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#i genuinely think it's what buggy's character needs
beanghostprincess · 8 months
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I feel so stupid but I do want cross guild to have some kind of genuine bond
NO, NO. I SPEAK YOUR TRUTH, ANON, ME TOO!!!!!!!! I've talked about this before. I talk about this a lot. I- I love talking about this, actually. I think it could happen. I think it should happen. In canon, and in my weird homosexual romantic fantasies of these three. You're not stupid, you're a genius. Big, big brain.
Gotta be brief about it because I have to go to work, even if some of you think I'm in here 24/7. I am not. Sadly. I wish I could:
I love the Cross Guild dynamic. It's SO good. Buggy's backstory revolves around being jealous of Shanks and the way other people talked about him and his potential and put all of Roger's legacy on his shoulders and ignored Buggy. In fact, Buggy has always been treated like shit. Like a clown, in a bad way. Like "oh, yes, Shanks' friend" and not just Buggy. Whatever. The thing is- Wouldn't it be great for his character (especially after chapter 1082) (I swear to God why do I have to mention that chapter every day. I have a thing with it it's pathological I can't stop thinking about it) to actually be respected/cared for for these two big people in the pirate world? Like the story starts with Croc and Mihawk hating Buggy's guts and only using him for their own plans, but after Buggy shows determination and hope and tells them he actually has dreams? Mihawk is bored with his life and Crocodile hasn't let himself actually follow his dreams since Arabasta. I think they're actually going to end up liking the clown at some point, even if it's just a little bit of respect. And it's not even unrealistic to think about, really. They just complement each other perfectly (Oda really put the three characters people expected to be together less in the same trio and somehow made it work. Excellent writing).
And if we talk about the ship, I just think they should kiss and be protective of their clown. I need it. My soul needs it.
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demonpiratehuntress · 9 months
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baby (name)! (Mihawk, Buggy, Shanks, Brook, Chopper)
featuring - Dracule Mihawk x F!Reader, Buggy x F!Reader, Shanks x F!Reader, Brook x F!Reader, Chopper x F!Reader
summary - you somehow get turned into a baby and they have to spend 24 hours babysitting you
warnings - my first time writing for ALL of these characters, so i'm sorry if i get their characters wrong! im only 416 episodes into the anime. i tried my best!
a/n - this was requested by @faioula16, i hope you like it!
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MIHAWK
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This could honestly go either way. This guy is unpredictable and even you never know what his next move will be. But you're his faithful and loving girlfriend, so there are some exceptions when it comes to you. Like when some deranged devil fruit user turns you into a baby, and Mihawk could have had someone else take care of you, but he wanted to do it himself. He was curious, now that it was you who was an infant.
But that may also be because a witness to the scene had expressed fear for infant you, saying that Mihawk was too cold and ruthless to take care of a baby. He didn't need to prove otherwise, and he didn't want to, but something just gnawed at him. Protectiveness, maybe. You were in such a vulnerable state right now, only he could protect you and care for you.
It had absolutely nothing to do at all with the fact that you looked so adorable staring at him with your big (eye colour) eyes, reaching out to tap his because the strange colour fascinated you. No, it had nothing to do with how cute your excited squeal was every time he picked you up or looked at you. He was absolutely not entranced by your cute little smile or how you clung to him with little hands that could barely hold his one finger. Absolutely not.
Mihawk is actually a pretty good babysitter. But only for you. He will sit and read to you with you on his lap, trying not to smile when you giggle and smack the book, always catching you when you lunged forward excitedly and almost fell off his lap. He will never finish the story, but he reads to you anyway because you seem to like it...for a little while.
"(Name), no!"
He almost had a heart attack when he set you down for one second to put the book away, and you almost fell off the table because you were trying to crawl to him. Your eyes filled with tears when he yelled, even if he hadn't meant to sound angry. His gaze softened, and he picked up and cradled you against his chest, pressing a gentle kiss to your temple.
"It's alright, I won't hurt you. You're fine, little one."
And then you really are fine, your little body comforted by his actions and words. They lull you into sleep, and soon you rest on his shoulder and fall into a deep sleep, gripping his shirt collar tightly in your tiny fist.
"Sleep well, (Name)."
When you awake, in your usual adult form, you're too nervous to suggest it, but thankfully Mihawk is thinking the same thing.
"I think I'd like a little you or me to keep me company."
BUGGY
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Buggy is horrible with children. I mean he's not great with people, but he is absolutely, terrifyingly not good with kids at all. So when you were somehow turned into a tiny human being who could barely stand on two legs, he was shocked. And slightly scared, though he would never admit it. You were the only person he genuinely liked, so he tried not to be too...rough, with your little form. Picking you up was as far as he got, but even then he held you out awkwardly like a football.
And then you squealed and happily reached for his nose, the bright red circular appendage attracting your attention instantly. Now, Buggy was sensitive about his nose, but he let you touch it. A testament to how much he liked you. And, if he were being honest, you were actually kind of cute squeezing his nose like that until he couldn't breath-
Exhale out the mouth.
When he remembered he could use his mouth to breathe, he smiled a little at how much you were enjoying yourself playing with his nose. You even touched his makeup and all his markings, out of curiosity. Your eyes were bright with confusion but also fascination, and it did something weird to Buggy. Made him feel...warm inside?
Then he decided to, experimentally, see what your reaction to his devil fruit would be in this tiny form. He set you down on the floor again, and then detached his hand. Your eyes went wide and you instantly covered your eyes with your small hands, your bottom lip trembling. He panicked, tripping over himself and falling into a tangled heap in front of you. You peeked between your fingers to see this, then burst out into cute laughter. Buggy almost glared at you, but then remembered you were just a baby and instead picked himself up and smiled - or rather tried his best not to smile like a maniac - at you.
Then you saw his floating hand, and grabbed it.
"No no, (Name), that's not-"
You stuck his fingers in your mouth, and he groaned. You just giggled innocently, and only then did he realise his devil fruit could be a source of entertainment for you. He detached multiple limbs and floated them around, watching as you squealed in glee and crawled around trying to catch them.
Were you actually having fun because of him?
When he finally put his body back together again, you pouted but crawled up to his leg and hugged it, gurgling happily as if to thank him. He was stunned. He slowly picked you up and you offered him a toothless smile, before yawning. Still unsure, he laid you on his shoulder and awkwardly patted your back, but that seemed to work because you slowly fell asleep.
When you woke up again, finally an adult, you grinned at him, "Shall we make you a father?"
SHANKS
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It was his fault, really. He picked the fight, contrary to his usual behaviour. But that guy had said something about you, and he couldn't ignore it, so of course he acted. And now here you were, a tiny baby fisting his shirt in your tiny hand and looking up at him with big, curious (eye colour) eyes. He had experience with children, of course, having spent some time with Luffy. But you were so small, so delicate.
"Captain, what-"
He ignored the confused questions from his crew as he brought you back on board the ship, immediately taking you to his quarters. It shouldn't last long, he reminded himself, but he still felt guilty. Though that quickly disappeared when you giggled and crawled around his quarters, knocking things over and hiding with a loud giggle when he caught you.
"Oi, (Name)!" He tried to sound stern, he really did, but his laugh have his mood away. You stuck your head out from under his bed and stuck your tiny tongue out at him, and he burst out laughing. "Oh, you're cute, sweetheart."
He lifted you up again and you squealed excitedly and reached for his hair, the bright colour attracting your attention. He grinned and put you on his head, keeping his hands on your small waist, and soon felt you tug on his red strands. You were giggling and pulling and kicking your legs happily, so he endured the pain just for your sake. It was very cute how you thought his hair was a toy, and by the time you got tired of it, it was a mess. Strands were everywhere, out of place, sticking out...but it didn't matter to him.
Because now you were looking at him with your big, innocent eyes and suckling on your hand as he cradled you against his chest. He gently rubbed your back and pressed a soft kiss to your tiny tuft of (hair colour) hair.
"You're so pretty even as a baby, (Name)."
You rewarded him with a sloppy kiss on his cheek, making him laugh. He sat on his bed with you still in his arms, watching as you grew tired and offered him the cutest sight - the tiniest of yawns.
"Sleep, little one."
He gently rocked you to sleep, reassuringly and soothingly patting your small back as you drifted off on his shoulder. He felt warm inside, as if a small fire had been lit inside him. He knew what it was.
And when you woke up in adult form, he grinned at you, "Let me give you a baby, sweetheart."
BROOK
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Brook has experience with babies. Maybe not human babies, but babies nonetheless. He knows a human baby is very different to a whale baby, but he figures that there can be similarities too. Such as entertainment, which is his area of expertise. So when he looks down at his feet to see baby you tugging on his pants, he is somewhat prepared. He has no idea how you were turned into a baby, of course, but he's not complaining because you are so, so adorable.
"What happened to (Name)?" Franky asked the skeleton, raising an eyebrow.
"Nothing important!" Was Brook's gleeful reply, followed by a laugh when you somehow crawled on top of his afro and knocked his hat off so you could take its place.
"Nothing imp-" Franky sighed. "Do you even know how to look after a baby?" Franky's eyes worriedly drifted to where you sat upon the skeleton's head, tugging on his afro and squealing with delight. You wobbled precariously.
"No, but it can't be any different to a baby whale!"
Franky would have commented on that, if you hadn't slipped off Brook's head. The cyborg easily caught you, before holding you out to Brook, "Don't let her sit on your head."
"Noted."
For the rest of the day, Brook occupied you by sitting you down on his bed and playing music for you, telling you stories about Laboon and his crew, and about his experiences in the Grand Line before you guys found him. He sang all sorts of songs, played all sorts of melodies, while you giggled and clapped your hands excitedly, bouncing up and down. Brook smiled, the sight warming heart - oh, but he doesn't have a heart. He hardly ever got tired, but you prompted him to play for hours on end, until he really was exhausted. So he picked you up, settled on his bed, and lay you on his lap before humming a tune. You slowly drifted off to sleep, and Brook smiled.
He hoped he could play for one of the crew's babies one day.
CHOPPER
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Another island, another mishap, another adventure. No trip is ever boring with the Straw Hats, and this was again proven when an unfortunate encounter with a devil fruit user who could change people's ages led to you being turned into an infant. And that's how you found yourself cradled in Sanji's arms, with Chopper trying to get a good look at you all throughout the walk back to the Sunny.
"Chopper, she's fine," the cook tried to assure the doctor, but Chopper was having none of it.
He was so worried, because no one was equipped to take care of a baby, and he cared about you so much that now you were a baby, he was becoming overprotective. As soon as Sanji set you down somewhere safe for Chopper to examine you, he was grabbing his bag and bringing out all his different tools. He checked all your vitals and made sure you were first and foremost healthy, before he could consider anything else.
Then you touched his blue nose and widened your eyes in fascination, gurgling softly, and Chopper blushed brightly. He smiled and poked your nose back, and you let out the cutest giggle that melted the reindeer's little heart. He shifted to his humanoid form and gently lifted you up into his arms, cradling you as he gazed down at you with the utmost love, adoration and fascination he could manage. You were so tiny, even more so than him, and so so cute. Then you sneezed, looking stunned for a moment before giggling loudly. And Chopper thought there was nothing more joy-inducing than holding and watching baby you.
"Chopper, where's-oh." Nami stopped when she saw Chopper standing there just holding you, one of his fingers in your tiny hand as he cooed at you and made you giggle. She smiled softly and left the room, deciding you were in safe hands.
"You're the cutest baby in the world, (Name)," Chopper told you. You just smiled brightly, exposing your gums cause you had no teeth, and waved your small arms around happily.
Chopper was really good with you. He monitored you throughout the 24 hours, making sure you ate properly, got enough sleep and were bathed properly. He is probably the best caretaker out of all the men on this list, not only because he's doctor but he's naturally caring and nurturing. It comes like second nature to him. Besides, you were such a calm and quiet baby - except for the giggling - that you made it easy for him. He was almost sad when you fell asleep, knowing you'd be grown up again when you woke up.
But maybe one day the crew would be able to fawn over a baby everyday. Maybe one day.
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grandline-fics · 6 months
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love you have given me mihawk brain worms ong, please i need to spend the rest of my days having lots of domestic but sweet moments with him
i just know that beneath his aloof demeanor he is just smitten with his s/o
DESCRIPTION: Domestic life with him
WARNINGS: none, just fluff
CHARACTERS: Mihawk
WORDS: 640
A/N: I know this wasn't an actual request but my health has been bad and I've been waiting over two weeks for test results so needed some indulgent fluff to feel better. Hope you enjoy
*REQUESTS ARE OPEN*
MASTERLIST
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With what he does taking him away from you so often, the times he does return to you means he enjoys every second he can with you. While you sleep, you’re kept protectively and lovingly in his hold; one arm around your waist and the other cradling your head with his fingers through your hair. Mihawk keeps his head pressed into the crook of your neck and his lips against your skin, not just for indulgence but to also feel your steady pulse. He always wakes first, to enjoy the warmth of your body and the soak up the feeling of calm your presence grants him. He’ll lie still and relaxed in the blissful silence. It’s rare for Mihawk to open his eyes first. He likes to wait for you to stir and turn in his hold and press a gentle good morning kiss against his lips before he’ll pretend to wake because if it’s not your face he sees first thing, what’s the point?
Mihawk has no sense of personal space when you two are together. He’s practiced and aloof enough to be subtle. When you are out in town shopping together he’ll stand close, the back of his fingers just close enough to graze against the small of your back. Or sometimes he’ll stand with his arm against yours. You’re used to it and will always gladly lean into him so to the untrained eye it looks like you’re the one responsible for the lack of space between you two. However if they looked for long enough they’d notice how Mihawk would casually follow you when you hurried to the next stall or store front to browse the wares and how he would always come to a stop beside you once more. 
When you’re lounging together, him with a glass of wine and a book and you with the paper in your hands, you like to inform him of the news that he wouldn’t think to look into otherwise. Most of the time though you’re looking for old rivals of his or acquaintances with a smile, already awaiting his dry commentary on their activity.
“Love, look. Your son’s bounty has gone up!” You tell him with a genuine bright grin as you hold up Zoro’s updated bounty poster. Mihawk’s eyebrow always quirks at your affectionate term for someone he would at most call his student. Still he can’t help but feel some sort of satisfaction at seeing the other swordsman’s bounty gaining higher and higher amounts because he knows most of that is down to his instruction. 
“They grow up so fast.” He notes and you grin, setting the poster aside to put proudly on the fridge when you get up later.   
Mihawk will do anything you ask of him even if it’s something he would avoid. Introducing you to the Cross Guild for instance was something he would have sooner never seen happen. You understood that he was private by nature and neither Crocodile or Buggy really needed to know about his relationship with you. Still all you’d mentioned was that it would be nice to properly meet the men he was working with and as a result he took you to them. Crocodile was more surprised that you ‘deemed someone like Mihawk worthy of your time’ and Buggy couldn’t believe that someone as notorious and dangerous as you had actually settled down and were with Mihawk of all people. Now that they know about you, you do make it a point to visit Mihawk more so he isn’t always coming to you all the time. However with every visit you have to constantly refuse Buggy and Crocodile’s proposition for you to join as an official member as you’re still having fun doing your own thing and being independent from Mihawk makes your reunions so much sweeter.
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nina-ya · 4 months
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Lights Camera Action
Synopsis: You are an amateur pornstar who has the opportunity to work on a scene with the more well known Eustass Kid. You just can't seem to get through your scene, so Kid has to gain your trust before he can indulge in you A/N: This was originally a piece made for @cherrykamado and this is a collaboration with my dear friend @nc-vb thank you so much for working on this with me this is genuinely one of my favorite things i've written Pairing: Kid x Reader CW: NSFW, AFAB reader, Kid is kind of an asshole at first, oral (male receiving) WC: 4.2k
The makeup artist puts the final touches on your looks as you sit nervously in front of the mirror. You were an amateur adult film star and today’s shoot is with the famous Eustass Kid. You had heard through the grapevine that Kid was a rather tough person to work with, and he was not the kindest either, but only time would tell if these rumors were true. Despite your nerves, you were just thrilled at the opportunity to work with a more well-known performer. It was sure to get your name out there and give your career the boost it needed. 
You were dressed up in your robe with the rather skimpy secretary outfit underneath– your breasts were nearly bursting out of your button-up top thanks to the push up bra you were wearing, and the skirt you sported left nothing for the imagination. Of course, to add to the realism, you had no panties on. When the makeup artist finished, you put on the fake pair of glasses that you were asked to wear, sealing the look. 
The scene was set in a CEO’s office, with you playing Kid’s secretary. You had rehearsed the lines in your head trying to build up the confidence you needed. It was simple, right? You just had to go in and ask for a raise, give him a blowjob under the desk, and get railed over said desk. Not many lines to be said other than the occasional exaggerated moan and calling out of his name.
You looked at yourself in the mirror and took a deep breath before standing up and taking off the robe, draping it onto the chair behind you. The crew signals that they’re ready, and you make your way to the set, trying to ignore the nerves building within you. 
The set is complete with a large desk, leather chairs, bookshelves lined with various awards and books. The man of the hour, Eustass Kid, sat behind the desk with a stern expression on his face. Is he already in character or is he always this way? You thought to yourself as you took your  place right outside of the door to the room.
“Action!” the director, the infamous Buggy, called out, and you entered the room. You sauntered in, trying to exude seduction and confidence. 
“Mr. Kid,” you began, your voice obnoxiously heightened, as you have seen others do for this type of film. “I wanted to talk to you… about a raise.” If anyone listened closely, they could hear the slight tremble in your voice, indicating the anxiety you were feeling in the moment. 
Kid looked up from his papers, his gaze lingering on your figure. “A raise, huh?” he said, the gruffness in his voice not laying up. “And what makes you think that you deserve one?” He asked, leaning back in his chair as he placed his pencil down on the desk with a light thud.
You swallowed nervously, trying to remember your lines. “Well, Mr. Kid, I’ve been working for you for a very long time, and I think I have proven myself to be a valuable asset to the company.” You reached up, placing a hand on your shirt as you continued. “Maybe even a valuable asset to… you. Don’t you think so?”
With a coy smile on your lips, you began to slowly undo the buttons of your shirt, one by one. Each button released with a small click slowly revealing the lacy red bra hidden beneath. Your movements were deliberately slow and teasing, as you let the fabric slide open, inch by inch.
Kid’s eyes followed your every move, his gaze darkening with desire as he took in the sight before him. He coughed before speaking up, “Well, maybe I could be persuaded.” 
Cue the knocking at the door indicating the next part of the scene. You gasped, and scrambled to button up your shirt, when Kid insisted that you hide under the desk.  You crawled under the desk and right as prompted, two other actors walked in, portraying individuals Kid had a meeting with. Kid greeted them, and urged them to sit down in the seats across from his desk.
“Cut!” Buggy yelled. The camera and lighting crew started moving around, setting up to get the shots under the desk. This allowed you to have a moment to breathe. You closed your eyes and took some deep breaths, preparing yourself for the next scene. 
You could hear Kid above you muttering to the other actors, “Tch, they're already so nervous and we’ve barely started. It’s going to be a long day,” he finished with a groan.
You opened your eyes at the comment and you were met with the sight of Kid palming himself through his pants. You shouldn’t have been surprised, he needed to keep himself hard for the upcoming scene. Still, you couldn’t stop the heat that flushed your cheeks as you stared at the sight in front of you. You’d seen his work before and knew that he was big, but seeing it in person was a much different story. Even through his pants, You could tell that he was larger than any dildo you’d ever taken. 
This was certainly going to be an interesting shoot. 
The crew finished setting up for the next scene, the scene where you were supposed to suck him off under the desk. Buggy called for action once more, and you pushed aside those nerves. You took a deep breath, determined to give this your best effort. After all, this is one of your only chances to make it big in the industry.
As the script called, you made exaggerated facial expressions to indicate that you can hear the voices, and your expression turned into a playful toothy grin as you stared at the erection in front of you. 
You scooched slightly closer, and your hands reached out to unbutton and unzip his pants. You shimmied his cock out of his pants, staring at it while practically drooling. Part of you was not acting at this point- Kid was hung to put it lightly. You leaned forward, preparing to take him into your mouth, when your confidence faltered and you hesitated, your mind suddenly filling with doubt. ”What if I can’t perform well enough? What if I disappoint everyone?” you thought to yourself. 
With a shaky breath, you leaned in, barely popping his length into your mouth before quickly pulling back, unable to go through with it. your cheeks burned with embarrassment as you looked up at Kid and the crew, apologetic and ashamed. 
Buggy groaned rather exaggeratedly before yelling “Cut!”
Kid rolled back in his chair to put some distance between the two of them, his features clearly adorning a frustrated expression evident by the furrow of his eyebrows and the way he sharply sighed out.
“I’m sorry,” you said, your voice only audible to Kid. “First day jitters?” you asked, trying to lighten the mood. 
Kid glanced down at you, his gaze narrowing as his eyes bore into your. “Just do better next time,” he said rather harshly. He ran a hand over his face as he muttered, “fucking amateurs. Why did I even agree to this shit?” 
A sinking feeling washed over you. Anxiety bubbled up in you as you heard the disappointment in Kid’s voice. All the rumors were right. He really is an asshole. You knew that you had ruined the moment, and that sense of failure settled in as everyone prepared for another take.
Buggy yelled action once again, and you braced yourself for another attempt, determined to make it work this time. As you leaned forward, you could feel the frustration radiating off of him. You reached for his pants once more, your fingers trembling slightly as you unzipped them. But before you could even make a move, Kid’s voice cut through the air, sharp and biting. “What the fuck is wrong with you?” he spat, glaring down at you. “Can’t you do something as simple as sucking someone off?” 
your heart sank at his words, his words hitting you like a punch to the gut. You refused to let it break you, though, and you gathered yourself quickly as you once again tried performing the scene. You leaned in, and you could feel Kid’s impatience growing, his harsh words running through your mind, making you struggle to focus. Just as you was about to make another attempt, a voice interrupted from behind the camera. 
“Cut!” Buggy shouted, his own frustration growing as the crew around you let out a groan of frustration themselves. Kid let out a frustrated growl, his anger simmering as he glared at you.
“You’re fucking useless,” he muttered, his voice laced with disdain as he stormed off the set, leaving you feeling small and defeated in his wake.
“Wha- Eustass come ba- oh okay, he’s gone.” Buggy sighed as he watched the door to the set slam with a loud thud. “I guess that’s it for today. Come on, pack it up.” he said as he started packing up his own equipment.
you sat there in utter defeat, not even bothering to move as the crew around you packed up. You only moved when the crew needed to move around set pieces, but you still sat off to the side, letting the disappointment settle in.
Unlike that of a film or television set, the ones used for adult productions were almost always running. While perhaps one crew was finished, the rest of the building would still be abuzz; the crew covering yours and Kid’s film likely would’ve been shipped off to another set on another floor. 
Knowing that the room wasn’t booked for another couple of hours, and that it still needed to be refreshed for the next team, you bothered to spare a moment and sighed into your hands. Despite being nervous going into filming, you at least thought you’d be able to make it through today’s scene, even if you had to pretend while you pretended. And leaving the room too early might’ve meant running into any member of the crew who hadn’t left yet-- the embarrassment if you faced them too soon would eat at you even worse. 
There’s a loud noise from the outer shell of the set, sounding similar to the crash bar on a door being slammed into; a door is shut a moment later. you sniffed, groaning at the thick of it, and pushed your elbows from your knees. The door to the office set swung open (even though you’d been prepared for it, it still managed to startle you), revealing you co-star for their film. Still wearing the same suit from production, he walked in, and let the flimsy office door for the set close loudly on his heels.
“Eustass,” you called, blinking rapidly. “Did you forget something?”
“No.” He paused. “Not really.” 
The sudden awkward silence was starting to grow heavy.
“So… why…” He cleared his throat, incidentally cutting off your attempt to query him further; you sighed. “Listen, Eustass… I don’t have the energy to hear you bitch and moan at me a second time about the scene. Just… leave me alone here; I’ll be ready by tomorrow.”
“Bitch and moan?” he repeated, his gruff voice raising an octave. “Is that what it’s called when someone’s trying to get a job done and you can’t get your shit together?”
your expression hardened. “And you saying what you said, is that how you’re supposed to treat your scene partner? All the rumours of you being tough to work with were true after all. So, is that what you came back here for? To snap at me some more. Because if so--”
“Dinner,” he interrupted. your lips stayed apart in your shock. “Come grab somethin’ to eat.”
“... with you,” you clarified. 
Eustass nodded, a jerk of a gesture. “With me.” At your lack of response, “We don’t know each other. And I’ve done this long enough to tell when someone ain’t comfortable with me. So let’s grab a bite, and, uh, talk.”
“Talk…”
“That’s what I said, damn it! You comin’ or what?!”
you hastily rose to your feet. “Y-Yeah, um, yes…”
The walk down the hall and the ride in the elevator was done in silence. Originally, you thought they might be going to some nearby restaurant, the closest being a ten-minute drive west of the set building. “Other than what our scene was supposed to take, I’ve got another one about five hours from now that I’ve gotta prepare for in three-- you fine with food truck grub? There’s a few that set up shop a couple of blocks from here.”
But “food truck grub” was fine, too. “Sure, that’s okay with me.”
Eustass jerks his head, gesturing the way. you stepped quickly to keep up with his lengthy stride, panting by the time they’d reached the curb where the trucks were parked. You caught the tail-end of a chuckle from him, a deep noise that made you flush. 
Choosing what to eat was the easiest part. With how many choices there were, you surprised yourself by picking out what you wanted fairly quickly. But as they walked away from the trucks, the two of them silently eating with the occasional question from Eustass, deciding on what to talk about was much more difficult. 
You could at least admit that contrary to those rumours you’d heard about him, the man wasn’t bad. Rough around the edges, rough in his mannerisms, with his speech patterns-- in your short time as an adult film actress, you’d yet to encounter a co-star who’d gone out of their way to make you feel comfortable; just grinning and bearing it had become the norm for you, swallowing down whatever discomfort or aggravations you were forced to deal with. Out of all the men in the industry, you’d expected someone like him to be even less courteous. 
You couldn’t help the flutter of relief in your chest at the sight of the man before you. Out of the set and out of the suit, enjoying a steak chimichanga and a dark soda; the normalcy he exudes was almost pacifying. And as their conversation went on and flowed naturally, filling those two spare hours of his easily.
A loud ring from Eustass’s pocket startles them both; wiping his one hand with a napkin, he reached for it and shut off the alarm.
“Gotta go back and start prepping for that next shoot,” he explained, crumpling both his and your garbage up into a ball. Tossing it into the nearby bin, “I don’t gotta ask if you’re good now, right?”
you laughed, an airy noise, and grinned. “No, I think this was just what I needed. I am sorry for ruining the shoot, I just…”
“Don’t worry ‘bout it,” Eustass grumbled. “Besides-- who said that me inviting you out here was only for your sake?”
You blinked. “Sorry?”
His eyes narrowed down at you when he smirked. In raising a hand in front of his mouth, he parted his fingers, and poked his long tongue between them before walking away. You coughed, choking on your own saliva at the gesture, the very vulgar and in-broad-daylight gesture. As hard as you tried, not blushing was impossible, and his fading laughter only made it worse. 
The following day arrived quickly. Shortly after nine in the morning, you received a text from Buggy to come in before noon to finish the shoot. You showered quickly, ready and out the door by half after ten. Upon arriving, you spot Eustass at the end of the hall, about to enter his designated styling room when he notices you, shooting you a quick wave before disappearing inside. 
A different kind of anxiety nestled itself inside you. It churned in your stomach like dough, instead of cement, and had you fidgeting so much that your stylist had to ask you to “settle down”. You were eager to begin, eager to prove that the day before was just a fluke. Half the night was spent thinking and planning along the grains of the script on how you were going to exude the confidence and sexuality you knew you had in you. You’ve done it dozens of times. The situation with Eustass Kid was intimidating. “He’s a decent guy, just… a bit impatient.” Now that you know him better, this’ll be a cinch.
Once more, you slipped out of your robe to assemble the overly-pinched secretary outfit, breasts almost tumbling out of the push-up bra supplied to you-- not that it was necessary. The buttons of the blouse only make it halfway along your abdomen, the entirety of your cleavage exposed for the cameras.
Slipping on the fake prescription glasses, you exited your own room and made your way to the set. Everyone was already inside, the crew putting the finishing touches to reset the room from its last use, Buggy handing out last-second instructions and demands, and Eustass, who, despite his insistence, had fallen victim to one of the stylists curing his hair up one last time. 
“It’s just gonna get messed up again in ten minutes,” he argued, but they wouldn’t have it. 
“Alright, people!” Buggy’s sudden, loud clapping pierces your ears. “This is the last time we’ve got time to run this scene! If some of us can’t get it together, we’re cutting it. Places!!”
The stylists and set designers disappear, and you follow them out the same door to wait behind it for Buggy’s signal.
“Begin rolling,” you heard him say. “Action!”
you knocked at the door, a sharp but hesitant three-tone noise that on the other side of the door, has Eustass raising his head. 
“Come in,” he called, and the door clicked open.
“Mr. Kid?” you called, shutting it behind you again. “I wanted to talk to you about a raise.” This time, looking at Eustass didn’t make you tremble; you didn’t have the urge to avert your gaze. you anxieties were officially quelled-- even he could tell the difference, and had to hold himself back from smirking.
“A raise, huh?” Eustass sets his pencil down, and leans back in his chair with his arms folded over his chest. “And what makes you think that you deserve one?”
you, too, held back a smile of your own. “Well, Mr. Kid, I’ve been working for you for a very long time. I think I’ve proven myself a valuable asset to your company.” The slight deviation from the script was noted by both Eustass and Buggy, though neither would complain about it-- not when the delivery managed to change the room’s temperature.
you curved around the large desk to where Eustass sat, leaning back against it so that it pushed up the plush of your ass for the camera, and reaching for the end of his burgundy tie. “Maybe… even a valuable asset to you. Don’t you think so?”
You released it to fall back against his wide chest, reaching toward yourself to begin popping the buttons of your blouse, one by one, never breaking eye contact with him. Almost gratefully, the shirt fell open, once more exposing that lace bra of yours. You hadn’t noticed yesterday, but it was the same colour as the tie. 
And like you couldn’t take you eyes off of him, Eustass’s stare was hot and piercing like a branding iron. “Well… maybe I could be persuaded.”
Another knock at the door falsely-startled you while in-character, and you made to fasten the buttons of your blouse.
“Chickening out?” Eustass asked. “Thought you wanted a raise.”
“I… I do!”
“Then you’d better get under this desk and hide.” They knock again. “Better yet, entertain me through this meeting. Earn it.”
“Cut!” you let out a breath, rolling your shoulders. “Much better!”
A scene is next shot with you bolting to crawl where Eustass remains manspread in his chair, with another adjacent camera shooting you getting situated between his knees, before the cameras are shifted to stay out of each other’s view for the majority of the shoot. 
The desk had been purposely built to allow for extra room for the actor to hide under (because why else would someone need that much room under their desk?) and be comfortable there. It was clear that Eustass had been “fluffed” prior to entering the set, but unlike yesterday’s failed shoot that had him palming at himself to stay hard, while the cameras were busy being repositioned and the room’s lighting was adjusted, his eyes remained on you, his bulge twitching almost eagerly within his slacks. 
One last transition shot was filmed of Eustass undoing his belt and you sliding his pants to his ankles before Buggy calls “Action!” for the next scene. 
There’s a third knock at the door. “Come in,” Eustass finally called, and two other actors entered, taking the two seats across the desk at his urging. 
For the second time in twenty-four hours, you have to hold back your shock at your co-star’s size. He really was massive. You were sure that even in the shadows of the desk, your blush would be picked up by the cameras.
As the three men begin their “meeting”, you lean on your knees to lift your hands to his lap, your palms smoothing across the corded, muscular expanse of his thighs. Eustass shifted in his seat when they finally reached him; hot and thick within you held around his length, you proof as a “valuable asset” as Mr. Kid’s secretary certainly showed in your multitasking. 
He’d already been hard since first seeing you earlier on. He didn’t even need fluffing today; the woman sitting between his legs, your voice, your lips, your body, even the admittedly cute way you’d eaten yesterday, somehow in their short time of knowing each other, all of that did the trick. Even the fluffer was surprised. 
So, the moment you’d put your hands on him, it’d taken a lot more willpower than he thought it would to actually remain seated. Oh, how he wished it was a different scene they were filming right now. What he’d give to see the face you’re making, to see you lips wrapped taut around his erection, to see you small hands curled around the base of him, to watch you head bop up and down on his cock-- Eustass heaved a sigh, and propped an elbow onto his desk almost shakily as he neared his first release. 
“Shit, I didn’t expect them to be this good,” he thought, and smoothly covered his mouth with his palm while he “listened” to the actors prattle on. Once more, his hips jerked in the chair, and you reached out to attempt to pin them down, the back of your throat already aching.
The meeting concluded only a minute later, but it was a minute too late. You felt his twitching, felt how hot inside of you he was, and as you were about to pull away to allow for him to come on you chest, per the script’s directive, a large hand swung down from the armrest of Eustass’s chair and to instead rest on the back of you head, weighing you down so that his spend exploded down you throat. A groan slipped out of him that he’s quick to spin into a cough as the two men leave the office, one loud enough that it ended up masking the choked noise of surprise that came from you. 
Eustass shuddered and ran a hand down his face, and finally released his grip on you. you cough, swallowing the remnants of cum that threatened to spill out the corners of your mouth and ruin your makeup job too early. You’re barely allowed a break when, again, against the script’s directives, Eustass heaved you out and up from under the desk to sit you on the edge of his desk.
Panting, “M-Mr. Kid, I--”
“It’s too damn early to be taking a break, Miss Secretary.” Eustass lifted his hands to either of your thighs, spreading your knees apart and making your pencil skirt bunch toward your hips. In the corner of your eyes, you spots the one camera shift to aim itself at you bare, glistening cunt. “Ha. Looks like someone enjoyed sucking my cock.”
Still reeling from the switch in plans, you blinked down at Eustass as he fingered off his tie, and braced himself before you. “Mr. Kid--” “Guess I should prove myself a boss deserving of such a good employee, shouldn’t I?”
He leaned down, fingers gripping at you plush thighs to pull you tighter toward him and tongue lolled out and poised, when a screech echoed through the small set.
“Cut!!” Buggy groaned from the other end of the room. The two looked his way to find him glaring at the small screens. “That was a shit angle. Start over from before you pull you out!”
You sighed, and blew a strand of hair from out of your face. It would be an interesting shoot, indeed.
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aimbutmiss · 8 months
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I have been in a bughawk mood two nights in a row now but I've consumed all the available content so I've just been thrashing around restlessly- anyways I'm giving in I'm writing some headcanons let's go:
- Mihawk is a sloppy kisser. Like, what's the point if he's not basically tongue fucking someone?? Let's just say Buggy was NOT prepared. Their first kiss was so messy and it left Buggy breathless and he kind of wanted to punch Mihawk but also to kiss him again (he didn't have to choose as Mihawk quickly did the latter)
- They're both big on reading. Once they realised their shared interest they decided to start their own little book club. They mostly read romance because they think it's funny (but they also genuinely enjoy it, when it's well written...) Their favourite thing to do is talking about the smut scenes and trying to decipher the sex positions the characters are in. It's harder than it sounds. Bonus: Crocodile takes interest in their new found thing (purely because he thinks it's weird that they're getting along so well) and picks up the latest book they're reading when he sees it on a table. Let's just say he is mortified.
- Mihawk's garden is very personal to him. It's his one escape from everything, so he let's no one in (not that anyone would dare) There is however one exception to this rule, and that is Buggy. While the clown is usually very loud and flashy, he tends to get very quiet in privacy and Mihawk appreciates that. It's nice to have company sometimes. Whether Buggy is just sitting there doing whatever in silence, or he's reading to Mihawk as he tends to his vegetables, his presence has become a source of comfort. Mihawk would never admit it out loud but he almost prefers it to his solitude.
- Mihawk doesn't care for physical affection, but Buggy thrives on it. He loves cuddling, which is not something Mihawk is used to. He usually disappears after the nightly activities are done with. He's so used to leaving that it's exactly what he does after his first time sleeping with Buggy. The other man is so distraught the next day and it confuses Mihawk. Buggy's eyes are bloodshot and he's seemingly ignoring him. A quick confrontation makes him realise that the clown assumed he regretted the night before just because he wasn't there when he woke up. Mihawk never left him alone at night after that. And quite honestly, he's come to realise cuddling actually does feel nice.
- While Mihawk is not big on physical touch, he does love playing with Buggy's hands like a fidget toy. The contrast between their hands, his long, slim pale and manicured fingers against Buggy's slightly chubby, darker and clearly worked ones is fascinating to him. And they're so soft to the touch. He loves just detaching one hand from its owner and holding it when they're apart. When Buggy does eventually need the hand, if he does resist giving it back for a bit, its their little secret.
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whoishotteranimepolls · 3 months
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Okay, One Piece fandom. Please explain why a clown is winning polls. That I believe he has no right to win. Now, I may be biased. I do not watch One Piece, and I have still yet to forgive Tumblr for the great sin of putting that clown all over my dashboard without my consent when they were advertising the live-action adaptation. But there has to be something about him because you guys seem to love him. However, I may be wrong because I have read that post with all the funny tags, and the buggy section just feels like the roast of Buggy the Clown. So, do you all actually love him, or is he a character that everyone loves to hate? Please explain because I at least understand how some One Piece characters consistently win polls. I have eyes. I see Zoro, Shanks and the goth guy with the long coat and the mustache. He's hot. Even the sexy guy with long white hair, I think his name is Silvers or King, maybe. Personally, I don't believe that Buggy is hot. However, he's beating my favorite blorbos consistently, and I would love to know why.
Defend Your Blurbo #4
Please remember this post is about curiosity and genuine fandom discourse. Be kind with your answers because this is not a debate essay, this is a discussion between fans.
Tumblr media Tumblr media
Well, here are some photos of pre and post-time skip Buggy
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A gif just in case anyone forgot what Tumblr did to us during the ad campaign, even though it was probably his worst shot in the entire show. So, at least, I totally understand that point
And a link to the post with all the funny tags. If you want to read what they call the Roast of Buggy the Clown. I don't think you were that rough on him. But it's been a while. I may need to read it again
So, One Piece fandom, Defend your Blorbo and have fun with this one because there are probably a lot of people who don't understand the appeal of Buggy
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night-daily · 1 year
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Helloooo 😗 can you write runaway bride reader (like Elizabeth from pirates of the Caribbean) x Luffy, Zoro, Sanji, Buggy, Shanks, Mihawk ?
hii anon, sorry it took me long but here it is, i think it may be a little different you have in mind but still i hope u like it:]
also, i didn't write Buggy and Mihawk 'cause I didn't know how to cover their characters.
characters: Luffy, Zoro, Sanji, Shanks (OPLA)
warnings: none
LUFFY
You're catching your breath after running like felt for hours and wearing your wedding dress is not helping, it's so heavy. Your gaze stops on the boat in front of you, it was small but it was your only option and, to be honest, everything was better than marrying someone you don't want.
“Oh, the news travels fast, you're here to be part of my crew?” A cheerful voice startled you, making you step forward almost falling into the water, but then again, he surprised you, stretching his arm further than a normal human grabbing you by your elbow, “what the he—” “devil fruit” he only responds shrugging shoulders, your mouth forms an oh.
“So I must tell you, you do look nice but I don't think you'll be comfortable wearing it on a boat” You make eye contact with him trying to figure out if he's joking but he's not. He looks genuine with that big smile on his face it's not a look you expect on a pirate. “Yeah, it's not comfortable, maybe I can change in our next stop?” The smile never left his face, in fact, it got bigger if that was possible. “YEAH, WELCOME ABOARD!” Then he helped you to get into the boat. “By the way, I'm Monkey D. Luffy and I'm gonna be king of the pirates” Maybe was his smile or the kindness he showed you but you felt that it would be a great adventure as long as he was by your side. “Let's go, captain!”
ZORO
You're running down the street, trying to lose the men that your father sent after you, turning your face to look behind you, you don't notice your dress getting in your way and the man in front of you until you bump into him, he holds you with both arms preventing you from falling to the ground.
“There she is!” One of the men yells, rushing towards you. You don't know if it's the adrenaline but you don't think twice before hiding behind the man with green hair. He looks confused but he doesn't move, instead, he covers you with his body. “Hand her over, this is a matter for the Marine and we'll let you go in peace” “It's a matter for the marine to marry a girl with someone by force?” this time you speak and you stand by his side instead of behind him. You're still scared but you weren't going to let them intimidate you, a smirk crossed Zoro's face at your sudden burst of confidence “You heard her now leave” one of them it's about to start a fight, grabbing his sword “Sir, he's the pirate hunter, I heard he has killed a lot of men with just one sword” he murmured but you could still hear him. That's why he looked so familiar to you, now it makes sense. “We'll let you go, but next time the entire Marine will be after you!” And then they ran away.
“I think we make a great team, Zoro” you're facing him now, and the smirk on his face falls “Don't even think about it” he starts walking away from you “Oh come on, I'll be the sassy and you the muscle” He keeps telling you No but you don't desist and still, he don't stop you from following him.
SANJI
Sanji is carrying a bag of vegetables in one of his hands, he's buying supplies for the Baratie in the town market so it's a little crowded. As he walks, he sees you in a wedding dress, you're out of place and you look lost but still you look pretty to him. He thinks of coming to ask you if you need help but someone passed by him quickly causing the bag in his hand to fall and the vegetables rolled on the ground. He tries to not get angry, after all, it's a crowded place. Sanji lift his eyes for a moment just to see you being cornered by three men of the marine and that's all it takes to lose his temper “Hey, stay away from her!” The people around him are quickly heading in the opposite direction, some of them have been in a fight with the cook and they know better to not get in his way when he's furious.
“First you ruined my vegetables and now you're bothering the lady, you really don't wanna fight me so I advise you to leave” Sanji is walking closer to the men and they don't know him obviously, because one of them tries to punch him in the face, he's quickly defeated by a kick on his stomach. The other two men look at each other, the both of them run to attack him at the same time, Sanji moves his right leg quickly and, if you weren't there, you would swear he never moved. With only one leg, he hit them hard in their heads making them fall on the ground.
He's awesome, you think, you have never seen someone like him before.
“Are you okay, madam?” He was dumbfounded by the beautiful smile on your face. “I'm great now that you're here” He tries to suppress a giggle but fails. “But seriously, thank you for your help, if it wasn't for you, I would be marrying a man who I don't love” He nods, “You must be hungry after all that chasing, so why don't you come with me to the Baratie? I promise I'll cook you something delicious and the dessert will be sweet just as you” Sanji winks at you, making you blush, “lead the way then”
SHANKS
“Stupid dress, they're gonna find me easily” your heart is beating fast, when is this gonna be over?
As you push people aside, mouthing apologies, someone is watching you across the street, you're struggling trying to find a place to hide, it's obvious you're running from someone but who?
Anyway, he doesn't stay to find out and pulls you into an alley, you try to fight back the grip on your wrist “let go of me” you raise your voice, the space between you and the redhead is non-existent, the alley is narrow, “Shhh” he whispers, putting his finger on your lips and before you can argue with him, a man from the marine pass by and your eyes widened, your body is shaking a little bit, Shanks can't ignore it practically he can feel it too from the closeness of your body even if he try it and he just wants to comfort you.
After a few minutes, you think it's safe to leave but you don't want to, you want to stay with him, it was a weird feeling, you didn't know him and almost as if he could read your thoughts, his voice brought you back to the present, “I have a place on my crew if you want to” your eyes make contact, he's sincere and that makes you happy, “I would like that, I promise you won't regret it”
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moongothic · 6 months
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I do kind of wonder if One Piece might end with two "Pirate Kings"...
Like Luffy is 100% going to become Pirate King, without a doubt. You don't just build up the protagonist's adventure to reach their goal for 20+ years and then Not Deliver on it. Luffy's gonna be King, no doubt about it.
But as we already know, to Luffy being "Pirate King" simply means "being the most free person in the world". When Rayleigh asked Luffy if he thinks he can become the ruler of the seas (New World specifically), Luffy explicitly told Rayleigh he's NOT going to "rule over anything".
So Luffy could and will become the most free person in the world and gain the title of Pirate King, but he's not going to become The Ruler of the Seas.
Which leaves me wondering... could someone else ALSO become "Pirate King", some kind of a (Luffy-approved) benevolent ruler of the seas while Luffy goes off on more adventures to enjoy his life?
And if so... who? Who would be suited for that position, who might accept that role (in Luffy's stead)? And mind you, I do mean specifically a King for Pirates; even if/when the WG gets overthrown and replaced by whatever system the Revs may be preparing, it doesn't mean all the pirates of the seas are going to bend to the New Government's will.
Right now, of all known characters I feel like Shanks might be the most suited for it technically speaking, but I'm not sure he's up for it. Shanks is a man of many a mystery as are his goals, but yeah IDK if he'd want to take the throne, it remains to be seen.
Hilariously. Buggy's also a fucking option. Not only has he very recently claimed he'd like to be Pirate King mayhaps, but also during Summit War he did make his funny little predictions about becoming Shichibukai, Yonkou and finally Pirate King himself. And we know two of those predictions have already come true. So between making his final predicition also come true and keeping Buggy's trend of Falling Upwards going, it would be funny as fuck if Buggy did become The Ruler of the Seas. Thing is, between Buggy arguably not being genuinely suited for the job (though being easy to dethrone could be a perk), we need to ask if Buggy does TRULY want to become Pirate King himself. Like yes, he may have dreamed of claiming One Piece one day, but also, his entire BEEF with Shanks has to do with how Buggy wanted to follow Shanks and watch HIM become the King after Roger. Buggy says he wants to be the King, but does he truly? Or would he rather just let Shanks have the throne instead?
But that might be a bit of an issue that just runs in a circle; if neither Shanks or Buggy wants the throne then who the hell would take it then?
And like... No matter how I think about it, the only other option I come to is like... god damn fucking Crocodile. Because (say it with me now) if Crocodad Real, it could make sense thematically. Depending on whatever character arc the bastard might go through first. If he was put into that role then you'd think (and hope) he'd find himself surrounded by people who trust him and he can trust back (Pirate King's crew and all) (oh hey what's this Cross Guild thing?). Not to mention if Luffy wanted to give up the job of actually ruling the seas to someone else, the only way he'd ever willingly give that fucking job to Crocodile of all people, would be if their father-son relationship improved first (you know how I feel about that) and Croc actually like proved himself to be (trust)worthy. Not to mention, Crocodile would get to reclaim the dream he had abandoned so long ago. But also, he'd get to reclaim it while his sweet baby boy's dream also came true; they'd both get to be King together. That would be so fucking adorable and sweet. And don't let me get started on the Sobek-Ra symbolism (Sobek = protector god (a crocodile), Ra = sun god (=Nika=liberation=Luffy); Sobek-Ra = fusion of the two) (Also let's be real, Crocodile would be weirdly suited for the job. Like he's stronk enough but also he can run operations and boss people around etc)
Like I feel so delulu even suggesting that but also it would make sense. It makes so much sense it makes me a little bit mad lmao
But in the end, what other options would we even have? Of the known characters I don't think there's many who would fit into the role AND want the role, and I feel like we're a bit late into the series to introduce any completely new characters for this purpose in particular.
I just. I dunno the thought just haunts me
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crossguild · 4 months
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i will preface this by saying that i LOVE buggy, he is a character that i'm always delighted to see on a page and i find him funny charismatic and entertaining and even sometimes sympathetic. but some parts of the fandom have completely lost the plot with buggy.
the thing is that everything that has ever happened to buggy is self-inflicted because he's a greedy, conniving little shit who abandons people at the drop of a hat. people seem to have forgotten that the reason he lost his ability to swim and became a devil fruit user is because he volunteered to eat the fruit when no one else wanted it, but rather than actually eat it as he claimed to want to do, he tried to sneak it away so he could sell it for personal gain, along with the treasure map that he hid away from his crew.
if he hadn't tried to hide that fact from shanks, he wouldn't have been startled into eating it and if he weren't such a treasure-obsessed little clown, he wouldn't have jumped overboard for that map and he wouldn't have needed shanks to save him.
in loguetown, shanks made a decision to hold off on going after the one piece and even invited buggy to join his crew! he did not on any level betray, hurt, or otherwise harm buggy, who decided that his own ambition and self-esteem issues were somehow shanks's problem to resolve for him. the one who abandoned his childhood friend on the most traumatic day (thus far) of their lives was buggy! shanks does not even owe him the time of day, much less an apology.
shanks does not think about buggy at ALL. whitebeard thought more about buggy and shanks than shanks thinks about buggy and shanks. shanks's reaction to being asked about buggy was oh yeah we split up and haven't talked since. i think he's still a pirate?
when they met up again at marineford, shanks gave absolutely ZERO shits about buggy and the first thing he did was manipulate him into giving luffy his hat. zero great pirates take buggy seriously, as they shouldn't, because he's a pathetic loser clown. if anything, shanks is completely confident of buggy's ability to lie, steal and bluff his way to prominence, which is the only thing he deserves any amount of respect for.
buggy has had numerous opportunities to make a compassionate, kind choice and he has rejected every single one of them in favor of being a self-serving, greedy bastard. and the thing is i don't even hold that against him-- i'm sure the pirate king's crew did nothing to discourage a pirate from being a self-centered survivalist. it takes a lot of strength to be a kind pirate, which i don't think anyone would blame buggy for not having. i LOVE that buggy succeeds by being the very essence of a PIRATE.
but all of buggy's problems are buggy-made!!! the fact that this is repeatedly emphasized in the series isn't a mistake by oda, buggy is very deliberately an unsympathetic loser because he fucking sucks! that's the appeal! if anyone holds the genuine belief that shanks is in any way at fault for buggy's terrible life choices, they have fallen for the clown's lies. shanks has made a LOT of bad decisions in his life but none of them are buggy-related. every time i see an essay about how buggy was deeply wronged by the people around him (especially shanks) i just think of those guys from impel down going like 'OHHHH OUR LORD AND SAVIOR BUGGY... HE'S SO NOBLE AND POWERFUL... HE IS THE SUN AND THE SKY HE IS EVERYTHING' like please 😭
but obviously i don't control what people do or how they engage with canon or characters or whatever. its just incredible to see. casting him as more sympathetic or having been wronged by others in some way is missing the point entirely. he's a guy who was given EVERY opportunity to succeed and he simply decided to suck so so so much instead and he STILL manages to fail up. it's HYSTERICAL.
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eriochromatic · 10 months
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I am in love with the wha cross guild designs. Can you say something more about them? Like the thought process behind them and stuff.
sure! What I focused on first is how Mihawk, Buggy, and Crocodile's motives and personality would translate into the WHA world (I need a loose story first to be motivated before delving into the design!)
tbh I think with one piece's characters so focused on freedom and living without constraint, all pirate characters would technically be brimhats LOL (and Coco's arc of realizing the flaws of the current insitution is quite similar to Koby and the marines).
Devil fruit powers are easy to translate into seals tattooed on the skin (hence wha!Buggy's seal on his chest letting him split his body and wha!Crocodile's on his hand giving him sand manipulation). Mihawk is more interesting since he doesn't have a devil fruit, so naturally wha!Mihawk also doesn't have tattooed seals. Another way for a witch to become a brimhat is dabbling in forbidden seals, so wha!Mihawk has cursed seals on Yoru instead (which makes him a brimhat without modifying his body)
As for cornerstone character traits in the original: Mihawk is the greatest swordsman, Buggy is… just vibing LMFAO, and Crocodile is ambitous/power hungry/looking to rule his own kingdom. Obviously the greatest swordsman title means nothing in WHA, so wha!Mihawk instead is a great artificer, with Yoru being the strongest magic imbued weapon in existence. I'd like to think Yoru's seals were initially within guidelines, but Mihawk felt those rules were suffocating Yoru's potential, which is when he started using cursed and forbidden seals instead, all for the sake of Yoru becoming stronger.
Buggy I'd imagine is kind of like how Iguin is introduced in Coco's past- as a solo traveling witch mingling amongst common folk rather than being in a community of fellow witches. I think he'd be addicted to that feeling of superiority he'd get from being a revered witch in the eyes of the common people, so he's probably the head of a traveling circus troupe (where he's the only witch) touring the countryside (keeping a relatively low profile in the realm of witches, never staying in one place too long so the Knights Moralis don't go after him). Buggy's definitely not as altruistic or eager to help those in need as witches are supposed to be in WHA society, but of course he'd put on a good show to entertain the masses.
Eolio mentioned something interesting in chpt 53 ("We can be as in the tales of yore. King and witch, side by side"). There might've been more references to this concept of a monarch/person in power with a witch as their advisor (I just can't find it at the moment a;sldkfs) but I'd imagine that's what Crocodile would be doing. Like Buggy, I think he also gets a sense of superiority by being alongside commonfolk (vs Mihawk who's goal is to genuinely just make the strongest weapon possible and not interested in mingling with others). But instead of Buggy's route of mingling with commoners, Crocodile would definitely go the more sinister route- find some easily manipulated king or high lord and get into his good graces, eventually becoming the witch operating in the shadows and whispering machinations in his liege's ears. We don't know much about the pennisula yet and how far the witches' institution reaches so I don't know the exact position of power Crocodile feels safe aiming for without the Knights Moralis coming for his ass (a ruler might be too obvious lol but then again Crocodile tried to take over Alabasta right underneath the World Government's noses so who knows).
As for the designs themselves: Mihawk's fluffy plume being reminiscient of a brushbug is what started this entire idea for me, so I knew I had to add that in somehow. For each character I picked an overarching motif/theme I wanted in the character design, as well as adding in WHA design elements. WHA characters all tend to have large cloaks to cover their body while writing seals, and even though Cross Guild is all brimhats, nobody starts out as a brimhat so I'd imagine a large cloak or something top heavy would still be familiar to them even if they don't care about covering seals anymore.
For Mihawk I leaned a bit more into the vampire theme than his usual (cloak silhouette is bat like, plus the additional crosses everwhere. His sleeves aren't exactly attached to his jacket (like OPLA) and I also added that detail in the pants haha. I think Yoru is the real star here with all the seals on it, the two big ones are actually modified seals from the Ars Goetia (since they're supposed to be cursed after all); the top one is Glasya-Labolas (manslaughter and bloodshed) and the bottom one is Ronove (taker of old souls). The flower pattern on his sleeves is also not as paisley looking since it doesn't fit with the WHA artstyle, but there's so much hatching that at the end of the day I don't think it mattered lol. His cloak is the least cloak like since he needs to be able to swing that sword HAHA also he's not interacting with normal humans much anyways, usually he only interacts with witches that try to challenge him. Personally I think wha!Mihawk is quite bad at drawing seals on the fly- his specialty is being able to carve complex ones on metal perfectly so they'd be suitable in a fight later.
Buggy I went full medieval jester mode (I always tend to lean toward that aesthetic for Buggy rather than Joker Batman anyways haha). A couple of star motifs here and there, as well as slashed sleeves to reinforce the slicing and dicing of his body. Overall there's just a lot of vertical and horizontal lines on his body for that purpose. I really wanted to let Buggy's beautiful hair down since WHA's style is lovely with that kind of flowing hair. Oh all three of them are also wearing slyph shoes!
Crocodile's coat is directly inspired from Iguin's (esp for that scale motif); overall I wanted to incorporate flowy ornaments for him since I'd be drawing a lot of flowing sand; hence all the tassels on his cloak and sleeves. Cutouts are there for him to use sand manipulation more effectively. I know in canon both for him and Buggy the clothes also are affected by devil fruit powers but I don't think that would be the case here- Buggy's clothes also probably have seals in them and no one would be able to see if he's on stage but I think for Crocodile, since he'd be working with normal humans more he does have to be more cautious about things (hence why he also has a more traditional cloak compared to the others). Sand hat for coolness also for convenience bc he can just dissipate the sand if he's trying to disguise himself (like how Ininia's ribbons can appear normal instead of brim shaped). I also gave him a smoking pipe instead of a cigar because the pipe can be used as a red herring of sorts- to outsiders it might appear the pipe being the source of power (like for Mihawk's sword) but Crocodile's sand manipulation ability has the same scope as canon.
ANYWAYS that's probably a way more detailed response than you expected but hopefully that was interesting to read my thought process behind things! even though i captioned it Cross Guild I guess it ended up being more East Blue/Alabasta saga personalities than actual post Wano Cross Guild dynamics haha
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beanghostprincess · 7 months
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The fact that shuggy will probably get one of them dies while they were on bad terms ending makes my want to die
..... Gotta be honest, I actually really, really, really want one of them to die. I genuinely think it's going to be Shanks because bold of you to assume a dear beloved mentor that shows up every 200 chapters survives in a shonen manga. That for starters. Let's get ready to say goodbye to the silly redhead because that man is dying for sure. It'd make sense that Buggy died instead/too but whatever, one of them has to die and I will not have it otherwise.
But!!! But here's the thing. Do I want the angst of these two not being able to make amends and Buggy mourning Shanks' death? Buggy showing that he cares after Shanks' death? After it's too late? Maybe even seeking revenge because somebody killed him? Or perhaps hating himself a bit more than what he already does because he didn't reach out to him sooner?
Or do I want these two to make amends and get along for a little while, fighting side by side, to then witness Shanks' death and see Buggy suffer the loss of his best friend? This time accepting his death is easier but it still bothers him that they didn't have enough time to be together.
Oda loves Buggy's character too much to not do anything amazing and angsty with these two, so I am not worried about it. I just know that I'm gonna cry a whole lot and I am going to want to die right after seeing one of them dying. So I get it, anon, it kills me. But as a writer though?????? I need them to suffer. I will want to die, yes, but do you realize how good and angsty it would be???
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betaminshitto · 4 months
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What’s your favourite thing about shuggy cross guild and mishanks? Why you ship them?
what i like most about those ships is BUGGY i love teasing and tormenting and driving that clown up the wall! I guess i get the most out of it with Shanks because of their past and unresolved tensions hahah... also i love making myself feel bad over fictional characters and they give me that good pain! They make me laugh but also grind my teeth in agony...
As for cross guild, well, it was the thing that motivated me to pick up op again (i was stuck at fishman island for a few years), i needed to see what the fuck was that combination of characters teaming up all about!? And what do u kno...it was about tormenting Buggy...which i love to see... and also about giving him the spotlight he deserves (even if it was the result of failing upwards one too many times but i believe in his odd charisma) and the means to chase his dreams again! I really just like Buggy ok!! Cross guild is hilarious as a very dysfunctional polycule - but really, while Buggy is their punching bag (the violence is very much played for laughs and i genuinely feel bad for him but as i said i like pain) he also stood up for what he believed in when it mattered and challenged croc and hawk's pessimistic/realistic outlook on what it means to be a pirate.
for the record I can't say i actively ship mishanks really, honestly i didn't care about them as characters enough (i swear i care about them a little bit more now) for me to get invested in their relationship. Although i can see them having this fling in their youth which Shanks fumbled too but unlike Buggy, Mihawk has standards and, as my friend put it, deserves someone who owns more than two pairs of pants. Which brings me to crochawk which you did not ask about but i just want to elaborate on that too. At first i didn't pay their dynamic too much attention because of my lack of interest in Mihawk (again, sorry) but slowly warmed up to it, they both have a distrust in others and i think they'd be very good at giving each other the personal space they need while also being fucking weird about forming a genuine bond because idk if they have ever had a normal and balanced relationship in their life (i also ship dofuwani so yeah let's just throw one more ex to the mix).
Alright! Enough rambling! Hopefully you got something out of this and if you didn't...too bad. Also final note: even though I'm a shuggy truther myself it's all just my personal interpretation. Shipping is supposed to be fun! Or a way for you to experience intense emotions you don't really get to experience in your personal life or whatever! Don't take me too seriously im begging you
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melonteee · 8 months
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When opla was announced I was guarded, but trailers and learning that Oda would have first and last word about everything made me hopeful.
But I knew that live action are never for the actual die hard fans.
Too much need to be cut because of time, as real actors cant look like they only age two years for 26 years, and some cartoon stuff doesnt translate well to live action *cough* garps fist of love *cough*
So I was able to convince my friend to watch opla with me.
She had read the manga when she was little, up to syrup village, so she was excited to see Kuro because she actually liked him back when she read it.
I was mostly there just to observe my friends reaction to it instead.
My favorite moment was watching her freak out after the "grandpa?" reveal.
I dont like that Garp was included that early on, I didnt mind him being there at rogers execution. But more than that seemed too much. I watched some Netflix guy explaining that they wanted to add a reason why the strawhat had to keep moving from island to island, but no marine would do because who would bother chasing a pirate crew with no bounty. I understand that reasoning. Still dont like it, but I understand.
But my friends reaction made it all better.
Did you know netflix wanted a romance between Nami and Zoro? Thank god Oda was there to stop it.
Also my friend and I quote "Oregano is for savages!" a lot now.
I'm truly glad you liked it anon and I do understand the excitement that came with it, but I honestly could not stand it. Nearly every scene and every line was like "Sanji wouldn't say that. Nami wouldn't do that. Why is this happening? Luffy definitely wouldn't say that."
An adaptation must adapt to its medium, true, but that is not what this did. This was an insanely loose reinterpretation that took so much charm away for me. I've talked about it on this Tumblr tons now but I've finally had the time to watch through all of it now that the hype's died down, and it just made me angrier per episode?
They had to shorten things down, but they included so many new scenes that added nothing? They had to explain the Strawhats going from island to island... WHY? They literally had a spine to go off, the original property had them going from island to island to find a crew and get to the grand line. That's literally a very solid reason. WHY did they need any marines chasing them? It just sounded like an excuse to add a fan favourite character so the Garp fans could scream about it.
And I've said this many times, but Oda being part of the process genuinely means nothing to me. Netflix infamously do not listen to their creators, and not only did they admit Oda HATED the Garp addition and they STILL added him, you can tell so much of his original vision was thrown aside for non-anime fan audience convenience. Usopp and Sanji felt like side characters for god's sake, Buggy felt comically evil for a LIVE ACTION, Mihawk's fight was literally so empty due to the fact no one was THERE? NAMI was the one who yelled she believes in Zoro and they'll always be friends??
I truly do not believe Oda would agree to most of that, and considering we know he was ignored for Garp, we know for sure he was definitely ignored for many other things.
As always, if you loved it, great! I'm glad the excitement was met. Maybe I'm cynical, maybe it's not to my tastes, but it screams Netflix cash cow to me and the whole time I watched it I thought "This is not One Piece at all."
As a reinterpretation? Great!
As an adaptation? It failed miserably. None of the characters felt like themselves and the additional scenes were so nothing. Sorry for the sour reply anon but for those on here who know, I indeed have a sore spot for that entire production.
I honestly think a lot of people got blinded by the pretty actors and the millions of dollars that went into production and promotion to really look at it for what it was trying to be.
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assiraphales · 11 months
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HELLO HI let me start this off by saying i love your posts so so much they are so silly
Anyways since opla season 2 has been confirmed, what are some things you REALLY want to see? Im genuinely curious
so i'm assuming they will start off with loguetown and end with alabasta. i'm hoping that since the first season was so successful netflix will order a FEW more episodes (ideally ten or more) but I have to stay realistic so I know every detail won't translate to screen
a lot of the anime loguetown arc was filler (zoro mopping the marine's floors, luffy running around lost and drinking milk at a bar, sanji entering a random cooking competition) and I know there's a few things they're unlikely to skip (zoro aquiring kitetsu & hopefully throwing the sword in the air to see if it'll chop his arm off, luffy on the executioner's platform, smoker) but i really they have time for
-nami n usopp bonding. especially the moment where usopp faced off against daddy the parent bc not only was nami there supporting him/willing to fight for him, but it also was a glimpse into his complicated relationship with his father. daddy the parent quit his job so he could spend more time with his daughter, while yasopp completely abandoned usopp. it was also so cute when they were fangirling over sanji together -i'm so excited to see inaki laughing with his head in the stocks seconds away from death I just know he's going to devour that scene -there probably won't be time but it would be funny if we see luffy n zoro on their lunch date with a combined zero dollars in their pocket and buggy ends up covering their bill without knowing who they were -i'm can't wait to see who they cast as smoker!!!! their casting has been honestly great so far so i'm looking forward to the reveal
laboon the giant whale. LABOON THE GIANT WHALE !!! I know in the grand scheme (at least from a standalone season perspective) he's not that important to the plot. but by god !!!! give us the depressed whale that luffy gives the will to live back to!!!! practical effects are very important to the one piece team I think they can figure it out
whiskey peak is going to be controversial but I hope luffy n zoro's fight goes EXACTLY like it does in the anime & manga (aka they're so in sync that they're punches are meeting in the middle and they're yelling in unison & five minutes later they're laughing about the prospect of meeting a warlord). this arc also requires the writers to let zoro have his funny guy routine because him hecking the agents is so good
while I don't know if we'll see zoro fighting a triceratops and saying "oh so u do three sword style too" we NEED to see him do his stupid pose in the wax. season ruined if not. (jk but its very high on my list)
chopper my wittle cutie. I know we'll see him no matter what but I'm banking on a puppet. i'm pretty sure its already confirmed that they're using practical effects for him, but I heard maybe prosthetics which could be a hit or a miss
nami and vivi!!!!!!!!!!!!!!!!!!!!!!!!!!! karu!!!!!!!!!!!!!!!!!!!!!!
I'm truly on the edge of my seat to see how they'll handle zoro n sanji's rivalry considering they've made the decision to base it around their relationship with luffy. the girls WILL be fighting
similarly excited to see live action sanji fawning over not only nami but also his little meow meow luffy (fantastic change from the anime imo)
crocodile better be the greasiest motherfucker I hope he's absolutely vile. i can't wait to see him wearing a FUR lined coat in a desert
I also know they're going to go off with pell's character design
ACE!!!!!!!!!!!!!!!!!!!!
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roydeezed · 3 months
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Hmmm. Ok so this isn't an idea I'm totally confident in and if ya think I'm wrong lemme know, but I think the OPLA showrunners/staff writers for the most part are anime-only's.
So a lil background, I'm a huge One Piece fan but mainly a reader. I've pretty much only gone through the anime twice. Once through east blue way back and the second time through till the timeskip in a One Pace like format. So, I wasn't too familiar with the format of the anime though I do remember feeling a vague sense of confusion when I'd watched it because things were different.
So now, I was watching this recap type thing on youtube of One Piece cause I wanted a lil refresher and the guy points out the difference between the anime and the manga and I noticed something interesting...
A lot of the structure of the live action show follows that of the anime. Such as pushing back both Zoro's and Luffy's backstory and maybe even more of a focus on the map that Nami was stealing from Buggy(a lil fuzzy on how important that was in the anime). Though those backstories aren't pushed back to the exact point as in the anime, the way they are pushed back in the live action seems to draw inspiration from how the anime did it as trigger events are needed to invoke the backstories rather than the backstories being inherent parts of the characters. Basically, it seems like the treatment of those elements in the anime either emboldened the writers/showrunners of OPLA or more likely, served as the basis for why the show is structured as it is.
When I watched OPLA I was fascinated by how it was structured, and believed there were certain interesting developments that the showrunners were going for. Now I think that belief was false and I was probably giving too much credit. Mainly because if it is true that most of the staff were operating from the anime, then a lot of stuff starts to make sense. Also, I do get that somebody like Matt Owens was a reader as he brought up Mr. 7 but otherwise I think many of the decisions and writing choices stem from experiencing One Piece through the anime.
For example the cramped pacing of OPLA is genuinely confusing when looking at Oda's masterful pacing in East Blue but completely understandable as a reaction from Hollywood writers seeing something with the pacing of the anime in east blue. And even more so, Oda is so consistent in matters like death that the death of Merry and just in general the treatment if death in OPLA is a really strange choice in relation to the manga but more understandable in a world that doesn't indulge Cover Stories like the manga does. Where the anime doesn't take the time to explore what seem to be extremely disposable side characters but Oda keeps coming back to them through these little adventures using them to show a growing and changing world.
Those are the main reasons I think the showrunners are mostly anime-only's. Though I could be totally wrong as I haven't dove too much into the bts. But what this does make me realize is that if they are anime-only's they are working off of a flawed foundation and that can result in flawed adaptation. It can result in fundamental misunderstandings and spiteful readings of the source material. I would love to know if anybody else has thoughts on this cause like I'm genuinely curious if there's thoughts or evidence to this either way. I understand I'm coming at this from a flawed understanding as well as I'm mainly a reader, but I wanna know if this makes sense.
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nanomooselet · 8 months
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Episode Four: Hungry!
Full disclosure, it took me a while to warm up to Wolfwood.
I hadn't read the manga or watched the older adaptation. Didn’t know anything about him except his ridiculous gun and that he was a priest (hence the ridiculous gun, because anime). I couldn't figure out why he was present in the narrative, except... because he was in the manga and older adaption. It seemed a little indulgent; I wanted more time with Meryl. He wasn’t even a priest. Obviously Nick has plenty of homoerotic tension with Vash, but all due respect and sympathy to Vash/Wolfwood shippers, m/m pairings have always left me cold (to be fair, pairings generally do that irrespective of gender. Desire unfulfilled is more my speed).
Sad to say that I still don't ship Vash/Wolfwood, but I did definitely come to understand why people do and why they like the guy. Though am I the only one baffled that Vash gets cast as the virginal princess so often? After this look?
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Whew. No wonder Wolfwood looks like he got hit with a two-by-four. Ahem.
This is a very necessary episode that feels maybe too "necessary", like they realised they needed to introduce everything it introduces and didn't leave enough time to integrate it all naturally. It's too tight, and Stampede is already a show so tight it squeaks. Still, I think blowing Wolfwood's cover before the day was out was, if not the only right decision, not a wrong one. Almost immediately this guy comes across as sketchy, half from that he's barely trying to act like he's not (which absolutely sends me; he really hates his job) and half that he's just... an awkward dude, angry and obviously hurt in a way he won’t admit to. And while we know there's more to Vash than his façade, it's hard to tell just how smart he really is, how perceptive, because this is Vash. Meryl is the type to show off her knowledge, because she's young and eager to prove herself. Vash is a creature of endless masks and insurmountable walls. He refuses to, as he sees it, burden anyone else with his thoughts.
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So we do exactly what Zazie does in this episode: show Vash something wounded and vulnerable because he'd tear off his own skin if it would make things easier for someone else. Except instead Wolfwood is the one who feels a little too exposed, of course. It's so funny to me how obviously he didn't expect this? And how frustrated when he realises he'll have to drag this self-sacrificial lunatic all the way to July alive without becoming attached. I honestly think he failed in that latter part before they even got shot out of the Worm. Vash is just so loving, and so loveable.
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Also, the Worm guys (as I mentally call them) might be my favourite minor characters next to Rosa and her offsiders. They're a hilarious audience to the madness. I’m glad they got so many dinners in one go.
And Zazie - what a great character, one I genuinely think is an improvement over prior incarnations rather than just being different from them. Nail game on point, entirely free of fucks given, and a sterling addition to the cast. I'll talk more about our buggy friend later, and I have more to say about Wolfwood besides that hitting him with the trailer forced me to pause the video until I stopped cackling.
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Finally, the closing scene chills me in hindsight for a number of reasons, but what gets me the most is that it's a bookend. At the episode's start, Vash refused to eat. Wolfwood had to convince him to. And it's not that he can't use his Gate, it's that he's decided to keep it closed, so something will have to make him decide to lay bare his power once more.
And somehow, I can't imagine Knives asking nicely.
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