#i get wordy

[agentrouka-blog]

My favourite thing when anons want to stir trouble is that like, inevitably they have consistent misspelling habits which mean you know exactly who it is sending repeat asks. So unself-aware.

Anyway, I do think there is a balanced path between the text and what the author says. GRRM's comments about Sansa are about as light as they could come. I love when people want to ungenerously frame the debate as if she's tantamount to Tyrian or Daenerys, come on. Girl took a steak knife to see a drunken knight in the godswood. The most harm she's going to inflict is driving Jon crazy with the incest. I'm trying to be lighthearted here.

Anyway, Rouka, what's your opinion on author vs. text? How much is too much, relying on the former? On the other hand, with the Daenerys is a tragic hero fandom, there's a lot of outright twisting of the text. Does relying on the author's comments provide some clarity or just make the conversation harder, since one would want to reason based on the text? Thank you for your time and your graceful handling of us terrible anons 🥰

(The posts referenced: one and two)

(I'm chronically bad at recognizing these individuall spelling patterns. Unless they make it obvious, every anon is a newborn dawn to me.)

Hello and thank you!

For me, the actual text of the books should always be central when it comes to actually analyzing the books. (You know. Obviously.) Interviews can be nice, but should be absolutely optional to any of it. If you NEED an interview to support your position, you're not analyzing the text.

Perhaps I am biased because I can't be bothered to follow GRRM interviews, let alone dig up ancient ones - unless I am feeling especially motivated.

But also, most of the time we don't have a lot of good context for GRRM's quotes. How exactly a question was phrased, what direction the conversation went before it, how distracted or rushed was GRRM when answering, how likely is it he actually managed to get across exactly what he meant, and how easily can it get twisted around? Who edited and published it? Worse, did it go through a translation process?

Take the "Aragorn's Tax Policy" quote that still has people frothing at the mouth. People hear him mention Tolkien and lose all sense of nuance. No, he's not describing how his endgame king will be elected on his tax plan. He's giving context for parts of ADWD. That's it. Still people wail about what an evil hypocrite GRRM supposedly is because Bran was crowned king in the show without a single published treatise on his taxation policy.

Same with some commentary on the show, specifically Dany with Drogo. I've had people in my Inbox arguing for Rhaegar/Lyanna because GRRM is obviously okay with adult men preying on teenaged girls based on that interview. Which... you know, actually read Dany's chapters? Please?

The books, on the other hand, were not blathered out in a hurry. They are not a commentary on a text, they are the text. A labor of many hours of writing, editing, rewriting and more editing. They are complete and fully intentional in their form. They are the message.

So, while I admire how someone who knows what they are doing is able to create a brilliant body of supporting evidence on book content by compiling quotes in a meaningful way, often with good sources and context - looking at you here, @kellyvela - these lovely metas should never be considered necessary to understanding the text, and they should certainly neither replace nor supercede it. They augment the experience of it.

Knowing GRRM approved on the Meereenese Blot essays is nice.

But you don't need to know them, nor what GRRM thinks of them, in order to arrive at the same conclusion.

Knowing GRRM agrees with the statement that "Brienne is Sansa with a sword" is nice.

But you need never have heard of that quote in order to understand the similarities between these two idealistic, dutiful female characters.

He called Tyrion a villain, which is nice.

But you can arrive at that same conclusion by reading the books.

On the other hand, you can take one quote about the Key Five Characters from a decades-old outline that deviates from established plot in multiple significant instances, and then try and justify dismissing the importance of other characters. You just need to ignore the published text in order to do it!

So I just can't take that anon seriously when they gesture wildly at some quote about Sansa while ignoring the way it's entirely contradicted by the actual body of the text.

And if some members of the fandom have a habit of very selectively reading the text then this makes their analysis suspect, so what's really the point of arguing with someone who isn't really interested in analysis in the first place?

If "she burned a slave alive" or "she is ordering her servant to please her sexually" or "she condons torture even while she knows its useless" or "she ordered the murder of children" isn't going to convince them, an interview snippet isn't going to do it, either.

[ladynighthaunter]

Konrad lays, not asleep nor awake, but somewhere in between as memories flit through her mind, hers and her victims, stolen thoughts flickering on the inside of her eyelids like a bad pict screen.... So many memories....

It was enough to drive one mad.

Tears leak from closed eyes, a bark of laughter becomes a choking sob, fingers clench and unclench. She could feel it, the sweet call of the abyss of madness, wanting her.... All it would take is one step.

But something... No, Some One, holds her back, a warm embrace, not judging, only love... A guiding light in the flickering maelstrom... She hears it sing, soft and calm against the threatening roar of insanity, the Saint, her light, her love, her life.

She jerks into full consciousness, blinking tears away as she looks around her room, there, snuggled into the crook of her arm is her wife, the strain of the day and dealing with her budding church melted away, so only peace remains.

How had one drunken night ended in this? She would never fully understand, but Keleer was hers.... Her light, her safety against the raging storm.

[musashi]

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

[musical-chan]

Silly Game Time: What was one of your favorite games as a kid? Could be a video game, a board game, a schoolyard game or sport (like tag or volleyball), etc. And what is one of your favorite games now?

Not exactly a game, but playing with the Legos growing up. I had whole elaborate scenarios set up for my forestmen and the castle knights and wolf pack and *everything.* Better than any video game, really. (though I'm not gonna lie, I had really fond memories of playing Mario Bros 3 on my cousin's NES whenever I got a chance)

My favourite game at this moment is definitely one of the Zelda games but I couldn't tell you which one? Skyward Sword for the emotional impact it left. Tears of the Kingdom for the bat-shit insane gameplay mechanics. Breath of the Wild for the expansive exploration and melancholy feel of the world, Ocarina of Time and Majora's Mask for making me cry EVERY SINGLE TIME, wth. The credits music comes up and I start getting teary-eyed.

But there's a ton of really great non-Zelda games I've played too! Bastion, by Supergiant Games, the same people who have done Hades/Hades2. Botanicula is an amazing, no-words puzzle game that has so many feelings. And talking about feelings with no words, Journey!? Of course Journey! Firewatch, the story of a man who lost a lot and became a ranger in a national park to help cope. Gris is a beautiful, beautiful game (even though I haven't finished it yet). RiME! Another beautiful game. Just....gosh, I can't...I could just go through my list of games and tell you something I like about all of them.

[hydrobunny]

everyone thinks that they know us

tags: confessions, getting together, friends to lovers

a/n: written from the idea made by the amazing @yangx2isawhore :3

--------------------

it's exactly 11:34pm when the ringing of your phone wakes you up.

jolting up from your bed, you blearily glare at your phone screen. the contact name of SHIDOU‼️ burns into your eyes.

you hang up.

a second later, it rings again.

"what."

"y/n!" as always, shidou's voice is just a little too loud for it to be acceptable. "how mad would you be if i killed rin right now?"

you pause. you look at the time. you consider the probability of him telling the truth.

"pretty mad."

"great!" and you can hear the grin in shidou's voice as he recites out an address. "you can come save him then."

although you were the one that had tried so hard to befriend rin itoshi, you were pretty certain that you hadn't signed up for whatever the hell this was.

you pull up at the address at a sharp 12:02 am, annoyance already settling in underneath your eyes.

the address is a mansion (why would you ever expect anything else), and the recognizable bass of party music blasts through the windows. at least a dozen different colored sports cars (you consider how much one would sell for) are parked outside of it.

you debate turning around. unfortunately, you think shidou might actually be serious about killing your best friend.

best friend. how did you get to this point? friend. didn't matter that you might have been in love with him- rin could never see you as anything more.

you knock on the door.

a man you might be able to recognize if you cared enough answers. his dual-colored eyes flit over you with interest.

"hey there, pretty," he says, and his voice is slurring with the unmistakeable touch of alcohol. "don't think you're on the invite list, but i can make an exception."

you scowl. "no thank you. shidou called me to come?"

he cocks his head. "what could someone like you possibly have anything to do with that psycho?"

"he-"

the psycho in question slams into two-eye's side, whooping. "took you long enough!"

you sigh.

shidou ryusei grins at you, positively buzzing with energy. the smell of cheap (why cheap? genuinely, why did he buy cheap alcohol?) beer lingers around his face.

"did you kill rin yet?"

the grin immediately wipes itself from his face. "getting there."

he whirls around, a warm hand latching around your own- and then he's pulling you through the hallways of this too-big house.

the music hasn't stopped for a second since you've got here. in many of the rooms, you can spot groups of vaguely recognizable people, all of them in various states of buzzed-to-plastered.

you wonder how professional athletes weren't any better than the frat boys that threw weekend parties. (well, the age range was pretty much the same)

"where are we?" you manage to shout into shidou's ear, as he pulls you further away from the heart of the party.

"sae's house!" he yells back.

"what?"

the two of you slam into another room- shidou shuts the door with too much force - and the music fades away into background noise.

rin's head snaps up at your entrance.

"rinrin!" shidou crows. "brought you another babysitter!"

rin stares at you with genuine confusion. his eyes are hazed over, his cheeks a light red. "what? y/n?" a red solo cup, ominously empty, sits by his hand.

"yes, yes," shidou replies, pushing you forward. "the only person who can somehow tolerate your presence is here!"

you slip out of shidou's grip. "what the hell is happening?"

he rolls his obnoxiously bright eyes at your question. "little itoshi's weirdly drunk and incoherent. which means big itoshi has to pretend like he cares. which means i can't force big itoshi to drink an enormous amount of alcohol! so now you have to watch this idiot!"

"i am not drunk," rin snarls towards shidou. "and i don't need a babysitter."

he attempts to get up from the counter he's perched on, and immediately wobbles. you debate whether it would be worth laughing.

before you can make a decision, another side door opens.

and sae itoshi meets your gaze with bored indifference.

"what- you!"

he raises an eyebrow. you're not sure how you got into this situation.

you wonder how you're supposed to react to meeting the one and only brother you've heard rin talk so much about.

some inner part of you immediately doesn't like him. the other part immediately notices how similar they look, and curse their sheer attractiveness.

either way, sae loses the little interest he had in you immediately, turning towards shidou. "is this-" he waves a hand towards you. "her?

shidou nods furiously. "junior is perfectly cared for now. now let's get out of here!"

rin glares at all three of you.

sae sighs. for someone who's supposed to be the host, he doesn't look thrilled at the prospect of socializing.

the elder itoshi turns his attention onto the younger. "you're fine with her?"

rin's eyes narrow further. he doesn't respond.

shidou takes that as his cue. his hands place themselves on sae's shoulders. "good talk, everyone!"

and with another slammed door, you are left alone with rin. it's more than a little awkward.

you open your mouth- he shoots you a glare. you can take a hint. (even if it breaks your heart.)

out of a bored curiosity, and maybe a little spite, you start opening cabinets. they're mostly empty (you wonder what kind of life sae lives).

rin's gaze follows you the entire way. it's intense enough to give you goosebumps.

eventually, you come across a pot of gold- a wine bottle, its cork untapped. there's a ribbon attached to its neck; you spy the JFU logo placed on top.

"he won't mind, right?" you ask.

silence follows.

you open the bottle. if you're going to be stuck here anyways, why let it go to waste?

surprisingly, it's rin that talks first. "why'd you come?" he mumbles out, stumbling over a syllable.

you shrug, taking another mouthful of the wine. (it's good. too good. damn rich people.) "shidou said he was gonna kill you."

“shidou has your number? you responded? why'd you care?" he blurts out in a tsunami of words. immediately after, he looks away with reddening ears.

you eye him with slowly growing amusement. there's a buzzing in your stomach that's slowly stripping your self control away. "yes. and yes. and because we're friends."

rin tch's, still refusing to meet your eyes. you think he'll keep talking, but he doesn't.

so you take another swig of the wine bottle. maybe rin can be the one to reach out for once.

but- like always- you're the first to crack. after a possible fifteen minutes of brooding silence, you sigh.

"what's going on with sae?"

rin's gaze snaps to your face. "what about him?"

you raise your brows. (you think you meant to raise only one. you can't really tell.) "i thought he didn't fuck with you."

rin's face scrunches at your words. "what?"

you groan, sliding down from your perch onto the floor. "you know? i thought- well, he looks like he cares."

he stands up. "he doesn't."

"sure."

he stares at you with a complicated expression, and then makes his way over to you. you blink up at him.

"i don't like you talking to him," rin says, seemingly more lucid than before.

"wasn't really my choice." you shoot him a smile, raising a hand. he lifts you up to standing with it.

from how close you now are, the two of you are almost touching. if you weren't as delirious on wine as you are now, this would be much more distressing.

even now, it takes all of your will to maintain eye contact with him.

"you don't like me talking to him?" you mumble out.

rin tilts his head. "no."

"can i ask why you came here then? or why you got plastered off cheap booze?"

he opens his mouth, then stops. and then- "you're not doing much better."

you clear your throat. more than the wine, it's rin who's clouding your thoughts. his faint cologne- so much more evident at this distance- intoxicates you.

"that didn't answer my question."

his eyes narrow. "i felt like it."

you frown. "what situation are you in that made you want to get drunk with shidou?"

and his eyes flicker down. to your lips.

"what do you think?"

you stumble; rin's hand places itself in the small of your back. signature itoshi teal burns.

you're both drunk. you're in his brother's house. and yet-

and yet, you're both here, and rin itoshi is leaning down into you.

his lips meet yours desperately, his breath catching over and over again. your hands tangle into his hair- he groans wordlessly.

you separate with a gasp.

"are you- what?" you manage, face ablaze.

rin looks just as disheveled. "y/n."

"rin."

he steps back, eyes roving from wall to wall. "fuck. fuck, im sorry. i thought-"

that's not the right words you wanted to hear. you step forward, the wine bottle long forgotten behind.

"you thought right," you blurt.

rin stares at you. a flush sits over his face.

"i thought you wanted to just be friends. that- that you didn't want me." you say.

surprise, and horror, flicks in his eyes. "what?"

you cough out a laugh. "not very smart off the field, are you?"

rin's mouth opens and closes, much like a fish. you think he's going to speak-

he closes the gap between you two, and his lips meet yours again.

between gasps, he mumbles a "i could never not want you." into your form.

and you sigh out your own declaration of love

somewhere in the house, a door slams. someone whoops in exhilaration.

but in this room, it's just you and rin. alcohol tinges both of your breaths. you're both drunk on something bigger.

[lucabyte]

A belief in Nominative Determinsim

[stil-lindigo]

link

I can't properly put into words the amount of disgust that I feel seeing someone who looks like she could be my cousin fight for a genocidal occupational force like Israel but I will say this.

If you are Chinese, Korean, Japanese or any one of these Asian ethnicities that the West deem "acceptable" and you align yourselves with western-backed racial supremacy, you are making fools of yourselves. You have fallen prey to the myth of the "model minority" and you are suckers for it.

The premise of racial supremacy is based on exclusivity. And here's a dose of reality - the myth of the "model minority" is nothing but a tactic to placate you. To sow divide in the ranks of people of colour. To artificially manufacture another realm of racial supremacy in minorities so that you're distracted from how we all suffer under colonialism.

Did we all forget about the skyrocketing of sinophobia in the wake of the first COVID outbreak? The transformation of Chinese people into fiends with barbaric eating customs, poor hygiene, and mass conspiracy to infect the world with biological weapons?

link

What about the hate-crimes? The attacks in the street against anyone visibly asian? The rampant discrimination and ostracisation from society?

In 2020, Donald Trump referred to COVID-19 as "The Chinese Virus", "Kung-flu" at a campaign rally to raucous applause, a chilling echo of the times where fears of the "Yellow Peril" had the western world in a stranglehold.

For all that Chinese people have been lauded as "prodigies" and "well-mannered workers", the moment our existence was incovenient, were were nothing more than another target. And although Chinese suffering then wasn't close to the scale of suffering that Palestinians now endure, we all received a reminder on what it was like to be in the world's crosshairs.

Now, in 2023, Biden dismisses death tolls as unreliable and remains proudly Zionist even after Netanyahu described the genocide Israel is inflicting upon Palestine as the "struggle between the children of light and the children of darkness, between humanity and the law of the jungle." At the same time, Palestinians are being compared to fleeing rats in a gesture of dehumanisation that mirrors how the Nazis portrayed Jews during the Holocaust.

link

And let's not think Abigail's Jewishness will save her, not when it's been proven that Israel has administered contraceptives to Ethiopian Jewish immigrants without their consent. Racial supremacy is an exclusive club that never stops getting smaller, and there is nothing that you, as a minority, will ever be able to do to fit in. One day, you too will be a target and there'll be nothing you can do but blame yourself. After all - it's already happened.

So shame on Abigail. Truly. With the memory of knowing what it's like to be targeted for factors out of your control fresh in her mind, she happily fights to do the same to others. And that says more about her than I ever will be able to.

[anemonet]

[Outtake from iterator Prosperity of Populace final speach to her citizen before its disassembly.]

[dandelion-roots]

[ID: a digital redraw of the scene where chuuya shoots dazai in the shoulder. on the top of the drawing is chuuya holding a guy to dazai's head in the red and grey hallways of the prison. on the bottom of the drawing is dazai's pained face. the gunshot is shown stylistically as hectic lines behind his bloody shoulder. over the image is half a quote from goncharov that reads 'if we really were in love you wouldn't have missed.' the signature says dandelion-roots. end ID]

This quote from Goncharov (1973) in relation to soukoku has been haunting me from before I even got to that scene in the anime (the full thing is: Katya- Of course we're in love, that's why I tried to shoot you/ Goncharov- If we really were in love you wouldn't have missed). Violence as a tool for communicating emotions, especially love and hatred, especially love and hatred makes me go feral- how could I not think of the iconic quote that says that katya's miss was a sign of a lack of love/a fake love when chuuya didn't miss? Just... losing it over here.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[siphisket]

Get Spr(ule)onkd

[cheekinpermission]

TWST Ask Game!!

General

1. Who's hand did you first grab? Why? Would you choose someone else if you could do it over again?

2. Who is on your homescreen?

3. What does your guest room look like?

4. Who is on your main team?

5. If you could have any unique magic / signature spell in the game, which would you choose and why?

6. First SSR? Most recent SSR?

7. Is there an SSR you really wanted but never got?

8. Is there any character who seems to follow you (i.e. they always seem to pop up when you're trying to summon someone else)?

9. What changes would you like to see implemented in the game?

Favorites and Least Favorites

10. Top five favorite characters?

11. Favorite character from each dorm?

12. Least favorite character from each dorm? 13. Favorite NRC staff member? 14. Favorite non-NRC character? 15. Favorite dorm?

16. Favorite character design?

17. Favorite overblot design?

18. Favorite dorm uniform?

19. Favorite event?

20. Favorite book from the main story?

21. Favorite R card that you own? Favorite SR? Favorite SSR?

22. Favorite relationships? (Romantic or platonic!!)

Personal

23. Which dorm would you be sorted into? 24. Which character(s) would you get along with the most? 25. Which character(s) would you actively avoid? 26. When did you start playing TWST? 27. What drew you into TWST? What made you stay? 28. What is the TWST related content that you've produced that you are most proud of?

Wild Card

29. What is your opinion on [any character you like!] 30. Make up your own question!

[beddybites]

needing to make myself a demon slayer sona since im not all that connected to Ro anymore but idk what breathing style i would have …

[musashi]

it has come to my attention that people who are new to the platform in any regard are unaware that you can answer asks privately and don't know what tumblr oldies mean when we say "answer privately"

i ask for a lot of art permission as a youtuber and like to keep that correspondence private, and i am noticing an increasingly confused amount of people who try to then send me a DM on TOP of the ask, thinking thats what i mean. the confusion comes because i have DMs closed.

so! here is how you answer asks privately.

this only applies to non-anonymous asks, obviously.

hit 'answer,' like you normally would. type your response.

click this little arrow next to 'post now'

4. select 'answer privately'

click it. there you go!

when you do this, your response to the ask will be sent directly to the other person's askbox, and will show up as an ask notification for them. no one will see it besides you two.

this is common courtesy with non-anonymous asks. you generally want to assume that any logged in ask should be answered privately, unless it's something you or the asker intend to share with your followers like an ask game or a confessional or something the asker is trying to communicate to multiple people/boost.

a lot of tumblr users do not like DMs and have them turned off for a reason! for me, it is because the current culture surrounding instant messaging makes me uncomfortable and i do not want to feel "constantly available" to people. asks are nice because i can answer them when i have the time.

i didn't realize this had fallen out of favour or that people didn't know it was a thing, so here you go.

[queen-mabs-revenge]

Ted! It's going to work!

Ted not knowing what he's still doing in London. Trent realising exactly what he's been doing all along.