only way to connect to the internet was via landline, which I couldn't tie up during the day, so that meant a lot of late nights as well. My fandom equivalent of trudging miles uphill in the snow?

What did you take away from your experience with X-Files fic or with the fandom in general? With regard to fanfic, I learned how to receive and give constructive criticism, before and after posting. Even if it was "just" fanfic, most everyone wanted to improve their writing. I think that was a good mindset for me to cultivate, personally and professionally.

With regard to fandom, I learned how to be an active and analytical consumer, and that there can be many (many!) interpretations of a text. What was it that got you hooked on the X-Files as a show? The fanfic, actually. Somehow in my internet wanderings, I stumbled across Gossamer. Dawson Rambo's casefiles were also early finds. Curiosity about the characters drove me to check out the show.

What got you involved with X-Files fanfic?

As far as writing my own, I had an image in my head which I jotted down, and over several months I kept adding to it – mostly navel-gazing, not much plot. The resulting story was a hodgepodge of different POVs and different tenses. *facepalm* But I received some lovely feedback, and I felt very welcomed. For me the XF community, with everyone's creativity and dedication, was just as inspiring and motivating for fanfic as the show.

What is your relationship like now to X-Files fandom?

I think of it like school. I learned a lot, I graduated, and now it's primarily occupied by a new generation. Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

If XF was like university, then afterward was like graduate school. Sophiahelix and I started a multi-fandom mailing list called Glass Onion and met lots of folks. Livejournal/Dreamwidth became big public platforms which enabled tons of cross-fandom links, recs, and discussions – and sometimes clashes. Although it wasn't as intensely formative for me as XF, I realized that fandom in general has had an undeniable impact on my life. [Lilydale note: That’s a link to a wonderful little essay Jintian wrote about fandom.]

Who are some of your favorite fictional characters? Why? I love the sneak attackers, the ones who seem unassuming or perhaps disadvantaged, but they're actually out here killing the game. Dana Scully was a small-statured person who had to move the driver's seat to reach the pedals – like me – but she was an FBI agent, medical doctor, and forensic pathologist – unlike me, but goals. Other similar faves are Toph Beifong (Avatar: The Last Airbender), Mat Cauthon (Wheel of Time), and Jang Geurae (Misaeng). Do you ever still watch The X-Files or think about Mulder and Scully? Several years ago I had the notion to introduce my husband to the show, and it was totally enjoyable and could stand up with shows airing today. (Husband queried: "What is the deal with Mulder? He should have been fired 19 times already." We were in Season 2.)

Do you ever still read X-Files fic? Fic in another fandom?

No XF lately, but I'll check AO3 whenever I encounter a shiny new ship. Reading fic is my only fannish activity these days, so I stay happy and conflict-free.

Do you have any favorite X-Files fanfic stories or authors? It's been ages, but today I'm thinking of torch, Jane St Clair, Jordan, RivkaT, MustangSally, Khyber, nevdull, Justin Glasser, Vehemently, Nascent... On any other day it could be a whole different list. The fandom was so rich and deep in writers. What is your favorite of your own fics, X-Files and/or otherwise?

My XF stuff was kind of all over the place. I experimented a lot, with mixed results. I guess I'm glad about some of the subject matter I tackled, like Scully's trauma and post-abduction state of mind (and body) in Loss of Yesterday, and the thematically similar Longer Gone, which explored Samantha.

What's the story behind your pen name? Jintian means "today" in Mandarin Chinese. I was feeling existential. 🤷‍♀️

Do your friends and family know about your fic and, if so, what have been their reactions? I've only ever told an ex and my husband. They were allowed to read one story – which I chose. They thought it was cool, I guess. I can't remember clearly because I had my fingers stuck in my ears going "lalalala!"

However, I can always count on my husband to say something savagely funny about fandom mess, so I just try to curate his exposure. For instance, he could recap the Msscribe saga but couldn't tell you any of my usernames. He's also met a number of my fannish friends so he knows how we get, hah.

Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

AO3 Is there anything else you'd like to share with fans of X-Files fic?

As I'm writing this, the world is grappling with COVID-19. I'm wishing everyone safety and health, both physical and mental. If fandom provides a positive escape, embrace and enjoy it!

(Posted by Lilydale on October 6, 2020)

[popculturebuffet]

Amphibia Reviewcaps:  Scavenger Hunt/ The Plantars Check In

KEITH DAVID IS HERE! KEITH DAVID IS HERE AND NOT IN SHADOWY STINGER BITS BUT FULL CHARACTER! And okay other stuff happened I guess. Anne deals with her insecurity over her girlfriend being way more smart and acomplished than her, then the Plantars meet King Keith David, followed by Sprig reinacting the plot of Home Alone 2 mixed with a bit of Blank Check. You know that forgetable disney movie about the white dumbass who uses his computer skillz to get rich and has to deal with the mob.. I assume. I really have no idea exactly what blank check was about and neither do you. KEITH DAVID, under the cut. 

Scavenger Hunt

And with Marcy’s big intro out of the way we’re back to simplier problem of the week episodes, though this one does lead into the next which does have some solid plot progression, and the new setting and fresh injection of Marcy mean they do feel a bit newer after the road episodes. Like a good road trip after all that time you finally get to see the sights, enjoy the place and just relax. And also eat because your usally hungry when you first arrive, which is what the plantars and new addition Marcy are doing to start.  Marcy’s treating, because she’s friends iwth the king and as we learn next episode the king gives his friends acess to the royal treasury because he’s a seemingly nice dude. Again, more on that in a minute. While Hop Pop marvels at Marcy’s smarts and analytics, a messag efrom the king arrives.. and yes I too have “A MESSAGE FROM THE KING A MESSAGE FROM THE KING’ from hamilton in my head right now. 

Turns out the King likes to send Puzzle grams, basically sending marcy on scavenger hunts to tell her something because their both massive dorks. And it is taking ALL my willpower not to jump right ot the keith david of things, but for the sake of profesionalism I will stay here. So our party splits up: Marcy, Anne and Sprig go off to solve the puzzle and see the town while Hop Pop ends up staying because you can get free shit the more you eat, which yeah is a nice thing and all but is usually not worth what you spend. But it’s not his dime so fair enough. The king’s toilet’s are probably gold with gems and the softest seats in the land. I mean if I were king of the world I”d want the best toilet in the world. I’d also install free health care and other good stuff, but I’d expect a really nice crapper as one of the perks of the job. 

Anyway the hop pop plot really is just him eating a lot to get free stuff and showing up at the end , so i’ll focus ont he main plot which is pretty standard: Anne is insecure about how smart Marcy is, and TRIES to out marcy her in solving the puzzle, while befrending various people: Resucing a girl’s cat/caterpillar from a tree, befreinding an old lady and doing her nails, and then bonding with the gnatcho cart lady.. which made me want nachos bad, who enocourage a dispondent anne to be herself and try anyway. But yeah Marcy suceeds instead, Anne gets depressed, then Anne tries TOO Hard on the last clue when Marcy is stuck and ends up in the sewer with the alligators.. which unlike real life sewer gators, were put there on purpose by marcy to eat garbage when she redid the sewer system.. because of course she did she’s the best. It’s a really nice gag. They escape the gator when the various people Anne helped form a chain, along with an exasperated hop pop and Polly.  Then sprig blabs about Anne’s insecurity, and Marcy comforts her, pointing out that while she’s a genius and what not.. she dosen’t.. get people. Anne does, which.. I found a nice twist. The first thing she did,g etting the cat, made me think “oh their going to go with her physical skills”.. but instead in a nice twist that made me like this episode more, it’s her heart. And it’s not something they pulled out of thin air: While it hasn’t really come into play a lot this season, last season was all about Anne slowly connecting with the town and being suprisingly good with people.. she can be blunt, dosen’t think things through.. but she does have empathy, problem solving and a desire to genuinely help people who need it. It’s a hard trait to learn and it’s one she does with natural ease. It’s a nice bit of showing her character and what she’s good at. Also the message turns out to be “bring the plantars” which.. yeah the second the first clue was bring, even without next episodes description, I could’ve guessed. And they close the episode as all episodes should close.. feeding nachos to a  sewer gator. 

Final Thoughts I:  As you could tell by how easily I sped through it, the episode was...eh. It’s not bad, but no episode of the series has been truly terrible. It honestly, and this kind of complaint is overused, feels like filler. And granted I rarely watch anime, I know cartoons work different.. but this episode feels like it’s just there to provide more Marcy before we focus primarily on the Plantars again, and before the plot turns them against her.  Which isn’t a bad thing mind and she’s great as she was last week.  The problem is Anne. Her feeling down about herself, while a normal human emotion.. just dosen’t jibe with her normal brand of overconfidence. It’s not entirely out of the blue for her not ot feel as smart as marcy, it’s just set up poorly. We could’ve easily used a flashback or something to the human world to help make it feel like a more longstanding issue, than one that just crops up because Polly said a thing after a full episode of her being totally fine with Marcy being way smarter than her. Even the intro has her entirely fine with it. It would’ve flowed better if she played off she was fine, but secretly was trying to one up her and did feel dumber versus that being spelled out so early, as it woudl’ve fit more with the character. So yeah this one’s more just forgetable, a stop gap between two plot important episodes. And I don’t mind catching our breath after the last episode given it was a huge one what with introducing a new major character and a new setting and having a lot of action set pieces, I just know the show can do that BETTER, as seen with HandY Anne following up , if a year after, from the emotionally draining season 1 finale, they just.. didn’t this time and it just flopped a bit, but still had enough nice moments and good bits to make it still enjoyable. 

That’s something I do have to give the show credit on as I have been hard on it, as i’ve said reviwing more forgetable episodes is hard: Most shows don’t make it out of season 1 without at least one terrible episode. OK KO had “Let’s Not Be Skeletons”, Ducktales had “The Beagle Birthday Massacre” (And i’m a huge fan of Lena as a character, just to be clear, her debut episode was terrible for other reasons) , Steven Universe had Arcade Mania,  Adventure Time had “Freak City” and Legend of Korra had “The Spirit of Compettiton”.. and really the whole love triangle plot but that’s a story for another day.. all of these are really..e xcept arcade mania that one’s just dull and pointless. But i’m not: My point is it’s still a really good sign the show hasn’t really flopped over in the span of two seasons, with even the annoying quarallers pass still having some really good stuff to it. I may be critical, because as a critic that’s my job no one pays me for, but I do love this show and want to make it clear it’s still excellent. I’d rather watch this episode again than any episode of “Hoops”.. seriously I have no interest in that show and I question why Jake Johnston thought signing on for it was a good idea. Then again, Keith David was in this

And this

And BOTH of these

So I can’t blame Jake for wanting an easy paycheck when Screen Legend Keith David has done far worse for one. Speaking of Keith David....

The Plantars Check In 

IT’S TIME. 

We’ve had a sample of keith david with the omnoius end from last week but now we get the full package. And i’ve made no secret how much I absolutley love Keith David or how excited I was to see him joint he cast. The main is a voice acting and regular acting legend. Sure he usually does bit parts, but he does the hell out of them. 

The man also has a longer history in disney than I ever realized. While I knew he played Goliath and Dr. Facilier, I had no idea just how much minor voice work he’s done for disney over the decades, doing a LOT of minor roles during the 90′s and even vocing Mufasa in “House of Mouse”, subbing for James Earl Jones which.. yeah if anyone’s the next Jamers Earl Jones, it’s Keith. He’s the king of making a meal out of side rolls and on the ocasions he gets a big one he makes a damn buffet of it, as seen with Gargoyles and Community. 

So yeah, I love the guy and was excited for his first full apperance and pleasantly suprised.  We open at what looks like a comibation of the temple of time and Hyrule Castle for Legend of Zelda: Ocarina of Time and I swear that’s what their going for with the background music here.  Anyways after Lady Oliva tries to keep things formal, and reveals King Andrias has been king for over a thousand years, which makes things even more interesting, he .. happily hops off the throne, gives the Plantars a friendly greeting and then a bear hug. I was expecting him to be stern yet nice, for now, but this is a nice change of pace and i’ts shown by the way Olvia acts towards this behavior, wishing he’d be proper because “Most unorthodox” and all that monocle popping nonsense, that this is normal for him. So it’s not ENTIRELY an act for their benefit. He is apparently nice to his immediate subjects, vistors and especially Marcy. It’s also lovely to see Keith David play such a diffrent character from his usual villian, stoic badass or hilarious grandpa rolls, instead playing a cheerful and boisterous king. He honestly reminds me a lot fo River from star vs the forces of evil. Which by the way I also love Alan Tuduk and regret not bringing him up in either review river’s been in so far. 

Anyway, we then get some more plot stuff as he meets anne, and we get a nice bit of him doing the “thumb of approval” and marveling at anne’s awkawrd fistbump in response. But it’s down to buisness, he wants to send his loyal knight and new friend he just met home, but needs the box. While anne reveals she don’t got it, with Hop Pop acting nervous as he realizes “oh shit, maybe lying to my surrogate grandaughter about something this important when we’re ont he way to a place where people will naturally want ot see the thing, and STILL not telling her after meeting Marcy and knowing sh’ed want to know about it too has started to backfire!” And yeah while he has sympathetic motives, and clearly knows SOMETHING about the box, and I supsect King Keith David does too but give me a second, his not telling Anne what he did at any time is only going to make it harder to trust him later, especially if Marcy ends up betraying them. He also notices something I actually failed to notice , as did Anne: The colorful stones on the calamity box are drained of color. So the King’s going to have to reserach this for a bit, with Marcy helping obviously and since Anne’s usless at research, the king instead happily treats the plantars to a vacation on him while they sort thigns out: A stay at the nicest hotel in the city, on his dime, and acess to his royal credit card, which given he’s king of everything means he just gave them the unlimited funds code. 

Before we move on, my thoughts on the king: He’s hard to read. I do think he’s genuinely that nice a person.. but he CLEARLY has a dark side, having subjugated the toads and the frogs, which had to have happened under him as he’s first in his line and both remember the status quo as only such. Hop Pop dosen’t even question the way things are or one god king ruling over all for over a thousand years. The question is did he do so because he didn’t know better, because he thought he had to, or because 

I do n’t know what that’s from but expect me to be using it a LOT from now on. My point is it’s hard to tell what his game is here. He could be a cruel asshole masquerading as a fun loving king on the service to sugarcoat his shadier actions.. or he could be a well intentioned extermist, doing awful things for what he sees as the greater good and possibly having lost the plot, or his empathy over thousands of years. Or he genunley could have no idea what he’s planning is bad and see no harm in it due to a different set of morals, again due to being immortal. There’s a LOT of intresting directions they can go with this character and i’m curious to see just what sort of vilian, or possibly good guy all along though I doubt it, he will be and given both grime, more recently i’ll admit but still, and sasha have been complex villians instead of one dimensional assholes, the show will no doubt give us something spectacular. HOpefully i’m not tempting fate but if I am, screw it, i’m rolling those dice. This is going to be godo and I can’t wait.  It’ll also be intresting to see if he genuinely values marcy or is putting on the good king act and puzzles and all that to manipulate her. After all we’ve seen with Sasha that she’s easily manipulated, as far as we can tell, and sees this all as a game.. it’d be easy enough to lead her along by playing int othe genre and her desires to get her to play his game the way he needs her to. Though it’s also a question of if Marcy will see it or back the wrong side... though she MIGHT. while she isn’t great with people, she does know games and half the time a benevolent ally will turn out to be a dick in sheeps clothing. Though i’m hoping that isn’t the case for Marcy. But we’ll see..

Anyways with the first third or so of the episode down, the Plantars Check in, TITLE DROP, and Polly, Anne and Hop Pop all put on comfy robes and relax, while Sprig being sprig wants to go exploring though hop pop refuses to leave him wiht the card because of course he does. And honestly having done a few road trips myself.. yeah usually when you get back to the hotel first you want to just relax and crash, maybe go out for dinner or something with your friends, which they already did ahead of time, and recharge before doing allt he fun vacation stuff. Though I also relate to sprig as I too have been in hotels with arcades and pools from time to time as a kid and a teen and wanted to go do the fun stuff while everyone’s tired. Thankfully I also liked to read or play my various game consoles, from the game boy advance up to the switch on my most recent vacations,so I understand his restlessness.  The rest of the episode goes about how you’d expect, with Sprig taking the card once hteir asleep and adventuring around and getting into various hilarious one off gags via montage, before loosing the card and fighting over it with a Bellhop Named Belle, played byt he always wonderful and always talented Krstien Schal.. about two episodes late for the gravity falls homage but never too late to do some voice acting. Sprig gets the card thanks to futurama caffine bullet time, saves paige and then saves her from firing by talking like a rich kid asshole to save paiges job before collapsing and being woken by everyone else wanting to go do fun shit. 

Final Thoughts 2: This one was better. While again I sped through the recap section this time.. it was funny> While the plot was a simple: kid sneaks out and does something he’s not supposed to yet and gets into trouble and ironic ending and all that, it’s funny enough to be enjoyable, Kristin is game as always, and the gag of Sprig using the card to wave off the snooty man at the counter is great. While most of the meat of hte episode is with the king at the start, the rst of it is still an enjoyable come down episode after the plot heavy first third of this one and marcy at the gates and does the job way better thant he previous episode. While it doen’t have a lot of tie to character or what not, it dosen’t WASTE any either. I didn’t realize till this episode that while sprig certainly hasn’t been unterutlized, he really hasn’t had his own episode this season, sharing Quaraller’s Pass with poly and only having subplots in “A Caravan Named Desire” and “Marcy at the Gates”. Here he gets a plot to himself and while it does nothing for his overal character, it’s entertaining enough, with some great gags like the caffine bullet time, the aformentioned rich people gag and the hair bit being the best “Now to put on my hat!”. It just lets the character loose to have a fun side story. See I can dog on an episode for WASTING a good opprotunity, even if I understand the stress of production and what not.. but I won’t dog one for just having fun and letting a character have the limelight if it’s still entertaining which this was. The problem with say “Scavenger Hunt”, “The Ballad of Hopidiah Plantar”, “A Caravan Named Desire” and “The Ballad of Hopidiah Plantar” is that while their not BAD episodes, they had far more potential. This one knows it’s basically home alone 2 meets blank check, but actually entertaining, and justh as fun with it. Is it hte best episode ever? Probably not. But was it fun and a nice change of pace, as well as relatable to me and thus giving me a bit of the warm fuzzies, especially in this hellscape of our lord 2020? Absolutley.  That does it for this week. if you liked this review i’ve reveiwed the rest of the season so far , just check the Disney tab on my blog, along with many other shows, and i’ll be covering the show weekly for the rest of the season, along with Ducktales when it comes back next month, so follow if you want more of that and random reblogs and such. You can also shoot me an ask if you have any things you want my opinon on, any episodes you want to request or you can direct message me to outright comission an episode of any aimated show for me to review for 5 bucks a review. Either way, till we meet again, bwahahahahaha.