#i feel like i kinda need this lmao

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[shalomniscient]

jingliu angst where she only tolerates you cus u remind her of baiheng sjjahagsab im dead

[nsft utc]

tw. mentions of vomiting (?), unhealthy/toxic dynamic, identity loss

you have always been a stray, hungry for scraps.

it began back on your home planet, ravaged and carved by interastral powers of all its resources, leaving behind a gnawing, gaping hole in the ground and the hearts and bellies of its people. you once mourned your more normal childhood—but the hunger in your stomach and in your soul consumed that too. your meals were few and far between, snatched from the hands of other starving husks, and it was the only joy you ever had as a child. the trickery and the thrill. it’s the only joy you get to keep into adulthood, a twisted elation that grants you a place in the cosmic court of jesters; the masked fools.

it’s—predictably—fun. trickery and thrill are the bread and butter of the fools. your mask affords you many, many opportunities for both, and though you have never had your belly achingly empty since, that hunger in your soul is not so easily sated. now, what you crave is the rush, the adrenaline, the oxytocin. and so you dance on marble floors with a different face each time, with partners who either wish you dead or in their beds, the space between you measured in an unfathomable amount of risk which you exchange for an unfathomable amount of thrill. you scamper along the length of this cosmic ballroom like a starving, feral fox in tall grass, the red of your fur as inviting as the white of your teeth are sharp. you hunt and you haunt, seeking something to fit between your aching teeth, something that will burst on the sharp point of your canines and smear your lips with pure elation and maybe satisfy that abyssal hunger in your psyche.

you have always been a stray, hungry for scraps.

and you have never seen more tantalizing a meal than a devil with a coffin and a woman who seeks to kill a god. she holds the tip of a ice-hewn blade beneath your chin the first time you meet, nicking the delicate skin of your neck, just above your pulse. you swallow. let out a laugh that sounds like a barking fox, and the woman’s sword falters. surprisingly, it doesn’t take much for you to convince her to let you tag along on her fool’s errand. it’s almost poetic. you learn of her name—jingliu. it’s pretty. rolls off your tongue. jingliu doesn’t bother to learn yours, but she calls you fox. you don’t mind the scrap of attention. after all, you’ve spent your whole life living off scraps.

travelling with jingliu (and by extension, luocha) does not lack for excitement. the road to deicide is paved with elation, even if your blue-haired companion refuses to see it. through battle and through the long travel between star systems in pursuit of the great fleet, you get somewhat closer to jingliu. it doesn’t take very long for you to slip into her bedroll (or cot, depending where you are). mara, you find, though cannot be cured can certainly be sated; much like the permanent hunger that curls in your belly. jingliu fucks you until neither of you are coherent enough to feel much of anything, madness or hunger. it’s an arrangement you find yourself enjoying. and as a by-product of such intimacy, you learn more about jingliu. her mannerisms, her illness—her past. she doesn’t tell you any of this, of course, but you can put two and two together from the things she lets slip deep in the throes of some nightmare after fucking you senseless. she gets many of those. the pattern is always the same. at first, she’ll sleep relatively soundly. but then, her brow creases, and her lip curls, and she angrily mutters a few names under her breath; a certain dan feng and yingxing. she curses them, then almost makes a noise like a sob, and something else leaves her lips— another name, but this time spoken with heartache and longing.

baiheng.

it doesn’t take much to infer that this baiheng was someone jingliu cared very much about. though when you ask luocha more about her, he reveals a little detail that makes her moderately more interesting—baiheng was a foxian. in some ways, that makes you similar to her, even though foxian you are not. the thought amused you once, as you looked back upon jingliu’s restless, sleeping form. perhaps jingliu saw her lost lover in you. how… quaint. the assumption never bother you, not really—until she starts to call for baiheng while she’s fucking you.

you’re no stranger to casual sex. even before jingliu, you never lacked for partners eager to share a bed with you. no, the fucking itself isn’t the problem—it’s how she’s fucking you. it isn’t with the detachment and pure lust like you’re used to. instead it’s almost like she cares, hands gentle on your hips as she drives her cock in and out of your greedy cunt. she fills you like she never wants for you to want for anything anymore, and even though you know it isn’t you this affection is for, that jingliu is barely even aware that you’re you and not baiheng, you can’t help but devour it feverishly every time.

you have always been a stray, hungry for scraps. and like this, with jingliu’s cock filling your pussy as she deliriously presses the shape of a dead woman’s name against your neck, you finally feel full.

and it makes you sick.

you crawl out of her embrace and spill your guts every time she falls asleep. your body utterly rejects the feeling—you’ve been so used to starving that the sensation of being full turns you ill. and yet, you can’t seem to push her away. you always come back, always relax under her touch, always pliant for her just to chase that brief, beautiful high you’ve never been able to find anywhere else only to bleed it once she’s done. your heart’s a pythagorean cup; a little too much and you’re spilling over. but you’re so greedy for it, still greedy for her. of all things it is affection that’s the most potent drug you’ve ever tasted, beyond the cheap thrill of oxytocin and adrenaline—even if none of it is meant for you, even if it’s just scraps. but that’s fine.

after all—you have always been a stray, hungry for scraps. and if that means wearing the face of a dead woman and letting the hunger finally devour you whole, then so be it.

[mikesbasementbeets]

ok. look at these.

look. that's the same look. right?

let's take a closer look. to do that, i'm gonna have to zoom in a bit on the first one. because, as you can immediately see, the shots are slightly different. the first is a little farther away, showing both mike and el, walking next to each other, whereas the second is much more intimate, a closeup on mike's expression as he looks at will's face in the foreground. a minor but telling difference about the levels of emotional intimacy in each scene.

so, moving past that first element of contrast, let's look at each shot in full, because in both of these scenes, mike goes on a bit of a face journey before he gets to that final smiling expression, seen above.

personally, i think studying actors' body language and micro-expressions is inconclusive at best, but i won't deny that these look similar. however, it's pretty clear to me that they aren't the same.

toward el, i see confusion, intrigue, maybe pleasant surprise, followed by a glance down (to emotionally process and/or watch his step), and then a nervous but friendly smile.

toward will, i see awe, relief, and overwhelming affection, followed by a shy glance down and a slight schooling of his slack jawed expression into a warm smile.

but, again, that's just my interpretation, and i can't say with any certainty what the intention of all of finn's micro-expressions are. but from my perspective, even a surface level viewing of these two expressions depicts a very different emotional experience. however: there's no denying the connection between these two scenes. they clearly mirror each other, just like a lot of things about mike's relationships with el and will mirror each other. i don't think that's an accident.

whatever you think his sexuality is, mike is undeniably in a romantic narrative with el. beginning in season one episode three, when the concept of their romantic relationship is introduced, the narrative arc mike and el share is heavily focused on that relationship. the first scene above actually happens in that same episode (s1e3), not coincidentally almost directly afterward. and the former scene, with mike, lucas, and dustin behind the baseball field, provides very interesting context for several reasons:

first: bear with me, because we're going back to look at the context behind this context. this is only episode three of the show, but already there's a lot going on, both in text and subtext.

and since we have the entirety of their relationship so far presented to us on screen, when lucas accuses mike of looking at el romantically, we're easily able to go back and figure out where he got that impression: we can examine every time lucas has seen mike look at el at all.

the first night, after finding el in the woods instead of will, and while insisting that the next day she'd be gone and they could focus on will again, mike's behavior is directly reminiscent of benny's. taking el in, and providing her with shelter, food, and clothing.

the next day, after learning that she's in danger and changing his mind about pawning her off on his mother, mike infers that she might know something about will. when lucas arrives, he exclaims that she recognized him and knew he was missing.

later, when lucas tells her that will is their friend, she asks what that means and mike explains. a friend...

and then she displays that she might really be able to help them find will. and mike looks at her like this:

each and every one of these interactions is directly related to will. but lucas, through the omnipresent lens of heteronormativity that surrounds boys' interactions with girls (especially a group of boys who have no experience with girls... more on that in a bit), only seems to consider the fact that mike's behavior, which is undeniably about will, is being directed at el.

throughout season one (and beyond, in more subtle ways), will and el are repeatedly connected to each other through the trope of mistaken identity. will is abducted on the same night (and due to the same series of events) that el escapes the lab. hopper, in his investigation into will's disappearance, keeps running into clues about el. and mike, lucas, and dustin, sneaking out in episode one to search for will, find el instead.

later in the season, hopper eventually realizes the truth of his own more overt mistaken identity arc: while he was under the assumption that he'd been following will's trail, he'd actually been following el's. interestingly, the realization is triggered by one specific distinguishing difference, which tells him beyond a doubt that he's been looking for two different kids: their art.

though much more subtle (aka hidden in the subtext), mike's arc with his feelings about will and el follows a very similar pattern. the main difference, though, is that in season one, the swapping of places is eventually reversed but never acknowledged as such, and mike ends season one with el now missing and will back in his life, but a lingering sense of something yet unresolved.

second: (i'm not going to deep dive into this one here, because it's a whole analysis in and of itself, but i need to mention it because it is relevant) this scene introduces the recurring motif of superheroes being directly connected to mike's feelings for el, which is an association we see follow them all the way into season four and become a defining metaphor for their incompatibility.

third: lucas is the character who first introduces mike's romantic feelings for el into the narrative. and instead of giving any indication that lucas' interpretation is correct, mike's reaction is... difficult to read. his response is immediately defensive, both verbally ("what are you talking about?" "shut up, lucas,") and physically (leaning away and shielding himself when lucas hugs him). we can infer from the original character descriptions why mike might be defensive about this subject:

obviously, this description is only a vague impression of what Mike Wheeler became, but it's clear that the core elements of his character outlined here did come to fruition on screen. here, mike's insecurity is linked both to the bullying he undergoes, and to his inexperience/ineptitude with girls. and it's presented as key to his character motivation (the original concept of his character arc put forth here is very straightforward: at the start, mike has insecurity centered around bullying and is romantically inexperienced. by the end, mike has courage against monsters and romantic experience.)

in any case, this scene is the first hint of this aspect of mike's character in the show itself (the earlier scene of bullying in the show focusing on mike consoling dustin over what he’s being bullied for (“i think it's kinda cool. it’s like you have superpowers or something!”)... see my last point here… mike holds the idea of superpowers in high regard, and they are consistently connected with his feelings about el. something about the mistaken identity through-line feels apt here: mike mistakes his feelings of admiration for el as feelings of romance.) in this scene, mike is confronted with both romance (in direct relation to himself for the first time in the show) and bullying.

but due to the way this is shot, it's impossible to get a read on what mike is truly feeling. it reminds me a lot of another scene, actually...

in both of these scenes, mike's genuine emotional reaction is hidden from us. in the first, lucas forcibly hugs him, teasing him about how much he "loves" el, and in effect introducing the idea of el as a romantic prospect to mike. in the second, el hugs mike tightly, her hand still around his neck from their kiss and his arm trapped in between them, similar to the way he shields himself from lucas. we're then shown that he's signed the card on the flowers squished between them "from, mike." hm. so... not love, as lucas suggests.

we come to learn over the course of season four that this is something mike is actively struggling with: his inability to "love" el in the way that she wants, expects, and deserves. this scene, introducing that season-long arc, conceals mike's true emotional state and motivations from us, again, mirroring the first introduction to their entire romantic plot line way back in season one.

(an aside: lucas' "if you love her so much, [then] why don't you marry her?" aka the inciting event of their romantic arc, is a based on a conditional statement with the hypothesis that mike loves el. as mr. clarke might posit (in, say, season one, episode one): what's the difference between an experiment and other forms of science investigation? ...well, an experiment is a controlled test of two or more variables against a hypothesis. does that remind you of anything happening in mike's romantic narrative? something about...... [murray voice] experimenting sexually?)

anyway. then, after extracting himself from el's embrace, mike finally drops his bag(gage) and opens his now empty arms to will, before preemptively cutting himself short with a punch to the shoulder.

...did someone say internalized homophobia?

and then immediately upon being introduced to argyle, mike is called out for his presentation here not being genuine. ("it's a shitty knock-off,"/"i really thought it was ocean pacific...") we're being told that something about mike's performance is not what it seems (and may even be a case of one thing being mistaken for something else).

and speaking of homophobia...

fourth (and finally): this scene, of lucas' teasing mike about his "love" for el, which i'll remind you again is tied directly to lucas mistaking mike's behavior regarding will as being solely about el, is quickly interrupted by an onslaught of homophobia, during which mike is specifically targeted (read: tripped) by the bullies.

the juxtaposition is immediate and obvious: mike's friends lovingly teasing him, even embracing him, over a crush on a girl vs. bullies maliciously taunting them about will being killed for being queer and then physically harming mike.

(there's also something to be said about the later scene in which these bullies force mike to drop his bike in the woods and chase him to the edge of the quarry, mirroring exactly how the cops assume will must have died... and, to be clear, i'm not saying that mike himself is being bullied for being queer in the way will was. no, mike's queerness is invisible to those around him in a way that will's isn't, so his relationship with it and the ways it affects him are hidden in subtext.)

which brings us directly to the following scene in the woods. el asks about mike's injury (sustained from the aforementioned bullying, thereby linking these two scenes even more concretely) and with a little prodding ("friends don't lie"), he opens up to her about what happened, and about being bullied at school. she listens, tells him she understands (this also follows her recent flashback of brenner's abuse in the lab), and they share a "cool," "cool," and a smile.

so... let's quickly jump over from here to the van scene with will. something similar, yet notably different, is happening in this scene, leading up to that infamous smile at the end. mike is sharing his insecurities with will now, but instead of will prodding him to open up, mike, prompted only by will's "she's gonna be okay," begins rambling so much about his insecurities (while speaking in superhero metaphors) that he eventually cuts himself off, saying it's "stupid." instead of letting him brush it off, will guesses exactly what mike is afraid of: "you're scared of losing her." he gives him The Painting (a symbol of his love for mike) and a long speech about feeling lost and different, while insisting upon mike's value (you're the heart, leading us, inspiring us, etc). and then they share a "yeah?" "yeah," and a smile.

so we can see the similarity in the way the shots are set up, the progression of the conversations, and mike's visible reactions. but we can also see distinct differences, all of which together inform a significant difference in emotional weight between these two scenes.

while mike's conversation in the woods with el takes place in the third episode of season one, at which point mike has known her for less than 48 hours, the van scene is in the second to last episode of season four, and is the fourth of five heart-to-hearts mike and will have this season alone (and following three previous seasons and beyond that years of close friendship). it is also arguably the climax of their shared arc this season. on the other hand, mike and el's season one moment is part of the introduction to their storyline, and the introduction to their romantic arc. in this moment in the woods, mike is looking at el romantically (did you think i was gonna argue that he isn't? because no, he definitely is). in fact, this is the beginning of mike's entire romantic arc, which sets out to address the foundational insecurity that is key to his character. we, as an audience, right alongside mike, have just been told (by lucas) that mike has romantic feelings for el. and then we are presented with this scene. we are supposed to view this as romantic. because mike is starting to view it as romantic.

had stranger things been one season long, then the climax of their romantic arc would have been the kiss they share in the cafeteria, followed by the denouement of el's symbolic death (the gay implications of which i could write another whole essay on...). but the end of season one was not the resolution of mike's full romantic arc. by the nature of the five act structure (which is what stranger things has, being five seasons), the entirety of season one serves as exposition for our full narrative. which means, in effect, that the entire arc of mike and el's season one relationship is there to serve as groundwork, a foundation for mike's complete five season arc. season one, starting from before he even meets el, all the way through to when he eventually kisses her and then loses her, is only act one of that arc. the first act of five act structure is when the driving conflict is presented. so in the context of the entire show, for us as the viewer, mike's narrative arc surrounding the romantic aspect of his insecurity begins with his season one "romance" with el.

and we know that this insecurity is an element of the full five-act narrative, rather than being presented and wrapped in the course of the mini "self contained" narrative of season one, because we can see plainly, three seasons later, particularly during mike's heart-to-hearts with will, that this insecurity has not yet been resolved. we know this, on a basic level, from having watched mike and el's relationship struggles progress, but it is still explicitly laid out for us in season four. and will is consistently the only person who genuinely hears mike out, encourages him to open up, and addresses his insecurities, instead of brushing him off, like most other people in his life (including will at some points) have done. will understands him in a way el only claimed to in season one.

looking back to the character outline: mike has now "kiss[ed] a girl" and even "had a girlfriend" and still hasn't resolved his insecurities even remotely. in fact, after the first season arc wraps up, this romantic relationship becomes the main source of that insecurity. his difficulty navigating a real romantic relationship with el is the basis of their arc in season three. and by season four, mike is consciously struggling with being unable to tell el that he loves her. despite will's reassurances that things will be okay (which stack onto lucas' constant relationship advice in season three), mike keeps circling back around to it. because he can't move forward on the path he is on.

he has reached a point of no return, like a “fight you can’t come back from.” he is unable to find the security he is searching for in his romantic relationship with el... and this is where we arrive back at the van scene with will.

if the scene in the woods marks the beginning of the introduction of mike's romantic arc, then the scene in the van marks the beginning of the conclusion of mike's romantic arc. if the introduction of his romantic arc (season one) presents his insecurity, then the natural conclusion of that arc (season five) is security. throughout season four, mike lays out for will the insecurity that his relationship with el still brings him. he is unable to find that security with el, and, in the van scene, finds it with will instead.

or, should i say, begins the journey to finding it. because, especially after the lie that brings them into that moment, and then traumatic pizza dough freezer incident, we're still at the beginning of the conclusion. there's still a lot to resolve, but season four (alongside mike, who now understands what he's been going through) finally began moving the subtext of mike's arc into the actual text. and this moment indicates that season five will take that next step to fully, textually, actualizing it.

so, getting back to the parallel we're looking at here: each of these scenes is a catalyzing moment in mike's romantic arc. in season one, when lucas suggests that mike has a crush on el, and then what follows is a conversation with el where she is (to quote lucas) "not grossed out" by him, he actively begins his journey toward resolving this character motivating insecurity. he looks at el and he sees the possibility of romance.

and just look at him. he looks excited. hopeful. a little nervous. but... i want to remind you again: mike has known el for less than 48 hours at this point. this is the first conversation they've had in which they've related to each other as equals. for their entire relationship before this and afterward, outside of their romantic interactions (and also. often. disturbingly. concurrent with their romantic interactions...), mike's role has been as el's protector, a makeshift father figure, the elliot to her E.T. here, though, el tells mike that she understands him.

in season one, mike is twelve years old (read: pre-pubescent). he has no personal understanding of or experience with romance. dustin starts to comment in s1e2, "you're letting a girl...?" and ted later scoffs "our son with a girl?" and outside of the queer coding, what we can take from both of these (which draw back to the original character description) is that mike has no experience with girls whatsoever. (outside of, you know. family. but that's not what this post is about.)

and again, this scene happens almost directly after lucas first introduces the idea of romance between them, both to the narrative, and to mike himself, who, very significantly, up until this point, has shown no romantic interest in el. the sequence of these events is not a coincidence. 1. lucas assumes mike has romantic feelings for el. 2. el and mike have a moment of personal connection and understanding 3. mike "boys only" wheeler puts these two together and assumes the connection between them must be romance. but the expression on mike's face here isn't a representation of already existing romantic feelings. there's no basis for those. again, this moment represents for mike the potential for romance.

which... makes his expression in the van scene hit even harder. because unlike el, will isn't a stranger he barely knows, but rather his best friend of ten years. and it isn't lucas telling mike how mike feels. it's will professing his own feelings about mike, in direct response to mike's self-professed insecurities. (ding ding ding, are your alarm bells going off?) mike's expression at the end of this scene, if we're viewing it as a reprise of his season one expression, is a representation of hope for his romantic future. but this time, heading into the resolution of mike's romantic arc, with all of the knowledge and context we (and mike) have gained over the course of the past four seasons, it's directed at will.

ok. so. with the basic connection between these two scenes established, i'm gonna move a little bit sideways here. at the end of their romantic arc in season one, el disappears from mike's life and will reappears in it, effectively swapping their places (remember that we've been dealing with the mistaken identity trope between these two), and leaving the question of mike's romantic security glaringly unresolved.

and we know why - this is a five act narrative we're watching - but just within the context of the season one arc... the climactic moment of mike finally asking the girl to be his sister kissing the girl was preceded by her locating will in the upside down (leading to his rescue) and followed by a resolution in which she disappeared... and will took her place. at the end of the season, mike is left in the same place he started: playing games in his basement with will, his first attempt to resolve his arc of romantic insecurity, with el, ultimately ending in tragedy.

after season one, this arc picks up again, but this time will is the one present in mike's life. and mike's behaviors toward el in season one, during which they were undergoing a romantic story arc, begin showing up again in his behavior toward will. but unlike with el, mike's particular (read: romantic) behavior toward will happens without outside intervention, and in fact, often in spite of outside intervention. now, this isn't to say that all of mike's behavior with el was a result of others' influence. when el reveals to mike that she is on the run from "bad people," mike is immediately protective and caring toward her. however, as i've already explained, this caring behavior (which, again, we know right off the bat is not romantic because it directly mirrors the way both benny and hopper care for her) doesn't turn into romantic behavior until lucas introduces that idea.

on the opposite side of the spectrum, right from episode one of season one, mike's behavior toward will is fully self motivated, even in the face of opposition.

and as we move through season one and beyond, we can see that mike continues to rely on constant guidance in the way he cares about el (particularly and most consistently from lucas).

stranger things is, at it's horror filled core, a coming of age tale. like many of our other characters, mike's full character arc, romantic and otherwise, is about self-actualization. from the very conception of the show, his insecurity is presented as a central character flaw to overcome, while also being directly linked with his romantic fulfillment. the overcoming of this fatal flaw, the resolution of his romantic arc, and his final achievement of self-actualization are all inextricably intertwined.

the reprisal of this specific expression of romantic hope as we enter the end of mike's romantic arc is not an indication that mike is in the same place emotionally at the end of season four as he was at the beginning of season one, just with a different person now. instead, it is an indication of his romantic arc coming full circle. mike began in a position of hope for his romantic future with el, only to have the actualization of that hope (their romantic relationship) gradually degrade his romantic fulfillment and self-esteem. the longer mike and el are together, and the more serious their romantic relationship becomes, the worse mike's insecurities become. this is, i would argue, directly related to the fact that mike's pursuit of a romantic relationship with el is not due to his own genuine desire, but instead a combined result of heteronormativity (lucas assuming mike's feelings for el to be romantic), compulsive heterosexuality (mike's subsequent assumption that his feelings for el must be romantic), forced conformity (mike's attempt to resolve his insecurities firmly within these heteronormative boundaries, under the assumption that a rejection of these boundaries is unacceptable), and the trope of mistaken identity that has been following will and el since season one.

and of course i don't know with any concrete certainty what season five will contain, but based on the narrative so far, and optimistically expecting a satisfying resolution to his character arc, the actualization of his romantic hope regarding will is going to lead to true romantic fulfillment and coincide with his self-actualization (a big part of which is coming to terms with his sexuality).

now, i'm not going to conclude this whole analysis by saying, "and that's why mike is gay!" because while i think this all is a good indication of that, based on all of the context and my impression that this narrative is being presented in a way that focuses on the subtext and deeper symbolism of each of these relationships rather than being a case of specifically el vs. will, you might still have a different interpretation than me. that's fine. however, i am going to end by insisting (me when i argue with the wall), based on everything i've laid out, that this parallel and others like it (ie parallels between byler & miIeven's romantic arcs) are not evidence of mike's feelings, specifically whether they are genuinely romantic or not. this parallel serves as a narrative device in his romantic character arc... the conclusion of which is mike realizing and coming to terms with the fact that he is actually in love with will, and not el.

just to be very clear, i'm not saying these parallels alone are proof against mike being bisexual, but i am saying that they are not evidence in support of his being bisexual. again: they do not indicate that mike is romantically attracted to el. what they indicate is that will and el are foils in mike's romantic arc.

before i finish, i want to address a couple misconceptions:

1. the fact that mike actively and willingly participates in a romantic relationship with a woman means he can’t be gay. this is straight up homophobia. gold star bullshit. no.

2. mike and el being presented in a romantic light means that they have genuine romantic feelings for each other. this is a misconception of the way narrative tools are used to tell a story. going right back to my first point: it is an irrefutable fact that many gay people have romantic relationships with the people of different genders (read “the opposite sex”) before they come out/realize their true sexuality. it is also a fact that many of these gay people fully believe their feelings to be genuinely romantic before realizing that they are not. as i've already gone over, mike is twelve years old when his romantic arc begins. on the surface, his relationship with el is presented as romantic. he participates in (and even initiates) romantic behaviors because he believes that his feelings for el are romantic. in seasons one and two, mike is one of our main POV characters. we can see a romantic tilt to the way some of their scenes are shot because, to mike, while they are happening, they are romantic (keeping in mind what i said before about mike having no experience and therefore no personal knowledge informing his perspective, AND keeping in mind that many of these on-the-surface "romantic" scenes are also consistently subtextually linked (read: paralleled) to familial relationships for both of them... and i haven't even touched the cultural context surrounding homosexuality in 80's. there's so much nuance informing the way this story is being told). and we, as the audience, are supposed to read them as romantic on first viewing, because otherwise the season five plot twist, revealing the truth of mike's feelings, would not work.

it is not a coincidence that the active degradation of their romantic relationship (outside of all of the other context, parallels, symbolism, family coding, etc, that are there to hint along the way that things are not as they might seem) begins full force in season three, at the exact point when the two actually enter a real relationship for the first time, and also when our characters are entering puberty, the time during which a person's sexuality (in a general sense, but also in regard to sexual orientation) begins to fully emerge. after his season one arc with el, mike underwent another season-long romantic arc: this time, with will. it's more subtle, because (i believe) mike doesn't realize yet that it's romantic, but it's there. then at the end of season two, mike makes a choice: he encourages will to dance with a girl and he dances with el, re-writing their tragic ending from season one, but now leaving his romantic arc with will frustratingly unresolved, again mirroring the sense of unresolution from season one: mike has swapped out the end of each romantic arc with the wrong love interest.

and then in season three, now having had the experience of both romantic arcs, and now, for the first time, with both will and el right there beside him, all we can see anymore is the overt contrast between the two relationships, depicted most blatantly through the same type of visual and narrative "parallel" we've been looking at here.

but at the end of this season, instead of making a choice, mike's choice is made for him. he has a romantic moment with will, and then el kisses him, confusing the resolution of these two romantic arcs once again.

mike's season four arc closely mirrors his season one arc (searching for one love interest with the other by his side, mistaken identity trope abound), but with important distinctions: 1. mike is a little older, a lot more experienced, and has a better understanding of both the context of romantic relationships and the scope of his feelings for both el and will. and 2. mike's only real guidance in season four comes from will, and he doesn't simply listen and act based on will's advice, as he did with lucas' in seasons 1&3. now, he fully engages with will's input, pushing back against it when he doesn't agree, and accepting it when he can acknowledge its truth (up until, of course, our fourth (and hopefully final) tragic, incorrectly resolved ending). mike is finally taking control of his romantic narrative in a way he hasn't previously, and the direction it's heading in now is toward security, self-actualization, and will.

so the point of all of this is: nothing is as simple or straightforward as it may seem on the surface. the narrative has always been deeply complex and layered with subtext and symbolism. and most of all, when interpreting the meaning of anything presented directly to us on screen, context matters.

also uh. yeah, mike gay

[kazutora-kurokawa]

Heyy! I hope you have a nice day :)

So it's my first time requesting something and im a bit embarrassed about my kink. So my kink is spanking so maybe poly hanmy x fem reader x kisaki where the reader has also a spanking kink but is too shy to tell them so on a random day she ask them to talk but cant really find the words and just maybe grab a hairbrush and lays themself over kisakis lap and gives him the hairbrush but hanma knew what she wanned and make her say it like "oh honey what do ya want hmm~~" and than kisaki start spanking her until her ass is deep red. (aftercare ofc with a bath and putting cream on her sore ass) 🫶

HanKisa x Shy!Reader w/ Spanking Kink

♡ NSFW, fem reader, reader wears a skirt, Hanma is a tease, lowkey service dom!Kisaki, this happens in your living room if you even care lol, spanking with a hair brush (plastic or wood, it's not specified), husbands!HanKisa, pet names (bunny, darling), fluffy aftercare ♡

note: thanks for requesting anon 🩷 love me some HanKisa 😮‍💨

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Some things were hard to put into words, so you decided to not say anything and let your actions speak for you. And that would've worked fine, if your husbands weren't absolute tools sometimes. As you laid across Kisaki's lap and handed him your hairbrush, he had a perplexed look on his face.

"What's the matter darling? Need something?"

All you could do was nod shyly, thinking that he'd pick up on what you wanted. But he was honestly twice as confused as before.

"Do you need me to brush your hair? Why do I need a brush?...Am I supposed to be brushing my hair? Shuji's hair?"

Per usual, Kisaki was overthinking things. He tended to do this a lot, but it was a good thing that Hanma was around to figure out your little game of charades. He let out a deep chuckle at the scene in front of him, running his fingers through his hair. He knew exactly what you wanted, but he wanted to hear you say it first.

"Aww bunny, what d'ya need from us, huh? Be a big girl and use your words."

You could feel your face heating up as you mumbled an incoherent sentence.

"Speak up darling, we can't hear you."

"I..I want you to spank me.."

Hanma's face lit up, his smirk growing wide as he looked at the brush in Kisaki's hand.

"Well Kisaki, go on. Give bunny what she wants ♡"

Kisaki pulled your skirt up and gripped the brush handle tighter before bringing the flat back of the brush down on your behind, the loud smacks of the brush hitting your skin echoing in the room. Your skin was a deep shade of red by the time he was done, your ass sore and aching.

"Aww, you did so good for us bunny, pretty ass is so red~"

Hanma's hand glided gently over the curve of your ass, making sure not to put too much pressure on it.

"You did real good darling," Kisaki sits his hand on your back, running his thumb over your spine. "Shuji, go run our pretty wife a bath."

Hanma nods and makes his way to the bathroom, running you a nice warm bath and pouring some bubble bath into the water along with some essential oils. He comes back into the living room and lifts you up from Kisaki's lap, carefully carrying you into the bathroom and sitting you in the tub. The two of them spent the rest of the night pampering you, smothering you in kisses and soft touches. As you laid between the both of them, they took turns massaging your ass until you fell asleep, feeling extra grateful for you and your little kink.

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Taglist

@arlerts-angel @i-literally-cant-with-this @trevengersprincess @giugiette @katkusuo @happy-trenchcoated-impala @drunkcheesecake @darkstarlight82 @reiners-milkbiddies @manji-hoe @southside-otaku @xxchthonicreaturexx

[kagoutiss]

green beetle black beetle

[sketchy-tour]

Small little doodle dump cause why not!

First ones came from the idea a pal of mine had that their WH oc would serenade Poppy with country music and I quickly decided Dandy can play a mean acoustic guitar and be the best backup for country serenading moments. Enjoy the silly country fit!

OH AND A JULIE!!!! I NEED TO DRAW HER MOOOORE RAAAAAAH

[lemonlimestar]

personally, i think the fact that kon and cassie’s sense of style being so different from their original ones can be an important detail eluding to their respective emotion states after yj fell apart and how their grasping for straws for some sense of normalcy. especially with kon just gaining his secret identity and cassie’s essentially evaporating. However, instead all we got was geoff calling masc cassie “ugly” straight up and eugenics-lite plot for the anti-eugenics guy. okay.

[awittlebabbyboy]

Karamatsu who admires those he works with

[lazzarella]

Damn. I thought TanFang's scene in ep 16 had me blushing enough, but now I’ve seen the behind the scenes… Gosh!

[thedrdtpokemoncollector]

(Warning for pink blood- If you don’t wanna see that-)

Y’all, what if this- Was David

Because like- I always assumed it was Xander, but- What if it was David-

(if it’s actually him im gonna be so happy with myself-)

But yeah, uh- David is apparently sort of the mc which is cool- Him copying Xander’s sprite is so ahfjwuviwkvodo

DRDT is getting so good rn and Ch2 isn’t even done yet I’m so excited for the next ep-

[ancha-aus]

RealAgeAU Drabble - Artist Woes

Hello everyone! I am back with my BS as always and more baby nightmare shenenigans! @spotaus Hope you ready :D

First Drabble Prev Drabble Next Drabble

Ink is a very interesting Pov to write! It was fun! And as always. No beta or anything :D We here to have fun!

*---------------------*

Ink hums a happy song as he slowly sketches out the shape of a very familiar skull. He had beent rying to stay distracted after everything he learned.

He thinks he is doing an okay-ish job! Even if Error calls him an idiot for trying to escape his own new feelings.

Ink just... thinks! He should first get used to his kinda there feelings... and then on his god position! Before he... thinks about some specific feelings.

Ink groans as he grabs his phone and searches the past text messages.

Finding the right conversation quickly.

Hey Ink! Want to hang out with Dream and me? Let me know!

And then the line that Ink blocked his contact.

Ink groans as he just lays on the floor. He is a mess. Why is this so hard? It was never hard to hang out wiht Blue before. It was just nice and easy and it was fun! Now it just feels... different. it feels more important.

Not to forget his stupid feelings now actually work so he realises just how terrified he feels about being an idiot in front of Blue.

Again.

Fuck Blue has seen him do so much stupid shit. How does he deal with that?!

His phone buzzes and he picks it up with a smile before his smile falls. It is a message from Dream.

Of course it isn't a message from Blue. Blue can't send him messages because Ink blocked him!

Which... Blue knows... Ink is sure that Blue hates him or is sad or hurt because of Ink's stupid behaviour and-

HIs phone starts to ring.

Ink almost drops it before picking up "Hey Dream! I was jsut about to answer your text!"

Dream hfufs "Right." he does not sound convinced "Look. I need your help with a situation. Can you come meet us?"

Ink feels his being start to shake slighty. Us. Dream says us. Which means Blue is there!

He hadn't seen Blue since the Gyftmas party. Ink had gotten callen away for more god lessons and he hadn't even had the chance to see if Blue liked the bandana he got him.

And now Ink doens't feel sure enough to ask if Blue likes it. Waht if Blue likes it? What if he doesn't!? What if he likes the bandana but if he hears Ink got it for him he won't like it anymore!?

"Ink?" Dream sounds impatient.

Ink jumps up and rushes to grab his broom "Yeah! Sure! On my way! You send the location?" he has his broom and is already ready to cast the right magic to teleport to another location before remembering he still needs the location.

Dream is silent for a moment before answerign "You feeling okay? We can delay this a few days if you need time to rest-"

"No no no!! I am okay!" Ink rushes to stop Dream. No he needs this! He cna finally hang out wiht Blue again and because Dream is there it will be normal and not at all weird and Ink can maybe try to get an idea of how Blue feels about him and! He needs this! "You send me the location and stuff?"

Dream is quiet for a moment and Ink hears him talk with someone else before Dream answers "I send you it in a text. see you in a bit." and he hangs up.

Ink smiles as he jumps in place as he finds the location. Okay. Okay! He can do this! He can be totally normal! He will have anice hang out and then Blue will think he is cool and maybe Ink can brush off the blocking as an accident thing and everything will be fine!

He uses his broom and melts into a puddle of ink.

It feels like swimming to use his teleporting and he quickly gets to the right location. He jumps out and smiles.

Dream shoots him a grin before shooting the skeleton next to him a smug look. Blue rolls his eye lights at Dream before girnning at Ink himself "Hey Ink."

Ink is frozen. he is wearing the bandana. it looks so good on him but can he just say that? would it be weird for Ink to notice? Ink knows his memory isnt the best. would it seem obsessive if Ink noticed a difference?

Blue's grin falls as he looks worried and to the side. Oh shit he is quiet for too long isn't he?!

Ink rushes over "Hey Blue! Hey dream. It has been a while! I got busy and stuff. God stuff is weird! Hah! I mean Dream knows as well so i don't doubt you know it as well! I mena you two always hang out and stuff so of course you know. Not that that is wrong! I mean you two are best friends! It is normal!"

Oh please shut up shut up why is he still talking?!

Dream and Blue share a look. Blue frowns "Ink? Are you sure you are okay? You are acting weird..."

A snort "Seems normal to me."

Ink looks over and sees Error. Error just looks highly amused from where he is leaning agaisnt the tree. knowing look in his eye sockets.

Oh no. No no no no! Error knows about how Ink feels about Blue!! Well. Kinda feels. His whole soulless situation and feeling through paint together with ascending to godhood got weird and Ink doesn't even fully understand how it works but that is beside the point! Error was just there when Ink figured out he liked Blue a whole lot more than is normal and that is why Error knows! And Ink does not trust him with that knowledge to not make a fool out of Ink to Blue!

Well. Not that Error needs to do anything to make a fool out of Ink. Ink manages that just fine himself apparently.

Blue is frowning at Error "Error that isn't nice. He could be sick."

Error snorts nad mutters "love sick alright." and Ink prays no one heard him.

Blue doesn't react to what error said so maybe ink is lucky! And oh shit Blue is close and checking his temperature! What does he DO?!

Blue frowns "I think he is fine... You sure you feel up for this Ink?"

Ink nods "Yes! of course! Always ready to help you... two!" Ink looks between Blue and Dream before he laughs softly as he rubs his neck "What are we doing?"

Dream sighs "you seriously didn't read my texts?"

Ink slowly takes his phone out and notices that Dream send a long explanation about something to him. something about ink having to meet someone and having to help them with letting this mystery person meet the other gods.

Ink looks up and Dream sighs before nodding "okay fine. I found my brother."

Ink blinks. Something about nightmare? There hadn't been issues wiht nightmare right? Ink can't remember anything being off about him at least...

Dream looks very disapointed and hurt "Did you seriously forget my brother went missing?!"

Ink flinches. right. that. he rubs his arm "sorry..." he is a terrible friend. he had been so busy with god things... right... blue and drema ahd been working on searching for Nightmare and... and ink was too busy to help and after a while he jsut forgot aparently!

Dream sighs and Blue joins his side to support him. It stings a little.

Blue smiles "but everything is fine! We found nightmare and we are working on introducing him to many people to make sure Fate and Balance don't mess with his domain!"

Ink gives a slow nod. he knows he should know more about those two and why it is important but he can't remember at the moment. Ink hopes he will eventually remember "so... we want a truce?" maybe that is it? a truce between Ink and Nightmare?

Not the hnag out Ink wanted but he will take it at this point. He just wishes he never blocked Blue. How is he even suposed to fix that?! He doens't know!

Dream laughs and rubs his neck "I guess you can call ti a truce. Not that it matters with both Nighty and I having switched domains so we aren't even against each other in any way!" He smiles brightly.

Ink feels even worse. Fuck. He forgot. Dream switched domains! That was a whole thing. Also a thing he hadn't helped with. come on. He knows this. He knows which domain it is. something... soemthing about moving on? healing through moving on?

Dream's smile slwoly falls and Ink can hear Blue sigh. Ink holds up his hands "No! No wait! I know this!" he knwos this! come on. He knows this he knows this he knows this! "it... it... it is about... like.. moving on? healing? kinda like determination and keep going?" right? He looks at Dream desperately.

Dream blinks but laughs and nods "honestly? Very close! it is Progression but those things got to do with it."

Blue grins proudly at him "You are remembering things!"

Ink gives aslow nod "kinda..." ish. Not that much. Though he does keep remembering how pretty Blue looks with his new bandana. The neutral grey but silver and blue highlights are so pretty on him.

Error groans "Are we done yet? We got a schedule to keep here." he huffs and crosses his arms.

Dream focusses too "We are. Ink?"

Ink nods and grins "Lets make a truce!"

A voice "Finally! This was getting boring" and Killer jumps down from the tree branches.

Ink has his broom ready but Blue rushes to his side and pushes his arms down "No! No fighting! we cool!" Ink froze but not because Blue stopped him or what he said. but because Blue is holding his hand! wlel more like just pushing his hands down but it counts! Ink is totally counting it as them holding hands!

Killer grins at them "Anyway. Meet. Boss! Or well... tiny boss" and he grins. As he waves to the side and Cross jsut appears out of thin air with a child in his arms.

Ink frowns and stares before looking at Killer "I know my memory is bad.. but wasn't nightmare like... adult and gooped?" he looks at Blue to double check.

Blue smiles at him and nudges their shoulders togther "true! But Nightmare got deaged when he finished his job as god connected to balance. He went back to how he was before getting that job." and he nods over to Cross who is holding the tiny skeleton.

Ink blinks and stares at Nightmare.Nightmare just looks back at him.

Ink is hit with a dejavu and snorts "Oh yeah i can see it now. got the exact same 'you are an idiot' look as his older version." and he leans against broomie.

Blue laughs from beside him and Ink puffs his chest up a tiny bit. He got this. he got this!

Nightmare huffs and pouts as he leans clsoer to cross "Well he is an idiot."

Cross purrs as he nuzzles the skull "You are 100% right."

Ink looks ar Dream and Blue "So... what now?"

Dream smiles "We need to meet the other gods. but the more gods on our side the better." Dream sighs "Especially meeting the other gods..."

Ink frowns as he tilts his skull "Why?"

Reaper is floating nearby as he speaks and hey when did Reaper get here? "Because of Fate and Balance. We don't think they will like Nightmare not falling into either of their domains anymore."

Ink frowns and he finally remembers! "Right! They were real mad when you picked your domain right Dream?"

Dream grins "Yup! They tried to make me switch but they couldn't because everyone knew my job by then. We are trying to get Nightmare the same setup."

Ink rubs his broom as he speaks "what... euh... is the domain anyway?" they hadn't mentioned that right? he checks with blue but blue just smiles at him. So they probably didn't tell yet!

Blue looks at the gang and it is Killer who answers "Nightmare is a god of Restoration!" he nuzzles Nightmare and nightmare just looks grumpy but doens't turn away from the attention.

Ink frowns as he thinks "So... we are going to meet the other gods now?"

Blue nods as he smiles at him "That is the plan! Can you come with as extra support?"

Ink nods "sure!" He would follow Blue anywhere.

Blue smiles back.

Maybe this isn't a complete mess up just yet.

*---------------------*

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[pardonmydelays]

fit check

[glacier-shrimp]

Done with our favorite Spider-Boy! Spiderling? Spider... What was his name again?

Avengers paper cutout 6/?

[somewhereincairparavel]

im so emotionally attached to jason grace it's not even funny atp. i literally think about him all day, I'm not exaggerating pls someone tell me they feel this way too 😮‍💨

[trashcanwithsprinkles]

yeah i don’t think any of you should be surprised by this point

have the yashiro commission

[svtskneecaps]

also in terms of the bolas playlist it's fascinating to me that the songs added by each person have a slight tendency to represent a consistent aspect of bolas

like

the songs added by slime are their chaos

the songs added by philza are their rebellion

the songs added by cellbit are their rage

the songs added by baghera are their anguish

it's so fucking FASCINATING TO ME but i don't know enough music theory to elaborate lmfao this is Vibes Only

(mouse's songs i can't boil down to an easy noun which is why they aren't mentioned lmao anyway they go hard asf)

(also i went on the longest fucking unhinged elaboration in the tags lmfao i almost didn't have enough tags left to tag "long tags" at the end

(i could have even gone on longer in terms of where their characters were at entering purgatory [philza: cage for a cage; cellbit: fed worker murders; baghera: her past as a federation experiment; slime: turning into a code because of the code pretending to be his daughter] but i ran out of space and also time it's 4AM AAAAA)