#i feel like the lists are a bit short

[batsplat]

hello, i have a question. what is the difference betwwen a hard and a dangerous racer? is there some sort of characteristics like how succesful a racer is or is more of a "a dangerous racer races on the limit and that's dangerous. a hard racer races on the limit but. its just a hard racer". thank you for answering!

completely in the eye of the beholder, I'm afraid. it's a perpetual debate, and one where everyone draws the line differently... very much a case of one man's dangerous manoeuvre is another one's hard but fair overtake... that being said! I'll have a go at coming up with a general framework with which people assess this stuff

let's bring in two strawmen, which feels like the most direct way to illustrate the possible stances you can take on this debate. to be clear, nobody really fits neatly in either ideological category - but, well, these are pretty much the two most extreme positions anyone could have:

when people are describing something as 'hard racing' (as opposed to... idk, 'clean' racing), they are usually talking about a) contact between the two bikes, and/or b) an action that forces the other bike to take evasive action. what constitutes forcing evasive action? well, this is all very nebulous and hard to define - there's crossing another rider's racing line, making them pick up the bike mid-corner, forcing them wide/off-track, not yielding in situations where one of you will have to yield to avoid a crash... but this is always an assessment that will depend on the specific circumstances. not every block pass is considered hard racing, for instance, even though you are quite literally 'blocking' the other bike. contact is the more straightforward one... if you initiate a move that leads to contact, then most people would agree this is 'hard' racing

so say you are in the 'A' camp. according to this line of thinking, pretty much every contact is 'dangerous' riding and should not be allowed. here's what gibernau said about jerez 2005, included in the sete post:

let's not discuss the merits of the jerez 2005 move specifically here - this is an expression of a broader ideological position. "this is not a contact sport" "it's not about hitting another guy"... so, according to this stance, actions that knowingly result in contact should not be acceptable and as a result need to be penalised. taken to the logical extreme, any and all 'hard racing' is dangerous

let's go to the other extreme, 'B'. let's say you're very pro-hard racing, to the point where you think that contact is more than fine and that it is unreasonable to call it 'dangerous'. sure, of course it is dangerous, but inherently all motorcycle racing has a lot of risk attached. racing that involves contact is basically acceptable. even within this extreme, my lovely venn diagram allows for some actual 'dangerous' riding - either behaviour that is wholly irresponsible during races... or stuff that doesn't count as hard racing because it's not 'racing'. here are some examples:

stuff that happens during races but is like... egregious misbehaviour. cf romano fenati pulling a rival's brake lever during a race - obviously dangerous and no longer really exists within the confines of actual racing

in either races or non-race sessions - not following proper safety procedures like for instance ignoring yellow flags. again, should be pretty obvious why that's dangerous

poor behaviour in non-race sessions,the general tag for not exhibiting appropriate care, awareness for your environment, all that stuff... the extreme example is marc barrelling into the back of another rider after the chequered flag had been waved in friday practise at phillip island 2011 (more on that here). it's also things like faffing about on the racing line, see the pecco mugello dramatics

so, yes, everyone will agree that there's some stuff that counts as 'dangerous riding' that's distinct from 'hard racing' just because it's not actual racing. that's the most straightforward stuff... but yeah, anyway, those are basically the two extreme positions you can take. you can say that all contact is bad and dangerous, that any time you're forcing another rider to take evasive action and are making a pass that isn't 1000% clean, you are putting others at unnecessary risk. or, you can say, hey, everything goes, rubbing is racing on steroids - sure, there's a small category of things that aren't acceptable, mainly stuff that isn't actually racing, but otherwise you should be allowed to brute force yourself past riders whenever you please

obviously, they're strawmen for a reason. basically nobody holds either of these positions in their entirety - and in race situations, there's always going to be actions that are seen as hard racing by some and as dangerous by others. so, unfortunately, we're going to have to dig a little deeper here, and figure out by what metrics people draw the line between hard and dangerous. let's... hey, how about we bring in casey stoner, just this once. as a treat. here's what he said after laguna '08:

“I’ve been in hard racing all my life, some very aggressive racing, but today was a little bit too much. I nearly went in the gravel so many times and I don’t think it was necessary.”

hard racing? casey's done that before. some very aggressive racing? no issue. but what valentino did at laguna was "a little bit too much" and not "necessary". the specific thing casey cites is nearly going into the gravel - and indeed, forcing other riders wide/off-track is one of the types of racing behaviour that most finely straddles the line between 'hard' and 'dangerous'. for other examples, see suzuka 2001 in which biaggi forced valentino off-track and valentino flipped him off when he eventually got past (a few more details here), qatar 2012 where marc forced luthi off-track and got slapped after the race (here) and sepang 2015, where... uh. you know. or how about argentina 2018 where... look, I think you get the point - plenty of controversy comes from forcing your opponent's bike into places where it's simply not supposed to be

while we're at it, let's throw in a little excerpt from casey's autobiography about the race:

A lot of it was fair racing, he was out-braking me on the inside and riding better than me around a lot of the track. If it had all been like that I would cop it sweet. But a couple of moves off camera added to my frustration. I risked running off the track, and racing at the limits like that as we were I even became worried about my safety.

(does have to be said that the pair of them spend... relatively little time off-camera, never when the bikes seem to be particularly close - but of course the problem this statement creates is that by definition you can't judge any footage you don't have access to)

so, let's strip away the details and think about what casey is actually talking about here. it's a risk/reward calculation. this is what's at the heart of this riding standards debate: what level of risk is acceptable for what level of reward? there are situations in which there is inherently a higher level of risk in a way that isn't caused by either party - influenced by the circuit layout, what the weather is like, how hard you're both pushing aka how much on the 'limit' you are, and so on. but even if that risk isn't your 'fault', if you are riding at very high speeds on a dangerous track, you can still be considered a dangerous rider if you're not exercising appropriate levels of caution

so, let's break it down even further and try and come up with some basic criteria by which people judge whether a specific move is 'hard' or 'dangerous'. how about this: (1) does the action have a reasonable chance of coming off, (2) is the risk you're taking proportionate to the reward, and (3) is the move likely to cause serious harm to you or the other rider. let's take them one by one

listen, it needs to be plausible that you're going to be able to pull this move off. if you're firing the bike from fifty miles back into a gap that doesn't exist, then this is by definition an unnecessary risk. you are not going to do yourself any good and you are also not going to do the other rider any good. (sometimes it might be in your interest to crash the other rider out so you might as well, but unsurprisingly this is frowned upon. see the 1998 250cc title decider.) obviously, this is going to be affected by your skill level - if you're a mid rider, there will be fewer moves that are 'plausible' for you than for the best riders

this is basically the common sense metric. if you are riding in a pack, make sure to keep in mind that crashing in this situation could get ugly. if you are fighting for p5, maybe a different approach is fitting than fighting for p1. if you can make an overtake a lap later as long as you're patient, in a way that's a lot safer than doing it now, perhaps just do that instead. don't be silly in the wet! this comes down to stakes, whether it's worth it, how likely the move is to succeed... and also what the consequences would be if you got it wrong, for both yourself and other riders. you're making an overall judgement based on all of those factors... sometimes you need to take risk, but it's better to make sure that risk is reasonably sensible

however high the potential rewards are, there's a certain level of risk that is no longer acceptable, where the 'risk/reward calculation' stuff has to be thrown out of the window because the reward no longer matters. this is basically the catch-all for 'wholly irresponsible riding' - anything that's just going too far

so, uh. obviously everything described above is super subjective... but that's what people are judging in my opinion, this is the standards they are using in their head to determine where they draw the line. so, as an example, to bring back the stuff from this post about the inter-alien ideological differences:

and again, this is also what the debate after aragon 2013 was about:

if you think aragon 2013 is unacceptable to the point of being dangerous, then you probably take quite a hard line view and think pretty much any action that could lead to contact needs to be stamped down on. while that contact did have unpleasant consequences for the other party (dani wasn't able to walk for several days and his title bid was basically over), it is perhaps a little worse than could have been reasonably expected in that situation. in that sense, there's a bit of surface level similarity with jerez 2005... there, valentino made the pass for the win at the last corner, knowing he would probably bump into sete while doing so. neither rider is knocked off their bike (though sete has to leave the track) and it is at a slow corner, with relatively 'light' contact. unfortunately, as a result of where valentino's bike impacted sete's body and sete's preexisting shoulder issues, it ended up injuring sete (see here for valentino learning of this perhaps a little later than was ideal and only after he'd taken the piss out of sete for dramatically clutching his arm). at aragon 2013, marc was harrying dani and sticking very close to his rear tyre as he applied pressure to his teammate before he made a small misjudgement, getting his braking a little wrong and clipping the back of dani's bike. he happened to cut a crucial wire in the process, causing dani to highside a few moments later

these aren't equivalent situations and each have their own risk/reward profile. but the basic point is this: inviting contact with another rider will always generate more risk, and can always have unintended consequences... even when the action is relatively innocuous and the rider would not have expected this outcome. if you are in the 'all passes should be clean passes' school, this risk is fundamentally unacceptable. even trickier - what if contact is made as a result of a move you initiated but the other rider could have avoided? of course, you started it, but they could have yielded... and maybe they should have, maybe that would have been the wise, the sensible thing to do in that situation. it's always important to remember that at least two riders are involved in all these situations - and there are many cases where contact and/or crashing is not 100% the fault of any one party. so, for instance, there are several moments in laguna 2008 that are so risky in part because casey is also refusing to yield. that's not to necessarily imply any blame or fault! of course, it might not be ideal for the most aggressive riders being able to bully everyone else as they please because they know they can generally rely on everyone else being more sensible and yielding. but the differing outcomes resulting from the choices made by the 'other' rider will always help influence perception of any race situation - a move that is seen as 'hard but fair' might have been seen as considerably more dangerous if the other party hadn't yielded

and yes... yes, there is absolutely a question of your success rate. this links back to point (1) - is the move plausible? there are moves that aren't really considered examples of 'hard racing' and certainly not dangerous... because they worked. take valentino's last corner move at catalunya 2009, at a corner where you don't traditionally overtake (remember, before the race jorge was going around tempting fate by saying that if you're ahead by that point you're sorted). sure, he goes for a gap that exists, but it could easily have gone wrong - and if a lot of other riders had tried that, then it would have. how do you think yamaha would have felt if valentino had taken both yamaha riders out at the very end of the race to allow ducati to claim an unlikely victory and an increased championship lead? here's another one: misano 2017 and marc making a last lap move in treacherous conditions to snatch the win. no contact required to make that risky as shit - and if stuff like that goes wrong too often they call you an idiot at best and dangerous at worst. of course, both valentino and marc have had moments where they very much did not pull off moves they were intending, which is how we get ambition outweighing talent and 'I hope he can learn from this one and improve for the future', among other hits. but, relative to the amount of risk they're regularly taking in their racing, they get a lot of reward for their troubles... because they're very good at what they do. the risk/reward calculation is one that they... uh, can both be very adept at, but it's also one that's fundamentally easier when you're skilled enough to pull off a lot of moves that would be beyond the capabilities of other riders. it's when you don't know how to judge your moments, when you keep trying moves that you can't pull off - that's where other riders will start having a problem with you

which is where we get to reputation! how different incidents are judged will also depend on the existing reputations of the riders involved and whether they are seen as 'fair' racers or not (an even more nebulous term, if possible), versus hard racers, dangerous racers... often, this is a question of quantity too - with certain riders on the grid, you will notice they're involved in controversial incidents disproportionately often. how likely people are to pay you the benefit of the doubt... how likely they are to believe you as to what your intent was in a certain situation, perhaps the most nebulous concept of them all. 'hard' and 'dangerous' aren't assessments that are made in isolation, and how severely riders are judged will often depend on their pasts and how those pasts are perceived by others

where you get into really sticky territory is... okay, both valentino and marc have more often than not (arguably) been able to stay on the right side of 'the line', where their moves might be hard but aren't putting anyone else in active danger - but that's because they are at least theoretically capable of exhibiting a good sense of judgement and are also good at what they're doing, as covered above. here's a question: do they bear any responsibility for when younger and/or worse riders copy their moves and/or general approach to racing, with worse consequences? when they have been criticised, when they are called dangerous, at times it's not just what they're doing in the moment... it's what they're inspiring. so you've got stuff like this from sete:

even more drastically than that, after the death of a fifteen year old rider in supersport in 2021, one of his fellow rider said this about marc (which marc unsurprisingly strongly pushed back on):

(just worth remembering, this is a rider who did walk away from the sport as a result and was clearly deeply affected by what happened - the marc comments were part of a longer statement that got overshadowed by this part and the resulting controversy)

setting aside the merits or lack thereof of these specific assertions, what of the general questions they raise... can you be a dangerous rider in an indirect fashion like this, by the very nature of your legacy? are riders who helped bring about a more aggressive baseline standard of racing in any way responsible for anything that happens as a result of this standard? (even worse, there's a line of succession here - after all, who was marc's biggest inspiration?) or does individual responsibility reign supreme here? athletes are by design only interested in their own successes, aren't they - and 'legacy' is so abstract, how can anyone know how others will be influenced by what they do? how can we even begin to assess how big an influence individual riders really are? let's not forget that there will be other factors - riders in the past have discussed how particular characteristics of the moto2 class have bred more aggressive racing, or the influence of the size of motogp bikes, or how difficult it is these days to overtake in a completely 'clean' manner, or the rules themselves and to what extent they have actually been enforced etc etc... maybe there's also an element of people focusing on the easiest, most visible explanation in the form of star riders, without giving proper consideration to the underlying factors that will influence an era's style of riding. again, how you feel about all of this will vary from person to person - but part of the hard vs dangerous debate is inherently forward-looking. and it's hardly just legacy... your hard/dangerous moves may also be setting a precedent in the present. to what extent is it the duty of riders to worry about that?

so then, that's what I've got. how you draw the distinction between hard racing and dangerous riding will come down to your individual ideological position and what you think racing even entails. do you think all contact is objectionable? do you think only the most extreme of transgressions - most of which don't qualify as 'racing' per se - should be labelled dangerous? somewhere in between? everyone will draw the line in a different place, according to the situation and their individual biases and understanding of events. it comes down, generally speaking, to how you judge the risks and rewards of a certain move, whether you think what a rider attempted was 'worth' it. all of which depends on whether the rider could realistically have managed whatever action they were attempting, whether the potential rewards were proportionate to the risks, or whether the whole thing was just too flat out dangerous to ever be worth it... of course, none of these are objective standards by which you can assess the racing, but they should give you a rough indication of what people are even talking about when they're distinguishing between hard and dangerous racing. riders as individuals are also far from consistent in their stances (surely not!) so you do have to play it by ear a lot of the times... and while there are plenty incidents where the majority can agree whether it is 'hard' or 'dangerous', there are plenty more where you're going to get a lot of contradictory opinions. no definitive answers here - unfortunately a lot of the time you'll just have to make your own mind up

[carnivalcarriondiscarded]

What do you struggle with the most when it comes to making an OC?

(Mine is giving them a name. Like..... I would create a cool looking character with some personality but then, I don't know what to name them. I'm even struggling with that as we speak.)

design, absolutely design. a lot of the time i have a name / personality / role / backstory for them Before knowing what they look like. coming up with a physical look to go with the character is a bitch & a half lol

[unityrain24]

my loki sim :3

she is my best friend and wife annd i love her so much so here is her sim

[strawberryteabunny]

lolita fashion zine: Revue de Rosé from Rosé Forêt (link) 🌹

If anyone has recommendations for lolita fashion zines I would love to hear them! 🌸

Got these in the mail today- they’re super cute, but unfortunately very short; especially compared to other lolita zines like Moonbow or JBTK. However the art/photos are really nice imo! I like the concrit essay in the first one too. The first zine has more essays and photos, the second more art and an interview with a jewelry shop owner. I really wish they had more content but hopefully they’ll be able to make future issues longer!

[astrangeghost]

For any of your sets of characters (but I am curious about Reece and Ella if you get indecisive): 2, 6, and 23!

Thanks for the ask ^_^/!!! here they are :]

2 - How long have these two characters known each other? year and a few months! So not tooo long, became friends pretty quickly(go to high school together, Reese transferred in, Ella showed them around the school and they both really liked each other so stuck together!) 6 - Do they have any shared interests/hobbies? Do they ever do these hobbies together? Yes!!! Mainly Drama/Acting and Fairy Tales... When Reese transferred one of the first things they did was join the drama club! Ella is super into fairy tales and princesses and all that and Reese LOVES dragons which fits :) they write stories together and act them out ^_^ 23 - Do they have any mutual friends? Mutual enemies? Both friends with Zack, Nicole and Racheal(though Racheal is Reese's sister)! I imagine their friend group is kinda small... Nicole is a packaged pair with Eve but Reese+Ella aren't too close with her I only have a(digital) pic of Nicole+Eve but its a bit out of date tfyguh

[cesium-sheep]

it is kind of irritating when she switches from being so affectionate and fond and "wow I missed you guys please pay attention to me" to "I'm busy I'll hang out with you later" in like. a day. especially since she's Fucking Leaving in Two Weeks. but no it's really important to idly shop around amazon for a hammock stand you're not going to buy for months. not like you asked me to hang out earlier in the day and I guess had to wait too long and changed your mind or something.

I love her but sometimes she really fucking frustrates me.

[melto]

something just like snapped in the back of my head like i Need to go like curl up in my room for like 5 days and play video games and not speak to like anyone

[nomaishuttle]

i do fr need to work on differentiating between "actually middleclass" and "doesnt live paycheck to paycheck" lmao bc that is something i struggle with... obviously ik i have more in common with like. even somebody whos fr middleclass disney vacations every year. I know i have more in common with them than i do with bezos but god at least i dont have to see bezos being annoying in front of me every day KJANDJKLNLJD

[ditto-knits]

Food for Thought

PRAWN  

Poached with Chilled Celery Root and Green Apple Velouté. 

***

“What is veh-loo-tay?” the girl whispered to her mother. 

“Ask the waiter,” her mother picked up her napkin and delicately wiped her mouth with the corner, “he will know.”

“Excuse me Mr. Robot Waiter sir, what is, um, veh-loo-tay?” the girl turned around to face the waiter, making sure to enunciate each syllable of the mystery word carefully. 

Walter stepped out from the corner of the room. He was programmed to stand away from the tables while the customers ate unless his service was needed. Walter stared down at the little girl, napkin tucked into her pressed and ironed blouse, feet wiggling beneath the table. 

“Velouté,” Walter said, “is French for ‘velvety.’ It is one of France��s 5 mother sauces, the others being béchamel, espagnole, tomato, and hollandaise. It is a white sauce, started from a stock of chicken, veal, or fish, and thickened with a roux, a butter and flour mixture.” 

The girl nodded respectfully, turned back to the dish in front of her, and was about to lift her spoon to try a taste of the now demystified velouté, when she frowned a bit and turned back to the all-knowing waiter. 

“Um, Mr. Robot Waiter, what does velouté taste like? Is it good?” 

Walter paused for a moment. According to his database of tastes, the velouté in this dish had a light, slightly tart flavor from the apples. The sauce was creamy, velvety, as the name would suggest, and very agreeable to most palates, especially a young child’s. Walter told this to the little girl. 

Convinced that the dish in front of her would be delicious, the girl dipped her spoon into the pale green velouté, and tasted. 

Walter stepped back into his corner, mechanical eyes still watching the girl as she ate. 

He wondered if the velouté really did taste good. 

***

Robots can’t taste anything. 

Even Walter, who was programmed to know all the tastes and flavors in the world, who could expertly describe any dish or pair the perfect wine with any entree, had never actually tasted anything for himself. Walter could smell things, in a way. Rather, his air filter could detect scent producing molecules, but this was only so Walter could detect the first wisps of smoke from a fire. Perhaps it was more accurate to say that Walter could identify smells rather than “smell” smells. Ethyl butyrate notified him of the likely presence of strawberries, while isoamyl acetate was indicative of bananas. 

Every night, Walter stood in his re-charging station and plugged himself into the generator. He powered himself off, and turned back on automatically once his battery was full in the morning. That was his source of sustenance. He had no stomach to fill, no reason to feel hunger, nothing to taste with, no means at all by which to desire food like the patrons of the restaurant where he served. They always arrived so hungry, no table manners could disguise how much they desired to be stuffed full, to dig in without restraint. Was it because they were hungry, or did food really taste that good? And what did “good” even mean? 

***

I wonder, Walter thought one night as he stepped into his charging station, if the electricity tastes like anything. It’s basically my food. This time, instead of turning himself off, Walter concentrated hard on the feeling of the electricity coursing through his wiry veins. A crackle in his fingertips, the lightest buzz on his tongue. Something was permeating through his mouth, something not so pleasant, a burning, acrid… taste? 

Is this the only flavor I am destined to experience? Walter lamented, the stinging, sparking, smoking taste of my power source?

Unable to handle the acid on his tongue much longer, Walter powered himself off and dreamt of delicious things he had never tasted before. 

***

One day at the restaurant, one of the customers turned a beef dish away -- roasted with smoked beets and onion relish, rich, savory, and tender-- since she was a vegetarian. Walter took her untouched plate and walked back to the kitchen. Walter could smell the steak, could detect the flavor compounds produced by the maillard reaction that resulted from the perfect sear, but he did not hunger. 

Walter approached the tunnel between the dining area and the kitchen, which housed all the utensils, plates, and an emergency charger. Walter was alone. 

No one would know if I took a bite, Walter thought, I can just try chewing it. 

Walter had never used a fork and knife before, but the information was all there in his database. He had helped countless customers before with their table manners, after all. Knife in his right hand, and fork in his left, Walter stabbed into the steak and pressed down with his knife. 

The steak is tender, and it’s juicy. The red liquid is not blood, it’s myoglobin, a protein that carries oxygen through blood. 

Walter lifted the fork to his mouth, and his jaw lowered. He carefully placed the fork tines speared with steak on his shiny tongue. The metal of the fork scraped against his titanium lips. Since Walter had no teeth to chew with, the steak moved languidly around his mouth, spreading its juices as Walter moved his mandible up and down. 

It’s savory. The beef is medium-rare, and the onion relish is sweet and tangy. 

Walter might as well have chewed an eraser. At least the textural experience was less… rubbery. 

After a few seconds of chewing, Walter tried to swallow, but remembered he had no esophagus, and no stomach for it to lead down to. He reached for a napkin, allowed the steak to drop from his lips, and used the corner of the cloth to wipe out the juices from his mouth. 

Maybe if I try it again I’ll taste it for real. 

Walter was about to reach for his fork again, to take another bite, just one more bite. Maybe if he just thought a little harder, he could taste the salt on his tongue, the earthiness of the beets… 

WARNING, BATTERY LOW

Walter’s vision went red, and he walked over to the nearest charging station, conveniently right in the tunnel. He plugged himself in, staring wistfully at the steak sitting mockingly in front of him. 

Walter was doomed to continue serving humans until they let him retire, which wouldn’t be for an awfully long time. Until then, he’d be forced to watch countless customers eat not knowing how lucky they were to say the words, “how delicious!” and mean it. 

Overwhelmed by a desire to taste something, anything no matter how terrible it was, Walter concentrated again on the tingling sensation of electricity coursing through his tongue. Bitter, acrid, and pungent, the intensely unpleasant aroma filled his mouth and senses, but Walter held on to this disgusting flavor, the only taste he would ever know, ever really know for himself. 

The napkin with the steak was becoming soggy in his hand. He clenched his fist a bit tighter. 

The scent producing particles from the beef lingered in the air. His air filter captured the thiophenes and pyrazines wafting from the steak, formulated to make the mouth of any human water. The only liquid in Walter’s mouth was the leftover juices from the steak. He would have to wipe the liquid away or his metal tongue would corrode and rust. 

The chemicals of the maillard reaction found no receptacle with which  to bind on Walter’s tongue. He could not taste them, but knew they tasted good. 

Walter was hungry. 

[erstwhilesparrow]

any book or tv show recommendations mayhaps?

oh! hello! (had a second of "WHO ARE YOU AND HOW DID YOU FIND ME" and then i checked your blog and was like, "ah, okay, never mind, you are entirely aware i am in the midst of being really pretentious about mcyt right now." welcome!)

under a cut for I Talk A Lot crimes:

hm. okay, tv shows first because i know that'll be short:

NBC's Hannibal (2013) - Huge massive content warning for cannibalism and gore but also the prettiest murders you've ever seen. Feels weird recommending this one because it feels so widely known, but I do love it and I don't watch a lot of other TV. Borrowed from Wikipedia: "FBI profiler Will Graham is recruited by Jack Crawford, [...] to help investigate a serial killer in Minnesota. With the investigation weighing heavily on Graham, Crawford decides to have him supervised by forensic psychiatrist Dr. Hannibal Lecter." Things only get worse for him from there.

Mars Red - Deeply cerebral anime about vampires. Full of theatre references, musings on life and time and death and what it means to sit on the edge / outside that as a vampire. Very very pretty. Plot-wise, it's about a group of not-particularly-connected vampires in 1920s Japan who've been recruited to a special military unit working to protect humans from other vampires.

Revolutionary Girl Utena - It's free on YouTube both dubbed and subbed. So much is happening. I am nowhere near done unravelling it and I may well be casting longing glances toward the project of unravelling it for the rest of my life. Utena Tenjou is a student at Ohtori Academy with dreams of being a prince straight out of a fairytale. She is drawn into a mysterious duelling tournament with Ohtori Academy's Student Council for the hand of the Rose Bride.

books:

Piranesi by Susanna Clarke - Utterly enchanting. A man called Piranesi wanders the House, a functionally infinite building so enormous its upper levels are filled with clouds and its lower levels are flooded and have tides. There is a plot, but most of my love of this book comes from how we as readers get to explore and luxuriate in the House alongside Piranesi. I've seen this called 'anti-horror' because it takes a premise that would be really easy to do as horror (forever lost in an enormous impossible structure with almost no human contact) and makes it something looked with wonder and joy.

Gingerbread by Helen Oyeyemi - Fun! Funny? Playful for sure. Almost a fairy tale. It feels distinctly like sometimes the narrator is winking at you. A woman from a country that doesn't seem to exist on any map attempts to tell her daughter about where she came from, and about their family's history with gingerbread.

The Haunting of Hill House by Shirley Jackson - A fairly significant part of the reason for my obsession with architectural / spatial horror. What if the thing that made a house haunted was not any particular ghost, but simply that something had gone wrong in the house itself? Eleanor Vance is invited to stay at the eponymous house while it is being investigated for supernatural occurrences, and attempts to navigate connecting with the other inhabitants of the house and escaping from the demands of caring for her mother.

My Own Devices by Dessa - I love Dessa's writing in whatever form it takes. I've seen plenty of writing described as 'sharp' or 'smart' but Dessa's one of the few people for whom I feel this is truly an apt description of her work. Her writing sounds like she talks fast, is terrifically smart, and knows what she's doing, and most terrifying of all, I think that impression is right. This is a series of essays, or it is, as the subtitle suggests, "True Stories from the Road on Music, Science, and Senseless Love". It's delicious to read.

How A Poem Moves by Adam Sol - I love poetry; I am so bad at reading and talking about it. This is a way into reading / talking about poetry better! It's a series of mini-essays by a professor at the University of Toronto who teaches poetry! He takes a fairly varied collection of contemporary poems and talks about a few things that each poem does particularly well. It's designed to be accessible and even inviting to people who do not read much poetry. For a taste of his work, his blog here.

When Fox Is A Thousand by Larissa Lai - A retelling of a Chinese folktale. A fox spirit haunts a young woman living in (roughly) contemporary Vancouver and a poet of the T’ang Dynasty. I remember reading this, going, "Oh, that was Good," and never figuring out how to say why.

The Secret History by Donna Tartt - Six deeply isolated classics students at a liberal arts college in New England murder one of their friends. Apparently a pretty big part of popularizing dark academia. I think it would be fair to describe this as gripping / compelling / convincing. I can't quite figure out what else to say, though I loved it while I was reading it.

On A Sunbeam by Tillie Walden - Graphic novel. Makes me ache in a way that reminds me of summer. I described it to a friend once as "full of that feeling of having to do something very frightening, and being reassured by the thought that you will be able to return to people you love for hugs and snacks afterward." A young woman named Mia joins the crew of a ship in charge of restoring ruins in outer space, while also searching for the girl she fell in love with years ago at boarding school. Available online free here, though physical copies do exist and can be bought.

[tenderlambkin]

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[waywardsalt]

:3

[followthebluebell]

Hi! Wanted to ask, is there any particular breed of cat in your shelter that tends to be adopted quickly? Are there cats that seem to be more difficult to adopt out?

Yeah, sphynxes tend to be adopted out super quick. I'm surprised we still have Peach and Finn--- I knew we'd have them for a while because we were treating Finn's FIP, but I didn't expect to STILL have them. We usually have a list of people looking for sphynxes, but all of the people on the list are only looking for ONE cat, not two.

So bonded pairs are more difficult to adopt out, unless they are tiny baby kittens.

tbh, a lot of pedigreed cats get adopted out relatively quickly due to the whole 'we have a list of people looking for this exact breed' thing. Like I've already got people asking about Persephone just because they want a bengal and don't mind working with her severe fears. I'm not complaining about that, exactly. Some part of me feels some kind of way about that but I try not to let it bother me too much.

Domestic shorthairs are the hardest to adopt out (medium haired cats are the most popular of the non-pedigreed cats; longhaired cats are slightly less popular but still pretty desirable). People are well aware that they can get a moggie anywhere. I can swear up and down that my moggies are special (because they are), but so is every cat. Can't really argue with that.

Cats that are a bit 'generic' don't get adopted as quickly. Short haired tabbies and solid blacks are the slowest to get adopted. People want something that looks more 'interesting'. I teach my 'less desirable' cats little tricks to make them more adoptable and it tends to work.

Cats with visible, but not super work intensive, disabilities get adopted pretty quickly. Cats with one eye or three legs are fairly popular. People always think 'ohh no one will want this one', but they're wrong. Everyone loves a nice disabled kitty, so a short-haired tabby with three legs or one eye will be adopted pretty quick.

Fully blind or deaf cats are less popular, but there's generally still a list of people looking for that. Blindness is more 'adoptable' than deafness.

Cats with invisible disabilities or medical needs are the slowest of all to be adopted. Like diabetes or something similar. If a cat has an ongoing medical need that could be expensive, that cat is going to be with us for a while.

[elixrr]

“could you be seen with me and still act proud?”

➢ Jing Yuan, Argenti, Aventurine, Dan Heng, Blade, Xiao, Childe, Wanderer, Zhongli

➢ Star Rail / Genshin x [GN] Reader

➥ (their answer + reaction to this question)

➥ (comfort / fluff)

✧ - JING YUAN

“Why, of course. I would hold your hand up for the whole of the Xianzhou to see.”

This was pretty expected of the sly general. However, what was unexpected was the way he took you in his arms and lifted you up—bridal style. You begged him to put you down as he opened the doors of his and your room, now making his way outside to remind the whole Xianzhou that you're his and he's yours.

✧ - ARGENTI

“Dearest love—of course, I would be so proud to have the chance to take the hand of mortal beauty itself, and, if it were chivalrous, I would boast about your beauty everywhere I go.”

Ever so poetic, Argenti pulls your heart strings again with his creative (yet cheesy) lines. He loves you; that's a fact that nobody can deny, and he believes that you were sent down by Idrila herself with how attractive you are. Without a hesitant thought, he backs away and offers you his hand—will you accept the offer in which he takes you from place to place, hand in hand, to show the whole world that your his love?

✧ - AVENTURINE

“You wanna take a bet? Here, I'll take you out to dinner if you guess my answer correctly—get it wrong, and I decide on what I'll do with you.”

With a wink and a smile turning into a smirk, it's always hard to guess what Aventurine is thinking, but with the clock ticking, you hardly get time to really think, and so you curiously answer with “no.” A smile grows on his face, and he leans in close, holding your arms. He whispers in your ear, “I guess that means you have to do what I tell you tonight.”

✧ - DAN HENG

“Of course. I do... I do love you, after all.”

His sentences are kept short and simple (with a little bit of blush), just like how they always are. Now, unlike most people on this list, he isn't bringing you outside to let the world know that you're dating, but he would feel and does absolutely feel proud to have you as his love. He reassures you that he would never feel embarrassed or feel the need to hide his love for you, no matter the crowd he's surrounded by.

✧ - BLADE

“Yes. Nobody's taking you, and nobody's taking me. Everyone had better know that you're mine, and the same goes for me.”

His response was rather threatening, but that's typical with Blade. His words are as sharp as his sword, but they're also as meaningful as sharp; his intent is nowhere near ill towards you, and he only means that he's dedicated himself to you already, and it's a dedication that he would never feel embarrassed or guilty for. Now, take his hand—he'll promise the world that you're his tonight.

✧ - XIAO

“Yes. Why wouldn't I be?”

In Adeptus Xiao language, he means, “yes, of course I would. Archons, holding your hand is a blessing itself.” And, though he doesn't admit it, he still feels it. You are his first and only love in several millennia. You, of every person to ever set foot in Liyue, managed to capture his heart when nobody else could. Xiao loves you, and he feels that he will forever, so he prays you'd banish him if he ever hurts you or hides his love away for something trivial because that means the karma got to him and that he's gone mad.

✧ - CHILDE

“Of course, babe! You know what? Let's go on a date right now— everything's on me!”

And that's simply Childe. Without a word, he disappears and reappears with your favorite outfit in hand, and has you put it on (in private as he waits outside the bedroom door), and when you're done, he's suddenly dressed nicely with roses in hand, and he takes you out on a date. How? No clue, but know that he's letting the whole region know that you're his right here and right now.

✧ - WANDERER

“Huh? That's a stupid question. Why are you asking me, anyway?”

Yes. He means yes in every way possible. His sharp tongue speaks the opposite, but Wanderer truly means that he would show you off to the world if he had to. If he has to, mainly because he finds the concept of love in its entirety as stupid, but he also loves you too much to let you leave him, let alone have someone else think that you're some vacant partner just waiting to be taken. Now, hold both of his hands. He'll glide you above Sumeru City and show everyone there that you're his if you're still thinking about the question.

✧ - ZHONGLI

“Well, of course. Would you like to take a walk around the harbor for me to prove that?”

Zhongli senses your insecurity, and he wishes to alleviate your worries, so he takes you to a popular teahouse by a bridge. It's not that grand or special, but he keeps you close to him as you both sip away at your tea and embrace the company of one another.

yes, this was a heathers reference.

[won4kiss]

﹙ 🎬 ﹚ ────WHEN YOU FORGET TO KISS THEM GOODBYE.

(🥥) ── HYUNG LINE﹙엔하이픈﹚ ꒰ 𝓰. oneshots ៸ fluff ៸ established relationship ୨୧ㅤㅤ WARNiNGS : not proofread ៸ kissing ៸ petnames❞ bf!enha x 𝑓! reader ˖ ݁𖥔 ݁˖ ꒰ WC : 0.2k per member ꒱ SYPNoSiS 𐙚 in which you forget to give them a goodbye kiss before leaving .ᐟㅤ ── LiBRARY

୨୧ ‎이희승 ── 𝐋𝐄𝐄 𝐇𝐄𝐄𝐒𝐄𝐔𝐍𝐆

YOU WERE IN A VERY INTENSE RUSH.

you grabbed your bag and keys, quickly waving goodbye to heeseung, your mind distracted with the list errands.

but as you step outside, you hear the faint sound of his footsteps following. “hey, aren’t you forgetting something?” he calls, a playful pout already forming on his lips.

you turn around to see him standing at the door, arms crossed, giving you that teasing look he often does when he’s feeling mischievous.

you blink, confused for a moment, before it hits you—you forgot to kiss him goodbye. heeseung’s pout deepens when he sees the realization dawn on your face, but there’s a twinkle in his eyes. “i guess i’ll just go without it then…” he says dramatically, pretending to be hurt.

you know him well enough to know he’s milking the moment.

rushing back to him, you press a soft kiss on his lips, and instantly his mock pout turns into a satisfied grin. ── 𝖬𝖮𝖱𝖤 𝖴𝖭𝖣𝖤𝖱 𝖢𝖴𝖳 .ᐟㅤ

he grabs you by the waist, pulling you in for a tighter hug than usual, burying his face in your neck. “don’t forget next time,” he mumbles, his voice muffled but laced with affection. “i need my good luck kiss.”

you giggle as he finally lets you go, that familiar warmth in your chest blooming from the simple affection he craves from you.

୨୧ ‎박종성 ── 𝐏𝐀𝐑𝐊 𝐉𝐎𝐍𝐆𝐒𝐄𝐎𝐍𝐆

JAY WATCHES YOU RUN AROUND THE APARTMENT.

you were clearly in a rush, but his eyes followed you like a hawk.

he’s lounging lazily on the couch, arms stretched out, looking like he’s not particularly bothered by your hurried state.

but when you grab your keys and make a beeline for the door without even a glance back, he raises an eyebrow.

“excuse me,” he says, in that smooth, calm voice of his. “are you really leaving like that?”

you turn, a bit confused, and see him still sitting there with an unreadable expression—he looks so calm it throws you off for a second, but then you notice the slight downturn of his lips.

before you can say anything, he gets up and walks toward you with slow, deliberate steps, stopping just short of you with his hands casually resting on your hips.

“you’re not leaving me without a kiss, are you?” he asks, his voice now softer, almost teasing, but there’s that hint of sincerity in his gaze.

you giggled in realization, leaning up to press a sweet kiss to his lips. he hums in contentment, lingering for just a moment longer before pulling back slightly.

“that’s better,” he says, his lips brushing against yours as he speaks. “now you can go.”

he’s still holding you close though, his forehead resting against yours for a beat longer, as if he’s soaking in the last bit of your presence before letting you go.

୨୧ ‎심재윤 ── 𝐉𝐀𝐊𝐄 𝐒𝐈𝐌

YOU’RE HALFWAY OUT THE DOOR WHEN YOU HEAR A SCREECH.

a sudden, almost panicked, “wait!” jake’s voice shouts out, and you turn to see him standing in the hallway, his eyes wide and his lips pulled into a soft pout.

his hands are fidgeting at his sides, clearly not knowing what to do with them as he gazes at you with a mix of confusion and disbelief.

“you didn’t kiss me goodbye,” he says, sounding almost heartbroken, like you’d just committed the ultimate offense.

his brows furrow, and he looks so adorably upset that it’s impossible not to feel guilty.

you step back inside, setting your things down, and walk toward him, already giggling at his over the top reaction.

“i’m sorry, baby,” you say, cupping his face gently in your hands—his eyes immediately soften, but he holds onto the pout for just a second longer.

“you can’t just leave without kissing me goodbye. how am i supposed to function?” he teases, his voice playful, but there’s an undertone of genuine affection.

you press a tender kiss to his lips, and his hands slide up to hold your waist, pulling you a little closer.

he smiles into the kiss, the warmth of his affection practically radiating from him. “now i can survive the rest of the day,” he says dramatically, earning a laugh from you as you pull away.

he’s all smiles now, content and happy, as he watches you leave with that soft look in his eyes.

୨୧ ‎박성훈 ── 𝐏𝐀𝐑𝐊 𝐒𝐔𝐍𝐆𝐇𝐎𝐎𝐍

YOU’RE ALREADY AT THE ELEVATOR WHEN YOUR PHONE BUZZES.

glancing at the screen, you see a message from sunghoon—sparking your curiosity.

“you forgot something.” at first, you’re puzzled, thinking maybe you left something important behind.

but as you open the message in confusion, another text quickly follows—“my kiss.”

you can’t help but laugh, picturing him sitting there, pretending to be indifferent but clearly sulking over the fact you didn’t kiss him goodbye.

you reply with a kissy face emoji, but before you can step into the elevator, you hear footsteps approaching.

sunghoon appears at the end of the hall, walking toward you with tiny stomps that warms your heart with adoration, there’s a slight blush on his cheeks.

“you seriously forgot?” he says, sounding almost offended, but there’s a glimmer of amusement in his eyes. he stops just in front of you, tilting his head slightly as if waiting for an explanation.

feeling a little mischievous, you tease him by pretending not to know what he’s talking about.

“forgot what?” you ask, keeping your face innocent. his lips twitch, fighting back a smile, but he quickly recovers, his arms crossing over his chest in mock indignation.

“you know exactly what,” he mutters, leaning down slightly so your faces are close.

you can see how his eyes soften despite the act, and with a soft laugh, you lean up to plant a kiss on his lips.

his hands instinctively come up to rest on your shoulders, pulling you in closer for just a second longer than necessary.

as you pull away, he mumbles a quiet, “don’t forget next time,” before giving you a small, almost shy smile.

he’s trying to play it cool, but you can tell that little gesture made his whole morning.

© WON4KISS 2024 do not repost, plagiarize, or translate.

NOTE. did u guys see blonde jungwon i'm actually going feral my man my man my man my man.

୨୧ TAGLIST OPEN ‹𝟹 @mioons @nshmuras @suneng @pnghoon @shawnyle @laylasbunbunny @privareum @briefsaladfun @cyjzzl @sol3chu @txtlyn @d-dilemma @deezbin @iluvnikism @rikibwn @wonsprincess @niawonn @pockyyasii @mimismenu : COMMENT OR SEND AN ASK TBA.

[hxney-lemcn]

Passionate Hearts — Overblots x gn! reader

summery: what making out with the overblots is like.

tw: steamy-ish, this is as steamy as I'll ever get (not much at all lmao)

a/n: idk where this came from. Idek how good this is. I don't even like writing steamy stuff so this kinda reads more artistic somehow?? Idk

wc: 1.3k (~ 185 per character)

Master List

❥ Riddle Rosehearts

How uncouth of him. He can’t seem to stop you as you continue to enchant him with your lovely kisses. Riddle is nothing but a lovesick fool when it comes to you, and it becomes apparent as your kiss becomes more fervent. He’s a blushing mess as you seem to be unable to pull away. His heart is a stuttering mess, and he never wants you to stop. No matter how passionate your kisses become, it's still gentle. The way he caresses your face is soft, his lips caressing yours so lovely that you feel weak in the knees. And when you pull away, finally getting your fill of his love, you both are a bit of a mess. Hair slightly disheveled, clothes a bit crooked, lips a bit puffy. You couldn’t complain though, it wasn’t every day that you saw the Heartslabyul housewarden so unkempt. Riddle also didn’t seem to mind so much, as long as you only do such actions behind closed doors. He doesn’t think he could handle the embarrassment if Ace or Deuce caught you both in such an intimate act.

❥ Leona Kingscholar

Unlike Riddle, Leona is ruthless when it comes to your more passionate moments. Fervent kisses turn wild with lips being bit and prodding tongues. It feels like you’re being devoured every time and you wouldn’t have it any other way. You had never seen him so passionate about something until he refused to let your lips part. He loved the way you felt, your soft lips puffy with abuse, hair tangled between his fingers. Leona was addicted to your taste and he isn’t shy about it. Sure, he is a bit lazy, beckoning you to come closer to him, but he’ll leave you breathless and wanting more by the end. It isn’t fair how unaffected he seems after he’s done, pulling you closer for a nap (he needed to re-energize after all that labor). His silky hair was barely rustled, his clothes as messy as they normally were. The only evidence of your actions was his slightly puffy lips. Don’t worry though, people know he’s yours with the way he’ll kiss you anywhere anytime. Leona isn’t afraid to put some runts in their place.

❥ Azul Ashengrotto

Azul has a love-hate relationship with the idea of kissing you. On one hand, he can’t live without your lips slotted on his, on the other…he hates how vulnerable he feels. Though that feeling dissipates quickly when he’s suddenly surrounded with you. Your touch, your smell, you love. He’s a greedy man and he’ll take any attention from you he can get. His kisses turn desperate quickly, like he’d die if you were to pull away. Azul is a bit more of a messy kisser than he’d like to admit. His desperation for your love overpowers any of his other thoughts and he finds himself scrambling for purchase, holding onto you for dear life. Azul looks at you with so much love when you pull away you feel like your heart is about to explode. As much as he’d like to continue, he forlornly concludes that you both can’t stay like this forever. Perhaps another time, you’re always welcome in his VIP room at the lounge after all…just make sure Jade and Floyd don’t notice your disheveled appearance as you exit. 

❥ Jamil Viper

It wasn’t often that Jamil indulged in such acts. Let himself be so vulnerable. But as you continued to leave sweet short kisses, he found his resolve crumbling. It scared him that you were able to make him give in so easily, but he trusted you, something that not many people had. His kisses feel a bit controlling, his hand pressed against the back of your neck keeping you in place. Jamil’s kisses are slow and deliberate. Every action has its purpose, and he loves to take his time and savor you. You find yourself hypnotized without his signature spell. Despite the deeply intimate act, he’s still tender with you. Jamil isn’t touchy with you often, so he’ll make sure you know how much he loves you. He hates to admit how he doesn’t want to stop, but his break is almost over. You’re more messy looking than he is at the end, and Jamil can’t help but look smug. People won’t catch you in the act, but it raises some eyebrows when you come out of Jamil’s room a little more messy than when you entered. 

❥ Vil Schoenheit

You lucky bastard. Another one that doesn’t indulge in such actions often. Vil doesn’t like to admit how much you get to him. The fact that he restrains from any physical affection with you mixed with how much he wants to drown you in love…yeah lets say he finds himself releasing his pent up emotions on your poor lips. He only allows such acts when you're both unwinding for the day, and you are not allowed to leave any evidence (he has an image to uphold). Vil kisses you with so much passion you’re left breathless with the first one, and he won’t hold up either. You seriously question his remark of you being his first partner because the way he kisses you makes him feel like an expert. He looks like a God (always) by the end. Eyes dilated, chest heaving, golden hair barely out of place (but enough to make your heart flutter, you did that). Once you both slow down, he’ll pepper your face with kisses wishing you a good night's rest as he plays with your hair…you're not sure if you could sleep after that. 

❥ Idia Shroud

You will always be the one to initiate such intimate acts. As much as he wants to, he’s too shy. An innocent kiss going a little farther as Idia couldn’t resist the temptation that was you. And as your lips locked, Idia found his nervous energy leaving him as his mind melted into a goop. His kisses are inexperienced, teeth clashing with yours (he didn’t mean too), but he’ll learn over time. He can be a fast learner, and who wouldn’t want to get some practice in? (Idia is more willing than you’d think). He gets a bit uncharacteristically confident the longer you two kiss. Pressing your lips together more firmly, shaking hands holding onto your figure, small whimpers swallowed by your awaiting mouth. Both of you are flustered beyond imagination by the end, warm cheeks and fast beating hearts, shaky breaths. Just like that, Idia finds himself short circuiting. You were just so amazing, lovely, warm…you were gonna kill him one day. Don’t even think of doing anything like that in public though, he might actually die (and cry and never go outside again). 

❥ Malleus Draconia

Every time you shared a kiss it would be one of passion. Malleus loves you so much he felt the need to express it, make sure you clearly understood how much you meant to him. But you would have to be the one to push further, as Malleus usually left it at one kiss, he wanted you to set the pace. He won’t back down if you continue to kiss him, his actions will become more possessive. Hands that cradled your cheeks move to the back of your head, his kisses becoming more hungry. He basks in your warmth, in your love, in your being. He loses himself in you, and he internally thanks you for allowing himself to indulge in your love. Malleus isn’t foolish enough to think it's appropriate for such actions to be indulged in with others present…but he also finds himself uncaring. He loves you, and if you wish it, who was he to deny? (Sebek will be so stunned that he can’t get any words out). Not to mention how exhilarating to see the fae prince’s composure shattered. Pink cheeks, dilated eyes, puffy lips…oh what a sight indeed.