#i feel you - ADORE THIS TRACK i can't even explain what it does to my psyche except that it initiates a beach episode.

[hopeinthebox]

tagged by the fabulous @cordiallyfuturedwight and @jimin-gaon <33 here's the december list

apologies for being late again new year same me: @aprylynn @jiminsproof @pauls-mccharmly @thvinyl @visionsofgideontheninth @btsbs @kimchokejin @jihopesjoint @eoieopda @monismochi 💜 and anyone else who feels so inclined MWAH p.s. please do tag me anyway if you've already done it

[freakyformula]

Have my baby - Max Verstappen

Warnings: 18+, breeding kink obviously, creampie, unprotected sex

Word count: 1,4k

I feel like you’d realise that Max has a raging breeding kink right in the middle of a heated makeout session one ordinary Tuesday night.

"Damn, schat, you're so beautiful… Wanna put a baby in you so bad."

His comment freezes both of you. He must have realised what he just said and stopped in his tracks, scanning you for a reaction. But your face is blank, free of any emotion.

You're in shock, Max had never even mentioned having kids of your own before. Sure, you both knew that you wanted kids someday but you had not discussed it further until now. Besides, Max was good with children, and the biggest dream you had was to have a baby with him. But his admission came as a surprise.

You huff, "Baby, huh?" Gazing up at his icy blue eyes. They were filled with shame, and his head sunk into the crook of your neck with a sigh. Your hands sink into his thick hair, and you can't help but pull on it slightly, encouraging him to look up again.

"Max, look at me." You tell him, and he does, still with that adorable frown on his face.

"Say it again." You order.

"I'm not doing that, Y/N." Max quickly replies.

You sigh. "I didn't know you had a breeding kink, Max." You wink at him.

You're really into the idea. "Baby…" You whisper while playing with his hair and brushing over your stomach, imagining feeling a baby bump under your hand.

"Liefje, I didn't mean to-" He starts, his tone slightly panicked, but you stop him before he can explain himself.

"I like that, Max." You admit. As you say that, his eyes widen in surprise.

"Really?" He coos while peppering your face with kisses.

"Yeah…" You giggle. "I mean, I wasn't exactly ready to hear that from you but I like it."

Max lets out a laugh, "I wasn't thinking, I'm so sorry. I didn't want to make you uncomfortable or anything."

You shush him, "You didn't, trust me."

He offers you a faint smile as he traces his hand against your cheek.

"Can I remove these?" Max asks rather desperately, pointing to your jeans, making you nod and assisting him in dragging them off.

When the sweet smell of you hits him, he inhales and lets out a small whimper. "God, smell heavenly…"

His words make you blush, and while he's busy taking your underwear off, you look down at his bulge.

"Need you so bad, Maxie." You whine while palming his jeans.

He answers with a couple of thrusts against your hand, feeling desperate to have you and to get out of the tightening lock-up of his pants.

Something in him switches when he sees your pussy, and he manhandles your tiny figure onto your hands and knees.

"Please Max, need you." You beg. Your hand slides down to your heat, and you're already soaked. As you're playing with your clit, you slide two fingers in, stretching yourself for him.

You hear the clinking of his belt behind you, and you look back at him, arching your back further, allowing him to see you even better.

"Such a tease…" He chuckles, and you feel something slide along your slit. Something wet and familiar. You recognize it as his tongue almost instantly, and you can't help letting out a moan.

"Hmmm, taste even better." He whispers against your core. As he's licking and sucking on your clit, his nose brushes against your seeping hole, wetting his face.

You feel yourself getting closer by the second as you feel two of his fingers penetrate you and curl up against your G-spot.

Max feels the way you're clenching around his fingers, almost cutting off blood supply to his poor digits.

Before you even had the chance to react, you came. The feeling of him on you is overwhelming and you're frantically trying to get away, but he's holding himself and you in place, still sucking on your clit and fingering you frantically.

When you've come down, Max pulls his fingers out and collapses beside you, stroking your flushed cheek with his fingers.

"So what do you say, schat?" He asks, his eyes filled with adoration.

"About what?"

He pauses before he speaks, "Let's have a baby." He says, still looking at you.

"Max…" You try to sound serious but the thought of having his baby is tempting. "You're away all the time for work. It wouldn't work."

"I'll quit if you want me to. Just have a baby with me."

Silence. You try to come up with a good excuse, but the post-orgasm haze makes it hard. The only reason you're waiting is because of his career. And if he quits, there's no reason for you to wait. "You can't stop racing just because you want a baby, Max."

"Watch me, Y/N… Besides, if we make a baby now, it'll be born in the off-season, it's perfect!" He tries to resonate.

"You've planned this really well, haven't you?" You giggle.

"Mhm… You would make the most beautiful mama. You and pregnancy would complement each other." He coos while rolling you over onto your back, kissing you all over your face, making you burst out in laughter.

"Okay, okay, I give up!" You laugh, allowing Max to hover over you.

"Let's make a baby." You whisper, not sure if he heard you.

"Oh… Love." He sighs contently while pulling your hoodie off and freeing himself from his jeans and underwear. "I love you." He leans in and catches your mouth in a searing kiss, his cheeks flushing with each word.

The thought of making love to you without any barriers, feeling you for real, sends Max reeling.

His knees push your legs apart, placing himself between them. Max can't help capturing your lips in a hungry kiss, tasting your lips with his tongue. Excitement runs through him as you run your fingers down his body to his pulsating member, you grab it and give it a few pumps before brushing it against your cunt, collecting the slick from your previous orgasm on his tip.

"Are you really sure about this?" He asks for confirmation one last time.

"I'm sure of it, Max." You reply, giving his nose a gentle kiss.

Max is beaming at you when he hears the words, and slowly slides into you, connecting two bodies into one. When the tip is in, you stop him with a hand on his stomach. You would never get used to his size. "It's okay, schat, take a moment." He tries to comfort you.

Once you've adjusted to him, you nod to indicate your readiness to continue. He slowly burrows into you, ensuring you feel okay and as comfortable as possible while showering you with praise and encouragement.

"Doing so well for me, liefje."

"Looking so good like this."

"Our babies will be just as beautiful as you."

"I'm so lucky to have you."

When he bottoms out, you moan out brokenly, as does he. The feeling of him sheathed in you almost sends you into a raging orgasm instantly, in any case, you're close.

"Look at me, Y/N." He asks as he pumps into you. Your eyes are squeezed shut as you are desperately trying to keep yourself together. When you hear his words though, you open your eyes, only to find him close, looking at your contorted face. The sight of him aids your impending orgasm, and you're pushed over the edge with the help of his thrusts.

As you moan out your second orgasm, you suck Max' delicious lower lip into your mouth, while rocking your hips to get some kind of relief. Max doesn't let you come down this time and continues pumping into you, increasing his pace.

You are both a moaning mess; kissing, sucking, licking each other wherever your mouths happen to land.

"Can't wait to see your stomach swell with my child, lieve." Max stills, out of breath, drops of sweat decorating his forehead. He stills in you, pulling your legs up on his shoulders, folding you in half. The change of angle, his tip against your G-spot, drives you into a frenzy. You're hyper-aware of everything happening, his hands on your body leaving goosebumps wherever he touches, his eyes on you, feeling like fire, his thrusts, god, you're going to cum again.

You clench around him, "My god, I'm close." Max announces, "Please, cum with me." He begs while he picks up the pace, slamming into your cervix again and again until you both yell in ecstasy. You feel streaks of his seed painting your insides while you milk his member dry.

Max collapses on top of you, spent and tired. "Jesus, Y/N."

You giggle into his shoulder, you too feeling tired, but happy.

"What if it actually sticks on the first try?" You ask.

"Might as well go for another round to up our chances." Max winks at you.

[judgeanon]

So About That BATGIRL #1...

I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.

The long is here:

Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.

But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.

So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.

Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.

After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.

That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.

Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.

It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.

And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.

Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.

So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.

There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.

Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.

Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.

So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.

Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.

Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:

This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.

Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.

The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.

His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.

Man... I just love to see that momma smile.

Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.

On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.

However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.

Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.

[mayasaura]

sorry if this has been answered before or if there's a post about this, but I've been seeing a lot of posts labeling harrow as schizophrenic and/or having trouble recognizing reality, including the one you just made about crux as harrow's caretaker and reality-indicator.

I realize that these interpretations come from htn, but I'm curious as why people feel that it's always been a trait of harrow's instead of a side effect of the lobotomy?

I was under the impression that she created the reality problems as an excuse to cover the blocks in her memory, especially since we know that wake/the sleeper didn't possess her until after gtn and most of her confusion happens in the river bubble.

even the "hallucinations" of the body don't really impact her perception of reality, and it's actually alecto's soul not a real hallucination. the only questionable moment I can remember is when she sees cytheria under the bed and ianthe says there's nothing there, but we know ianthe is a duplicitous legend so I read it as ianthe lying to harrow lol

long story short, I was wondering if there was scenes in gtn, ntn, or post-realization htn that indicate harrow has had these reality problems pre-lobotomy? or if you know of a post analyzing it further? sorry to throw this at you, I just haven't seen any analysis of it but I saw your post so I was hoping you would have more info :) I really adore all of your tlt analysis posts!

Hi! Yeah, if you go into my '#harrow's schizophrenia' tag, I've made several posts about it, and other people have added on to a few of them with further elaboration.

But I don't think I've ever laid it out fully like a thesis. And I have several stressful things I should be doing right now, so I can't think of a better time to get into it.

When Harrow's brain is editing Gideon out, there's an effect a little like a record skip. Her memory snags on something, very briefly, and then quickly moves on. Or she'll make an assumption or say something that doesn't actually make sense without Gideon in the picture, but she won't notice. The most prominent example is the details in chapter 3 surrounding her opening of the Tomb:

Just ellipsis "found out" ellipsis to skim over the very large part Gideon had to play in those events. If she were to interrogate the memory, it would be strange that she doesn't remember how her parents found out, but doing so would make her brain bleed. She would black out, and most likely forget what she was trying to remember.

And an example from the same chapter of a statement that doesn't make sense, unless you know about Gideon:

Two things are important about these examples, the first being that they don't upset Harrow. She doesn't think they're strange, because she barely thinks about them, which was sort of the point of the lobotomy in the first place. The second is that they can be immediately explained by plugging Gideon into the Gideon-shaped hole in Harrow's memory. If you know about Gideon, and what Harrow's done, there's no mystery remaining.

In contrast, there are other details in chapter 3 about Harrow's childhood that Harrow did, and does, find strange and upsetting.

Gideon didn't attend services, and she most definitely didn't participate in chants. Putting Gideon back in the picture does nothing to explain the "weird, thuddering beat" Harrow finds disruptive. But it does sound an awful lot like an auditory hallucination, as does hearing doors open and close where no doors were opening and closing.

Maybe we could try to explain the doors by supposing she was hearing Gideon coming and going without remembering the source, but that doesn't really track with how we know her mind processes the missing pieces. If Harrow were papering Gideon over in her memory, it wouldn't be important who was or wasn't opening doors and where. The focus of her memory would quickly shift, just like it did when trying to remember how her parents found out about the Tomb, in order to avoid looking at what she's hidden from herself.

Then there's the next paragraph:

Again, plugging Gideon into this memory does nothing to explain it. Even if Gideon had been in the habit of sneaking up behind Harrow and attempting to choke her out—which, yikes—Harrow has already seamlessly blocked out the memory of one attempted strangulation. Then there are the phantom ropes she sees, her parents' method of suicide haunting her.

The forgetting where she was, losing time, and false memories do seem at first glance like they could be explained by the lobotomy, seeing as that is sort of the whole purpose and effect. But I'm pretty sure even these are real memories. Again, because of the focus of her attention. She's remembering having forgotten, while the lobotomy make her forget to remember.

Then there's Harrow's overall behavior. Her reactions to her hallucinations, especially in the River bubble, which imply that not all of this is new to her. She isn't shocked, or caught off-guard. She has coping mechanisms. She's figured out what evidence she can probably rely on to rule out hallucinations, and what's more likely to be suspect. A lobotomy, even a necromantic lobotomy, doesn't come with built-in tools for coping with its effects. Her memory of her past without Gideon in it is fractured and incomplete, not an entirely new life story with new life lessons.

Finally, from Nona the Ninth, some evidence that Harrow's problems with reality definitely predate the lobotomy:

Crux remembers them.

[stormblessed95]

So I just had some thoughts about the minimoni exchange that I really needed to share - their relationship is so cute. There was one thing that I'm confused about and I wanted to know if it was just me lol, and that's the narrative Jimin was telling about how Muse came about. That Pdogg asked him what his thoughts are, and Jimin said he's been feeling a lot of apathy lately (I'm paraphrasing here cause I can't remember the words!).

Then he went straight into talking about how the album is about having a crush, but he said he can't remember the last time he had a crush. And he had to have help from a younger producer to talk about what a crush was like. He didn't really go into why he wrote an album about having a crush when he said he can't remember the last time, just that he's been feeling not much excitement lately. He even explained this albums emotions as "vague." If I could go into depth about it, my interpretation (could be completely wrong) is that it's an explanation of coming to terms with his sexuality, that the expectation that he fall in love with women but no matter how many relationships with women he's had he just can't find the one. Until JK comes along....

Sorry my thoughts are all over the place 😂😂. I just wanted to know if someone also found it confusing or it's just my ADHD brain!

Hello my love! I'm probably going to use your ask to talk about Muse as a whole I think. Hope that's okay ❤️ I'll make other posts for the songs individually if I have more I want to say in depth about specific songs.... Thank you so much for sharing your thoughts and theories too! I love them!

My thoughts and feelings about Muse as a whole below the photo 💜 disclaimer that these are just my thoughts and opinions. I am in no way claiming this as fact or truth and unless I'm quoting something, these are all my own words. Everyone is entitled to agree or disagree as they see fit.

This will be a longer post.... So strap in I guess!

SO! To start, Pdogg shared with us that Jimins album/SMGB was in part inspired by the Beatles conceptual album "Sgt. Pepper's Lonely Hearts Club Band." He said, and I quote:

"It was inspired by a conceptual album like the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band.' And I tried to incorporate the excitement I felt when thinking of Muse into the songs. The flow of emotions is directly reflected in the track order, so it will be more fun if you focus on that."

Intro: Rebirth and Interlude: Showtime is what gives that connection and crossover from FACE, with its sound and chorus use, into the new concept and album I believe. Which Jimin has explicitly stated that Muse is not connected with FACE really at all. But that does give its connection and crossover from those first 2 songs. So you could EASILY listen to them back to back and find it flows smoothly from one sound into another!

Face is clearly about introspection, facing oneself, that vulnerability and overcoming that pain. It's about freeing yourself. Muse seems to be conceptually about finally feeling free enough to pursue that prospect of love and being open to those feelings. It was brought up by Minseong Kim, his performance director, in VMagazine that (I'm paraphrasing) they basically were focusing more on his masculine side and expressions for Who and in Muse. While in Face, Jimin showcased more of his vulnerabilities and his more feminine side and expressions. Specifically seeking out that contrast. Full interview here:

Now I don't know about you ... But it's giving gender. And I love that. It's not something new for Jimin, he leans into that contrast within himself alot. It's really giving gender fluidity. And I think that's on purpose. Jimin doesn't do things by accident. He thinks through everything and Jimin is in charge at the end for his projects. And considering how OFTEN this concept of *both*, of feminine and masculine, comes up in Jimins personal projects/stages, it's clearly something important to him that he wants to be highlighted.

Jimin absolutely had full control over the stories he wanted to tell in each song, even Who, where he didn't have full writing credits. He explained the thoughts, feelings and ideas he was wanting to express. We saw him in the behind scenes of things having direct input on his songs, the MV, and creating his own choreo. The Talent 😍 we were specifically told that Jimin "directly explained to them what he wanted to convey and the direction he wanted to take for this album and each song. This allowed us to put together tracks that are more musically diverse, but still feel right for him." Quote comes from an interview article from the Clash here

Similarly shared in another article, Pdogg said "We made it with Jon Bellion in New York. I remember Jimin personally explaining to him what story he wanted to tell, and he was really embarrassed/shy. I met Jimmy Fallon by chance in the studio next door. We played the song for him for the first time after we finished working on it. In fact After finishing work on the 'FACE' album, we went straight into the production of 'MUSE' and I thought, 'He's working this hard before his military enlistment?' Thanks to Jimin's hard work, you'll be able to see his musical journey, which has grown even more." From here

Okay, now that we got all those interview snippets out of the way from Jimins team.... We can get into more of Jimins words and my own thoughts/theories here too.... 😏🥰 But we like to work theories off facts, so we gotta get our base line!

Jimin finished recording his album in June of 2023.

Jimin stated in MMM that the first 5 songs in his album were basically the emotions related to having a crush and confessing your feelings. That would be:

Intro: Rebirth

Interlude: Showtime

SGMB

Slow Dance

Be Mine

And then the 6th track, Who, he takes it all back and is like no, that's not really true. Where he also lets us know that there really isn't a connection to FACE in the grand scheme of things.

To start with the title too.... Who are the Muses? The Greek Goddesses of artistic inspiration. Jimin has been drawing from Greek Mythology a lot recently, with Apollo and Artemis featuring in his photofolio too. Now while the basics premise of a Muse is and can be very romantic in nature, it isn't always. Jimins album Muse is inherently full of romantic songs, but I also think it's clear from his talk on MMM that this album is not JUST about looking for your run of the mill, romantic relationship and love.... But being in search of your passion, your heart and your desires. It's the expression of yearning. Yearning for love, for life, for his music, his work, his Identity as a person and an artist, to feel excited over something and look forward to something. He specially says to RM during MMM that he isn't sure if he will ever be satisfied with himself as an artist or find a version of himself that he is fully satisfied with (I'm paraphrasing). It's the idea that this search for his Muse (that satisfaction in himself and as an artist) is ongoing and probably will FOREVER be ongoing. Hence why in the end of the Who MV, after all that back and forth with so many people.... He is still alone. That search is still happening. Hence also why this desperate search of who his heart is waiting for is at the end of the album, not opening it up. He still hasn't found her, the Muses. His satisfaction. The yearning that is driving him forward to grow and learn and adapt and dig deeper into his art, is still there.

Jimin has a lot of control over his projects. His albums, songs, and performances. As he should. But it's important for everyone to remember that this album starts and finishes with JIMIN. And what he wants to say and express, this is his art, his emotions and his ideas, regardless of if he has help writing lyrics or not. To bring this back to my last paragraph above.... Passion as an artist is something plenty of people can relate to, but not everyone. Romance on the other hand is something *almost* everyone CAN relate to. And bringing those feelings of yearning and desire for passion and excitement and translating that into feelings of crushes, first love, romantic connect. Brings that full circle and is the outward Expression he chose to help represent the emotions and feelings he was trying to express through this album. I think it's also important to note that while Jimin expressed his desire for excitement and passion and how he is still looking for that.... He made sure to make it clear that he is happy and content with where he is at and who he is currently. These things can coexist!

Who in general could have some takes and theories about sexuality and what not, like anon said, I've definitely seen a variety of theories out there. I do think Jimin has long since come to terms with his sexuality though, but that doesn't mean that the inspiration from that couldn't still be drawn on. I can talk about that more in a post I make specifically only for Who. Soooo many things could be said for Who! Lol and if you've read this far, look forward to my post for Who and thank you for making it through my ramblings!!

[herblay]

Every Track in Rise and Fall of a Midwest Princess and which BNHA character it is about.

Yeah that's right I did a bad one about Charli XCX songs and I'm here with ANOTHER atrocity but this time I'm desecrating Chappell Roan our lord and savior I'm sorry. It's out of love. But also a hot mess. And I'm drinking wine alone because I wasted a Sunday night on a first date and I did NOT jive with the gal (she kept talking about her ex help meeeeeeee). Just to #setthescene

Femininomenon: Uraraka Ochako. WHY CAN'T ANY MAN? I love lesbians man. I love lesbians so much. And Ochako you're my favorite as of yet undetermined wuh luh wuh. Love women who like women. And like. Yes. Also again Uraraka is THE Femininomenon. We need her.

Red Wine Supernova: Kirishima Eijirou. I just think he would be on this song. Also his hair! And the vibes! The cool roommates! Didn't quite think it through! I just think he fits! Honorary lesbian! I adopt him into lesbianism!

After Midnight: Shinsou Hitoshi. I also can't explain this one besides "I love a little drama/Let's start a bar fight" being very MonoShin coded and I think Shinsou would be more lighthearted about that. And the spoken part is very command. I like this for him. And it fits the vibes of those two. I love them.

Coffee: Sir Nighteye. He's singing about All Might. I'm crying. Me too bestie! I'm unwell! I love my divorced fathers!

Casual: THEEEE Dabi Hawks anthem and I will not hear otherwise! We kiss I have anger issues! Knee deep in the passenger seat! I love this song it goes so fucking hard and so do they! They are not telling their friends all the details! It's embarrassing and they cannot help themselves!

Super Graphic Ultra Modern Girl: Asui Tsuyu. WE DON'T DESERVE HER! She is my goat! And everyone was hyper mega bummer and did not treat her as she deserved that one time (I'm still mad about how they hurt my girl's feelings at Kamino Ward). I love her, they should all get on her level! (But also I know) (I KNOW) (Present Mic sings this to Aizawa all the time when he's feeling like messing with him) (I support him)

HOT TO GO!: Jirou. Sung to Momo. And it's adorable. It's wonderful. It's perfect. They are all lesbians because I SAID SO damnit. STAND AND CLAP NOW TOUCH YOUR TOES! (The really sick part of me said hot to go is about Dabi but that's just a mean joke how could I ever make it oh wait I just did)

My Kink Is Karma: Todoroki Shouto. Given how he is about his dad! I support a petty queen and Shouto is nothing but a petty queen and this song is about PETTY QUEEN RIGHTS. No need to be hateful in ur fake Gucci sweater because Shouto is doing all the hating in his REAL one u posers.

Picture You: Bakugou Katsuki late late in the narrative about Midoriya Izuku. Because like come on now. Come on now. "It's ritualistic" "I need you around" "Am I in the frame from your point of view?" like COME ON this is about THEM this is FOR BAKUGOU about his DEKU. I'm still wrecked from them. Horikoshi please.

Kaleidoscope: Midoriya Inko. I love her. She deserves better. And the absence of her man, the way she loves Izuku unconditionally no matter what on any terms he wants. Yes Kaleidoscope is a romantic song to an extent but the parental version of it or even just the abstraction of love in general. It's beautiful and unconditional and not always perfect but it's always there and that's what matters. Anyway. I ugly cry to this song. My best friend played it for me on a uke and sang it the other day and I was an ugly wreck. And I am a wreck for Inko because she's such a good and honest person and genuinely does her best for her son. Wow. I'm sniffly.

Pink Pony Club: This is obviously Izuku Midoriya. About quirks ofc, but like the kind of joyous wide eyed earnestness of it all. It's so him. It's so fucking Deku it is perfect. Keep on dancing baby. Have your fun. The joy of it all, the self acceptance, the finding a place of belonging. It's HIM. A year to cause a scene? YES BABY.

Naked In Manhattan: Momo Yaoyorozu. I struggled for this one babes! I did! HOWEVER I do think my sheltered girlie deserves a song about self discovery and fun and GIRLS. I am always on this shit. I will do this for my girlies. They're all lesbians u can't take this from me. The other fun option is David Shield with All Might in their #collegehomosexualrevelries aka when All Might was in the states. I love them. They're a great fling.

California: Shigaraki Tomura. Or Yoichi. Or really any of the OFA holders about their predecessors. Just that hope to get their dreams only to have themselves fail to reach them and it hurts even if it's through no fault of their own. Man. I want them to be happy dawg. But mostly Shigaraki because. Yes. Him and the LOV. Man. "I miss the seasons in Missouri/My dying town/Thought I'd be cool in California/I'd make you proud/To think I almost had it going/I let you down"

Guilty Pleasure: The later, better, more fun DabiHawks song. "I want this like a cigarette" SO TRUE. I love those two lmao they're one of my favorite relationship dynamics. "Some good girls do bad things too" okay girlies you can dream. I love them. They're so fun. Also you can't tell me Hawks wouldn't absolutely go ham on the yodels during karaoke.

ANYWAY TY FOR COMING TO MY TED TALK IT BANGS IT GOES SO HARD I LOVE THIS ALBUM I HOPE ALL OF U ARE YODELING. Please listen to this whole album. Man. I love this album. It goes so fucking hard. It's a pop banger.

[kanmom51]

JK live 25.5.2023 12:03 am KST

cr./creators of media used in this post.

Jaykay our man went live.

And although he surprised us, it by no means was a surprise now, was it?

Kind of feels like a pattern here, doesn't it? JM's off somewhere and JK's on Weverse live, lol.

I love how he always seems to be missing us when JM doesn't seem to be around, or should I put it this way? When JM's around he doesn't give a rat's ass about us? Nah, he loves army, but he definitley has his priorities... and above all, someone we will NEVER compete with for JK's love, is JM. I do wish a big chunk of army would understand that already.

The timing is also, as always, thought out. And this time the date giving us 8/11 and the time giving us the 123 is no coincidence in my apparently very insane opinion.

We also actually have 8/11/15. Shock. Awe. You want to see for yourselves?

25.5.2023 12:03 am KST, right?

So the 8/11 we get from the date: 2+5+2+2=11 and 5+3=8

And then, if we take the time, the 12 and the 03 as they are: 12+3=15 Ta-dah.

8/11/15

I would like to talk for a second here about how happy JK looks.

He himself talks about how he's been cooking a lot and eating a lot and he put on weight. I, for one, think he looks amazing. I hated to see him so skinny back in his Feb lives.

I think this is a first time in a long time we are seeing his eye smile even when it's not about JM. He's happy. He's active. He's working and working out and looking good and gaining muscle. He has JM around more and he's just back on track and he's happy. And it shows.

Satiated. That's a word that comes to mind. He has all the things he loves. JM, food, music, JM. He has it all now.

Also, our Jiminah, must be over the moon with his babe getting his man boobies back.

I mean, those chesties, or dare I say breasties were his besties, he just cannot keep his hand off them. LITERALLY.

And the hair, lol.

How he starts the live with his hair down and then goes to put it up. Am I the only one that as he does that is thinking about this?

Which was JM commenting on JK's mukbang live (which was deleted, ugh), telling him how much he wants to tie his hair back neatly (oh, the cute art we got from that one...).

Can I also mention, before we move on, just how adorable that man is?

He went to grab his glasses cause he didn't see the screen well...

What strikes me every single time is that sense of naivete about him. It feels like he's literally doing these things for the first time, and the excitement and expressions on his face, it's just so sweet/cute. So endearing. I mean, it's not the first time he's worn his glasses, and yet the surprise how much better things look with them on, it's just so adorable.

And of course I cannot not add this edit, cause it's just hilarious.

I'm surprised, yet not surprised every single time again as to how rude and stupid fans can be. At the start of the live, just before JK goes to pull up his hair (and I really want to hope that this wasn't the reason that he tied up his hair at the end), he reads out a comment calling him Jungsoon which is in essence calling him girly or "baby girl", which he replies to:

Which he says twice, followed by...

And he goes to tie his hair but doesn't, sidetracked by a positive comment saying he's been missed. That's also when he goes on to talk about cooking and putting on weight.

Fans like that they just fucking piss me off.

JK talks about not singing too loud at night. Explaining how even though he thought the place was properly sound proofed, and although the neighbours can't hear him singing, they can feel the vibrations from the speakers, oopsy. He received a kind of complaint about it, and says how since he hasn't been singing loudly at night (well, not as loudly, lol).

The live playlist

JK didn't listen to too many songs. He didn't sing too many songs either. In the just over an hour live we got to hear 7 songs.

1. That’s Not How This Works - Charlie Puth

2. NIGHT DANCER - imase

3. Angel Pt. 1 - Kodak Black, Jimin, NLE Choppa, JVKE, Muni Long

4. The Palnet - BTS (this song he didn't actually play, he sang a couple of lines and talked about a little but not actually playing and singing).

5. Seed - Taeyang

6. Super - Seventeen

7. Shoong! - Taeyang feat. Lisa of Blackpink

8. Fighting - Seventeen

And in my mind, the live is kind of split into 2 parts:

Part 1 was dominated by Night dancer and Angel Pt. 1.

Part 2 was Taeyang and Seventeen leaning. Although we got to hear Angel again in part 2, lol.

The way JK keeps doing this, supporting JM and his work, I mean you have to be blind not to see this.

JK literally sang or hummed JM's Angel pt. 1 four times throughout his live, including his funny as hell ad-lib that now that we have the translated live we can well appreciate (I was scared they won't translate that part, but they came through, well at least with that).

FOUR TIMES.

Enjoy an edit of all 4 together:

There is also this, which I did find interesting.

1st time in the live he 'happens to come by it':

2nd time is him singing the lyrics in Korean:

Humming on a little bit longer.

Third time he hummed the song, and the fourth time he hummed it one key higher.

You know what though? Thinking about it, Angel pt. 1 was all through part one and part two of the live (my mental 2 parts of the live peeps), lol. Or maybe let's forget about the parts and say that the live was all about Angel, nope, sorry, got that wrong, it was about Jimin hyung pt. 1 (wink wink).

And this is something JK does. He loves JM. He JM's songs, he loves to sing them. We've seen this time and time again.

Now all we really need is Letter, although I have a feeling we aren't going to get that. Which in itself, their reluctance to talk about it or sing it ever since it's been released, that is a big ass neon light telling us just how private and personal this song is to THEM.

Also, side note, that adlibbed Angel in Korean - JK's how to tell us he's drinking a highball without actually telling us he's drinking a highball, lol.

JK says he's been on YT and TikTok lately (making it clear that he's not on IG, which makes me think he might actually still be lurking on IG, idk, it's the criminal mind in me, lol). That's where he said he first heard Night dancer (will get to that song in a sec) and obviously also saw Jiminie's Seventeen Super dance challenge.

JK told us about how much he's been listening to Night dancer. Can't stop listening to it was more like it. He plays it several times during the live. And it's a good song. I get why he likes it. And the lyrics, I also get why this song is living rent free in his mind.

It's an unexceptional, ordinary night The noise, the sparkle, and you

The clock hands are frozen again The frequented, cluttered room Nothing changed, but as I look back We both had gotten older

The music stops again, you drop the needle We've replayed it so much, we nearly grow bored of it Nothing changed, please don't change You're the only one who's stayed

We avoid the topic with small talk We hesitate to touch the subject We stop to push the hands forward Our breaths start to sync

It's an unexceptional, ordinary night Dance with the noise, the sparkle, and you It's an average, boring night But let's move forward together

Your translucent, pale skin Your carefree smile Nothing changed, please don't change But this is only just for now

The more I stare The more memories that overflow A cup of coffee for a wavering heart A disheveled room, a scratchy melody Let's blend together, one more time

It's an unexceptional, ordinary night Dance with my beating heart, my elation, and you It's an average, boring night But let's move forward together

The night is long and uncertain The music could stop at any moment I want to be with you, to drown with you I don't care if tomorrow never comes

It's an unexceptional, ordinary night Dance with the noise, the sparkle, and you It's an average, boring night Love me Who cares anymore, just look at me Let's dance as we sway and stumble It's an unexceptional, ordinary night But let's move forward together

I keep going back to read and re-read those lyrics. Eyes tear up. This is definitely one that hits the heart strings, and so understandably a song that JK is feeling right now.

I don't know if you guys remember the ask I had a long while back asking me to pick a Troye Sivan song for every year of Jikook's relationship.

Thing is, for 2022-3 it wouldn't be a Troye Sivan song I would choose. It would be this one.

The song is by a Japanese artist called Imase, who went online to thank and show his appreciation to JK for listening to his song and mentioning it in his live.

I can't help but wonder if this is why JK knows that Japanese YT teacher so well, is he touching up on his Japanese?

So, part 2 JK sang 2 songs by Taeyang (hilarious how he stops singing Shoop the second it's Lisa's part), 2 songs by Seventeen, talked about how Jun taught him the dance for Super and Mingyu asked him to do the challenge but hasn't called him, and then proceeded to say that he won't do it, lol.

Pity, I'm sure he'd rock it.

He also talked about watching Go Seventeen and how funny they were.

I do love how he's sharing with us the songs he loves, the shows he likes, and also supporting his partner and his friends.

JK also mentioned he saw the photo of his female lookalike, Hira Saya, lol.

JK talked about Hobi finishing his basic training that day. Sending them a selfie to their group chat.

I personally am not prepared for that day.

But the hilarious part, once again, is does he not think we will notice his hair getting shorter?????

Again, that naivete of his, just like he was surprised he was so easily recognized at Coachella, lol.

After singing fighting, JK, as we so dearly know him, turns to the camera and asks: "should we sleep now?"

He turns back to sing fighting for a few seconds and then:

Adds "fighting for tomorrow", waves bye, says he dropped by briefly to play, that he'll find good songs for us and come back, asking "but these are all songs that you already knew, right? You probably listen to more music than I do. I really don't listen to music", waves bye, says not to get sick and be happy, and he's done.

Lol.

Look, it's not like he didn't warn us. Multiple times. He said he'd have to go to sleep at 1 am cause he has somewhat of a schedule the next morning. It's the way he does it that has me on the floor laughing.

I didn't talk about the CP song he played and sang, because yeah, CP, not much to talk about, other than again, this is an artist that JK likes, admires, and one that he is choosing to share his music with us and sing his songs.

Anyways, before I end this, a couple of points I noticed:

The songs he played and sang to us. JK said it loud and clear. And his live closing statement kind of cements the fact that he came to sing these songs he thinks are good songs, and that even though he, in his own words, doesn't really listen to music these days, is obviously listening to these songs and wanted to play them and sing them to us. Songs that happen to be by his partner (4 times he goes back to Angel pt. 1 in his live for a total of over 5 minutes singing or humming or adlibbing it), his friends (Seventeen), artists he admires (CP and Taeyang) and a special extra song that happens to live in his head at the moment (Night dancer).

The absence of the songs he didn't play. I think it was kind of loud and clear, don't you?

Anyway, JK came back to us, as he has been doing when JM is absent. He's happy. He looks happy. So I'm happy. And as much as I want more frequent lives from him, if JM being away or absent is the catalyst then I would rather he have his Jiminie by his side than me enjoy him going live. And him going live is pure joy. Do you understand what I'm willing to give up here? Do I need to make myself any clearer?

I want them to be happy is all.

💜💛

[questinwitchface]

Bucky and His Books - A Headcanon List

So I'm going to be posting a new fic tomorrow about Sam loving Bucky, who loves to read, and so I thought I'd post my headcanon list that inspired the fic I'm posting tomorrow.

Bucky will use virtually anything to mark his place in the book he's reading except bookmarks. Like, he'll use a receipt, a sticky note, a scrap of paper, a broken shoelace, a leaf, anything except a bookmark.

He doesn't dogear pages (he considers that fine if you want to do it to your own books, but do NOT do it to his books).

If it's a really good book, he'll write little notes in the margins or underline passages he really liked.

People have given him bookmarks to use, and he keeps them in a drawer in his desk at home because he doesn't want to use them, but he appreciates the gift.

There's at least fifteen bookmarks in that drawer. Sam gave him three of them before realizing that Bucky just won't use them.

Torres once borrowed one of Bucky's favorite books and left notes in the margins responding to Bucky's or notes of his own, and now that book is one of Bucky's most prized possessions, and he keeps it on the top shelf of his bookcase. That was also when he and Torres became actual friends rather than just coworkers.

There are hundreds of books in their house. Books in the living room, books in each of their offices, books in the bedroom that used to be Bucky's but is now the guest room, books on the end tables in the living room, books in a neat stack on the kitchen table, books on a little shelf in the bathroom so Bucky can read while he takes a bath, a book inexplicably on top of the fridge, books everywhere. Sam finds it exasperating at times, but he never says anything because the books everywhere make Bucky quietly happy.

Sam suggested Bucky getting an e-reader exactly once. The lecture Bucky subjected him to is legendary in the Wilson household. No one ever brought it up again.

Bucky makes faces when he reads. Like, the book will make him feel a certain way, and he'll make the expression to match, whether that's a cringe or a smile or even a blush. He is not aware that he does this. Sam finds it adorable.

Bucky always gives everyone a book or an audio book for birthdays and holidays in addition to their other presents. Each book is painstakingly selected for each individual, and he starts agonizing over these decisions months in advance. If he’s giving a physical copy of the book, he always selects it from his own bookshelves rather than going out and buying a new copy. He always writes a short inscription on the inside cover of the book, explaining why he’s gifting this particular book to this particular person.

Sam recommends Bucky read one of his favorite authors, and Bucky buys every book by that author and starts reading their entire collection of work the very next day. Sam has not even read their entire collection of work.

Sam never gives Bucky books as gifts because he can't ever keep track of what Bucky has and hasn't read. The exception is the day he proposes. He hands Bucky a book with the ring tucked inside, marking the page with a highlighted passage that says, "Will you marry me?"

Editing to add: You can now read the fic here!

[fandomregression]

uhhh tim as a regresser? i know hes usually a cg in your fics but i kinda relate to him so much

while i see him mainly as a cg, thats mostly bc i want him to be my cg, but i absolutely see how he could be a regressor so rAMBLING TIIIIIIIME

Regressor Tim Stoker Headcanons!

so tim starts regressing actually kinda young, in his early teens, because he's always lived in his brother's shadow. always been the second, despite being the older child, and its. hard. he pretends everything's okay and he isnt jealous, but he wants. needs. attention too

he learns what regression is exactly in university, and he kinda just shrugs and says 'yep that tracks' and pushes it to the side. let's bury that problem and deal with it later! that's a problem for Future Tim!

future tim is very mad and small, now. he spends a lot of time crying into his pillow and hugging his childhood stuffie, a little doggy named spot, until he falls asleep

he tries to basically never let dating partners find out abt his regression that doesn't seem like a good thing

a few of them do, and a couple try their hands at being cgs. they give up because tim is "too much" for them to handle

then danny dies, and tim spirals

hes just really, really not okay. he spends so much of his time trying to research what happened, trying to learn about the circus, trying to find anything that explains why his little brother is dead, and he can't figure it out. and he just tears himself apart over it. he's on the verge of regressing pretty much all the time, he's crying his eyes out all the time, and everything is bad. by the time he starts working at the magnus institute, he's a shell of a man whose head always feels like its swimming

then he meets jon, and he can tell there's something familiar in the ways he acts. tim's almost certain jon is a regressor, and well...he's nothing if not a good big brother. and he's a big brother who really, really welcomes this distraction from the fact that his little brother is dead

he does his best to keep jon out of trouble and take care of him, but he's well aware of his own headspace encroaching on all of this. its not easy. little things that tim does for jon are things that make tim regress, so its. not going too well!

until they meet sasha :)

sasha notices these two are a lil different pretty quickly. its become even more evident when they're researching a case, end up at a park, and jon and tim are playing on the playground like little kids

tim is very excited about this, and he absolutely climbs on top of the monkey bars and shouts for sasha

"sasha! sasha! look at me!!! :D!!!" "i see you! you're up so high!!"

she pushes them both on the swings, she pushes them both on the merry-go-round, and it feels just so natural to them

(tim picks her some dandelions and clovers, too, and sasha adores it)

after that day, when tim's big again, he realizes that sasha was able to actually play with both of them and pay attention to tim even though he was bigger than jon...sasha actually wanted to take care of *tim* and jon at the same time...and he didn't feel neglected...

(he cried himself to sleep again that night, but he wasn't sure why it felt so painful) (its the neglect trauma)

at work, tim basically just starts feeling a pull toward sasha a lot of the time, and he's terrified of being too much for her, but he...he needs this...

if he finds a cool bug, he takes a picture to show her. cool rock, he takes it inside and gives it to her. he likes to draw little doodles on his sticky notes and give them to her, and it absolutely makes his heart soar every single time she sticks them to her monitor. he's just. thriving off the affection

jon is the first one to explain regression, and he expects both tim and sasha to just push him away. he is absolutely not expecting tim to say he's a regressor too (how jon didn't notice? well...poor baby's not very observant...) and they're both not expecting sasha to just say "oh i know, who wants a juice box?"

both just. malfunctioning

tim does regress older than jon, usually around 6-8, and he takes his job as big bubby VERY seriously. he holds jon's hand when they do anything, he is always imparting his wisdom (which has been "red crayons taste bad" and variations of that multiple times), and he tries to let jon get more attention from sasha

sasha does not take too well to that last one. she notices pretty quickly that tim sacrifices himself for jon, and that just won't fly. so, extra hugs. extra kisses. lots of one-on-one playtime. tim cries a lot over this

then they move down to the archives and yay!! martin!!! now tim and jon have a mama and a papa and its even easier for them to both get the attention they need (especially tim, who doesn't feel as guilty when there's two cgs he can go to whichever one isn't handling jon)

tim has a lot of games he likes to play, and he has quite a few stuffies, but a lot of the time he likes playing nintendo with martin (and jon watches and tells him how cool he is)

sasha and martin both learn pretty quickly that anything circus/clown themed is very much a no-no with tim. if he's already regressed, its the quickest way to a panic attack he can get. if he isn't regressed, he will be very shortly, and then the panic attack happens

at that point its just...hugs and comfort until he can stop crying

when it comes down to it, he's just glad to finally have this sort of support system. to have multiple people who care about him and actually try

[thiefbird]

welcome to dadwc!! how about ❛ why does it feel like this is goodbye? ❜ for any pairing of your choice?

For Nevra Surana x Alistair! This takes place in between Riordan telling the Wardens how the Archdemon must be killed, and Morrigan proposing the Dark Ritual; it's also before Nevra becomes possessed

For @dadrunkwriting

Riordan silently left the room, likely to try to sleep; Alastair's careful, confident shell shattered. She knew it would: a year living in each other's pockets had made her almost too familiar with the slightest changes on his face and she could read the signs of impending panic better than she could sense darkspawn.

Nevra stepped closer to Alistair, just close enough to break him out of his trance, and he collapsed into her, fingers digging into her ribs and spine, as if he held her right enough, not even an Old God could separate them. She wrapped one arm around his waist, looping the other around his neck to comb through the soft, short hairs on the back of his neck as he buried his face in her shoulder.

They stood like that for long moments, the only sounds Alistair's harsh breathing and the pounding of their hearts, until Alistair had calmed enough to pull away of his own accord. "Why is it always you comforting me?" he asked, voice small and ashamed. "You're always there for me, for all of us, and any time it feels like we should be there for you, I'm the one falling apart anyways."

It wasn't the time to explain how the Templars and the Circle taught spent to control their emotions; he didn't need that tonight. He didn't need to know the burns across her back and arms weren't the result of a misplaced spell, like she'd said when he'd asked all those months ago, but were how the Templars countered the cold, heavy weight of Despair.

She didn't want to cry ever, anymore. She didn't think she could if she tried.

"Because I love you. You need me, and I am here." It wasn't a lie. She smiled up at him, brushing her thumb over the salt-sticky tear tracks on his cheeks.

Alistair brought his hand to hers, pressing it more firmly to the side of his face before kissing her palm. "You are... you are the most beautiful, wonderful woman in Ferelden. Possibly in the whole of Thedas, but I've never been outside of Ferelden." His smile was watery, but sincere and adoring, and Nevra wanted to hide from the weight of his regard, even knowing no Templars would separate them.

"I do not deserve you," he continued, "but I will spend the rest of my life learning to, even if it is only-"

She covered his mouth with her hand before he could finish his sentence, a superstitious part of her afraid he'd speak it into being. "You do deserve me, Ali. And you heard Riordan. This will not fall to you if he can help it. Keep hope, love."

Alistair's nose scrunched up indignantly before he pried her hand off. "I know what Riordan said, Nev, I just... Why does this feel like you're saying goodbye?"

Because I am. Because I already got my greatest wish. I've seen snow, and mountains, and the sea. I've slept beneath the moons and stars, and I've fallen in love, and I'm free. Because I forfeited my life at my Harrowing, and even He can't save me from an Old God's soul.

"I'm not, Ali. Just... just promise me you'll..."

"No! No, Nevra, you don't get to- I can't. I can't!" The look of panic on Alistair's face broke her heart; it hurt worse than deepstalker venom. His fingers gripping her shoulders were bruisingly tight as he near folded himself in half to look her in the eyes. "Don't ask this of me. I love you. I love you! Don't ask me to let you die for me like my mother and brother and Duncan and every other Warden-!"

His tears were flowing freely again, distress staining his cheeks with uneven blotches, and she forced herself to step away, breaking his hold on her. "I'm not asking as your lover, Alistair. I'm telling you as your Commander. If Riordan falls, I will deal the final blow." She was proud of how controlled her voice sounded; some small part of her still in the Circle smarted at any sign of emotion.

Alistair froze, stunned by her tone, and slowly straightened up. Oh, how she wanted to comfort him, to reassure him they'd both be alright, but she couldn't force her lips around the empty words. If they both lived, she would apologize beg for his forgiveness. Until then, one of them needed to step back, and she knew it had to be her.

"... You're not my commander, Surana. Riordan is." Alistair sounded colder than Nevra had ever heard him, and it sent a chill down her spine. "You do not command me, and as your lover, I will stay by your side. If that means we both die to Urthemiel, so be it. But I will not let one more person sacrifice themselves in my name."

[greatsylveon2007]

Rules: shuffle your 'on repeat' playlist and post the first ten tracks, then tag ten people.

Thank you @thegreatmaddu for tagging me and allowing me to ramble about music &lt;3

Tried my best to explain my thoughts on each song but my thoughts are not comprehensible to anyone including myself so I apologize in advance

My thoughts are also.. kind of long, oops

1 - Sharks - Imagine Dragons

"You're hot, then you're cold, you're a light in the dark, just you wait and you'll see that you're swimming with sharks"

I didn't realize I listened to Sharks so often.. oops. If I had to guess I would say it's definitely because of the instrumental, especially towards the end, don't get me wrong I like the lyrics and the vocals, but the instrumental right before the last chorus sounds awesome imo

Surprised that out of all imagine dragons songs I know, this is the one I listen to the most apparently,, that was unexpected tbh

2 - Doubt Comes In - Hadestown

"i used to see the way the world could be, but now the way it is is all I see and- (Where is she? Where is she now?)

HADESTOWN GRR

This was the song that introduced me to Hadestown I am so normal about it

Idk the vocals are so perfect and I think that the instrumental going on for a lot longer than it does in the rest of the Hadestown songs really shows how oddly silent the journey is for Orpheus. I adore how, despite the fact that Eurydice is literally singing right behind him, he can't help but feel like it's all a trick by Hades, The Fates voices are also so haunting in this one?? Even in like Wait For Me they don't sound like that for me, I love it, they sound amazing 100% of the time but this time they killed it

Orpheus and Eurydice's parts have such a contrasting vibe too, I can listen the colours of their verses what the fuck

Great song super recommend

3 - If It's True - Hadestown

"I believe that we are many, I believe that they are few (we're standing, we're standing, we're standing) And it isn't for the few to tell the many what is true (we understand him)"

Hadestown again,, I have so many feelings about this song aaaa I actually first heard a parody of it in a Shrek 3 video, so hearing the exact same melody and part of the same lyrics on stage was definitely a shock and it took a while for me to process LMAO

I REALLY like this song, it helped me write a character of mine and I just adore the build up as Orpheus starts a riot, the way the workers start singing louder and louder, the lyrics in general and Reeve Carney's voice are phenomenal, I adore this song fr fr

4- Who is She? (Reprise) - Centaurworld

"Who is she? She's the ghost of the girl I used to know. Who is she? She's the echo I'm chasing"

ONE OF THE BEST CENTAURWORLD SONGS MY OPINION IS THE ONLY RIGHT ONE - If I had to rank it it would be like, around the top five..

I listen to this song a lot while I'm having my Hope brainrots because this song represents her so well, I can't talk about it because it's spoiler territory though, I really should start Storm of Shadows 😔

Anyway uhh I love the way they incorporate lyrics from Who is She, What if I Forget Your Face and Rainbow Road into this, and Glenn's voice is so good I love everything she sings in, the instrumental also sounds like really odd but in a good way? I can't tell if it's a darker version of the instrumental of a previous song or not but it definitely gives off those vibes

5 - True North - Vocal Line

"We never learned to use a compass, we never learned to read these maps, we always yearned for far off countries, we never found a straight way back"

OO I listen to this one solely because of a Paranormal Order OSNI campaign PMV idea I have.

The song itself rocks though, the singing voices are so good, the way they're just so calm is kind of haunting in a way? Like the male and female singers always switching between each other and there being (I believe at least) always at least two singers singing the exact same thing at once just gives off a feeling, a good one probably, but definitely a feeling

6 - That Me Is Not Me - Tryhardninja

"Doppelgänger demon in disguise, eyes appear in shadows in the night, evil never dies, it multiplies, multiplies, lies"

"Oh so you're a Mandela Catalog fan-" no, ok so, you know how I just said True North is because of a campaign of Paranormal Order... This song is because of the Quarentena campaign KAMKDKSOS

THIS CAMPAIGN IS SPOKEN IN ENGLISH PLEASE CHECK IT OUT I AM STARVING FOR PO HUMAN INTERACTION

Anyway I've been blasting this song since the first episode on the 25th and it's a certified banger

Oh right the song, tryhardninja's songs just have a very specific vibe that I really like and I cannot explain, I really like his voice and the way he sings stuff idk,, I don't have an explanation for this one I just vibe really hard with it :)

7 - Epic III - Hadestown

"King of shadows; king of shades; Hades was king of the Underworld. But he fell in love with a beautiful lady; who walked up above; in her mother's green field; he fell in love with Persephone"

This is my uhhh third Hadestown song.. I promise I am normal about Hadestown (I'm a liar)

If I had to rank every Hadestown song ever this would be a strong competitor for first place ngl ngl..

I love how the song is cheerful and magic while recounting the first meeting between Persephone and Hades, but turns slow and melancholic as it leaves that memory and goes back to the present.

The way Orpheus uses his feelings for Eurydice to relate to how Hades felt about Persephone, even going as far as using lyrics from his duets with her makes me feel, and the ending where he says things about Hades that drove Persephone away that COINCIDENTALLY are also things about himself that drove Eurydice away it's just so AA

The show really hyped up this song and it absolutely delivered, makes my brain feel many things

(This is my way of begging you to listen to the Hadestown soundtrack)

8 - I'm glad you're evil too - Rachie, PalmMute

"We laught while staring down the void, and cry while listening to vocaloid, two lonely and broken souls messing around with their lives"

This song is just really sweet I like it :) Vocaloid and vocaloid covers just have this very specific vibe

This song is extremely Spook and Chaos core I love it so much I want to draw them being happy forever

To me Rachie's voice just sounds really good with the lyrics and the song is just sweet, it has an energy I cannot put into words and I'm just very normal about it. One of the few songs able to out "memes" into the lyrics and not sound funny

9 - The Goose & the Wren - Hop Along

"While the outcry of 20 men, run from the nearby batallion; as if we avoid their light, then we might make it home tonight"

Another song I keep replaying while thinking of an Paranormal Order PMV (specifically the OSNF campaign hehe)

I don't know I really like the more simple vibe of it? I especially like the singing voices not being your typically smooth crazy beautiful voices you normally hear in music, it gives it a very unique energy that I really like! It sounds like a group of friends singing with each other, I like that :)

10 - Not Evil - The Lego Movie 2: The Second Part

"I'm Queen Watevra Wa'Nabi, the most least evil person you'll ever meet; and if you make eye contact with me, I totally won't have you executed immediately"

While I was flying to the USA the plane I was in had The Lego Movie 2 and I had only watched I think the second half of it by that point so I decided to check it out, tragically this song got stuck in my head 😔

There is no deep super analysis/personal project reason I like this song, Tiffany Haddish is simply killing it and I like how it sounds (the animation definitely helped too)

I uhhh definitely do not know 10 music nerds on this site and the ones I don't know I have no idea if they have Spotify or not..... Don't feel obligated to do this 😔

@rosia4309 @cristallun @crysolis @i dont know anyone else lmaoo

[ihopethisendswell]

I've been thinking about dnd a lot. I miss it, and right now I'm rotating my hand elf paladin Moss and my unnamed Tiefling warlock in my head.

Moss is already in a game but we haven't played in a long while. I miss her. I like her character - amnesiac who is confused but got spirit. Genuinely a sweet and kind person that wants to see the best in others, but knows when to pick up a sword - and while the paladin class has A Lot, it's sooo fun and is honestly kinda my perfect balance of what I like? I like doing big close up damage but also having some spells on the side( I tried multi classing once. Not for me, too much information to keep track of-). I have to get used to the fact that I am, in fact, not a squishy bard but rather a tank that will most likely be taking hits for everyone lol.

My Tiefling warlock oc was pretty much made bc I was missing Moss and I wanted her to have a foil. Warlock is pretty much Moss' opposite? Kinda? Paladin vs Warlock, Moss is pretty optimistic all things considered, Warlock is much more cynical. Moss is more than willing to help those in need, Warlock is often out for herself. Moss doesn't really know her purpose ( amnesia), Warlock knows what she wants and is willing to do anything to get it. Basically sunshine and storm clouds lol. I don't see Warlock as evil per say, just someone who is headstrong and believes she has to only look out for herself.

Whenever I think of the two, it's usually in tandem with each other? Despite me not even knowing Moss' deal ( I left it in the hands of my DM) and I. Can't really play Warlock now can I? But I still end up thinking of them as like. Childhood friends that got separated by circumstances or something. Warlock has always had a kill or be killed mentality ( thanks to her family) but has a big ol soft spot for Moss despite Moss not exactly fitting into her own plans. No, it does not hurt when Moss doesn't recognize who she is, thank you very much.

Also, and this is very important, they're both sword fighters! Cause of course they are, what type of doomed(????) yuri wouldn't have sword fights. Moss, as a paladin, generally carries and sword and shield of reasonable bulk. Warlock on the other hand I imagine carrying a saber, I think it's called? Those things swords that look elegant and good for fast movements. Think Weiss from RWBY ( heh. I think if I just said that before, I wouldn't have to explain Warlock huh lmaoooo. I think even her design in my head is pretty much akin to Weiss in some ways). Warlock is a spell caster first and foremost but I imagine she grew up in a family that made sure she knew how to wield a sword before anything else. I've always seen Warlock as more nimble in comparison to Moss. I know I say multi classing isn't for me, but I can see her at least being a rogue too.

So. Basically. Moss is a Redemption Paladin ( this might change but I felt it fits her character) and Warlock is a Hexblade warlock ( and maybe rogue but I'm not 100% sure)

Also to be clear: I haven't played Warlock at all. She's just an oc in my head right now. And I don't even know if she'll be able to be connected to Moss, since Moss themself has a lot going on. But I still adore them, and I should really give Warlock a name. Also Moss isn't Moss' real name, it's just the first thing she saw upon waking up in the campaign she was in and she couldn't remember her real name ( which honestly doesn't feel like her name anymore anyway so.). Her name is Moss.

[writerchickmarie]

John Lloyd Young At Cafe Carlyle - Old Soul, New Standards

John Lloyd Young's voice is like a fine wine, served to perfection at Cafe Carlyle. Pair it with servings of stories, history, and art...and it will never go out of style.

It is always magical to experience a JLY performance - but there's something extra special about being at the Carlyle. No matter how many times we have all been there, we continue to be in awe, and JLY's love, reverence and respect for this storied club are evident throughout his set.

He enters through the back, past the bar wearing his signature shades, and after making his way to the front he commands the stage with "Lightning Strikes". He was accompanied this week by the talented Steve Marzullo on piano, whose Broadway credits and skills teamed well with JLY's superbly tuned vocal instrument. He showed the strength of those vocals with his compelling "My Prayer", which drew wonderful reactions from old and new fans alike.

Before his next song, JLY gave a little history lesson. He told the audience how Richard and Dorothy Rodgers were the first tenants of the Carlyle, and mused that perhaps he had written this song right here several decades ago. It was his nod to Broadway and Upper East Side history, as he sang the romantic ballad "I Have Dreamed" from The King and I.

He then spoke of his admiration for Frank Sinatra, and how he wants to do for 60s music what Sinatra did for the music of his era. He also mentioned that these so-called "golden oldies" have earned the right to be called standards. To demonstrate this, he performed an impeccable "In The Still Of The Night".

The next section featured music by someone that both he and Frankie Valli look up to - Roy Orbison. JLY's "Only The Lonely" made me think how perfect it would be for him to portray Orbison in a biopic. He followed this up with the unreleased track "Say No More", which he really should record himself. He more than does this music justice, and the song needs to be heard.

After a thoughtful rendition of "Since I Fell For You", JLY asked for the house lights to be turned up for two reasons. The first was so he could talk about the stunning canvas murals lining the walls, by French artist Marcel Vertès, who won two Academy Awards for the 1952 film, Moulin Rouge. He pointed out his favorite part of the murals...the small, excited dog with a ball who seems to be running and ready to jump out of the canvas and play. JLY told us that this is exactly how he feels when he gets to perform for all of us at Cafe Carlyle. The other reason was so he could see everyone as he made his way around the room to greet all of us as he sang "Hold Me, Thrill Me, Kiss Me", much to the delight of everyone in the room.

We then moved into Jersey Boys territory, with the always swoon-worthy "Can't Take My Eyes Off You", an audience participation with "Big Girls Don't Cry" (after his story about teaching it to the Cuban schoolchildren on the cultural mission), and a beautiful "My Eyes Adored You" complete with the stories from the making of the Jersey Boys movie. JLY's anecdotes are always fascinating, and add to the ambiance and enjoyment of the music. It is truly the mark of a great cabaret artist to weave these together to create magic.

He also sang "Can't Take My Eyes Off You" in Italian, which is absolutely breathtaking. During one evening's show, he introduced a couple of his friends in the audience - Marie Royce, the former Assistant Secretary of State for Educational and Cultural Affairs, and Robert Pence, the former United States Ambassador to Finland. Since Mr. Pence is fluent in Italian, JLY dedicated this version of the song to him for his birthday. He also shared some pretty special stories of exalted work that they have done - they are most definitely exemplary people who went above and beyond their duties to help in whatever way they could.

JLY also pulled out another special song - "Moody's Mood For Love". He explained that it was the first song that potential Frankies had to learn for the role, so they could prove why Bob Gaudio knew he had to write for that voice when he heard Frankie sing it. It is always a treat to hear JLY perform this one live, and every note is done to perfection.

We went back to the Cuba trip for more stories, about JLY being set up to sing one of Smokey Robinson's songs right to him, and how intimidating it was, especially after all of the Cuban hospitality with cigars and mojitos. This song takes my breath away, especially the way JLY does it. He then did his unique arrangement of "The Air That I Breathe", leaving the audience breathless.

He came around the room once more to see all of us with "Show And Tell"; he is a master at connecting with every audience member, enjoying it as much as we all do.

The evening finished with JLY's killer version of "Maybe I'm Amazed", which I also hope he records. I am always thrilled every time it's in his set. Then we were all on our feet, singing and dancing along to "Sherry", which capped everything off perfectly with JLY greeting several of us afterward on his way through the club to the back entrance.

It is always an honor and a pleasure to experience John Lloyd Young performances at the esteemed Cafe Carlyle. I look forward to many more magical evenings with him there for all of us, including the new fans he gained that were seeing him for the first time. They will be back - and so will we. The best is yet to come!

[livredebelle]

Twenty-nine.

"EEEEEK!"

The first sound I heard when I met up with my accomplice was a shrill squeal like no other. I outwardly cringed, which didn't deter her a bit as she squeezed the life out of me with a hug as a greeting.

"Hey girl! Thanks for inviting me." Rue smiled widely, not knowing a thing. It made me almost feel guilty.

Almost.

"Hey," I greeted her back. The last time I'd seen her, I'd left her alone in front of a restaurant--drunk, confused, and probably a little bit angry. She deserved an explanation, sure, but she'd also been a little forceful when I'd said I didn't want to drink; kept pushing me to go with her for a second round of drinks. Even though she was so drunk that the tiniest spark from a lighter would probably light her breath on fire. And even though I kept telling her no. Her insistence I go with her everywhere, her sudden closeness to me... all of it was weird, but against my better judgment I ignored the red flags. I needed her help right now, and she owed me one.

I gave her a brief rundown of what was going down--not the whole truth, of course; I left out the parts about my psychotic, abusive stepfather and emotionally manipulative sister. I simply told her that I was having a fight with my family and had run away from home, and that I needed her to stay at the motel disguised as me while I snuck out.

"Wait, you're running away from here? But didn't you run away from home so you could be here?" Her look of puzzlement was almost adorable, but I had no time to entertain her right now.

"Yes, Rue, for reasons I can't quite explain right now. Look, I listened to your favor last time--do you think you could help me do this? Pretty please?"

"You really can't tell me?" Rue pouted. I mean, how does one say to a friend, 'Oh yeah, nothing much, it's just that I suspect my boyfriend went AWOL to murder my sister'?

Instead, I just smiled, trying to appear as apologetic as possible.

"Fine. But seriously, at least explain what was up with you last time. You just left without... Without..."

She trailed off as I started changing clothes in an attempt to be less noticeable in case Heath had anyone patrolling me or spying on me. Rue's eyes wandered around my body, and I started feeling uncomfortable with her gaze--and this would not be the first time.

"Um... without what?" I said, trying to do something to thwart the awkwardness.

"Oh, sorry. I got distracted by your thighs. Your luscious thighs!" she exclaimed, as if she thought that helped.

"Oh," I said, not knowing what else to say. I didn't mind if she swung that way; it was just... very evident that I was not, so her forwardness was really rubbing me off the wrong way. I wrung my hands. Also, this was totally the wrong time and place to talk about such trivial things. Rose's life could be on the line and yet...!

"Seriously girl, you have a gorgeous body. Never let anyone make you feel otherwise!" She plopped onto the bed, sighing happily. "Go take care of your business; I'll be waiting for you here."

"Hmm," was all I could say in response as I avoided looking into her eyes as naturally as possible. Secretly, I hoped that I wouldn't have to deal with her at all afterward, and have Heath take care of it instead.

That is, of course, assuming he forgives me for this.

***

I had no doubt where Rosalie would be at this time of day--her sanctuary, the dance studio. My mouth became dry as I ran the possibility of running into either her or Pete in my head. What would I say? No, should I act first--whether it be to run, or punch them in the face, damn it all?

I was dressed in all black and topped with a black baseball cap, walking briskly with my eyes glued to the floor. I had left my phone with Rue because I wasn't stupid; clearly, knowing him, he would have been tracking it since ages ago. It was the wiser choice, but that also meant I was without a way to communicate or connect with the world, and I had to somehow think of a clever way to reach and warn Rose before anyone else.

But why, though? What's the point of helping a jealous little cunt like her? my subconscious hissed. It was obviously not a pleasant task, but after having a dream like the one I'd had while I was knocked out, I figured salvaging my would-be guilt was probably the better idea... as opposed to not, especially because I had a lot of demons in the guilt category already.

Maybe a part of me was still punishing myself for that desertion years ago--that summer when I turned fifteen. I hadn't known how to break the news to her; besides, I knew Rose would never agree to leave. She would see it as the equivalent of a betrayal--abandoning Mother the same way Father had, when we promised her we would never do that to her. Ever.

Even though promises are just meant to be broken...

It took awhile before Rosalie came out from the studio--around thirty minutes of bumming stoges from unwilling middle-aged men. (I had to threaten most of them into sharing, as most of them tried hitting on me once the conversation started and I tricked them into thinking I was a minor.) She looked sweaty, pale, and tired; without a doubt she had been slaving away at practice. Her weak appearance was almost enough to make me feel sympathy for her.

Almost.

"Hey," I greeted her loudly, startling her so much that she jumped. Her eyes widened as recognition, then resentment, settled in them.

"Rina? What--"

"Don't bother asking me why I'm here. You know the answer to that already, don't you?"

Wait. This wasn't why I'd come here. I came to warn her that her life was in danger, so what was I saying?

Her face was grim, but she didn't budge. I had to admit, I was surprised by her resolve. It was so unlike her to be this stubborn, especially against me.

"There's nothing you can do to change my mind."

"Change your mind about what, exactly?"

"Please go back; I don't want to hurt you."

"A little too late for that, don'tcha think?"

She flinched. "There's nothing more for me to say. If you won't leave, then I will."

"I can't believe this. It's really true, then, what Mother always used to say. Blood truly is thicker than water."

"What's that supposed to mean?"

"In the end, you chose to side with your father. Even if I was only your half-sister, I thought I meant more than that to you. Clearly, I was very wrong."

"Don't play victim here. You know I have no choice but to obey what Mother tells me to do!"

"That may be, but I also know the way you look at my boyfriend. It's clear to me that only I was the fool, this whole time regarding you as my top priority, just wanting to make you happy... And here you are, doing just fine without me, and in fact screwing me over..."

I shrugged somewhat dramatically, intentionally trying to make her feel bad at this point.

It was working; Rosalie looked like she was barely holding back her tears. See, she had never been as good at being vindictive like I was. For me, it came almost naturally--I am Mother's child, after all, whether I like it or not.

"I'm not like you, though. I don't revel in making others feel pain for no reason. But now that you've poked the bear, there's no stopping what I can do now." I took a step closer. "You really shouldn't have tried stealing what is mine. You shouldn't have crossed that line."

"Me? You're the one that's stepping out of line," she countered, her fists clenched tightly. "You... you don't even know anything. You act like you're so in control of your life, but that couldn't be the farthest thing from the truth."

"It's cute how you're trying to act tough. You were always a coward and it was so obvious when you would try to copy me, it wasn't even funny."

"Ha!" Rose shook her head. "It's pointless trying to get through to you. Never mind; there's no point trying to communicate with a wall. I really wish you hadn't come here today, though, and that's the truth."

I had another smart-ass comment ready to fire at her, but before I could formulate the words I felt a sharp pain on the right side of my neck, and the subsequent sensation of my entire body going numb.

What the fuck?

I struggled to keep my eyes open to no avail as Rosalie squatted in front of me and caressed my cheek.

"But then again, I knew you'd come--you've always been such a masochist, unable to keep away from what's bad for you, you whore."

[bookwyrminspiration]

okay something hilarious: for some reason i genuinely CANNOT see your last response on desktop. it is proving a problem i'm gonna like. have to go look at it in my email but anyway here to add MORE to the growing pile of asks about acod in your inbox rn solely from me and say i am small bits into the memory of souls and RAISED EYEBROWS????? INTENSELY RAISED EYEBROWS????? when i said janel deserves a polycule i was partly joking but i also Wasn't. what's going on. they are such a brilliant dynamic regardless of the romantic/sexual attraction though like imagine BEING part of that group. guy who is the reincarnation of the brother of a guy who is questionably trying to destroy the universe. guy who remembers every life he's lived and was like. a king a couple of times. guy who is part demon and has four moms and also was second guy's wife once but it wasn't great and the second guy still feels guilty about that.

and guy who is a wizard who is just chilling writing people's biographies lmfao???? we love thurvishar i have so much affection for him

but on a serious janel/teraeth/kihrin note the way that as much as u trust each other you grate against each other SO MUCH sometimes and how they actively antagonize each other and yet their dynamics with each other are so fun and WHY HASN'T ANYONE EXPLAINED JORAT GENDER TO TERAETH AND ALSO WHY DOESN'T HE KNOW ABOUT IT BY NOW LIKE YOU'RE O L D AND HAVE THE PRIVILEGE OF REMEMBERING THAT. my GUY. my DUDE

I don't know anything I said ever, there's been too many of these to keep track, but hope you can find it!

but YES!! I ADORE the memory of souls group dynamic. Someday I want to write like a little diagram specifically so I can write the most fucked up shit on the kihrin/janel/teraeth side and then I can also just have thurvishar totally solitary off to the side. The three of them have some intense pining/attraction/tension going on and then Thurvishar is just also there. Being a normal rational individual. Just stuck with these three idiots. Also note: that explanation you gave of their dynamic is great, and it gets even more complicated later on. won't say how. just will say there's some additional details there too that are *chef's kiss*

The three of them are EVERYTHING to me. They're entirely devoted to each other. They say the stupidest shit when they're around each other. They have no idea what they're doing and they're constantly fucking up. They're each very capable individuals but they annoy each other so much everything becomes 300% harder. None of them are talking about their feelings and everyone's sad about it. Well. Tereath is being quite open he's just also miserable and feeling left out about it because no one else is. They're tied to each other inseparably because of decisions they made in their past lives, but they don't all remember enough to feel that impact. Teraeth does. It's not going well for him. They all come from such different cultures and they're clashing but they're trying. They're all they have to lean on right now. Maybe they enjoy that more than they want to admit.

And along those lines, rip Tereath he's really trying his best but someone please god explain to him what's going on. Janel you can't expect him to know this stuff he's not from Jorat. Sure he conquered it in a past life but conquering a nation is not the same thing as knowing anything about said nation's customs and beliefs!! why would he!! he took over!! he would be SO apologetic and nice about it if you just explained give him a chance!!

[rebelwhodoesntknow]

Oh answering second reponse now 😂 I forgot i sent two earlier omg, genuinely sorry for being so disjointed with these

Friends is so so so so good. I think it feels a lot more like Akari gen than anything else, and also oh my god it is so gay I can't even begin to explain but I have to

Love Me Tear/Karen and Mirai are basically girlfriends they are very cute, and good older sister types to the girls- espescially Mirai! Her fashion sense may be VERY questionable but she's really fun. Aine and Mio are adorable, I love their friendship and Aine is like the personification of a smile to me

season 2 is completely off the rails. the entire show is hijacked by a new girl whowent to space to do aikatsu on the moon in private because her idol girlfriend broke up with her. her solo is about how much she loves and misses her. their eventual unit song is literally a love song. (also the anniversary song for aifure, Brightest is extremely married of them)

I love her. her entire deal is that she's artsy and bold and misses her girlfriend very very much. The ENTIRE main cast drops everything to fly to Alicia's kingdom to help Hibiki win her back and also save an entire nation..??????????? and magic is real??? it's insane like you could literally just watch the character intro episodes of s1 and then watch s2 and you'd be fine 😂

I literally cant recommend friends enough I don't know what they were on when they decided to to that do it but GOOD DECISION

In terms of singing I think my favorites would be Mizuki (I'm a big fan of her Star☆Anis seiyuu Ritsuko!!! I love when she does jazzy songs, my favorite song she's in is Thrillling Dream, sooo pretty), Aoi, & #1 is Akari! A lot of people didn't enjoy Ruka's voice and I get why but idk she's one of my favorite singers 😂

Oh btw!! Ritsuko is currently on break from the group but Fuuri & Waka (Aoi, Ichigo) are all in a group together called Mia Regina! LOOOTS of good rock songs and they covered STARDOM from stars<3 their character voices aren't actually acting, it's their voices, so it's like a missing Mizuki/Ichigo/Aoi unit

Their STARDOM cover: https://open.spotify.com/track/10rFu2kz0OBN1fWhKYKjKi?si=i6rLEVmhT3ql1Su47BHkRA

I’m sorry I could not keep a straight face reading ‘a new girl who went to space to do aikatsu on the moon because her idol girlfriend broke up with her’ oh my GOD thats what happened? And I love that they straight up went ‘yeah we’re not even going to excuse this there is straight up magic now’ like woah okay! Sounds like a wild ride! I do like Alicia’s one solo song, I want to learn it but it’s been on the backburner due to ALL THE OTHER AIKATSU SONGS I AM TRYING TO LEARN

I really love Akari’s voice too! I don’t think it’s bad at all, I think she actually sounds a bit like me! Hopefully that doesn’t mean I sing bad…. But I’m in choir so I think I’m okays I like singing her songs because of that lol. Yume has the worst voice of the mains, I feel. Nothing against her VA at all I’m just not sure what the direction was going for…

Ooh I’ll have to check out Mia Regina! It’s really sweet that the VAs stayed together after Aikatsu ended :)