#i feel the need to be presentable on here when i make original posts because of the above and also people follow me on here?

[sldlovescartoons]

Okay. So, here’s the thing, and I’m going to say this as gently as possible: you are being very dismissive and belittling. Writing/grammar lesson number 1: whenever you say something, and follow it with a ‘but’ statement in a compound sentence, you are dismissing everything before it in the sentence. In the original post you did it every time entitlement to opinions came up, which reinforces the feeling that you are dismissing the feeling of C3 onlys that have feelings around so much time being spent on characters they aren’t watching for. Or that they thought the narrative choices are bad. The whole of the forth bullet point on the original post and most of the fifth reek of belittlement and condescension, like you think anybody that expected the story they were watching to prominently feature the main PCs of the campaign or be narratively satisfying are silly and unreasonable. Even if you didn’t intend to put out that energy, it’s the thing that you did. Moreover, there’s the fact that you felt the need to make the post in the first place, which I don’t know why you would do if you didn’t seek to try and make the people complaining stop.

Your giant ass numbered list makes me think that the person with problem getting insulted when your opinion is challenged might be you. The call is coming from inside the house.

By the way, I also think folks who are specifically upset about The VM and M9 crews being so prominent are a bit silly. After it became clear that these characters were going to present in the story, those people probably should have watched the recap/abridged things for the campaigns so they aren’t lost when they appear. But I would never (at least, not anymore) make a post with the specific intent to seemingly stemmy discourse by dismissing people’s feeling, while saying that you aren’t, and implying that it’s silly to want to story you’re watching to be good just because of the format. Which, again, regardless of intent, is what you did.

i know some people are going to be upset by how much time vox machina and the mighty nein took up during this finale, so i want to say a couple of things

these campaigns have always been and will always be for the entertainment and enjoyment of matt and his players, first and foremost. their good time has always been and will always been more important than that of the audience, which has been invited in to watch something that existed before we even knew about it. we are of course entitled to our opinions about what we watch, but it's important to remember that those opinions will never, ever matter as much as those of the people around the table.

it is an unspeakable feat of storytelling, collaboration, creativity, and friendship for these people to have done what they just did. over ten years (well over, including the time they played pre-stream) of building a narrative that spanned decades and continents and planes and celestials bodies, of making decisions and seeing their consequences out to the fullest, of bringing to life characters that felt more genuine and real than anything one can find on the silver screen—this is the kind of expansive storytelling that marvel thought it was doing with the mcu. to be able to tell a story so powerful that it cannot reasonably contained within the confines of distinct d&d campaigns is a staggering accomplishment, and we're all lucky to bear witness to it.

it is no one else's fault if you only watched c3, or weren't caught up on c1/2 when you watched the finale, or if you didn't like c1/2 but did like c3. again, you're entitled to your opinions and to how you spend your time, but this story did not begin in jrusar, so it is unreasonable to expect it to end there.

no one, including you, benefits by being salty that these people were having fun. no one, including you, is made better by your dissatisfaction with how these people chose together to tell this story. i have read countless books and watched countless tv shows and films in my life, and none of the stories therein have been told exactly the way i would have told them, and that's what i love so much about being human. if i'd been at that table, of course i would have made different decisions, and of course you would have too. but we got to see these decisions, and these consequences, and the ephemeralness of that is so beautiful i could cry.

as i have i said eight billion times before, and will probably have to say eight billion times again, critical role is not a tv show. critical role is not a novel. critical role does not have a writer's room or a five-year plan. (well, matt might, but not in the moment.) critical role is a story that happens in the moment, a story built on matt's careful planning and the players' in-the-moment decisions and, of course, the rolls of the dice. if you are holding this kind of story to the narrative standards of something crafted for the sole purpose of entertaining an audience, you are always, always going to be disappointed.

[giratina-plushie]

what this is teaching me is that im funnier and more correct and i should make more posts

[pathologicalreid]

prisoner | s.r.

in which you and Spencer conduct a custodial interview with a serial killer - Spencer's first since he was released

margotober masterlist

who? spencer reid x fem!reader category: angst content warnings: post prison reid, fwb but also mutual pining, serial killers, prison, panic attack, chiromancy word count: 3.66k a/n: i originally came up with this idea in 2023 😭 😭 it's about time i finished it lol. definitely suffers from exposition overload but i don't caaaaare.

Fourteen times.

You had asked him fourteen times if he thought he was going to be okay doing the custodial interview. No one else was available to do it, but you still had your reservations. Sending Spencer to a prison felt wrong, even if he wasn’t on the inside of the bars anymore.

Without telling him the reason, Emily elected to send you with him to the facility, she said it was because you had never done one before, but you knew it was deeper than that. “How many victims?” You asked, not taking your eyes off the road as you drove to the destination.

“Eight,” Spencer answered, looking through the case file. The killer had asked for the interview, hoping to be transferred to a minimum-security facility. The odds weren’t good, but you needed to oblige the request even if it wouldn’t prove successful.

You hummed, turning down the road, you pulled up to the security station. Presenting your credentials to the guard, he lifted the gate for you, and you found your reserved parking. “Do you want to take the lead?” You asked him, trying to gauge how he was doing.

Nodding, Spencer got out of the SUV. You shut off the engine and followed suit. “Unless it doesn’t seem like he’s responding to me, I’d rather not present him with someone who fits in with his victim pool.”

“And they say chivalry is dead,” you said sardonically, grabbing your bag from the backseat before locking the car and following Spencer inside.

The two of you went through security, locking up your weapons and going through metal detectors. It wasn’t until you went inside the first gate that you noticed it; Spencer was fiddling with the belt loop of his slacks. “I can feel you staring,” he whispered so only you could hear. You watched his posture relax when the gate buzzed and opened in front of him.

You smiled softly, “I can see you fidgeting,” you responded. At work, the two of you were merely coworkers who knew each other really well, so you couldn’t just reach out and take his hand. Not that you’d want to, in a prison full of serial killers.

“I’ll be fine,” he said, implying that he wasn’t right now. The smile fell off your face as the two of you followed the guard into the warden’s office.

At the sight of you, the warden stood and smiled, “You must be Agents Y/L/N and Reid, thank you for making the trip down here.”

Raising your eyebrows, you reach out your hand for the warden to shake, “He’s Dr. Reid, actually.” You corrected, seeing as Spencer didn’t seem to have noticed.

“Ah, my apologies, Dr. Reid,” he responded kindly, gesturing for the two of you to follow him.

Spencer gently brushed your hand as you followed the warden. It was so subtle that someone else could’ve brushed it off as an accident, but Spencer Reid never did anything without purpose.

“Marshal Lukins is the most prolific killer we’ve had in my time here, we aren’t expecting anything to come of this, but you know as well as I do that we have to humor the psychos,” Warden McCall told you, stopping in front of a gate and calling out for it to be opened.

You raised your eyebrows, deciding against telling the warden that Lukins profiled as a sociopath, not a psychopath. “How’s his behavior been here?”

The warden shrugged, “He won’t be winning any merit badges any time soon, that’s for sure. Spends most of his time in solitary, really.”

“His file said he had gotten into an altercation with another prisoner, what was that about?” Spencer asked.

McCall cleared his throat, “turf war. You know, prison gangs can get rowdy. Especially when they find out the feds are coming.”

You raised your eyebrows, grateful you couldn’t see Spencer’s expression. “Oh, yeah,” he said quietly.

Then you were in front of a serial killer, someone who had been put away years ago, but the way he looked at you sent shivers down your spine. “Marshal Lukins?” You confirmed.

“Why hello, pretty lady,” Lukins responded, rising from the chair. His legs were chained to the ground, but his hands were free.

Behind you, Spencer cleared his throat, “Sit down,” he ordered. Taking a tone of authority that you weren’t sure you’d ever heard from him.

Taking your seat across from Lukins, you looked him in the eyes, “You may call me Agent Y/L/N.” 

Your interviewee shrugged, “I’ll call you whatever I want in my mind later.”

Ignoring the hairs that stood up on the back of your neck, you rolled your eyes at the skeevy pervert. “If you want to be transferred, you’re not making a very good first impression,” Spencer intervened, likely aware of your discomfort.

Unfortunately, this wasn’t the first criminal to make a pass at you, and in your line of work, it likely wouldn’t be the last.

“I’m not much worried about first impressions, people usually have a first opinion about me before they even hear my voice,” he responded, leaning back in the chair.

You had to bite your tongue to stop yourself from responding, yeah, that happens when you murder eight women. “What would you rather our opinion of you be? That you’re misunderstood? Did you find god in prison, Marshal?” You asked him.

He leaned over the table ever so slightly, yellowed teeth flashing beneath the fluorescent light that hung above the interrogation table, “Would you like me to show him to you?”

Raising your eyebrows, you maintained a bored disposition while flipping open your files, “No.”

With custodials like this, you weren’t allowed to have photos in your files. Lukins was a sexual sadist, and the profile that Aaron Hotchner had put together was damning, describing the man in front of you to a T. He even got the age correct, right down to the receding hairline. Even though Lukins was in prison, you’d never provide him with visual aids to relive his crimes.

“Why did you request this interview if you weren’t interested in playing nice?” Spencer asked, setting his own files on the table in front of him, but he refrained from opening them. He managed to memorize their contents on the drive from Quantico, enabling him to weaponize his memory.

Lukins put his hands up in mock surrender, “I was hoping they’d send me someone nice to look at, make a good conversation with, and boy am I glad I took that chance.”

Spencer clasped his hands together and set them on the steel table, “Thank you,” he responded, keeping himself stone-faced in the presence of the killer.

“I wasn’t talking to you,” the criminal in front of you snapped, jutting his chin in your direction.

Bored, your partner spoke up again, “Yes, you are,” he corrected. You were unable to communicate with Spencer without tipping off Lukins, so you let him continue, trusting that he knew where he was going with this. “In your trial, you said all of your victims were your sheep,” Spencer recalled from the file, “Is that why you shaved their heads before gutting them?”

Lukins scoffed, bored easily within the confines of the interview, “My sheep were my friends, but every sheep needs a wolf. Isn’t that right, Bo Peep?” He asked you, meeting your gaze despite the fact that Spencer all but told him not to engage with you.

You narrowed your gaze at him, tilting your head innocently, “Would you have let me be one of your sheep?”

He gave you a look that made you feel like you needed a shower, “You would’ve been a nice addition, could’ve rounded out my numbers.”

He reached out a hand, trying to take a piece of your hair between his grimy fingers, but you stood up quickly, stepping back from the table and almost tripping over your chair in response.

A few prison guards came in at the sudden movement, and Spencer had a vice-like grip on Lukins’ wrist, keeping him away from you. Tossing his arm back at him, Spencer glared at the killer, “No touching,” he instructed, looking back at you to check-in. He opened the door to the room, ushering you out before looking at the guards, “I want him in cuffs.”

With a hand on the small of your back, Spencer herded you to the private space that the two of you were expected to inhabit for the day. “Hey,” you spoke to him once the door was shut behind you.

Spencer was filled to the brim with nervous energy, shaking out his hands in an attempt to expel his nerves, “We should just go back to Quantico.” He shook his head, brown curls fanning out around his face, “There’s no way he can tell us anything that will get us to endorse his transfer.”

Watching him like this made your chest ache, and you had no idea what to do with that emotion. Your relationship with Spencer was strictly horizontal—usually—and you found yourself floundering when it came to how to act outside of bed. You wanted to take his hand, desperate to run your fingers over his knuckles and find the familiar callus from where his pencil rests on his finger, but you just couldn’t get yourself to reach out.

You hadn’t known Spencer before he was arrested in Mexico, but you made your mark on him without ever letting him lay his eyes on you. You sent letters to him along with the rest of the team, refraining from talking about cases and instead choosing to use your letters as a personal diary, chronicling your first three months with the Behavioral Analysis Unit with your prison pen pal. Periodically, you put money in his commissary account, despite the rest of the team telling you that you shouldn’t feel inclined to.

Pressing your lips into a thin line, your eyes tracked his pacing in the conference room before you started to voice your concern, “We have to go back in, Reid.” You grabbed a water bottle from the counter and twisted the cap off before handing it to him.

He took the water begrudgingly, glaring at you as he did so, “Why do we have to go back in, exactly?” After taking a sip of the water, he handed it to you so you could have some. You could’ve grabbed your own, but surely this was quicker.

“Lukins said I would’ve rounded out his numbers,” you told him, nervously fiddling with the cap of the water bottle as you waited for him to get it.

Spencer adjusted his tie, pulling the silk fabric further from his neck, “Yeah, I heard him.” It bothered him, the slightest implication that you were endangered in that interview room put him on edge, but all you could do was sit down and watch him.

You sighed, “We only have a record of eight victims. We don’t know what he’s rounding to, but that’s at least two more bodies that we don’t know about.” Lukins could be rounding up to ten, which would be the closest option, or you were looking at the possibility of a considerably higher body count. Your fear was that he would use those additional kills as a bartering tool to get a transfer.

He stopped in his tracks while he processed what you were telling him. Spencer turned to you, lips parted before he nodded, eventually agreeing with you even if it pained him to do so. “We should call Emily and let her know what’s going on,” he told you, taking a seat across from you and placing his head in his hands. “I’m gonna step outside for a second,” he said, getting up just as quickly as he took a seat and swinging the door open, leaving you alone in the conference room.

Holding your tongue, you stopped yourself from voicing your approval, even though you did think some fresh air would be good for him. Instead, you watched the door click shut before fishing your phone out of your pocket, tapping on Emily’s contact before bringing the phone to your ear.

“How’s it going?” Emily asked you as soon as she answered, and you couldn’t help but picture your unit chief waiting by her phone, hoping to hear from you or Spencer.

You sighed, inadvertently cluing her into how the custodial interview was going, “We might have a problem,” you told her. Continuing on to explain what had happened between you and Marshal Lukins, all the way up through your discovery that he might have a higher victim count.

Prentiss clicked her tongue on the other end of the line, “What does Spencer think?”

The question didn’t come as a surprise to you, neither did the fact that her inflection told you that she was sneakily trying to ask you how Spencer was. Wiping your free palm along the fabric of your pants, you leaned against the table, “Reid thinks Lukins is out for blood.” You opened your mouth to continue but were interrupted by an alarm being tripped, your head snapped up as lights started to flash on the walls.

“What’s going on?” Emily questioned you over the phone, but you could barely hear her over the blare of the alarm, a low-pitched buzzing sound that made your brain feel like it was vibrating within your skull.

Clambering to your feet, you grabbed your water bottle and walked out of the room, slamming the door shut behind you as you looked aimlessly around the prison for someone who could offer you an explanation. “I’ve gotta go,” you blurted into the receiver, stuffing your phone in your pocket and making your way to the front of the prison, ignoring the men who shouted at you from behind bars.

You looked down the walkway, watching as the failsafe on the doors was triggered and they slowly started to shut, triggering you to try and make a run for it. “Y/N,” Spencer called out your name, picking up his own pace from the opposite direction.

It didn’t take you long to realize that you weren’t going to make it, skidding to a halt as the bars clicked shut in front of you. You weren’t scared until you watched Spencer pull at the door, frantically trying to slide it open, “Reid,” you said his name, trying to get his attention. “Reid,” you shouted that time, trying to make sure he heard you over the alarm.

He didn’t pause to look at you, he simply continued to pull at the bars.

“Spence,” you said desperately, and that time his eyes snapped to yours. Wide brown eyes bore into yours as you placed one of your hands on his, both of them encircling the bar. “It’s not going to open,” you reminded him. A fact he was well aware of but didn’t want to acknowledge.

Silently, he leaned back into the wall, sliding down the side of it and looking up at the ceiling, pulling at his tie again, this time taking it all the way off. “It’s a lockdown,” he panted helplessly, “They’re in a lockdown.”

You nodded softly, having drawn that conclusion on your own, “It’s okay,” you told him softly, reaching through the bars and taking one of his hands in yours. “You’re alright, Spence,” you continued, your tone bordering on a coo.

He pulled his knees to his chest and slung his free arm over his legs, hugging himself.

It broke your heart to watch him like this. You pointed in the direction he came from, “Look. Hey, you could be free to leave, I’m the one who’s locked in,” you told him, highlighting the fact that the bars were blocking you, but Spencer could make his way back to the entryway.

“Not helping,” he told you, his voice almost a gasp as he tried to regulate his breathing.

Your shoulder’s slumped forward slightly, “I’m sorry. What can I do?”

Spencer just shook his head, squeezing your hand in response when you started sweeping your thumb over his knuckles. You ignored the buzzing of your phone in your pocket as you watched him, completely focused on making sure he was okay before you did anything else.

With your free hand, you grabbed the water bottle that you took from the conference room and slipped it through the bars. “Here, take this,” you murmured, setting it on the ground next to him when he didn’t take the bottle from you.

He visibly relaxed when the alarm stopped going off, but the lights were still flashing, which offered somewhat of an explanation as to why the door hadn’t opened yet.

You fiddled with his hand, opening up his palm and tracing the lines on his hand with your index finger, “Have you ever had your palm read?” You asked him, twisting your head to get a better look at it.

He looked at you, the panicked look in his eyes had subsided, promptly replaced with incredulity, “When have I ever struck you as the kind of person who would get my palm read?”

Shrugging, you slowly traced his love line, “You like Halloween, I thought maybe you’d let your curiosity get the best of you.” Although you supposed if Spencer really wanted to have his palm read, he’d just do it yourself. “When I was in college, my summer job was reading palms in a booth at an amusement park,” you informed him.

Spencer chuckled at your revelation, and the sound made your heart sing, “That is… oddly endearing.”

Nodding, you looked at his hand again, “Chiromancy says men were born with their left hand, and their right is what they accumulate throughout life,” you told him softly, sliding your other hand through the bar.

“Actually, I was born with both of my hands,” Spencer responded, a teasing lilt in his voice.

You rolled your eyes, studying his left hand intently, “You have water hands,” you said, showing him his own palm as if he’d never seen it before.

Spencer raised his eyebrows at you, “Well, now you’re just making things up,” he openly teased you that time, but he didn’t pull his hand away.

Humming, you furrowed your brows and pointed at his hand, “This is your head line,” you explained. “See how it’s long and straight? It sort of tapers off before the end of your palm—that means you tend to think realistically.”

“I could’ve told you that,” he challenged, but his eyes were following along as you pointed at his palm.

You shook your head and sighed, “Here’s your life line,” you said, pointing to a different line and tracing it with your fingertip. “It’s straight and goes down to the edge of your palm, which means you’re cautious about relationships,” you continued softly, leaning your head against one of the bars of the door.

He was silent after that one, briefly taking his bottom lip between his teeth and looking down at his hand. You could tell that even though he didn’t quite believe what you were saying, he was perfectly fine with humoring you.

“This is your fate line,” you told him, entirely expecting to lose him the moment you began discussing fate. “It’s broken down the middle and curved in different directions, and that means you’re prone to a lot of changes in life. Changes influenced by external forces.”

Gently, Spencer pulled his hand away from yours, flexing his hand before looking down at it, “You’ve officially lost me.”

The corner of your mouth quirked up, “I’m surprised you lasted this long.” Just long enough apparently, the doors buzzed soon after, and you withdrew your hands from the slots as the bars slid into a hole in the wall.

Spencer got up first, dusting off his hands before he extended a hand to help you up. Your hand lingered in his for just a moment too long, the exchange oddly intimate for the two of you before his arms dropped to his side, “Thank you,” he murmured, a shy smile on his face.

Shrugging, you crossed your arms in front of your stomach, “There’s nothing to thank, Reid.”

If you didn’t know any better, you’d think that it was disappointment that flashed across his face at your reply.

The warden had rather unceremoniously asked the two of you to leave, citing security concerns and letting you know that he’d be in contact with Emily to reschedule. Emily had called you six times during the lockdown, but you’d texted her once everything was clear.

Which left you heading back to the SUV with Spencer, there were prisoners out in the yard, so he walked on the inside, blocking your body from the view of the inmates. “Are you alright?” You asked him, feeling more free to inquire now that you were in the open air.

He nodded, “I’m fine, I just really wasn’t expecting something like that to happen when I asked Emily to send me on this custodial.”

Your footsteps faltered at his words, “You asked to go on this custodial?”

Spencer frowned, “I was on this case originally ten years ago, so I asked Emily to let me go.”

“And she said yes?” You asked incredulously.

Spencer opened the back door for you to place your bag in, “Not initially, but eventually she realized that I’d be her only option if she wanted to get it done today.” He shut the door and shoved his hands in his pockets, “It’s a lot earlier than I thought we’d be getting back, do you want to stop and get lunch on the way back to Quantico?”

Your eyes went wide and you were grateful that he couldn’t see your expression, “Uh, sure. Why not?”

“Perfect,” he said, “Maybe I can get you to tell me why you avoided reading my love line.”

[thankskenpenders]

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

[starboundsingularities]

the jurist system seems really cool i hope they keep using it :-)

27 notes

🌈 lawsbian Follow

hey girl. am i a suspect. because you can "court" me any time

🧊 just--ice Follow

try.

🌈 lawsbian Follow

hey girl. am i a suspect. because you can "try" me any time

🌈 lawsbian Follow

hey girl. are you a lawyer. because you can "try" to "court" me any time

🌈 lawsbian Follow

hey girl. am i on trial.

🌈 lawsbian Follow

i'm determined to make this work btw

🌈 lawsbian Follow

hey girl. law

🔪 violencekilling Follow

hey girl. are you a murderer. because ow ough ouch agh stop stabbing me

732,390 notes

🌟 rockliker270 Follow

guys watch out hes gonna shelly de kill you

293,485 notes

🎀 copiicat Follow

they called me to the witness stand and the defense attorney just shouted "BOOOOOO WE HATE YOUR PUSSY"

43,618 notes

🧇 edible-evidence Follow

look if i was on trial and the guy prosecuting me started advertising his music i'd just plead guilty. avoid the embarrassment of getting put in prison by a guy who basically used the trial to say "this blew up btw here's my soundcloud"

97,384 notes

⚖️ courtofpublicopinions Follow

💞 lawveyourself Follow

didnt miles edgeworth defend someone in a case once

⛲ fountainoftruth Follow

do you know the difference between a prosecutor and a defense attorney

270,934 notes

💟 longingforyou Follow

being rivals isn't enough i need to kiss you

💟 longingforyou Follow

who the fuck is evil magistrate

💟 longingforyou Follow

STOP TAGGING THIS WITH LAWYERS?????

584,769 notes

🐈 nyattorney Follow

they hired a guy to stand in court and shout "GET A ROOM YOU TWO" whenever the lawyers start getting a little too homoerotic

976 notes

💥 courtroomchaos Follow

your honor i know all the evidence points to my client being guilty. but come on you have to admit he kinda ate right

💼 courtofwaw Follow

mia fey when they had phoenix wright on trial

20,475 notes

🔍 thuthseeker Follow

ok hot take but i feel like these lawyers should maybe not be allowed to drag literal children to court with them?? how many people have gotten genuinely actually fucking SHOT in court and they're just ok bringing fucking 8 year olds in?

12,475 notes

💼 courtofwaw Follow

happy almost christmas to all who celebrate

💫 dizzydreamers124 Follow

it's march

🎄 holidazed Follow

happy almost christmas :)

😈 knownjaywalker Follow

WHO is putting this on my dash

👁️ cymorgue Follow

STOP POSTING THIS. IT IS JUNE.

🐼 pandastar91 Follow

ITS ALMOST CHRISTMAS!!!!!!!

1,589,589 notes

💽 platinumcourtrecord Follow

evil gavinners be like. innocent hate. this is a nothing post

19,384 notes

🥚 eggvidenced Follow

STOP asking me about the dl-6 post idc idc look even phoenix wright forged evidence once shut up

📕 lexculpatory Follow

he didn't forge the evidence, though. it was kristoph gavin who ordered the forgery. this was covered in the trial of vera misham. if you're going to try to compare yourself to well known figures, you could at least check the veracity of your claims.

🥚 eggvidenced Follow

yeah well. he might have. on a different case or something.

73 notes

🃏 thecourtjester Follow

i tried to take the bar exam but they didnt let me because i wasnt cunty and traumatized enough

57,384 notes

😇 innosense Follow

683,876 notes

🦀 mad_libz_87 Follow

when will global studios realize that i do not WANT another shitty steel samurai spinoff i just want the original show back

7,094 notes

⚖️ courtofpublicopinions Follow

she present on my evidence til i reach a verdict

⚖️ courtofpublicopinions Follow

WRONG BLOLG. DON'T REBLOG THIS. DELETE POST DELETE POST DELETE POST I SWEAR WE'RE PROFESSIONALS HERE

17,283 notes

👑 courtroyals Follow

"we need more great prosecutors" you guys couldn't even handle manfred von karma

🧊 just--ice Follow

didn't he kill someone?

👑 courtroyals Follow

irrelevant. you guys couldn't handle him.

587 notes

📋 lawandwhoreder Follow

law: i'm so law

lawyer, who needs to one up everyone no matter what: i'm more law than you

🏛️ lawyest Follow

hi

📋 lawandwhoreder Follow

you've got to be fucking kidding me

183,834 notes

🧊 just--ice Follow

why is it always murders with lawblr. why don't we ever talk about divorce or something

[beloved-calypso]

・ ° ʚɞ ゜𝖄𝖔𝖚 𝖎𝖓 𝖙𝖍𝖊 𝖊𝖞𝖊𝖘 𝖔𝖋 𝖞𝖔𝖚𝖗 𝖑𝖔𝖛𝖊𝖗𝖘 ~ ♡ ・ ゜ ʚɞ ゜ ゜‎♡‧₊˚✧ ૮ ˶ᵔ ᵕ ᵔ˶ ა ✧˚₊‧♡

♡𝒮𝒽𝑒 𝓁𝑜𝓌𝑒𝓇𝑒𝒹 𝒽𝑒𝓇 𝓁𝒶𝓈𝒽𝑒𝓈 𝓊𝓃𝓉𝒾𝓁 𝓉𝒽𝑒𝓎 𝒶𝓁𝓂𝑜𝓈𝓉 𝒸𝓊𝒹𝒹𝓁𝑒𝒹 𝒽𝑒𝓇 𝒸𝒽𝑒𝑒𝓀𝓈 𝒶𝓃𝒹 𝓈𝓁𝑜𝓌𝓁𝓎 𝓇𝒶𝒾𝓈𝑒𝒹 𝓉𝒽𝑒𝓂 𝒶𝑔𝒶𝒾𝓃, 𝓁𝒾𝓀𝑒 𝒶 𝓉𝒽𝑒𝒶𝓉𝓇𝑒 𝒸𝓊𝓇𝓉𝒶𝒾𝓃. 𝐼 𝓌𝒶𝓈 𝓉𝑜 𝑔𝑒𝓉 𝓉𝑜 𝓀𝓃𝑜𝓌 𝓉𝒽𝒶𝓉 𝓉𝓇𝒾𝒸𝓀. 𝒯𝒽𝒶𝓉 𝓌𝒶𝓈 𝓈𝓊𝓅𝓅𝑜𝓈𝑒𝒹 𝓉𝑜 𝓂𝒶𝓀𝑒 𝓂𝑒 𝓇𝑜𝓁𝓁 𝑜𝓋𝑒𝓇 𝑜𝓃 𝓂𝓎 𝒷𝒶𝒸𝓀 𝓌𝒾𝓉𝒽 𝒶𝓁𝓁 𝒻𝑜𝓊𝓇 𝓅𝒶𝓌𝓈 𝒾𝓃 𝓉𝒽𝑒 𝒶𝒾𝓇.” – 𝑅𝒶𝓎𝓂𝑜𝓃𝒹 𝒞𝒽𝒶𝓃𝒹𝓁𝑒𝓇♡

All pictures and gifs are not mine but belong to their original artists. ♡

I. -> II. -> III. -> IIII.

[Note: Hello, everyone! If you didn't guess it, this pac is about how you are viewed by your past, present, and future lovers. This pick a card was originally about 'how' you are as a lover but turned out to be about girl power theme so I went with the flow ~ I have another pick a card coming out soon this week so stay tuned!

Edit 8/18: People of pile 4 please check over your reading again. I added some stuff. Also pile 3 although it wasn't significant. I couldn't help but to keep editing mistakes here and there so apologies if you keep getting notifications of changes for this post 😂.]

~ XOXO 💋🎀

౿૮꒰ྀི The Lyre ๑◞꒱ა

[The Moon, 3 of Cups, The Star]

You are a mystical and overwhelming lover pile 1 😘. You feed people the energy and will they need to feel alive. You're like an aphrodisiac and your lovers like to get high purely off of you. You make people feel like they NEED you. CRAVE you. It's almost like your partner's ache to breathe the air you do, envelope themselves around you, and stay around you all the time because they want to make sure you weren't a figment of their imagination. Some people have thought you walked straight out of their daydreams. They are addicted to your energy and presence and desire so much from you. Don't think of it as people stealing your energy though; your feeding off of theirs too. This is a proverbial yin and yang, a give and take with you holding the scales of power like the effigy of Lady Justice. You're consuming at the same time you're giving. It could claim to be vampiric, but it comes off as dreamy and mysterious. You're moreso like a fairy or sprite enticing someone to follow them in the woods with a beckoning finger and a mischievous smile. Fairy's in early storybooks are mostly tricksters and little devils, but they are so beautiful and enchanting at the same time. There's a reason they cannot escape the human consciousness. You give off the air of springtime, of misty nights at waterfalls and flower strewn glens dappled with dawning sunlight. 🌸

You're a comfort as well as seductress, playing the Madonna when you need to set a lure and revealing the whore once you've sinked your claws into your prey. You're wholesome yet strange, animated yet withdrawn, spontaneous yet quite, the constant swing of a pendulum that pushes and pulls, push and pull, push and pull. You're the exact type who can have anyone and everyone wrapped around their fingers. When you're outside you're a nymph in her natural habitat. When you're indoors you're an enchantress in her home brewing potions and scribbling spells. Both paint a pretty and sensuous picture. You can play the whimsical and silly girl, but you're anything but dumb. While sniffing at that flower you picked up in the meadows you're locked onto your target with discerning eyes, sizing them up like a hawk ready to pluck a mouse from the fields. You're someone who can lure in their target with an innocent face and a flower crown on their hair, speaking honeyed words with opened palms, and when your lover finally settles down next to you, you can embrace and look down upon them with a loving gaze all the while knowing they are hopelessly trapped by you, and they couldn't be more unaware of it. You give them the notion of having power over you, a false sense of comfort you can utilize to take everything you want from of them. It's a perfectly painless process and that's why it works. This is a siren evolved out of water, a woman with the crime of passion trailing behind her like a cape and the undeceptive eyes of a doe. It's giving me Persephone and Hades, a gentle and lively woman able to tame even the darkest and stony of hearts, meaning you can seduce just about anyone!

You're a lover that is exciting and addicting to be around, a drug without the side effects. I think you can be the caring mother men need to be vulnerable, and when they need the heat to turn up, out comes the sultry woman of their dreams. I feel you could be into baking, maybe catering for home events and shoving food in people's mouths as a sign of love (it's also a tactic predators use in the wild to make their target immobilized). I think you like to do anything that relaxes and distresses you, keep in the quiet and just let your mind go into the silence. You are wonderfully sublime, an aromatic mix of shadow and light. You look like you stepped out of a Renaissance painting. I think you like creature comforts, the feel of a soft leathery couch and the low noise of a tv. Other days it's the grass at your back and the wind sweeping over your body that delights you. There's a number of things you want to try and have already done that feeds your spirit of whimsiness. Keep being silly and adventurous. Don't stumble trying to appear as someone you're not. You're open and free and that's what's so enticing about you. It doesn't ward people off as much as you think, rather it just intimidates people that don't have the same confidence as you do to exercise their self-expression. Many people struggle with their identity but you embrace it and the changes that life brings and so you're actually above those that you think you're beneath. You're constantly evolving and constantly at the whim of fate. I would say you're a breath of fresh air to anyone you meet. Never deny your power. This piles energy is very airy, light, and aligned with the sense of smell, which can be just as seductive as touch. Follow the direction of the wind and you'll always be on course for everything you desire. You're meant to wander and ponder. Don't think you're not meeting goal-posts as fast as everyone else. You're just enjoying what lies along the journey rather then the end, and that's a beautiful thing more fulfilling than crossing the finish line. ~

⊰᯽⊱┈───── ✧

౿૮꒰ྀི The Tiger ๑◞꒱ა

[Ace of Cups, 6 of Swords, Wheel of Fortune]

Hello pile 2, aren't you the busy body. You are so energetic and strong. You have the strength and will of a lioness, a woman mature, self-sufficient, and unstoppable. I see you working yourself to the bone trying to keep a whole house together and not breaking a sweat while doing so. I doubt many work as hard as you do. They may not even measure to your strength of will. I'm getting a vision of Princess Tiana from Princess and the Frog, a Capricorn who was intelligent, diligent, and fearless. You are just like her I'm hearing. You're the glue that holds things together, that makes something new out of two separate things, the source of support that keeps someone afloat and moving. Without you your lovers would sink into the mires of lament and stupidity.

You're a trophy wife that doesn't just sit in the house all day but keeps upgrading the house, from a one-story, to a manor, to a whole estate. You're lovers are forced to match your speed and make something of themselves. You envigorate them with the promises of success. You're like a lucky lady in poker; your lovers can't win without you. You're their real success, the one trophy in their case made out of real gold. They grow with you, build a life with you, take their crudy dreams and turn it into a reality. You have the golden Midas touch. ✨ You're like magic, a Djinn that grants wishes and turns dreams to truth. Sure, in the real world these things take time and work, but they happen. Anything and everything can happen for you, and in extension, to your lovers. Your lovers need you in order to survive, to reach their goals and dreams and feel on top of the world. You're like the blood rushing through their veins in adrenaline on a morning run, the caffeine in their coffee, the motor of their car that never fails, and the bed they come home to and sink in. These things seems mundane but they are all a necessity of life. They signify movement, comfort, and stability. Excitement is fun every now and then but in real life it's not an everyday thing nor is it practical. You're a reminder of what's real and of what reward is past the finish line. You're the mast on a ship, the strings that hold everything together. You have the backbone of metal but you still hold the delicacy of something precious and nurturing. You have a very motherly aura. I feel you can't help but to take care of people. It's in your nature to help and nurture things into growing. You're a catalyst for change, sometimes the broom that swats someone's hiny into action. I see you guzzling coffee and turning into a tornado of movement. I'm also seeing big cats in the wild. Jaguars, panthers, leopards, and tigers, all fierce and spirited animals reflective of the ferocity of women and the power we all hold within. You know, lionesses and other female big cats do most of the work in keeping their species alive. They're protectors, hunters, warriors, and mothers. They do more than their mates and they do it all looking exquisite and beautiful. Everything about them is ingrained into you. Believe that.

Your strength is unparalleled and there's something that's so wild about you, something begging to be free, a intensity and ferociousness that can knock any man down and force them underneath you. I'm seeing leopard prints, blood, and fangs. You need to let that animal in you out every once in a while, take her out for a walk on the town and dom that red lipstick and little black dress you were saving for a special occasion. She's what's been clawing your insides and she will not rest until you let her breathe. I wouldn't be surprised if your partners like riling you up. Your anger is absolutely sexy. When tempers fly they feel a primal rush going on, a need to let your animals meet *wink, wink*. I feel you display both civility and the inner animal brain all of us humans have. It's astonishing how much we suppress ourselves and call our primal natures uncivilized and obsolete. They are not something to do away with, and anyone that says otherwise is lying to themselves. Suppressing our animal instincts teaches suppression and breeds inner deviancy. Releasing our instincts allows our bodies to give you their full capabilities. That's what your lovers see in you: a powerful woman that doesn't lie to herself and embraces her very nature and channels it into creation. That's why you succeed in everything. You're not afraid to get messy and tear a few muscles. You're a wild cat in heels welding a knife with a little blood on her apron. You're a little crazy but that's what makes people equally wild about you. It's sometimes better to be feared than loved, but in your case the things go hand in hand. Fear releases adrenaline and sometimes triggers the horny parts of our brains. Men are scared of you and piss their pants a little, but they kind of like it. Just know that it's ok to be vulnerable and soft once in a while. Just like Tiana, you will have to learn to relax and know it's ok to have days where you do nothing. You're not an incomplete person, and you are far from undesirable, but you're busy-bee nature makes your lovers want to take you by the shoulders and hog-tie you down to a chair. Deep down beneath that impenetrable armor is a woman desiring tenderness and affection, and you need to water her regularly to keep her from wilting. It's not a show of weakness to be vulnerable. I received another perfect metaphor for you, a diamond, strong and beautiful and the King of gems. Remember how diamonds are made; they come from the common material of carbon undergoing extreme pressures and heat to become something priceless and wanted by all. Perfectly descriptive of you. Remember that you are a diamond among gemstones, rare and desirable above all else. ~

⊰᯽⊱┈───── ✧

౿૮꒰ྀི The Shells and the Vase ๑◞꒱ა

[Ace of Swords, King of Swords, 7 of Pentacles]

With you pile 3, it's do or die. You don't wait for no one nor are you adept at wasting your time with just anyone. You carry yourself as a woman with high value and as though you have a lot to offer, which you most definitely do. You're sexy, but there's also something inside you that adds to this appeal; your intelligence. Your appearance is beautiful too, but we will get into that later. You're sharp witted and unbelievably smart. Your highly praised for your genius and some can see that that is what gives you your unshakeable confidence. I feel you know the nature of people very well and you could be a fantastic conversationalist. People would pay to hear you talk for hours on hours. It's the way you talk, the way your tongue rolls and twitches between your lips that keeps them hanging onto every word you utter. Even the sounds you make are lip-bitingly arousing. Your lovers love the talks you have and they feel they can tell you everything and anything, but they'd rather just cuddle and hear you speak. There's never a dull moment with you and you open their eyes to the Universe. You're a point of discovery and through you people gain invaluable information. You're brilliant, knowledgeable and a master of words, but you're very selective with who you speak too. Not everyone is deserving of your words and sometimes people are so easy you can't help but to play a few mind games with them just to ease the edge of boredom you feel around normies. You may have an intriguing accent, even if it sounds normal to you, there's something about it so refined and soothing. Any of you bilinguals by chance? There's a neat little library in your head full of information that you can pull out when the time is perfect. You know when to turn on the crowd-pleaser and the show-stopper and even the dim-wit when you feel like effing with people. You're immune to caring what others think of you (a superpower if you ask me) and when you're slighted you may think it's funny. A good verbal joust is healthy from time to time, and a fight with words is much more interesting than with fists. I sense a little mean streak within this pile hehehe. Intelligence is so sensual. Ever heard of the phrase intelligence is the ultimate aphrodisiac? It truly is. You have the key to unlock peoples minds and you can do with them as you wish. Physical attraction is great and all but it's temporary and prone to fizzling. Even the most beautiful woman in the world get cheated on and tossed away. It's inward attraction thats the most important.

Once you've grabbed someone's attention then they've figured you must be different from all the ones they've met before and this establishes a want and need to know this person in and out, what makes them tick and chirp all nice and pretty. You know how to keep your lover on you. It's your sexy little mind that has the breath taken out of them. It's a surprising but welcome thing. You're like a present under a Christmas tree, the gift you didn't expect but came out to be better than the one you wanted. No one can one up you and your a bloodhound when it comes to figuring out people. A detective in the streets and a Playboy bunny in the sheets, I heard. You're like a knife that scrapes against skin oh-so deliciously, a selective taste but one you never go back from after savoring. People are a little afraid of you. Your words can cut like you have a tongue with barbed wire at the end of it. It's almost masochistic the way some men try to square up against you. They fall like a tree and you get to bask in the victory without so much as a wood chip clinging on to your dress. Lovers have to chase after you to get piece of you. You're a rich and exquisite prize to many. There's something about you that conjures images of class and poshness. You give me rich girl vibes. It's the way you carry yourself. You're so sure and confident it scares people sometimes. Even if you aren't rich, you look it. You treat yourself like an exclusive, like a corner of a club that won't let just anyone hang there until they've undergone an extensive background check and pass an itemized list. You're beautiful and you act like it. You're like a model walking in the streets of New York with her legs exposed, marching like she's on a mission. Everyone around her can't help but to stop and stare and feel wistful of what they can't have. You're enchanting, intensely desirable, the fruit that Tantalus desires and futilely reaches for every time the branch comes close to his mouth. It's part of a game you play with them. I can see that you laugh at them and their hound dog ways. It pumps your ego and keeps you feeling high. I can see you're the same way in your relationships. You never overvalue a lover over yourself, and you don't change yourself for them either. You're independent and require for your persons to be the same way, or else they get cut quick and loose. It's not that people think you're hard to pin down, but they feel you are so effervescent, easy to lose. Your partners think you're sensational, a whirlwind of passion wrapped up in a ribbon of classiness, similar to the feelings evoked when lapping at champagne, swimming in an infinity pool on top of a sky-rise, or sinking into the buttery leathers of a luxury sofa with a fireplace at your feet.

You feel naughty too, like eating bon bons on a cheat day. Your free spirited and live life so fast it's like men need to chase you with their cars. I can see you have a streak for danger, a love to live life on the edge. Die hard and die fast, but with no regrets. I think you're kooky too, so extra and out there, the type to walk ontop of the raised edges of sidewalks, skinny dip into a strangers pool, and dance on Street lamps like they are a strippers pole, haha. You live life in the moment. You're dangerous yet sophisticated, the type that likes to watch plays and carry theatrical masks 🎭 to be funny, one happy and the other one devilish (not sad). I feel you're insatiable for what the world has to offer. You feel the depth and width of the planet and wish it was yours. You want to learn everything there is to know, experience everything there is to feel, record the world through all of your five senses. You're worldly, a person of many dreams in one. Your lovers feel like they have to walk a tight rope with you, risk hovering over a den of tigers to get to you, but it's all worth it with you on the other side, otherwise they wouldn't be doing it. You give them a rush of youth and adrenaline they can't get from ordinary life. You're not peace, your chaos, and so unique and individual that within you lays a multiverse of once in a lifetime experiences. Keep being unapologetically you. ~

⊰᯽⊱┈───── ✧

౿૮꒰ྀི The Woman and the Beasts ๑◞꒱ა

[The Fool, Strength, 6 of Cups]

My, my so much yellow came out of this pile. Welcome my little balls of sunshines! You all are as cute as cute can be and absolute cinnamon rolls. At least on first meetings that is. This pile is full of high spirited energy! I feel you glowing with vitality. You seem young and have a childish streak about you, one that propels you high up in the sky on the wings of positive vibrations. Your lovers are addicted to these vibrations. You live in a little bubble of joy and positivity and I have to say I wish I could look at the world this way. Nothing really gets you down, and if it does your quick to pick yourself back up. I feel this is my pile of nature lovers, woman connected to the earth and in high spirits because of it. You like to follow the ebb and flow of life, ride the wavelength so to speak. You may feel out of control over your own destiny, but in a freeing way, like your life is truly yours and no one is in the background pulling your strings. You're like an oasis in a desert, a little spot in the forest to rest in and feel aware of all the other things that live life around you: the birds, the bees, the critters, and the little insects crawling in the ground and over you. Some here may experiment with weed and psychedelics which accounts for your chill, go-lucky attitude and higher spiritual connectivity. I feel this pile is very connected to animals too. You may have adopted a lot of animals or just seem to be a magnet for little forest creatures. You're like a Disney Princess. You radiate kindness and angelic grace and are a woman loved by all creatures that see and know her. Your love for the earth and all its inhabitants pours out of you and creates this beautiful Madonna image. I'm seeing a picture of Mother Mary, serene, beautiful, and otherworldly. It's almost like you are not part of this world. You come off as so delicate and precious, a rarity among a world lost to cynicism and mundanity. Your lovers imagine wrapping themselves up in you like a soft, feathery blanket. You're a source of security to them, a warm balm on their wounds when they fall and get hurt and the ice cream they enjoy afterwards. I feel you love taking care of people. You may play nurse and physically take care of your partners like children, missing their pains and keeping them giggling. You are soft, open and delicious, like a jelly-filled pastries in a bakery!

Everything about you is so refreshing, light and fun. There's an air of innocence that makes you unique, a babydoll made human like like in the Disney movie Life-Size. It's hard to find a light that shines as bright as yours and everyone around you wonders that if they stay near you maybe that light can rub off on them and if not, they are simply satisfied in basking in your glow. You're like a sunflower soaking in sunlight. You connect lovers to their inner child and they cannot get enough of that. With you they can be free and playful, they can release all their worries and learn to enjoy the moment, be a kid again and see life in the pure eyes of a child. You serve as a snapshot to life's most heart-melting moments and once your lovers see things through your eyes, it's like being bathed under a warm, ever-flowing spring. They feel renewed, enlightened, as if they never truly knew sunlight until they met you.

I feel this pile is more spiritually attuned, women that are close to the divine feminine and harness the power of feminity. Your effect is very healing. It kind of reminds me of Fluttershy from My Little Pony. She's warm, kind, and a nature lover, and she uses her powers for the good of others. I feel this pile are participants and donors of good causes, or you wish to be but have yet to take the initiative, but it is only a matter of when. You're an Angel in your own right, a being from high coming to visit the little people down below. There's something about you that's so welcoming and gooey. You're like sunny days spent out on the beach, a twilight where the stars and clouds mingle, and the feeling of being wrapped up in cozy sweaters in Autumn. You remind people that there are things worth saving in this world, that what they can do tomorrow is what they can do today. You're a wellspring of hope, the dream one has in a single night that changes everything. 🌷 Despite all this talk of innocence and rarity, there's a strength to you too, an unyielding stubbornness that only serves to accentuate your womanly wiles. You're always there to help a loved one, and it may go unappreciated because it seems that nothing phases you, when in actuality, you shoulder a lot; you just have an incredible way of keeping yourself untainted. It's almost as if you mop up people's troubles for them. Like a wet sponge to a person's skin, you're cleaning it off and getting their dirt onto you, then emptying the emotional bucket, taking a shower, and going on about your day. Kind of like a sin eater. Ever heard of one of those? Here's an excerpt from Wikipedia so you don't have to search for it: "A sin-eater is a person who consumes a ritual meal in order to spiritually take on the sins of a deceased person. The food was believed to absorb the sins of a recently dead person, thus absolving the soul of the person." Powerful stuff, but I'd be wary of people taking advantage of this. It's easy for people to become codependent on you, and easier for you to become emotionally attached to them. Like cleansing the bad, you sometimes have to cleanse the good too. It's better to take a neutral stance for the health of yourself and others, be the mothering figure but allow for others to make mistakes. You can't walk a person's journey for them, but the support you do give is immeasurable in impact. ~

⊰᯽⊱┈───── ✧

ᴀɴʏ ᴄʀɪᴛɪᴄɪꜱᴍꜱ ᴏʀ ꜰᴇᴇᴅʙᴀᴄᴋ ᴀʀᴇ ᴡᴇʟᴄᴏᴍᴇᴅ. ɪ ᴀᴍ ᴏᴘᴇɴ ᴛᴏ ᴀɴʏ ᴏᴘɪɴɪᴏɴꜱ ᴀꜱ ᴛᴏ ᴡʜᴇʀᴇ ɪ ᴄᴀɴ ɪᴍᴘʀᴏᴠᴇ ɪᴛ. ♡

ᴅɪꜱᴄʟᴀɪᴍᴇʀ

© lolita-bonita — Please do not plagiarize, translate, or repost any of my work on other social media platforms without my permission. This is the only platform that I post this type of content. If you see my work being posted anywhere else, please kindly report them to me. ♡

⊱┈─ ✧

✨️ ᴘʟᴇᴀꜱᴇ ɴᴏᴛᴇ: Tarot is not an exact science, nor can it produce factually true information. All things posted are alleged and for entertainment purposes only. The future is fluid, and what may happen is based on your choices and actions, not what I and a deck of cards say. You are still the creator of your future. ✨️

⊰᯽⊱┈───── ✧

[theglassesgirl]

The Ithaca Saga: What IS a Monster, how it’s presented, and when fictional S.A is integral to the plot.

So -

This was originally a response to @ / anniflamma which you can still find on my page unedited. But with the new discourse surrounding the suitors, I figured I could retool it as a standalone essay to express a topic I’ve been trying to pin down for a while now; What exactly does the mean when they call a character a monster? What do they do, do the reasons matter, and how does the subject of rape affect how the fandom consider some monsters more unforgivable than others? When IS rape in fiction “necessary” and why such questions defeat the purpose of exploratory creative works.

In this post we will discuss all the major antagonists of the Epic Musical, Penelope’s agency, the label of Monster and the types of moralizing one might do when faced with uncomfortable subjects in fiction and how to prevent these feelings from blinding is about what a story is trying to say.

For those who read my original response; there’s new content to read here and posts that will be referred to, if you’d like to give it another gander!

Thank you,

Let’s begin;

I think making the threat of rape explicit was very much needed, actually.

It’s come to my attention that there are people here and on tiktok who are so uncomfortable with the subject matter in this CENTURIES old tale that they’re both refusing to accept that it plays an important part in the original poem and musical, AND are bizarrely insisting that Jorge should have magically done away with it to make more palatable.

This is beyond juvenile - it’s a clear sign of media illiteracy.

What, if I may ask, do you think it means when you say that the suitors are going to force Penelope to choose one of them to marry.

You may respond that they want to take over Ithaca. That they want to be king. But take a moment to consider what forcing a woman to marry one of them will entail. I wonder if you think that one can divorce the idea of sexual violence in this plot.

It would be…unfathomably difficult to do so. Because you CANT. There is an implicit threat of Penelope’s will breaking and having to have unwilling and reluctant sex with any one of them in the event she just gave up and picked one.

This isn’t a storyline that depicts Penelope of being willing to marry any of the suitors. She is WAITING for her husband’s return. Even if he doesn’t, she doesn’t WANT to marry someone else. Her consent is being violated by the very merit of them being in her palace, eating her food, and threatening her son.

They’re doing ALL OF THIS in order to bend her will in the HOPES of raping her as a bonus to becoming king of Ithaca.

My contention is the use of “unnecessary” when it comes to this trope in media - though themes of rape can be uncomfortable, to call them unnecessary HAVE to meet certain criteria. Which this specific instance doesn’t.

By observing various responses, it’s clear that the threat of rape went completely over many’s head in this instance of the story. So I very must appreciate Jorge making it SO clear that it’s upsetting.

This part of the odyssey, and the musical, is very much about Penelope suffering under the threat of assault for YEARS. In the same way Odysseus was (a thing I touched upon in my calypso essay, in terms of his ambiguous situation in the musical) - it’s a parallel that works as both Antinous and Calypso were introduced (regardless on your personal interpretation of what Calypso did or did not do, but that’s neither here nor there).

It has taken an emotional and psychological toll of either spouse. And the kicker is that neither of them are freed of this situation on their own - they are both rescued by outside forces. Athena/Hermes helps free Odysseus; Athena/Odysseus will help free Penelope.

The looming threat of rape is SO necessary that it helps the catharsis factor we feel toward PENELOPE’s story - it’s nothing to do w Odysseus who by now is a force of nature as big as Poseidon, his actions happen TO her, and it’s up to her to decide (per “would you love me” ) what she feels about that. She can very well reject him! She’s suffered under male violence for YEARS. Odysseus’s violence and those of the suitors toward her are basis enough for the comparison.

Do all men, including her husband, become violent? Does she want to put up with that? We know from her song snippets that she is NOT a woman that simply succumbs to the Rape Rescue trope as suggested by ignorant consumers of media - and I call it ignorance and consumerism because there’s a clear lack of engaging with the material in an intuitive way. It’s just blind consumption - as if one bites into a burger and find a pickle, which you personally don’t like, and having it removed - you can’t treat ART that way .

Penelope is a very intuitive and emotionally intelligent queen. Stop infantilizing her. Her own husband suggests that like the suitors, his actions make him just as bad as they are and presents his hope as being understanding if she rejects him on those grounds. But those ARENT her grounds. She has full autonomy and can make a distinction FOR HERSELF whether she considers her husband equal to the monsters who have harmed her.

So let’s talk about the “Monster” label as it is presented on the entire musical.

Some have erroneously suggested that Odysseus has been given an out to commit cruel and ruthless deeds with out “good justification” - he does it for his family,, after all!

Which is a misunderstanding of everything every antagonist of each saga has done.

Let’s start with the Troy Saga: Odysseus has killed a BABY. He made the choice to put his family over this child. Everything he has done and lost would be for literally NOTHING if he hadn’t, as even if he had killed the suitors and regained everything - the GODS themselves would make sure that child would come to an aged Odysseus and slaughter him, Penelope, Telemachus and his entire kingdom when he came of age.

Odysseus STARTS as a monster. We have been rooting for the man who laid Troy and its children asunder. As such, the label of a monster is NOT so much a morally subjective label - it simply a thing that IS. Or rather. It is what ALL the antagonists ARE, but it’s hardly a condemnation of any of them.

(Peep that one of the first lines Ody says refers back to in the Vengeance Saga is what he did to Troy - he STILL views his actions over there as unforgivable, so not even HE will ever see himself otherwise, the problem was that he felt so guilty over it that he became a detriment (a different kind of monster) to his friends and family when they were all guilty of the same thing and trying to get home.)

ALL of the antagonists have a “good reason” to kill ALL the soldiers (who again, have looted and slaughtered the Trojans) Odysseus and his close friends included. Whether your AGREE is almost irrelevant…because the story itself proposes that it’s irrelevant.

The next saga introduces the cyclops: his motivation is primarily that his FRIENDS the sheep have been slaughtered. You can argue in the scope of things, you can’t empathize with this but it’s his good reason. He’s the son of a god, and these sheep are all he has. His friends, who matter to him as much as Polites does to Ody, are being taken and slain, he is being drugged, attacked and maimed. VERY much was Ody goes through in the final saga. And even so.

The Cyclops is antagonistic to the party, he’s a monster who feels justified killing to avenge his killed sheep. A monster is a thing he IS.

As Poseidon’s son, he asks his father to kill the 600 men who have ransacked his home and beat on him. He doesn’t view his father as being wrong for this. In the same ways Ody and Telemachus don’t waste any time addressing the slain suitors later on. Poseidon is a monster of a god - it’s just a thing he is. Not even being stabbed 100 times is enough to repay the harm he’s done - to most everyone, not just Ody, but we are not asked to quantify that. Just live with it.

Circe has killed NUMEROUS men over the years. HER “good reason” is that something bad happened to her nymphs when she let a stranger in her islands. She doesn’t even promise that she WONT kill in the future - her song ends w the suggestion that the world may continue to need her to puppeteer! Because she does not exist to be “redeemed” - she is somewhat more reasonable and capable of empathy than even the likes Athena, who being a greater and more powerful god, does not have the one on one affection to her follows as Circe does. She’s a monster! It’s a label, a thing she IS.

So here we begin to ask; is it LOVE that gives people the capacity to do monstrous things? Because the cyclops loved his sheep friends, Poseidon loves his son, Circe loves her nymphs.

And by now you’re saying now wait a minute didn’t the Underworld Saga go over this? Why yes it did! And Odysseus decides to “become the monster” - he already IS one by the standards of the cyclops, Poseidon, Troy - they all see him as a monstrous being. But he accepts that, after being one in Troy, he held back and ruined the lives of his men, making him a monster to THEM. His “good reason” for being so!

He attempts very hard to be the General he was in Troy and prioritize them going home, sparing no sympathy towards his enemies - but in the Thunder Saga we see the gods further push him to be completely self-serving like they are. The sun gods cows are harmed, he sends Zeus in relation - his “good reason” being his friend were personally harmed.

Odysseus’s “good reason” is ultimately decided to be the same good reason he had to slaughter the Trojans - to get back home to his wife and son.

Like with the Cyclops sheep, Circe’s nymphs, The Sun gods cows, and Poseidons son, WE are shocked and made to feel some type of way about Odyseuss’s reasoning. Surely HIS personal suffering shouldn’t cost the lives of “innocent” men…but it does! It surely does.

He is a monster. It’s just a thing he IS.

Now, Odysseus spends the next seven years under the thumb of ANOTHER monster. And through calypso own reasoning, despite her tragic backstory, her “good reason” she IS a monster. She’s incapable of understanding why she wasn’t reciprocated. Incapable of empathizing with a human because as a god who has spent eternity alone, it stands to reason she, like all the other monsters mentioned before, prioritizes HER personal suffering over everyone else’s. In some versions she either kills herself or does spend the rest of eternity alone. She’s a monster. This is a thing she IS.

Now what the HELL does all this have to do with the suitors?

Odysseus started the musical a MONSTER. He’s worn different hats, but it is what he IS. It’s a label, not a moral critique.

ALL of the antagonists of every saga have a “good reason” NONE of them are ruthless for ruthlessness sake! It’s immaterial whether you agree with them or not, but to understand them for what they are.

Odysseus is the antagonist of the ithica saga, md while the suitors are the antagonist to him and his family, we see their fate form THEIR POV

The suitors could not have been depicted as “rude youthful men” like Telemachus. That Odysseus killing them should be shocking - a frightening condemnation of everything he’s done and became. But I ask once again - in what world are the suitors not implicitly set up as monsters?

Because again. They aren’t being rude for rudeness’s sake! They aren’t JUST eating Penelope’s food and sleeping in HER house. Them threatening Telemachus, as you propose, isn’t “enough” of a reason because they didn’t wake up one day beefing w this boy. Everything they do is for the express purpose of sexual violence towards the Queen of Ithaca, who upon assaulting, will make it so any one of them will be King.

You can’t separate the one from the other. You get a nonsense scenario. The whole REASON they’re there in the first place.

Even if you create a fanfic where 108 men wake up one day and raid the palace to slaughter the royal family with no intent of sexually assaulting either (because remember Telemachus is also the subject of Hold Em Down) and then fight amongst themselves to be the next king, but then isn’t that STILL a “good reason” for Odysseus to slaughter them?

Now I hear what you may be asking: but if all the monsters of the sagas, Odysseus included, have a “good reason” even though we might not agree with it, what kind of monsters does that make the suitors? Surely and clearly THEY aren’t doing what they’re doing for noble reasons.

I consider them akin to the 600 men who died under their captains command.

Because, as stated before. Odysseus views his actions in a Troy as his start of monstrosity. He did all that to finish the war and do back home. He ruined the lives of all Trojans.

So did his soldiers.

The only moment in time (even in the deleted songs) that the bulk of them repent about the war is in terms that it left them without food.

But glasses! They were just following orders!

Which is what one of the suitors suggest in song 38. Their serpents head is dead, THEY were just going with Antinous’ flow, they are innocent.

Like the 600 soldiers, the 108 suitors sacked a home that wasn’t theirs and harmed a wife and child - does them being the queen and prince pale in comparison to the hundreds of wives and children slain in Troy? Homer is a genius to ask us to see these parallels for what it is.

The suitors ARE monsters. That is simply what all 108 of them are. In the context of the story itself, their intent is to break Penelope’s will, commit martial rape, and become king of Ithaca. They aren’t there for kicks, they aren’t ignorant boys, they’re socially accepted adults abusing the hospitality rule with an express purpose.

So a GROUP of monsters are slaughtered by ANOTHER monster, and though in this instance we can argue it’s morally justifiable, it doesn’t take away from Odysseus’s fear of being rejected by his family. He has ruined the lives of the Trojans, his men, AND multiple gods! To get to this point. He IS a monster. And the story asks US, through Penelope, if he is still worth loving.

Seeing Penelope as merely his reward is so backwards and bizarre. It’s very clear that bad faith interpretations of her are based on objectifying her erroneously, when the narrative presents her as a fully developed character.

In the story both in the poem and the musical that the suitors ARE NOT her guests. She is being sequestered against her will.

In what world could the suitors be “just” murderers and not….very clearly rapists? It’s BUILT into their motivation. You would have to change the very FOUNDATION of the Ithaca plot line and Penelope herself??? To say nothing of Telemachus’s role!

What’s the proposal here? That Penelope invited these suitors? That’s she’s actively looking for a replacement husband? Okay, again, that changes literally SO MUCH of the story, but wouldn’t that put Telemachus in a position where he too has to change? Does he resent his mother for doing this? Is he helping his dad out of spite or because he wants him back? How are we meant to view Penelope in this radically new and hip Epic the Musical? Is she savvy and in her right to choose a new boo? Okay…okay, so then….you want Odysseus to be the only one unchanged and go axe crazy because….hes jealous? He kills these upstanding men….curtain call. That’s all folks!

Absurdity at its finest. You throw Penelope’s agency out the window. Her weaving and unweaving her loom is meaningless or simply doesn’t happen. Or maybe it’s that she wakes up one day and goes hey yknow what I WILL consider marrying one of these guys with no sense of dread and fear. Oh wait Oddy has killed then all! Never mind me feeling unsafe a week ago, he’s done a Bad.

Crazy.

It’s just…not going to end up making Penelope look like a well written female character if Jorge has done what you wanted! THAT would make her a mindless prop. You seem to think she is one, and that’s not the case. Historically, in fact!

She is a whole person in the poem and musical whether you understand it or not. You would have to argue so thoroughly why she sucks and let me assure you - there are entire DISSERTATIONs on why you’d be incorrect.

So, no.

No, you CANT take away the rape in Penelope’s storyline. It matters ALOT. It’s the ROOT of the matter! Could old school vegetales make something up that’s more to your sensibilities? Maybe at its peak but god, I couldn’t possibly come up with a draft that could reflect that. I won’t even try.

The rape aspect of the Ithica Saga isn’t unnecessary - it’s INTEGRAL to the plot. It can make you uncomfortable, but it’s BUILT into the royal family’s suffering whether it’s explicit or not! And it SHOULD be explicit! Because you seem to think because it usually isn’t, that the rape aspect isn’t there!

I cannot imagine coming to this kind of conclusion.

They are not random men going on a siege of the palace one day - you cannot “sanitize” the SUITORS because by the very merit of them calling each other THE SUITORS there is an implicit threat of sexual violence. Because Penelope doesn’t WANT suitors. She rejects them. They’re already violating her consent.

How the FUCK to do you censor the rape when it’s in every action they take? And I know what you’re saying: but didn’t Jorge censor the rape aspect that both Circe and Calypso commit towards him?

Further reading: suggests that ALLUDING to it is not the same as censoring, that it still FITS the PURPOSE of these characters in regards to Odysseus’s suffering under them. That after ambiguity, it is NECESSARY to make the rape aspect CLEAR in order to create both catharsis and MEANING at the end of the narrative. The THEME is still respected and present, it is not REMOVED. Please consider reading the linked follow up that answers this question.

In short.

It’s truly a matter of using one’s goddamn head when it comes to view fictional depictions of rape as “necessary” - because though some depictions can be presented BADLY, to suggest they should not EXISTS lends itself to rape culture. It silences the voices of victims. Its representation denied. Don’t talk about it, don’t even suggest it, because rape is bad.

It’s an action that happens to people. It’s a crime in civilized society. It’s a physical and psychological trauma that has always been. It happens daily, in fact. Though epic the musical is a source of entertainment for you, it doesnt exist solely for that purpose.

When Homer included it within his original oral story, he did so as a storyteller trying to get his audience to philosophize, not simply have fun.

I think we’ve come to some abysmal conclusion that men can’t write about these topics when we have historical evidence of at least one man knowing what the hell he’s talking about. And Jorge has done a phenomenal job even when he hadn’t depicted blatantly.

If you’re uncomfortable to the point of not wanting to see it at all, that is entirely on you, art and creative works allow us to explore these topics safely. Whether it’s from the POV of the assailant or one of the victims commenting on it, fiction is one of the only places we can talk about it and learn about ourselves in a way it doesn’t harm real people.

I don’t even want to BEGIN discussing all the losers who are still harassing Antinous fans or people who genuinely enjoy his song despite/BECAUSE of the subject matter. Its purpose in the story matters more than you policing how it’s presented and how it’s consumed. No amount of people enjoying themselves will take away the foundational POINT of the character and song. It’s perfect the way it is.

Like with the chaos that calypso discourse wrought, you cannot control how people treat a NOT REAL CHARACTER or the songs they sing - if it bothers you that one type of fictional villian is treated one way or another, it is on you to find likeminded people instead of going into others faces and pretending to be a self-righteous prick. You can throw whatever buzzwords you want, the CONTEXT these characters live in has nothing to do with how others want to play with them. If you don’t understand the difference between the two instances, fandom is certainly not for you and will not be changed to suit your sensibilities.

To end this post, I want to thank those who further asked me questions and bounced ideas off with me, and wow, what a phenomenal ending to a grandiose musical. I hope I can see it live, animated, streamed, developed into a game etc whatever form it takes now that the concept albums are published

Thank you all for engaging w my work💖

[hotvintagepoll]

Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?

No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.

There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.

Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.

I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)

[leeny-leens]

Scents and Warmth

Pairing: Theodore Nott x fem!Reader

Summary: There was nothing that could melt his heart quite the way her scent and warmth did, especially after a long day.

Content: fluff, glasses wearing reader, history nerd reader, established relationship

Warnings: tiny mentions of a negative self image from Theo, nothing too strong

WC: 2.63k

A/N: originally wrote this for myself but I decided to change it up and post it, lmk your thoughts 🫶✨

Theodore's eyes scanned the room, irritation gnawing at the edges of his mind. He had a feeling she was here, yet save for a few first years spread across the common room, his beloved was nowhere to be seen. Just as he was about to give up and make his way to her room to look for her, he spied the colour of her hair at the corner of his vision, prompting him to turn around.

He stepped closer, rounding a corner hidden behind bookshelves and there she was; tucked away behind the recluse of the shelves, seated by a table near the glass wall.

He stopped in his tracks, his eyes taking in the appearance of his girlfriend who was evidently, deep in thought. She had that ghastly, pale yellow zip up on, the one he swore he'd throw away one of those days because it was just that ugly, a few splotches already present on the fabric. He wouldn't be caught dead admitting that, but he actually loved that sweater on her; it was just loose enough to pool beautifully around her upper hips and the colour brought a pretty contrast to her hair that had her looking like a mesmerising painting. And god that hair, that he adored so much was all shiny and put up, a few strands loosely escaping the metal claw clip. By the looks of her hair, she'd probably taken a shower today, and Theo stepped closer once more to observe her with furrowed eyebrows. It was a Monday, and she rarely ever took showers on Mondays. Something about her routine and how she needed to shower on Sunday night so she could feel clean for a new week. It didn't make sense to him, partly because he showered every other day, but as long as she was happy, he really didn't care. His mind returned to Saturday night, where she'd detailed how busy her Sunday would be, filled with homework, revisions and a much needed deep clean of her dorm room. Theodore concluded that his idiot had overexerted herself, leaving her with no energy to shower at the end of the day and thus she'd probably woken up two hours earlier than needed to do that this morning.

He was close enough to see her expression now; eyebrows furrowed slightly and her jaw tense as her quill scratched rhythmically against parchment. There were various books splayed open around her and occasionally, the scratching stopped in favour of turning pages in one of the books and low murmurs as she spoke to herself. Her glasses sat askew atop her nose bridge, a soft smile tugged at Theo's mouth when he realized she was so focused she didn't even bother fixing them after they'd slid down her nose.

After years of friendship, and almost two years of dating the girl he loved so much, he knew better than to startle her out of her deep focus, opting to slowly step into her space instead. Standing behind her, he tapped her shoulder softly, coughing to catch her attention and leaned down into her field of vision. “Hey bella," he whispered softly, his voice smooth and low in her ear. Her focus had been broken the moment he tapped her, and she turned to look at him with a dazed expression, as if trying to remember where she was and what was going on. That expression however, quickly morphed into a bright grin, her eyes twinkled up at him with adoration and fondness that could melt even the most frigid of hearts. “Hey Theo,” she whispered back and Theo noted the slight hoarseness of her voice with amusement, an indicator that she’d been mostly silent in her endeavours.

So close to her now, her scent hit Theo’s senses hard and he found his brain quickly melting at that. He'd never thought of himself as a guy who'd succumb to something as primal as scent, yet he couldn't help it whenever she was near, especially on the days where he knew she'd taken meticulous care to smell good. Strawberry notes mingled together with floral wisps and her beloved perfume. Gods, the smell of her perfume had his head spinning in a haze. Driven by instinct, he buried his head in the crook of her neck, not caring that her hair tickled his face as he inhaled her scent. Merlin, he wanted to drown in it, never smell anything else but her and have that be what he last sensed as he took his dying breathe.

“Theo?” her voice echoed, the confusion quickly morphing into breathy gasps as he began to press light kisses into her neck. “Yes, tesoro?” his focus was on the feel of her skin against his lips, the smooth curve of her neck and the lightly trembles as he continued to ambush her with kisses and affection.

Theodore almost let out a whine when he felt her push his face away, her eyes narrowed playfully as she stared up at him. “What are you doing?”

“Loving you?” he hadn’t meant for it to sound like a question, mainly because Theodore Nott was never unsure of things. He was poised, calm and calculated, meticulous attention to details, from the way he walked down to the way the strands atop his head layed. Yet with her, in that secluded corner of the common room, her smell enveloping him after a long day, he found himself reduced into that soft and domestic version of himself only she could bring out.

He looked at her, blue seas clashed against a galaxy full of love and her face softened visibly at his expression. “Oh, my sweet boy,” her hands tugged on his arms, guiding him around to sit beside her on the plush seat, “Love me all you want darling, I'm yours to love anyway”. It was a tight fit, much to Theodore's glee, and he shamelessly took the opportunity to lift her up and manoeuvre her into his lap.

Any sounds of protest died in her throat as one of his arms wrapped around her waist and the other became entangled in her hair, gently scratching and massaging her scalp with soft yet guided movements. He once more buried his head in the crook of her neck, occasionally pressing kisses to her skin as he smiled against her. “Whatcha working on, amore?” his eyes wandered between the books, trying to make out their subject, searching for any clues in what his beloved might be up to. He hadn't seen her much today or yesterday, regrettably, and he was itching to spend some time with her, just soaking up her presence to feel alive and breathe after facing the suffocating weight of existing as himself.

It was practiced routine by now, she didn't think when her left hand tangled into his, the one around her waist, to play with his fingers as her right one picked up the quill again. “History of magic” she pointed to the book closest to her notes and Theo finally recognized it as the textbook for that ever so dreaded subject. He raised his eyebrows, an amused smile tugging at the corners of his lips. “Really? We don't even get homework in that class,” that had never stopped his overachiever of writing essays for said class, but he chose to forgo that piece of information now. “It's not an essay or homework,” she said, huffing as she pulled her notes closer for him to inspect. “I'm making notes so I can tutor our idiot friends,” after a beat of silence, Theodore found himself shaking with suppressed laughter at the absurdity of the situation. Their 'idiot' friends were mainly brilliant students, within the top of their grade and he wondered what on earth she'd be tutoring them for. Of course, History of Magic was a bit of a sore subject for everyone at Hogwarts considering Professor Binns was gods awful at teaching, but he didn't think it was dire enough for his friends to get tutored. Someone like Draco, or god forbid Mattheo, would rather die before getting any sort of tutoring.

He didn't to say any of that, voice any of his questions or thoughts because somehow she just knew it all without him saying a word. She always had known, always seen through him like it was the most natural thing. It had been that way since the day they first met, all the way back on the boats that led to Hogwarts in their first year, she'd seen through him with ease and no amount of walls or masks could deter her from seeking out the true Theodore Nott, the one she knew to be hiding underneath the charades. Once upon a time it had scared him to death, having someone see him for who he was, with all the darkness and broken, sharp edges and all that ugliness he kept under wraps. But she wasn't scared of him, she looked straight at his madness and called it her home, nestled herself into the crevices of those sharp edges and taught him to look at himself and not run away. She looked at him as if he were the sun, the moon, the stars all at the same time and held him with such tenderness as if he'd break under her touch any second. And sometimes, he did break into shambles, reduced into nothing but dust. And every single time she was there to hold him, let him break in peace before helping him gather it all up once he was ready.

She didn't let him ask, she simply answered the questions that swirled in his mind without hesitation. “Other subjects require more work at the moment,” she explained “and what kind of friend, no, what kind of history nerd would I be if I didn't help them tackle the workload?”

He hasn't forgotten of course, that his little minx was an absolute sucker for history. It didn't matter what kind, Magic or Muggle history, she would devour it all the same. He still remembered one of their first interactions, both seated together at the back of the room in History of Magic, bored to death by Binns’ lecture before she turned to him and began to explain random historical facts about the subject. He’d listened intently, taking in every word like she was a preacher reading scripture and that had pretty much determined the course of their relationship for the years to come. Theo would sit and listen to her talk for hours, no exaggeration. She had that scatterbrained way of talking about everything and nothing, about writing ideas or books she'd been into, history or psychology or art or whatever other interest had captured her attention, revisiting memories or plans for the future for hours and hours on end. And Theo would sit right there, undivided attention as he listened to every word that spilled from lips.

So of course, it made sense she wouldn't pass up an opportunity to nerd out about her interest, especially if she got to help her friends with one fell swoop. Though the likes of Draco might whine and complain, all of them knew to appreciate her offers of help and support with any and all subjects. She made something as boring as History of Magic sound like the most interesting topic ever, so who would pass up a chance to let her help with coursework?

“Wanna explain it to me then, bella?” his face was nuzzled impossibly close into her neck, almost melting into it as he let her scent surround and calm him. He wouldn't usually be caught dead with such a blatant display of vulnerable affection, yet the day has rendered him weary and in need of her safety. Plus, it wasn't like those pesky first years would come over and disturb them, much less spare a glance into their general direction. It was an unspoken rule to never bother Theodore Nott or his girl if they were sitting in some secluded corner, even outside of the common room, lest you wanted to get in trouble that you'd never see the end of.

And so, Theo allowed himself to sink into her, melt away and leave behind all of his worries, all the weight he'd carried throughout the day and listen to her voice as she rambled on and on about history and her teaching endeavours. Occasionally, he'd throw in a question or a remark about something she'd said, causing her to fall silent in contemplation or to scribble away in her notes with that brilliant smile etched across her face, the one that rivaled every light source in the universe with it's brilliance and beauty.

He could feel his muscles relax, tension seeping out of his body as both his arms come to wrap around her waist, holding her closer until they were basically melting into eachother. Her rambling came to an abrupt stop and Theo grumbled as he looked up from her neck, silently questioning why she'd stopped talking. “Wanna go nap, darling?” the question caught him off guard, yet a quick glance to his watch indicated that they had about two and a half hours before dinner, perfect for a nap in his dorm. And really, what sort of madman would he be if he declined her request to spend time with him, away from preying eyes in the comfort of his bed?

He nodded in response, nudging her gently off his lap as he began to help her pack up her things before dragging her up the stairs to his dorm. The entire way, his hand never once left the small of her back and he felt that familiar haze return as his senses became clouded with her scent. Gods, he thanked everything that had caused her to delay her usual showering plans. Holding her in his arms when she smelled that divine after a long and exhausting day was a blessing in and out of itself. And when he felt her halt her steps, tugging his face down to meet hers, their lips connecting in a soft and tender kiss? Yeah, he could've melted right there and then.

With one hell of a love sick smile, he ushered her into his thankfully empty dorm room, her bag immediately discarded on the floor as he pushed her onto the bed. It was a short tangle of limbs and clothing before they both settled into the plush comfort. Theo laid atop her her chest, his arms wrapped around her midriff as her hands traced patterns and shapes across his neck and scalp. He wouldn't say it loud, never needed to do that with her anyway, but he enjoyed laying on her chest like that. Listening to her calming heartbeat, feeling the rise and fall of her chest, and above all the sensation of her warm breathe fanning across his face? It turned him into a blissful mess every time, grateful that she was alive and real and that he got to hold and love her like that.

As if reading his thoughts once more, she gave his soft locks a gentle tug before leaning down to place a kiss on the top of his head

“I love you.”

“I love you too, cara mia.”

The sound of their breathe evened out as both of them slipped into blissful sleep, safe and comforted with the scent and warmth of one another.

[jinx-xxed]

Too Late (Almost)

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆ .。.:*

A/N; Edited through this older piece since I still enjoy it :) also cuz I haven’t posted in forever hey guys

Part of Written in the Stars

Summary; When presented with the choice of winning the battle or saving the one he loves, which path will Kylo Ren take?

Content; Angst, Supreme Leader Kylo Ren, Commander reader, original characters, Kylo POV and reader POV, Rey vs. Kylo, redoing that TFA fight basically, but now in the TROS timeline yay!, Force bonded to Kylo, Force visions, blood and injury, reader almost dies whoops, battle, Kylo saves you, murder, Kylo chooses you, whole bunch of conflicting emotions, longing, possible down bad behavior

Wc; 2.4k

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆ .。.:*

Rey grunts against the force of his swing, her heels digging into and slipping against the snow covered ground beneath them. Red sparks against blue, creating a sort of purple mix of light that reflects off her face and his mask. It’s so reminiscent of their first conflict, of the fight in those snowy woods outside of Starkiller Base, where he had lost. Kylo won’t lose this time. He’s stronger, he’s better, he won’t be bested by his outlandish and fleeting desires to have someone who understood because he thought he had no one, to have someone to teach to prove to himself that this wasn’t for nothing.

It’s just them in this clearing, sparse, dying trees surrounding them, snow flying up around their legs and soaking into their clothing. Their hair is plastered to the edges of their cheeks, determination and fury burning in both of their eyes. Determination not to lose, determination to get out of this in one piece. Rey slashes at him, a downward swing that he blocks and jerks his lightsaber upwards, taking hers with it. She steps away to just narrowly avoid the middle swing he aims at her abdomen, going into the defensive again. She slips against the ground, her lightsaber unable to come up and protect her when he prepares another attack, leading her to resort to the strength of the Force. He feels an invisible power blocking his lightsaber, creating a weird effect with the plasma where it’s stuck in the air mid-swing, quivering beneath the Force. With her next breath, Rey rears up and tries an underhand slash, one which he dodges by darting backwards.

The dance is familiar, one Kylo’s practiced time and time again with different partners. It doesn’t scare him, doesn’t illicit the type of fear it does in Rey. She’s scared of losing, of what could happen to her if she does. She knows she’s at a natural disadvantage with him beating her out in almost every aspect, and yet it’s her courage that keeps her going. It’s something intangible that keeps her from bowing to his power—her defiance and spirit. He recognizes the spark in her eyes, because he’s seen it so many times in someone else’s. In someone who is so unbreakable it infuriated him, in someone who is his equal in every way, in someone who has been with him through just about everything.

Lightsabers burn gashes into trees, the wood smoking and burning orange, snow melts from the heat, only to be replaced by a flurry disturbed by the two of them. In the distance, there’s more fighting, more smoke, more blaster fire, more ship engines screaming. But here, it’s like they’re in their own isolated world away from it all. Rey misses a swing, her form falters, and he takes his chance. He uses the Force like the surge of a wave, overwhelming his opponent before she can react, slamming it against her body and sending her off balance. She yells, her back connecting violently with a tree, bringing her to her hands and knees in the white coldness of the snow. He advances with the easy, ruthless power of a predator as she struggles to get back to her feet. The opportunity is open before him, feeling like the sight of a clear sky after days of endless clouds, he only needs to-

Help.

The voice echoes through his mind, it makes his entire body freeze, like he’s unable to move even if he wanted to. It comes from far off in the trees, in a blood soaked clearing, where there’s only pain and anger and a desperate reach outwards. He heard her, her single word ringing louder than any other thought that may occupy his attention. His head turns ever so slightly, just a small tilt to the left, towards that direction. Rey is beginning to get up, she’s readying her saber, she’s prepared to fight again—but she’s studying him as well, curiosity sparking from the sudden change of his demeanor. She recognizes the way something has called him, something she couldn’t hear but could feel like a ripple across a still lake.

She’s alone, his Commander is alone, fighting to keep herself upright in a battle that’s quickly tipping in a direction that is not in her favor. He sees it in flashes across their bond, the imagery so vivid it’s like he’s there, living it through herself. There’s so many of them, all coming from between the trees with weapons brandished and with a determination to make this her resting ground. It was all planned out; get one of them alone, funnel them away from their soldiers and comrades so they can be overwhelmed and overrun, brought down by those they’d spent so long crushing beneath their heel. They knew he’d be too focused on Rey, blinded by his rage, so that left only one remaining. Her Fleet is nowhere to be found, instead fighting their own battles, working together in the skies with the methods they’d been taught. Her breath is forced from her lungs as she’s brought to the ground. He feels it, the way his chest is threatening to cave in on itself, the burning, phantom pain within his right arm and left side.

The scene disappears suddenly and is instead replaced by something else, something formed and created by the otherworldly powers of the Force. He recognizes the hazy look of a vision, a glimpse into one of many possible futures. He watches, powerless, as she’s pinned, grappling hopelessly against a woman with a blaster aimed right at her head. Kylo’s torn from the vision just as the blaster goes off, the sound of it echoing in his skull.

A sudden despair washes over him, a type he’s never felt before and isn’t sure what to do with. It has no weight behind it, being simply the tip of the iceberg of what’s to come depending on what decision he may make. But it’s enough to make him want to fall to his knees. He’s thrown back into his body, his feet feeling unsteady beneath him, the crackling of his lightsaber filling his ears instead of the screech of a blaster. His eyes lift to Rey, his mind reaches for the forest. Two choices, two paths, two outcomes. That’s what it always is, isn’t it? One or the other, he can’t have both.

His fists clench, the ridges of his lightsaber hilt bite into his palm, Rey’s expression hardens, her legs separating into a battle stance. There’s a voice in his head that hisses at him angrily, demanding he not make this choice, demanding that he do what he’s supposed to, what he’s meant to. Weak, useless, too much of your father in you. He listens to it for a moment, listens to its whispers that have plagued him for years.

But then that despair from before pierces him like a stake, yelling at him, grabbing onto him, begging him to listen just this once. There’s a dam that breaks, a cage that opens and frees the bird trapped inside, flying in a way it always dreamed of. He takes a stumbling step back, a final moment of hesitation, like giving himself a chance to reconsider. It’s futile; he made up his mind a long time ago.

And then Kylo runs. He runs in the opposite direction, he runs from Rey, he runs from his victory, he runs from every lesson beat into him, and he instead runs towards something else entirely. Towards his hope, his respite, his safety, his partner, his everything. He feels deep down in the most core parts of himself that he just crossed a line he’ll never be able to uncross—and he finds that he doesn’t want to. Snow tries to suck him down, decaying plants grab at the edges of his robes, that hissing voice inside his head screams, but he ignores it all. Nothing can stop him now. His breath burns in his lungs, icy and angry and desperate. He feels her so acutely, feels her pain and every emotion and thought within her head, and it’s this that makes him realize he doesn’t know what to do were that to suddenly disappear, snuffed out like a flame, leaving him feeling like he’s missing the second half of himself. He’s been too late for a lot of things; too late to make up for what he’s done, too late to make things different, too late to make the right choice.

Please don’t let him be too late for this.

» ☆ «

“I thought you were the good guys.”

The blaster readjusts in the hands holding it, the barrel shifting upwards like it wants to give you a better view of where your demise is going to come from. The woman behind it keeps one eye shut, the other glaring at you as she snarls at your words. “We are the good guys.”

The face of this girl you used to know is now foreign to you, aged by the terrors of war and the fight for survival just like yours is. You can’t even remember her name. Your hand shakes desperately against her wrist, as if it’ll do anything to keep back the inevitable. Blood drips down into your left eye, your breathing rasps past your lips. Your other hand lays limp in the snow, a blaster shot cutting clean through your forearm and rendering it useless. Your lightsaber is somewhere nearby, knocked from your grasp at the same moment an elbow had connected with your jaw.

“You say that, but you all stoop to the same levels you criticize us for.” You spit at her, bloody teeth bared. “What do you think this is? A game to see who can come out on top with more innocence? Don’t kid yourselves.”

The girl’s eyes flare with anger so acute you can see the sparks. She brings her heavy-booted foot down on the blaster wound in your arm, putting as much pressure as possible. You choke out a scream as pain eats you alive, nausea blooming in your stomach. Blood spurts beneath the sole of her shoe, trickling down your charred skin and onto the snow below. “Quit talking like you fucking know anything. You’re vile. You get off on killing us. You deserve whatever fate waits for you in hell.” She jerks your hand off her wrist, gripping it and twisting sharply. Bones crack, more agony. Your mouth merely hangs open, sound unable to come out as your vision flashes white.

You feel as though your body is not yours, your pain cutting the ropes that kept the second part of you inside, allowing it to linger nearby as if this is all happening to someone else. Maybe it’s because you’re empty of your abilities, your muscles and blood no longer able to harbor the power of the Force. You’d used it all up a while ago when you were fighting a different group of rebels. Now you’re left so depleted you can’t even call your lightsaber to you, nor can you seem to keep your soul inside your own body. You look again at the blaster in her hands, you look into the black pit of the barrel. Is that what it’ll feel like? Black nothingness? You think so.

There’s nobody nearby to hear you, to come help—save—you. The Fleet is off fighting their battles in the skies, Kylo is occupied with Rey, you can’t call for backup. This was the rebels plan, after all. They wanted you to separate so you weren’t as strong, so that you could be taken down easier. You’ll admit that they were smart in taking the risk, it clearly worked in their favor. You should’ve been smarter, you should’ve noticed the signs and known not to follow the bait. You should’ve kept your head clear rather than letting the idea of this victory cloud your thoughts. You should’ve known to check your surroundings through the Force so you didn’t get overwhelmed by the rebels. You were stupid in the heat of the moment and you’re going to pay for it. You deserve it. You left BB-12 back in your ship so he didn’t get injured—even if he is a droid. You hope he’ll be okay.

You can’t keep your eyes open anymore, the action using too much strength that you don’t have. The cold of the snow is setting in, making your body numb. Your pain seems so far away when it’s like that. There’s a shift, the blaster clicking, and you know what’s going to happen. That’s fine. You couldn’t escape it forever.

You expect it to happen, for that shot of hot plasma to pierce through your heart and for all of this to come to an end. Your limbs relax in preparation—but it doesn’t come. Instead, there’s an explosion of noises all at once. Your ears feel like they’re submerged in water but you can still hear the screams in fear and anger and confusion, the stomping of feet as people try to run, and the screech of an unstable lightsaber as it swings through the air and through human flesh. The weight of that girl on your chest is lifted so rapidly that breath finds its way back into your lungs in a heaving gasp that has your entire body burning in agony.

It takes less than a minute before silence settles over the clearing. The smell of fresh death hits your nose. You can barely manage to open your eyes again, merely squinting up at Kylo standing over you. His black uniform makes him cut such an intimidating shape against the white backdrop of the snow and watery sky, the silver lining on his helmet reflecting it. His breathing is coming out as ragged static through his modifier, chest heaving. His lightsaber clicks off and he attaches it to his belt, calling yours to him as he does and putting it right next to his own.

It feels like a dream that he’s actually here, that he picks you up and cradles you so carefully so he doesn’t irritate your wounds. When he lifts you, you see the carnage he left. Every rebel lays dead on the ground, their bodies getting buried under the snow that’s begun to fall. Kylo’s warmth under your cheek almost doesn’t feel real… you should be dead. You deserve to be dead. When you sent out that final plea through the Force, you never expected him to answer.

“I’m sorry.” You croak. “I messed it up. You lost them because of me. You should’ve left me-“

“Don’t.” Kylo snaps. Your body jostles with his movements as he walks. “Don’t say that.“

Even with your fading strength, you can still feel him through the bond you share. He was terrified, he was terrified of the possibility of losing you. He was terrified of how willing you were to give up; he could sense those final moments. He’s so angry at himself for nearly letting it happen, for letting the rebels get the upper hand like this.

“We will find them again,” he promises you. He pauses, the silence filled with the crunch of snow beneath his boots. “The same could not be said if I lost you.”

[rallamajoop]

That time Heisenberg stabbed Ethan with a rusty fencepost

Thanks to this one fic project that needed a pornographically detailed list of Ethan’s most memorable injuries, I've spent some time trying to figure out exactly what Heisenberg stabs him with when they first met. Working mostly from a free-camera version from youtube, I settled on calling a metal pipe with a square profile.

Tumblr: I was wrong. The reality is so much worse.

Having cracked the game files and installed my own free-camera mod, I tracked down the original asset for this thing, and, well...

No, really, this is it! Check out those matching cross-bars if you doubt me.

FWIW, it isn’t actually a spear. Those semi-mangled crossbars flag it instead as a spear-headed fence-post. (This may not be a distinction that Ethan would find very comforting after being stabbed with the thing, but there it is, regardless.)

In fact, if you poke around the cemetery area just outside the castle gate, you can even find the fence it presumably came from.

Look in on the cemetery near the church from the lane leading up to the Duke's shop beside it, and this is what you'll see.

It's not a perfect match (in fact, it's even worse viewed from the opposite side, because someone has clearly stuffed up the textures on different sides of the same asset). I'll also note that if you go back to this fence again after meeting Heisenberg, you won’t find any suspicious gaps in it where a post was recently ripped out. So I’m going to just go ahead and assume this particular piece was lying in a pile of surplus scrap in the cellar somewhere, and Heisenberg did not, in fact, drag the thing all the way there from well outside the whole damn building. I mean, at that point, you’re just showing off.

The fence post is, admittedly, pretty hard to get a good look at in the actual game. Unlike all the other crap Heisenberg already has levitating around him in this scene, the fencepost doesn’t appear at all until Heisenberg stabs Ethan with it. It actually seems to emerge at speed from between a couple of barrels at the back. But if you’re enough of a lunatic to play around with the various slow motion/rewind settings that came with the free camera mod, you can get a decent shot of it in flight, cleaning up any remaining doubt that this is the same asset that was used in game.

It even freaking spins in the air as it moves. FTR, yes, it does go in pointy-end first. And the whole fucking spearhead ends up buried in poor Ethan. (Please feel free to insert your own dick-joke here.) Those paying really close attention might even note that the blood on Ethan's shirt is present even before the spear hits him, but that's just going to be virtual-stunt-coordination having a normal one.

I can offer you no similarly definitive insight into why Heisenberg would think stabbing Ethan with this thing was a good idea. I can’t even tell you if he knew for sure that it was Ethan Winters he was talking to at this point (maybe he's just playing dumb, pretending not to recognise him. Or maybe he legit didn't know that Ethan himself had made an appearance until Miranda told him. Sure, he's already got that whole conspiracy board, but finding real pictures of this Ethan-guy is surprisingly hard.) But whether Heis was already testing out Ethan’s ‘interesting body’, or whether he’d just generally assumed that anyone who could survive a full lycan assault on the village wouldn’t be too seriously inconvenienced by a little stabbing, hoo boy was this one way to make a first impression.

I’m not even sure which of these losers is the bigger idiot here: the one who imagined Ethan might still agree to work with him even after inserting a very convincing imitation-spearhead into his intestines, or the one who never thought to seriously question how he keeps shrugging off injuries just as exciting as this one.

They probably deserve each other.

[batmanlovesnirvana]

SOME THOUGHTS ABOUT THE DC FANDOM (please read)

I’m making this post even though she (@/hyunnjiin) blocked me, since she REFUSES to take accountability after being called out. This is also for the DC FANDOM because it needs to be addressed.

(I hate doing this—honestly, I’ve never done it before—but I can’t just sit back and let her have the last word.)

I saw her post, and yes, I’m calling it out because it’s not only unnecessary but incredibly immature. She’s a 24-year-old woman wasting her time stirring up drama on Tumblr of all places over something that could’ve easily been avoided.

For reference, here’s the post in question:

I’m making this to set the record straight because I’m beyond tired of the nonsense she’s been pulling.

Instead of taking accountability, she’s been blocking anyone calling her out, deleting replies, and only keeping the ones kissing up to her. So, here it is.

Let me be clear: I don’t mind criticism—it comes with the territory when you’re a writer—but this? This felt personal. It was personal.

First off, she’s been playing games. She reblogged her own post like 20 times, replied to people, and pinned it to her blog.

Then she changed her bio, and started deleting replies—including mine—and even changed the name to "Aurora." Her excuse? Oh, it wasn’t about my fic, just the first name that came to mind (sure, Jan 🙄). Then she wiped everything again, switched back to "Maryam," and only replied to comments that agreed with her.

"It's best to ignore it," she says, then reblogs it 20 times.

Then she went nuclear—deleting all replies AGAIN, including hers and mine, and apparently even my reblogs where I was trying to explain myself (didn’t even know that was possible, but here we are). The post was suddenly full of new replies, and guess what? She’s only responding to those who are hyping her up. Now she blocked me and a mutual—because, apparently, accountability isn’t her thing. Deleted our comments again, only left the ones agreeing with her, and turned off the comments entirely.

It’s SO weird. 

What’s even crazier is that more people are jumping on this train, leaving comments hyping her up like she didn’t just twist everything and censor anyone who disagreed. The whole situation is so idiotic to fight over, but for a 23 year old woman, she’s acting ridiculously immature. Why she’s been switching things up this much, I’ll never know.

And yes, I wish I had taken more screenshots of the original mess because it was absolutely bizarre, but thankfully, some lovely mutuals saw it all go down.

Now some context to everyone who agreed and interacted with her: My fic was originally a x reader in my drafts, but I changed it to feature Maryam because I wanted to introduce more North African/Middle Eastern representation into the fandom.

I wanted to inspire others to do the same, especially considering the Islamophobia and anti-Arab/Muslim hate that’s so often present in this space. 

So, I thought, why not?

Maryam means a lot to me—both as an immigrant and as a woman of color. Especially to Arabs/Middle Eastern or Muslims in general, given the current climate where they’re constantly facing prejudice, stereotypes, and discrimination. I live in a country where they’re not exactly welcomed.

There’s so much negativity surrounding us/them—both in the real world and online. 

It’s hard to feel seen or understood, especially when you’re already carrying so much weight.

Seeing that post and watching it get reblogged so many times—now with over 100 people agreeing with her—reallyupset me. Honestly, it hurt. A lot.

I write as a way to escape, but more importantly, to raise awareness about issues that have affected me and the world around us. It’s my way of shedding light on things that matter—things that have impacted me and others—and it really hurts when it feels like that’s being dismissed.

Maryam is kind of a love letter to anyone who sees pieces of themselves in her because that’s the whole point—she’s meant to be you. 

Fandoms were supposed to be a refuge—a place to connect with others who share your passion, to feel safe and accepted. But too often, they become spaces where that sense of belonging is challenged. It’s heartbreaking when something meant to bring joy and solidarity only seems to amplify the hurt.

I'm an amateur writer sharing my fanfiction for free because I love writing, enjoy seeing others enjoy it, and yes, I want to be noticed—not for the attention, but for the feedback. 

I thrive on seeing others engage with my work. If I don't promote it, nobody will see it, and then I'll lose my motivation. 

And if you don’t like it, you’re free to block me or, even better, filter your tags—something I do most of the time, because I’m mature enough not to make a whole post about it to draw attention to myself or, most importantly, spread hate to a writer.

The amount of times I’ve seen ships in the Batman x reader tags, Batman x OC tags, or just the Battinson or Batman tags that I don’t like, and yet I’ve never made a whole post dragging someone’s fic down just to prove some point or gain attention.

Now, I’m honestly unsure whether I should just unpublish the fic, delete it, or whatever. The hate was/is a bit overwhelming.

Like I said, I wrote this story as a way to escape... AGAIN, maybe I’m being too sensitive, but seeing so many people agreeing with her really felt like a punch in the gut. I was planning to publish it yesterday—I had the whole week off and was so excited to write since I had time on my hands—but now? I’m not so sure anymore.

I do want to thank the people who defended me and sent me messages. It means more than you know.

Thanks to anyone who took the time to read the whole post. 

I’m tagging everyone who’s been interacting with her post so they can finally see the full picture—especially since my last reblog keeps mysteriously disappearing : @mouthfullobats @hwasflower @fangxout @cynniee @crying-inside-lol @obamasbababoy @kiit-ty @himesuedi @lkanggie @navs-bhat @verfuz @wispywisteria-blog @v5b5

I’m sure there’s a lot more but these are the only ones I took screenshots of.

[velvet4510]

What The Sequel(s) to X-Men: Days of Future Past Should Have Looked Like

I haven’t even seen X-Men: Apocalypse or X-Men: Dark Phoenix start to finish but thanks to this app i know practically the entire plots of both films and i’m just so utterly appalled by them. Not just with the way they mess up the timeline (Jean & Scott as teenagers and Warren as a young adult in 1983?? Excuse me?? No way Logan’s time shenanigans altered people’s birth dates, what??) But also with the way they just butcher every character arc - Charles being selfish? Erik settling down with a human instead of continuing to fight for his cause and make up for his 10 years of inactivity? Giving Erik an OC daughter JUST to kill her 2 seconds later rather than focus on his fatherhood story with Peter? Erik and Ororo siding with Apocalypse to destroy the whole world? Hank turning on Charles when he alone stood by Charles post-beach divorce all those years? Raven being ungrateful to Charles for creating a better world for mutants? Trying to convince us that Charles was somehow in love with Moira and Erik was somehow in love with Raven? The X-Men throwing Charles out of his own house?? WHAT IS THIS?????

Frankly I don’t get why the writers tried (and failed) to give us more Jean and Scott and Ororo when we got plenty of them in the other movies and we know thanks to the end of X-Men: Days of Future Past that Charles will still eventually recruit them. Jean and Scott’s very presence at the end of that film shows that the sight of Logan’s memories of Jean’s original fate prompted Charles to NOT repeat his other self’s mistakes and instead use a better approach to help Jean that enabled her to keep the Phoenix under control and not hurt Scott. That’s all we need to know about them in the new timeline. We don’t need to see Charles messing up yet again when it comes to Jean when that ruins a huge layer of the meaning and impact of DOFP’s ending.

James McAvoy himself pointed out how unnecessary it felt to recycle characters from the original trilogy when the X-Men in the comics are full of plenty of other characters that could’ve been introduced in a DOFP sequel instead. He’s absolutely right.

But here’s what I really think: if any sequels to DOFP just HAD to be made, they shouldn’t have tried to stuff in even more characters. If they HAD to include another old character we’d seen before, it should’ve been Kurt Wagner and Kurt Wagner only. Why? Because he’s Raven & Azazel’s son. And this would only add to the parenthood theme already present through Erik & Peter, and Charles & his students; add a new dimension to Raven as a character as we explore how she feels about being a mother, and what happened that caused her to be separated from her child; and add a new dimension to Hank as we explore how he feels about potentially being a parental figure to Kurt as a result of following his heart toward Raven.

The sequel(s) should’ve focused on developing the relationships that actually had been established/hinted at, and those that would naturally branch as a result:

Erik & Peter as father and son

Raven & Kurt as mother and son

Charles’ parental relationship with his young students

Charles & Erik getting back together

Hank & Raven getting back together

Hank dealing with being Kurt’s possible stepfather

Charles & Raven reconciling as siblings once again

Charles & Peter as stepfather and stepson

Charles & Kurt as uncle and nephew

Alex seeing all of this and being reminded of his bad relationship with his own parents that led him to get locked up before Charles and Erik found him, emphasizing Charles’ place in his life as his true “father,” and foreshadowing Scott by revealing he’s not in touch with his family (meaning he doesn’t know he has a much-younger brother)

Erik bonding with Kurt and making Kurt comfortable through being the only other native German speaker in the group

Erik & Hank dealing with their rocky post-DOFP relationship; Hank giving Erik a proper calling out for sending Charles into such a depression for a decade and for trying to kill Raven

Erik bonding with Charles’ other students and slowly realizing there is a place for him at the school

(Logan may or may not work as a character in such a sequel. But whether he has a big or small role, it must be acknowledged that Raven, not Stryker, saved him from the Potomac at the end of DOFP. So now he is on a different path, and is NOT Weapon X. Either he’s still at the mansion or went his own way with the open possibility of returning; I think the latter makes more sense since he’s such a loner and considering he wouldn’t remember the events of DOFP, he’d be pretty overwhelmed. Plus his explained absence would allow space for the film(s) to focus more on the other characters.)

Regardless, any villain(s) of those hypothetical sequels should’ve been the kind of antagonist(s) whose threat inevitably brought those aforementioned characters together and, in the process, fleshed out those relationships.

Also, no stupid 10-year time jumps between every movie. Keep it to 5-7 years after DOFP, at the most.

Think of the emotional impact that would bring:

Charles & Raven dealing with the fact that she chose not to come to him for help when she became pregnant

Hank & Raven discussing Raven’s history with Azazel and both of them admitting they went to great lengths to try to get over each other but nothing worked

Raven exploring motherhood and her feelings about either having abandoned Kurt as a baby or accidentally losing him, and Hank supporting her in this

Erik exploring his newfound fatherhood, and Charles supporting him in this

Peter’s feelings toward his dad for being absent from his life for so long and also for being a terrorist

Kurt’s feelings toward his mom for being absent for so long, and possibly for intentionally leaving him

Peter & Kurt becoming besties and bonding over being super-fast travelers who have spent too many years not knowing one or both parents

Hank wishing things had been different with Raven and that Kurt could’ve been his son and thinking about stepping into a stepfather role for Kurt

Erik & Peter perhaps getting stranded/separated from the rest of the group and forced to bond while trying to find their way back

Erik saving Peter’s life in battle, cementing their new bond

Hank fully embracing his Beast form (mutant and proud) in battle while protecting Raven and Kurt

Raven, Hank & Kurt as a badass blue family

Erik finally deflecting a bullet successfully to save Charles

Charles & Erik fighting side by side once again and realizing they’re better together than apart

Erik & Hank managing to find some common ground as they both have been unexpectedly thrown into fatherhood (see, no need for female fridging!)

Erik coming up with Quicksilver as Peter’s superhero name, at least getting the chance to name his son in this way

Basically the whole group becoming a big family

Perhaps closing with a flash forward a few years: Erik & Raven are now teachers at the school; young Scott arrives at the school and meets Alex for the first time; Charles & Erik hear about young Jean and head out to meet her; Hank & Raven manage to discover Logan’s location and head out to bring him back to the mansion - tying into the finale of DOFP

Those are just a few things that could’ve, and should’ve, been prioritized in a sequel to DOFP.

[casscainmainly]

Cass, Names, and the Black Bat Era

With a Black Bat mention in 2025 (read Batgirl (2024) #4!!), it seems as good a time as any to look back on one of Cass' most fleeting identities. We all know why Cass took up Batgirl and Orphan, but we don't get to see the thought process behind Black Bat. I'm going to consider why Cass might have chosen Black Bat as her name, and what it means for her relationship to Bruce and the Bat symbol.

This analysis will purely consider events from the characters' perspectives, ignoring authorial intent. There is like a negative percent chance any of the connections I make here were intended, and Black Bat probably was just a name they randomly picked. This is essentially me trying to make sense of the little Cass bits we get during the Batman Reborn era.

Background: Batgirl and Orphan

Growing up nameless, Cass associates names with personhood and autonomy. Batgirl was the first (and the most important), and a large part of Batgirl (2000) showed how Cass only thinks of herself as Batgirl.

Batgirl (2000) #7

"You need to relax, Cass--sorry--Batgirl." Barbara's 'sorry' indicates that Cass' identity is purely Batgirl, disliking any other name. (For a more in-depth exploration of this moment, see renaroo's meta!). This shows how it's not just the mantle, but the name - the actual word - that matters to Cass.

A very similar thing happens in Batman & Robin Eternal #26:

Once again, Cass is extremely particular about what people call her. And once again she rejects one identity in favour of another - she struggles with being more than one thing. Whatever identity she adopts, it contains her whole self.

Which is why when she loses herself, she becomes nameless:

Batgirl (2000) #73 / Red Robin #17

In the first panel, Cass has just 'killed' Shiva and forsaken Batgirl. "She thought she was a bat. But she came to find she wasn't that either." Without the bat, she becomes a girl "named Cain." While not technically nameless, Cain is just her father's last name - she has no first name of her own. This namelessness occurs again in Red Robin. After Bruce tells Cass to give Steph Batgirl, Cass is left without the bat again - and, again, she becomes nameless. Tim gives her a bat costume, asks her what she needs, and she says "to... just... be...".

If she takes up another name, she will become something - a name is not only identification, but transformation. When she has no idea who she is or who she wants to be (as seen in the end of Batgirl (2000) and Red Robin), she chooses namelessness.

The Gift

Cass remaining nameless not only shows her lack of identity, but her rejection of Bruce and the Batfamily.

Red Robin #17

Here, Tim says it doesn't matter what Cass calls herself, they'll always be family. Cass' answer is cryptic: "But family is not always home..." If we look at Cass' history, the only times she leaves her family is when their relationship becomes unbearable. She runs from David Cain because he makes her kill; she leaves Babs because she calls her stupid; she leaves Gotham the first time because of Steph's death; she goes to Hong Kong because Bruce makes her give away Batgirl. Family isn't home for Cass only when something awful happens.

For Cass, family and names have always been linked. In my gift post, I talked about how Batgirl was presented as a gift, and how Babs says gifts are things that make you "feel[...] not alone" (Azrael: Agent of the Bat #61). Batgirl, a gift, makes Cass feel "not alone." The mantle represents her connection to the Batfamily.

In fact, Red Robin parallels the original gifting of the Batgirl suit:

Legends of the Dark Knight #120 / Red Robin #17

Tim explicitly links the gift of the Bat symbol to family: "the...family... has settled down. I thought maybe... it was time to make it all official." (This also somewhat parallels Bruce's adoption of Cass, which Tim was also there for). But Cass doesn't accept the gift this time, telling Tim that Steph is already Batgirl, and that 'family isn't always home'. She keeps the suit, but the ambivalence in her response shows her ambivalence to her family.

Batgirl and Orphan are both familial names, one linked to the Bats, one linked to David Cain. Names to Cass represent both her own identity and her relationship to other people. When Batman took Batgirl away, he was essentially revoking her place in the family (Batman R.I.P happens right after her adoption too). Though we never explicitly get Cass' feelings, her hesitance at Tim's gift says a lot.

What Was Tim's Gift Anyway?

When Tim first sees Cass, he thinks to himself:

Red Robin #17

This is a great insight into what Tim was actually offering. The first thought reveals that Tim wasn't suggesting Cass be Batgirl again, which Cass assumed. He knows Cass doesn't want to be "who she was" - he thinks she's being true to what "she wanted to become."

What does he think Cass wants to become?

Batgirl (2000) #59

In Robin/Batgirl: Fresh Blood, Cass tells Tim the "the only thing" she's ever wanted was to be Batman. This is the only thing she wants - when Tim says she's being 'true to what she wanted to become', it's likely he's thinking of this conversation. So when Tim offers the batsuit, he's offering the bat mantle. He's offering what she always wanted to be: Batman.

But Cass' conception of Batman is clearly tied to Bruce ("take over for him when he's... done"), which in turn ties the concept of Batman to Gotham. Cass does become the Bat of Hong Kong, but she doesn't take the Batman name (which she totally could, since Bruce and Dick are sharing the name; or she could be 'the bat' or whatever).

Instead, she chooses Black Bat. Both Batgirl and Orphan are taken from other people, so this is strikingly the only name Cass invented (even Kasumi was probably not her invention? It was a disguise anyway). But was Black Bat actually Cass' invention?

Tai'Darshan All Along

Batgirl (2000) #40

Black Bat is also taken from someone - from Cass' first canon love interest, the one and only Tai'Darshan. I seriously don't think DC knew they were taking the name from him, but they did and that means Tai is extremely important to understanding Cass' Black Bat era.

Because Tai doesn't just represent teenage hormones. Like Lady Shiva, Tai'Darshan was a foil to Batman, someone who opposed him in almost every aspect. He is Cass' first proper rebellion, kickstarting the downfall of Cass and Bruce's relationship in Horrocks' run; he also died because of Bruce's interference, something that Bruce himself thinks is the reason Cass doesn't trust him anymore.

Batgirl (2000) #47

Though Bruce and Cass make up in #50, there is something permanently secretive about Black Wind and Cass' relationship. Bruce says "she won't tell me what" happened, and Tai's last conversation with Cass is about secrets:

Batgirl (2000) #44

Tai'Darshan represents Cass' secret side, a side "buried" from everyone (particularly Bruce). Tai's reference to Cass' "real name" is poignant - in a way, he was the first person who liked Cass for Cass, who asked her to take off her mask and admired her face underneath. He never knew who she really was, but he loved her anyway. The 'bat' in Black Bat doesn't refer to Bruce, but to Cass. It makes sense that at a time of complete identity loss - after giving up Batgirl at Bruce's orders - Cass would turn to a nickname from someone who caused her falling out with Bruce, who represents secrets, rebellion, and a self defined outside of Batman.

Black Bat

Gates of Gotham #4

I wrote elsewhere about how Gates of Gotham, and this conversation with Dick in particular, is Cass rebelling against Bruce's (and DC's) decision to boot her from Gotham. In GoG #5, she tells Tim she's staying. Black Bat as a mantle is not really Cass becoming 'the Bat' of any place - it's something different, something new. It's a reconfiguration of the Bat symbol as something that's hers.

I think Tim bookending this Black Bat experience is important, too. He gives her the Bat symbol in Hong Kong - she comes back to Gotham to tell him she's returning permanently. Black Bat and Red Robin are syntactically similar, and Black Bat is very similar to one of Tim's name suggestions ("Black Robin"). For Tim, Red Robin was punishment made into redemption; he took the name from Jason and made it his own. Black Bat, in its own way, is Cass doing the same. By taking a nickname from Tai'Darshan, she is using the bat name/symbol without attaching it to Bruce; in fact, the memory of Tai is against Bruce. She's taking back the symbol that means so much to her and making it her own.

Conclusion

This was honestly a big excuse to remind people that Black Bat comes from Tai'Darshan. As one of 4 Tai fans on this website, I just think his role in Cass' life is really interesting and underappreciated! His storyline may be awful in every way, but I'll always have a soft spot for him as a character.

Also I was writing this before Batgirl (2024) #4 came out and it does somewhat complicate this reading. Shiva is implying that Black Bat, like Orphan (and Kasumi) are identities that Cass affects, that she's "aspiring to be somebody else". I don't think Shiva is being quite fair - Orphan, for instance, is as much in defiance of David Cain as it is an homage to him. But it's interesting that even when Cass is constructing her own identity, she consistently defaults to using other people's names. In that way Shiva is right - for Cass, names are gifts, so she never tries to name herself. She also, even in this reading, clings to the image of the bat. I'm highly interested where Brombal's investigation into Cass' identity will take her, especially in regards to superhero and legacy mantles.

[saetoru]

this blog is now archived !! find my MASTERLIST here !!

hi guys, and here’s a long overdue post that i wanted to take the time to make after collecting as many screenshots as i can for a lot of rumors that i think need to be addressed. before i do that, i wanted to apologize to all of my mutuals who ended up wrongfully harassed in their inboxes for simply knowing me—the irony of this issue being about bullying all the while people on this app have been simultaneously being genuinely awful to other writers who have zero involvement has been ridiculous.

i would’ve made this post sooner, but december was very busy—as you all know, i’ve been working with two separate companies for my capstone projects, and i had final presentations with boards to worry about. and then a cruise which was fun, but i was offline. now that i’ve finally had time to enjoy my break and collect my thoughts, i’d like to voice my own side to the discourse i’m sure you’ve all seen posted by @/garoujo, who is now @/gojoath.

first and foremost, i’ve been on tumblr for almost 4 years now, and while i may not have the brightest moments on here (no one will be spot-free in that amount of time), i’d like to think that if i actually went out of my way to vicious or bully people, this would’ve come to people’s attention a lot sooner. i’ve had a relatively large following across all 6 of my blogs in my time here, and while i don’t like to get into the metrics of my blogs, the reason i point this out is because i have willingly started my blog over 6 times. 3 of these were sfw blogs under my nickname tee, another 2 of which were my previous nsfw blogs under a different alias, and saetoru which is the current one, where i finally decided to combine my sfw and nsfw writing into one space. i just wanted to bring that up because i had quite a habit of leaving and restarting blogs before this one, and had i been obsessed with outperforming other writers in terms of follower counts, i would not have left the previous ones as often as i did. 

that being said, i’ll also go through a timeline of events and how they’ve snowballed into an issue that is not as one-sided as most of you might think. i’ve been mutuals with emmie since my first blog, and i’d been mutuals with her through most of her blogs as well. we’ve never really had issues until her last blog @/garoujo, which she’d started after deactivating @/atsymu due to discourse regarding racism accusations. the reason why we had a falling out was because i felt that there were a series of odd coincidences that felt slightly purposeful, but i was still questioning whether or not i was looking too deeply into it to actually point any of it out.

admittedly, when i saw her first set of banners, i felt our layouts were a slight bit similar, but i really didn’t mind too much because i had been planning to change my banners anyway because i was bored of them. so i took that as an opportunity to do so. it just so happened that within a day or two of every time i changed my banners, hers would be changed too—i never said i owned the color gray, and i even fully acknowledge that the last two sets of banners, at first glance, wouldn’t be a red flag. because, like i said, i was more uncomfortable with the pattern of coincidences than the actual layouts. then i switched to my instagram theme, and not long after, i noticed her add instagram story visuals to her navi. again, no one ever said instagram was my original idea, and that no one else could use it, but it was an unsettling feeling having the same moot continuously make changes around the same time as you, and changes that are different enough that you can’t exactly point out an issue, but slightly similar enough that you can’t exactly ignore the slight oddness.

coincidentally, the same day, another blog (who i will not name bc they’re not very active anymore and are also not very relevant to this story) made the same theme as me and i was a bit peeved because this same blog is someone who has copied a few other things from me and a handful of other moots, so i made a subpost on my moots-only personal blog at the time. keep in mind, i made this post fully aware that emmie was on this blog because i didn’t intend for that post to seem like it was about her. but she reached out to me, and i explained to her the situation, and i even provided the relevant screenshots to show my points. i still considered her a decently good friend at the time, and even with the slightly off feelings, i was still adamant about brushing them off and considering them coincidences that perhaps i was being a bit too critical of.

it wasn’t until i woke up a few hours later after changing my theme and going to bed that i noticed she’d then fully switched to the insta theme. again, instagram is an app used by millions and, at one point, was a very popular theme used amongst most people on this app. i’m not entitled enough to believe i was the first person to do it, but like i said. there are just off vibes most of us will not help but feel when a series of coincidences continue to happen back to back to back by the same person.

there were, amongst these things, a number of other small touches that made me feel off. most of them i don’t remember by now or have screenshots of, so i won’t bother to go into all of them, but for reference, one example i’d also like to point out that i’d had the phrase “you’ve reached the hanmas” in my inbox when she was still on @/atsymu, and sometime after, her sfw blog @/loveatsu had the phrase “you’ve reached the miyas.” small things like this are not things i make an issue over and am more than capable of brushing aside, but like i have said and will continue to push firmly is that i felt there were multiple instances of emmie, in particular, making small tweaks to her blog shortly after me that made me feel were not all coincidentally similar. the issue was never themes or thinking i am the first or only person to do something a certain way, the issue has always been me countless times feeling that one particular individual is exhibiting a behavior that is persistent and uncomfortable no matter how minuscule the instances may be. maybe they were really just unfortunate coincidences that happened with poor timing, or maybe they weren’t. but i stand by the fact that anyone in my shoes would be valid to question the timing of each of these events over and over again.

i would also like to bring up kinktober (though this happened a while after the rest of what i will get into) because this was the first public discourse that emmie and i got into due to an anon’s claims of similarities between our posts. i had received an anon who told me “i think someone copied your kinktober masterlist” which i answered to ask if they could let me know who. they had come back to say it was garoujo, and i did not reply to the ask, instead, i made a post to vaguely tell the anon that i appreciate them letting me know, but i will just leave it be and continue on with my kinktober regardless of emmie’s mlist. i do think there were some vague similarities, but honestly not enough to really question it, so i figured a confrontation or issue was not necessary. a while later, several moots had messaged me to let me know they had received anonymous asks saying to “block @/garoujo she copied @/sakusins and she’ll copy you too” (or something along those lines, i don’t remember exactly.) i myself was very confused (and upset) by the situation because i did not, and still would not, want to be publicly name-dropped in other people’s inboxes over issues that do not involve them. unfortunately, it led to some not-very-kind asks to both of us, and while i am sorry she had to deal with that, it is not an apology from a sense of culpability. that situation was, and still is, entirely out of my control. i would not have seen the masterlist unless the anon had mentioned it, and i did not take part in having people send asks about her to other writers. especially not in a manner that was pretty much social suicide for me as well. 

(this is a poorly made collage i know lol but i hit the picture limit bear with me here.)

i would also like to point out that i am not the only individual who has had issues with emmie and feels she had copied them. although i cannot disclose urls (they have been blocked out for privacy reasons) here are a few conversations i have had with my own mutuals, and i would wager there are more people whom i haven’t talked to who also feel this way. they might be small enough instances that sparking issues over them was not worth it to all of these people, therefore she has never heard from people herself about this issue, but the point does still stand that this claim about emmie is not one i alone make, and is one that i have heard countless times before. her never being approached by these individuals for the sake of peace doesn’t erase that they have been, and are, upset by these events, and it’s a habit that she seems to continually partake in. i would also like to link this post where she has been called out by another writer while she was still atsymu, which was posted while we were still friends. i’ve actually had a discussion with emmie about that post, and at the time, i had quickly skimmed the post and felt it was perhaps a reach, but after my own experiences, i went back to reread the post and considered perhaps there was validity to it, and that this might not be a one time occurrence. plagiarism in manners such as this will always have conflicting opinions, and it is hard to sometimes tell if something is a coincidence, a popular and overused idea, or something that has actually been copied. my point is that a number of people have all felt that perhaps there is a good chance this was not an accident, and please consider that so many instances of people feeling this way might suggest that there is a certain degree of validity to the claim.

at the beginning of all of this, when the masterlist banners had first started bothering me, i was upset, and i chose to vent to an ex-moot of mine who most of you would recognize as munsonsins. abby has deactivated a long while ago, but she’s relevant to this because i had chosen to vent to her at the time, and this is more or less what later caused this situation to escalate. at the time of venting to her, i knew she wasn’t mutuals with emmie because, as you can see, she’d told me as such. 

one thing i would like to point out is that there were a handful of people i had vented to about my frustrations with emmie, but one thing i had always been mindful of was ensuring these were a) individuals who i considered close friends and not just random individuals, and b) were not friends or moots with emmie in the event that i accidentally made people who she cared about think lesser of her. had abby been mutuals with emmie, i would not have shared my feelings, and once again, i was not loose-lipped enough to just tell anyone because they’d listen. i told abby in particular because i had felt we were sufficiently close individuals who talked one-on-one and were able to vent to each other. a bit after i vented to her, though, she befriended emmie, which i had no such issues with because abby was/is her own person and is an adult who can interact freely and befriend whoever she wanted/wants to. 

not long after that, on the night before eid (this detail is relevant in the future) an ex moot of mine @/kazuwhora reached out to me. if you guys remember, there was a discourse last year that was all over dash about how writers on this app should be open to criticism. a lot of people (including me and kc) were upset by that sentiment—which is still valid. please don’t give constructive criticism to writers without their explicit permission !! but regardless, kc sent me a screenshot of a mutual of mine who had posted their opinion on this discourse, and their point was clearly that while constructive criticism is important in some aspects, writers do not have to be subject to receiving it should they not want to. unfortunately, i felt as if kc misunderstood what this individual was trying to say, and i was trying to explain it to her, but we got into a small argument over how we interpreted the post. i felt some of the things she was saying about this individual were inappropriate, and i had made it clear that i was very fond of this person, and it made me uncomfortable to be having this discussion. regardless of whether she saw my interpretation of the post or not, i wanted to drop the discussion, especially because it was the night before eid. eid is the one holiday i celebrate, and there are traditions i quite enjoy the night before, and i didn’t want them to be spoiled with a poor mood over a silly argument. unfortunately, she wasn’t very willing to drop the topic, and it ended up making me upset. so i posted this screenshot to my moots only personal from the conversation that consisted of my messages only and said, “tonight i had to explain what a debate is.” it was petty, perhaps, but very harmless, seeing as there was no context given and no names/pfps to indicate who the person was.

truthfully, i had vented separately to cat, eris, and abby about this argument because i was friends with the three of them at the time, but needless to say, venting to your friends about arguments is a universal action, and i believe it is something all of us have partaken in. 

eventually, i decided to softblock emmie because i felt it would be more comfortable for me on my blog to do so. after a bit, i was informed of a subpost that seemed like it couldn’t be about anyone other than me—to make things clear, emmie subposting me was not my concern. i did not hold it against her because she is more than entitled to have her own feelings and vents on her own blog, but the thing that did concern me was that it seemed slightly evident that she was aware of my feelings when i had never explicitly had a conversation with her. it made me question who would tell her, and as you may have guessed, the only person with whom i had shared my concerns who could also be in contact with emmie was abby. 

at the time, eris had also voiced concerns that they had trusted abby with the ending of the plot for the diluc series they were planning, and coincidentally, one of abby’s friends had posted a fic idea eerily similar to their concept, to which abby had been commenting and reblogging more brainstormed ideas under. all of these ideas were very close to the plans eris had for their series plot, and understandably, they felt that it was not a mere coincidence that their entire plot was being brainstormed on dash by a person who was fully aware of their outline. i’d voiced my concerns with believing that abby may have also been sharing things i trusted her with, and as a result we both had made a few vague subposts that we liked from each other—a petty behavior, i will admit, but not something that i think is very out of the norm for a lot of people on this app. sometimes, we all just want to vent out our frustrations, and because we all more or less use tumblr as an outlet, these can sometimes be vaguely taken to dash. it’s not something that is ideally recommended (i’ve learned the hard way) but it’s also ?? not exactly something that only i’m guilty of, or is even a rare behavior. i think to shoot down one person for this behavior is quite frankly hypocritical. again, subposting isn’t a habit i would like to push as mature but it’s something i’d like to point out is very normal in this community, and is not something only i take part in. beyond that, i take to ensuring that whenever i do, i’m not explicitly exposing who i’m talking about in order to keep them out of unnecessary issues. 

after this conversation with eris, it kind of solidified in my mind that i did not want to trust abby with any more personal vents, or information, and i had ultimately decided to soft block her too. i had also decided to take the opportunity to softblock kc as well because i figured i might as well just remove individuals who i felt made me uncomfortable. this is, again, my right to do so to curate my own space. not long after, cat, eris, and i had been softblocked/hardblocked by a number of moots, and we were a bit confused, until cat ended up having a conversation with kc. many accusations were made about all three of us, more specifically, about me to kc by abby because the two of them had been discussing that they’d both been softblocked by me recently.

the list of accusations we were told of is as follows:

me, cat, and eris have a “burn book” where we “blacklist people.” it’s important to note that every time this discourse resurfaces (this is now the fourth time), the “burn book” has fundamentally changed in its composition—it has changed from a discord server “burn book”, to a google doc “burn book”, to the current rumor that it was an entire blog that was used as a “burn book.” it is consistently changed to fit whatever narrative is trying to be pushed, and regardless, the rumor itself is entirely untrue and has been addressed multiple times. cat has had a tumblr theme, a collab theme, and a server theme all dedicated to the film mean girls. she simply had a channel that was to share the urls of minors to block for interacting with nsfw works, or people who were anti-dark content—this is something that i have seen in all servers i’ve been in during my time on tumblr, and is not a new concept for many of you either. it’s simply a precaution a lot of servers take to warn writers about potential minors to block, and potential anti-dark content harassers. the name of this channel happened to be “the burn book” because it was a mean girls themed server, so the name just fit. nowhere in this channel were other writers in the community “blacklisted” or spoken negatively of, and here are the screenshots of the channel. this was simply something abby had twisted in order to paint us negatively. here is the link to cat’s post addressing it for proof and explanation (i run out of pictures or i would include them myself.)

abby also claimed that i was using this channel to talk poorly about kc and a handful of other moots. this is also false bc this server had several strangers (as it was cat’s server and i didn’t know all her moots), but it also had several of kc’s mutuals/friends in this server as well. i’m not so dense as to talk poorly about other writers publicly in a server, let alone a server i know has people who are friends with kc

now, this next part, emmie has conveniently painted out to be about me, as i apparently harassed and blacklisted people for liking itto from genshin impact, but i have been playing genshin for over a year on this app, and quite a large number of you are my own followers who see my rambles and my writing and i don’t have to explain that i have never written for itto, nor explicitly expressed an interest in him apart from perhaps one or two posts from back when i did his story quest. i never had, and still to this day, have no interest in the character itto. i’ve skipped his banner, i plan to skip his upcoming banners should they come, and i have never written for him, nor do i plan to write for him. this issue with itto is between eris and another individual, and i do not have the details to this, as i was new friends with eris at the time, and i’m no longer friends with eris as of current time. quite frankly, even if i knew the details, i wouldn’t go out of my way to share them because it has nothing to do with me. plain and simple.

as you can see, there were a number of rumors spread here to kc by abby, and as you can see, all of which led me to seem quite vicious in character. i’ve provided, to the best of my ability, screenshots and receipts of why each of these is quite drastically out of context and far from true to what abby has claimed. 

i did in fact, after these events confront abby because i was genuinely appalled by the way she knowingly and purposely twisted things conveniently to villainize me. she expressed that she was upset and paranoid by the subposts that she figured were about her once i’d soft blocked her, so i apologized for the posts. she had conversations with both me and cat about the rumors she’d started, and she also apologized for them to both me and cat.

the rumors that emmie has claimed about me in her post, which she conveniently provided no evidence of, are all rumors that are more or less a result of my differences with abby and kc. unfortunately, despite cat trying her best to explain to kc the falseness of most of these rumors, she didn’t really believe them—which is her business. to each their own. i’m sure if i had been in kc’s shoes and in one night, someone i had considered a friend had been painted to do a series of nasty things behind my back, i also would not know what’s true and untrue, and she is entitled to piecing together what she believes is her truth. what’s not fair, however, is for emmie to have no involvement/understanding of these events apart from a twisted narrative she heard from one person and dog pile them into her claims of my behavior to further paint me as a villain. emmie is more than entitled to have her beliefs on my character based on her own experiences, which she has provided her own evidence of, but simply slapping an “and i heard she also….” does not necessarily make claims true, and is very manipulatively thrown into the post to add a list of things that make my character questionable to further validate her point. 

not only this, but she has made a point to openly admit that she and her friends have collectively mocked me for my relationship with my ex-boyfriend, who they have apparently labeled as my “fake” boyfriend that i used to get attention on this app. quite plainly, i get enough attention on my blog that i don’t need a fake boyfriend to amp that up. but furthermore, i am a south asian, muslim individual. my parents are immigrants with very strict religious and cultural beliefs that i feel are very restricting at times, and though i love my family, i struggle with my identity quite a bit as i live in a very western culture that clashes quite a bit with my cultural norms. i do not get to freely explore my sexuality or even romantic life in general, unlike some of you. my parents have been kept in the dark about my relationship because them knowing about it is something that could quite literally create a rift between us, and i find it very insulting and almost suspicious that a white girl is making a mockery of my cultural struggles and my personal life. many of you are either desi or muslim or simply children of strict immigrant parents with quite stubborn traditional views. i’m sure plenty of you understand where i’m coming from when i say that i have to keep my relationship hidden from the majority of the people around me. tumblr is the one place i can anonymously share bits and pieces of my life without worrying about if it will literally cost me my relationship with my parents, so sometimes i may have overshared silly or pointless things, but that is because it’s my own way of being able to express myself and my relationship the way i have always wanted to. apart from that, dragging and making a joke out of someone’s personal life is quite unnecessary in this case. the issue is about tumblr discourse, and i find it very hypocritical that i am being labeled a bully when people, more specifically a white and privileged individual, is plain and simple mocking and poking fun at my personal life and situation that i have no control of. that is my piece on that. whether some of you believe i had a partner or not is not my business, nor do i have to go out of my way to show you evidence of my personal life. what i will say, however, is that there are a handful of close friends i have on this app who are involved in my personal life and have seen evidence of my love life through pictures and private stories on social media. quite frankly, these are the only individuals who i have to justify the validity of my personal life to, and it’s honestly quite violating for someone to stoop to dragging someone’s outside life into issues about tumblr. i extend a very genuine fuck you to every single one of you that have ridiculed my personal relationship and just know that you are extremely bold to consider yourselves above bullying when this is the type of behavior you admit to engaging in. individuals with complex familial relationships, and identity struggles between cultural norms, their ethnicities, and the western world are not your playground to make a joke out of. some of us have very real struggles, such as not being able to pursue careers in favor of arranged marriages, not being able to pursue actual relationships that mean something to us due to a lack of familial approval, being forced to bear children at young ages due to familial pressure, and so on. they are not laughing matters, and are a part of my reality. and before some of you get started—yes, it really is that serious. i have struggled my entire life with having white girls poke fun and tease at my cultural norms, and i refuse to allow another white and privileged individual who already has a record of racially related discourse walk away with once more poking fun at my personal struggles and not be called out for it. i hope you had a good, long, satisfying laugh emmie.

onto my next points based on claims @/anantaru has made about me. the main thing i’d like to really point out here is that anantaru and i have never, not even once, interacted to the extent of my knowledge. they claim that cat and i cannot stand it when people cross us in numbers and that we go through people’s likes in order to find minors and blank blogs to explain all the notes. a) i am very bad at checking for minors and blanks in my own notes, so this is not even a logical approach on my end, but b) this claim is made because cat made this post under the tags of a post going around last year that asked to hear unpopular ficblr opinions.

what cat means to articulate here is that sometimes, when she is scrolling on dash and interacting with moots and their shit/talk-posts, she peeks at profiles she sees in the notes and has happened to catch minors lurking. cat, firstly, has never followed anantaru, so they are not a “victim” to cat glancing at their likes, but secondly, this is not nearly as psychotic as it’s painted out to be. cat is not, and was not, jealous of other blog's notes. quite plainly, she’s not exactly a tiny blog either, and she’s only stumbled upon minors in the talks-posts of moots, including me. shit-posts/talks-posts are easy to notice minors lurking on, and while most people recognize that it’s quite impossible to catch every minor and ageless blog in writing posts with numerous notes, a simple shit-post on dash is more simple, and her unpopular opinion was simply that blogs that grow rapidly need to be better about catching those minors because they are susceptible to having more of them lurking. it’s a really harmless sentiment, and she’s gently reminded me as well on more than one occasion to be more responsible about my habit of being lazy when scouting for minors in my interactions. 

this is not out of jealousy, nor is it some sick and twisted habit she has to “explain” why people get more notes than she might get. it’s also out of a place of concern for her own content ?? i myself and plenty of other large blogs reblog from mutuals, and they are well within their right to be concerned that perhaps minors are lurking on our pages and interacting with works we reblog from our mutuals. cat has voiced this concern to me before, also out of goodwill and simple concern for my content, her content, and minors in general. there is simply no need to twist it into her viciously looking down upon large blogs and their notes counts and claiming they’re “only because they don’t block minors.” admittedly, though, i do need to be better about catching minors, and i have always appreciated her trying to keep me in the habit of being responsible about it. more importantly, it was a small passing comment under a post of unpopular opinions, a lot of them were hot takes, and this is hardly a serious one to get so heated over. 

i’d also like to point out that anantaru has claimed we blocked them for being a gatekeeper and because we’re jealous of their notes. 💀. a) i am very grateful and very happy with the level of interaction i get on my writing, as more people than i imagine leave me countless comments and reblogs. i have never had an issue with comparing my interaction with that of other writers because i have always been abundantly content with the interaction i get. i have no other comment on this other than cat and i blocked anantaru at the same time because we happened to see a post of theirs reblogged onto our dash that made a joke that we felt was a bit insensitive to/alluded to SA—i’m sure it wasn’t meant to be taken that way, but it made us uncomfortable regardless. while we are both dark content supporters, and i myself have read more than one fic that includes noncon in particular, it doesn’t mean we have to like/enjoy everything related to it and we simply decided to block them. i’m not going to bring this post up bc it’s simply not important. they are an adult who is more than entitled to make jokes on their blog and cat and i do not have to like them !! we simply did what we were well within our rights to do, and that’s blocking them.

there’s more they go on to say about receiving hate asks and that apparently it’s because of our “group of friends.” cat and i don’t have a group of friends. i don’t have any group chats with her besides the one with her boyfriend because i get along with him sometimes as well, and we used to play genshin together a lot when i was in low ar. not that i have to explain my friendships here, but i quite literally do not have a group of people to “send after” anantaru because people are well aware of my close friends, who i text with my personal phone number. i’ve posted silly screenshots of convos on my blog multiple times, and none of these friends overlap because i do not have a “group” of friends, just individual friends who i talk to one on one. cat is not friends with my other friends, and my other friends are not friends with her. there are no inner circles that conspire together to send anyone hate because i “tell them to.” and if there are screenshots of me explicitly encouraging someone to send hate on anon, i would love to see it. if i had sent my anons after anantaru, it would have to be a public post, and i’m sure if there were a post of such nature, it would have been brought to light by now. they have also claimed they were given multiple urls of mine to block. i only have ONE writing blog, @/saetoru, and the only other two that are still up are archived blogs @/hanmine and @/katsuphilia, which are side blogs attached to saetoru and have been inactive for several months. there are however, multiple individuals on this app who also go by the name “tee,” and perhaps we have unfortunately been mixed up as the same person, but the only blog i have is saetoru, so there is no other active blog they have blocked me from that belonged to me and was able to harass them.

not only that, but anantaru has claimed that one person off anon sent them hate with a kaeya url which they insinuate to be me. once again, you are all more than aware of my history of urls, and many of you have all been here to see them. i’ve never once had a kaeya url, nor have i ever been particularly interested in kaeya outside of a small number of posts on a rare occasion. my genshin favorites have always been characters from sumeru and, at one point diluc, and once again i don’t have to ?? explain my selfships to you all ?? but literally, i have nothing to do with a kaeya blog or kaeya account, and im unsure why it’s being thrown into my name. quite frankly, i’m not sure  what their moot has told them we have said about them, but the only conversations cat and i have ever had about anantaru was that one about the noncon joke, and that’s it. outside of that, there is literally no evidence of us speaking about this person because it simply doesn’t exist. 

i implore you all to, instead of starting public discourse over things you hear, confirm them first. had anantaru reached out to me or cat and expressed that they are upset that we are supposedly spreading false rumors about them gatekeeping, then whatever misunderstanding it might have been could have been cleared. i would like to also point out that it is not above bullying when you simply dump numerous accusations that you have heard through half whispers from moots and provide 0 evidence for them. i am perfectly aware of why emmie may consider herself to have issues with me, but i have never had an encounter with anantaru, and truthfully, i’ve never actually even read their writing before. my main (and pretty much only) experience with them is seeing the joke i saw reblogged onto my dash, and as i stated earlier, the only thing i did for that was block and move one.

and lastly, the other point i’d like to make is that numerous blogs who i have been objectively very kind to have come out to take the opportunity to stomp on my character and reputation. for example, tumblr user @/osaemu, who used to follow me and interact with me quite often. i have always been excited to interact with her because she was really supportive of my gojo writing, and at one point, i had a small area of concern with her using the same exact title as me for a gojo fic. below are screenshots of our conversation regarding the titles.

i am quite confident that this is a very polite interaction, and i was very clear that i didn’t think that her writing elements, including gojo’s parent dynamics and his dynamics with the reader, were copied or even something that i felt she needed to change. i pointed them out as a way of indicating that between these parallels and between the fact that i know she reads my rb! gojo series, i find it difficult to believe that our fic titles being exactly the same is a coincidence, and it made me uncomfortable—my concern was not how she wrote gojo’s parents or his dynamic with reader. i never accused her of stealing ideas that were mine alone to use, all i simply wanted to do was shed light on the fact that based on these parallels, i figured the names being the same was a touch difficult for me to brush aside as a chance similarity. i was very clear to outline that i know these dynamics and themes in writing are generic, and that people can pull inspo from them because i have done the same thing. my only concern was the title, which i politely asked her to change, and she agreed. case closed. i have been, again objectively, quite kind to osaemu, and i had no intentions of blocking her like a moot had suggested because i felt it was a very silly issue to block over since she was very lovely to me. 

i did, however, block her because she posted one-paragraph posts with multiple characters tagged. that’s not a crime on her end, and i’m certainly not here to police her posts in the tags, but as me and plenty of other people on this app have voiced multiple times, it is a bit irritating and feels like spam to see posts of these kinds in the tags so i blocked her. this is a very popular opinion and i refuse to be considered problematic for it. i am not here to police what constitutes an appropriate post to tag x reader tags on, and while i have made posts simply sharing my opinion on what i feel should and should not be tagged, osaemu is more than welcome to post whatever she feels she would like to into the tags. i do, however, block anyone who i come across who makes those kinds of posts because i simply don’t like them, and i don’t like seeing them. i don’t owe an explanation for why i block anyone, but seeing as i have been painted as some bitch for doing so, here is my reasoning. quite a lot of people agree on this sentiment, and to each their own, but i don’t enjoy seeing those posts. i did also unblock her at one point, as she mentioned. this is simply because a mutual of mine had voiced that they felt someone had copied the concept of their drabble, and i was helping them word a message to send, so i went back to this exact conversation to look back on what i said because it was a similar situation. as you know, blocking someone hides their dms from your dm list, so i had intended to temporarily unblock her just to see how i worded my message to help formulate a message for a mutual. there were no screenshots sent, i simply wanted to jog my memory of my points, that’s all. i did forget to block her again for a bit but eventually did, and that’s the extent of our interactions. i don’t recall posts telling people that i condone sending anons with death threats like she has claimed, and if she could point out the particular posts i have made where i encourage people to send anon death threats on my behalf, i would be more than happy to clear them up, or address them. 

i have admittedly, on a few occasions said in my responses to anon hate itself, the phrase “kys” out of frustration, and there are i’m sure conflicting opinions on that, but i do not regularly use this phrase in my vocabulary. i have been on the receiving end of graphic sexual and violent asks in my inbox regarding me, my teenage sister, and my mother, during my time on here, and sometimes out of frustration i have said less than dignified things, but this is not a constant behavior, and frankly, i think once people make graphic, violent, and inappropriate comments about my 16 year old sister, saying “kys” in response is not the greater of the two evils. it is a tad bit hypocritical to expect benevolence from me to an anonymous hate ask just because there is “another person” at the end of the screen when they have not extended the same sentiment to me.  

all of that being said, jumping on the trend to trample on someone while you have the opportunity to because you’re bitter they blocked you is also no better than bullying. apart from blocking osaemu, I have taken careful steps to always be respectful to her due to the very kind comments she’s left on my writing. leaving nice comments on my writing is deeply appreciated and welcome, but that doesn’t mean i have to subject myself to seeing posts i do not want to see on my dash on my phone. i pay for the phone bill, so i will cater my phone to show me what i want to see, and if that includes blocking a few people, i am allowed to do that !! i should not have to apologize for or be crucified for blocking someone and their feelings being hurt over it. 

not only this, but several of you have somehow started a rumor that i am 26 or even pushing 30. that’s nowhere close to the truth. i’m 21, soon to be 22, and i have stated multiple times i am an undergraduate college student. of course, there is no timeline to college, and people of all ages complete their undergrad degrees, but i have made it a point to vent about my concerns numerous times that i am very stressed about taking extra classes every semester to compensate for changing my major late because i want to graduate on time. my graduation year is 2024 (as would make sense seeing as i will be 22 years old), and if you don’t believe me, i have celebrated my bday on april 12th of every year this blog has been active. you’re more than welcome to check my archive to see if that’s true, and for further reference, here is a picture i have sent to mods of servers i am in to be accepted. (note that my url used to be hanmas before saetoru.)

although there is no shame in being 26 or pushing 30, the reason why i wanted to address this is that i wanted to point out that yet another rumor has been fiercely pushed on my name and has been believed to be the truth. no one has to walk away from reading this post assuming that i’m a saint and i have never done anything wrong or that i have been faultless in differences i’ve had with other people. but a lot, if not all, of these claims are exaggerated with 0 evidence, and people have just run with claiming them as true. i physically cannot deny a large majority of these rumors with evidence or screenshots because half of them are made by people i have never interacted with or talked to, and i cannot produce evidence for interactions that never happened. i have seen blank, burner blogs post stories of their experiences with me, one in particular that claims i dm’d them to tell them their hanma fic was breathtaking before i harassed them about their theme, boyfriend, and parents. a) i do not dm anyone to compliment their fics because i am simply too shy to do that. i would have only reblogged the fic with comments if i enjoyed it. b) again, there is no evidence on their part, and i cannot dispel this story with evidence of my own because evidence of conversations that never took place does not exist. and c) i would like to think i do not come across as dense enough to attack someone in their dm’s viciously about their boyfriend and parents openly with my account, where they could easily spread the proof around if it had actually happened. i am not responsible for people’s internet literacy, and if people believe every story that is shared with not even a small piece of proof that it took place, i cannot do anything besides simply urge you all to formulate your opinions based on what you see, not based on what you hear. 

i would also like to end things off with an apology to all of you—mainly because there was no reason for so many of you to be dragged into something that did not involve you and also because there are very disturbing and important issues going on right now in real-time in the world that are affecting a lot of people. i never want to be involved in something that takes attention off of important discussions such as genocide, and while many of you like to claim i am deflecting, i think it is quite telling that some people have posted nothing about something this important but have made multiple posts regarding discourse. i did not feel it was appropriate at that time to focus on discourse, and i still do not think so, but i wanted to leave off with my own statement.

i would also like to apologize if i have ever come across as unkind during an experience with me; it is never my intention to be that way purposely. i have a habit of being petty sometimes and can be a bit short-tempered, and it’s something i work on. with as large of a following as i have, sometimes it’s better not to say anything at all than say it—however vaguely it might be. i hope some of you who also have larger followings keep that in mind so that you can avoid discourse erupting into something grand scale. please vent to people you trust and be wary of having a habit to subpost. but mainly, please remember that people trusting you with their feelings and troubles is not something you should take pride in spreading. there is nothing to be proud of about sharing people's private socials, urls, and conversations. while i am not always able to keep my temper under wraps, and while i have had my fair share of petty moments, i, to the best of my ability, have always made sure that i don’t come across as intentionally cruel or mean, nor have i purposely broken someone’s trust. sometimes i have retaliated back a bit fiercely, but i stand by the fact that i never purposely chased or drove anyone off, mocked or belittled them, or sent people over to dislike/hate them. i have at times vented to those who i believe are people i can trust, sure—but this is something we as people are all guilty of. there’s no way any of us can hold one person more accountable than others for partaking in closeted conversations that are never meant to get back to people and hurt them. 

i genuinely loved, and still love, writing very much, and i have always appreciated every ask, every reblog, and every comment. writing is a hobby i am greatly passionate about, and it’s always a hobby i was very excited to share with people on here because i don’t get to share it with people irl. i don’t willingly tell people irl that i enjoy making elaborate plots about anime characters, and i have always been very excited to share that hobby with you all, whether you are a reader or writer. i’ve read fanfiction for a very long time before i ever decided to try my hand at writing it, and i would never want to knock other people down simply because they “surpassed” me. i enjoy finding writers to read from, especially those who write better than me, because they are where i draw the most inspiration and motivation from. the moots i look up to most are moots who are in my opinion, far stronger writers than me, and moots who i always firmly believe deserve much more reach than i do on their stories because they’re far more fleshed out and in-depth than anything i can produce. and i am proud of them !! and even those of you who feel you are stuck not getting as much reach as you would hope, i am proud also of all of you for picking up a google doc or pen and writing and trying, whether you choose to share it or not. i will always strongly encourage you all to try your hand at writing if you have ever considered it because i have genuinely built such a better sense of self-esteem when being able to incorporate pieces of myself in my stories and express parts of who i am—i think some of you might really enjoy the catharsis that writing brings, and if you ever debate on trying it out, please do !! you might become really passionate about it. 

anyway, this post is abysmally long. none of it is to clear my name in hopes that i will be “un-canceled” (LOL) because i have decided saetoru is long overdue to be put to rest. i hope you can all, at the very least, allow other writers some peace and stop harassing them in their inboxes for knowing me (because that is also bullying and very ironic of you), and i hope you all got some sort of understanding of where i am coming from. if you think poorly of me, that’s okay. i have an opinion of myself, and the close people who surround me, that i am confident in, and while i may not have always handled things in the brightest of manners, i am well aware of what my intentions have always been. 

i’m deeply grateful to all 41k of you, and thank you for reading my works and allowing me to write for you !! thank you for all the very, very kind asks that i never got a chance to fully answer each one of, and thank you especially for all the supportive comments and love on the writing i’ve posted. they might be silly fics you read once and moved on from, but they’re all pieces of me, my life, and things that are important to me, and as cringe and cheesy as it sounds, it means quite literally everything to me when people read them and take away something from them. 

also, as a parting gift, i will be posting the nerd gojo, ex-convict geto, and a marriage rb! gojo fic to my ao3 (also saetoru) for those of you who have been patiently awaiting those wips to enjoy. please (a little more patiently) keep your eyes peeled for those <3 i will no longer be posting or active on saetoru, and in the event that i keep writing, it will be posted on my ao3, so you all will know where to find me !!

so for the last time, i love you my little runts !! wishing you all the best, and goodbye to my lil saetoru bestees. 

mwah !!

— tee <3

ps. i also have turned off reblogs for this post and limited replies to people i follow only. a lot of you will jump to say that it’s simply because i am “hiding,” but it is solely because i have said my piece and i intend to move on. thank you and have a lovely day shawtee ✌🏽

[dailyhmsw]

what are The Gang's thoughts on darrell? the Chicken.

mind and the chicken he Didn't Want...... why... does darrell almost remind him of heart? Feathers and Wings and all? how does he feel that They have a chicken of all things?

when did darrell even come into play? wwas the Chicken Always there? has Resident Heart ever seen darrell? what does heart think of a fellow Bird Thing.....

was darrell just found One Day and soul just Picked him up and decided he wanted that damn chicken? Is there a Story to Darrell?

how often do they Dress Darrell Up in stupid outfits this ones important

i have So Much to ask about your thoughts on these Creatures but don't want to bombard you :)

YAYAYAYAYAYYA DARRELL ASK I GETTO SHARE HEADCABNONS I WOULDNT SHARE OTHERWISE OKOKOK

SO outside of universe i know darrell's origins.. i actually read a fic once back when i was still new to the fandom about the Losers finding and getting used to darrell, wherein soul just. conjures him. which is really funny to think about and i adore that fic so much if i can remember the title i'll edit this post to add it

but something within me just REALLY wants an explanation that aligns with the rest of the story. there needs to be MEANING BEHIND THE CHICKEN!!!!!!!!!!!!!!!!!!! and so i present you with this:

he is technically of soul's creation, coming from a want for comfort and unity. but soul didn't create him on purpose, he just came out of his room one day in the middle of the night to find a feathered ball waddling around the living room. darrell is very soft to the touch and unbothered by most things, and he's more than happy to be cuddled and touched for long periods of time. soul doesn't remember when he first saw darrell but it's been so long it's like he's always been here.

as i've shared before, my design for him is based on a barbu d'uccle.. he's a fat little brown chicken with little mottled spots and feathers covering his little feet...,, he's also a hen. he has laid. eggs. but hms don't really seem to care about that too much

the thing is that everyone loves darrell..,, he often gets referred to as "soul's chicken" but heart and mind love him just as much. he's almost a part of them in his own right; a little beacon of hope, as stupid as that might sound. his presence is designed to be comforting and warm, like he's meant to evoke a feeling of wholeness.....,, soul especially sees him and his brown, almost orange-y feathers and feels an odd connection.

BUTANNNYWAYS to answer the other questions!!!:

mind relates all things animal to heart so he was a little apprehensive of the chicken at first, and the reasoning soul gave for his existence (being a comfort animal of sorts) didn't make much sense to him.,, he came around because having a pet to take care of and nurture felt very good for him, and in exchange he gets to hang out with a creature that Isn't Bothersome [even though it's a chicken, a farm animal - why couldn't it have been a dog or something?]

heart LOVES darrell and he has since the start. he's a very tactile person so, if the chicken is near, he is PETTING thoise FEATHERS. and he does find a little comfort in the beloved pet sharing so many physical similarities with him. unfortunately heart has never seen him, but soul has described darrell to him many many times. he pictures him as a big fluffy brown chicken with dumb little curious eyes and huge wings like his own and he loves darrell so much.

amd OBVIOUSLY they dress him up in dumb outfits OOBBBVIOUSLY it is a pet owner's DUTY to do so at least once!!!! often for holidays and stuff they give him little hats yknow . it is Vital for their Harmonization.

tldr god they LOVE HIMMMM he's sweet he's comforting and he provides them with the motivation to take care of both him and themselves C: and his existence comes from a desire for harmony.. he's the only thing that they will always love together