#i get it for pacing reasons but also I'm allowed to be disappointed lol

[jesncin]

NEW HELLBLAZER DEAD IN AMERICA ISSUE IS OUT!

Oh, still no Noah Ikumelo?

[heretherebedork]

Curious to know your feels about the 1000 Years Old finale. You didn't post much about it. Maybe that's a commentary in and of itself LOL.

Part of the answer is that I struggle with watching things out of my usual schedule and had a very busy weekend so I'm just getting around to actually watching the finale episode after knowing all kinds of spoilers. I am actively writing this response as I watch the episode. So enjoy my live thoughts on your ask.

And, so far, my entire reaction is that they crammed way too much here in the end. They needed to spread this out more than they did and I get parts of it, I like having the soulmates reveal only at the very end...

But there's a lot of plot and seriousness that they just didn't touch on enough and that I think including in the rest of the show would have improved it greatly as well as helping with the pacing struggling most people had.

If more of the Janja plot had been genuinely spread through the show and more of these serious moments and the understanding of their agreement and relationship had started earlier I might care more about this. But I don't care about Janja at all! I just don't! I wasn't given reasons to care until the very end and that's not enough for me.

Also, having Yoh not fight for any of it really did disappoint me but the director of this show, as seen in multiple other shows they've done, seems to have a thing for one very passive character in the main relationship who will just Allow Things To Happen To Them without ever fighting back. And I never like that, frankly.

Yes, they dropped a few hints here and there but it just isn't enough to tie it all together in this show itself.

It's not a bad finale, it's not the worst, but the end of the show feels so rushed compared to the rest and us not getting all the fluffy times together only to be shown a single scene at the end of a long happy life instead of the time together that I want to see.

I like domesticity, not the end of domesticity.

I get why people liked this ending. I see how people who rewatch things, especially, will enjoy the recontextualization of the show.

But for me? It made everything feel rushed and the rest of the show feel almost empty and slightly worse in comparison. Either we needed more plot or less episodes for this to work.

(Every time I see Somchai I am sad we did not get Somchai and Shin. Every single time. Come on. You crammed this much into the final episode, you could have given me more of them somewhere else!)

Also, I love his random bodyguards, whoever they are. Love them.

Also, this year long time skip is stupid.

Seriously, I am deeply frustrated by Yoh literally finding out they're soulmates and then just... completely abandoning Pun and leaving entirely. It's not interesting to see him just give up and it makes him the most passive character ever. Which we also had in I Will Knock You and, frankly, in 2gether. That's just The Style.

JANJA LITERALLY TOLD YOH SHE WAS GIVING HIM PUN BECAUSE PUN WILL NEVER LOVE ANYONE ELSE. Whatever, at least the confession and whole thing is done and now they can be soulmates together.

9 minutes of happy ending is not enough. Absolutely not enough. Yes, it was cute. Yes, it was a happy ending. But it's just not enough and it leaves me wanting more and wishing that the show were paced differently.

(Still sad we couldn't get any more Somchai and Shin, we deserved more.)

Edit Okay, I didn't mention this originally but I actually hate that the soulmate/reincarnation line takes away the power of Yoh's gift to Pun being his first birthday present. It really bothers me because that moment was one of the my favorite moments and the finale just made it not matter at all and turned it into something much less important and takes away a lot of the importance away of Pun wearing the cross and it BOTHERS ME A LOT.

[canonicallyobserving911]

https://www.tumblr.com/canonicallyobserving911/751961757836345344/if-its-true-that-kr-wrote-the-finale-then-its

She did in fact write the finale tonight which is just *sighs* I don’t understand what we have to do to finally be free of her. I thought we were with the move to abc honestly. Yet here she is. Giving yet another lack luster season finale.

Side note I’ve been hoarding chapters of your fic, I’m still in love with you but… because I had a feeling I’d need some good buddie content by the end of the season, I think I’ve got like 9 or 10 chapters to catch up on? And after tonight am I ever so glad for that lol.

Hi @mattsire and thank you for the ask.

I'm so disappointed in the finale and learning KR wrote it just makes it so much worse. I truly do not understand why she's still being allowed to have creative control of any kind, especially after seasons 5 & 6 were such cluster "Fs" but alas, this is the cross viewers have to bear instead of getting good episodes that carry a lot of depth.

Her writing used to be good, for example the Eddie and Ana breakup scene in 5x3 was great and the emotional beats were there but it's unclear why the pacing has been off since then. Also, the cringey sexual innuendos she always includes for Buck's character are so bad and someone needs to tell her that. I mean, I get it, Buck's not celibate (at least he hasn't said he is in CANON) but every season he's paired with people who don't value anything about him except his "Firehose". If he was still Buck 1.0, it would make sense but he's not and he hasn't been since season 1 (season 2 if his hookup with Taylor in the bar restroom counts). It truly saddens me for OS and Buck because it's been 7 going on 8 years and he's still being put in these lackluster relationships with one dimensional love interests. Also, T*mmy is a jealous jerk who wishes he was Buck and season 8 is going to be horrifically horrible with Gerard's old ass around making racists and bigoted comments.

Buck wants to be in love with someone (EDDIE) but for some reason, the show won't let him have it. He's still on the hamster wheel and at this point, what are they going to do if they don't get a season 9? It's past time for them to stop delaying Buck's and Eddie's love story especially since network TV is on the decline and they're replacing procedural dramas with reality TV BS and game shows but I digress.

After that finale, I'll be writing Buddie fanfics all summer and I'm more determined than ever to finish the last 12 chapters of "I'm still in love with you but... I needed to learn how to love myself too!" It's my baby and I love that fanfic so much. Actually, I love all the fics I write but that one is where the Diaz family gets to just be as they navigate life as two husbands and their son.

Happy reading my friend and based on what you mentioned, you're in for some good reading especially if you haven't read past chapter 21 yet. That's when they leave the country headed to Europe.

I'm working on the last two fics in the "Their Firsts, At Last" series and I hope to have them posted soon but in case you missed them, the "Wedding Planning & Preparation" and the "Civil Marriage Ceremony" fics are available on AO3. I enjoyed writing both of them and the next part will be posted hopefully within the next few days.

Finally, I completed two season 7 finale speculation fics and they're available on AO3 as well.

Thanks again for the ask and have a great day/night (depending on your time zone).

[arynathome]

A few thoughts on Bridgerton

I like shiny things so I liked this!

Polin is not interesting to me, not because of any of the actors' weight or height or looks or acting abilities, or all the reasons people are getting excited about. I just find their scenes to be shot weird, the pacing is too fucking slow, and the scenes are repetitive. It's more of a direction/writing issue in my eyes. Maybe more experienced actors could bring more life to the scenes, but idk.

The costumes were so wildly anachronistic, I did get distracted, but they were also so fascinating and sparkly to look at, I didn't hate it. Penelope's acrylics and Tilley's whole look did to me get me though. Like come on lol.

Love to see Benedict getting this threesome on. Like damn, that boy is charming the pants off of everyone and looking good doing it.

I get why people might be upset about Francesca/Michaela. But like. Hear me out.

I have not read the books. Michaela is hot and they presented her as exciting and breath-taking and I am excited for the lesbian awakening arc. I love some pining-for-what-you-can't-have threesome situation. I adore a trope where like everyone's in love but society rules say you gotta have problems. I eat this shit up give me dumb sexy tragedy I literally do not care about the gender (but I would like them all to have good hair). At the same time, I GET it. If you have spent a long time in the pages of a story and you have fantasized your own personal little romance with the characters and it's fulfilling your personal fantasy, then seeing the character change might be jarring and feel unfair. Now it's no longer fulfilling your personal fantasy. And like honestly, that's fair. I think people are allowed to feel disappointed. Just as people are allowed to be excited. At the same time, my message is: be cool and not let disappointment result in attacking queerness or queer stories in general. Sometimes a story isn't for you. There will be so many more that are.

Like for me...basically ALL of season 2 was SO not for me. I do not care for the enemies to lovers trope at all. It's not my jam. It does not butter my toast. But like I'm not going to hate on the people who write and enjoy and participate in this trope.

I can't wait to see what crazy fashions they think up next for future seasons! I hope I am blinded by glitter

[book-o-scams]

Ed, Edd n Eddy Series Bible (1996) -Analysis-

You can all finally read/download Ed, Edd n Eddy's official Series Bible right here! Thanks again to Chuckletons for sharing this with me and to Joey/Kongiscool0518 for sharing it in the first place, the Holy Grail of lost Ed, Edd n Eddy trivia!

One of the first posts I made for this blog was the Series Bible page. It was a composite of every source we had ever seen reference the series bible so far-- storyboarders in interviews, CN's old character guides, and the biggest source, an old CN UK posting about the show. Well, I figure now that we have the official source, I better update the old page (so everyone knows it's out of date), and make this new Series Bible post using the official source! Not much new information, but I was intrigued to finally learn the true phrasings of some things we had only heard paraphrased, as well as at least one detail from the movie that I couldn't believe came up this early in conception...

Unfortunately, Tumblr has apparently updated its post system to only let me add 10 images? Gonna try and only use images for what I need since you can read the actual document above, I guess I'll transcribe it too for easier reference and so we don't ever lose some archive of this.

Quickly, let's review what a series bible is:

A series bible is how creators pitch shows to networks. They can be called “pitch bibles” as well. Bibles do not usually get posted publicly, because they are initially under a strict Non-Disclosure Agreement by the network; also the creator may simply not wish to share it because it reflects the earliest stages of development.

The pitch materials typically include early concepts for characters, locations and episodes. Sometimes it exposes secrets, in this case, Ed and Eddy’s home lives, and sometimes the stuff in it is completely abandoned because it’s so early in production, in this case, casual references to school and adults.

Alright, everybody, it's time to gather 'round and read the Ed, Edd n Eddy Bible!

THE YEAR IS 1996.

YOUR NAME IS LINDA SIMENSKY. YOU WORK AT CARTOON NETWORK. A FRIEND OF YOURS, DANNY ANTONUCCI, IS WRAPPING UP A SHOW ON MTV. YOU GET THIS FAX.

Linda Simensky immediately fell in love with this concept because as a child, she was best friends with 2 other Lindas for seemingly no reason other than the shared name.

I love how Danny decided last second to pencil in the correct names over each Ed, since they're arranged out of title-order.

"They're friends because they have the same name."

-the Logline for the series.

Fun fact: one storyboard artist for the movie observed that the movie is essentially all about challenging the series' original notion that the Eds are friends ONLY because of their name.

"A Danny Antonucci Cartuna"

-the label Danny used to use under announcements of new productions.

PAGE 1:

Ed, Edd n Eddy

They're best friends because they have the same name.

A gag laden, beat generated CARTOON bumper car ride of 3 misfit youths on a cul-de-sac in the suburbs of America.

Through summer vacation, part-time jobs, or just hang'n out at the corner mail box, they want to belong....but CAN'T.

From home chores, helping neighbors or eating jaw breakers, they want to fit in...but CAN'T.

Ed is into "B" monster movies, model kits and is quick to break out into rashes.

Lots of luck...

Edd is into chemistry, biology and prone to crushes.

Later...

Eddy is into pranks, is stylish and flaunts himself to the world.

Ya Right...

Ed, Edd n Eddy is a show about confusion and contradiction, that awkward part of youth, pimples, big feet, oily hair and... girls???.

Puberty is unforgiving.

I was fascinated by the lack of art on this page, it makes the pitch feel very focused. AKA logo in the corner, the title logo again up top, then the logline appears again below.

I really love the breakdown of Danny's vision of the show. "Gag-laden, beat-generated, CARTOON bumper ride." Very accurate, and I think "beat-generated" is the phrase that interests me the most. I typically think of "animation beats" as sort of a give-in-- technically all things fit a rhythm, so all stories are essentially just a montage of beats. But this does make me realize how important the strength of the beats and their rhythm are to the pacing of a cartoon and making you feel like "that was a good one." I feel like the "seasonal rot" viewers feel over the course of a show, and the way that perception differs from person to person, depends on the type of beats you want. Even though I am very into the experimental beats of a show in its later seasons, I can definitely see how season 1's beats are more typically appealing to a wide-audience, and how important a focus on that is to the longevity of a show.

I found it really interesting how the scams are initially conceived of here as "summer jobs." It adds to the sense that adults were originally meant to be present. Honestly a little surprised nobody with access to this bible had ever thought to mention that-- scams are not referenced ANYWHERE. Their image in the Series Bible is that they have summer jobs and help neighbors, which is certainly a much cleaner reputation than the Eds ended up with in the show. Makes me realize though, were some of the early scams, like Ed's Hive Bee Gone and their newspaper routes, supposed to be leaning into this early idea of them with almost legit jobs for unseen adults?

I was very amused by the repeated phrase that the Eds simply CAN'T fit in.

Loved to finally see the official phrasing for the confirmation that Peach Creek is in America. Not much different than I was led to believe, but still nice to have the true quote.

Also love Eddy being described as "stylish and flaunting himself to the world." The bold-print reactions to each micro-description is a cute idea too, I truly wonder who we were meant to picture saying those things in reaction. Each Ed? Kevin?

The "corner mail box" is an oddly specific phrase-- the Eds do hang around mailboxes throughout the series, especially seasons 1-3, and I believe the canon map does have a corner mailbox, but the idea that the Eds hang out at one specific mailbox went the way of Bro's supposed secret treehouses.

PAGE 2:

Ed, Edd n Eddy

Show Description

Gag laden. True cartoon style, inventive, non parody, fast paced, stretch and squash

Beat driven. (even when characters stop they hold with a bounce cycle. Adults never bounce. Music can play important part, not just fill.) But not a musical.

Cartoon surrealism. (viewers see the show as Ed, Edd n Eddy would, less important things tend to blend into the background, while objects of Ed, Edd n Eddy's desires are focused. Premise driven.)

The school year's over, (yeah!!!!) and the long HOT summer vacation begins (gulp). What to do?

Stuck on a cul-de-sac in the suburbs of America is the last place you want to spend summer break, especially when you find life confusing and contradicting.

Ed, Edd n Eddy is about friendship, and serves to remind us that they're no "good ole days," just smelly runners.

You can tackle anything, when your with your pals.

Their days are spent, for knowledge, acceptance and some cash for jaw breakers. Armed with pimples, big feet and oily hair the three amigos trek into the unknown.

Ed, Edd n Eddy are dying to be grown-ups, but they're kids, and attack adulthood as only kids would. Simple situations turn into a manic rollercoaster ride. (Don't forget your barf bag).

They just want to belong, and they're willing to pull off any insane stunt to prove it. First they need to figure out what it is they want to belong to.

Found it interesting that on this page, the show's logo is replaced with the title written in a jumbled font. Seems like the font from the show's end credits.

Hehe, the continued reactions to the descriptions. Allow me to be Double D for a moment and point out the increased use of parentheticals on this page, as well as one wrong "your".

I love Danny's insight that season 1 is framed by the context of how hyped everyone still is just to be out of school, but also the sense of pressure to make use of their break.

I really appreciate Danny getting further into the details of his summary of the show's style on the previous page. It only makes sense that he had this much of a vision that early.

A second confirmation of the cul-de-sac being in America! I'm also really into the repeated focus on the Eds finding the world "contradicting." I always loved how EEnE's inexplicable cartoon antics supported that sense that the Eds are highly aware of contradictions in both societal things and the actual characters.

WOW, so I'm fascinated by this dual reveal. Before the wiggling outlines, which Danny usually calls a "boiling line" and describes as a tribute to wiggling inking in early animation, the series bible instead refers to him wanting the characters to do the iconic Fleischer "bounce," which is a much more commonly recognized rubberhose animation technique. Very interesting that Danny decided not to stick to that. Did it feel too out of place? Or was the overseas team not willing to animate a weight-shifting for every single held pose? Haha, guess I can see why boiling was an easier compromise. I wonder if he had any other ideas for how to make it more of a 1930s cartoon.

The other reveal to me here is that the movie's choice, that adults don't always wiggle in the show, was an idea from the very beginning! I guess I can better understand now why it's just too difficult to communicate a stylistic choice like that overseas-- no point making Bro not wiggle, that'd just create confusion.

Also, really disappointed that my wish for a musical is officially squashed in the series bible itself. That's a tragedy. The show's over, ya couldn't let me dream, Danny!? Conversely, I love Danny's forethought to say "non parody," I definitely noticed and appreciated EEnE's avoidance of derivative parody humor.

My spouse had to point out to me that Danny probably means sneakers here, lol. Canadianisms!

The comments about the Eds wanting to grow up but needing to figure out what they want to belong to are so great and relate to the movie so well. I've heard those comments before, but the correct phrasing was cool to see.

PAGE 3:

Ed, Edd n Eddy (image of Ed in right corner)

Character Description

Ed

Attention deficiency syndrome.

He has trouble...

He can't....um...

OK, he draws all day in class.

When Eddy gets a bright idea...Ed's in.

Ed is easily talked into doing Eddy's "hard work". He has great physical strength.

Ed's happiest with his Model kits and B-monster movies. He draws his knowledge from his movies.

Ed smells. Flies are attracted to him.

Ed has sayings for all situations

ED: "you can change your shirt, and Bingo was his name..."

Ed's perpetually a slave to his younger sister's whims and whines.

Ed may have to baby-sit his sister, or let her watch whatever she wants on TV, or let her dress him up in mom's clothes.

Ed breaks out in Rashes. He's allergic to practically everything, especially Guinea Pigs.

Ed's Mom xerox's his sketches and doodles for her therapist.

Ed's Dad hopes to pass on to his son, his knowledge on "pre-owned" auto sales.

Very cute bit wasting the space at the top of the page. Danny seems very invested in Ed's personality already. The old sources we used to have definitely tried to condense these down to simpler blurbs.

Weird how Danny wants to essentially diagnose Ed with ADHD here (phrasing it very poorly, but it was the 90s and... Canada?). I don't know enough on the subject to debate it, but I still gotta point out Ed's canonical cracked skull!

Interested in the comment about Ed being most allergic to Guinea Pigs. I don't think that animal was ever even mentioned in the show. Eddy mentioned an old gerbil once....

Neat to finally have the real phrasing of the official word on Ed's parents! I saw someone comment earlier that this seems to be hinting Ed's Dad is selling stolen cars. I've never thought to question the legality of his apparent second-hand-car dealership (I imagined he works with Eddy's dad, who has received a legitimate award for his salesmanship), but those quotation marks are certainly making Mr. Ed's practices questionable! Best case scenario, Danny meant that more like italics or something, but maybe Ed's dad IS up to no good...

PAGES 4 & 5 (Ed's turn sheet and expression sheet)

PAGE 6:

Ed, Edd n Eddy (image of Edd in right corner)

Character Description

Edd

is really smart.

is really quiet.

Edd is unnaturally-- polite.

Edd hasn't been allowed to take gym ever since the Dodge ball incident. He's been excused to free study time in the library.

Edd doesn't like it when people touch his things.

EDD: "You may enter in my room, but don't touch my Lego robot. Thank you."

Edd's learning to play Peddle steel guitar. (his Mom makes him)

Edd's prone to "crushes". Girls in School, in his neighborhood, TV, anatomy books. He mails "true loves" his socks.

Edd is always ready for action, even though he can calculate the implications.

Edd constantly mumbles.

No one ever sees Edd's parents. They both work nights. They communicate to their son solely through Post-it notes. Edd's not allowed to touch anything in the house while they're gone. Anything.

Interesting how Danny slightly differentiates the barely-used space at the top here from Ed's description, to characterize Edd as more quiet and mumbly, adding an awkward "--" mid-sentence, perhaps to create the impression that Edd halts to choose words carefully.

Everything on this page feels familiar, from the character guides and other old sources. The most interesting thing to me here is that Edd's Mom forcing him to practice Pedal Steel Guitar is established this early, don't think I knew that, but I had noticed that it existed in his room from ep 1.

I love how the explanation in the beginning for why Edd goes along with their dumb schemes even though he's smart is basically just "he's always ready for action." ?!? I guess in a way???

That weirdly phrased Edd quote amuses me because it references Lego, just like the original concept background for his room before somebody nixed the copyright-namedrop.

Edd's prone to crushes thing has been reaffirmed over and over in character bios even though it really doesn't come up outside of the cupid magic in HPH and the pilot-episode heart eyes at Sarah that are barely canon. Still, I've always loved the truly disturbing statement that he mails "his true loves his socks" and how that managed to make it into canon with a comic book example, a cel animation example and a digital era example.

PAGES 7 & 8 (Edd's turn sheet and expression sheet)

PAGE 9:

Ed, Edd n Eddy (image of Eddy in right corner)

Character Description

Eddy

Exhibitionist.

Megalomaniac. (quote from his report card)

Eddy is the unofficial leader of the trio.

He's always got a plan, a stunt or a weird noise.

Eddy's the "class clown". He loves showing off. He loves being the centre of attention-- no matter how stupid the reason is.

Eddy is the only kid in his grade to have been expelled for aw hole week from school. It was his turn to set up the video for science class. He switched "Our Friend Yeast", for a video he "borrowed" from his parent's room.

Before Eddy's brother went....away, he enlightened Eddy with the "legends" of the neighbourhood. Eddy knows where all the abandoned tree houses are, which sewer pipers are safe to spelunk, and the secret recipe for the "El Mongo Stink Bomb" (it's been in the family for years).

He is the one who is most able to pretend that he knows it all... and doesn't care what anyone else thinks about him.

His genes are working the fastest.

Eddy's Dad is constantly concerned that Eddy may grow up to be a ...figure skater.

Eddy's Mom never believes his little darling was involved in such a heinous act.

Funny choice that Eddy's wasted-top-space is just two one-word descriptions, and allegedly lazily swiped from his negative report card.

Wow, we knew the report card quote and the "Our Friend Yeast" story from the UK show guide, but now we also know Ed's page says that Ed draws in class, and now I realize that Ed and Eddy have series bible school blurbs to match Edd's classic dodgeball incident blurb. Anyway, it's great that Eddy's showed his entire school some sort of sex video his parents have.

Very interested that the phrasing for the Bro/El Mongo Stink Bomb blurb even seems to suggest it's a family recipe. Eddy's Dad did have prankster stuff in his closet in JJJ... did Bro learn his prankster ways from Dad?? The neighborhood's secret tree houses have come up in other descriptions (at best, I'd say this could be related to that creepy shack the Eds found in the woods), but I think it's new info that Eddy personally learned the sewer routes from Bro. Interesting...

Thankfully, I had already heard about the Bible's awkward reference to Eddy being the most pubescent as "his genes are working the fastest," lmao.

Once again the Double D in me comes out to point out that the description of Eddy's Mom seems to switch to the Dad's pronouns.

PAGES 10 & 11 (Eddy's turn sheet and expression sheet)

PAGES 12-14 (Sarah, Jimmy, Rolf, Jonny, Nazz, and Kevin lineup of all 6, then 2 zoomed in lineups of the first 3 kids and last 3 kids)

(Funfact: the kids' designs were allegedly freelanced to an outside studio, hence why their refined later-season designs are so different from these lizardy starting places, lmao)

PAGE 15: (images of Sarah and Jimmy next to their blurbs)

SARAH

Ed's baby Sister.

It's her way or the Highway.

She has everything done for her, if NOT she'll "make" them do it.

She can be quick to judge.

Whinney.

A tatrum for every occasion.

More than a handful for Ed...or Edd and Eddy.

Thinks Edd is kinda cute.

Wants Eddy to MOVE...to another planet.

JIMMY

Sarah's best friend

He is always playing with girls, boys are just too tough.

He is accident prone, when ever we see him he has a different affliction, ie: band-aids, patches, casts, lumps...etc.

He is very clean.

The Ed's frighten him, "They're such brutes".

I'm surprised how much of the UK guide was accurate to what was really in the bible for them! Also surprised Danny misspelled "whiney" and "tantrum," one right after the other. Is this how Sarah spells them? ...Sorry, Danny, I yam what I yam.

PAGE 16: (images of Rolf and Jonny next to their blurbs)

ROLF

First generation of a landed immigrant family.

Nationality not important.

He's proud of his heritage.

He has peculiar traditions and/or customs.

He eats "weird" things.

He has hair on his back..... "yuck".

He confuses the Ed's to no end.

He confuses the other kids to no end.

JONNY 2x4

He is a wanderer and very inquisitive

From early morning to supper time, he is always outside playing, with his buddy, "Plank".

"Plank" is a wooden board that Jonny drew a face on with a crayon.

Jonny has wonderful conversations with Plank. ...Plank is a piece of wood.

Jonny makes himself very "accessible" to the Ed's.

Found it interesting that Rolf's bio is less clearly phrased than the UK bio set it up to be-- there they made it sound more like he mixes up who the Eds/kids are, here it's unclear whether it means that or (more likely) just means the obvious statement that everyone finds him confusing. If it's that, what a lame hollow bio Rolf got. This kid's based on you Danny, show some of that personal side!

Always loved Jonny's description, his life sounds so cute. Playing outside literally all day. Interesting to have it confirmed that Jonny drew Plank's face, I preferred to think the Eds drew him and sold him to Jonny, but whatever.

"Accessible" has always been an important vague description of Jonny to me. It really only applies to how chummy they could be with him in season 1, but it still sorta applies to his personality throughout the series as well.

PAGE 17: (images of Nazz and Kevin next to their blurbs)

NAZZ

She's cool, calm and assertive.

She is the most matured of the kids, or so she thinks.

She's into make-up and fashion magazines and Boys.

Sarah thinks she's awesome, wants to be just like her when she grows up.

When she enters a scene, all activity stops... boys freeze, they sweat, their hearts beat faster and faster. They lose their ability to talk. When she leaves, they recover and conclude it was something They ate.

She thinks the Ed's are funny.

KEVIN

He is cynical and sarcastic.

He thinks he knows the "routine". That's because he watches "60 Minutes".

It got a big laugh out of me that Kevin's description is only 2 sentences long. Nazz even has a more detailed character description from inception than Kevin. Love this for them.

Who's the Eds' rival? Well, he's cynical, sarcastic and he watches 60 Minutes, doesn't that tell you enough!?

I love the "mature... or so she thinks" remark about Nazz, a grounded flaw for her to have, being a little overcommitted to being mature like Eddy. It also perhaps suggests naiveté that makes it a little more reasonable that they didn't notice they were dumbing her down at the end of the series, but I do think the movie version of her better reflects the Bible's concept.

PAGE 18:

The Other Neighborhood Kids

Lineup of May, Lee and Marie.

The Kanker Sisters

These gals are tough. They bother, bully, provoke and bewilder everyone.

They live in a motor home park on the other side of the Cul-de-sac. The other kids have never been there.

They are proud of their Tammy Faye Baker memorabilia.

Their project "Cooking with Ketchup" closed down their school for a whole week.

No one likes them, especially the Eds.

They are determined to marry the Eds. They want them to do their dishes.

Amused that the Kankers are essentially being labeled backgrounds characters here, the role they mostly fell into in season 5. "Other" neighborhood kids...

I love that the Kankers have a school blurb to match each of the Eds', and that theirs has similar destructive-intentions to Eddy's video premiere story.

I believe all of this was all known from the UK guide as well, but still, neat stuff!

PAGES 19 & 20 (zoomed in Kanker lineup and their height chart with the Eds)

PAGES 21 & 22 (early promo art that used to be on CN's old Eds webpage, the art of the Eds eating jawbreakers at the end of ep 1 with the overhead text "Ed, Edd n Eddy love JAWBREAKERS!!!", and the art of the Eds all running with overhead text "Ed, Edd n Eddy see something shiny...."Jiggers." That weird "jiggers" statement at the end was normally edited out and I don't know what it means. Looked it up and it seems to be Chinook jargon (like when Ed said he was "skookum at X's and O's") usually said in the same sense as "CHEESE IT!")

PAGES 23+:

The rest of the pages in that bible download are from a 2004 storyboard test. The storyboard sample "It's Raining Eds," which we've seen some submitted samples of before, interpretations with Ed attempting to fly or chew gum and Edd making radioactive gum, I was surprised to find out the outline is just the original outline for the opening sequence to season 3's 'For Your Eds Only', seemingly Jonny was not written into the original outline (or was excised for easier testing purposes) but Kevin's brief cameo was. Now I wonder if they knew this would be used for a test when they wrote it, and if they would've come up with a less random way to include him if weren't forced to be a concise bit for testing's sake. (Your limit is typically 40 storyboard pages in my experience.)

I also noticed that in the included background references, the anonymous adult neighbor house next door to Ed's is officially just referred to as a "generic house."

My analysis ends here, but be sure to download that sometime and enjoy all the raw storyboard sketches at the end of the document!

[rantingcrocodile]

i'd love to join your discord server and tried to!! but i (16 ongoing 17 soon) didn't realize it was adult-only until after i joined and read the rules. intially i thought maybe there was just an 18+ channel, okay cool, i can ignore that, but then after getting to the end of that rules channel it kinda dawned on me that it's a big deal. maybe the staff just aren't comfortable interacting with minors?? i dunno, but i am a little disappointed and confused as to why, because servers like that are hard to come by and that one in particular sounds like it'd be great for me since it's ran by such aggressive protectors against biphobia y'know??

anyway, i asked a member of staff in dms about this 3-4 days ago but i never got a response and am still waiting. figure i'll ask you now if that's okay. i'm not gonna get mad or argue at all btw, i respect the decision, it just kinda sucks lol :,)

I'm so sorry! The reason you'll be waiting on a response will be real life things!

That's also entirely my fault because I presume that everyone who comes to talk to me is an adult and I wrongly presumed with you, so I'm really sorry, that's my bad!

(For context, anyone can join the discord but everything aside from a lobby to wait for verification is kept locked down and private.)

As for why it's an adult-only server is down to a few different reasons.

Most importantly of all, minors need to be kept safe and protected at all times, and since I made the server, I do not want the personal responsibility of having to worry about anything that happens around the server when it comes to minors. Everyone in there is great and I sincerely doubt it would happen considering the people in there, but there's always the hypothetical possibility of, for example, bullying in DMs outside the server. If that happens between adults, then it's an adult problem that's solved by banning the adult behind it and the adults involved dealing with it. If that happened to a minor, then that suddenly becomes a much bigger deal that I would personally have to deal with, getting that minor support, questions about how I could let that happen even if something like that happened without any of my knowledge, etc because if I'd allowed minors in there in the first place, the bottom line is that it would be my responsibility. So no minors.

Aside from that, whenever minors are allowed into a space, then adults around them need to watch their tone and discussions and aren't free to discuss adult topics. That is entirely different to having specific NSFW channels, too. (Which we have, but they're separate, and "adult topics" do not mean "sexual topics.") I don't want to stifle those conversations and self-censor to make everything accessible to minors, or have adults not feel safe enough to share their stories etc because they're too worried about accidentally triggering a minor or exposing them to sensitive, painful topics that are still SFW.

I also personally believe that although there are a lot of minors who are completely comfortable and confident in their sexuality, there are other minors who end up being mistaken for different reasons (for example, a young lesbian who might have severe internalised homophobia who has tried to mitigate her same-sex attraction by telling herself that she's simply bisexual), and I don't want to end up adding to any pressure she's already putting herself under by accidentally reinforcing that, and simply allow her to mentally explore her own sexuality at her own pace, as opposed to the adults on the server who have been through that already and truly do know that they're simply bisexual, if that makes sense?

When you're young, it feels entirely unfair that adults exclude you from conversations. I remember feeling that way when I was your age because I told myself that I was mature, that I was smart, that I was basically an adult anyway, that I could easily be part of adult conversations and whenever I was excluded, it was a personal attack against me, because other minors might not have been able to handle it, but I could. But I just... couldn't. It's genuinely not a personal attack or any kind of, "You're not good enough," it's just that adults have more life experience thanks to nothing more than being alive longer, interacting with the world in a way that a minor can't, wanting to protect minors from anything inappropriate and making sure that absolutely everyone feels as safe and secure as possible.

I hope that makes sense? You are more than welcome to ask questions through here in public, though, and you're not being shoved into the cold to be abandoned because you're a minor. We still care, it just isn't a space that's right for you.

[retphienix]

Alright, this is gonna be tough because I desperately want to say so much for the game's sake and my own, but it's just so much.

At least the playthrough as a whole exists to show a lot of those things, and there's no shame in some of the impacts the game had for myself going unsaid :)

LONG POST INCOMING, NO 'READ MORE' BECAUSE IT'S RELEVANT TO THE POST AND NOT AN AFTER-THOUGHT

CLICK 'J' ON YOUR KEYBOARD TO SKIP. (Sorry mobile users)

8:48 - Do you have any idea how good a step forward it felt to smash the repressing bulb?

9:50 - So I'll get ahead of myself because this fight shows a lot of the visuals that play into this: Something being the manifestation of guilt for Mari is so incredibly visualized.

Between the base 'Something' being extremely close to the shadow she cast and including the one visible eye that bore down on Sunny and Basil after the hanging, to the stairs incorporating into the design.

The seaweed and spider are more general anxieties though they do circle back to Mari since she saved Sunny, but those two forms don't feel as directly related as the stairs (heights) and base 'Something' forms and what they represent for his repressed guilt.

Could be wrong ;) Tell me what you saw in the forms of 'Something' if you'd like to expand on them :)

12:39 - Just to prove the point before you get to fully see the truth- Something morphs into the figure of Mari hanging. It doesn't fully demonstrate the "eye" aspect yet, but still I just wanted to say kudos on the way 'Something' is shown visually. Formless for a reason, and that form becomes more defined as you understand what it is, exceptional damn thing.

15:43 - Basil's part in all of this makes me so damn sad. Plenty to say later (obviously), but he harbors so much guilt, wants forgiveness so much, and is so (not shown yet) desperate to believe in Sunny's innocence while knowing but not comprehending the truth. The fact he harbors his own 'Something' due to the guilt of all this is heartbreaking, these kids endured a hell no one should. Losing someone so important to you and harboring the guilt and fault of it when nothing of the sort was intended. A childish fight with raised emotions got out of hand and all this came of it.

Hell.

16:30 - I absolutely adore how the photo album is used for this reveal.

Absolutely incredible execution that's specific to this story and its characters and makes piecing (literally) this together tense and grim.

22:27 - I NEVER SPOKE TO OR INTERACTED WITH THE THING IN THE CENTER OF THIS ROOM AND I'M A NORMAL AMOUNT OF UPSET ABOUT THAT >:( lol

29:41 - Okay.

So this reveal as a whole is so unbelievably well paced and incredibly hard hitting.

All game long there's a weight of having lost Mari. Repeatedly it's told that she killed herself and no one can understand why and everyone (MYSELF THE PLAYER INCLUDED) is looking for meaning in little moments, seeking out hints that maybe she was suffering or depressed or this or that.

And while that has gone on FOR THE ENTIRE GAME there has also been this uneasy weight surrounding Sunny/Omori. Visions of Mari twisted and deformed into phantoms of horror.

For the most part I assumed it was just him coping with having lost his sister and maybe a dialogue on how when she was alive he was in her shadow (in his mind) and now that she's gone he remains there?

That was the best I could figure, more or less. But it continued to seem more and more malicious in design and MUCH more 'heavy' in how it's presented as a shadow behind Omori/Sunny throughout his adventure and life.

The weight and 'overshadowed' looks of the scenes felt more and more foreboding and less like a simpler "I'm living in her shadow" story, but I couldn't figure out what it was.

Then these pictures come out and piece things together.

The final result:

Sunny and Mari fighting. (Context appears to be his growing disdain towards playing. It's stated he loved playing, but it's also shown that he begins to dislike how much Mari is dragged away for classes and the like up to and including playing. So my read was that Sunny was upset that their fleeting time together was dedicated to the recital and broke his violin in an emotional blur and the fight occurred.

Alternatively it was accidentally broken and both of their emotions were running high as it happened)

Mari falling to her death.

Sunny and Basil carrying her upstairs and tending to her.

Sunny breaking down as it sinks in.

The visions having Basil say "It's going to be okay" by the bedside. (I perceive that as a memory of what Basil was saying as he tried to manage his emotions during the event)

Sunny and Basil carrying her back downstairs and to the backyard.

The makeshift noose.

And finally the sight that burned itself into Sunny's eyes of her hanging after it was all said and done.

Just holy shit to it all in how it's revealed and handled.

Stories have twists all the time, and I ain't gonna make some bold claim like "Most unpredictable!" "Best twist!" "What a twist!" or whatever, though that'd be funny.

I just want to say this twist worked BEFORE the reveal as a foreboding sense of unease and curiosity- it lent itself to intentionally vague and easily misconstrued explanations, basically- instead of it outright misleading you beyond the characters that believe the lie repeating the lie, it allowed you to mislead yourself.

It did the twist the right way! And well! YOU trick YOURSELF! The people repeating the lie are being lied to or have motivation to repeat the lie! The GAME isn't lying (as so many twists handle it) the game is giving the world reason to mislead and allowing you to be mislead!

Now am I yelling affirmations for the way things SHOULD ALWAYS BE! YES! BUT THAT'S BECAUSE IT'S NOT AS NORMAL AS IT SHOULD BE! lol

31:40 - All the "You will really miss them"s hurt :(

33:25 - Right out the gate, a spoiler for what isn't here:

I looked up the alternate endings of the neutral route and my heart hurts to know Sunny doesn't stick around and Basil dies :(

34:00 - BASIL BEING OVERWHELMED WITH DENIAL AND GUILT AS HE ATTEMPTS TO MENTALLY PROTECT HIS VIEW OF WHO HIS FRIEND IS BY INVENTING A SECOND PARTY THAT DID THIS IS SO FUCKING REAL AND AMAZINGLY DONE.

And it explains the name behind the 'Something'.

'Something' behind you did it. There's 'Something' behind you, isn't there.

'Something' all around us, that potentially being the truth comin' in.

When 'Something' ruined my photos, Basil repressing protecting Sunny by destroying the proof.

Just expertly done.

'Something' being repression of the memory and impending guilt. Dannnng.

36:26 - It's 24 hours after I beat the game as I type all this so here's a gag.

Here's the part where Basil beats some sense into his friend, because after this Sunny gets knocked out and wakes up 200% improved and ready to save Basil from his own guilt by releasing them both from the secret.

So basically Kel dragged us out of bed, then a couple days later Basil beats us up, and that's how Sunny gets better :^) Game Over.

38:46 - This fight made me feel utterly terrible, a highlight being the energy bar saying "Everything is going to be okay".

or at 40:17 - when Basil pokes out Sunny's eye and the screen does this? That's an underutilized but always awesome visual.

41:12 - I THOUGHT I WAS DEAD AT THIS POINT :)

Because just before entering Basil's home on this night you see his Grandma's ghost here. So seeing Sunny here told me "WELL. YOU FUCKED UP!"

42:25 - Like I said, beat some sense into Sunny.

Here's the mental side of things where Basil's beatin' told Sunny to go remember the good times and confront his inner self and I'm being partially facetious because there's plenty to say about what's coming up.

43:15 - Goosebumps every time due to the sincerity and hope of this.

43:40 - Hug for anyone needing that.

51:11 - I could cry again and I just might before this post is done being put together.

This accident was never meant to be.

55:09 - Timestamp is arbitrary, I won't go over every flashback but I do want to say what a beautiful way to use these photos. To relive the memories? To find the strength to overcome and all that? After all these years of suppressing memories? DANNNG I love this game.

1:04:09 - I stepped in poop.

1:04:15 - Barefooted.

1:04:22 - I embraced my failure.

1:12:00 - The violin.

1:13:00 - "The anxious feeling-" "They believed in you" "No matter what you didn't want to disappoint them" I'm filled with love and gonna cry about it.

1:14:00 - So an important theme in the game, as if it has just one, is Sunny suppressing emotions and demonizing himself.

Obviously the ending shows him breaking free from both but I think it's important as hell to look at how he builds up to being able to.

After all the dark moments show him as a bloodied monster, demonstrate a perceived lack of remorse for what he's done (as in he sees himself so poorly that he says "I must not have felt bad about it, I'm a monster", not that he actually doesn't feel bad about it, that he thinks he shouldn't because he's bad), have him stab dream Basil to protect his repression of the memory, the build up to breaking free from that is him remembering the good in him through the lens of his friends.

Both in the real world and in revisiting the memories within the photos.

He hears about the good in himself that he has pretended isn't there and finds the power to overcome this deadened shell he's made.

He learns how to forgive himself by finally remembering he's worthy of forgiveness and is more than his mistake, that even the person he grievously harmed would want him to forgive himself and would understand the mistake didn't define him.

1:15:15 - Just because you did something bad doesn't make you bad, to put it more eloquently than my rambles. He had to learn that.

1:19:20 - I've done this fight 4 times.

You may be wondering why 4 times, it ain't like I replayed the game a ton or anything.

The short of it is:

1) For the good ending :)

2) To see what happens if you go "up" in the hospital- it's a dead end- I assumed it'd be a bad ending. So I got the good ending again :)

3) For the bad ending.

4) FOR THE GOOD ENDING TO WIPE THE HORRIBLE FEELING IN THE PIT OF MY STOMACH AWAY FROM THE BAD ENDING :)

In doing so I did get one layer deeper on the BG of Omori in the fight, here it is:

And I learned on the fourth run that the fight is simpler than I gave it credit lol, Cherish refills your juice, so there is no reason to use Encore. You can get to the end (and deeper more easily) by just using the triple attack and Cherish and Calm down when necessary.

1:29:00 - A summary of the fight is that it's extremely impactful emotionally, but very obviously isn't a "Fun fight". It's great mechanically and story wise for what it's trying to do :)

I'll just say it here: I'm surprised there wasn't an end-game "Omori" fight, you know, in dream world? Because combat is SO good in this. I am lead to believe that the Omori route where you never go outside in the real world has more bosses and zones and would fill what I just implied I wanted- but you're also railroaded into the Neutral endings which are both sad :(

And honestly? That makes sense and I applaud the decision :) Embracing the fantasy world for more 'fights' isn't exactly the path to recovery. Also and I know someone will be bothered I say this because *I'm* bothered I'm saying this- it makes sense since a big predecessor did the same thing lol.

Undertale Genocide has new bosses and a harder end game challenge (Sans) while being the worse ending, while the good ending has a flashy and story/emotionally impactful final fight that isn't as challenging because challenge isn't the point of the morals being explored.

I just bring it up because it's interesting, has a parallel, and after fighting Omori 4 times I really REALLY wanted to do an end-game fight in Dream World.

1:30:00 - forgive me as I cry again. goosebumps and more.

OH NO~!

DRAT!

So I use a cheap video editor and I use the free format of it which limits to 720p and I didn't think twice of it.

I recorded at max, but downgraded after editing.

At 720p you can't see the detail that made me break down crying!

At 1:31:55 Sunny's eyes go wider as he sees Mari as they finally get to experience the duet in this dream state (White Egret Orchid, this is real and happening, I'm taking this to my grave :'( ) he sees her smile and that smile made me break down, but in the 720 it's blurry :(

That's on me, I could have posted the scene raw in HQ but I didn't know it'd compress just enough to be invisible :(

still. that duet scene can make me cry on command. just because of that alone, but also the entire thing.

1:33:42 - Sunny breaks from his shell and feels his emotions again.

1:37:07 - I wish every game would end with a mirror to see yourself.

The 'Despite everything, it's still you' vibe just cements all the growth and experiences that have happened as so much more real when that happens. Bonus points because mirrors in Omori are a time bomb where you can be reminded of the guilt following you- and this one is safe. This one is pure and clean. You did it.

1:37:50 - As I said earlier, going up does nothing. Dead end.

1:39:00 - I have to tell you something.

Simple ending. And yet slams me like two trucks. I'm so proud.

1:41:00 - Post credits scene.

This is so heartwarming and their smiles are the purest thing in the entire world.

1:42:50 - BAD ENDING RECORDING.

All I'll say on that is the bad ending made me feel terrible inside. Give up, live in your bubble, and subconsciously end it all so you never have to confront reality again.

My gut felt heavy to be honest.

And the fact that THAT is when Bo En Time is played is INCREDIBLE.

Having the sky shift like that gave goosebumps and cemented my dread.

Just seeing it now has me feeling very poorly.

Okay. Video done.

Now for general thoughts.

First off this White Space cycle has been going on for YEARS with Sunny only getting worse as he suppresses things more and more and the reason he found the strength to overcome is because of his friends and I'm gonna yell about it.

THE REASON SUNNY IS BREAKING FREE CAN BE DIRECTLY POINTED AT KEL THINKING "FUCK IT, I'M ABOUT TO LOSE A FRIEND, AND I DON'T WANT TO"

And I just think that is sweet as hell. The strength was inside himself, but the problem itself caused Sunny to demonize and not trust himself- he needed someone to break him free and help convince him that he's not irredeemable. And boom.

The way this game handles Denial and even gives it physical form with the 'Something's that both Sunny and Basil harbor is just awesome.

I touched on it but combat in Omori is very, very good.

I've said it here and there as I played and I feel like going at length in the finale post is pointless because this isn't a review but to put it concisely.

Types changing mid-combat, the character archetypes being so well defined, the follow up system, combat in Omori is some top notch turn based RPG stuff.

Like up there with the greats, the timeless masterpieces. This is GOOD fighting. So it was surprising the good ending didn't emphasize it- I explained why that makes sense, but even still! It'd probably be lesser for it (as explained previously) but it's interesting they practiced that restraint for the message they wanted to send.

Repeatin' that Mari's smile in the recital made me cry. Burned in my brain.

I'm still surprised I got the post credits scene because I DID water the plants a lot but when the game showed me them all dead I assumed that was the fail condition.

I genuinely do want to try the Omori route some time down the road. I hope I get around to it.

I am slightly dissuaded just because the Omori route only gets the neutral endings which are not Good To Be Blunt :(

But I want to see what dream content there is and I hear there are other bosses!

Other small bits from my notes:

Replacing denial (the black bulb) with hope (the white bulb) was good as heck.

The imagery of the 'Something' is so top notch- using the shadow of her body combined with the piercing gaze of her single eye- MY GOD.

The fragility of life being so present- between memories of near death experiences, to the way in which Mari dies, to the ease at which either Basil or Sunny can end the game. It's tense and heart-wrenching.

The way the 'Something' behind Sunny almost always shadows over him like an ever present weight.

Tearful, hopeful, pure, kids enduring a guilt metric tons heavier than their bodies could ever handle and finally, finally moving beyond it.

I said more in a personal post, and I'll reblog that.

Honestly, just timestamping through the video took it out of me and got the point across.

Omori is a wonderful game.

It's definitely a favorite for me, high up there on my list.

Between the themes, the gameplay, the humor, the ending.

This is a good one.

And now I get to end having experienced all the care and love in this title, that's such a sweet thing.

Now I know this finale post is a mess, illegible even. I have gotten sloppier as I've begun embracing just 'experiencing and rambling' and perhaps my formatting with change yet again until I find something more easily shared.

Despite that. I want to thank any who popped in on this playthrough.

This was a good one, a highlight of the blog for sure- and I'm always happy when I see some people enjoying the absolute mess I toss online when I do one of these :P

So thank you for your time, and thank you to any ridiculous enough to read my nonsense here.

Have a good one :)

And just as expected I feel I've said nothing and barely touched the surface as the post-game-head of mine does a poor job lol. Even still :P

[destinyc1020]

So, you asked me to talk about what I thought of MM. I'm done now so I'm going to say a few things without spoiler. I must start by saying that Zendaya's performance is vibrant and captures the viewer's gaze to the point that you can't look at anything else in your surroundings, so when you go to watch, take the time just for that, because your attention cannot be divided. JDW also gives us a great performance, he will really make you hate Malcolm almost the entire film, several of his lines are really rude. He's a very difficult guy to deal with. Both are somewhat complex characters.

Also, I loved the monologues. At the end of the plot there is a Z monologue that will really make you very scared of Marie, but then you will understand what is really going on in the scene. The soundtrack is another diamond that the film brings us, each song connects with the couple's lines and feelings, mainly Dionne Warwick's song (“Get Rid of Him”) that Marie chooses in her playlist to transmit her lines that moment is unable to pronounce. The music that plays during the credits is electrifying, it has that mark of Labrinth's beats that is impossible not to notice, but it also has a touch of Kid Cudi that makes everything more nostalgic. Even with so many positive points, I must admit that the script did not please me, I think this is the main reason why critics have given such a low score. Between one scene and another, there are pauses between Malcolm and Marie's discussions and these pauses end up breaking the mood and making the dialogues a bit boring, as if they were walking at a turtle's pace. Oh, to conclude, I cannot forget to reaffirm what Washington had already told us, Z becomes a strong and convinced woman here, in no time you will see her as a teenager.

This is my view of the film. Of course, it may be a view totally contrary to that of all of you.

THANK YOU for your honest review of M&M!  😃👏 And thank you so much for NOT providing any spoilers.  I loved that.  Okay, so now your review is making me even MORE curious about the film and what is going to happen!  You’re not the only one who has said that Malcolm is a bit unlikeable in this lol. Their exchanges should be interesting. I’m also glad to see that Z doesn’t have “teenager energy” in this. I know a lot of fans were feeling some kind of way about the age gap. 

Anyway, maybe it’s just me, but I feel like because I knew this movie was filmed during quarantine, and was just basically a last-minute decision (most films are planned like at least a few months and even years in advance tbh lol), I don’t think I was ever really taking the movie TOO seriously... so I think I’m just going into it as a “casual observer”.  I’m just happy that they were able to film something under the conditions they were in at the time, and it will be interesting to see how everything is executed.  I really look at it as a playhouse piece that allowed Sam, JD, Zendaya, and the crew to continue working, growing in their skills, and not going crazy during the shutdown lol. 😂  I guess I’m just going to view it as me walking into a couple in the midst of an argument, and I’m just going to be a fly on the wall, watching, with my popcorn and wine in hand lol.    I’ll see what I think of it when I watch it later on tonight, but I honestly don’t think that I will be too disappointed, because  my expectations aren’t astronomically high to begin with.  I’m just viewing it as art in other words. :)

[cowboypossume]

sdfghj I'm so sorry for coming back to this so late I am living in Tumblr bliss without checking my inbox but a) babe is totally fine I love that!! and my names aru (no a, you were close though!!)

yeah I'm like...halfway ash through the book? Simon snow needs a break but I WOULD LOVE TO HEAR YOUR OPINIONS EVEN IF THEY WEREN'T GOOD

AND SORRY FOR NOT RESPONDING TO YOUR DMs I'm really bad at messaging I'll try to get better!!!

hey hey don’t sweat about the dm thing ! the inbox is something i can learn to do :D !!! but ok you and spoilers throughout literally the entire and this is gonna be a lot and unedited (mostly) because BEHZYZTGZYSHSYHZUENEUSBS IM SO U P S E T

undeather the - - - - - - is when the spoilers stop

ok, ok, getting striaght to the point. it’s so horny. it’s so horny. and for W H A T ? WHAT THE FUCK WAS THE REASON FOR IT TOBE T H A T HORNY? AND EVEN THEN ALL OF THE SEX STUFF WAS SO V A U G E ? LIKE EVERY TIME SIMON AND BAZ WERE TOGETHER IT TYRNED INTO SEX AND YES OK AS AN ACE I G E T HOW MUCH SEX CAN COME UP, BUT LIKE, ENDYXHZYGSHSYZGE WHAT WAS THAT?? IT WASNT EVEN WELL WRITTEN! IT WAS JUST SIMON BEING LIKE “i want more but it’s not enough” AND LIKE NOT REALLY ELABORATING ?? AND THEN THEYD BE SHARING A CUTE MOMENT THEN *bam* HORNY AGAIN? OK ALSO AS FAR I KNOW RAINBOW ROWELLE IS A CIS HET STRAIGHT WOMEN .. BABE WE DONT NEED THAT MUCH SEX BETWEEN THE MLM RELATIONSHIP??? AND THEN WJEN THEY ACTUALLY KIND OF EVEN HAVE SEX ITS SO V A U G E (AGAIN!) ITS NOT UNTIL SEVERAL PAGES LATER I REALIZED THAT THAT TIME WAS ACTUALLY SEX VS ALL THE TIMES IT WASNT? I DIDNT LIKE IT !!

ok now that i’m done being upset about how fucking vague it was, i also didn’t like how it was used as a metaphor for simon wanting to actually try in a relationship? yes it’s important to try in relationships and compromise and try when you don’t want to, that’s important, obviously, but like ,, you’re allowed to have your own believes about sex. that doesn’t have to be the soul focus of your relationship. baz himself even admits that they “have bigger things to worry about”. there are ways to show growth in a relationship without sex, and even if you do, IT DOESNT NEED TO BE THAT VAUGE?? AND OFTEN? simon felt overwhelmed in those positions and then was like “ok lol i’m done with anxiety and just gonna try now and no more anxiety :)” it felt like to me? and then bam bow horny. ALSO. ITS NOW CANNONICAL SIMON HAS A BLOOD KINK ????

ALSO! THAT SCENE IN THE SEWER WAS BAZ BEING LIKE

“please fucking stop about asking me to drain you. i’m makes me so uncomfortable and scared and stop.”

and simon was like “but it’s hotttttt”. WHAT ?? BABE WE DONT HAVE TIME TO UNPACK ALL OF THAT.

WHICH BRINGS ME TO NEXT POINT: WHY? WHY THE FUCK DID SIMON GROWL??? W H A T?? WHAT THE FUCK?? WHAT THE FUCK WAS HIM G R OW L I N G WHEN HE SPOKE??

and ok something i didn’t fit in before was all the weird ways the kissing scenes were described? i’m from america so maybe it’s like a dialect thing i don’t understand, but constantly hearing “i shove my nose into his face” while they were kissing was so weird?? like shove, similar words i frankly don’t want to remember, we’re used all the time? and for what? hmmm??? what was that?????? i cant express to you how of a fever dream this book was?? but ohohoho i have more to unpack.

penny to me always felt like the token diversity friend when it wasn’t in her point of view (and even then pushing it) and so i didn’t love her character. but!! her and simon’s friendship was realistic. i could get behind that. HOWEVER. THIS BOOK TAKES THAT AWAY. SIMON once is like “give me space” and then she’s just like “ok” and i feel like their friendship never got repaired at the end? i stopped really paying attention because fucking shit i was so tired of the constant sex between baz and simon that i zoned out most of it so maybe it did but ,, i don’t think it did. i’m pretty sure she got with shepard and then he got with baz and then that was the end of the friendship because ✨ooooo we’re dating people✨ thing. which ,, isn’t how it happens??

and while we’re here: i didn’t like the penny and shepard ship but whatever it felt like it was inevitable like female x male loki so i was like “huh disappointed but not surprised” feeling when they kissed. if you like it, cool great (/gen), i didnt and that’s swaggy but, ok, the plot of shepard being engaged to a female demon who i think wants to fuck him in hell only to be resolved in like 2 pages of a monologue so penny and shepard can get together was ?? so WEIRD ??? like what was that ?? how did that develop their relationship? idk it was so weird.

but ok back to simon and penny, i kept reading and reading and reading on so i could maybe get to at least talk again and then,, they didn’t? they just didn’t. they never made up their friendship and i get that you lose friends along your life. believe me i’m the last person you have to drive that point home to. but,,,,, god i hated that their friendship ended. for WHAT REASON DID IT END?? simon said he needed space, penny respected that, got a boyfriend and simon did too, so no longer theyre friends? something i liked about this series was the group dynamic all of the books had. no matter who’s pov it was in you could tell who each character was because it was unqiue. you still could in this book so i’ll give credit where credit’s due. however THIS BOOK WAS LIKE 3 ENTIRELY DIFFERENT STORIES WITH NO CONECTJON REWLLY ?? WHICH IS FINE I JUST ,, didn’t get that in the first two books so ,,,, why is it here ?

and ok something else while i’m criticizing is: i don’t love her writing style. i didn’t like how in book one i got “here’s an introduction to my magical word told through past tense and memories and so hopefully you’re all caught up now” which i was willing to overlook because just because i don’t like the style means it bad. at least this book didn’t do that but idk didn’t love that aspect.

ok back to the three stories: i love agatha being a bisexual goat care taker. that’s it literally she should have been the main character. like deadass i loved her story so much. that’s it that’s all /pos.

ok but! simon finding his family was cool. i liked that he got that. the pacing of the scene where he finds out was a little rushed for me but, then again, based on my writing i can’t really critique on that so … liked it, enough. idk how to elaborate. wasn’t the worst part of this book but doesn’t really sit well with me.

and i’m so confused about simon’s wings. he does want them and constantly brings up his surgery and then all of a sudden ,, doesn’t? i think? the last chapter is so vague and simon mentions being on the fence about it and i understand that we as the reader don’t need to know everything about what the future holds for these characters but also ?? beudhyzhsgsbeysyzb babe he brought it up like all the time and can i please get a solid answer ??

aLSO. WHY DID SIMON AND BAZ BREAKUP ONLY FOR THEM TO GET TOGETHER 5 CHAPTERS LATER?? WHAYDYXYZGWH WHAT WAS THE POINT OF WAYWAYRD SON IF SHE JUST DID THAT???? LIKE WHXGXYVZYZHE YOU MADE THEM STAY TOGETHER WHEN SIMON WAS BEING AN ACTUAL DICK FOR AN ENTIRE BOOK (which i will defend until the day i die those scenes weren’t an OUNCE of how horny this book is), THEY BREAKUP, AND THEN GET TOGETHER AGAIN?? NOT EVEN 100 PAGES AFTER THEY BREAKUP??? SHZGZGZYSGSU W H A T? WHAT? I DONT GET IT? i don’t get it.

i kept waiting for the scene where everything came together and it never came. then the epilogue didn’t clarify anything either.

i don’t know. there’s more probably i just didn’t enjoy this book. i would have given it a 5/10 the first time i read it but the more i think about it the lower that number goes so ,, yea not a good time.

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so! that’s a lot! completely get it if you disagree :D. you’re allowed to like a book even though i don’t. and also i have no energy to edit this so enjoy me screaming about it !