#i genuinely do think this is the best part of the whole thing as it stands. also! it'll be my first 5+1!

[glitter-stained]

Rapid-fire review of UTH where I just rate some of my favourite and least favourite moments wrt Jason's bpd/cptsd symptoms

1. Duffle bag of doom: 5/10

Starting tame, I'm undecided about the duffle bag because on one hand it we do get an explanation for that that doesn't outwardly have anything to do with mental illness but on the other hand I keep saying "cptsd doesn't make you behead people" because somehow that's what people keep insisting is the correct analysis for this scene?! Idk, maybe it's the shock value that makes it look so much like demonization. Treading dangerously, I'd say.

2. This man cannot stop yapping about how extraordinary Bruce is and the awe his presence makes you feel: 9/10

Love it love it love it. They should put this part right next to "extremes of idealization" in the dsm-5 bpd criteria. Literally just docked a point out of pettiness because I didn't like the interaction with Onyx right before.

3. Why is he doing that. Seriously why: 2/10

Look, in theory I do know why Jason's killing goons rather than black mask. DC can't afford for jason to kill them all, they probably gave winick like one shot at a rogue and he wisely decided that fuck nazis actually. But in story it just doesn't work with the goons, i can get behind killing like a rapist but the driver? Never explained why he would be chill with that, even feels in contradiction with Jason's decision in Lost Days when Lost Days are supposed to help us understand! Same for the gang leader part, we get the explanation that Jason has reached the conclusion this is the best option but it's never explained why? It also does feel pretty classist to have the kid from crime alley, who batman "rescued from a life of crime" by making him robin, become a gang leader, and as a whole the thing feels just so like, I can't reconcile post crisis jaybin, with his love and relationship to Willis Todd, and this, I need a satisfying explanation and it's never given, the only difference between here and Lost Days is that he's having an episode. It's just too weird. I genuinely think by making him attack different criminals rather than goons we'd have avoided this problem but again, hard to call a character a psychopath if he's only killing rapists I guess. Idk how much of that is psychophobia, how much is classism how much is the expectation that we'd agree this is the logical conclusion of Jason's opposing philosophy without questioning it and how much is me being a hard client for being dissatisfied by the granted explanation but like, it's really really frustrating.

4. Oh, beloved 10/10

Look at him. He's splitting so hard. The crisis triggered by the god falling from his pedestal with a dash of mirroring -yes yes yes yes that's the good shit. Love that panel.

[youcouldmakealife]

2024 Writing Wrap

Well, my goal for 2024 was 225,000 words, and I did exceed that, so I believe that is what we call a success. Never mind that my ~secret goal was 250k and that the 225k goal was just in case anything came up. And it did. So that is technically still a success! So I’m trying not to be grumbly about it.

What I’m not grumbly about at all is how, exactly, that final word count broke down by project (actual numbers below).

I don’t think the COTT and SAIT word counts could be closer than if I’d been intentionally trying to balance them. Which, I cannot stress enough, I was not. I was actually expecting a 2:1 COTT v SAIT ratio, mostly because, well, SAIT hasn’t been easy to write at times, and I was fully prepared for that to continue. But then something happened. I won’t investigate it too closely — gift horses, etc — but the floodgates finally broke, and a character that was so reluctant to speak honestly about himself and his life that it left him (and me) mute was suddenly willing to talk.

(We all know what happened. Robbie Lombardi happened.)

So, coming into this year I set myself a 13 part (approx 27.5k) goal for SAIT, and a 60k goal for COTT. They both ended up around 75k. Add in the SOTWs&Ms, which ended up around 65k combined (goal was 60k), and on all counts, I beat my individual project goals, and absolutely smashed the one for SAIT.

Considering this year I also got the TOTI paperback done and published the final installment of Between the Teeth, I think it was a pretty productive year, particularly considering I was finally diagnosed with Audhd in January, and have spent a lot of time and energy processing that, reframing a lot of things, and adjusting my work style to better accommodate my neurotype.

It's all been a big learning process, though one slightly derailed by the arrival of COVID and the…refusal to leave of COVID…and a fraught one at times, but it’s really been a relief to look at things like ‘this doesn’t work for me because my brain isn’t wired that way’ versus ‘this doesn’t work for me because I’m lazy/not trying hard enough/not living up to my ‘potential’, ad nauseum. It’s been…good. Tough, and emotional, and sometimes exhausting, but good. And I think that might be the other reason that Georgie started to speak again: how the fuck was I supposed to write him starting to move forward when I was still masking? How could I?

Meanwhile my other project was literally ‘okay, what if I worked through some of this by making my ADHD and my autism kiss? What if I did that?’ And COTT has been an absolute delight for me as a somewhat chaotic way for me to examine how these totally different beings co-exist. Throw in me shoving a ton of common romance tropes, gleefully undermining them (sometimes even intentionally! Though COTT can indeed be marked down as yet another failure in my quest to write some proper hate sex), a whole lot of ‘look, he actually gets me’ that is probably a liiiittle too close to home (and, I think, the home of most ND people), and everybody Doing Their Best (even when it fails, even when it doesn’t look like it, even when they aren’t rewarded for that), it is probably the closest thing I’ve ever written to pure Id fic, and I’m including the fucking Scouts here.

So thank you for all being very patient with me working through my ~stuff via narrative, and I’m really glad some of you (Audhd, autistic, ADHD, and otherwise) see yourselves reflected in Holden and/or James as well. Every single thing that annoys about them is probably something I do. (Uh. Off the ice. I don’t throw dirty hits. And I sadly don’t have a hockey room either.) I love them both a lot and I genuinely think my loving them, with all their faults (that are often my faults), has made my relationship with myself better, because I too am Always Doing My Best, even when it doesn’t look like it. And sometimes I forget that.

Okay, enough of the navel gazing, time for numbers!

These may seem slightly different than the word counts on, say, AO3, but at the end of each writing day I log my process. It’s always a little inflated -- some of it ends up on the cutting room floor, some of it applies to works currently still in progress, etc.

But, end of the year, here’s the breakdown*:

*rounded up/down to the nearest thousand, but that was the extent of the rounding, they're just naturally handsome numbers

Cards on the Table: 75k

Still Always in Tandem: 75k

SOTW/Ms and Extras: 82k

(Comprised of: SOTWs: 34k, SOTMs: 33k, Extras 15k)

For a combined total of 232k, squeaking in a mere 7k above my 225k goal.

But wait! There’s the misc (includes some Gritty work, last minute BTT additions, the bracket challenge, and other things that don’t fit the categories above), which adds an additional 13k.

So, in fact, it all adds up to 245k. Which is pretty damn close to 250k in my humble opinion, especially considering I spent a full quarter of 2024 sick. So I think we can call this year a success, at least on the writing front.

[mattyriddlegf]

New Year's Kiss - MR

Happy new years everyone! 2024 gave me so much to be grateful as I started my writing journey here and I cannot wait to see what 2025 brings. Thank you all for all of your support <3

Summary: you miss Mattheo on New Years Eve after a fight between the two of you creates animosity

warnings: suggestive content

word count: ~1k

-----------

It’s New Year's Eve at Hogwarts, the whole castle buzzing with excitement. Students in every house had agreed to be in on the castle party, creating one of the biggest and best kept secrets from professors in recent history.

The room of requirement has been transformed into a large banquet room, ready to host over a hundred kids or more. The drinks have been spiked and the music was blasting, bodies standing all over the place.

You would actually quite enjoy this setting if it weren’t for the fact that you and Mattheo had gotten into a huge fight a few days ago and haven’t made up yet. It was over a stupid topic but both your and Mattheo’s egos have gotten in the way, forcing the two of you to go into the silent treatment with each other.

‘You’re stupid if you think he was just trying to be nice and help you out. He obviously wanted in your pants.’

‘Oh that’s really mature of you Mattheo. Congratulations on being an asshole.’

‘Fuck you.’

‘Yeah well fuck you too.’

The argument replays in your head. Both of you knew how to get under each other’s skin and when you’re mad, your words shoot to kill; the same goes for Mattheo.

You stand alone in the corner in the room sipping on your drink, observing everybody around you. To no surprise, Mattheo hasn’t shown yet. He wasn’t one to like parties, especially not alone so him not showing up made a lot of sense. A small part of you, the part that wasn’t mad at him anymore, kept looking at the door hoping to see him enter.

This would be the third new year of your and Mattheo’s relationship and the previous two years had been spent together, kissing at midnight and separating from the rest of the group afterwards to ring in the new year properly…

“Hey, you doing ok?” Pansy asks, walking up to you and snapping you back to reality. You hadn’t wanted to come to the party either but she had convinced you otherwise, practically begging you to come.

“I’m fine.” you respond quickly, “seriously, go have fun.”

“You miss him don’t you?” she smirks slightly. She was the number one fan of the relationship you and Mattheo had, she knew all of the stuff you had been through together and was genuinely your number one supporter.

You tilt your head, “what makes you say that?”

“sweetie, you wouldn’t be able to fool anyone right now, let alone me.” she laughs, “just admit it…”

You purse your lips, “maybe just a little…”

“Go be with him…you know you want to.” she shrugs, sipping the drink in her hand.

“I don’t know…” you shake your head, “either way, I’m fine. Don’t worry about me!”

She glances between your eyes, looking suspicious before speaking up, “alright fine but I will get you on that dance floor at some point tonight...if you’re still here later”

“Sure thing, I can’t wait.” you smile fakely. You check your watch, 11:42pm, “it’s almost time, you better go find a guy to kiss”

“Oh trust me, I have my eyes on someone already” she smirks and starts walking away.

“Take it easy on Draco” you say louder than normal. She flips her middle finger at you before she disappears back into the crowd.

You slowly make your way over to the liquor table, refilling your drink as you notice a couple, both Ravenclaw’s, across the room. They were standing close to each other, the guy with his arms wrapped around the girl’s back and her arms hanging around his neck as they gently sway to the loud party music in the background.

The feeling in the pit of your stomach was nagging at you, eating away at your pride. Who even cared if you were right in your argument with Mattheo? Now, it seemed like it doesn’t even matter anymore, you just wanted him.

You move your glance over to Theo across the room, who is making out with his new girlfriend. You watch for a few more seconds before looking back down at the watch on your wrist, now reading 11:49pm. Eleven minutes until the New Year and Mattheo was nowhere in sight.

Your heart aches, wanting your love by your side. The mixture of sounds from the party were suddenly hurting your ears.

You set down your full drink on the table before walking out, leaving behind the party. You didn’t want to be there anymore.

You walk through the empty castle, heading straight for the astronomy tower. You know Mattheo will be there without a doubt.

When you reach the top of the tower, the freezing air hits you like a ton of bricks but you see Mattheo leaning on the railing, staring out onto the grounds.

“Hi” you breathe out, just standing there.

Mattheo instantly turns around to face you, “hi.”

You walk up slowly, “it’s cold out here…”

“Weren’t you at the party?” he interrupts, asking you with furrowed eyebrows.

“I didn’t want to be there…not without you.”

He doesn’t respond but looks you up and down and nods.

“The truth is that I don’t even know what we fought about anymore. I just-” you hesitate before continuing, “I love you.”

A smile slowly creeps onto Mattheo’s face. You walk up to him until you’re just inches away from him, the heat of his body begging to touch you.

“You couldn’t even make it one New Year’s kiss without me, could you?” he smirks, wrapping his arms around you and resting his hands on your lower back.

He glances at your watch as your hand rests on his chest, “its almost midnight…” he coos.

“Oh?” you ask sarcastically, “what’s so special about midnight?”

“This…” he trails off as he connects his lips with yours, everything else in the world instantly disappearing.

You hear fireworks going off in the distance, likely from the Weasley twins. You laugh into the kiss before pulling away, “happy new year my love”

“Happy new year mi amor” he responds as he grabs your chin before connecting lips again, your tongues dancing together.

You had started the new year just how you wanted to…with the love of your life.

[dasketcherz]

I also just love how well this sets up so much of the choices of the main cast by the near end of the final act.

Nuru and Yong still having reservations about Varian concealing his past this whole time and how that put a strain on their relationship and how they perceived him from there while Hugo tried to be the mediator for once, and trying to help the two understand on behalf of Varian—that no matter what he has done, Varian really really did care for them, values them and didn't mean to hurt them like this. And the most damning part?—he's not just talking about Varian when he says these, he's talking about himself too (knowing what's coming next sooner or later and aghhhh)

It's one of those cases of "you wouldn't truly understand it unless you were there" situations. And Hugo's betrayal really shifts something in both Nuru and Yong. They saw how as equally hurt Varian was of this action as they were—and yet he chose to prioritize keeping them both safe as best as he can even after they constantly distanced themselves from him, because it was the right thing to do and they cant help but commend him for that.

So when Hugo act on wanting to set things right, their shift of realization about Varian is what helped them choose to give Hugo another chance and help him correct his mistake, because it was the right thing to do.

And the way by the end, Hugo made it abundantly clear that he had remorse and was truly sorry for what he did. And Varian knows that Hugo probably expects not to be welcomed back in their group anymore after everything, but Varian knew firsthand what it felt like to feel abandoned and left behind by the people you thought were your friends—and he's never gonna let Hugo have to go through that same rotting feeling like he did—so he asks Hugo to stay.

And Nuru and Yong finally genuinely understands that even good people are capable of making poor decisions, but that doesn't make them inherently a bad person, especially when they make an effort to undo their wrongdoings. So they, too, agree and support Varian's sentiment to open their arms up to Hugo again.

(this part is something my friend @star-burrow brilliantly pointed out) Meanwhile, Hugo saw the damage Ulla's fallout with Donella caused his mentor everyday ever since and he could never think of himself doing that to Varian (and the others), no matter how terrible and undeserving he believes he is, he wants to make amends with all of them and not run away from this—so Hugo stays.

Team Radical mean so much to each other and they're willing to give this another go, they know it's gonna be worth the shot... because after all, they're scientists—"trial and error is part of the process and there's always room for improvement" is their mantra as a group of nerdy friends. And that's exactly what they'll do—make room for improvement for one another.

I love this spin-off a normal amount you guys, I swear to god.

Something that’s really cool about the Varian And The Seven Kingdoms Mini-Series that plays in my head occasionally, is how the writers treat Varian’s villain arc.

It’s something he keeps hidden. Because while yes, his past is something he’s made peace with, and is even something he can joke about with his friends. But it’s one thing to joke about something with your friends who see you as an equal, to joke about it with people who were there and affected.

But it’s almost impossible to bring up around people you’re supposed to be leading, around people who you recently met. He’s trying to earn the trust of Yong, Nuru, and Hugo. He needs to earn their respect so they trust him to lead them through the trials, not to mention the fact that Nuru and Yong are both children.

So instead of Varian ever mentioning his past- a fabled man named “The Alchemist” is brought up. Yong hears about him at the market, and asks about him at the camp fire, where Nuru regales him with the tale of The Alchemist who tried to take over Corona- the ruthless scientist who took the queen hostage, experimented on animals, and tried to kill the princess. As she goes on, she gives Yong a story that is clearly filled with exaggerations and lies, scaring him. This only furthers Varian’s desire to keep quiet about everything. Throughout the series The Alchemist is brought up again, always in a negative light. Varian always shuts down any conversation about the mythical being.

And Hugo gets suspicious.

On their way to Corona, the episode before the two-part finale, they’re walking through the woods and find Varian’s old wanted poster, and he confesses to everything.

Nuru and Yong are understandably upset and set up their tents elsewhere- having no desire to be around the person who lied to them all year, even if they understand his side of the story. It’s still a hurtful betrayal to learn that someone isn’t who you thought they were…

But Hugo stays. Hugo put it together long ago, and even if he didn’t, he knows that sometimes a part of yourself is best kept hidden- or a part of yourself shouldn’t be revealed until you’re ready. He consoles Varian, confirms he still trusts him, and assures him that Nuru and Yong will eventually forgive him too. Varian is incredibly moved by the support and affection.

The two even almost share a kiss, before they notice a blue lantern float towards them. Like one of Rapunzel’s birthday lanterns- but blue and being powered by chemical vials, with The Brotherhood’s emblem stamped on. (The fact that Rapunzel sent birthday lanterns for Varian to lead him back home from his journey made me tear up a little.)

Idk I just thought that was a really sweet way the writers handled that storyline and I love the special moment between Varian and Hugo that foreshadows the finale…

[pendwelling]

hi I had a question about a section of chapter 221 in twsb

When discussing the island of pleasure (where the admiral Emma corleone is) (not too sure about the accuracy of the names from mtl),

they talk about how things like polyandry polygamy are allowed there, and how they allow morally wrong things under the principle of free love.

most importantly, they say that monogamy is deeply rooted among continental people.

however, the history of Riester as a continental nation has the taking of multiple life partners with the practice of the Emperor taking a religious and a political partner.

anyway, I am confused as to why characters we generally align with morally (duhem) refer to things like polygamy (which also implies (i think?) a disapproval within Riester of polyamory as a whole) as morally incorrect with the blatant queer undertones of the main characters, as well as among side characters.

is the author trying to highlight the religious nature of Riester and the specific and at times contradictory nature of their religion or possibly religion in general? Marriage within religion (especially Christianity) is seen primarily a unity of people in god’s eyes. We saw yeseo officiate(?) someone taking a religious partner (I believe, it was a while back) and it was similar in nature, with asking for approval from the god of this world itself to be religious partners, with it giving them the thumbs up or down with the ceremony.

the largest difference with these two is that wasnt romantic in nature. So are the rules that as long as the partners aren’t romantic in nature, then the political/religious partnership is acceptable, and romantic marriage is only acceptable among two people? If these are true, what about her majesty for example? I genuinely cannot tell you whether her, Aurelie, and alexandre were all romantically or platonically involved, which think was on purpose on the author’s part. I believe that only alexandre and frederique were married, but once alexandre died, Aurelie became Cedric’s godmother, but was she as involved as a parental unit in Cedric’s life before alexandre died? Were the three of them raising him together his whole life, or was it mainly frederique and Alexandre until he died and aurelie became more present in Cedric’s life

idk man, is author trying to point out the potential conflict of the mcs’ mix of a queer platonic and (i think?) romantic relationship, especially among the judgemental nobles?

you don’t have to answer all the questions posed here btw!!

I know you probably can’t answer every question here (especially the ones about the authors motivation) I am just curious as to what your thoughts are about this as you are an expert with twsb lore/character, if you don’t feel like answering at all that’s also totally fine lmao okay I’ll stop yapping now

"You don't have to answer all the questions posed here" WHO DO YOU THINK I AM do not underestimate the sheer depths of my insanity over this novel (/J /LHHHH)

(On a more serious note now—) haha I will for sure do my best!!!!! You actually raise some very very interesting questions and that made me quite excited to think about because there are actually quite a bit of different factors to take into account here 👀 (intersectionality, if you will). Thank you for sending your question in 🙇‍♀️ I'll do my best to answer!

I would also like to preface this by warning you (and anyone else who might be reading) that my answer will at times require that I use context from way further into the novel, thus might spoil certain revelations and big mysteries (particularly regarding the nature of QPB and TWSB's religion!!!) In other words,

BIG SPOILER WARNING!! (200+, JUST THE ENTIRE NOVEL AND EVEN ENDING)

I'm not sure if you would have rathered a more spoiler-free answer, so I apologize in advance 😭 Apologies as well for any typos that might possible arise. This took a while to write LMAO

(With that said, we should first start with the world's religion!!!)

The Church of God is a religion practiced mainly in the Divine Kingdom of Venetiaan and the Riester Empire (though more so in the former rather than the latter). A huge aspect of this religion is how it sort of influences the behaviours of its believers, particularly around the main belief that if one lives their life in an interesting/exciting enough way and endures hardships, they will one day obtain the gaze/adoration of God, which is something that the beings of this word (at least, the ones who believe or fear God) will yearn for until the day they die [295]. A sort of greeting that believers even use is actually: "May the Lord be pleased with your life ('주신께서 당신의 생애에 기뻐하시기를.')" Later on as you read, it becomes increasingly obvious that the entity that is "God" would refer to either the author themselves, or the readers (in some ways, it is both). But in the larger case, the one the people of QPB yearn for the attention of actually that of the readers, thus, YOUR gaze—or rather, the ones who would be the target audience for a Romance-Fantasy genre story like "I Quit my Job, then I Became the Princess Bride" (QPB), (and then later on, "When the Third Wheel Strikes Back").

This is where it gets kinda(?) meta. Knowing that QPB is an All-Ages, G-Rated, non-explicit novel targeted primarily toward teenage girls and young women (think, Jung Eunseo), it's only natural that a country outside of the premise of QPB (Corleone) would be free from any expectations of said God(s), and thus, will act outside of the "genre". Therefore, what's being highlighted in an understated way is that a country like the Empire of Riester where the main cast of QPB primarily act will be constricted by the conventions of an R-15/G-Rated RoFan genre—but a place like Corleone can break free from the genre and be a full-on R-19+ and more explicit than it wants.

People openly show intimacy out in the open, gamble and play games on the streets, are more promiscuous(or maybe sexually liberated is the more correct term?) and freely flirt, casually dress sensually, and commit "crimes in the name of free love"—and crimes here refer to how, with Corleone being so open with how they regard love, their going-about with relationships and marriage is different, and could lead to people, say, as they put in 220: "kidnapped, proposed to, or forced into a (arranged) marriage" etc. Though notably, these extreme worries were directed towards Yeseo, whom no one in the party at that time believed would be able to fend off the love-enthusiastic people of Corleone (they pretty much indirectly call Yeseo somewhat of a doormat/someone who innocence/inexperience could easily get him roped into trouble... 😭). And on a grander scale beyond just the main characters, this all somehow manages to be played in a somewhat comedic light haha—even though Corleone is outside of God's gaze, it still has to stick to the overall more lighthearted genre in some way, right? If not QPB's, then TWSB's wkkwkkw (this surrealism/idealism, in some way, also has some meta merit to it, too, actually.)

So while Corleone's atmosphere may seem like a harsh and rowdy place, the culture there is just... how to say. Very enthusiastic and extreme about the idea of "romance". In a sense, it's almost as if, though this is a "land abandoned by God", the importance they place on the theatrics of Romance is interesting when considering how the original setting was a Romance story itself (though a different genre of one). I think I should also highlight how this arc takes influences from the Commedia dell'arte, whose conventional plotlines included themes of sex, love, jealousy, etc (amongst others). As such, the theatrics of Corleone—inspired by elements of Italian culture (like how Riester and Venetiaan have French and Dutch influences respectively)—maybe aren't that surprising. Looking back on the Italian Renaissance, we can note the abundance of works with increasing interest in lewd subjects, attributed in some way to the emerging secularization at the time. Boccaccio’s "The Decameron" is notably a rather anti-clerical, at times erotic, and witty work about different stories involving Love, and in the context of its time (following the emergence of the Black Death in Florence) would therefore be a document of an emerging worldview: a desire to be liberated from the control of the Church and eager to explore the world on its own terms (though, it did get banned by the Church for a while for its explicit nature LMAO)(but recirculated after being revised since it was so popular). Other Italian/Tuscan poets at the time were also finding enjoyment in writing funny, satirical, or even downright insulting poems, many of which also took on sensual subject matter, some more explicit than others. ((Just noticed I'm going on a tangent wkfhjdkd sorry for bringing up what I learnt in my Italian Renaissance class out of the blue haha, but I find that it is interestingly relevant to the portrayal of the Principality of Corleone and its theatrics/sensuality.))

SO CORLEONE. Italian Renaissance, Commedia dell'arte. Romance, Sensuality. Comedy, Theatre. Satire, Anti-clericalism... anti-clericalism within this context can refer to Corleone's rejection from God's gaze. The "genre" and "rating" Corleone is presenting is not what She wishes to see, thus, is "morally incorrect" in QPB's original worldview because it doesnt align with the larger genre expectations.

Anyhow, I had to reread this arc and some others, and from what I can remember and what I've seen in this reread, I don't think Marquis François Duhem ever calls out polygamy as a whole, specifically, for being "morally incorrect"—I'm more so inclined to believe they are referring to the blatant absence of TPO (haha), and the over-the-top actions and behaviours that the freedom and enthusiasm for romance sometimes lead to, but even more specifically, the carefree and spontaneous treatment around love and marriage. I don't believe sensuality is necessarily and solely portrayed in a completely negative/puritanical/critical light in this series (there are different ways sexuality is portrayed throughout the series with different sets of characters), but in this case, I believe it might come off as a bit critical because François is directly affected by personal circumstance: after all, in this same arc, when Admiral Emma Corleone was propositioning for François (and later on Jesse) to become "partners", was not exactly doing so for pure-hearted and genuine romantic reasons, but with the underlying tone and intent of the Admiral bedding them for certain gains, and nothing more. François, of course, doesn't exactly appreciate this kind of attention from the Admiral and is openly guarded while around her, evidently not receptive to the idea of becoming her second spouse (after kicking out the rest—which speaks to how lightly she treated those relations in the first place), and thus kind of projects an additional layer of negativity to this. (And I'm assuming you might? have already read further ahead by now, but François does have some genuine reasons to feel put off by Emma, particularly because of their history, and Emma's implied interest in François stemming from the despair he wore back when the Duhems' parents passed away. I think it's understandable that one would feel apprehensive towards someone who is one-sidedly attracted to your misery haha...)

Of course, outside of these specific circumstances, that isn't to say that people don't frown upon having more than one legal spouse (in Venetiaan, this is especially the case, but Riester too), but there are just multiple different factors involved. I think it's very fair to compare it to real-life Christian morality/belief of one-spouse-only, but of course, those who aren't fervently religious and/or are more open-minded will regard polyamory/gamy in a more welcoming light. In particular, we've seen characters before who've expressed outright opposition to the idea of their spouse having another lover, but this is of course different from polygamy—in Prince Consort Werner, Queen Christanne, and Priest Michael's case, it was not a balanced relationship between three people, but an individual cheating on their legal spouse with someone whom she actually loves (their relationship is quite complicated, but we won't be getting into that now haha, but point is—)

The act of cheating and having more than one lovers is seen as bad, without a doubt, but curiously enough, the people of the Divine Kingdom of Venetiaan actually show quite a positive reaction towards the Queen's relationship with the commoner priest Michael. "The Romance of a Century", I believe it was called, and despite this Leary being a case of infidelity that resulted in a child, why isn't the Queen's infidelity seen as completely negative? Well, it can absolutely go back to religion. Despite Venetiaan being the most religious country in the story, it seems very receptive to their Queen's story, and yet simultaneously it is this very religious fervour that makes it so. After all, the child born from the Queen's extramarital relation was born with golden blond hair and purple eyes symbolic of the Lord's love and divinity, therefore the existence of this child itself can be taken as a blessing from God, Herself.

So, is cheating bad? Yes. We've seen this before with Duke Sarnez who was once caught by his own daughter and her friends while he was intimate with an Imperial attendant in an office. Yet, we also see it with Queen Christanne towards her own legal spouse, but the reaction is different, because of the "blessings from God".

So, is having multiple consenting lovers in an equal-levelled relationship, bad? No. The story does point out that the ruler of Corleone, Lorenzo Corleone, has multiple concubines, but he isn't portrayed in a negative light, either. In fact, he is actually portrayed as a typical person—"an old gentleman" [665] he is actually described as. Courteous and rather kind, both to Yeseo and other known characters such as Aurélie, and actually becomes a great supporting character during the later war. Him having multiple legal wives isn't symbolic of him being a morally bad character, nor do Riesterian character treat him poorly for his cultural differences or marital affairs, either, and it is just that—cultural differences.

So is polygamy/polyamory wrong? No, but, the cultural differences and reservations about marriage/love between different countries will illicit different reactions depending on whom you ask.

Anyway, I hope I'm getting across my thoughts properly haha bc I think I'm sounding like a convoluted mess, but I'd also like to note that there have also canonically been conversations about queer relationships in the story itself—particularly between Princess Cornelisse and her would-be religious partner Isle Roosegaarde, whom Cornelisse promised to make her consort when they're older [670]. In this conversation, Isle remarks that she can't possibly be made Cornelisse's consort because they are both girls, but Cornelisse casually retorts that not even the Royal Family has such conservative and outdated views (which I think is kind of hilarious in retrospect, because it implies in a way that Werner, despite being a horrible person, at the very least doesn't discriminate on people's sexuality to the point where his own daughter is educated with this same view)(of course, unless you're Jesse, which means that everything about you is worthy of Werner's ire LMAO). BUT ANYHOW, point is, historically it seems that more conservative/traditional values have existed at some point, but the current reality is notably much more open-minded. It is fair to say that Monogamy and Polygamy co-existing in Corleone but not in Riester or Venetiaan might have something to do with each country's respective histories, as well as how strongly each nation respectively believes in the main religion (and how it would influence their beliefs). And when you take into account the context of whom the God of this religion is, we can also assume that the typical young QPB RoFan reader would not want an explicit environment where the people (characters) you love would be existing in a setting reminiscent of gritty, sensual harem genre (there is even MORE meta to be said about this, and that involves the "Creator" (writer) or the world, and their intent toward the Gods (readers), but just know that an adult theme is definitely out of the question when it comes to what appropriate subject matter to the target audience, or more specifically, a certain target reader 👀)

Anyway, I bring up historical conservatism and the more-progressive/liberal nature of the TWSB universe because the idea of polyamory in Riester actually, in a funny way, is kind of? accepted...? it really, really just depends on context.

For example, there have been quite a few occasions, actually, of either friends of Cédric, Yeseo, and Christelle (CYC) or the general public themselves, alluding to or actively believing that the three of them are in a romantic relationship. One of these people was actually Marquis François Duhem himself, and he's funnily enough supposedly quite aware of the rumours floating around their relationship and at some point reaches a conclusion along the lines of "wow!!! so the rumours are true, you three really are like that—!" [468] (hahaha I do not think that he has any strong averse opinions on polyamory at all (Emma Corleone bugging him to be her next husband being a whole different case)). And earlier on in the story, we've even seen gossip tabloids who've placed immense interest on CYC's relationship, though this can of course either be interpreted in romantic or platonic lenses haha. Oh, and another notable person who even outright called CYC "lovers" was Jibril Diop, Cédric's 2nd cousin and a later addition to the main cast (more specifically, while talking with Yeseo, Jibril refers to Cédric and Christelle as Yeseo's lovers and asks him if he broke up with them since it's rare to find Yeseo all alone haha) [465]! But either way, it seems the opinion on having multiple lovers depends on a variety of different factors, from personal opinion, to religious beliefs, country, etc etc. Jibril Diop himself is actually someone whose character aligns more with Corleone's values and interests rather than Riester, since he's very free-spirited and loves dating and flirting and hates stuffy clothing, and is well-known in the Riesterian Beau Monde for his social affairs and activities in the different salons in the capital. He's even reportedly dated multiple people at once before, though it's unknown if these were open relationships or otherwise, so I can't really tell you any more than that haha. (If you haven't met him in the story yet, please anticipate his arrival. He's such a great character, I adore him greatly. He's sooooo fun as a new addition to the main cast hehe)

Anyhow, I'm sorry if I haven't given any clear-cut answers so far but rest assured!! It gets even more complicated!!!!!! 🙌🙌

SO!!! Knowing that different countries, cultures, and people regard Monogamy and Polygamy different, where does the Riesterian custom of having a Religious and Political Companion come into play? Well, in the first place, the tradition of choosing these two partners is solely a Riesterian custom, one that is also reserved for the Imperial Family (and collateral lines). A POLITICAL COMPANION to help the Imperial ruler politically, financially, or in any other diplomatic/transactional needs, (typically with a renowned noble family, or even a wealthy and affluent merchant family); and then a RELIGIOUS COMPANION to help guide the future ruler spiritually, an emotional and religious guide. Neither of the two roles are necessarily romantic, and the position as Political Companion does not require love—it is a political match first and foremost, though rulers such as Frédérique and her mother before her, Céline, were lucky in that they were able to marry people who they loved. The marriage is merely a formality so that the ruler could have an adequate spouse who fits all the requirements needed to support the ruler and fulfill the duties required of by a consort. Love is not a requirement, but it is still a legal marriage, thus a degree of respect for the arrangement is still expected.

So, what does that make a Religious Companion?

Religious Companionship via Covenant/Holy Contract Ceremony is special in that it requires the two individuals involved to swear their souls together and have them joined for eternity. This connection is beyond romantic or platonic love—in fact, a lot of the sentiments between the Master of the Covenant and the Patron Saint is very queerplatonic. It is metaphysical, it is something integral to the people involved, it is something only they alone can truly understand. It is hard not to regard the sharing of one's soul with another as not being romantic, as the very nature of the Holy Contract is intimate and requires, in the first place, a deep trust in the other person.

I believe the in-universe romance novel by Benjamin Giradin, "Reason, Emotion, and Divinity" (as the title is translated by the official webtoon team), displays a common trope regarding the complex arrangement of the main character (Heathcliff) who is caught up in a conflict between his Political (Jane) and Religious (Catherine) Companions [78]. It is noteworthy that, although Heathcliff is in a physical marriage to Jane, he is in a spiritual/mental marriage with Catherine and is the one whom his heart lays with. We can see, here, that this is an example of a relationship that is not equally "polygamous"—there is a lack of sincerity on one party's part towards the other, and the "spiritual marriage" is seen in a negative light as it is not fulfilling the role it should be. It's a very dramatic circumstance however and of course, is only one (fictional) example of the extent of the depths that a Religious Companionship might lead to, but we can take another example, too—this time, one from Riester's very history, told to us in Chapter 195:

Basically (recapping for anyone reading who might not know), roughly a thousand years prior to the current timeline, Empress Arianne Riester proposed that the Cardinal Phillipe (who had been her ally in unifying the fractured Empire following Venetiaan departure) become her second companion. Knowing that Arianne was already married at this point and was also not romantically in love with Philippe, the Cardinal rejected her, unwilling to take on a role similar to that of a concubine. But despite this rejection, Philippe did harbour unrequited love for Arianne, and gave in to her sincere proposal, though not without requirements. Philippe gave her tulips and said that even if they were not legally tied to each other, he was still and would still always be her ally, and the Empress wished for his formal companionship that strongly, then it would only be so if the Lord blessed their union and affirmed that it would be okay. The blessing later came in the form of the blossoming of never-before tulips. Since purple was a deeply religious symbol and tulips of that colour had never existed beforehand on the continent, the people took this as a religious sign, thus, a blessing from the Lord Herself. Thus, the two joined together and their union was the start of the tradition of the Religious Companionship in the Riester Empire for generations to come.

Interestingly, it is noted that every single Religious Companion of every Imperial Riesterian ruler to come after Arianne and Philippe, all died single [256]. In a sense, this is truly a marriage no different than a political one, and perhaps even deeper than that. While Philippe genuinely loved Arianne (one-sidedly), not all Religious Companionships are explicitly romantic, either. But again, it is undeniable that the Patron Saint in the Holy Contract is the one who holds the most power—if they do not sincerely wish to form a Covenant, it would not happen. So naturally, all Religious Companions feel strongly about their respective Master of the Covenant, and this intimacy could absolutely stem from love, or result in love.

SO, what can we make of Empress Frédérique's relationship with her Political Companion Alexandre, and her Religious Companion Aurélie?

Just like how the different examples of Political and Religious Companionship that we've seen above are different, Frédérique, Alexandre, and Aurélie (FAA) are also unique in their own way. Frédérique and Aurélie's relationship was the first to form, with Frédérique being the first to "fall for" Aurélie for the clarity of her ether and her sincerity in her tasks as an Imperial Priest. They were childhood friends following this and naturally grew very close, but the one who Frédérique later explicitly romantically falls for was Alexandre Blanquer (notably, she fell for him at first sight, similarly to how she did with Aurélie in the confessional hahaha. Frédérique is really the type of person who knows what she likes and strives to obtain them). FAA are truly special because all three of them managed to form very strong connections, not just with Frédérique, but between Aurélie and Alexandre, as well.

Frédérique and Aurélie note on numerous occasions how much Cédric's growing relationships remind them so much of their own childhoods and younger years back when Alexandre was alive, and it is very clear that they all loved each other. Perhaps this might not be the clear response you'd like from me? but I do not think it matters whether or not their relationship was romantic, sexual, or platonic.

Just the fact that they loved each other immensely, to the point of Aurélie even almost sacrificing her own life if it meant she could trade it for Alexandre's (which ultimately failed, though deteriorated her eye in the process, which is why she wears a monocle) [600]. Aurélie and Alexandre were not physically married, nor did they share souls and emotions like how Frédérique and Aurélie did, but despite this all, they managed to form deeply intertwined bonds despite at surface-level glance Frédérique being the "only link" between them. From the very start, they were all together a 3-person parental unit for Cédric the moment he was born, and Aurélie, though not his blood parent, was pretty much his second mom right from the get-go (in the official webtoon translation, he calls her "Aunt Aurélie") and naturally had been made the godmother since his parents are pretty much her partners, too. They were so close that Cédric's conception dream was actually dreamt by Aurélie—prior to his birth, she dreamt of being visited by a sun who came into her bedroom, before falling asleep together. It was reportedly a very cute dream, and I think it's very indicative of how close these three were for Aurélie to be the one to have the conception dream instead of Cédric's own parents. From the very very very start, they had always co-parented and cared for Cédric, and would have done anything for him. Their relationship is untraditional for the typical two-parent family unit, but they were true in this together right from the start, from every step of the way. During his childhood, Cédric was only awake for very short hours of the day, but whenever he was, Aurélie, without fail, always came and visited him in the mornings to read him stories, just because he liked it, and Frédérique and Alexandre would also join them for whatever small moment of family time they could get, when Cédric wasn't sleeping [600]. They raised, cared for, and loved this boy greatly, you cannot distinguish a difference in their love on the basis of whether they're Cédric's parents or not. They love him because he's their precious child, and that is that.

I like what you mentioned about how you were unable to figure out if their relationship was romantic or platonic, and how you said it was perhaps intentional on the author's part. Sookym never mentions queerplatonicism at all in their work, but the queercoding of this universe by mere virtue of the existence of all the implications brought forth by the lore and magic system itself allows for very queerplatonic/queercoded messages to saturate the work in its entirety—all due to the very nature of TWSB alone. I think QPR is the best way to describe Religious Companionship, and all the other very special and metaphysical bonds that appear between several characters throughout the entire novel. In FAA's case, it is clear that Frédérique loved Alexandre very dearly, and that their marriage was not even a necessarily political one (they practically eloped without the permission of Alexandre's family, and the Blanquers also disowned him when he went through with the marriage, so there was hardly any political gain there, other than Alexandre hinself being a 9th-Grade Mage), but it is EQUALLY CLEAR that Frédérique loves Aurélie, too. You will understand as you continue reading, but there are some incredibly intimate moments between these two that are both emotional AND physical.

The biggest example that comes immediately to mind is right after Frédérique and Aurélie had to be separated for a long time during the Riester-Venetiaan war, upon reuniting, the two of them immediately spent the night together, and the morning after has Frédérique hugging Aurélie around the waist while in bed [850], and the scene is played completely naturally, as if this is a routine that isn't unusual for them and that has probably happened before. Of course, this happened because being apart for too long is literally physically painful for Frédérique, so being physically close to Aurélie and receiving her ether in the most direct way possible would remedy that, but in the first place, if they were not incredibly close, the physical nature of their relationship would not be as crazily intimate—to the point of sharing a bed and being in semi-states of undress, and physically touchy with each other in a scene epitomizing domesticity. They love each other and that's that. They are literal soulmates and partners, and we don't need to know anymore. The love they have for each other is something only they themselves would understand, and the love they had for Alexandre is something that also belongs to them.

With all these different presentations of love, affection, and queerplatonicism between different characters, I do not think there is actually much conflict that CYC themselves would face in becoming partners. Everyone in Riester and in other nations as well understand that the bond that Empress Frédérique and Cardinal Aurélie is integral and important, and there is never any criticism there on Frédérique's intimacy with Aurélie, even when it is well known that Frédérique wildly loved Alexandre. The only issue, in fact, that arises about CYC's potential partnership, was Yeseo (as Jesse), being from Venetiaan, and then later on, was mostly internal doubt and dilemma from Yeseo himself. Outside forces never disapprove of the three of them having any sort of relationship, and whatever criticism they ever face is not because of any romantic conflict or say gender bias (like I said before, homophobia doesn't exist in the widespread view, and if it does, it happened in the past as is now seen as stupid WKJJJK), but because of the requirements that the position of Political Companion and Religious Companion require, respectively. But Christelle Rambouillet and Jung Yeseo are probably the only ones that can fit the requirements of these two symbolic and physical positions the best, with Christelle, even after discarding the ducal Sarnez name, obtaining military achievements and notable contributions to the Empire and becoming the "Star of the Navy", and her incredibly positive public image and reputation as a national hero within the Empire will undoubtedly dissuade any criticisms of her worthiness of being a Political Companion. Yeseo, meanwhile, (again, sorry if you didn't want all these spoilers in this reply 😭) is the renowned Palace Lord of Juliette, the Marquis of Sérénité, an Incarnation of God and an Angel of the Lord, and is His Holiness the Pope, himself.

Yeseo and Christelle become some of THE most accomplished people in the Empire, and anyone who tries to push their sons or daughters into the symbolic roles of Religious and Political Companions for the Crown Prince of the Great Riester Empire, will have to compete with these two reputational behemoths hahaha. At the start of the story, the conflict between CYC's potential Companionship has always been political, with the question of who could possibly fit these roles the best and aid Cédric, once he inherits the throne. Politics and schematics have always been the question here, and you could even say that emotions have very little to do with this decision—in fact, we've seen before that Cédric would have gone with anyone Frédérique and Aurélie would have chosen for him, since that's what it means to be a Crown Prince and fulfill his duties. Of course, that isn't to say that FredAu would want Cédric miserable, but it is clear that politics always take precedence, unless extraordinary circumstances arise enough to the point of being able to discard traditional political moves.

Initially, Christelle de Sarnez was the best candidate for Cédric Political Companion because not only was the Sarnez Family a (now formerly) reputable family and strong supporter of the Empress, but the marriage would also bring with it the Blessing of the Azure Ocean, which Cédric had needed at the time. Of course, this initial setting falls flat, but Ham Ga-in, as Christelle Rambouillet, later makes an enormous name for herself and becomes even more renown that she would have been as a "Duke's daughter".

As for Jesse Venetiaan, while his ether was the more noble and pure, and his divine power was incredibly notable, his biggest flaw in the eyes of Riester-Venetiaan politics was that Jesse was a foreigner from the opposing country. This flaw, however, is immediately rectified once Jung Yeseo separates from the identity of Jesse Venetiaan (and there's a LOT more context, but it'll take way too long to explain) and becomes the "Moon of the Empire", rather than that of the Divine Kingdom. Once it is made known that Yeseo's allegiances and loyalty are clearly with Riester, the political doubt, implications, and hesitation on him being Cédric's potential Religious Partner naturally fades, all most if not all Riesterians are extremely enthusiastic about their potential union (in fact, many characters are often surprised that they haven't already officialized it, or haven't done it earlier LMAO).

In short, it's always politics, politics, politics. Riesterian nobles ultimately don't place much importance about whether or not CYC are romantic, platonic, queerplatonic—what matters in their eyes is always POLITICS and if the candidates for the future Emperor's Companions will be fitting of the roles they will have to play. CYC's own feelings are their own and whether or not they, in this Companionship, become romantic or platonic, or remain heavily queerplatonically coded, is their own personal affairs, so long as each of them are able to accomplish their respective duties. Of course, there will always be an interest in the nature of their relationship because gossip and curiosity in any country is unavoidable, especially when it concerns such important people like CYC, but the nature of it, in a political lenses, has little to do with whether or not they are fitting as partners. I personally believe that in any way one can spin it, CYC will still be the perfect pairing regardless, and Cédric choosing candidates that do not understand the depths of his soul is unfathomable to me—Yeseo and Christelle are, quite literally, the only ones (in a meta sense, as well). And on the topic of politics, the question of heirs will also naturally follow, and I am very!!! glad to say that this question gets very masterfully solved by the author haha! I am very content with it and it's a bit humorously in retrospect how it happens, but ultimately was a very smart move that allows for this question to be resolved (without having any of the MCs contradict whatever we might think of them!) and allows for readers to naturally conclude whatever outcome they prefer best after the main story ends! (But if you or anyone reading this is interested in knowing more about the Heir Question, feel free to refer to this post where I go into depth about it!)

Anyway, this response has really gone on for a....... very very long time. It took me a while write this out and make sure I got all my facts right LMAO, but I hope I was able to answer, even if only in some way, your questions and help your curiosity!!! 🥹😭🙌🙌

[jovieinramshackle]

Oh my god 2025 ummm what the fuck amirite (it's not even for me yet it's over 10pm)

Okay so um hi hey hello. What a year huh (at least for me). So wild I transed my whole gender like damn the she/her to he/him pipeline was so real but ANYWAYS

I already said quite a bit during Christmas here but I would be lying if I said I didn't have a million more things to say. Even more to some certain mutuals/friends that have really been nothing but kind to me. Some old ones, some recent ones, I can't list everyone but I genuinely just appreciate any amount of support and love, big or small.

I've been thinking about whether I should directly say a few things to some mutuals/friends for a while (and I already have to some, but I don't mind repeating myself lol), but I think New Year's is the perfect chance to do so.

Apologies for the tagging in advance SUDISAHFIUHISDE

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@crystallizsch I have already expressed to you how much I appreciate and grateful I am to you for encouraging me to make this blog, way before we had ever even interacted. I love you a lot buddy, you're absolutely the best<3

@oya-oya-okay OYAAA OYA OYAAA!!! I love you sm my darling friend, your kind words and support have genuinely been some of the biggest reasons I pushed through this year. I know the latter part of this year has been really hard for you, but I want you to know you have my support for whatever you need <3

@viperbunnies YOU HAVE MADE ME SOBBED SM ESPECIALLY WITH YOUR GIFTS. I sometimes go back to see your art of my persona or my oc just to make myself feel a little better. Ty for making me feel part of this amazing community (PS. I still get shroompocalypse war flashbacks/j) <3

@fell-e We have mostly chatted on Discord recently and legit you're one of the funniest and nicest people I've had the pleasure of talking to! I can't wait to interact more in 2025, you're such a nice person to be around <3

@lficanthaveloveiwantpower Hi Nah! We don't interact really one-on-one, but the kind words you've given me have always made me smile. You're one of the biggest reasons I got comfortable with openly self-shipping and sharing my thoughts about my f/os. And don't even let me mention how much joy your art has given me, you're seriously one of the best artists I've had the pleasure of being mutuals with <3

@theolivetree123 I'm a sucker for your ocs I won't even lie they're always so creative and fun! Still remember the time you asked to be mutuals and I just DIE/pos. It really was a pleasant surprise and I look forward to every post you make, whether it's art or just talking about your ocs and dynamics! You're extremely creative you genuinely inspire me a lot <3

@sunnysidesevenup I KNNNNOOOOWWWW we became moots pretty recently but like. You're so cool dude wtf. Legit freaked out when YOU followed ME first. I got cold feet about following you back for a while ahaha.....but I'm so happy I did you're such a fun dude I love your creations so much too (low-key biased towards Tilly...I love him sm and for what...)

@jadelover69 MIMI YOU ARE SO FUN, JUST SOO FUN TO INTERACT WITH YOUR WHOLE ENERGY IS SOOO SDUBHDSJNAGISBSJDH/POS your reblogs always make me giggle, even if it's just you straight up dying <3 Tysm for showing so much love for my creations, it means the absolute world

@summerspook You madman. I can't believe we've been friends for almost 2 years online. You have helped me through so much stuff, sometimes I even felt guilty about it. Thank you from the bottom of my heart for being one of my bestest friends, talking to you is one of the main things I look forward to every day, I can't express how much appreciate you and our friendship <3

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OKAY THIS IS ALL FOR NOW there are more of you but I can't articulate my thoughts and feelings the best, but either way I love and appreciate all of you with all my heart.

New Year's has slowly lost its meaning for me (I'm neutral about it) but at least I get to use it to show my application to the people who have been with me this year, mutual or not tbh <3

Also if you wanna say something back but not publically, dms are open for mutuals <3

[zuzu-romeave]

hi im here to scream abt brad and jo because i love them and i need to yell

theres no way u can convince me that brad thinks that catching a rat is a “delicate mission” that he and jo are the best suited for like i just dont believe that!! like idk i just think its a lil silly how the second jo voices her displeasure with her task he immediately starts to make it into a bigger deal than it is and starts acting like it’s a task that only the both of them could do!! also david only asked jo to take care of it, nowhere in the conversation did he even imply that brad needed to help and yet brad includes himself in it anyway! and jo is immediately happier about the entire situation when brad does that! literally two seconds ago she was calling it a degrading task but once brad makes it seem special n like they r the best ppl for the job she’s so hyped abt it!! anyway i just think they like doing stuff together they r bffs guys

[lakesbian]

ok thank you everyone much appreciated. here's my reviews for fun

scp 1730: didn't care for this one very much, it's in the genre of scps that are trying to be action movies referentially synthesized from other scps. which is not something i think holds very much narrative appeal. additional subtracted points for "the Marxist extremist terrorist attack on the sears tower in 1994"

scp 4991: nothing to complain about here, perfectly fine 2 minute read. imitations of social media posts within scps are always fun when they're done well

scp 6595: the best thing this one has going for it is the part where the scp foundation interviewing muppets that are real and alive as a normal part of the universe is introduced and played completely straight without acknowledgement. apparently this bit was inspired by a predecessor article that also offhandedly includes the muppets being alive for real, but i overall liked this one more than the predecessor for having a more natural (and thus funnier/more interesting) take on it. however i think the most recent comment on it has agreeable criticism re a few factual and plot nitpicks. it doesn't feel like quite the attentive love letter to the source material that it could have, which is a shame, bc that's what elevates these scps referencing a pop culture thing from "not a bad read" to "genuinely quite good." and this just stayed at not a bad read level for me

scp 5999: im bad at mystery scps and scps that reference a bunch of other lore so i can't fairly review this but i thought it seemed well written...the exploration log had personality to it. also i notice a lot of scps just shamelessly casually don't include any female characters/don't include any women in non-stereotyped roles so i was glad that this one at least had women casually on the mobile task force and all that

scp 5031: ive read this one it's cute. i do always think it's funny how a story intended to subvert the idea of murder monster scps for wholesome effect does still textually take place in a setting where the scp foundation is feeding random prisoners to murder monsters lmao. it's a fun one though i like it

scp 2747: ive read this one before as well but i reread it bc it's so good. great concept and execution, by far the best one listed in this post so far. the linked tale is admittedly dense enough i don't have a thoughtful opinion on it but it's really well written too. this type of scp is scp at its best i think, higher concept horror couched in academic language. the fake media snippets are great, reminds me of the library of babel one that i also like

scp 2293: yeah this one's fun, not much to say about an scp that was created by someone online as a meme, but it does what it sets out to do well

scp 2790: i liked this one :) one of those short fun little "SCP affects the documentation" ones. like it's not unique no but it made me smile, it's fun (said in a different tone of voice than prior usages of the word 'fun' indicating that i liked this one more than those other ones but called them fun regardless because i didn't want my picky tendency towards calling things 'Fine.' as a review to sound mean)

scp 7179: agree w what the recommender said, concept is good, execution isn't much of anything. it's a short story about the horror of eternity that doesn't have a grasp on the scale of time or a natural progression of dread. amateur writing

the whole antimemetics division: already read it, my rating of different parts of it varies but overall it's my good friend because there's Urs in there. like from pact. soooo many fantastically fucked moments it's great. like the original antimeme scp is Fantastic in its own right and it's so impressive how the tale revealing what the indescribable object actually is succeeds at making the answer more horrible than whatever you were imagining. like in horror i think oftentimes people shoot themselves in the foot by removing a sense of mystery but here the answer to the question of what it is is terrifying and gripping

scary gatorade: recommender lied to me, it's not bad, it's good

scp 3001: ILL BE REAL. i get why people like this one. but i did not care about it that much i did not find the logs of the dude slowly progressing into madness™️ scary. LIKE I GET IT. but it's not up there for me at all

does anyone have any scp recommendations im in the mood to read scps. not ones that are bad please

[camellcat]

I need an answer why do y'all hate on s7 like it's in vogue here what is going on I fucking loved that season. like hello? I can't decide if s5 or now s7 is my favourite of the show it was that good of a watch to me

I missed the closeness of the scoobies so bad I didn't even realize until we hit episode three and I was aching for it. oh, god. and the spuffy of it all! I can't even get into it right here but ohhhh. oh. and DAWNIE my sweet girl oh sweet niblet I love her so much. anya's episode? probably one of my favourite episodes of the entire show tyvm. I really liked kennedy and honestly I think she made a great second in command for buffy when she actually listened, though I think she'd be a god-awful leader. almost all of the episodes held my attention that weren't, y'know, bewitched bothered bewildered part two electric boogaloo over there. and DRUSILLAAAAAA ik she wasn't real but IDC I was fawning every time she was on screen both as the first as actually her oh I just adore her I'll never understand her and I don't even care. taking it back actually getting into the spuffy of it all for a second because oh my GOD they had an actual conversation about themselves where she neither ran away nor punched him!! and the montage of everyone screwing, only to cut to spuffy simply cuddling? to show THAT'S their intimacy? 'bout fuckin killed me it did

them kicking buffy out of her house and then literally no one saying ANYTHING about how she was RIGHT except spike ofc really bothered me. and gosh the way they just kinda... did buffy's plan anyways. a little different, but not really? still invaded the vineyard when half the reason no one was listening to her was bc they didn't wanna go back that. but that was like the biggest issue I had the entire season honestly. there was no riley to make me furious, 15 minutes of angel that I hated every second of but is so small it's whatever, and robin wood kinda annoyed me once he turned on buffy and spike there but y'know he gets less relevant so pshh. I'll admit I also got a bit peeved at myself every time I smiled at something andrew said but he grew on me wayyy quicker than I was expecting or wanting I get why he shows up in fics so often now he's entertaining to watch

anyways. I'm sure there's like a billion million things I've missed in my endeavor to simply enjoy myself while watching but as it stands? I love this season. I love it to bits and pieces and I think it was incredibly fun. y'all might just be the biggest haters in the world cause I am SO glad I decided to actually give it a go

[icewindandboringhorror]

recent lounging babey images

[umanta]

My favourite section of the fic I'm working on rn

Shawn is… quiet, even as Lassie sets up the place for forensics and Shawn does his usual amount of tampering with the crime scene. He rifles through bathroom cabinets and Bonnie’s vanity table, through the contents of the freezer. There’s a fudgesicle in there, and he doesn’t even joke about eating it. “What’s wrong?” asks Gus. “Hm?” “You’re acting weird.” Another point in favor of Gus’s hypothesis: Shawn looks away. “I don’t know what you’re talking about,” he says to the carton of molding berries in the fridge. “Shawn—” “Oh look, pineapple!” But he doesn’t reach for it, even though it’s neatly sliced, in a conveniently open bowl (which, ew, fridge smell), and Juliet isn’t even here to look disappointed in him. Gus gently pushes Shawn back and shuts the door of the fridge, moving to put them face to face. “Dude.” “Okay, look, this is one of those ethical dilemmas they’re always talking about on Sesame Street. What would Elmo do, right?” Gus doesn’t dignify that with an answer.

[scoringeffects]

.

[onehellofakathy]

Natlan was bad…but not Inazuma bad… I feel like the journey was worth it, but most of the characters sucked, and the one(s) who didnt fucking died… I liked all the war sections, and I did cry, but this didn’t please or satisfy me the way Fontaine or Sumeru did. It’s going above Inazuma, in second-to-last place for worst Archon quest. Maybe Snezhnaya will be better and BRING BACK THE DOCTOR TURN UPPP

[daz4i]

i literally can't think about life or the future for more than a few seconds without getting so distressed that i shut down. surely this is a good sign for things to come

[lucksea]

the two possibilities that might also both happen whenever i watch leo is 1 im going to stop watching before finishing it like i did with return of ultraman because i hate it too much. or 2 im going to have to redraw sydneys "where are you taking me" "i dont know man. just with me for the rest of my life i guess" with me and leo and/or nefariously written seven who was originally supposed to be a completely different character

[spearxwind]

,, and I REALLY dont want people to be weird about him if hes 'weak' " I'm a little hesitant to ask, but what does this mean...? I'm unsure if I'm dense/oblivious/missed something but genuinely can't imagine what it could mean. People trying to (again) romance him? (Even though even if he's 'weak' it wouldn't work since he can't feel anything + they'd get murdered somehow anyway)

Please feel free to ignore and delete this ask if you don't want to discuss this topic.

Oh no worries, I can explain! The romance isnt so much an issue in this case fortunately

The thing is that strangers online love to be funny, and they love to not take characters seriously for the most part. I've gotten a lot of jokes directed at my ocs over the years

All in good spirits, I do like to joke around with people and i love humor! but if I am too lenient with it then people start latching onto that constantly and it gets to a point where its the only thing they will see. It's very easy to see an artist or a writer make a joke at their ocs, or make a joke with their friends, and as a stranger think "I can do this too and one-up them"

With "weak" versions of adri I made in the past, I experienced two things: one was people thinking he should be hurt in that state (as retribution), and the other was them using it as an excuse to amp the memeing up to 1000. I guess what I would describe it as would be "disrespect". Basically turned into a character to punch down to

I can disrespect my own ocs, theyre mine, but I don't really enjoy it when other people who I legitimately dont know come in randomly to drop either a really violent or a really goofy take directed at them 😅

I feel like currently with how I behave on here this will be less likely to happen again because I will cut that shit out immediately if i see it, but I would prefer if it doesnt happen in the first place and I don't want to be mean at people who are just goofin around