#i figured id post it with the thing

[flame-shadow]

you HIT soul master? you pop his body like the balloon?? oh! oh! jail for knight! jail for knight for One Thousand Years!!!!

[boycritter]

silly little comic about chronic pain

[image id: an 8 panel comic

the first panel has a conversation between two people. the one on the right is a light gray, and facing away from the viewer. they are meant to represent a generic person. they are saying, "wow, chronic pain sounds like it sucks." sucks is written in a dark pink. the person on the right has tan skin, a pink shirt, and pink hair. he responds "haha yeah."

the second panel shows the same two people, with the first person saying "how do you tolerate it? i'd go crazy!" tolerate is written in a dark pink. the second person responsed "um..." and trails off

the third panel shifts to a drawing of the second person sitting curled into himself. it is entirely grayscale, except for his pink hair, which is a little more muted. the text around him reads "i tolerate it because not doing so isn't an option". 'isn't an option' is written in dark pink.

the fourth panel shows him sitting and leaning against the left edge of the frame, with his legs stretched out. it reads "because what else am i supposed to do?" supposed is in all caps and written in dark pink.

the fifth panel shows a torso up drawing of him in the bottom right corner. the text reads "i can't hope for a day i'll wake up and be better." better is written in dark pink and all caps on the left half of the panel.

the sixth panel shows him sleeping, with a brown dog near his head. the text above him reads "all i can do is make sure i wake up." wake up is written in dark pink.

the seventh panel is all text, reading "i tolerate it because it needs to be tolerable". tolerable is written in dark pink.

the eighth panel shifts back to the conversation between the two people. the man finishes his response to the other person's question with "i don't know".

end image id]

[anemonet]

pro tip: you can always put the bugs in little outfits :thumbsup:

[breakbeatbun]

Customizable Player Models // Blockbench model for ... me again :) it's my rabbit Breaks with a New Outfit.

on the left is my default fit to match my vanilla skin, and on the right is what it looks like when i put on armor. neat little feature

bonus pics & expressions under the cut!

www.buny.info

stills of the above gifs so you can see it w/o compression, my custom elytra animation, and some alt fits/accessories and expressions! i gave up my whole hotbar just to puppet this thing & honestly i still have a lotta cleanin to do LMAO but i'm pretty happy with how it all performs :) thank u for looking

[xxplastic-cubexx]

Snap: *draws a Megaman-inspired Magneto*

Me: ...Perfect modernization.

wait now that its not 3AM i can do you one Slightly better

bonus:

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[valencock]

Idk what they're saying but Hancock's grabbing his ass for sure

I can't believe a ghoul and a synth could be so in love holy fuck

[couch-house]

some echidnas and a jackass

[vind3miat0r]

late night listener rambles

Angel loves the way David's hands feel. during casual or intimate times, feeling David's hands clasping their own, rubbing their back, gently holding Angel's body close to his own. David's hands make Angel feel safe and secure, and they love playing with them, complimenting their features and grinning at David's slight blush

Babe loves rambling with Asher. they love listening to Asher just talk about whatever interests him, even if they can't quite follow what the topic is about. theyll make little mental notes to look up a certain tv show or game later on in the day, so that they can have a better understanding. they love how attentive Asher is when Babe is the one rambling, taking every opportunity to explain the details in case Asher gets lost

Sweetheart loves cuddling with Milo. morning cuddles, just-got-off-of-work cuddles, post intimate time cuddles, they love them all. they love feeling Milo's skin touch their own, love rubbing and tracing small patterns on his skin. sleepy-time cuddles are their favorite, burying their face in Milo's neck and just feeling everything

Darlin' loves sleeping with Sam. not sex sleeping, literal sleep. they love knowing that they can show such a vulnerable side of themself to their mate, love that they can curl up next to him and drift off without a care in the world. sleep comes easier to Darlin' if it's sleep with Sam

Lovely loves Vincent's kisses. they love it when Vincent comes up behind them, wraps his arms around their waist and kisses their neck, reminiscent of before Lovely's turning. they love it when Vincent gets a bout of cuteness aggression and peppers their face in kisses, loves it when he gently kisses their scars when they feel like they're not good enough. they love kissing Vincent in return, feeling that slight spark of surprise and delight through their eternal bond

Treasure loves being held by Porter. when people held them in the past, it was always predatory, possessive; a clawed hand staking its claim on their hips, suffocating them. being held by Porter is different. it's softer, gentler, and always always easy to break, in the event that they want to step away (not that they ever would). they love being held in his arms, their head against his chest, listening to his subtle heartbeat. they love how gentle he is with them, and how warm he feels despite being a vampire

[feelo-fick]

I WANT ENDLESS BLISS!!!

HALF-AWAKE, HALF-DEAD, HALF-LIFE CRISIS

ALL NATURAL POMEGRANATE PULP.

FERMENTED TO PERFECTION, SAVOUR YOUR SAVIOR.

Q: What's your favourite food? A: THE ALE THEY SERVE AT THE TAVERN!

other versions : )

[rookeryyy]

oh carp they put sonic the hedgehog into webfishing?

[lactoseintolerentswag]

The Spotlight Effect

Maybe someone else has pointed this out before but I'd still like to talk about it!! Something really interesting to me about Leo (rottmnt) as a character is his inherent charisma, and how he draws in people with grand and dramatic speeches. Visually this is shown by something I like to call the "spotlight effect".

Season 1 Episode 2 "Origami Tsunami"

Originally the mentioned effect was used as a bit/gag. Here Leo is trying to hype up the boys to go on a junior-level "safe" hero adventure, and does succeed in getting them excited. Throughout the episode he's shown to drag them place to place, one inspirational speech after the other.

Season 2 Episode 1 "Many Unhappy Returns"

In season 2 we see this effect return. In "Many Unhappy Returns", in which Leo is initially a figure of comedic relief to ease tension in the return of the Shredder. This backfires a little bit, as it mostly annoys his family despite good intentions (which are not clearly communicated). It's not until he proves that he's taking this situation seriously--and ramping the team up with another one of his on-point speeches about everyone's strength of character--that he becomes a point of inspiration. The scene above takes place after Raph questions Leo, who in turn responds with "trust me".

Season 2 Episode 2 "Todd Scouts"

Again we see the "spotlight effect" used as a gag; however, there is still an interesting point here made in this scene. Leo calls himself something along the lines of the master at apologies, and something I believe that contributes to the effectiveness of such apologies is that charisma that draws people in. Which is shown visually for us via this effect!!

Season 2 Episode 5 "Air Turtle"

Another apology of Leo's after his dismissive and competitive behavior when playing basketball with his brothers. It also serves as a motivation point in this episode, for them to go against the mysticly beefed up basketball players.

Season 2 Episode 9 "Bad Hair Day"

I'm tentatively counting this as part of the phenomenon I've pointed out because while Leo is Put under the spotlight as a potential suspect to the thieving in this episode, Leo takes full advantage of it to wrap people around his finger. The hair doesn't not help either.

--

And now for one of the most Blatant and emotionally impacting examples.

The Rise Movie, the moment when they think their brother is lost, and when Leo begins to finally start listening to his team.

He unites them under his hope and confidence. I mentioned in this post that Raph is their center of responsibility, well in comparison Leo would be their center of inspiration. His competitiveness rubs off on his brothers (encouraging to put their all in the silliest of things), his playful encouragement keeps the baby of the team from being too babied, and his speeches tie everyone together to one goal. Hope is a ninja's greatest weapon, and while he may not realize it until Casey Jr. quotes that famous phrase, he's been using it this entire time.

[tainebot01]

I would like to officially welcome Eustace Winner to the "My Name Is A Cruel Joke My Paternal Figure Played On Me" club

[Image Description: A digital drawing of Eustace Winner from Ace Attorney and Hunter from The Owl House in a handshake, against a purple background. Both are looking towards the camera as if they are taking a picture and both have a look of concern on their faces. Eustace’s expression is significantly more distressed than Hunter’s. End Description]

[pyrosomatic-metamorphosis]

rough art tips to learn and then break at your leisure.

the distance between your eyes is roughly one eye. the corners of your mouth dont extend past the middle of each eye. ears are roughly in the middle of the tip of the nose and the eyebrow. the eyes are in the very centre of the head. the neck is just a Little slimmer than the width of the head (varies with fat distribution, but fat tends to build up under the chin). hair is easier to draw when you plot out the hairline and then where it parts. leaving appropriate distance on the side of the face (cheekbone area and back to ear) contributes to making characters look more realistic/hot as hell. i dont know specific tips for that so use reference. an amazing reference/study site is lineofaction.com . if you think of the face in planes it makes it easier to construct (look up tutorials). if you draw a spiral like a tornado it can help you figure out awkward perspective for extended limbs (look up foreshortening coil technique). tangent lines are when two lines intersect and cause visual confusion (when it looks like a line that defines an arm is part of the line that defines a building, for example) and avoiding them makes your art way easier to comprehend. quick trick to good composition: choose a focal point (where you want your viewer to focus), detail that area the most, and make sure various elements of the piece are pointing to that focal point. you can use colours to contrast hue, saturation, and brightness and make certain elements of your drawing stand out. drawing in greyscale can help you figure out values. using black in a piece isn't illegal but you should know what you're doing when you do use it- it desaturates a piece and if used as a shading colour can desaturate and dull whatever youre shading too. if you use almost-black lineart and then add black to darken the very darkest areas it will do a lot to add some nice depth. the tip of your thumb ends just above the start of your index finger- your thumb also has two knuckles and all your other fingers have three. if you see an artist doing something you like (the way they draw noses or eyes or hair or anything else) you can try to copy that and see if you want to incorporate it in your style <- this is ENCOURAGED and how a lot of us learned and developed our styles. there are ways to add wrinkles to faces and bodies without making the character look a million years old, you just have to keep experimenting with it. The smile wrinkles around your muzzle dont connect to your mouth or to your nose; there should be a small space in between smile or nose and the wrinkle line. eyes when viewed in profile are like < aka a little triangle shape. think of the pupil like a disk and apply foreshortening to it (it looks like a line when seen from the side instead of a full round dot). subtle gradients can add a LOT to a piece. texture can also add a LOT. look up Tommy Arnold's work (his murderbot pieces are some of my FAVOURITE) and zoom in. find those random little circles he added and try to figure out why he added them there. light bounces. there's lots of way light bounces. sometimes it even spreads through the skin. i do not know these light tricks yet but i want you to know that they exist. draw a circle to indicate hand placement, draw a straight line between that circle and the shoulder, and then (normally at a right angle) draw a straight line on top of that line to find the placement of the elbow. elbows are normally placed Just above the hip when standing and your arm is at rest. there are no bad colour combos if you're brave enough about it, just fuck with the saturation and brightness until it works. keep playing. try new things. add your own tips to this post if you want or even expand on some ive mentioned here. good luck go ham etc

[asexualbookbird]

ive had a couple art challenges sitting in my brain for a while now and i havent gotten around to them for the usual executive dysfunction reasons but also because what i REALLY want is to turn my old blog into an art centric blog and leave this as The Book/Personal Blog but reality is. this blog gets more interaction and despite however much i tell myself Do It For Fun Not For Views its just more fun when people engage with your art

so idk. should i continue to post art here?? should i try to revive and resssurrect and actually promote my other blog?? do people even care lol

[lavenoon]

Some more custom emojis. Yes the chicken doesn't match the vibe idc <3

Please like/ reblog if you use, otherwise credit appreciated but not necessary