#i guess im trying to explain themes in character arcs

[sleeplesssmoll]

Reverse 1999 Analysis: Druvis's Restraint and Liberation

In the beginning, every one of Druvis's actions are done with a sense of palpable restraint. She is a woman who's lost too much and struggles to find purpose in life.

When Druvis is first introduced she's a gloomy and odd character hanging out in a tree of her burnt down woods. She's soft spoken and riddled with grief, yet there's still kindness in her. In her conversations with Forget Me Not, we see her back down easily despite her heart not being in the cause. When she's fighting Vertin and the others, she pleads with them to surrender. When they don't she wears them out and traps them.

But then she gets her fire back. The restraints are lifted and she becomes a force of nature once she has something worth fighting for. Druvis openly disagrees with Constantine and stands her ground. Unlike with Manus Vindictae, she is fully committed and willing to reduce buildings into rubble for her friends. She's both a protector and a force of destruction. The loss doesn't hinder her but fuels her. She won't let the things she loves be taken from her again. There's even a change in her outfit where her hair flows freely in the wind and her dress design is less constrictive. She is "reborn," liberated from her stagnation caused by grief. She became the leader of the resistance fighting for Vertin where as under Manus she only took orders.

Another thing to note is she has nightmares about losing Vertin after she is "kidnapped" by the Foundation. I wonder what it feels like to have that fear reignited too? For so long she had nothing left to lose, but not anymore.

I have another post with more Druvis appreciation here.

[traumatictouch]

why tomura reads like a sexual abuse survivor

ive noticed that a lot of survivors - including me - easily read tomura as a csa survivor. ive decided to try to put these impressions into words, mostly for myself, but also for anyone curious as to why he’s so frequently read this way, or why i personally write him as such. i will mostly be elaborating on the reoccurring sexual assault imagery and csa survivor traits tomura exhibits.

triggering themes ahead, including discussed child sexual abuse, incest (sibling and pseudo), trauma and its effects, and sexual assault imagery (from the bnha manga itself). also spoilers for the most recent manga arc.

(disclaimer: i realize symptoms of trauma are pretty much common all across the board, and depression also comes with a lot of these behaviors - but there are some that crop up more commonly in cases of sexual abuse (especially from a young age) than in others. csa survivors also frequently end up with depression, too, so that doesn't necessarily take away from it.)

i’ll start with the cover above. the hands touching him here are much more expressive than the ones he usually wears. it's also framed in a way where you can't see the ends/cap things very well, and they don't appear so symmetrical, making them feel much more like real, living hands grabbing him.

there's also the fact that his face is exposed, which is something we had rarely seen him do willingly at this point in the manga, and even when he had he was still covered up with a hoodie or completely alone. the way he's covering half his face gives off the impression that he's not okay with the way he's exposed.

all of that, plus the obvious distress tomura is in, gives this very glaring assault vibes.

also, the hands on his head are clearly someone's actual, living hands as well. my guess is afo, especially since they seem to be petting him, which is reoccurring imagery between tomura and afo.

tomura's total lack of privacy

there's a clear lack of boundaries between tomura and the adults in his life. most of the spaces that seem to belong to tomura (the bar - he feels safe enough there to take Father off, and his room) are accompanied by cameras and audio transmissions from afo. he has no privacy, and doesn't even seem bothered by this fact.

he also doesn't seem to set boundaries with other people in general. toga can hold a knife to his neck, spinner can grab him and yell in his face, the doctor can shout over his earpiece, dabi (or anyone, really) can say whatever rude or callous things he wants to him… really the only time i can think of that even comes close was when mr. compress made a joke about working with overhaul and tomura said "hey, not funny."

he seems to kinda just let whatever happen to him. earlier in the series, tomura seemed to rely on kurogiri to notice when he needed space and step in for him rather than ask for it himself. that's a pretty telltale sign of someone who's had their needs and boundaries violated (or even punished) for a long time.

Tomuras over-attachment to afo and his praise/affection

obviously afo groomed tomura whether it involved sexual abuse or not, but it is something that could have easily lended itself to that as well. early in the series, tomura clearly highly valued afos opinion of him, and seemed to strive to please and repay him for his kindness. these are feelings afo incited in him on purpose and did, canonically, take advantage of to turn tomura into a villain and pawn - who's to say he didn't use it for other purposes, too?

it's also the kind of thing survivors tend to latch onto to cope with their abuse. it can be easier to think of the event as being affection, returning a favor, and/or special treatment, than to think of it as abuse. tomura looked up to afo so much that it's possible he could have considered (or been convinced) that it was special that someone as great as afo wanted to do something so intimate with him.

also, if this is really tomura realizing his sensei isn't as special and powerful as he'd been led to believe, then his reaction being to cover up while looking angry might, well… be a reaction to feeling used.

Tomura & older men

there's not a lot of people besides afo that tomura seems very quickly, openly… invested in. there are two major ones i can think of, and they are both 1. older men, and 2. mentor figures (even if not to tomura.)

the most obvious of the two is aizawa, who tomura has seemed pretty fond of since his first appearance and, even in the most recent chapters, can't seem to help but think about how cool aizawa is. aizawa isn't a mentor to tomura, obviously, but he is a teacher and tomura knows this. (and seems impressed by the way he tries to protect the students in his care--something afo very specifically does not do for tomura.)

the second, and perhaps less obvious to most, is Stain. i wrote up a whole post trying (trying.) to explain the way tomura seemed interested in him, and you can see a bit more about that and how tomura was hoping he'd be a mentor to him here.

in other words, tomura has shown reoccurring interest in older men, who are mentors, that he does not show for anyone else.

early sexual abuse can influence a person's attractions. survivors tend to be drawn to what is familiar, even if it hurt, and so it's pretty common for them to be attracted to and/or desire a relationship with those who resemble their abuser(s).

and afo is an older man who is a mentor to tomura (and others.)

immaturity (& age regression)

tomura, in early canon, is often described by characters in-universe as being childish, especially in regards to how he processes his emotions. (i don't really like to conflate these things with "age" or "being childish" - but the way the manga itself presents these qualities is clearly intended to give tomura a immature/childish vibe.)

tomura's emotional processing, simple motivations, fixation with video games, toys littering his room, and need for close caregiving (kurogiri) all give off the impression that he's had trouble developing the way he "”should”" have--kind of like he didn't really move on at all.

this sort of stunted development tends to occur in people with childhood trauma, especially csa survivors. ptsd at its core is the brain getting "stuck" in the moment of trauma, so if the trauma occurred as a child, then one's development is somewhat halted there, especially in areas of emotional processing, because the brain and body have to dedicate so much energy to just trying to cope and survive. it's pretty common for csa survivors to have trouble coping with and controlling their emotions.

relatedly: i have no real way to confirm this right now, but i’ve heard that during the mla arc, while tomura was kind of going in and out of flashbacks, he started switching to using “boku” - a self pronoun for young boys - as opposed to his usual “ore”). ive since had to wonder if this is a reoccurring state for tomura - it might partly explain why he keeps his toys around despite never showing interest in them on-screen, and has such close supervision from kurogiri.

again, age regression can go for any kind of childhood trauma, but seems very common in child sexual abuse survivors in particular.

Lack of hygiene (esp oral)

look at how tomura's teeth are drawn compared to even another villains. dabis teeth are straight and clean, whereas tomura's have holes and chips, and tend to be drawn uneven with wobbly lines, like they're covered in plaque.

not caring for one's hygiene is common for people with depression too - but failure to care for teeth also frequently crops up in survivors of sexual abuse, due to an aversion to things touching or being inside their mouth, because it can remind them of the abuse.

in a similar vein, tomura's hair looks unwashed and greasy to me, especially when it gets long. it sort of gathers in clumps and appears heavy. survivors may avoid taking showers because they aren't comfortable removing their clothes for long periods of time, or because the abuse occurred in proximity to bathing. (which is a convenient time for parental figures to groom and abuse their children, since it already involves them being naked and the parent touching them closely.)

in general, there just seems to be something off about tomura's relationship with his body. maybe it's the way he barely bats an eye at major injuries, doesn't care for his hygiene, self-injures, and didn't mind undergoing a surgery that altered its shape and function pretty heavily--but i get the impression that tomura sees his body as just a tool more than anything.

which, if someone grew up having their body regarded as nothing but a means of pleasure, kind of makes sense.

his clothing

im not sure if this has the same “connotations” (for lack of a better word) for flat chested people, but tomura always wearing a lowcut shirt that shows off a fair amount of his chest, but covering the rest of himself head to toe--including his face--feels significant to me. as well as the way he covers up even more (his hoodie) when he’s stressed. the hands, too--being covered up seems to be calming for him.

the placement of the hands afo gave him

you can't tell me little tenko placed these hands where they are by himself. the ones on his chest aren’t even from his family or meant to resemble them - they’re additional hands afo gave him to wear. pretty weird place for “afo”’s hands to go...

I feel like theres a little bit something to tomura frequently having his clothes ripped off during fights

not that it's particularly uncommon for bnha characters to get their clothes a bit shredded during fights, but i can't help but feel like there's something to tomura getting torn down to nothing but his pants twice, with both battles heavily involving tomura's traumas, including the ones related to afo. the vs mla arc with how tomura met afo and how he turned him into what he is today, then the war arc where the methods afo used to control and abuse tomura (the hands) are brought back again--and afo repeatedly takes tomura's bodily autonomy away from him.

AFO's predatory behaviors

tomuras own behavior aside, All For One himself has some behaviors and imagery that gives off very predatory vibes. i’ll start with Ragdoll…

most people theorize that she was going to be turned into a nomu, but there are two important things here. ragdoll was found 1. alive, and 2. naked. all nomu are made from corpses - if afo had time to take her quirk and undress her, he certainly had time to kill her, especially since three days had passed since she was kidnapped. (and, what benefit would there be to making a nomu out of a quirkless hero?)

her dazed state is also curious - we've never been told taking or giving quirks has a side effect like this, and i would think itd at least wear off after three days…

there's also not actually a lot to suggest she was submerged in one of the tanks (that i know of); in the full body image, she doesn't seem to be soaking wet or anything. there's no water dripping off her. there's just a bit of liquid on her face and neck, which could merely be sweat, or… other fluids.

this next part is more debatable due to it being more dubiously canon (although My Hero: One’s Justice has been known to basically spoil villain related lore before it appears in the manga) - but he has some dialogue that makes him sound... pretty fuckin enthusiastic about sexual violence.

and time and time again, afo has been... very creepy and obsessive about his brother. who happens to look an awful lot like tomura, and is vaguely connected to nana as a user of OFA, and we know how far afo would go to spite both of them.

The "wow this is pretty much confirmed now" page

i always thought i was just projecting when i read tomura as a csa survivor - until i saw this page, which was so viscerally uncomfortable that it made me nauseous. it definitely made me decide i wasn't just reading into things that weren't there. that's not exactly to say this panel 100% confirmed it (though it certainly did in my mind, personally) -- but the imagery here can't not be deliberate.

tomura is literally shirtless and bent over before afo, and sure, afos not completely standing behind him, but that's partially because his lower half is inside of tomura. and from our previous example of afo taking over tomura's body…

i wish i could find the translation i first saw - this is the viz translation, which is notoriously horrible - but the one i read felt much more along the lines of "i saved you, so i get to do what i want with your body."

that is a line of logic that could have EASILY applied to their earlier relationship. the way afo saved tenko was very much on the forefront of tomura's mind early in the series, possibly either an idea he clung onto to justify the abuse he experienced from afo, or something afo personally reminded him of frequently.

also… part of afos body is definitely wrapped around tomura's upper thigh, and in certain panels seems to be emanating from between his legs.

speaking of, tomura's stance is also notable to me. compared to the panel where tomura first realized afo was taking control of him, where his knees are pretty straight on or outwards in a powerful balanced brace, in these panels his knees seem to be bending in towards his body, like he wants to squeeze his legs shut. huh.

i touched on this before, but it's interesting to me that what finally let afo fully take control of tomura's body, was having a hand (one afo very specifically used to control and abuse tomura into doing what he wanted) placed upon his body without permission.

so, all in all, afo is "inside" tomura's body, using it for his own means, against tomura's wishes.

what else does that sound like? no wonder deku feels like tomura needs help, despite everything...

again, this isn't to say that csa is definitely the cause of these things, just that tomura does have an abundance of behaviors and imagery that could easily be read that way.

[graciegra]

Centaurworld S2

S1 wasn't my cup of tea but it teased a promising S2, with a darker setting (S1 already had dark themes) and a war. And we got that... kinda.

Short version, this season could had been 3 episodes long. The first one, Rider’s episode and the finale movie. The others weren't exactly filler but they amounted to nothing on the overall history, the Herd weren't that relevant this time, yeah thanks to them Horse learned the power of friendship but she learned that since S1.

Arcs that went Nowhere

To some degree, the Herd

Yeah we get their backstories but in a all flashbacks episode which was nice to explore Horse’s power but it amounted to nothing knowing why they were like that, it was not even character development or something that intense I was wondering why x character was like they are.

Becky Apples

Oh why Im witting this, idk she was teased as much more but meanwhile what we got was badass I don't see why she should have gotten this much attention when they will leave her a mystery I guess (she commits war crimes, I know she does, love you)

Rider

We got a whole season, some banger songs, a cute reunion but for what, meanwhile Rider got her own episode we barely got to know more about her (I do like we never learn any of the human’s names). Her side of the war should had more relevance and she should had met with Horse much sooner and the whole obligatory misunderstanding that get fixed 1 minute later failed to raise the stakes because we never saw Rider doubt Horse before, why now.

The Nowhere Nowhere

I liked what they tried to do, Im guessing the time and budget nation attacked and didn't let the staff keep the pace they planned. The finale was rushed but at the same time was slow. Horse vs Nowhere king headspace was good, same with Nowhere king motivations but it was presented weirdly. Also I wish we got more time on human world, see the war, how is the army, more of the General, make us like him, make Rider trust him more so she would doubt Horse, more.

Even with the out of order flashbacks, some things don't add up, the backstory is great its just the execution who failed the landing. Maybe Princess and Nowhere needed more interactions, some other small flashbacks to see them getting know each other, an event to trigger Nowhere doubts that pushes him to try to get his beast self, was the kingdom really alright losing the princess? How did she found out about them being the same person? Why no one stopped Nowhere when he was starting? Maybe add more hate from Nowhere to General, more baggage. BUT they did a great job wording and explaining how the characters aren't okay with certain things but they acknowledge where they came from.

She being the one to deal the final blow, that was great, I wish we could have gotten some minutes from her POV, not the romance but what she thought of this as a whole. She was the princess, she saw how the General tried to kill Nowhere, what he did to her kingdom... She is cool.

Anyway, the humans, horses and Waterbaby continue being the most interesting characters for me. Im glad it had a happy ending and Horse and Rider were reunited.

(Kimiko I love you, continue voicing singing horses)

[higheldertala]

spyfall pt2 salt commentary

can someone please tell me if this episode makes sense to anyone cos i do not get it at all

don’t know why this episode doesn’t have an unique title like usual two parters, especially as this episode has definitely a lot less of the spy theme (again obvious that this was originally a single episode).

the fact that the writing is on the plane floor is a gamble that they’d see it

ADA!!! 🥰🥰🥰🥰 i love ada.

why do the kasaavin take ada again?

im sorry but the master’s tardis console is so ugly, baby you deserve so much better.

another Gender Joke™️! very funny ch*bnall, i laughed very hard i promise(!)

‘thats what the doctor would do’ see yaz has had her what would the doctor do moment here, why it’s made a point of in war of the sontarans confuses me.

the master’s 1834 outfit is very sexy, it’s a shame the directing doesn’t give many full shots of it.

lol the master’s top hat disappeared in between shots, where does it goes?

one thing i definitely don’t like is how little this doctor cares about the master and how out of character this is. i feel like sacha is giving a lot more to this but honestly don’t feel much coming from jodie, the doctor seems to only look at the master with disgust/ contempt, which is not their relationship at all.

obviously this goes without saying that this completely ignores missy’s arc and the doctor and master’s dynamic in s10 which is a real shame. i don’t know if ch*bnall has given his opinion on this but i guess he obviously didn’t like it idk.

yesss!! ada shooting the master is so badass i love her, finally a character who isn’t all passive. she is much more interesting as a character in 10 minutes than the fam are in 2 seasons.

also i hate the doctor’s moral high horse here. like she doesn’t say anything when the master kills 3 people unprompted but tells ada off for shooting the master in the arm when he was holding them all hostage, rescuing the doctor in the process, like can we please get a bit of perspective here.

i don’t understand why the silver lady is brought to 1834?

the fam being on the run is a blantant rip off of sound of the drums. honestly ch*bnall should use citations when he copies other people’s work.

also that generic ass ‘wanted’ poster is so funny

‘what if the doctor doesn’t come back?’ god some of these line deliveries are so deadpan. how i suppose to believe that they are a ‘fam’ when even the actors don’t even believe it.

it’s really funny that the fam’s reaction to the doctor and the master is like ‘bit awkward innit?’

why is the doctor so secretive towards the fam? is this ever explained why?

it’s really funny that graham is trying to reassure the others that the doctor is okay, because honestly they don’t actually seem to give a shit about her or whether she’s actually alive or not.

‘you know what she would ask now? what do we have at our disposable?’ see yaz is questioning what would the doctor do in this situation again. see she doesn’t actually need it written on her hand to ask herself these questions!

also it’s funny that yaz phrases this as what would the doctor ask. like im pretty sure yaz, a c*p, would also be able to ask these questions on her own. but then that would give her actual agency and would act like an actual character and ch*bnall can’t allow that.

like i don’t know what to call it, infantilisation? general lack of agency? but ch*bnall’s incessant need for the companions to only follow the doctor and be completely lost and unable to save the day without her is so annoying. like obviously it’s done worse in revolution of the daleks but yeah i hate how pointless ch*bnall made the role of companions to basically be reduced to background furniture who only exist to spout exposition and follow the doctor round like cheerleaders. like its the most shallow interpretation of the companion role ever to exist in the show (honestly i could rant on for hours about what ch*bnall did to the companion role and i’ll never forgive him for that).

‘ada are you okay?’ oh my god the doctor can ask this question to people! why does she literally never ask her companions this??

honestly why are there so many lense flares? the directing in this era is the worst.

so why do the kasaavin need to infiltrate multiple point of time? i don’t understand what they are gaining in the past that they couldn’t just get in the present day.

no idea what this stuff about barton and his mum is about? did ch*bnall ever elaborate on this?

i get the feeling that the master says something to noor but this has been cut/ edited out? this would explain ada’s line about hearing the master’s voice from under the floorboards.

also why wouldnt they check under the floorboards afterwards?

i don’t really see how ada tagging along would cause them to land in the wrong time (and specifically this time period/ location), again it’s just another excuse to do location hopping.

so the master tracks the doctor down to 1834/ 1943 through the kasaavin, is that right? honestly i don’t know how else he would be doing this.

‘two pacifists and a 19th century descendant of byron’ im sorry but its really rude to just refer to ada as daughter of byron when she accomplished many great things of her own accord.

it’s beyond words that ch*bnall sees nothing wrong with putting a poc in that uniform. i hate it him for it more than words can say. i’ll literally never forgive him for what he does in this episode.

‘ryan don’t tell them the plan!’ again! if ch*bnall is so aware of his shitty dialogue then why doesn’t he stop??

the fam don’t contribute anything this episode, they just have a run around? basically same as in survivors of the flux

why is the silver lady left in the warehouse on its own where it’s vulnerable. what if one of the fam just decided to smash it or something. honestly the silver lady thing isnt set up very well, it’s just a generic mcguffin thing.

okay talking out loud here, so when kasaavin ‘attack’ people it’s kills them, except they can’t kill the doctor and yaz because of their artron energy and also they don’t kill ada because they’ve been studying her for years. so were they meant to attack the doctor and yaz (like the master implies) or did they intentionally transported them to their dimension? (and if so why? to be studied?) like the teleporting thing has to international because they transport ada who doesn’t have artron energy. i am a bit confused on these kasaavin powers. it doesn’t help that kasaavin don’t really show up in this part until the end. i honestly feel like we don’t learn any more about them except they want to change humans into hard drives for… some reason??? nah i don’t understand this plan.

this plot falls apart in the second part and honestly i can’t make sense of it. maybe im being dumb but if anyone wants to fill me in that would be greatly appreciated.

like i think the hardest part is trying to follow all three antagonists plans, the master’s, the kasaavin’s and barton’s.

wasn’t the idea of gallifrey in a bubble universe is that it shouldn’t be easy to get in and out? obviously this was m*ffat’s idea and im not sure how clara and doctor get out of gallifrey in hell bent and m*ffat doesn’t explain how the master got out either. yknow what im already confused, let’s not bring m*ffat concepts into this. my point being is what’s the point of the bubble universe if the time lords can just come and go as they please?

the annoying thing is that there probably is a lot of potential to do stuff with gallifrey and the time lords but none of the nuwho writers have ever been able to do much with it and yet still they keep messing around with it. like destroying gallifrey again was literally so pointless because ch*bnall does nothing with it, when rtd destroyed gallifrey at least there was a character arc for doctor, here the doctor barely reacts it (onscreen at least). and also the whole flip flopping of destroying gallifrey, bringing it back, destroying gallifrey again is so childish and just looks like the showrunners fighting like children over their toys. like destroying gallifrey again is just shitting on m*ffat’s work which in turn was originally shitting on rtd’s work and just uuuuhhhhhhh!!! the audience is so tired of this!! it’s pathetic. why did ch*bnall destroy gallifrey again? for what purpose did this serve? honestly im putting gallifrey on a high shelf until these male writers learn how to behave.

i won’t insult anyone’s intelligence by going over why the that eiffel tower scene is awful and bad and honestly i skipped this because no one needs to see that scene more than once.

all i will say is ‘never be cruel, never be cowardly’…

the master’s tardis exterior not changing is so stupid and contrived!! the master may be arrogant but he isn’t stupid. my eyes cannot roll any further to the back of my head.

and honestly the doctor leaving/ stranding the master is so fucking stupid and out of character. the doctor would be smart enough to know not to leave the master on earth knowing the potential untold damage they can do. the master was stranded on earth (kinda) for 18 months and end up enslaving the planet. who knows what the master can do in 77 years. ahhhhh god i hate this so much. why? why would you do this? you are literally endangering the planet so much doctor

also wait why didn’t the master just use the kasaavin to get back to 2020? they can time travel right? that’s how the doctor is moving through time rightttt? why can’t the master do the same?

nah serious question do the kasaavin have time travel abilities?

so what does barton get out of this plan? i don’t feel like this is clearly established.

i don’t understand, why did the kasaavin target significant figures surrounding computers through time? were they needed to influence them or something? why did they need to go back in time to do this? couldn’t they just use barton in the present day? nah even when the doctor is explaining it straight to the audience im lost. i don’t understand the time travel part of this plan at all.

the master’s sexy purple outfit is so iconic and it’s an actual crime you can’t see it because of the awful ‘only close ups allowed’ directing.

the resolution of this story being ‘i just went back in time and undid what you did’ is the laziest example of time travelling. it’s cheating. as soon as ch*bnall wrote this someone should have taken the pen from him and told him sci-fi isn’t for you mate.

the way the doctor forgets about the fam being in a life threatening situation 💀

so fun that barton never gets resolved. also does the fam being on the run ever get resolved? you think that would have some sort of effect, especially for yaz.

ah yes the bit where the doctor take two women’s memories without consent and with absolutely zero repercussions for these actions. clearly ch*bnall missed the bit where this was established not to be an ethical thing.

and also the doctor removing ada/ noor’s memories when this has literally never happened to any other historical figure is so weird. ‘oh but we need to keep the timeline in check’ it’s literally fucking fiction it doesn’t matter! it’s not real ch*bnall! shakespeare never actually fought witches, agatha christie never actually encountered a murder mystery with a giant wasp, doctor who is fiction ch*bnall! it’s so unnecessary and makes the doctor out to be just cruel

what happened to master’s tardis? like where does the doctor leave it? this is literally never addressed.

a pet peeve of mine is definitely when they show flashbacks of something that happened in the same episode. your audience isn’t that dumb i assure you

i don’t understand how ‘the time lords lied to us’ is suppose to be some sort of revelation. like yeah they’ve been shady bitches from the start, this isn’t new or a surprise for their MO.

i don’t understand why the doctor is now so secretive towards the companions compared to in the past. this is never given a motivation or reasoning.

i love how the fam asked the doctor who she was and she just gave a wikipedia entry of herself.

concluding thoughts: honestly i get very lost watching this episode, like i said part two takes a massive detour from the plot and i don’t fully see the point of it? trying to keep track of three antagonists in a ch*bnall story seems excessive, as he can’t pull this off well (the timeless children and flux both suffer from multiple antagonists also). this also doesn’t help when the majority of the time they are kept separate. how the master, barton and the kasaavin came together isn’t very clear, i guess it just happened off screen and it doesn’t matter. also i don’t understand what barton’s motivations were/ what he gets out of this plan. he is just Evil Tech Guy™️. i guess i understand the kasaavin a little bit more but they do just become generic we want to take over the world baddies. them being from a different dimension is their most interesting point yet this hardly explored any further. the master does not do a lot in this part except chase the doctor through time, anything they do for main plot all happens offscreen which is dissatisfying as it makes it harder to see how much the master contributes to the plan. the companions also do nothing this part and don’t affect the plot in any way, honestly seemed like a waste of screen time to keep cutting to them. our pseudo companions ada and noor do contribute more to the plot which is nice. i really like ada, who seems like an actual character with agency and actually does things, but in end feels like she and noor are punished by having their memories taken away without their consent which has been established multiple times in dw to be a bad thing, here the doctor gets away with numerous unethical actions and is never punished nor called out on this behaviour. i really like sacha as the master i think he gives a great performance, he definitely deserves a lot more (russell please im begging you). the climax/ resolution for this story is awful, literally the laziest way of writing time travel there is (im pretty sure the curse of fatal death makes a joke about this use of time travel! and that was a parody! although i have never actually watched curse of fatal death and im very happy continuing my existence without seeing it).

[wisteriabookss]

My ACOSF Review (2/5 Stars)

Please respect my opinions. Not everything I say will be praiseful or nice. While I liked a lot of this book, a lot of it frustrated and bothered me. 

This review contains spoilers. Read at your own risk. 

This review will be more of an overall impression, and I will get more in depth about certain characters in future posts. 

I eventually got into the plot of the book, but I don’t think it was as great or creative as it could’ve been. I feel like SJM recycled ideas she’s already used to create the storyline. A quest to find a magic object that can stop a war and save the world? That sentence applies to both ACOWAR and ACOSF. It’s even more disappointing when you know there were other routes the plot could’ve taken but were eventually scratched. It was the perfect set up for an Illyrian mountain setting, it was written in canon, and, unsurprisingly, SJM retconned and changed it. 

The Valkyrie plot was cool, if a bit forced and out of place. Nesta barely starts training, and all of a sudden she wants to recreate a powerful band of female warriors that we’ve never heard of in the context of this world? Honestly, it feels like SJM watched Thor: Ragnarok, and was like, “Yes, that’s what I’m gonna do.” I thought Helions winged horses would come into play with that, but I guess we’ll have to see.

I thought the Blood Rite plot was gone, but we got it in the end, even though it was rushed. The most beautiful parts of the book happened during the Rite, so I’m glad we got to see those.

The ending of Briallyn was so swift I literally had to go back a page to make sure I read it right. Literally one page, and she’s killed. I expected more. I can’t say I'm surprised by how rushed her death was when I knew the Feysand trouble was approaching, and the number of pages left was getting smaller. There wasn’t a doubt in my mind that SJM would save Rhys, Feyre, and their baby. Out of the entire ensemble in Kingdom of Ash, she only had the heart to kill Gavriel, who wasn’t too much of a main character. There was no way in hell she would do that to Feysand. 

I’m sorry, but I do not like the name Nyx. Imagine calling someone Nyx? Did she originally have it as Nick, but just needed to put an X? My eyes were rolling so hard when I read it. Just put an ‘O’ in front of it and end our misery, though I still would’ve rolled my eyes at that name too. The name just reminds me of all the blogger moms who put X’s in their child’s names for dramatic effect that ends up looking like they can’t spell.

I also didn’t appreciate the out of touch colloquialisms in this book either. Prythian doesn’t have a name for anxiety, depression, or PTSD, but they know what lactic acid means?

The amount of sex in this book was something we had been warned to expect, and I think due to the fastness of me reading this book (finished in two sittings), it made it feel like the sex was happening every other page, which it basically was. I’m not going to be mad though because a) it was well written, b) I didn’t feel like it harmed the plot too much, and c) this is the only Nessian smut we’re going to see in canon. But that threesome line with Az. . . y'all know which one I’m talking about. . . the one with the details about certain positions. . .  chile um anyways let’s move on. 

I called it months ago that Emerie would either be Mor or Azriel’s love interest, and looks like it’s going to be Mor. SJM’s writing is fairly predictable, especially when it comes to romantic ships, and she couldn’t have been more obvious about the two of them. I will write about Gwyn and Azriel in Azriel’s chapter review (cause that monstrosity needs a post of its own).

Now about Nesta’s healing arc. Some of it was satisfying and others were saddening. I’m happy that Nesta was able to find purpose in her life, and not believe herself to be worthless or pathetic, but strong and powerful. I’m happy she found Gwynn and Emerie; I love their friendship. I love how they stuck by each other no matter what, and saw the good and potential in one another.

However, even by the end of the book, Nesta still thinks herself as undeserving. Of Cassian, of love. She knows she has it, and she's so grateful for it, but she still believes she is undeserving of it, that Cassian is just so much better than her. A part of learning to love and live with yourself is knowing what you deserve, so why SJM took that from her character, I don’t know. I was continuously disappointed when said she was undeserving of anything, even after she had learned and grown from her mistakes. 

Maybe SJM thinks the belief of being undeserving of one's partner is romantic. I’m telling you now, it’s not. All that does is give unnecessary power to a person you believe you are undeserving of, and this leads to unequal power dynamics in a relationship. Rhys was the exact same with Feyre, so I’m guessing it's a theme.

Speaking of romantic themes, the repetition of the “your mine-im yours” line in this book was nauseating. Your going to make Nesta say the exact same thing her sister said when they had sex? Is there nothing else SJM could’ve come up with? It’s just so weird. And I swear to god if I see Elain do the same thing I’m gonna vomit. 

Nesta apologized to Cassian about what she said to him on Solstice in ACOFAS as if he never called her unlovable. As if he never said he didn’t understand why her sisters love her. He never apologized for that. There was so much apologizing from Nesta to Cassian about her calling him a brute, as if Cassian didn’t say he was “shackled” to her after she clearly explained how she feared she would lose her humanity if she accepted the word mate. Not if she accepted him, but the word. 

For Cassian to routinely tell Nesta to, “shut her fucking mouth,” when she used some attitude against Rhys was comical. Rhys has been bad mouthing and disrespecting Nesta this whole time, and when she shows some warranted attitude in return (not even an insult), Cassian rips into her. It doesn’t matter what he did for you, babe. Not everyone has the same experience with Rhys, so Cassian getting angry when Nesta showing anger at the way she was being treated was wrong. Her experience with him does not become invalidated just because Cassian has a good relationship with him.

There wasn’t a character arc for Cassian, which was one of the most disappointing parts of the book. He thinks of himself as inferior and undeserving as well, and by the end of the book it’s not even clear if that stance has changed. We saw him grow into the courtier persona in the meeting with Eris when Tamlin shows up, but we never see it again. I know there were instances in which he stood up for Nesta, but he also very quicky after that became silent in other moments when they were insulting her. The next book isn’t in his pov, but I’m hoping we see him become more confident in himself and make a firmer stance to protect Nesta (although I doubt he’ll need to seeing as how Rhys kisses the ground she walks on now).

Now onto Nesta’s apologies to the IC. I think Nesta apologizing to Feyre was expected, and I’m glad the sisters had that moment. I am, however, upset that there was never a moment where all the sisters sat down, and hashed it out. Talked about what they’d been through, how it affected them, and how it affected their feelings toward each other. After everything that happened between Nesta and Elain, all that hurt, you’re telling me all it took was Nesta to make Elain laugh by saying “fuck you,” and we’re good? It’s lazy writing. 

Elain telling Nesta that she only cared about how her trauma affected her did not sit right with me. Nesta sat by Elain’s side for weeks when she was in the thick of her struggles, and refused to leave her alone for fear that her struggles would eat her up alive. She constantly looked for anything that could help her sister, and never left her unprotected. Nesta and Elain didn’t communicate after the war, for reasons that we now know was because of Nesta’s guilt for Elain being kidnapped. It is not abnormal when a family member has been traumatized by things that have happened to another family member. That’s expected. Ask any family who has lost a child or had a relative go through something horrible.

Elain is acting as if Nesta has only ever been concerned with herself when she’s spent her entire life concerned with Elain. I made a post long ago about how the IC only wanted Nesta to heal for their sake rather than her sake, and there’s so much more evidence for that than for Elain. Elain’s healing process was able to be understood and encouraged by the IC, whereas they had no idea what to do with Nesta. So for Elain to come at Nesta for not caring about her trauma, a second after Nesta was trying to protect her from further trauma by telling her she didn't want her seering for the Trove, was unwarranted.

Speaking about Elain looking for the Trove, what happened there? Elain had this whole speech where she said she wanted to do something and no one could stop her and then we just. . . don’t hear anything about it again? SJM had a perfect opportunity to do something powerful with Elain there, and completely threw it away. 

Nesta’s apology to Amren was extreme, dramatic, and honestly, unnecessary. Amren called Nesta a “pathetic waste of life,” constantly demeaned and degraded her anytime her name was mentioned, and said she did all this because Nesta used her as a shield against her problems and the IC. Seriously? Nesta using Amren as a shield does not warrant that kind of verbal abuse. It doesn't make her a pathetic waste of life. Amren’s been alive for how long? And reacts like that to an obvious side effect of extreme trauma? No ma'am. Nesta getting on her damn knees was too much, and obviously just another moment, like a lot of moments, that SJM felt the need to make dramatic. And then having the audacity to let Amren say to Nesta that, “the struggle with the darkness is worth it,” when she was one of those people who contributed to that darkness is disgusting.

I didn’t like Rhys at all in this book. Even after he saw inside Nesta’s mind about her experience in the cauldron, he was still wary and rude with her. Literally anytime Nesta showed that she was changing, Rhys didn’t change anything about his attitude or behavior towards her. A moment of regret, and then he’s back to being arrogant ass Rhys. Him not telling Feyre about the baby was also extremely stupid. It’s her body, her life, her baby’s life, his life, and she had a right to know what was happening. Not telling her because you didn’t want her to be “upset,” is a dumb excuse. I thought you always promised to let her make her own decisions, Rhys? What happened to that promise? The one that was a hell of a lot better than the stupid bargain ya’ll made? Though Nesta told her out of anger, good on her for telling her sister. Should’ve happened way sooner. His apology to Nesta was the only one that warranted the dramatics. That is what you get on your knees for.

That whole scene about him becoming High King had me throwing the book. Amren telling Rhys that the swords were some sort of mother-mary-cauldron-blessed-hallelujah sign that he was supposed to be High King had me fuming. It’s Nesta’s power. It’s Nesta’s sword. That should have never been a discussion. Not everything is for Rhys. These people are so blinded by their love for him they can’t even see how arrogant he is. To write Nesta giving back Ataraxia made me so angry after we just had a whole moment where we find out it means inner peace. I just hope that all of this is not foreshadowing Rhys becoming High King. I know you love him Sarah, but please don’t.

All in all, this book wasn’t too bad. There were some great moments and some bad moments. I think SJM’s biggest issue in her writing is that she doesn’t outline, or at least doesn't seem to outline, not thoroughly. I feel like she uses plot devices willy nilly whenever it’s the easiest solution. There was never a moment where I said, “that was clever!” A lot of it was cool, but not clever. Not creative. She also has a tendency to write very dramatically, in staccato type sentences where everything is made into a big moment, which bugs me a lot. 

I love Nesta. She’s still my fav, and will probably always be my fav. This book doesn’t change that, and as you can tell in my review, most of the issues I had weren’t with her behavior, but with the behavior of other characters. I still love Cassian, even though he made me want to rip my hair out sometimes.

Will I read the next books? Probably. I can’t seem to stay away from these characters or these books, so kudos to SJM for writing them. I know a majority of people have given this book 4 or 5 stars, but I can’t bring myself to give it more than 2/5.

[macgyvertape]

Castlevania kinda had a pacing problem

spoilers for all of Netflix’s Castlevania. I haven’t seen much analysis for the show on tumblr, im honestly curious if discussions I had with irl friends mirror what fandom talks about

tldr: Castlevania seems inconsistently paced from season to season, and within season as well, leads to a lot of characters motivations feeling unclear so characters repeatedly explain why they are doing something while they’re doing it

overview of the seasons:

S1 I know somewhat of a test for Netflix but it has good main trio character establishment and sets the scale of the conflict

s2: pretty complete emotional arc for most characters and resolves the plot of killing Dracula while setting up additional characters to continue the story. Isaac, Hector, Carmilla all established with the audience as characters whose story would continue

honestly I would bet this is the most popular season

S3: s2 did a bit of worldbuilding, but this season really fleshed out the world with both a wide range of locations and exploring the question of “what now, Dracula is dead but vampires and night creatures remain”.

There were basically 4 plot threads: 1) Sypha/Trevor investigating the cult & Saint Germain; 2) Hector & Carmilla (also introducing Lenore, Striga, Morana); 3) Isaac’s journey of revenge & self discovery; 4) Alucard sits around the castle and is betrayed.

overall characters roughly feel like they are in the same place if not worse. A big criticism I saw at the time, which hold up after rewatching this before s4 is nothing felt resolved for the main characters

I would say this season is where the pacing issues start to become apparent, juggling 4 plot threads that lack a central theme or even mutual character connection. If there was a central theme it would be “humans are awful to each other”. The Judge doing Hot Fuzz style murders, The Wizard in the tower, Sumi & Taka

S4: it starts with the same 4 plot threads, though upfront it is made clear that the plot theme is “people are trying to resurrect Dracula”, and the progression of the plot works to resolve unrelated plot threads until the main trio reunites for the boss fights. To me and my friends watching it was obvious that the show would reunite the main trio, the question was how and how far into the run time.

Season 4 is why I’m writing this essay, for the past 2 days I’ve been like, yeah that character sure explained their motives repeatedly maybe with some philosophical discussion, but it’s just such a weird place considering where they were in s3

Alucard’s arc:

Where he was left in season 3, it was after killing people he had trusted in self defense and impaling their corpses. It was clearly meant to parallel Dracula’s dislike of humanity. However overall his character lacked a proactive motivating force.

Honestly the most interesting thing I found in s3 was Alucard clearly misses Sypha and Trevor, however they don’t miss him or refer to him

One reason Sumi & Taka betray Alucard is for the secrets and power of Castlevania. After inviting the village including St Germain who Alucard was warned of into the Castle, Alucard makes 0 effort to secure anything, not even his personal childhood room. Guess he really learned nothing

Discussing St Germain, I think it’s funny that they had a several minute flashback sequence for his lost girlfriend (who doesn’t have a name or a voice actor), to remind the viewer of who he is, and to justify how he’s suddenly back and down for murder.

In s4 there is the call to help the village, and the walk back to the castle is a montage of Alucard opening up to Greta and becoming friendly literally overnight. He laughs off the impaling, and basically all of the darker things he went through in season 3, which has me asking what was the point of his season 3 arc then? 

Honestly writing this I realize the biggest parallel he has with Dracula is the call to action from a bold woman with a dramatic entrance speech which then leads to a romance

Isaac’s arc:

in s3, with all the other themes of “humanity sucks” I was always unsure if the townspeople were meant to appear irrational while attacking a larger force instead of letting him pass through an leave, or him not caring about how he’s provoking them is meant to show his insanity

ive seen the discussion elsewhere, curious about the Discourse here

is s4 Isaac has the whole monologue about how he now has agency but him gaining that agency was his s3 arc. In s4 he’s already at the point of accepting it. By the end of s4 he’s one of those who comes the furthest from his first character appearance to his last.

s4e5 where of Isaac attacking Carmilla in Isaac’s 2nd appearance had him resolving like 4 plot threads at once (Carmilla, Striga& Morana, Hector, and Isaac himself).

but i do wonder if Trevor, Sypha, or Alucard even know any of these people exist. I think not

I was honestly confused if I missed a scene from his dialogue about building something and what is inherent nature, to “My plan has evolved, my plan is now conquest” because he only conquests the one castle and the rest is left unclear

Upon rewatch the connection there is “killing [the wizard] felt just ... I liked that feeling”, so the show says that Isaac in the end attacked Carmilla for the sake of justice and not revenge.

Isaac in his last conversation expresses the theme of s4 “build something new on these old bones, where people can live for the future”

however, his arc honestly feel scenes were cut, and then dialogue was written around it. He’s the only living character who doesn’t show up in the epilogue and the sentient night creature “what if I could empty hell” dialogue was some of the most interesting worldbuilding. Night creatures with sentience and possibility of regaining memories!!!!

The Council of Sisters & Hector’s arc:

oh I’ve already seen s4 discourse about Lenore/Hector while searching for character analysis, a chunk of it seems to be rationalizing the absolute difference between how s3 ended with these characters and s4. It was extremely confusing for me and my friends; wondering if 1) was Hector showing more emotional intelligence than before and putting on a facade to cover up hatred? Nope 2) did more time pass than 6 weeks for there to be some kind stockholm syndrome? No, Hector seems fine to let Lenore kill herself

The slave control ring: played up in the climax of s3 and easily solved s4. s3 Lenore says if he tries to harm them, flee, or take it off it would cause crippling pain, in s4 Hector just easily cuts off his own finger.

for a control ring that they take time to show a version being on the Rebus, it doesn’t do much controlling of Hector

also guess the definition of “do harm” just refers to direct action

Lenore in s4: has no purpose in conquest, has that useless remarked on by multiple characters, is imprisoned, then kills herself after a genre aware philosophical discussion. This essay is long enough, but what the fuck happened to this character who ended s3 clearly physically and sexually abusive? Seriously this was one of the biggest writing changes to the point where she was treating Hector as an equal. Compare her last words in s3 “shh the real people [vampires] are talking”. The change in the relationship is actually something I would have taken being shown, or atleast told of what exactly caused this change other than the vague “you adopted him”

Striga&Morana get the best arc of the Council. 3 scenes: the tent argument, Daybreak armor fight & argument resolution, declaration of feelings and turning away. You could argue Castlevania is plot to be connective tissue between fight scenes, but for all the dialogue about human resistance in different seasons it was nice to see it. Overall the scenes were short but had a lot of showing what their relationship is not just telling,

unlike Carmilla. For as much hyping up as they did with her, and as much power as she had, she only appeared in 2 episodes and no other group except Isaac knew about her military conquest.

the map scene where she states her motive for conquest of wanting to take things from old men is the key example of how characterization became tell not show. How interesting was that monologue compared to the past seasons flashback to her murmuring the old vampire lord, or all her repeated insults of men/man-children that shows how she judges people??

That monologue had to carry the weight of justifying the Sisterhood bonds falling apart as well as why her motivation changed from building a human pen from Styria to Braila to world conquest. I think it did so poorly

Sypha & Trevor

really Sypha & Trevor have the main plot in the show. I checked and post season 1 the only episode they don’t appear in is s4e6, which is entirely devoted to the Isaac, Hector, and Council of Sisterhood arc. Their partnership and adventures are the main plot of the show.

Its easy to see what Trevor’s arc was over the show: coming to peace with the deaths of his family, taking up the mantle of being a Belmont, and starting a new family with Sypha.

With Sypha I actually had to scroll through tv tropes for what is her character arc, and I guess hers is disillusionment from adventure and life outside the speakers? My friends joke that Sypha’s magic is what the plot demands to look cool in a fight, which isn’t necessarily a bad thing.

Tangent: the ending of their arc was easy to guess: as soon as Trevor went to fight the final boss alone I literally said “oh i bet Sypha’s pregnant, Trevor’s doing a heroic sacrifice, theyll use the unexplained magical dagger mcguffin, and 60/40 odds that he goes through an infinite corridor to outright come back vs just the implication he might come back”

I guess my final thought of the show, was overall the SUPER Final Boss got my by surprise. It was a good twist I enjoyed. Not that Death appeared, I had guessed that from the heavy foreshadowing, but I was surprised by who it was, because I had thought I thought the characters involved feeling shoehorned into the plot was just more bad writing. The Alchemist who put St Germain on the path or murder for no discernible motive for helping? Sure gotta move the plot along. New Dracula court member Varney who has a whole introduction with almost every character he meets and banter about his smell? Sure thats basically how all characters talk with a snarky and acerbic voice.

[littlefoxwithbighat]

Hi! This is talking about the plot of the dream smp in a meta sense and its a bit negative. The person behind this blog wants to remind you that you can skip if it's not for you and they still love the SMP. :)

ALL DISCUSSION IS ABOUT CHARACTERS. DON'T ATTACK CCS OR I WILL STEAL YOUR KNEECAPS.

I can't lie; I'm really annoyed and worried at the way the writers are handling Tommys character at the moment, and am increasingly concerned about it messing up the plot.

I wasn't very happy with the finale. I don't think that means all is lost, I think they can pull it back but it's going to take some work. I was worried about the way that things were handled before but the green festival was actually very well handled, so my worries were mostly assuaged. But yesterday? I don't know.

The fact nobody lost a cannon death is kind of disappointing. The weight of blowing up an entire city/ (country?) brutally is somewhat lost if there is no human loss. Nobody was hurt physically and the only people this had a big mental impact on was Tommy and Tubbo, everyone else wasn't very attached to L'manburg or had gone rogue, or were detatched from the while situation. And maybe it's the fact it's happened to them before or that they still have each other or that it seems odd/ frustrating that they still care so much about this place or that it was always a losing battle and they knew it, but I dont find myself really pitying them like I probably should. And I think that comes down to character growth or lack thereof, which I'll discuss later.

Niki and Fundy have started a villain arc, or at least a violent nihilism arc, and I actually don't mind it, in fact I'm a fan but it wasnt really foreshadowed, or really just showing them cracking as much as it should have been. I would guess this has mostly been started for both of them to tie Niki into the plot and I can't blame her for wanting that. Fundys acting is very good, and I REALLY hope the writers handle this well. For Fundy, regarding the fact that his father is going to be resurrected and that Fundy is following in his footsteps... If the writers don't realise that connection and make this a big step in Fundys narrative I will scream. Also Funboo bros are very interesting character foils and I hope their relationship is maintained so that they can play of off each other and also man I just really want them to keep being friends, it's a generally positive healthy relationship that makes both characters sympathetic and we need that right now. As for Niki, her character motivations seem to be mostly centered around Tommy and on the one hand I'm like ehhhh, because Tommy's character already gets a disproportionate amount of attention in terms of narrative, and I get it, but recently he's been a bit TOO much of the protagonist for a multi-person POV improve server... and I'm apprehensive. However on the other hand this has potential for a nice confrontation between Tommy and Niki. If that happens I want Tommy to be aware that this is going to happen and not talk over Niki, and I don't want it to be brushed over. I think it would be best if it was just the two of them. This also gives a nice chance for Tommy to examine his trauma with Dream and explain his motivations and Niki to get her anger out. I also want it to end positively, because it absolutely can and lack of communication when the viewer knows how to fix it is OK as a plot device sometimes but incredibly frustrating if it keeps happening (cough, Tommy and Techno).

Ranboo is reacting to the plot amazingly and I have as usual only praise for him, go, you funky enderman boy, go.

Wilbur is getting resurrected which is a thousand percent because Will wants the plot back and honestly I don't really mind, I think he'll do a good job. However I really hope he speaks to everybody about their characters, particularly Fundy, Ranboo and Niki because I don't want their characterisation and arcs to be thrown away.

Tubbo is doing very well, and I don't have many complaints to be honest. I hope he continues to get in with the acting with no shame, because he's an amazing VA when he wants to be, but sometimes he undercuts serious moments a little too much by laughing. Same criticism for Phil actually. But both are doing good.

On the theme of that, while I don't mind tension relievers or humour in serious moments there are sometimes too many. It was a lot worse about a month back and it was improving, but it seems to be creeping back in and ehhh. It's kind of Marvel-esque and not in a good way? I think it has a lot to do with bloopers and for some reason there are loads at the moment? Like Wilburs arc had almost none and this arc there's at least 2 every moment. Which isn't always their fault but maybe they need to take more steps to prevent them.

Techno is doing OK, he's quite a meta character so I'm not too mad about him undercutting serious moments but sometimes he does do it too much or in the wrong place. Like making jokes about Connor completely over the top of Tommy and Tubbos reunion, you know an event which has been foreshadowed for yoinks, prevented them from getting a proper flow going and kind of ruined it. And that made the reunion really dissapointing, which is a shame because it could have been so cool. However his characterisation is consistent and dedicated, his goals and relationships are clear and he's getting humanised more which is nice, and his monologues are great. I'm curious to see what he does now NL'M is gone but I have total faith in him.

Now Tommy. Oh Tommy. His character is such a mess at the moment, which is a shame because there were moments I saw people doubting his character choices and I was behind him.

Firstly the relationship with Techno fell apart. That was inevitable. Tommy didn't care about anarchy and Techno didn't care about the discs and both of their goals would impede the others. But the way Tommy talks about Techno is so... No? And now I understand that Tommy is going to have a biased perspective on the whole situation, and that's fine and good, but his character is so wrong about Techno it feels weird and painful? Like even from his perspective it went down differently to how he talks about it. They don't listen to each other and it's like watching two people scream at a wall.

The issue is the relationship was fairly well developed. I struggle to see Tommy saying he saw Techno as a friend but Techno never saw him as a friend because hold on, what? Techno, here's a respiration helmet because of that one of thing you told me about your trauma, a disc because those make you happy, plus top tier armour and weaponry, plus I'm going to spend time with you, calm you down from panic attacks, hide you and protect you from Dream, let you wander around L'manburg and achieve your own goals and help you plan things out Techno and Tommy didn't get ANYTHING from that? Plus after Techno opens up about his goals and his trauma, do the one thing that would hurt him the most, (use and then betray him) and then directly oppose his goals after he helped me? Ugh. It just leaves a bad taste in my mouth. I know he would never let Tubbo get hurt and thats fine, but there were ways around that. If you're framing this character as the protagonist, then he needs to be sympathetic or at least grow and Tommy using Techno again without remorse and then refusing to listen to his perspective or show any gratitude for anything makes it difficult for viewers to empathise with him in my opinion. Have him betray Techno and then listen to Techno when he explains why Tommys betrayal hurt him and apologise, fine. Have him listen to Techno and try and find a way to keep Tubbo safe regardless, fine. Have him betray Techno but apologetically and still trying to avoid Techo getting crushed or killed, fine. But THIS? Im sympathetic towards Tommys character but this throws away so much potential character development for Tommy, where at least he saw Techno as a person, and not only that but a nice person who despite everything has set aside everything to help him? And then for him to be exactly where he was at the end of season 1, both literally, and emotionally ? I understand this is a child soldier with trauma but this is supposed to be our protagonist and if he doesn't grow, and isn't sympathetic and destroys someone we care about, how can we root for him?

Now all of this could be forgivable, not great, but forgivable, if Tommy had moved on from the discs. The Goddamn Discs™. And the worse part is all the dominoes were lined up to suggest he had! We had his moment of "he watched me" where he realised Dream was the villain and controlling him, "I've become worse than everyone I hated" good, amazing, I see where this is going, "The discs were worth more than you ever were!" and then he retracts and apologises and you think horray! Tommy has realised the discs were being used to control him and if he doesn't care about them, they hold no value! Now he's going to realise that his friends are more important and he's going to stop going after the discs. His new character motivation can be killing Dream and protecting his friends, especially Tubbo. It's clearly angled this way, and this way the plot progresses and Tommy with it. What marvellous character development. Look at him go.

And THEN, after everything that's happened he says the most important thing is the disc and I want them back!?!? EH !!? Why... Who... Who gave the OK on that writing decision? That's so static and boring and unsympathetic! And then he's back to asking people do fight for L'manburg? What?

I'll be honest I was kind go hoping either Tommy or Tubbo would die with L'manburg. I didn't mind it they didn't, there are a thousand ways to make the plot work without them dying, but this was not a great one.

PLEASE let Tommy have some growth. Yes he's had some from not caring about L'manburg to fighting for it in season one, but that was ages ago and he doesnt seem to have changed since then in any way that really counts. And I know this is harsh and he's traumatised but you have to understand I am talking about this in a sense of characters and narrative and NOT in terms of real life. Tommy needs to be better and dynamic because he is a charcacter and I want him to be a good one.

Having said all that, here are my thoughts on the future of the SMP.

Firstly, I am worried that becuse it is such a good source of content, especially for Tommy that they will never ever kill his character and leave him fighting with Dream for eternity. And I love the Dream SMP but I've seen stories that get dragged out for plot or content, and however much you think you want it to never end, let me tell you, yes you do. It will get stale and repetitive and I want the dream smp, or at least Tommys arc to go out with a beautiful and brilliant and fabulous plot ending instead of being dragged into the dirt. And then maybe new characters take the spotlight. Just please god give it a goode ending.

I also really hope they don't throw other things away to make Tommy the centre of attention, especially if it's destructive to the plot, or kind of weird and obnoxious.

Secondly, I am intrigued about the prison and Schlatts book to Dream and Technos favour and the egg and what that entails and I hope they really think through those plot points carefully and make them work, and don't forget them or throw them away.

Thirdly, I am intrigued for Wilburs return and hope that he manages to fix it cohesively without too crazy a change of pace and style and keeping characters (especially Ranboo and Fundy and Niki) consistent.

I hope they prep for the future and think things thought and communicate with each other.

It might be interesting to see other countries finally discussed but I don't know how much that would intefere with other plot points so we'll see.

That's all! Reminder that this is about characters and plot and this is just a few criticisms. I love the dream smp, but there are somethings I wanted to get of my chest. Please be respectful and feel free to discuss in the notes. Also, again, no hate to any CCs!

[iamnmbr3]

Hi! I was wondering what was your overall opinion or Ragnarok. Are there parts you genuinely like or do the inconsistencies ruin the movie for you? I ask because, as someone who really liked Thor and TDW, I also enjoyed Ragnarok a hell of a lot, and I was surprised to find out not many people share that opinion. Have a nice day < 3

 of course everyone has a right to their opinion - whether that is to strongly dislike, love, or be indifferent to this movie. and i will say ragnarok did make a ton of money so i think a good number of ppl probably share your opinion xD. tbh im also surprised it’s so divisive. i guess partly it depends on your standards. i think the MCU as a whole suffers from a lot of plot and character inconsistency issues and so I usually just cherry pick the bits that I enjoy. 

For example I was in stucky fandom for a long time and I really liked The Winter Soldier - it was my favorite captain america movie (don’t even talk to me about civil war) and was and is one of my favorite MCU movies. That said. It suffers from some pretty big plot holes. Like how come no one figured out about HYDRA earlier? When Steve realized literally the whole world was under threat why didn’t he try to contact the Avengers etc? And yeah I know they’ve tried to explain stuff like that away but tbh it’s a bit weak. Still I enjoy the movie and the more down to earth grittier feel so I just ignore the bits I don’t like. Same with Civil War where I ignore like...90% of the movie.

Now as far as Ragnarok in particular goes overall I found it a thoroughly entertaining movie. like other MCU films it most certainly has its issues. But I think in my view it does some important things. First of all, I think it gives Thor the character development he was supposed to get in Thor 1 but didn’t really get by actually taking things away from him. Rather than having the narrative continuously punish Loki and reward Thor, as was the case in prior movies, Taika did the opposite and had Thor lose a lot and have to go through changes as a result. Thor also ends up in a situation where his fighting prowess doesn’t help him as much as usual and he has to rely on other skills - like craftiness and charisma to get by.

Meanwhile, the narrative stops continuously punishing Loki and actually has him end up in a situation of relative power and comfort compared to Thor, who is fairing far worse on Sakaar than Loki is (and we know why that is. *winks with both eyes*). I also like that Ragnarok tries to show the camaraderie and affection that thor and loki have for each other and that despite their relationship being deeply flawed they do also have a strong bond. 

and btw. for all that ragnarok has a lot of humor it also has some pretty deep and interesting themes about family, love, forgiveness, and redemption which get explored through various characters including loki and valkyrie. i also really like that the film acknowledges how deeply flawed Asgardian society and Odin were far more explicitly than in previous films.

I ALSO quite like that Loki and Thor’s arc actually gets closed with reconciliation. And it’s finally Loki’s decision. Because he got shocked he could genuinely say he tried to stop them getting away but failed. He probably could have stayed on Sakaar without being kicked out as a traitor. But instead he chooses to follow Thor. And he finally gets to be hailed as a hero. 

Loki gets to come back into Thor’s life and be accepted for who he is now. Thor stops demanding that he come back in a specific way or that he become a version of himself that no longer exists. Also the Asgard that Loki returns to is not the one he left. Thor is a different person and the people he surrounds himself with are no longer the ones who continuously mocked and belittled Loki. He actually has a place and there’s potential for them to move forward. I really liked all of that. 

Now. Are there flaws? Yeah sure. And I enjoy discussing those too. Are there bits I didn’t like? Yup! But ultimately there were a number of elements that I quite enjoyed. Like getting to see Loki end a movie getting to make a choice of his own and getting to be welcomed back to Asgard in a positive way instead of in chains. 

Also remember that Loki never really wanted the throne originally. He wanted to be Thor’s respected equal. the movie ends with a wiser, more mature Thor on the throne and Loki by his side. When Thor asks where to go next, Loki is the first person he looks at. In other words, Loki finally got to have what he originally wanted. 

The Thor movies were very much the story of these 2 tragic siblings and having them end with the 2 of them on the same side and reconciled made me happy. A lot happier than IW and Endgame which I continue to exclude from my canon bc I hate them with a burning passion since they managed to ruin every single character arc. 

[ifyoulovemeletmebinge]

Why do you hate Joey? And please don't spoil beyond season 2 for me.

hi! 

this is my first ever ask so this is kinda cool alrighty get ready bc this is going to be a LONG post. i’ll try my best to avoid spoilers. 

why i dislike joey potter from dawson’s creek: 

ok so I think what my growing hatred for Joey Potter mainly boils down to is just the fact that she is the type of character who has no personality, she is simply empty. when she does want something it’s because it helps her only, and she’s very selfish. this is hard to explain in the context of s2 which is where you are, but i am almost done with the last season and i feel this is where her character has turned to focus on over the course of the entire show. 

i will say, i completely respect other’s opinion of joey, mine is just that she’s not my favorite by any means in the show. i actually think she’s my least favorite. so i’ll try to explain that! 

let’s start with s1: 

- i actually enjoyed joey a lot in s1, i thought she was fun! she’s sassy and her “im beautful yet unaware of it” thing kinda worked. this aspect of her only works in the beginning though (since she’s young and that’s the entire point of being beautiful and young) and something i find aggravating about later seasons is this continued theme of unawareness that doesn’t fit with her character anymore. by that point, SHE SHOULD KNOW SHE’S HOT OKAY. 

- another s1 point is her relationship with Dawson. i was a strong shipper until ~certain future events~ happened because i liked them together. Girl Next Door is in love with Best Friend who’s oblivious to it, it’s a cute trope! i think for the first season, their focus on Joey’s suffering from just recently discovering her feelings for Dawson and trying to navigate them made for a good complex storyline for the Lead Female of the show. there was an exploration of female sentiment there that i personally haven’t seen a lot of, so i was interested. her relationship with Dawson in s1 was overall pretty good bc it set up excellent foundations character and plot wise for the show. 

- my only criticism (more like character-choice-to-eye-roll-to) for her relationship with Dawson in s1 is her treatment of Jen because of it. we all know Dawson falls for Jen super quick and that’s not his fault or Jen’s or Joey’s yet she chooses to blame Jen and antagonizes her the whole season because of it. basically, she was a bitch to Jen. now, that’s not to say that it didn’t make sense because it did, and i think it worked well since we need some Conflict here, but thinking back on it now after watching almost the whole show, her choices and behaviors towards Jen in s1 shift from a childish jealously funny thingy to outright unlikeable aspect of her character that is only built upon as the seasons continue. i would argue this is the beginning spark or preview into the Bitch she will eventually become. 

moving on to s2: i personally don’t remember much about joey from s2 bc my brain is Pacey Witter centered and he really shined during s2 so i apologize if i get something wrong, i’m outside my lane here teehee

- i feel that joey’s character in s2 starts it’s shift into Bitch Land and also Lost Land. this is where i feel they started to lose control of her, but something i find interesting about that is that the loss of control is extremely subtle up to the point where when you finally look back in retrospect, you can find those seeds being planted as early as s2. 

- let’s tackle her relationship with Dawson in s2. there’s a lot to unpack here, but let’s start with the fact that it started REALLY WELL!!! our queen was getting the boy of her dreams!!!!!!!!!!! and good for her, but ofc, because this is a tv show and they need drama for the ratings (i’m guessing :)) everything falls apart very quickly. i would also argue that the choice they made to break Dawson and Joey up in s2 was very definitive and formative for her character for the rest of the series; the seeds were planted when they broke up. 

- her reasons for breaking up with Dawson were understandable **at first** in my opinion, there wasn’t much reason at all to break up with him. yes, she needed to find herself (just like any young person does), but that doesn’t mean she couldn’t do it with Dawson. i actually thought they would do great at discovering her together, because i think Dawson is supportive and sensitive enough to help her. her excuse that she can’t do her art while dating Dawson was bullcrap. i could go on and on about why that is, but the best evidence of it is the fact that she hopped from Dawson to Jack with no hard feelings and continued with her art the same as before. her art didn’t get any better when she switched boyfriends so she really can’t use it as a scapegoat to explain breaking up with Dawson. 

- this break-up and then her romance with Jack is what really gets me about her in s2 though. i think Dawson actually commented on it: she wanted to be alone to find herself, but then she started dating Jack almost immediately after that decision. this is where Joey first starts contradicting herself. this is where she first starts her ever-running theme of not knowing what she wants from her life at any point in time. for inexplainable reasons, her character is confused and she has to lead everyone else along and confuse them with her. honestly, poor Dawson. she both Wants and Doesn’t Want things, and her inability to stick to one is annoying to watch. and it only gets worse! 

- her mistreatment of Jen continues, but what really gets me about her treatment of other characters in s2 is her relationship with Jack after he comes out. Jack has become one of my favorite characters in the show and his coming-out arc is (in my opinion) done extremely well for a gay character at that time. we don’t even have arcs like those THESE DAYS OF THE 21ST CENTURY WTFF!!!!!! it’s also a very important arc to me. i can’t cite all the evidence, but her friendship with him after he comes out is so messed up. she constantly acts like that weird Straight Girl Who Needs a Gay Best Friend. fucked up. she always apologizes and goes back on it after Jack has to snap at her multiple times, but it still makes her unlikable and inconsiderate to anyone but herself. Joey starts showing through her relationship with Jack that she only cares about herself. when she was dating him, she did it to feel good about HER art not because she really truly liked him, and when he came out, she wanted him to be a Stereotypical Gay Man for HERSELF, not because it was what Jack wanted, and he outright told her various times. she’s selfish. she doesn’t care about breaking Dawson’s heart and using Jack, she only sees her own benefit when she’s playing with these boys as if they’re not real people with feelings. this is another running theme that worsens her character throughout the seasons. 

- by the end of s2 i think her and Dawson are back together (i’m honestly not sure i was invested in Pacey <3) but then the whole thing with her dad happens and that was really interesting to me. her decision to breakup with Dawson in the s2 finale after what he did.... MADE SENSE. i was kind of sad about it, but it was right!!!!! she had to do that!!!! she went through a lot of trauma bc of it and being with Dawson would just remind her of it, it wasn’t fair to her!!!!! i thought, hmmm this is the cataclysm of their relationship here again. this would allow her to finally find herself after being lost all of s2 and then she can be with Dawson again. it was all set up to match together perfectly. s3 proved me wrong :) but that’s for another post. 

Joey is, at her core, an empty shell of a character. she starts off well and full of personality, but either bc of writing choices, or the audience reaction at the time they made this show, those aspects of her character start chipping away and she just becomes this unattainable sorcerer of men, who’s too good for any boy, but never good enough to be by herself. this is not the type of woman i personally enjoy watching, it gets tough watching her break everyone’s heart one by one just bc she “doesn’t know, isn’t sure.” it’s repetitive and makes for crappy drama effect. it’s frustrating. 

i’m sorry this is so long, i hope this makes it clear why she’s my least favorite character in Dawson’s Creek. again, i respect all opinions of her character. hey! if you love Joey Potter, then cool for you!!!! she’s just not that character for me, and looking just at s1-2, these are my reasons why. 

[bubble-beetle]

End of drv3 ch3/beginning of ch4!!

i decided to make posts documenting my playthrough of drv3 since im more than halfway through with the game

little note: i played this section of the game back on Jan 8th and didn’t play the next section (after flashback light to kokichi meeting with monokuma) till jan 20th

all of them crying with himiko at the end of trial 3 ;;

awwww this was sweet

kaito is dying??!!?!?!?

So was kaito not able to help during ch3 bc he was dying??

but also why the fuck is he dying

that video message from rantaro to himself

i miss him

but also how and why does he know what’s going on before he went into the killing game??

I think this isn’t his first killing game bc of the line “well the truth is, this isn’t your first-“ and then it cuts off and im assuming he was going to say killing game

so maybe rantaro survived or won his last killing game and is in another one??

But why would there be more killing games? Like im assuming kyoko, makoto, and the rest of them wouldve put a stop to them by now bc that was their whole plan when joining the future foundation

(i have a feeling this might have been explained in the dr3 anime future arc but i havent finished it yet bc im planning on watching it with a friend who is still playing sdr2) 

Also why is the background on fire(?)

im writing this bullet in after i passed the scene in ch4 where they used the flashback light & remembered the meteorites, so im thinking he made that video while that catastrophe was going on

Ch4!!

i thought the rock was going to say “the most tragic event in human history” but after adding new letters i don’t think it is

kokichi what are you going to do with the card key

im like %95 sure that card key goes to secret door in the library bc it’s the only door we’ve seen in the school that can be opened with a key card

Kiibo’s lab is p cool!! Love the color scheme

im sad that the “spirit, praise, and beauty” theme isn’t playing on the 4th floor anymore :(

Tsusmugi’s lab is cool!! She mentioned they should all cosplay together which sounds fun

The cutscene where she talked abt working as a bartender akdhsjshw

hello secret door near shuichi’s lab 👀👀

im guessing the door is going to open to another area with labs in ch5

Shuichi’s lab surprised me especially the line: “the newer files have photographs but the older ones have illustrations?...But why? Are the old ones just fictional?”

My thought process was maybe the case files are actually case files from the previous murders in the first two games? But again it wouldn’t make sense bc why is there another killing game if after sdr2 they were trying to stop them

And why are some just drawings? Like that’s a lil weird

Kaito found the flashback light!!

Kokichi is back and couldn’t figure out where the card key went which i think is a lie but okay

The meteors from the end of ch2 make a return along with protests?

Also iirc Kirumi said during her trial that she was asked by the prime minister to save the country from a crisis- could that have been the meteorites??

Miu was acting odd after the flashback light, she almost seemed brainwashed or was in a daze? she was repeating, while giggling, “mankind deserves damnation” the same phrase from the protests?

Maybe the flashback light awoke another memory for Miu from before the killing game and her memory being erased

the loading screen changed!!

im guessing the items are there to represent the characters from the trials:

piano is for kaede

pirahanas, inner tubes, handcuffs for kirumi

katana, sheath, and dog statue for kiyo

and then the hanging monokub or monokuma?

here’s the post with ch4 pt2

[lunatic-fandom-space]

Comparing RWBY and YGO DM: The Handling and Evolution of Themes

Hey! Its been a hot minute since I last posted anything RWBY-related but Im laying in my bed right now and Im sick and bored so I guess we're doing this. Today I will do my best to analyze what I percieve to be the main themes and messages of both of these shows, or more specifically, how theyre handled narratively. Im mostly focusing on that part because, while these series do have similar themes and messaging, they are still a few things in which they are wildly different. And with that, lets start with this essay-post-thing!

1. Theres something we need to adress first

Okay so, before we can really talk about this, theres something I feel the need to clarify here: Neither of these stories was "planned from the beginning".

Now, I dont think a story being planned from the beginning or not nesscessarily makes the story any better or worse by default, however, it is still important to acknowledge because the way the story is planned is going to affect every facet of it. Things are not going to be foreshadowed properly, things are gonna be set up only for nothing to come of it, the story might drastically change directions, characters might act differently, etc, etc.

And, this is bit off-topic but, it's much better to just admit that the story was not planned than trying to pretend that it was. Like, there are a lot of reasons why I tend to be so forgiving towards YGO even though its not very good, but one of them is definitely the fact that, as far as Im aware atleast, the guy who wrote it isnt pretending to have had this big master plan all along and neither is the fandom. With RWBY on the other hand... yeaaaah, its kinda the opposite. From what Ive seen of RWBYs fandom, there seems to be this pretty popular narrative that everything was planned even though it clearly wasnt. Thats pretty bad and honestly lowers my opinion of the writers so much more than if they would just admit to not having a proper plan.

Like, I initially consumed YGO like this: Yu-Gi-Oh Duel Monsters, Yu-Gi-Oh (aka Season 0), like, a quarter of the Yu-Gi-Oh manga (I still havent finished it)

In all three of these we have the character of Yami Yuugi, or just Yami. Broadly speaking, he is an ancient egyptian gamer spirit who lives in a magical puzzle that has not been solved for 3000 years until this highschooler named Yuugi Mutou comes along and solves it, thus setting him free and allowing him to possess Yuugi and have access to the vague magical powers of the puzzle.

In Duel Monsters he's perfectly fine most of time, morally speaking. There is an instance of him almost murdering a guy and its a bit unclear what exactly happens to those he mindcrushes but overall he's very much a pretty good guy. In Season 0 most of what he does is set up these games for bad people, where they will go insane no matter what they do. From how I understand this whole Shadow Game, Penalty Game stuff, if you lose a Shadow Game, you get violent and intense hallucinations and you will always cuz yknow, gamer spirit. But if you try to cheat, which most of the bad people do in this show, you get violent and intense hallucinations as a punishment.

Since the two anime are generally considered two different continuities, its perfectly fine that Yamis characterization is wildly different in both of them. But in the manga both of these characterizations appear, basically one after the other with no real arc or consequences, for that matter. Why is that? Simply put, someone thought it was a good idea to try to turn an episodic, very slice of life-y light-horror manga into a more traditional, more plot-driven battle shounen. From what Ive heard, it was apparently largely because of network interference or something, but the point is, it changed directions incredibly drastically with little planning and everyone knows this and I can understand that for the most part.

In RWBY we have the character of Blake Belladonna, who, in the first 3 volumes/seasons atleast, was this aloof, more toned down loner-type character with a pretty strong sense of justice. She's an in-universe marginilized racial minority and she clearly cares about racial injustice. The way its initially framed makes it seem like she had a very hard life and no stable support system, which is what eventually pushed her to join a Civil Rights group/Terrorist organization (good god, the Faunus subplot is so awful, I could write a whole essay about it but Im already de-railing rn so I'll just save that for later).

Then, in volumes 4-5 it turns out her father is actually like, the mayor or chief of this island-place called Menagerie and she grew up in this big mansion with multiple guards/servants. Oh and also, apparently "space is a commodity" on there, so theres that. She still retains large parts of her personality but she's kinda like, worse somehow I think. I cant really describe it in a meaningful way but I hope you get what Im saying anyway. Then in Volume 6 she confronted her emotional abuser Adam (sorry for not mentioning him sooner but yeah, he was like, her abusive boyfriend, which is something that a lot of people disagree with but I wont really say anything about it either way because I dont really feel any specific way) with her friend, Yang, and ended up killing him.

After all that, she pretty much lost the rest of her personality, as well as her arc about all the Faunus stuff. She just kinda became the meek, generically nice, recovering abuse victim. Why? Well, the actual reason is that they didnt plan out shit and are just kinda flying by the seat of their oversized clown-pants and if they and the fandom just admitted it, I would have less of an issue. I still wouldnt be as forgiving towards RWBY as I am towards YGO because the crux of the issue, for me, is just that I dont particulary like RWBY but also like. Do you really expect me to take MKEK seriously as writers after admitting to not have a timeline because iT wOuLd CaUsE pLoThOlEs?

However, since they want us to believe that everything was planned out from the beginning, the explaination would be.... Idk, they deliberately butchered one of their main characters?? Because.. they hate her?? Maybe????

So yeah, that was quite a detour however, I would like you to keep this mind going forward.

2. Themes of the Early Series'

First, what do mean by 'Early Series' for both of these shows respectively? Well, for YGO that would have to be Season 0 or if youre reading the manga, everything pre-Duelist Kingdom. Basically, the part of the series thats a episodic, very slice of life-y light-horror series.

For RWBY that would be the first three Volumes, also known as the Poser-Era. Back then it was just kinda an action series that took place at Anime Warrior Academy (also known as Beacon) with some pretty bare minimum worldbuilding, character-driven plots and developments but now its more of an epic high-fantasy story with more of an emphasis on plot as opposed to just action.

The themes and messages in Early YGO are kinda vague, very confusing to me and if you were to follow any of it literally that would be pretty bad. For now Im just gonna say the main themes are Friendship and Identity and mostly focus on the Identity aspect.

Now, it took me a little while to figure out RWBYs deal but I think the main themes for Volumes 1-3 are also Friendship and Heroism. Once again, I'll mostly focus on Heroism and touch on Friendship more briefly later.

I dont have much more to add to YGOs themes right now, so I'll briefly go over Heroism in RWBY.

In RWBYs setting there are these man-eating monsters called Grimm that have basically infected the planet. In order to deal with that, they have people called huntsmen and huntresses that kill them and protect people. Theyre trained at special academies like Beacon and go on missions there and stuff like that. Our four main characters, Ruby, Weiss, Blake and Yang, are training to become huntresses and one day they go on this mission to clean up a grimm infested city block with one of their teachers. Obviously, that takes a long time so they have to camp out in one of the empty houses. Weiss, Blake and Yang cant sleep because theyve been thinking about this question that their teacher asked them when they were fighting grimm: "Why do you want to become a huntress?"

They have a heart to heart and we find out about their motivations; Weiss wants to bring honour back to her family, Blake want to distance herself from the White Fang (that terrorist organization I mentioned earlier) and as an extension from Adam, Yang wants to have a life of adventure. They also talk about why Ruby wants to be a huntress and it turns out that she judt wants to help people. Unlike the others, she has no motivation besides that. We're meant to listen to that and look at her as a sort-of personification of Heroism: kind, but not naive, strong and most of all, selfless. The others on her team are not portayed as bad for not being like Ruby by any means but we are clearly meant to admire her the most out of all of them.

Okay, now comes the part Ive been looking forward to the most:

3. How did these themes evolve in the Modern Series'?

Alright, before we can really delve into the way they evolved in YGO I'll have to give you a brief summary of the character progression. At the start of DM, during the Duelist Kingdom arc, Yami Yuugi is just that; A darker Yuugi. Hes more confident, bolder, his voice is deeper, hes somehow taller, more ruthless, all that good stuff. Notably, he doesnt actually seem more skilled than Yuugi even at the start of this story, but he's still dependent on Yami. Yami on the other hand, has no identity of his own or even hints at one at this point. He's just The Other Yuugi.

Then during the Battle City arc, they find out that Yami was actually a pharao prior to being sealed in the puzzle, he just didnt know because of amnesia, I guess. So now they need to find out his real name and then send him to the afterlife because hes meant to be dead, but not before saving the world from being swallowed by darkness, which is also a thing they have to do now.

Then we finally get to the Memory World arc, where Yami, Yuugi and the rest of the gang astralproject to ancient egypt via puzzle magic. Yami is trying to figure out what the hell is going on and who all these familiar people are, while Yuugi & Co are trying their best to help him. Then some weird shit happens and it turns out that all of that is not just Yamis sealed away memories, but also a giant D&D Shadow Game that will destroy the world if Yami loses. So now theres Pharao!Yami who is still clueless on the metaphorical and literal playing field and Player!Yami, who is kinda controlling himself now? I guess?? Yamis opponent, The Spirit of The Ring, has something similar to that going on where hes both controlling and properly participating in the game. So Player!Yami is now fighting against Player!TSoTR, Pharao!Yami is now fighting against Thief King Bakura (who is like, the human, ancient egyptian version of the Ring Spirit) and Yuugi is now fighting against Yami Bakura (who is like, the human, modern japanese version of the Ring Spirit). Yuugi gets Yamis real name, he and the gang go over to Pharao!Yami and tell him his name, meanwhile Player!Yami is also somehow helping as well and they defeat the Ring Spirit, thus saving the world. Then they travel to modern Egypt, the Ceremonial Duel happens and Yuugi wins, sending Yami to the Afterlife where he can finally rest and that was the series!

I originally wanted to recount the stuff that was going on with the Ring Spirit and his host as well because they parallel eachother, but this summary is already far too long and I think youll get the point without me needing to explain any more.

My point here is, that the story went from being vaguely about Identity, maybe? to being very clearly about Self-Discovery and Learning to Be Independent. I think this is a very good way to evolve the messaging of your story. How does RWBY track on that?

Well, uh... its not great. I will acknowledge that they have tried to introduce new themes and ideas since, even though I wont really be talking about them in this post. But yeah, the whole Heroism thing really regressed.

Like, I didnt explicitly say it when I was explaining grimm earlier, but theyre not going away. The grimm have always been there and people who sign up to become huntsmen and huntresses are effectively signing up for a job that will never truly be done, no matter what they do. Characters like Ruby and even more minor ones like Phyrrah have shown us that that doesnt matter when youre a hero. No life isnt worth saving, no grimm isnt worth killing, no criminal isnt worth arresting. Then, in volume 6 they find out about Salem. Salem is the Big Bad of the show, shes immortal, controls the grimm and is supposed to be very powerful.

What do our heroes do? They give up. Sike! They were just mindcontrolled by monsters or some shit, of course they didnt give up their mission (which is to bring an Important Macguffin to a city called Atlas, sorry I didnt mention it)!

But then they arrive in Atlas (which is llike, a city thats floating over another city called Mantle) and yknow, they do some plot stuff thats not really important right now until the city gets invaded by Salem and this big grimm army she has.

What do our heroes do? Well, Ruby, Weiss, Blake and some side characters are chilling, drinking tea in a mansion and Yang and the B Team were actually trying to do something, but even those efforts seem incredibly minimal.

Oh wait, I also forgot to mention that Ironwood (a fairly minor, vaguely antagonistic character up until now) wanted to lift Atlas even higher to save Atleasian civilians from danger while leaving Mantle vulnerable to Salems invasion.

What would be the most heroic thing to do?

A) Let Ironwood lift Atlas, get as much support as they can down to Mantle and save as many Mantle civilians as they can from the invasion

B) Prevent Ironwood from lifting Atlas but then split up in order to protect both Atlas and Mantle civilians

C) Prevent Ironwood from lifting Atlas and then dont do anything else

Congrats! If you choose C, you think exactly like the writers!

And I just

This is so mindboggling to me, I feel like I shouldnt even have explain how this is bad. And like, it wouldve been so easy to actually make them seem herokc through their actions, to make it seem like they did try but no.

I have never seen a central theme be this botched, how in the world did they do that? Why did they think it was a good idea for Ruby "The Embodiment of Heroism" Rose to sit in a mansion doing nothing, no planning, no organizing just ..... God, how are they this bad? Like, this doesnt even have anything to do with it being planned in any way, this is just straight up incompetence

4. Very briefly touching on friendship

The friendship is awful and its not solely because they all have the same opinions. They barely interact with eachother outside their designated pairs which leads to it all feeling incredibly hollow. Theyre also practically indistingushable from one another now, which is a shame because it wasnt always like that. Like, I dont think the characters were that well-developed in earlier volumes but they were very well-characterized. But now we've gotten to a point where you can literally copy and paste one characters dialogue onto another and literally nothing changes, it really sucks.

5. Some closing words

Damn, this took way longer than I thought it would and now Im pretty exhausted. I have no idea how yall always write these but props to you! I feel like this ended up a bit rambly but overall, Im pretty proud.

Please let me know what you think of the points I brought up! Id also really appreciate some tips on how to get better at these longer posts because I am planning on writing more in the future (not the near future, probably but yknow).

Thats all I have to say for now, thanks for reading!

[grayyxv]

An Analysis of Portgas D. Ace

Alright I decided to do this since people actually enjoyed the analysis i did for Kid. Also, i find myself relating to him more and more recently. So, I thought: why not do an analysis of him?

Ace is undoubtedly one of my favorite characters in all of one piece so this might segway to become a "Why is Ace such a good character?" post.

Before I begin, just a disclaimer; I am aware that not everyone will agree with what I say so just make sure you understand that this is just my opinion. im just a psychology student so im just using whatever crap i learnt into analyzing this.

* This post might contain spoilers *

Here we go.

I think we can all agree that Ace is definitely one of the most loved characters in one piece. He has a shit ton of fans so i dont even NEED to convince you on why you should like him. But of course, there are fans that like him only because of his appearance or because of his abilities. So, id like to offer a different perspective- the same goes with my Kid post. Im just here to kind of breakdown the reasons why Ace is such an amazing character such that we can all appreciate him even more.

1. Background

Let us take a look at his background shall we? I think this is a very important part of Ace's character as all his choices and decisions stems from how he was raised during his childhood.

In the recent chapters of one piece, they showed a panel of Roger saying how he wanted a son. But we all know how that went. He was dead so he couldnt take care of Ace. Instead, taking care of Ace became Garp's responsibility, then it shifted to Dadan's responsibility.

Dadan was Ace' primary caretaker. While she provided and place for him to stay & food to eat, she isn't really shown spending time with him. She cared for him, that's for sure. But did she meet his emotional needs? I dont think so. Spending time with a chuld is very importsnt for their growth. But Dadan did not do that. It's evident that Ace displays the insecure-avoidant attachment style as he is unconcerned about his caregiver. This led him to develop trust issues as he got a bit older.

Another reason that could explain his behaviour in his childhood is that no one tried to address the relationship between him and Gol D. Roger. No one took time to acknowledge Ace's feelings about Roger. Everyone around him had said that he was an amazing man, but no one understood Ace when he said that Roger wasn't as great of a father. This led him to resent Roger even more- as well as the people who praised him.

Sabo's 'death' really affected Ace. Sabo was the first person who accepted Ace and I guess Ace must've grieved over him. (I mean, he does have a tattoo in memory of Sabo) But, Sabo was the reason why Ace decided to become stronger. So that he could fight for whoever he cared about.

2. Love

This is arguably the main theme in Ace's character.

His whole character arc revolves around acceptance and his goal in life was simply to find someone that could love him for who he was- not because he was the son of Roger. As explained above, he had attachment issues as he wasn't really shown any love as a kid. The firet person to accept him was Sabo then eventually, Luffy. It's unclear how Sabo and Ace met but, Sabo was definitely the first person to help Ace open up his heart. This is purely hypothetical but I think Ace saw similarities between himself and Sabo which eventually led them to becoming friends. On the other hand, he took a long time before he accepted Luffy. Luffy was an interesting child because he was so persistent in getting Ace's attention and acceptance. I'm sure Ace must have felt confused as to why someone would try so hard to even be accepted by him. Was it because he was Roger's son? Or did Luffy really want to befriend Ace because of who he was? When they became sworn brothers, it had meant that Ace was going to sacrifice everything for Sabo and Luffy. They followed different paths but Ace never stopped caring for them.

Moving on to the point where he first joined the Whiteheard pirates, this is when he experienced what it was like to have a family. Over time, they taught him about how a family should be like. They showed him unconditional love and sheltered him from those who would try to harm him. In return, he does the same for them. This was when Ace had found his purpose. His purpose was to protect those he cared about and those who cared about him.

3. Marineford

This is where Ace's character really was at its peak. We see that everything that we have understood about Ace makes sense as they are reflected in his actions. Him going after Blackbeard after he killed Thatch, then getting captured. But, this is where we learn that Ace is still struggling with his issues. He doesn't want to be saved because there's a part of him that thinks that no one cares about him. He thinks that nobody would bother risking their lives for him so, he didn't ask for any help as he didn't want to ne disappointed when no one came. At the same time, part of him clung on to that hope that he could be saved. That maybe just one person would come and rescue him.

As an audience, his conflicting emotions really impacted me because his feelings are all too real. What do i mean? This is kind of personal but, if you have ever struggled with mental illness you'll understand Ace's feelings. I've dealt with depression all my life and I could really relate to his feelings. Sometimes I wonder if I'm worth the effort, if there is any point in me living. Does anyone really care about me? Even if you don't have a mental health condition, surely you must have had times where you were in despair. That is when you wonder to yourself if there is any point in clinging onto hope. If there is anyonr that could save you from this situation. I think this side of Ace's character is so well written because it reflects reality.

The most heartbreaking scene is when Ace protects Luffy from Akainu. Some people argue that Ace's death was his own fault as he shouldn't have gotten agitated when Akainu insulted Whitebeard. But, you need to understand Whitebeard's relationship to Ace. To Ace, Whitebeard was the man that gave him everything a father would have. He was there for Ace physically and emotionally. He literally was the one who gave Ace the confidence and strength to fight for who he loves. So, I think that his actions and choices in that scene is perfectly valid. It fits his character.

Finally, Ace's death and his last words.

"Thank you for loving me."

This fucking broke my heart.

Everything about Ace's character is coming in full circle. His past, his choices, everything had been leading to this moment where he would die protecting the one he loved. He had finally achieved his goal in life- which was to find someone who could love him. He must've felt so fucking happy when he saw how so many people were willing to fight to save him. He finally attainted the happiness he had been searching for so, so long.

Then, he died.

This is going to segway a little but I really, really couldn't accept his death because he didn't deserve to die. Don't get me wrong, I do know how important his death is for the story and Luffy's character but I still can't accept that he couldn't live out the rest of his days happily. Also, the fact that he never got to see Sabo again just fucking breaks my heart because Sabo was the first person in his LIFE to accept him. (that is why i ship them lmao)

Anyways.

In summary, I think the reason why everyone loves Ace so much was because they could see themselves in his position. We can understand his conflicting feelings, his fears and worries because they are a reflection of reality. We desire for the same thing as he does: Love and acceptance. Which is why, we root for him. In times of despair, he clings on to hope- much like how we do in real life.

With that said, like how Ace deserves all the love in the world, you do too.

You deserve better.

TLDR; i love this man so, so much

[zelskzerker]

Mangadex went down so I read alot 4/7

Let’s CONTINUE reviewing

Magicraft Meister

Chapters 1-31

[Insert isekai setup here] but this time MC inherits powers of an old master. Kinda like Legend, except MC here is actually all powerful and can do anything with magic. Primarily making robots, like his main maid assistant. Pretty much an isekai with seperate arcs making it feel like an episodic anime where anime hijinks happen. THUMB SIDEWAYS.

Tenkuu no Shiro o Moratta no de Isekai de Tanoshiku Asobitai

Chapters 1-21

[Insert isekai startup here] but this time he has a castle. Guess MC is so unimportant he literally isn’t deserving to exist on the cover. Just the castle. Literally the castle existing is the character. Meh. THUMB IN BOTTOM CORNER. Guess it wasn’t offensive.

Neta Chara Tensei to ka anmari da!

Chapters 1-6

Im a sucker for [Insert isekai startup genderbend redux] but this time it’s the MC’s roleplay character. So the MC is roleplaying this super edgy but goodhearted character and it is really funny to watch em try to yuri it up and seem like a badass despite barely knowing whats going on. Perfect art for its goal. Love the funni faces. THUMBS UP. Flesh fang good.

Kuro no Shoukanshi

Chapters 1-70

So now its time to describe the battle maniac subgenre. Battle Maniac manga are all about the fights, and the MC who loves fighting for fighting sakes and therefore creates situations that allow them to fight. For this manga in specific, the setting is an isekai and the MC is a summoner meaning that he recruits quite a few allies. But he is also a battle maniac and fights on the front lines an insane ton. All the fights are fun to watch, well drawn, with fun mechanics. Somehow this manga manages to feel like a slice of life battle manga, which is odd but feels really nice and homely. THUMBS UP.

Fushichou e no Tensei: Dragon Taoseru tte Futsuu no Tori ja nai yo ne?

Chapters 1-5/END

THUMBS DOWN. Guess it was cancelled at just 5 chapters end, so don’t waste your time. Pretty much “I was reincarnated as a sword”-lite and the guy is a phoenix instead of a sword. Had potential but nothing realized.

Chichi wa Eiyuu, Haha wa Seirei, Musume no Watashi wa Tenseisha.

Chapters 1-33

[Insert isekai startup here] but this time she is the daughter of a legendary hero and the originator goddess. Ontop of being half human half spirit, the MC has knowledge of chemical compounds so her spirit power is controlling elements off the periodic table. This manga is strangely alluring with its slice of life pacing and fantastical elements of its hikki scientist turned little kid learning how to be both royalty and a demi god and also just a human being. Oh yeah and also trying to avoid the king’s plot to have her marry into kingly royalty. Sins of the past. THUMBS UP. 

Kuro no Maou

Chapters 1- END

Right off the bat, it got cancelled and is unfulfilling so THUMBS DOWN. About the manga though its [insert isekai startup here] but this time himbo MC escapes the torture lab and runs away to try and live a quiet life with demons. It doesn’t work. Suffer porn ensues. Also of note, yandere loli fairy GF. She is stronger than MC but not strong enough to stop the suffer porn from occurring. Really makes everything the MC does feel useless because he barely ever gains any ground.

Yasei no Last Boss ga Arawareta!

Chapters 1-40

[insert iseaki sta - NO FUCK THAT. THIS MANGA STARTS OFF SEEMINGLY LIKE A GENERIC OVERPOWERED ISEKAI but then it goes places. It gets good. It has a mystery with twists and turns that gets parts answered and more questions raised. Traitors and quadruple agents appear. All while the MC, Ruphas Mafahl, sets out to regather her Twelve Zodiacs. Despite such a simple goal, this manga employs a variety of submysteries, character arcs, thematic naming to make for a very interesting plot. Note to mention the video game skills are well explained, cool, unique, and combined in awesome ways. THUMBS UP. Also this is a genderbend manga. Also also I love the zodiac and zodiac theming is rad. Also also also. Aries.

As the self proclaimed [男の娘 の おたく ],  it is my duty to investigate and review traps. Honestly came out of nowhere in the manga, but I am blessed for it. Shoutouts to my guy Mizaal the dwarf for keeping it real.

Aries’s focal point, as shown in the image above is obvious. Sheeps have fluffly wool. So of course our sheep boy is gonna have his Trap Focal Element be his fluffy rainbow hair. Even better that its depicted as sky blue. Not only does he look great, he has lots of screen time due to being the first zodiac gotten, major plot focus due to being Rufas’s most trustworthy member of the zodiac, and EVEN character development and huge focus in 2 different arcs. Cool, trustworthy, cute, dependable, fluffy, the strongest, ignorant of his appearance.

MAJORLY RECCOMMEND. 

[appleciders]

personally, im also deep in the station 19 muck but like you i wish i wasn't. randomly watched it because pandemic and maya bishop is just so compelling, even with all the bad writing i still love her sm. is there anything you would want to see for season 4? your hair cut fic was so good and i cant stop thinking about how much better the season would have been had it ended like that instead.

first off, sorry to both of us for being here! but i guess let’s take escapism where can get it, hey. second, thank you so much for reading the fic!! i’m super honored you liked it <33

as for what i would want for s4...whew. a lot, lmao. i’ll put in under a cut to save my poor non-s19 followers.

mostly, i want them to please slow down the pacing. let story arcs breathe and build and develop. last season was so rushed—ryan’s death and rigo’s death and pruitt’s death all crammed in, andy and sullivan having a shotgun wedding out of nowhere, maya and carina fastforwarding to i love yous with only 30 second scenes and not a real date to be seen, vic hardly getting to process ripley—i could go on. it’s cheap and messy storytelling. cut it out. 

i also really want them to let relationships do the same. i want to see the friendships that were so strained last season to grow again. show me andy, maya, and vic being friends and supporting each other!! for the love of god!! (show me andy and maya being friends, period. for the whole season. the whole goddamn season. no drama between them, only supporting each other through outside drama. if i have to see another season where these ‘best friends’ are at each other’s throats half the time, i swear to god.) 

show me more team-as-family! a) i eat that shit up, and b) that’s supposed to be the underlying theme and premise of the show. show them laughing and goofing off together, show them holding each other up when things get tough, show them teasing each other to hell and back while they cook together in the beanery. invest in that again.

for the romances....develop that shit. honestly, i really hope andy and sullivan either break up or really do the fucking work to fix their relationship, because as-is, it’s a hot mess. and not a hot mess i particularly care to watch. i liked them fine in season 2, but the sullivan arc in s3 (which...not to out myself as having watched chicago fire, but which is a blatant rip-off of severide’s s1 arc in cf) puts him in a place where he’s not really ready for a relationship. and with the amount of shit they put andy through, she’s not, either. i know it’s impossible on a drama, but i would really like andy to be single this season? idk, i’m tired.

maya and carina better not be all sunshine and rainbows. they need to do the work! they need to show the work! after that rushed-ass ‘forgive me’ scene (where carina was...pressured into forgiving maya like the day after she cheated on her??? and that was framed as a good thing?? make it make sense), they deserve to show them actually navigating that broken trust and rebuilding something real. and as someone who doesn’t watch grey’s, i really don’t know carina very well? 90% of her scenes were her supporting maya through her ongoing breakdown (though a  totally understandable breakdown! not criticizing maya for having trauma), so i’d like to see more of a balance of support in the relationship and more development of her as an individual apart from maya. she’ll be sticking around, and that will be much more interesting if she bonds with other members of the team.

dean and vic...look, my hands-down #1 wish for season 4 is that they treat vic hughes well, with respect, with screentime, and with a good arc. she’s the absolute best. and as much as i love dean miller (hint: a lot), he needs to start guzzling his respecting vic juice if the writers are gonna try to set up anything. personally, i’d really like to see them move past it? awkward crushes between friends happen. putting myself in dean’s shoes, living with one of my best friends who i’m also secretly crushing on, watching her play with my baby...it’d be a lot too!! but that doesn’t excuse being a dick, so i’d really like to see them take some time apart, and then start their friendship back up on a foundation of honesty and communication. because they’re so good, guys.

individual character notes!!!

well. i want every person at this goddamn station to go to therapy. they won’t, but i want them to.

andy needs to go to serious grief counseling after season 3. compounded by what’s bound to be a shitstorm from the discovery that her mother is alive? please. in regards to the whole mother arc, i really don’t want it her disappearance to have been like...gang-related. i’ve seen that posited as a theory, and that’s just a whole bundle of stereotypes we don’t need to get into. i also want the mom reveal to be the main revelation that takes up the majority of her arc the first half of the season, just to have time to process it. the captain’s race took up all of season 1—you can give this twist time to marinate properly.  

vic hughes, my moon, my stars! i really loved the snippets of vic’s backstory that they gave us in s3. as someone who lost a family member to early-onset alzheimer’s in november, 3x09 was...oof. a lot. i love how they committed to fleshing out her past and her backstory more and i love the emotional depth barrett doss always brings to the screen. for season 4, i’d love to see vic get to process ripley and jackson properly. (and here i repeat my forever adage for female characters lol: let them be single for a hot sec.) i want her to move in with maya, because i think that dynamic is so fun and ripe for exploration, and then i’d love to see her digging in to her issues and getting help—going back to the firefighter group, actually talking, spending time with her found family. (sidenote: would love to see her help out with some like youth community theatre classes on her days off? developing connections with kids who have gone through losses, supporting them and in turn realizing the support she needs herself...tell me vic singing with kids wouldn’t be the cutest shit). anyway, i just rly want her to get a good storyline. but i’m not a screenwriter so like...hope they come up with one!

i’ve already written much more than i’m sure you wanted, so i’m going to condense the boys into one paragraph lol. i want jack gibson to heal himself and stop sleeping with taken women! his new found family is super sweet, so i really hope he gets to keep it throughout s4. i want travis montgomery to get only good and happy things, and the same goes for warren. actually, i’d love to see warren step into his new role as team Older Person a bit more? i think that would be a really fun and heartwarming dynamic to play with all the other characters. dean i think i already touched on, but i’d love him to take a breath, apologize to vic and explain, and lean on the rest of his found family. he’s gonna be such a good dad and i’m excited to see more of that.

finally: maya. oh, maya. she needs therapy. you can’t have a character say she’s been dealing with suicidal ideation and anxiety for nearly 20 years and just...magically make it all better. she deserves to get to unpack all the shit with her dad, and all the ways that’s impacted her. on some level, i kinda wish she’d not stayed as captain—i love her scenes so much when she’s allowed to be just chilling on the same level as her team. since that’s not the case, finding a right balance of her as captain and her as friend is gonna be super important. i want her to open up to her friends and lean on them. i’d love for mason to come back, too? i think her trying to heal herself, establish herself as a team member and leader, and rebuild her relationships with her brother as well as her found family and girlfriend would be more than enough material for an arc. it won’t always go great! this stuff isn’t an easy fix! but that’s why it’d be worth writing. plus, so many members of the team have shitty relationships with their parents that even though they won’t understand what maya went through, there’s some really fertile ground for compassion and cathartic ‘fuck our dads’ ball-busting i’d love to see seeded. bonus father’s day episode where literally none of them are happy and they decide to like...go play laser tag or something.

anyway, i’m sure that’s more than you wanted!! but thank you for the q lmao apparently i had a lot to say

[mochuelovelli]

GAAAAHHH OKAY

Let's talk about the Timephoon Episodes

This is such an old topic of discourse but after reading many fanfics, videos, and some posts on the subject I have found little divergent takes on the whole subject.

While commentators are of the mind that, for the most part, the punishment and execution of said punishment for Louie's actions were partially if not fully justified but how she went about it was wrong.

Some fanfic writers and some subsects of the fandom but they are much more critical and often in a more black and white interpretation. Which is valid for vent art. However, I find both these portrayals to be lacking in some nuance.

Specifically when it it comes to who's to blame for the next 3 episodes, and to me, its more than just Della (and Louie but there really isn't much discourse here).

Let's start with Timephoon:

This pretty much solidifies their relationship throughout the episode[Also sorry for no captions]. Multiple times Della is shown to have a very laissez faire style of parenting as she primarily wants her kids to enjoy being kids and having fun. This is probably in part to her personality in general - which is probably what Beakley assumes here - however it is also her want to be loved by her children and even more critically, she doesn't ever want them to suffer like she did. Above all else, she wants them to be happy and feel confident in themselves. We see this in all the previous episode with her and her kids - From Dewey and reassuring him that he doesn't need to prove himself to her [notably in this episode she only shows concern when Dewey himself is in danger, she doesn't give a shit when he almost kills her] to Huey and helping him to have the most fun he possibly can, to even Webby and making sure that she also feels confident in herself regardless in how she goes about things.

Bringing up all these adventures does raise some pretty damning hypocrisy. Della encourage Dewey's reckless behavior in his episode. The lesson at the end wasn't, okay maybe we shouldn't be going on dangerous adventures, it was its okay to be afraid and you don't need to prove to me that you're great I already know you are. Huey's message was similar, albeit more low stakes. Webby's lesson wasn't even that she shouldn't be trying to take such risks to find adventure in the future, it was just a lesson in not being disappointed when things don't work the way you want.

So why wasn't Louie's adventure treated the same? Well... let's look at some more examples of Beakley V Della this episode before we answer that -

This is right before the kids find Bubba, Beakley's reaction is what most people would consider to be parental as she is concerned for the safety of the kids running out in a hurricane. Again we see Della acting casual.

Once Bubba is inside and Huey geeks out about him, Beakley actually smiles bc she knows that something like this means a lot to Huey [keep this in mind for l8r]. She only gets serious after Della says it's neat without much after thought so she gives the lesson of the episode - "Small problems become big problems later if not prevented early."

Next we have Della's faux attempt at being strict with her kids. Letting the irresponsible thing happen as long as they are "safe". While also harkening back to her previous episodes where she also is shown to have this attitude that "the kids can do anything as long as they are safe with ME or Scrooge or another SAFE adult", it is also good to note SCROOGE'S expression here to her patting herself on the back for her parenting. Now he could just be confused as to why Della is taking this "lesson" as a win, but he could be noticing that she really doesn't know what she is doing but unlike Beakley doesn't make any attempts to correct this.

Another scene that people often forget when reviewing this episode, just like with all her other kids she at first takes LOUIE'S side and decides they should just roll with the punches like always. Which honestly is sort if valid because that's kinda Scrooge's whole MO; though he also had others to there to keep him afloat but we all know someone like Scrooge, Della, and the kids hardly see that. I also want to hammer home that, just like with the other boys, she doesn't shy away from displaying that she loves them ALL. A few seconds later, it's subtle but she is shown smiling and patting Louie on the head because like the other kids she just wants him to feel supported. If I was to be critical, I would say this is possibly because she likes the IDEA of her boys more than them but I mean - this is pretty much everyone's attitude towards kids. It might be amplified bc of her trauma but it's not unusual. But even still I would argue that she mainly does love the boys for who they are as she is excited to get to know them.

After Della figures that they are looking for a "master thief", Scrooge and Beakley immediately know it's one of the kids. Shocking her since she later states she is of the belief that her kids are too "good" to do something like this. I also want to bring attention, again, to Beakley smiling (ik im putting a lot of stock into expressions but animation tends to do stuff like this for a reason). She is smiling at whom she expects is Dewey for messing with time and space. Bc even if she planned to scold him, she knows it's just their normal. Scrooge seems to also be of the same mind. Later Beakley gives a really good line about "Even good kids can do dumb things. We got to make sure those dumb things don't turn into bad things like destroying all of existence!".

Mrs. B exists stage right

All jokes aside, this must have been a nightmare for all of them but especially Della. She had just finally admitted that she was out of her depth and made another mistake in parenting. But now it seems like she lost her chance to rectify that. Because for all she knows, Mrs. B will never come back. This is import-ALLRIGHTWEGETIT

Della is then shown explicitly worried about her family. Emotions, insecurities and fear obviously getting the best of her. We don't know exactly what she is thinking but we know she is terrified of the possibility of losing one of her kids. When she asks about Louie, she probably thinks he must have disappeared without her knowing. That she might have already failed more than she could know, because she wasn't there to protect him. She doesn't know - she is "Della Duck" and she doesn't know how to fix this. She didn't expect everything to go so horribly wrong, but that's her theme isn't it?

She is both relieved and understandably PISSED when finding that Louie was responsible for almost destroying the fabric of reality (let me say this again, nearly destroying the fabric of reality). She goes scold both herself and her son about the danger he put them in. Later we see Della, the last one leave and seeing almost everyone she loves vanish. We don't know how long each of the characters who left were in the past but we can assume it was long enough to have to change clothes. Yeah this was probably more of a visual gag but like, the other past characters didn't change their outfits when they came to the present so - (also Launchpad was specific about knowing how the world ends so he had to be there enough for him to understand it). Side note someones gotta write fanfic of these characters time misadventures. I wonder if Dewey and Webby ran into Agent 22.

[Last picture of the infamous scene, side note did anyone notice Launchpad NODDING his head when Della mentioned his time schemes could've cost them their future? He's the only one who knows what happened so maybe Louie's misadventure has more impact than we think-]

Anyways, yeah we know what was said here. But I think it's important to see the reaction the other adults (sorry LP, and Gryo i GUESS) have here BC this is basically why I made this post. What Della decided to do was unquestionably the wrong decision, at least her way of going about it and I will not absolve her of her many MANY mistakes. However, let's remember she wasn't alone in any of this. She was with other parental figures who KNOW more about her kids than she does.

After Louie leaves, why did they think it was good to encourage this course of action? Why did they think giving full parental control to a PTSD, trauma survivor who barely got back less than a month ago was a good idea? Sure it's one thing to not want to overstep your boundaries but are you telling me they wouldn't want to guide her in the right direction at least? We KNOW both Beakley AND Scrooge have their grievences towards Della's parenting strategy or lack there of. Beakley so far doing the most to try and put her in the right direction (which speaks volumes to the problems Scrooge has).

So why wouldn't they explain that, hey, maybe taking away the one thing your kid thinks he is good at ISNT a great idea? Why didn't either say anything about their two day vacation? Something that came up presumingly on a whim and might of prevented (although i doubt it) Louie from trying to steal w/ time? He might have considered pushing back time schemes at least 3 days later. While Mrs. Beakley might be less aware of Louie's insecurities and ambitions, Scrooge definitely isn't. He should have talked to her, and hey we don't see what happens before they leave so maybe MAYBE they did. But again, I doubt it. Seeing as how they all agreed with her at the end, I don't see them trying to meddle with her.

But they should've. They are both experienced guardians and they have nothing to say to her? Plus Donald (goddamn it i almost finished a post w/o him) have THEM responsibility to take care of the kids NOT Della. So they are obligated to help her. Really, the other option other than just well negligence would be not thinking this punishment was a big deal. I wish this aspect was also scrutinized just as much as Della and Louies role in this arc.

Beakley and Scrooge (more so Scrooge) are just as much to blame in what happens as Della if not MORE since they know of her situation in only a way that an experience adult can. There is no excuse for their negligence.

[desolationlovers]

oh yall thought i was done x posting? lol. kamui character rant under the cut

the thing about kamui is i dont know that hes a very deep character??atleast not how clamp has written him and esp not in the manga.

he spends a lot of the manga being confused and often manipulated. and hes really just a kid.

his first big character arc is debastardization basically. when hes introduced hes a TOTAL asshole (the anime added scenes to make him more of a dick at the start but also has a bit of an explaination? ill get to it). hes shown as very rude to everyone around him, yelling at people to get out of his way or get lost, including his previous friends. hes also shown to have absolutely no care for his surrondings and regularly fights and uses his powers in places where bystanders could be injured and leaving roads bridges or nearby buildings in ruins. when confronted about the latter by hinotos knight (his name is saiki) he straight up says he doesnt care if anyone gets hurt. which i mean ok nothing wrong with a character being an asshole. the extreme in your face way kotori and fuuma describe kamui as a kid being very shy and Very quiet and gentle makes this characterization confusing but hey people can change i guess. the confusing part is that as kamui slowly beings to let his guard down he says that the big reason he was so standoffish especially wrt kotori and fuuma was because he wanted to keep them at a distance so they wouldnt get involved with all the end of the world stuff. which makes sense obviously! kamui was absolutely aware of how dangerous it might get. his entire plan was to get the shinken (the sacred sword) and bail because he didnt want any part of any of it. what i dont get is why he was totally cool with bystanders being injured or killed. during his fight with saiki they were in a neighborhood! on people roofs and shit!! saiki is the one to lead them to an abandoned construction site so no one gets caught in the crossfire. and kamui almost kills saiki!!! which i will let slide a bit because kamui was being followed and had been attacked by spells literally that morning. but later on he apologizes to saiki but never explained his reasoning why he didnt care about destroying peoples houses??? and its never brought up again?????? also theres a scene added to the anime where he kicks the shit out of kotori and fuumas dad??? because he wouldnt give kamui the sword?? bro thats ur best friends dad you jackass!!!!!

in the anime they added flashbacks for the time after he moved away from tokyo which i think make his whole character make much more sense. when he first moves and goes to a new school he accidentally uses his powers and makes everyone afraid of him. fast forward past elementary school to high? school? its unclear. at school hes a lazy slacker that never goes to class and never talks to anyone, big ol loner. he sees that a local gang has been stealing kids money and beating them up. so he decides to put on a tough guy persona and confront the gang telling them to knock it off and scaring them shitless with some fun ass kicking psychokenesis. now i am SO on board with this addition. kamui being ostrisized for being weird and scary when hes already a super shy kid, so he embraces this scary intimidating image and tries using it for good because hes still ultimately kind hearted. he gets too absorbed in this tough guy persona that he loses touch with the original purpose of it and just uses it as a shield because he himself is afraid and confused. and maybe even hiding behind it because hes so afraid of having this huge destiny that he doesnt know if he can live up to and how can someone who decides the fate of the world be just some quiet oversensitive guy.

except all of that is my own speculation and analysis because they really do not go into ANY detail about this. i wouldnt say its to the point where it feels like they just flipped a switch and hes nice now but it def feels like that. and it annoys me because after he kind of apologizes for being a dick it doesnt really get brought up again?? i think he broods over it once or twice. but i would have really liked to see flashes of it coming back in high stress situations or something? he has a lot of points of grief and depression but its always meloncholic rather than angry and it really makes him feel like two different characters i wish it was way more of a mix.

anger would also be good with the whole overarching theme of trying to break out of the path destined for you. its constantly said that theres only one future by the dreamgazers although hinoto wants to change it. its supposed destined that kamui will lose and earth will be destroyed. anger but more importantly PASSION is whats needed break out of what has been preordained and to carve your own path. passion is also whats needed for the main part of the second half of kamuis character arc, figuring out what it is he REALLY wants. what his true wish is.

i also think anger could have been a good inverse to the deliberate mirroring of kamuis character and subarus character. subaru really represents despair and being completely swallowed by grief. his story is that the man he fell in love with (named seishiro) was just manipulating him for fun and is actually an emotionless assassian. subaru is so destroyed by this realization he goes into a depression and because of this is unable to save his sister being killed by seishiro. his goal is literally to be enough of a nusance to seishiro that hell kill him. literally he wants to be acknowledged as important enough to bother killing. its pointed out often how subaru and kamui are so similar, with how fuuma killed kotori, and how theyre both kindhearted ro a fault. its an intentional reflection. subaru even pulls kamui out of a similar depressive state after kotori dies. he and kamui have a whole heart to heart about how some peoples happiness can look pitiful to others and how hes going to fufill his goals even when other people are worried for him. and most importantly about how not everyone can be happy with an outcome. i think it would have been really good for subaru to represent someone overcome with depression about how awful the world is and paralyzed with that sadness and kamui would be the rightous anger and compassion needed to actually change the world. “lets this radicalize you rather than lead you to despair” you know? it would have been a really good parallel considering part of x’s themes are literally about having compassion for humanity. but that reading possibly shoots itself in the foot because the language used wrt the two possible futures are things to stay as they are or for a “revolution” to occur, meaning killing everyone to let the earth heal. so ideas of change are insinuated to be connected with the seven angels and genocide. which uh. not going to get into that.

i do like when he starts going to the clamp school he goes back to being shy and quiet and kind of gets pushed around by people with more force of personality. very fun uncomfortably relatable. its ok man im extremely passive too.

anyway final thoughts kamui needs more passion. clamp give me the rights. also let subaru and kamui hang out and have a brotherly bond. no creepy shit. just subaru being an akward older brother that knows what kamuis going thru and gives bad advice bc he has god awful coping mechanisms.

side note we arent ever told about his likes/dislikes hobby or anything of that nature. the blankest of slates. so my city now. i think hes into obscure indie music and has thousands of hours in various life sim games like animal crossing and stardew valley.