#i feel like i can communicate feelings/vibes better like this. <-bad at drawing backgrounds
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shimmershy · 1 year ago
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I've been longing for Daisies to push through the floor And I wish plant life would grow all around me So I won't feel dead anymore
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gethellbcnt-m · 11 months ago
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screaming my thoughts about s2e8 into the void because i need to to scream it somewhere n i dont wanna bother people SO--
the song was fun, the visuals were comedy gold, and i thought the escalation from playful horniness to Anxiety-Fueled Dread was very entertaining !
LOONA YOU ARE NOT HELPING YOUR FATHER FEEL BETTER ! you know he's gotta give that bird the ultimate stuffing to keep the book ! WHY WOULD YOU SAY THOSE THINGS--
Moxxie being supportive of his boss is adorable... even if Blitz technically caused a divorce, but those two were on their way there anyway so it's fineeeeeeee !
Cleatus, Keenie, imma need you two to shut up- i know the dhorks are kinda dumb when it comes to taking info with a pinch of salt, but this is just sad. speaking of : WHY ARE MY TAXES BEING USED ON THIS INSTEAD OF BETTER SCHOOL LUNCHES-- i'm also getting incredibly vague lion king vibes from the shot of those priest clones... and is that Collin foreshadowing i see in the interrogation room ??
sick robot suits, loving the parallel between the IMP and team CHERUBS. i wuold've preferred if the cherubs kept to the background more and saw that hell isn't too different from heaven, and that the hellborn are just vibing to the best of their abilities wherever they live.
Blitz's shopping spree was such a joy to watch, and it shows how much effort he's willing to put into the visits he makes to Stolas in order to keep his business and friends financially secure. i'm waiting to see if one/the mnm's will get a similar sequence in the future.
these shopkeeper designs fucking ROCK and i want to know more about them ! even if i know they're probably one-time characters and will never see them again lol
love love LOOOVE Fizz and Ozzie's toy/entertainment selection !! i can't stop looking at everything in the background because A] it's so colorful and B] i'm a pervert who wants to draw my muses in some of these hehehe
the remainder of IMP vs. the CHERUBS were so fun to watch ! i feel bad for Ozzie though, he and Fizz are definitely having a talk about Blitz and his team being surpervised if they're ever allowed to visit the Lust ring again after all the damage they caused.
Stolas... didn't just start the conversation by giving him the crystal, first ? asking about the book first -- Blitz's only reason that his business is still running and keeping him AND his employees financially afloat -- and seeing the underlying fear and uncertainty on Blitz's face before Stolas doubles down... God, it hurts. ' i can always do better ' just... OUGH.
i am going to out myself as a Blitz enjoyer here because i relate to him a lot on a concerning level.. but also because i've been to that scalding, steaming pit of self-hatred, too ; i've long since climbed out of that pit, but i can understand his position because i've been there. you feel like you're alone, even when you're in a room full of company that you enjoy being with. you feel like even when you're surrounded by loving family/friends, you have this feeling in your heart that they secretly hate you regardless of how much praise or support they give you. something just feels... off. any signlas that Stolas may have given him just whooooooshed over Blitz's head because he's too caught up in his own self-loathing to see it.
additionally, i've ALSO been fearful of someone with higher authority who's able to decide whether or not i keep my job depending on their opinion of me. to have such low self esteem and be at a disadvantage in The System just freaking sucks donkey balls, bro.
i'll give Stolas credit where it's due : the communication is FINALLY happening ! but you know what's awesome about that process ? learning to LISTEN !! he knows that Blitz is a guy who uses humor in the way he communicates, and i feel that it would not have taken more than a few seconds for him to have said, ' Blitz, i'm being serious '. would it have not lead to Blitz blowing up at him ? i don't know ! would it have lead to Blitz calling out Stolas and having his emotional rant anyway ? it's entirely possible !
both characters are so caught up in their pains that, if they took a little more time to clarify themselves and their feelings, it's very likely that their confrontation wouldn't have ended the way it did.
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mc-doppomine · 4 years ago
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Dunno why this came to mind...maybe calculating Jakurai’s deal here...Who knows but here I am imagining how much schooling these boys have gone through. 
As a note, I am not saying their schooling level as any jab to them. All people are different. Some would prefer going to school, some do not have the opportunity and some have other things to do. It really is many reasons why they would or wouldn’t go on. And I’m just guessing what I think they’ve done based off information we have of them. 
Buster Bros!!!
Ichiro I feel only completed compulsory school and some of high school. He was too busy supporting the orphanage and his brothers to really keep up with it. And considering Yorozuya Yamada is likely their only source of income, he hasn’t really gone back either. I don’t that particularly bothers Ichiro since while he wasn’t bad at school he wouldn’t say he liked it either. 
Jiro is at the age where he didn’t have to go to school anymore but Ichiro made him stay. As it was just better options for Jiro if he does finish school. He also doesn’t go to cram school as 1) he can’t stand school as is, 2) he likely goes to help Ichiro with the business and 3) there’s a chance they can’t afford to send him. Despite the latest drama tracks, I don’t see school being a point of contention between them even if Jiro doesn’t like school. I don’t see him pursuing a traditional higher education, if he even goes at all.
Saburo is still in compulsory school as far as I understand so it’s not really a question of if he goes. But obviously Ichiro would want him to stay. Especially him because he’s good at it and seems to like it. That and it might help Saburo’s social skills to have to be around kids his age. For the most of the same reasons, Saburo doesn’t do cram school either. If anything he probably could tutor if he didn’t get so easily frustrated with people. I do feel he could make it to the top schools when he gets older but I see an interest in going overseas for uni.
Mad Trigger Crew
Samatoki I don’t think went past compulsory schooling. He was too busy with yakuza stuff to really deal with school. I see him getting into a lot of fights over his background, namely badmouthing of his parents. He probably had Nemu stay though because he wanted her to have options. I think he’s really good with money even though he probably hasn’t had to worry about it for a long time
Jyuto I initially was gonna say did go to college but researching a little bit, he probably didn’t. He only would need to finish high school and pass exams. Which I feel he was prepared for. Like I think he’s been set on being a cop for a long time and worked for that. Which is why I’ll also go out on a limb and say that in high school this boy was a runner so he was also in shape for his training when he passed exams. I also think Jyuto was a good boy student.
Rio likely went into military service as soon as he could, which I believe is 18 over there. It’s a little harder to tell about how the service was since the world of hypmic is one that had another war, so it’s likely his time was busier than what it would be normally for someone in the navy. He absolutely could’ve gone to uni and come back to get a better rank but I don’t think Rio really cared about that aspect of it. (This man knows communications and some hacking, you cannot tell me he couldn’t have gone far) I will say he likely took advantage of his half-American status and is fluent in English as it would’ve been useful for joint exercises with the states. I think the dissolution of the navy really shot him in the foot but he’s just too resourceful to keep down with that.  
Fling Posse
Ramuda...obviously didn’t. And I don’t think his records would show anything. Like if it had to show anything, it would probably show him going to a super large school where it’s completely possible no one knows who the hell he was (because he was never there). And if he was based off someone, he likely had some of his credentials taken from them. He understand the culture of schooling though, I mean his style and personality does seem to draw girls high school age and older. 
Gentaro is pretty hard to imagine to be honest. I don’t see him enjoying his school life and being around classmates for an extended amount of time. And while I think he could’ve spent some time in academia in literary research, I also see him finding it way too stuffy for writing. But I think ultimately...he went to uni for a short time. For some reason I just don’t see him vibing with how the system is for it. 
Dice did not. I don’t think he finished high school although he could’ve if he wanted. But he probably avoids it because it’d be an easier way to keep track of him and run contrary to his stray sort of life style. 
Matenrou
Jakurai...is a doctor...I sure HOPE he went to school for his profession. So he studied some of the stuff you need for doctoring during his time as an assassin but he didn’t actually go into studying to be a doctor until he quit his killing at 23. He probably went into the national defense medical college, which seems to be 6 year program but you have an extra 2-3 years of compulsory service with it. I think he likely finished his compulsory service, at the latest, a year before the Dirty Dawg timeline. Or OR he faked his schooling and just knew the equivalent knowledge from his time as an assassin and was able to pass his exams and later studied whatever he lacked. He’s basically fully legally certified NOW, don’t worry...
Hifumi I just can’t see going past high school. Like I’ve always seen the incident happening in his last year of high school and it made it difficult for him to even finish. And considering he claimed in the first Matenrou drama track that he didn’t find a way to live with his phobia until he was 20...I don’t think he went. Not that he would’ve been interested in it. Hifumi is interested in what he likes and wouldn’t want to put the effort either way. I don’t think he really cares and he has more than enough skills (and money) to do just about whatever he wants.
Doppo likely went to uni. He couldn’t get into the real prestigious schools and knew he couldn’t so just went for wherever he could get into rather than wait to test again. I feel like his degree is in either accounting or business. I think he had a part-time while in school to pay for it since it seems like his family might not be as well off or he didn’t want to burden his parents (in a passing conversation I think he mentioned paying for his brother’s exams or schooling). For some reason I also can see him having a minor in biology because I see him either knowing a lot about plants or knowing a lot about marine life. What kind of person just thinking of a water flea for like a small creature?
Dotsuitare Hompo
Sasara I feel like he didn’t go past high school. Not that he couldn’t. Just that he didn’t find a need to? Not when he was set on going into comedy. Like it was either make it or be trapped with his family. And he was hard noooope. 
Rosho....is a teacher? I sure HOPE he went for his teaching certificate. I don’t think he was going to initially and might not have while he was doing the comedy game with Sasara? Their time line is a little fuzzy, I haven’t found the indicator of if Rosho and Sasara disbanded before he went to MCD or after. If it was before, then yes he went to school after they disbanded. If not, then he was in school while doing the manzai thing. So yeah dual major of mathematics (or statistics) and education (he didn’t need both but I have faith in him).
Rei most definitely went to fucking uni. This bastard would let you think he didn’t but he did. He’s probably a fucking doctor or just shy of it. Drives me mad. Why am I sure? Because if Rei is behind the hypnosis mics. As in the designer and/or inventor of it, he is a scientist or engineer of some type. I see him having a degree in either biotechnology or neuroscience. I learn towards the latter because I feel like he also got a minor in psychology (or y’know what, business is possible too for a minor). Just to mess with people.
Bad Ass Temple
Kuko I feel was the same as Ichiro in that he went to high school but not necessarily finishing it. I don’t believe he would’ve had to...if anything he’s gone back to his teachings at his temple. Yet it seems he doesn’t do that either so I’m not sure. I just don’t think he did anything past high school. 
Jyushi I think he might’ve just finished high school? I don’t know if he was just finishing or he’s soon to be doing exams. But I think he’s going to finish regardless. Y’know I feel like Jyushi would’ve liked going to uni. I can’t think of what he’d go to school for though! Would it be adding too much work to a passion if he did something with music theory? 
Hitoya...is a lawyer? So yeah? And you have to wonder if Hitoya is a masochist or loves to learn or what have you. Because he was in medical school WITH Jakurai. And then when they part ways, he quits and then goes into LAW. Are you kidding me? Hitoya, Hitoya please...I looked it up, he HAS to be a masochist! Law in Japan is super hard to get into! It has one of the most difficult bar exams to exist! What are you doing, man??? Although...I think Hitoya is still fairly new as a lawyer though because him starting when I assume Jakurai started school at 23, would have him only being fully practicing for 5 years. And that’s assuming he dropped out the first year and not later...which would only shrink he years outside. Unless whatever he got for his bachelors was applicable for law too (behavioral science?)...either way, yes he’s done it and he sure does do a lot to beat a guy that doesn’t even know they’re competing. 
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fmdrohan · 4 years ago
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hello, hi ! 👋🏽  i hope this introduction post finds everyone well. ♡ i’m no one new to these parts, but for those of you who don’t know me, you can call me alé. i’m 21+, use he/him pronouns, and i’m the current typist for aria’s main vocalist, nina seo, & now, i’m bringing you all yet another muse. so, without further delay, i’d love to introduce you to brand-new creation of mine called 𝖞𝖔𝖔 𝖗𝖔𝖍𝖆𝖓. he is knight’s main dancer, sub vocalist, and rapper, as well as their currently marketed “sexy” member. outside of his career, he’s honestly just one big douche-bag skater kid that seeks cheap thrills, and who wants to do nothing more than put a smile on your face... even if causes him trouble sometimes. more info about him is below the cut, so please like this to plot ! ♡ tumblr im’s or discord by request.✨ 
𝖍𝖎𝖘𝖙𝖔𝖗𝖞.
born in seoul, south korea, to a working class, christian family.
mom was a manager at a local restaurant, dad worked at a law firm.
both of them were busy all the time; they lived paycheck-to-paycheck.
he didn’t get much attention at home, so he sought it out at school.
there, he was known as a a huge “class clown” or “class daredevil.”
all he wanted was to put smiles on people’s faces and push limits.
did he end up in the principal’s office a lot? YES, that was his “brand.”
as he got older, his class clownery turned to pranks and thrill-seeking.
he also became HELLA interested in skateboarding and parkour lmao.
rohan felt as if he wasn’t living if he wasn’t on constantly on the edge.
he’s broken a few bones, endured tons of scrapes, but never gives in
this, obviously, didn’t please his mother and father... they were just busy.
too busy to reprimand him and care—rohan got away with a loooot of shit.
he didn’t start receiving discipline until he was scouted by bc entertainment.
despite his messy hair, distinct style, and overall vibe, he fit the bill somehow.
the two years he spent in practice changed him a little as a person; for better.
he found a new love in dancing, and he was naturally pretty great at it tbh.
his background made him extremely coordinated, flexible, and really strong.
his fearlessness made him bold enough to try out new moves or stunts.
two years later, he débuted as a main dancer and kept his impulses at bay.
this isn’t exactly what he saw himself doing in life, but he wasn’t mad at it.
over time, his image began to shift into sexier and “stud-lier” territory.
his outfits became more revealing and he was treated differently in public.
this... fucks him up a lot because it’s the exact opposite of how he is.
he’s just some skater / parkour punk that gives off dumb big bro vibes.
how on earth do they expect him to be portray and convey sexy 24/7?
as this is more of a “job” to him than passion, he does what they tell him to.
so long as his checks get signed and he accumulates wealth, he’s good.
𝖕𝖊𝖗𝖘𝖔𝖓𝖆𝖑𝖎𝖙𝖞.
as mentioned above, rohan gives off very douchey “big brother” vibes.
he’ll pick on you, tease you, pull pranks on you, etc. all in the name of fun.
he’ll go too far sometimes, and he’ll feel bad, but has “no regrets.” 😎  lol.
lowkey loooves anime and draws his own bad sketches; also into sci-fi.
underneath the dumb, douchebag exterior is just a big ol’ nerd, that’s all.
if you’re a cute guy, he’ll DEFINITELY flirt with you—taken or not taken lol.
he’s someone that hasn’t really let being an idol ruin his personal life tbh??
he still does whatever the fuck he wants within the constraints of his contract.
though, whenever he gets “bored,” he does things he’s not supposed to.
bc entertainment’s warned him of being careful not to injure himself, but...
i don’t really think he cares at this point in his career; he likes more freedom.
little random, but he loooves underground / indie rock music and rap, too.
one of those assholes that doesn’t really listen to any other idol music lmao.
to be fair though, he’s not really a massive fan of knight’s music either. 😁
he just sings or raps whatever they tell him to and rolls with the punches.
lowkey wants to take up tattooing and graffiti at some point, he’s that guy.
loooves to talk and meet new people, even if they find him a li’l annoying.
whenever he’s stressed, angry, upset, hungry... he shows it with aggression.
it’s never gotten intense much, but he’s not much of a sensitive “crier” yk.
there’s more of him for me to discover as time goes on, so that’s it for rn!
𝖕𝖑𝖔𝖙-𝖑𝖎𝖓𝖊𝖘.
no plots page yet, sry :/// i’ve been a little busy this week rip.
some ideas will be below though so lmk if they appeal to you!
one, he’s definitely known to ghost people, so... maybe your muse is one of ‘em? like, this would be locked to males in the lgbt community, but you know. give him some really awkward encounters to make him feel like shit for ditching you after tons of sweet talk. sad thing is, he’s aware of it, and it’s mostly because of his schedule, but also ??? he’s just having fun, you know. he doesn’t wanna get tied down to anything right now.
two, maybe that ONE GIRL he tried to fuck with at the beginning of his career. while he knows he’s always been attracted to men, i think he would’ve convinced himself to at least try it out with a woman to make sure he wasn’t also interested in them, too. he’s a MASSIVE flirt and sweet talker, definitely made her feel special, but like... it never really went anywhere because... he just wasn’t into it, but didn’t wanna make her mad lmao. clearly ended up in a break-up and it could be both an ugly or pretty ending imo idk.
three, i’d DIE if other muses in famed were super into skating, or anime, or really any of his interests, too, and they’ve formed a “club” of sorts? just your local band o’ dirtbags who get together and fuck shit up a little bit here and there. i feel like this could be open to anyone who shares any of his interests tbh ??? maybe closer to his age is preferred, but honestly, i’m here to discuss whatever! i’m all for compromises and shit tbh.
four, maybe someone’s he’s lowkey seeing ( male, male-presenting lock ) that he’s really vibing with, but he just can’t... feasibly reason why he should have a bf right now. he’s got a lot going on, so he’s kind of a flake, but at the same time, he doesn’t intend to be an asshole to them. they’re maybe one of the only people he’s “softer” with. can end up romantic or platonic depending on how they handle it together, me thinks!
five, a dance partner or two would be pretty cool tbh! he’s not a dancer first, so he likes to dance with other people who are passionate about it to learn from ‘em. he can handle his own with choreography, but doesn’t have his own distinct style, so he’d really appreciate all the help he can get in becoming better ig? all in the name of work!
six, maybe a person who fucking HAAAATES him because they find him really annoying and super douchey, so they just... avoid him at all costs. however, he kinda picks up on the fact that they avoid him, so he pesters them even worse, which doesn’t end well... ever. this is definitely more open to anyone tbh and we can plan as we go!
seven, flipside where it’s someone that he CAN’T stand because he finds them really persnickety, snobby, and rude as fuck. if there’s one thing he hates A LOT, it’s bratty rich kids with silver spoons in their mouths. like, if this was a “the outsiders” verse, he’d be a greaser 1000000%, not a soc. lmao. he’d butt-heads with this person a fuck-ton.
eight, however many guys wanna piece of him, he’s happy to have a catalogue of fwb’s he calls on. he’s definitely not someone who says no to a good time, and he can act like a perfect boyfriend if that’s what you want. sadly, this’ll always be a temporary game. any of these fwb’s can go in many directions and can be plotted out individually!
nine, the age old question... “who’s your ideal type?” under pressure, he said you as a joke ( because of this, it could be male or female ) and now, fans of your respective groups ship you two together all the time. it’s a little awkward, and you two haven’t really talked about it much, but here you are... at a shared event sitting next to each other. how do you handle it? what do you do? is it awkward or all in good fun?
ten, someone who kinda hates that he doesn’t really take being an “idol” all the serious. he’s got a lot of shit on his bucket list he wants to do and he doesn’t let fame fuck with that, so he’s careless. he didn’t go into this business because of passion, it’s just where he ended up. your muse doesn’t like that, and thinks people like him are lazy as fuck.
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irenereru · 4 years ago
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For the Daft Punk asks: 1993-2021.
Yes, Irene. I want you to answer all of them (except the ones you don’t want to answer, of course ❤️).
/2B
Well well well, this is gonna take a while! I already answered 2011 to 2013 in this ask right here, so I’ll be skipping those!
1993: When did you first hear about Daft Punk? That’s an odd question, and hard to answer. 
During my childhood I KNOW I heard songs like Around The World, Music Sounds Better With You, One More Time, Harder Better Faster Stronger, and Technologic later on. 
It wasn’t until around 2011 when I had my first contact with Daft Punk, when on a restaurant, on a TV in the background, One More Time was playing. I could not hear the song, but the visuals catched my attention and I became fascinated. Sadly, I did not catch who’s song was that, nor the title. 
It wasn’t until Get Lucky and RAM released that I FINALLY figured out who Daft Punk were. The moment I saw the robots, when I rediscovered and watched Interstella 5555 in it’s entirety in one setting, then, was when i got hooked up to them, forever.
1994: What do you find most striking about the band? THE ROBOTS! I love the dessigns, they have SO MUC PERSONALITY. But other things I love are, obviously, their music, the “not giving a shit” actitude, and the way they worked. That’s something I admire a lot, keeping control of your works. As an artist myself, it’s something that can be really important and can help you out in the future.
1995: Do you have any favorite music videos? I love Interstella 5555 with my whole heart. The Homework MVs, specially Burnin’, hold a special place in my heart. I love that in Burnin’ the boys make a cameo for a split second, wearing odd costumes and wigs.
1996: What do you think about the Homework album? Pretty good! I love house music, and it’s certainly the album that introduced me to the genre, so... Da Funk, Around The World, they’re just absolute BANGERS. The “harder” songs on the album aren’t really my thing, tho...
1997: What do you think about Alive 1997? A bit bare-bones, not gonna lie. It’s like 45 minutes long. That’s not a lot. It certainly is something of it’s time. What I love the most are the scarce pictures and videos of that era of them playing live. You can REALLY tell they’re having a blast, specially Thomas.
1998: Do you have any favorite remixes/mash-ups? Their remix of Chord Memory is certainly one of my favorites. It really gives you a... Something. It feels like it’s telling a story, with it’s change of tone later on and then mashing both. Also, that WDPK 83.7 reference!
1999: Has your opinion of the band changed over time? Not really. It just started high and they stay high as my favorite band/musicians. They’re extremely inspiring, specially for the fact they did so many different things, but all feeling so unique to them at the same time. Them also being nice people and supporting of social rights and the LGBT community is certainly a great plus!
2000: Do you have a favorite ‘era��� of Daft Punk? Discovery. It’s the most fun, colorfull, and the one they seemed more “silly”. The robots appeared in their rainbowy marvel and odd/oversized clothes.
2001: What do you think about the Discovery album? It’s My FAVORITE! There are barely no songs I dislike. It have so many different vibes, feelings, you have vocal tracks and instrumental tracks, all with the same quality... And my favorite song from them, Something About Us, is from that album.
2002: Has Daft Punk inspired you creatively? Absolutely. Like, 100%.
2003: What do you think about Interstella 5555? They could’ve worked on that lip-sink a bit better, it’s something that ALWAYS pulls me off. But aside from that, it’s a great concept, and a very special animated film. You can tell there was a lot of care put on it.
2004: Are there any lyrics in particular that stuck with you? Within. That song just, resonates so much with me. Check out my other post with answers, I talk in depth about it!
2005: What do you think about the Human After All album? You can tell it was made in 2 weeks. They were angry, frustrated. And you get a lot of “Thomas Vibe” in that. It feels like it wasn’t a good time for them and it’s reflected in the album.
2006: What do you think about the Musique album? The only good thing from it is that they FINALLY re-released Musique and those remixes! Also, in the special version, you get the Interstella 5555 DVD, which is how I got the movie myself physically!
2007: What do you think about Alive 2007? It’s just great. I wish there was an official version of the entire concert edited by them, where you could see the visuals, the vibes, and the boys all in one enjoying themselves. I’m sad I couldn’t go see them, but at the time I just did not know who they were, and I was only 11. I remember seeing their pyramid on TV when they came to Spain in 2006! I thought it looked really extra, and it really is.
2008: What do you think about Electroma? It’s heartcrushing. I have the feeling they could’ve cutted the ending a little, and I don’t really get why of the dunes looking like a woman and going like, inside the vagina... But still. Also, I can not laugh when they wear the human masks. They’re so ugly x’D Is that how they see themselves?
The bathroom scene ALWAYS gets me. GM08 getting extremely mad and frustrated, while TB3 tries to hold on to what’s left until it can’t be recovered... That says SO MUCH about them, about the robots, as characters and people. You can really get what they’re feeling.
The ending, though... That ending. My god. Everyone always talks about TB3′s death, but the one that really got me the most is GM08′s. It seemed like he wanted to keep going, but finding himself alone ends up being his demise. They need each other. And when he tries to reach to his self-destruct button but cannot, and he just stares in the distance... I really, REALLY felt that.
2009: Do you have a favorite Daft Punk cameo/reference? I talked about the Burnin’ video before, but if I have to think of something else... I think their cameos in different productions are great. Like Sebastien Tellier’s videos of the songs he made with Guy-Man, one with magazines with drawing of GM08, while on the other he appears as a background guy, face partially covered... Also Thomas’ cameo in the movie Realité, where his wife is one of the secondary characters, where he just, again, appears for a split second. I find those really funny.
2010: What do you think about TRON: Legacy? It had a lot going on, but it’s story just... Was bad. The effects are cool (except for the guy they tried to make look younger), and I love that Daft Punk just kept vibing when the fight breaks out at the club. Aside from that, that’s all.
2014: What’s your favorite moment of Daft Punk at the GRAMMYs? The hug. Come on, that’s like, the loveliest thing ever. You can tell how happy and emotional they were. They even had to hold Thomas’ hand because his helmet fogged on the inside.
2015: Do you have friends who like Daft Punk? Hmm... Does all the cool people I’ve met in the fandom count? ;D Specially @edbangingrobot and @invader-777 they’re the coolest people ever <3
2016: What Daft Punk collaborations stood out to you? Probably the one with The Weeknd, but only because of their AMAZINGLY COOL COSTUMES, more than anything. Those have to be my all-time favorite looks for the robots.
2017: Did you get to see Daft Punk live? No :(
2018: How does Daft Punk fit into your taste in music? They have that disco-electro-house vibe I LOVE so much. Why do you think Discovery is my favorite? x’D Tho my tastes go all over the place, if I’m honest. You just have to take a look around my Spotify playlist to see what I’m talking about.
2019: What Daft Punk song makes you smile? One More Time, Digital Love, Voyager and Give Life Back To Music. If you wanna make me get in a good mood, play those.
2020: Did Daft Punk help you get through tough times? They certainly helped me focus on something. I found them in one of the toughest, darkest times of my life. Just had to drop out of school due to my mental illness, only to be abandoned by my old friends, while my family did not listen to me about my depression, anxiety and agoraphobia. Not only that, but we also moved for the third time in a decade, and it wasn’t for fun reasons. Having Daft Punk’s music there as a new discovery to me certainly helped, with their cheerfull, thoughtless songs for a time where everything felt too much.
2021: How are you “holding on” after the split? I am extremely sad we will never get to see the robots again. They’re a really important part of my life. Just like their music. All I hope is that they’re in good therms, and that they’ll be happy for now on. We do not know the reason, but there surely was one behind their decission. If any of them does make something new in the future, I’ll make sure to check it out. It wouldn’t be the first time they’ve done things aside from Daft Punk.
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borathae · 4 years ago
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~Chapter 25~ Jesus Christ and i thought the last chapter was a rollercoasterride. When Jungkook said "you are the love of my life" now that...broke me. No joke I literally got chills when jungkook said that, like i am not joking. Also "No darling, i mean y/n" aaaah there it is again 👀 Also forehead kithes, yes.
🖤 Strangers - FLETCHER
When oc & kook started talking it just felt so real. Like how people that had such a special bond can become strangers again. Like when you were SO FUCKING close with someone you could talk about everything and now you don't even know how to start a conversation. "The way we ended it, you know it makes me sick how two people once could be so in love, now we never talk. [...] and I hate that I hurt you. What I know right now, I wish I knew then. [...] We started out as strangers, now we're strangers again."
🖤 No Right To Love You - Rhys Lewis
Jungkook knowing and acknowledging he fucked up, to the point where he feels like he doesn't even deserve ocs love anymore. "To jump was my decision, I've only got myself to blame. 'Cause I have no right to love you when I chose to walk away. I have no right to miss you when I didn't wanna stay and I have no right to need you. And I knew what my heart was gonna lose. I have no right to love you but I do. I still do."
🖤 Mirrors - Justin Timberlake
This one is just so fitting. Especially with the part where jk was really opening up about what oc really means to him and that he lowkey only sees a future with her. Like she really showed him what love feels like. "I don't wanna lose you now, I'm lookin' right at the other half of me. The vacancy that sat in my heart is a space that now you hold." Alsoooo when he said that once he realised all that, he just had to come back, there was no other option. "Show me how to fight for now and I'll tell you, baby, it was easy comin' back here to you once I figured it out. You were right here all along." And then the part of the song where it literally goes "you are, you are the love of my life" over and over again 💔 Also this line: "So now I say goodbye to the old me, it's already gone." Jungkook is evolving.
🖤 What We Had - Sody
This would have fit the last chapter so much but I just discovered this song and I think this also kinda represents what Jungkook feels about the whole OC x Hobi situation. We see he's bettering himself in that he's trying to walk away from the situation and deal with his emotions alone instead of exploding in ocs face bc that is toxic. And he's very open about his feelings, communication is key in a healthy relationship. But still, he is jealous bc he loves oc and therefore obviously doesn't want to imagine her with another man. "I know I'm being selfish and I've got no right but I can't help thinking about you tonight. And I don't wanna say it 'cause I know it's bad but I don't want somebody having what we had. I know I'm being stupid but I just can't stop thinking that you're with somebody and I'm not." Also this part: "I've still got the pictures from the memories that we once made, can't seem to let them go, I thought that we'd grow old. Down to see you happy but I don't want to see you happy without me."
🖤 I Hate You, Don't Leave Me - Demi Lovato
I feel like this represents oc's feelings really well, like the way she's torn between wanting him back and struggling to forgive him. "I hate you, don't leave me. 'Cause I love when you kiss me. I'm in pieces, you complete me. But I can't back down, no, I can't deny that I'm staying now 'cause I can't decide, confused and scared." The song even talks about the physical touch part with which oc is struggling as well, wanting to be held by kook but at the same time being scared of what his touch ignites in her. "I hate you, don't leave me. I feel like I can't breathe. Just hold me, don't touch me." Also the ending of this chapter really felt like oc was trying to make sure that jk knows that she needs him and that it's definitely not fully over eventhough she's so torn. "I admit, I'm in and out of my head. [...] Just hear me out before you run away 'cause I can't take this pain, no. [...] Been abandoned, and I'm scared now. I can't handle another fall out, I'm fragile."
🖤 Side of My Heart - Katelyn Tarver
Same as with the song before. Oc struggling with her feelings. "Half of me wants to come over and spill every thought that's inside of my head. Half of me wants to unlearn every turn that would take to get into your bed. One foot on the gas, one foot on the brakes. One out the door and one trying to stay. [...] I can start telling myself once we get through the mess, we'll be stronger for it. But then I start thinking that if I was stronger, I wouldn't put up with your shit. One minute I'm sad, the next I feel crazy." And this "I need you all the way here or all the way gone", how oc got angry for a sec when jk told her he's leaving again.
Sorry these are getting longer everytime, I'm invested haha 😢✌
Okay first of all never apologize for your song recs getting long! Please I love them so much, you could sent in a whole novel and I would read every single letter of it 🥺💜  
 Strangers - FLETCHER
Okay first of all that song has such JKMusic vibes, which just adds a whole level of flavour to it omfg 🤧 Also no joke this is literally so them ommgmg. Like when the reader is all like “help why is it so weird talking to him? what happened?” that song could play in the background omfg 🤧😔 but also omfg this line “No time's the right time to reach out but here I go [...] all the things we said and couldn't take back, swear I never meant it, and I hate that I hurt you.” is so Jungkook and him struggling to reach out to here for months 😔
No Right To Love You - Rhys Lewis
I don’t even know what part to quote because the whole entire song is basically Jungkook in this chapter. Holy shit :( I am acHING HAHAHHAH you don’t even know how many times I listened to that song while I was writing this chapter. And then you go and rec it and I am just like 😩 we are sharing a braincell anonie 😔
Mirrors - Justin Timberlake
I don’t know what I should add here anonie. Your description and the lyrics you chose are literally perfect. There is nothing to add here other than :(( I am bIG SAD :(( 
What We Had - Sody
YES OMFG! First of all I 100% agree with you that this also fits perfectly with chapter 24 😔 also lisTEN HOW DO YOU FIND SONGS THAT JUST FIT SO 
R I G H T???
Like I am literally blown away, it’s freaking amazing and I am :( Also omfg this part “I've still got the pictures from the memories that we once made, can't seem to let them go.” if that isn’t them both realising that they both carried a part of the other with them. OC with the half-finished tattoo and the polaroid and JK with the finished drawing :( I am soBBING
I Hate You, Don't Leave Me - Demi Lovato
😭😭😭 anonie lisTEN I AM GOING TO SMOOCH YOU hfhdshfh your description, the parts you quoted I am just wOw I couldn’t have said it better. Fuck you saying “ she wants to be held by kook but at the same time being scared of what his touch ignites in her.” I am ACHING 😭😭 aLSO THIS PART “Been abandoned, and I'm scared now. I can't handle another fall out.” if that isn’t her being all scared of giving in I am :(
Side of My Heart - Katelyn Tarver
This song is so beautiful omg, I teared up hahahah hELP lisTEN I am :( this shows her struggle so well, like especially that part “I need you all the way here or all the way gone [...] I want you to go and I want you to stay.” this made me think of when they were all like “guess that’s it then, the end of our relationship” and yet neither one of them stood up and left because deep down they both didn’t want their relationship to end. I am a broKEN WOMAN 😭
Thank you so much anonie, listening to those songs literally just made my day. I mean lol they did tug at my heartstrings, but it was a good kinda tug 🤧 seriously I appreciate you so much, I love you lots my lovely anonie 🥺💜💕
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pivitor · 5 years ago
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My Top 10 Albums of 2019
2019 will go down, for me, as the year my beloved iPod died, and I finally bit the bullet and signed up for Spotify Premium. Thus, I listened to more new music in 2019 than I ever have before, and realized how much of it I found disposable. Bands I grew up loving put out mediocre efforts, new darlings grew in directions I wasn’t interested in following, but thank god, thank god there are still plenty of terrific musicians putting out work that resonates deep within my soul. Music is subjective, so I wouldn’t dare call this a “best of” list, but below are the ten new releases of 2019 that I listened to the most, vibed with the most, that just plain ol’ meant the most to me this year.
(PS: Don’t think too much about the exact order and ranking here. It changed multiple times even as I was writing this. What really matters is that all ten of these records rule)
10. Radar State -- Strays
Radar State are the Avengers of the early 2000s mid-west emo scene -- a band combining The Get Up Kids’ Matt Pryor and Jim Suptic, The Anniversary’s Josh Berwanger, and The Architects’ Adam Phillips into a single supergroup. Pryor has described the project as “just having fun with [his] friends,” and that dynamic shines through loud and clear in Strays. It’s like each member is pushing the next to just create the catchiest song they possibly can, and the competition leads to great results; Pryor favors fast and sloppy punk and Berwanger moody earworms that fuse themselves into your brain through sheer repetition, but it’s Suptic who fulfills that edict best with his shiny, addictive pop love songs. Radar State never quite hits the emotional highs of its members’ main projects, but that was never the point in the first place; Strays is just fun from front to back, and it’s an album I’ve returned to consistently throughout the entirety of 2019.
Highlights: Making Me Feel, Self-Hurt Guru, Artificial Love
9. The Early November -- Lilac
Lilac is an album about learning from your mistakes and making a conscious choice to be better, and it’s a theme, an ethos that truly defines this release on every level. The Early November originally planned to release Lilac back in 2018, but ended up scrapping the original recording and going back to the drawing board, knowing that they could do better, and funneling that ambition, all their lessons learned, into their most ambitious release outside of The Mother, The Maker, and the Path (“but less self-indulgent,” I say with love). Horns, piano, and a wide variety of tempos spice up the proceedings, and the lyrics are more raw and honest than ever, but Lilac’s greatest weapon is the vocals, which Ace Enders wields with virtuoso skill. He plays with different cadences and deliveries, giving every song a unique feel, moving from soft and pleasant (“Perfect Sphere [Bubble]”) to menacing (“My Weakness”), from the joy of “Ave Maria” to the cathartic, powerhouse vocal explosion of “Hit By A Car (Euphoria)” to the pure, crackling, barely contained emotional breakdown threatening to burst right out of the chorus of “Our Choice.” There’s no other vocalist out there quite like Ace Enders -- and no other record quite like Lilac.
Highlights: Hit By A Car (In Euphoria), Ave Maria, Comatose
8. Magazine Beach -- Sick Day (EP)
Most year-end lists probably overlooked this record, a debut four-song EP from a small DIY band released in mid-December, and man oh man are those critics missing out. Sick Day isn’t just the biggest and best musical surprise I received all year, but quite possibly the most fun I had listening to music in 2019. Seriously, I played this on loop probably two dozen times the day I discovered it, and spent that evening forcing friends to listen to it too. Magazine Beach’s tongue-in-cheek lyrics, gonzo riffs, and stunning background harmonies are combined with vocals whose flatter, sardonic tone initially masks, but soon reveals their perfect cadence and quick crackles of emotion; they’re as close to a perfect pop-punk package as I heard all year, with their quirky, relatable songs about flaky friends, overstuffed social calendars, and other mid-twenties challenges filling that gaping Modern-Baseball-You’re-Gonna-Miss-It-All-shaped hole in my heart. If this had released earlier in the year, and I’d had more time to see how long it truly stuck with me, it might have placed far, far higher on this list, but either way I look forward to carrying this album forward with me into 2020, and I look forward to following Magazine Beach’s future career closely. I think they could go places.
Highlight: Living Room
7. Masked Intruder -- III
It’s easy to look at Masked Intruder and think that they’re more of an act than a band, just because they’re so good at playing hardened-yet-harmless criminals on stage, at enchanting an audience with their antics and banter alone. Thankfully, they’re equally skilled as musicians as they are performers; III isn’t just quick content for their live shows, but an entertaining, addictive, artfully made pop-punk record in its own right. Okay, maybe pop-punk is a bit too restrictive a descripter -- between the doo-wop, call-and-response harmonies and the raging riffs and solos, III sometimes sounds like a modern spin on sixties rock and roll, which is something I did not know I needed but absolutely needed. The lyrics never break kayfabe, but there’s some real clever stuff going on beneath the surface of these silly crime-themed love songs; contrasting the creepiness of Blue’s romantic pursuits with the shenanigans of a typical radio love song shows how few differences there actually are between the two, how creepy the entire genre is when you stop to give it any thought. It’s thoughtful and subversive without ever being preachy, just one more spinning plate kept perfectly balanced in the act that is III.
Highlights: Not Fair, Maybe Even, I’m Free (At Last)
6. Martha -- Love Keeps Kicking
Martha’s secret weapon is the empathy and compassion their songs cultivate for their subjects. Love Keeps Kicking is an album largely about the way love can kick you when you’re down, yet throughout the album Martha never villainizes even the bad actors in relationships. “Into This” finds the narrator jerked around by a potential partner who just won’t clarify what they are to each other, but the song isn’t out to attack the partner, simply to get a solid answer. Likewise, “Love Keeps Kicking” lays out a myriad of detailed complaints about romance and relationships, not to insult, but simply to find a way to endure them. “Orange Juice” rues the way the narrator diluted their partner just by being with them, showing impressive (and heartbreaking) levels of self-awareness. That kind of emotional maturity and complexity makes the true love songs (“Sight For Sore Eyes,” “Wrestlemania VIII”) all the more joyous, and makes their social commentary (“Mini Was A Preteen Arsonist”) that much more effective. Martha are a wonderfully catchy, fun band filled with great harmonies and British twang, but it’s their earnest, compassionate storytelling that truly made me fall in love with them, and with Love Keeps Kicking.
Highlights: Wrestlemania VIII, Love Keeps Kicking, Orange Juice
5. Aaron West and the Roaring Twenties -- Routine Maintenance
Hot take (?) incoming: Dan Campbell is the best songwriter of our generation. I already sang his praises pretty thoroughly last year when discussing my favorite album of 2018, but Routine Maintenance is just further proof of this truth, almost Campbell flexing. The previous Aaron West record was a character study of the worst year of a man’s life, but Routine Maintenance expands Aaron’s world in terms of scope, characters, and themes, all to the project’s (and character’s) benefit. The record is a tale of redemption, taking Aaron from rock bottom to a new place of security, all through the power of friendship and community, the power of music, and the power of family, of fulfilling your responsibilities to them, of finding your role and your home wherever you are, with the people who care about you, with people you can make proud. They’re themes Campbell has been exploring throughout his entire career, but brought down to a more personal level, and somehow that makes them hit harder than ever, perhaps because it makes the way they can fit into any listener’s life that much clearer. I’ve cried listening to this album. I’ve cried hearing these songs live. There’s true, true catharsis on Routine Maintenance, and it’s because Campbell’s taken Aaron West on a real journey, and it’s one I feel blessed to have been able to follow.
Highlights: Runnin’ Toward the Light, Rosa & Reseda, Winter Coats
4. Pkew Pkew Pkew -- Optimal Lifestyles
Pkew Pkew Pkew’s 2016 self-titled debut was an album told solely in the present tense, not worried about the future, but simply about the drinks, pizza, skateboarding, and parties to be had right here, right now. It was a blisteringly fun, gang-vocals filled powerhouse of a record that solidified Pkew Pkew Pkew as one of my new favorite bands. Optimal Lifestyles, though, is an album that has started to look back, if only to question the present. Are they still content to be these same fun-loving, hard-drinking party guys? Ultimately, as proven by lyrics such as “Shred until you’re dead, or until you break your wrist again” and “We lead thirsty little lives, and all we want’s another,” the answer they come to is a resounding “yes,” but the journey they take to find that answer not only makes it feel earned, but opens Pkew Pkew Pkew to some exciting new songwriting avenues, be it the touching introspection of “Drinkin’ Days” or the surprisingly beautiful nostalgia of “Everything’s the Same” (or even the more raucous nostalgia of “Mt. Alb,” for that matter). Don’t let words like “introspection” and “beautiful” scare you, though -- The Boys still rock as hard as ever, as the wailing, chugging guitars and even a totally rockin’ saxophone solo fully attest to (though I do miss all the gang vocals). And I’d be remiss to not mention “I Wanna See A Wolf,” an absolute songwriting clinic. In only a minute and nineteen seconds, Pkew Pkew Pkew takes a simple statement -- “I wanna see a wolf” -- and unravels it until it reveals a song about longing for freedom from the careers that cage our lives, even when they’re our dream. I don’t know if Pkew Pkew Pkew could have written this song three years ago. Talk about growth.
Highlights: I Wanna See A Wolf, Point Break, Adult Party
3. The Get Up Kids -- Problems
After their most popular record -- 1999’s Something To Write Home About -- the Get Up Kids’ next three albums all went on to be incredibly divisive among their fans. While all three records showed significant creative growth, none really sounded like what came before (personally, I very much enjoyed two of those records -- sorry, There Are Rules -- but I guess I’m not most fans). Problems, though, sounds like the natural evolution of Something To Write Home About without ever feeling derivative of it -- it sounds more like “the Get Up Kids” than anything the Get Up Kids have released in over a decade, which is an incredibly exciting thing let me tell you. Yet, Problems still benefits from everything the band has learned in that time: there’s new introspection (“The Problem Is Me”), a wider storytelling scope (“Lou Barlow”), and a shift from wallowing in their own pain to examining the pain of others (“Satellite,” which Matt Pryor has said is based on one of his sons). Problems also manages to pack in absolute bangers like “Fairweather Friends,” sensitive, tender ballads like “The Advocate,” and mid-tempo jams like “Salina,” a guaranteed future Emo classic that threatens to dethrone the Kids’ own “Central Standard Time” as The Quintessential Emo Song. Problems is the synthesis of just about everything that has ever made the Get Up Kids special, and it not only makes for one of the year’s best albums, but one of the Get Up Kids’ best as well.
Highlights: Fairweather Friends, Lou Barlow, Salina
2. PUP -- Morbid Stuff
The A-Side of Morbid Stuff is perfect -- a legitimately flawless five song stretch of punk rock that continues to blow my mind almost ten months after its release. The unmistakable opening notes of “Morbid Stuff”; that irresistible background riff from the bridge returning in “Kids’” second chorus, combined with some of the most nihilisticly romantic lyrics I’ve ever heard; the raucous sing-along that is “Free At Last”; the purest, most undiluted diss-track of the year in “See You At Your Funeral”; and, finally, the best song of the year bar none, “Scorpion Hill,” a sonic journey through multiple musical genres, telling a story of uniquely American misery that legitimately moves me to tears. The B-Side doesn’t quite live up to these first five tracks -- there’s a couple stand-outs (“Bare Hands” needs to make it into a live set pronto), a couple songs more interesting in concept than execution (sorry, “Full Blown Meltdown”), and a few more perfectly fine, standard PUP tunes (and I swear I don’t mean that as an insult!) -- but, well, how could it ever really have anyway? All together, it still makes for an outrageously enjoyable album that reaches the upper echelons of what 2019’s new music had to offer. That PUP was not only such a terrific band right out of the gate, but has remained so this far into their career, makes me so, so happy.
Highlights: Scorpion Hill, Kids, Free At Last
1. The Menzingers -- Hello Exile
It took me a few listens -- and, truthfully, seeing it played live -- to truly crack this album. At first it was a bit too slow, the vocals a bit too filtered, but once it clicked, I lived and breathed Hello Exile and nothing else for months. The slightly slower pace gives the Menzingers a chance to play around with some new musical tricks, be it the back-and-forth opening or the fun background guitar melodies of “Strangers Forever” or the almost hypnotic vocal melodies in the choruses of “Portland” or “Hello Exile,” and they pay off with great effect. Lyrically the Menzingers are at the top of their game; tracks like “High School Friend” and “Strain Your Memory” are more adept than ever at painting stories that make you nostalgic for a life you never even lived, but absolutely feel like you have, and lines like “it only hurts til’ it doesn’t” hit your heart with sniper-like precision. “Anna” may be the quintessential Menzingers song, a tale of longing, love, and location that drove the entire scene into a frenzy that still hasn’t subsided. “Farewell Youth” is the best closing track the Menzingers have ever released, a song about grief in multiple forms that manages to find poignant takes on each and every one of them. I’m not yet sure whether Hello Exile is the beginning or the end of a chapter for the Menzingers, but either way, it’s clearly an essential and unmissable part of their story, and one I feel privileged to be able to experience.
Highlights: Anna, Strangers Forever, Farewell Youth
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cypher-ghost · 2 years ago
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General FAQ
These are various general questions about my stream! These will be updated or more q&a will be added in the future <3 (last edited January 2024)
Q: Why did you choose the name CypherGhost?
A: I chose Cypher because it is the name of some of my favourite song(s) by BTS’ rap line. I know that it means to put a message into secret writing or to encode it or it can also reference a gathering of beatboxers, rappers and/or breakers in a circle which then extemporaneously make music together but my main reason is for the BTS songs, especially Cypher pt4. As for ghosts, it's in reference to my nickname Kasper and the fact I like ghosts! I may not be a ghost vtuber but it just held a place in my heart which is why I kept it!
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Q: What pronouns do you prefer? A: I prefer he/him/his but I do not mind they/them/theirs, just no feminine pronouns please :) 
Q: How does dyslexia affect you?
A: I have issues with spelling with no aid but I also have issues with pronouncing and reading some things too out loud. I always try to read all the dialogue and messages out loud for those who cannot watch or can't read well but sometimes I do mess up but I try my best 🙂 I may need to ask you guys to tell me how you pronounce your name or what name you prefer, but always correct me if I am wrong! I always want to make sure everyone feels welcomed <3
Q: Why did you start streaming?
A: At first it was a way to try to get better with my confidence while doing something I liked, which was art and games. I have really bad anxiety which means that every time I actually get nervous to press the go live button. But as time went on, I really enjoyed keeping good vibes, the amazing people who join my streams and wanting to make a safe space for people to vibe in and have a laugh no matter what <3
Q: Why did you choose to be a Vtuber over cam or no cam?
A: Looks are something I am not the best in the confidence area with, so I decided to not become a cam streamer. Although in the past and on rare occasions I do cosplay streams, cosplay isn’t me on my own. I also tried being a constant cosplay streamer and I burned out so fast!... I could have gone no cam, I used to do that before cosplay and had a small picture in the corner but it didn’t really work out. I wanted something to be interactive with my community visually so Vtuber was the way! 
Q: Why do you not allow back-seating?
A: I find back-seating embarrassing to me, I feel like I am not playing the game right and start to feel self-conscious which brings my mood down a lot. If I do tell you to not tell me things about the game, I know you might be doing it out of a good heart but I will ask if I need help and it will be greatly appreciated!
Q: Do you make your emotes, panels & layouts? If so, what do you use?
A: Yes I make nearly everything myself! I draw all my emotes (unless credited otherwise such as the tail wag emote) and my PFP!
For emotes and art I use Clip Studio Paint which is the main software I use for drawing. I tend to draw traditionally first then draw them up digitally
My new overlays and backgrounds on stream are by creators on Etsy which I have fully credited in my Twitch bio!
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Q: What software do you use to stream?
A: OBS! I have previously used twitch studios when I used to stream on my gaming laptop and also have used streamlabs obs but OBS has been the best so far!
Q: When is your stream anniversary?
A: September 7th but May 12th is my affiliate anniversary!
Q: What do you use to draw on art streams?
A: I use my Waccom One tablet with screen to draw with and clip studio paint to draw! If I am doing animation, it is with photoshop or toon boom harmony!
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Want to catch one of my streams? Here are the links to my twitch & other socials for updates on when I am live!
Twitch: CypherGhost_
Twitter: @ CypherGhost_
Instagram: @ cypherghost_
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livelivefastfree · 7 years ago
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100% need a masterpost of your fics cause you've been drawing them and I love everything. But recs would be appreciated too!!
ALRIGHTY THEN.  One……VERY large post of my fics and my Motorcity recs, coming up.  ^v^  50+ fics for y’all’s consumption.
Let’s start with my fics, because I know them better, haha.
Save A Horse, Ride A Dragon
One of my fav fics I’ve done to date in any fandom.  Mike is a mercenary dragon trapped in the shape of a human, wandering the Michigan wastes in post-apocalyptic magical America, when he and his Burners get an offer from the mysterious Lord Vanquisher.  T+ at this point for suggestive moments and makeouts. Polyburners/Muckles.  Warnings for the Duke being The Worst, and for Mike being the DUMBEST oblivious thirst-lizard.
The Officer Present//Director Absent series (AKA Live Free and Welcome To The Kane Co Family)
A love letter to the Season 2 that never was, co-written by me and my twin sister toastyhat/HeatedHeadwear!  :D  Live Free chronicles the appearance of a new, menacing super-soldier in Motorcity, the shadowy machinations that led to his appearance and an overarching plan from Kane that could destroy Motorcity–once and for all!!!!!!  Welcome to the Kane Co Family starts shortly after the fallout from the first, with both cities struggling to come to terms with their new reality–but the world is changing and there are new threats on all sides, and if they thought their status quo changed in the first fic, BOY THEY’VE GOT A BIG STORM COMING!! >8Dc  Also Julie punches multiple people and generally kicks ass, it’s fabulousBoth fics are gen, they’re both rated T+ for violence, Evil Science, angst, etc.  Warnings for copious Deluxe worldbuilding, egregious amounts of backstory, a couple OCs I’ve been reliably informed are extremely fun, and chapter titles in the style of anime episode titles, because why not.  :D
Supersynesthesiac
Originally created solely to fill a prompt from a sexy prompt generator, this fic and the world it’s set in both spiralled wildly out of control, and a much more plot-heavy sequel is in the works.  Supersynesthesiac follows Mike Chilton, a vigilante superhero in Detroit Of The Future, as he finally meets his elusive, telepathic partner Blonde Thunder under the most dramatic circumstances possible.  Rated M for psychic makeouts, mind-melding and also there’s sex happening, probably.  It’s not nearly as lovingly described as the mind-meld porn going on in the foreground.  Polyburners is happening in the background, but this fic is basically entirely Muckles.  Warnings for Red being awful.
Rest In Pieces (Come Apart)
Mike is getting entirely out of control, and needs to burn off energy before he can get himself (and everybody else) in trouble again.  Fortunately his gang has a Plan.Rated M for sweet, loving and totally relentless polyburners gangbang.  Warnings for everybody being absolute dorks.  Also bondage and edging, if that’s not your thing. UoU
Werewolves Of Detroit
A series of vignettes exploring the world of Mike Chilton, rogue ex-commander werewolf, his vampire best friend, his highly unconventional pack, and the world they live in. EVERY section is illustrated and I’m very proud.Rated T+, mostly gen with mentions of Dutch/Tennie.  Warnings for Kane being a huge bigot, mentions of KaneCo-mandated surgery, and Texas being an asshole about vampires.   
Exposure Therapy 
Mike has a cool idea for a cool present for his cool boyfriend to totally cure Chuck’s fear of going fast in Mutt.  Rated M for dumb, fluffy smut and implied sex toys.  Warnings for unsafe driving practices.
Kiss And Tell
Somebody came into my askbox and suggested polyburners–but the rest of the city doesn’t know that’s their relationship, just that SOME configuration of Burners is together, and it seems to change CONSTANTLY.   Rated T+ for vaguely-implied possible sex at some point off-screen.  Warnings for nothing, this fic is a perfect warm fluffy representation of my poly-burner feelings and I love it.
Wreck
A little snapshot from an AU I’m not really planning to flesh out–I mostly wanted to capture a certain kind of bittersweet emotional conflict.  Chuck’s doing his best to keep his head down and live through college when a face he hasn’t seen since The Accident shows up at his door.  Vaguely Muckles-ish.  Rated T+ for reference to a nasty car accident and the aftermath, warnings for Kane being, just, Not A Good Dad.  
Override 0
Not exactly an AU, more of a speculative fic about the Burners finding out that Chuck’s enhancements go a lot further than just the weapons systems in his arms.  A realization prompted, of course, by the Duke of Detroit’s thirst for drama.  T+, no pairings.  Warnings for, in the words of AO3′s tag system, “#Loss Of Limbs”, mind control via brain-hacking, and mentions of unethical scientific/surgical procedures.
So Real In The Dark
I challenged myself to write people pining for each other while simultaneously being in a relationship, and a sci-fi AU with an artificial amnesia hookup service turned out to be the solution.  Half a fic about boys being incredibly dumb, and half a fic about trauma, bigotry, coping mechanisms and communication, and how you can love somebody and know them incredibly well and still not really understand them.  Explicit, Muckles, background Dutch/Tennie and Claire/Julie.  Warnings for brief stranger danger, aphrodisiacs, more poor treatment of cyborgs, and emotional gut-punch.
 –Stuff I Post About That Isn’t Posted/Finished Yet–
Burnerswap
A universe where the Burners are grown-up villains, and the former villains of the canon series are our new teenage heroes.  They’re dysfunctional and weird, but they’re doing their best to protect the clean, orderly, shining city of Deluxe from the gangs and bots and nasty, climbing bots that Ms. Kane sends up from the city below.  UoU  Likely to be rated T+ if I ever post it. Not much in the way of pairings except Ms. Kane’s right and left-hand man are VERY married and VERY tragic because you know I gotta fit Muckles in there.  
–Collab Fic / Gift Fic–
Chilton 2.0 by me and LaughingStones
The Kane Co. super-soldier program needs a volunteer, and who better to be superhumanly enhanced than the rising star of the Security program, Commander Chilton?  He’d never betray Kane Co, or need to have his brain overridden!  There’s no way this project can possibly go wrong!  Rated M for some pretty fucked-up treatment of cyborgs, and also for sexy future reasons. Warnings for Mike getting really messed up physically, emotionally and psychologically by bad programming and free-will overrides, and also for dumb boys stumbling awkwardly through impromptu sex-ed together.  Muckles.
i’m not the same kid from your memory by roachpatrol and also I helped
Kane Co. captures Chuck and manages to do some nasty shit to his brain before the Burners come and re-capture him.  Chuck does NOT appreciate being held captive by Burner Scum.  Emotions!!! Angst!!!!!  …it’s rated T+ on AO3 but there’s sex so just, be aware of that.  UoU  Muckles!
Experiments In Cross-Species Makeouts by LaughingStones
This one is very hard to explain, because Jem and I like to bounce of each other’s AUs and fics and write derivative fics of fics–there’s an OC in the Live Free/Welcome To The Kane Co Family universe who has what is essentially a nasty brainy kismessisitude/hate-love relationship (not fully explored in the fic, but very fleshed out in my mind, haha) with Chuck.  And this is….those two, but with the races/species from Werewolves of Detroit.  So…supernatural AU Chuck/OC hate-sex.  M, obviously.  Warnings for vampires getting drunk on siren blood and Live Free/WttKCF spoilers.
Recalibration Nation by HeatedHeadwear
!!!! A fic for my picture of Chuck as the Duke’s cyborg bodyguard, because toasty is great.  A+ hurt/comfort and recovery and bittersweet life-goes-on vibe, aslkfjsadf I love it.  T+, no pairings, warnings for anxiety/panic attacks, ear trauma, violence, emotions.
Proper Disposal Of Project Materials by LaughingStones
A scene in Chilton 2.0 I didn’t get to write; Chuck is a Failed Project, and Kane Co. has no used for Failed Projects.  Fortunately, the techs he grew up working with have his back.  T+ for (yet again) unethical treatment of cyborgs.  
Making Friends The Superhero Way by LaughingStones
Set before Supersynesthesiac; Mike’s good at his superhero job, but sometimes everybody needs help.  In this case, help just happens to have cat ears.  Gen, rated G.  Warnings for trouble breathing and also Mike being a doofus.
The Space Shenanigans series by LaughingStones and roachpatrol 
Loosely related to/based on the Forget Me Not, but set much later.  I’m not sure FMN is going to be poly or not, but these fics are inspired-by, so they go in this section. :D  The various sexy shenanigans of space-captain Mike, cyborg Chuck and Julie the terrifying space princess.  M for sexy shenanigans.  Warnings for (acted/fake) dubcon for the benefit of an asshole, and…..just various sexual shenanigans, I would check the warnings on the fics, haha.  :D
–Aaaaaand some non-me recs!–
(((I’m going to have to speed through these a little bit more, but I love them also, this post is just getting VERY long)))
All Steamed Up by Gumbridge 
Gen, G: coffeeshop AU, technically. Chuck would REALLY like a new espresso machine, he has done the MATH, it’s GOOD BUSINESS, MIKE!!!!!
Artificial Nocturne by Icka M. Chif (mischif)
Gen, T+: Mike accidentally trespasses on the territory of a mysterious guy who calls himself “Hound”.  Mike immediately sets about pushing past the emotional barrier of standoffishness and the physical barrier of giant, repurposed KaneCo HOUNDbots, and ends up with two awesome new friends out of the deal.  (The “Chuck is a constantly-terrified badass with an army of bots” AU)
Atlas and Copernicus by charcoalmink
Gen, G: A piece about how Kane can think of Mike and Julie both as his children, but feel so completely different about them.  Hurts so good, ahhh ToT
Behind The Throne by intravenusann
Duke/No. 2, Explicit: Number 2 would never really leave.  But sometimes it’s nice to be reminded why she stays.  
Bittersweet by EnsignCelery
Gen, G: Sometimes they get stressed.  Sometimes you just gotta lie down and cuddle.
Chicken Soup For The Burner Soul by renquise
Gen, G: Mike’s immunity boosters start to wear off and he goes down like a tree.  Good old-fashioned soft sickfic hurt/comfort.
Constantinople And Timbuktu / By(zantine) Any Other Name by (orphan_account)
Mike/Chuck, G: oh my god, this fic is strange to explain but so fun?? Historical AU–Chuck’s an orphan who ended up a body-double for russian royalty in like 1500, until he ends up kind of ambiguously kidnapped by a Tatar horseman who doesn’t speak his language but has a really nice smile and a fun come-and-go family of other riders from other countries.  In the words of the author, “ [the Russian nomad!au] “
Degreaser by Gumbridge
Claire/Julie, T+: Claire can tolerate getting dirty down in Motorcity, but it has to be under the right circumstances. Julie provides those circumstances.
I Thought You Were Dead by Caligraphunky
Gen, G: Jacob thought all the androids he created for KaneCo were scrapped.  But here’s unit CHUCK, back again.
In The Lost Age Where The Jewels Hide by roachpatrol and LaughingStones
Chuck (Lord Vanquisher)/Mike (Smiling Dragon), Explicit:  The LARPing group plays WAY crazier games than Mike is used to, but he could really get used to in-character Never Have I Ever if it always ends with stuff like this.  WOW.  Sex is GREAT.
Loaded Up And Truckin’ by RaccoonDoom 
Gen, T+: Smokey And The Bandit AU–AKA Jacob has a truck and uses it to run illegal goods; Mike and Chuck run interference and keep the cops off his tail.  Trucker AU, heyyyy. :D
Love Free by Prim_the_Amazing 
Multi/Polyburners, G: KaneCo has the algorithms, the expertise, they determine the most perfect possible partner.  So what do you do when the person KaneCo chooses isn’t the person you wanted?
Never Quite Thought We Could Lose It All by LaughingStones
Mike/Chuck, Explicit: It’s not weird for a KaneCo tech to have a huge blank spot in their memory, but it is unusual for one of their childhood friends to show up at their cubicle dressed as a physical relief technician, looking stressed and desperate and acting like Chuck should know him.  Warning for implied/referenced noncon.
The Obligatory Fantasy AU series by LaughingStones 
Mike/Chuck, G/T: Chuck’s a Mage On A Mission, and he’s not going to be derailed by the fact that his bodyguard is definitely a dragon who definitely considers Chuck his beautiful, golden-haired treasure.
our guts can’t be reworked by roachpatrol
Mike/Julie, Chuck/Mike, T+: Mike finds out he’s bisexual in the most confusing possible way: BODY-SWITCHING.  
Pyrrhic Victory by Clementine
Mike/Chuck, G: I live for Mike and Chuck LARPing dramatic emotional scenes and being dumb, dorky boys and that’s what this is, and I LOVE it. 
Quiet by deanon
Mike/Chuck, Explicit:  Mike makes the mistake of wondering about Chuck and sex and being noisy, and get catapulted abruptly into terrible, flustered pining.
Quit or Retry by Caligraphunky
Gen, T+: a really short but really nicely done piece that slowly illuminates more and more of a single scene until you get the full picture.  fear. android Chuck.
Riding Shotgun by Oisiflaneur
Polyburners, T+: I’ve never smoked pot but I’m all for the Burners hanging around being chill and kissing and occasionally also Mike does shotguns and people make out.
rise if you’re sleeping (stay awake) by RaccoonDoom 
Gen, T+: Another cyborg fic, this time about Mike and Chuck and insomnia and nightmares.  Sweet hurt-comfort. UwU
Rule Number Eight by drown (teii) 
Chuck/Texas, Chuck->Mike, T+:  the fic that got me into Chuxas–starting with the aftermath of one-sided Chuck/Mike and chronicling Chuck’s descent into weird, Texas-related madness. 
Scars by corelton
Claire/Julie, G:  Julie’s line of work puts her in enough danger for her to actually have scars, like, old-fashioned scars from actual injuries.  Claire is fascinated by them.
searchlights in the parking lots of hell by roachpatrol
Gen, T+: I don’t know if it sounds like a compliment to say this is one of the most subtly, gorgeously horrifying fics I’ve ever read, but that’s basically how I feel.  Mike is a kid in a cyborg program, and he keeps ending up in sparring matches with the same kid, over and over again; it’s a different kind of unsettling every time.  There’s something about seeing a scenario that’s obviously intensely messed up, through the point of view of a character who thinks it’s normal and good.  It gives it a special, extra punch.  
Sex Level: Texas! by LaughingStones
Texas->Mike, Texas->Burners, Explicit: Texas has some totally cool and sexy thoughts–mostly about Mike.  WHAT?  It’s not like it's weird.   
Spend Life Fighting For Your Sanity by roachpatrol 
Dutch/Tennie, T+: Deluxe has no patience for rebel scum, free-thinkers or artists.  Unfortunately for Dutch’s continued health and well-being, he’s all of those things.  Even if he can’t really remember what he did.  AKA: Deluxe re-captures Dutch and comprehensively fucks him up, but SUCK IT you can’t take away the colors in his SOUL.  
Sprouts by renquise
Gen, G:  a fic about Dutch finding ROTH, and Dutch and Chuck becoming ROTH’s weird programmer dads.  ROTH is adorable and the characterization is great, A++ 
Test Drive by renquise 
Mike/Julie, Explicit: Julie and Mike have a fun adventure in pegging together. 
thursday’s child has far to go (and they go so very, very quickly) by thinkingCAPSLOCK
Gen, G:  Kane loses one child, but at least he still has the other.
Walls Twice As Strong by deanon
Mike/Chuck, T+:  in the words of the original summary: “When Mike and Chuck fight, everybody knows.“ 
We Are Golden by renquise
Polyburners, T+:  Mike kisses everybody, and it’s soft and good and makes my heart feel all happy. 
We Can’t Punch Good: A Love Story by heartsinhay
Dutch/Texas, T+: Texas is pretty sure Dutch has just gotten immune to Texas’s sweet Texas Moves, but that’s okay.  Texas has got more than one trick up his sleeve, and he knows what Dutch likes.  Probably
yellow highway lines (that you’re relying on to lead you home) by renquis
Gen, G:  A delicious exploration of the world that might exist outside the dome, and also THE BURNER ROADTRIP FIC YOU’VE BEEN WAITING FOR.  The kids take a package from Rayon and go on the road, headed for San Fran come hell or nuclear superstorm.This is one of the first Motorcity fics I read, and It’s a big part of why I started making things for this fandom in the first place. :D  Very recommend, A++
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abluepatientsoul · 7 years ago
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What Jack has done for me
(Have been seeing this for a while and decided to do it too! Thanks to  @jacksoopticboop for this wonderful idea!).
Putting it under the cut so people don’t have to scroll this long post
I started watching Jack’s videos in the middle of the chaos that was November of 2016, with the first Antipocalypse.I saw the trending on tumblr and my sis (that has helping me a lot too) told me all about Jack and the channel, and I just started watching his videos.
Around that time I was feeling a little better. It was my first college year, and I was finally free of the hell that was high school. Before high school I was a very outgoing child, and I don’t remember to care about other people opinions. But high school is another world. I studied high school in a different place, so suddenly I found myself without a friend and surrounded by people that made fun of me and whispered things behind my back. I was scare of speaking with other people or in class. I never knew if someone had good or bad intentions. In those 6 years I stayed quiet, I shutted down for the world basically. And before I realized, I was lost. I just couldn’t find a light. I continued for my family and friends, but not for me. wanted to say a lots of things, but I just told myself “shut up”.
But everything changed in my final year of high school. One day, I just exploted. I couldn’t take it anymore. And I let almost everything out that day. After that, I started feeling better with myself,little by little, with who I was. And my family and friends have been there to support me. Starting college was good for me too, like fresh air. But of course, those six years had consequences. My social anxiety is probably the most annoying. And some days depressions get the worst of me. 
Anyways, because of that, it’s very difficult to me to meeet other people. I just start overthinking everything, even before talking. I can only feel 100% confortable with my family (well, if we speak about family including side of father and mother, no) and my friends. So usually when I entere a community I just like post, nothing more.
But oh boy the moment my dear sis introduced me to Jack’s channel and this community. I just feel like it was a place for me to relax, to forget the problems of the day for a few minutes. Suddenly I found myself watching Jack’s videos when I was feeling down. Or has a background voice when I’m doing something. The videos just spreads good vibes. And I just love the Postive Mental Attitude. Is very important for me. I have it on my lockscreen, so when I have a bad day or I’m feeling down, I look at my lockscreen and try remember my PMA.
I’m also impressed of how lovely this community is. Seriously, is like having another family. At first I didn’t have the courage to talk with people. But during the Christmas Charity Stream I posted a draw, and some people reblogued it and put lovely comments in the tags and I just thought “hey, is not as bad as I thought”. And since then I have been more active around here, doing post and spreading some PMA (with the hep of my cat!).
I think this post is long enough. @therealjacksepticeye , if you read this, thank you. For being there. For being you. You are an inspiration to me. I’m studying to be a teacher, and I want to teach future kids this message. This positivy. Again, thank you.
Also thanks to the jse community too. Everyone around here is so awesome and lovely and I’m just so happy that I found the courage to start talking with people and to make post.
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four-pages-zine-blog · 7 years ago
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Issue 1: Tass
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How long have you had your store: I started officially selling clothes after I finished college in 2013 and moved back home to the suburban midwest, so I guess 5 years now! I was working at the local newspaper at the time but was looking for an extra way to kill time, not necessarily even to make money. I started with Poshmark and loved connecting with other people who liked similar clothes, which was actually kind of rare for where I lived. I loved being able to see people showcase their own style in the form of their own closets and let people “shop their closet”. I also became really interested in clothes trading, which I like doing with my irl friends, so the fact a lot of people were willing to trade items was also really cool to me and something I hadn’t seen before.
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How would you describe your shop? I think the clothes I sell are kind of more one-off like something that would be worn as a funny statement piece - I love a bright color and bold pattern, power clashing, and anything rainbow, glittery or that can incorporate faux fur in a tasteful way. It’s pretty reflective of my midwestern lifestyle and probably the clothes I consistently have the most of are windbreakers and winter coats, the main way we can express ourselves here for half of the year or more… There are a few sticker art projects I have in my store that I started doing around 2012 out of boredom when I was still in school, the most prominent one probably being the 6 foot tall Britney Spears poster that’s completely covered in (vintage) Lisa Frank stickers but never intended to actually finish or take seriously. Over the years I used sticker collaging as a way to keep my mind off things and have it be a means to add color and vibrancy to otherwise more plain posters/art.
When I first opened my shop in 2013, I made a holographic wall out of posterboards to hang my clothes on and that was my first store display on Poshmark and Etsy and always tried to have unique ways to show my clothes ever since, and to change the look of my store at least once a year. I’ve wavered between thinking having consistent “branding” is best and thinking it’s best to change as my ideas change, and have ended up going with the latter at whatever expense that has had, resulting in my store bio now being “Hi I’m Crazy Branding” lmao. The last time I re-did my store I got a mannequin from the city off Craigslist that I painted hot pink and move around my yard or put against different backdrops/bright colored walls to model the clothes. At one point I put velcro on the back of all my stuffed animals plushies and trolls and stuck them to a white wall in my apartment I was living to use as the background. I used to love to bring around solo holographic poster boards to my friends’ houses before we went out so that we could all take pictures behind them as the backdrop, portable aesthetic is essential.
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What era or year is your favorite in fashion? My favorite looks are early 90s minimalistic grunge but not too minimal - Black jeans, velvet dresses, and plain tees, all of that, but then on the flip side I love the super excessive part of those eras of fashion too, like rainbow everything and floating glitter inside plastic holographic accessories. My favorite outfit of all time is something my aunt gave me from her 80s closet, it’s a long elastic teal leopard mermaid-style skirt with a matching teal leopard flowy button down shirt, all cotton and polyester. I love outfits that are completely matching like that and have been seeing that lately in brands that I follow, so I hope that sticks.
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What item of clothing in the world are you lusting after or saving up for?
One of those new robot dresses that react to your moods or whatever lmao but if I’m being more realistic there is a designer who I really love that I found on Instagram who knits beaded sweaters using like thousands of different colored beads and completely covers them. They’re works of art and I would love to have one some day and be able to support an artist too! I’m definitely always lusting after new pairs of plain black pleather platform (but not too high anymore) shoes. I love the brand Hot Lava and I guess if I'm saving up for one thing it would be their "Barbed" rainbow matching bralette/pants combo.
Favorite clothing brand/brands and why? Since I usually only buy thrift for myself these days, my favorite brands are probably just based on design only but I love Discount Universe and other sequins-covered clothes or otherwise outlandish/tacky patterns, especially if they’re owned/designed/produced by women - Wacky Wacko, I have the Tabloid Dress they made a few years ago and it’s one of my favorite of all time even though I never wear it I also LOVE everything from Big Bud Press and YardSale666 in general.
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What music do you like, does it play a role in your personal style? The music I listen to most now is probably "experimental pop" and growing up I loved pop punk. Both of those have affected my style and stayed with me to this day, I still wear skinny jeans and slip on Van-style shoes most often no matter what else I’ve layered on top of it. I used to like to purposely wear edgy clothes and do my hair to provoke a reaction out of people when I was younger - my brother would pass down band shirts to me that said things like “What the F*** are you looking at?” (lol) and I would cut them off into a crop top and wear it with a super long high-waisted thrifted pink and purple plaid skirt. That was definitely my go-to outfit for like an entire summer straight. I’ve always liked clothes that makes a statement even if it’s in a literal way with words, clothes with a lot of text on them, and I really like the new wave of DIY embroidery, especially on thrifted or up cycled clothes. Band tee shirts were also just like a huge part of growing up for me, buying them at shows and collecting them and wearing them all the time. Also in my shop I have a guitar that I completely stickered/bejeweled which was one of my longest running projects that I really want to make more of. It was one of my brother's old acoustic guitars that he let me completely deck out and it perfectly combines the femme pop elements I love with an actual instrument. Music and fashion are so intertwined all the time I think, and clothes/accessories are something that always stuck out to me about singers and bands too! I love how fashion plays a role in music today too and can make or break an entire aesthetic or era.
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Does living in your city/state inspire you? Where are you most creative? Yes lmao living in rural suburban Illinois actually inspires me a lot and I’m probably the most happily creative here. When I lived in the city, things were a lot more stressful so it made me work on a lot of projects to distract myself, but I eventually burned out from that pretty bad. I get inspired by midwestern people but mostly in a way that most people find cringey, I mocked it more when I was younger but now try to tastefully incorporate it into my looks. State Fair Chic is inspiring to me. My mom has a lot of handpainted and iron-on sweatshirts for different holidays that are staples of my closet. Living in the midwest and being bored definitely made me thrift more and imo makes the thrifting better, it made me always be working on craft projects, and always changing my hair and style.
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What things do you love to create? I think my favorite things to create are entire rooms and looks, I like to make different aesthetics through combining colors, furniture and fabrics that all feel familiar even if it’s a little chaotic. My long term project with my bedroom was turning my walls of thrifted art (with 20-30 framed pictures) into matching colored frames that fit the whole look of the room, so I guess just really getting at the details of design. I think I’m pretty tacky so I like to stick to things that embody that and will always love stickering huge projects, painting everything plain into bright colors and incorporating anything I find thrifting or in the garbage into larger art aesthetics. My favorite thing to do is thrift and upcycle clothes, furniture, wall art, lamps, etc. anything that I see “potential” in lol.
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Who are some of your favorite artists?: There are a ton of artists I follow that inspire me every day, definitely just “regular” people or like more lowkey artists. People who thrift or collect and refurbish toys are amazing to me and I love the doll community on IG. Witches or people I’ve met through astrology who are creating more spiritual art inspire me every day with their words and presentations. I also love comedians and movies, I love John Early and Kate Berlant and recently saw they collaborated with Peggy Noland and Seth Bogart of Wacky Wacko so that was iconic to me.
I collaborate a lot with my brother who has done a lot of graphic design stuff for me over the years. He makes resin toys of his own and designs t-shirts. He’s great at painting and drawing, two skills I never was good at that I really appreciate in him that he is always willing to lend a hand to me. He is two years older than me and went to school for advertising so exchanging ideas and doing projects with him is something I like to do too. He also has more of a background in music production so we recently started trying to make music together. We both love combining fashion and music!
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What album do you recommend to pick up ASAP? Hayley Kiyoko - Expectations, hands down the vibe for summer
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chasholidays · 7 years ago
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you're so awesome for doing this! one of the highlights of my holiday season. i would love a bellarke izombie au! thanks so much
“You know, I knew you were a stubborn asshole, but this is a lot even for you.”
Bellamy doesn’t look at her, too busy attempting to navigate through traffic to turn his attention away from the road. “What’s that supposed to mean?”
“I can’t believe you didn’t let me eat the brain.”
It’s still a little disconcerting to be able to just say it, to have her secret out in the open, or at least open to Bellamy. After years of hiding and lying, justifying erratic behavior and inexplicable hunches, she can just say what she’s doing and why, and he’ll believe her. And, even more miraculously, he’s accepted it, doesn’t seem to have let it change his opinion of her.
Except this one thing.
“It’s not fair.”
“Not fair?” she asks, incredulous.
“It’s cheating,” he grumbles.
“Cheating.”
“Look, it’s not like I don’t–appreciate it,” he says, delicate. “You’re a great resource. You do amazing work. But it’s not police work.”
“Who cares? You didn’t care when you thought I was a psychic–”
“I never thought you were a psychic,” he says. “Come on, Clarke. I knew that was bullshit. I knew there was another explanation, I figured it was like Psych or something. You were just really observant or something.”
“And you let that go, but now that you know I’m–”
“It’s like using magic.”
“Which you’d do, if you had it. Don’t pretend you wouldn’t.”
He sighs, drumming his fingers on the steering wheel. “Look, this is hard for me, okay? Not–the zombie stuff, I’m dealing with. I get that. But I already felt like relying on you made me a shitty cop, and now it’s like finding out my lab partner did so well on homework because she had a copy of the answer key.”
“And that’s bad,” she says, mostly to fuck with him.
He takes his eyes off the road for a second to glare at her. “I don’t like cheating.”
“Okay, but–there’s no teacher. We’re catching murders, not doing assignments. Cheating doesn’t really apply. That’s not how it works. If it helps you do your job better–”
“Does it?” he asks, and from his tone, this is the real issue. The heart of the matter. “I’m not doing my job better. You are.”
“You’re doing it. I get–flashes. I don’t know everything. And even if I did, I don’t know how to make a conviction stick. I ate someone’s brain and gained their memories isn’t admissible evidence in court.”
“I just want to solve a case without–”
“Without me.”
He pulls into a parking spot and turns off the car, gives her a significant look. “If I wanted to do it without you, you wouldn’t be here. I think we’re a good team, but–it’s hard to be sure when you’ve been lying to me on every case.” She winces, and he sighs. “I get why, don’t get me wrong. I wouldn’t have believed you.”
“And I guess I get why it bothers you. But–you’re a great detective, Bellamy. Part of being a great detective is using all your resources.”
“Like my zombie partner who can see victims’ memories by eating their brains, yeah. I want to do this one right.”
“You’re such a Hufflepuff,” she teases.
“Shut up.”
“I’m just being thematic.”
“Don’t remind me.” He lets out a breath. “You ready?”
“Ready.”
Aside from her total lack of background memories from the victim, Clarke is excited for the job. If anyone had asked three years ago, she would have said she’d never be excited about investigating a murder, but people really can get used to anything. She has a good job that keeps her busy and satisfied, as well as providing her with a difficult-to-obtain and vital source of sustenance, all her friends are now aware of and accept her status as the undead, and she’s doing pretty well.
Besides, she’s bringing murderers to justice with one of her best friends, and this weekend they’re doing it at a Harry Potter convention. Who wouldn’t be excited about that?
Bellamy gets their bags out of the trunk with a sigh, which basically answers that question.
“I know you like Harry Potter, don’t pretend you don’t.”
“I like playing Hearthstone after work, that doesn’t mean I want to go to a tournament. Hardcore fans are scary. And it’s not just a Harry Potterconvention,” he adds. “That’s the fandom we’re representing, but there’s a lot more.”
“I know.” She grins. “And I’ll protect you. That’s the point of our cover, right? I’m the fan, you’re my long-suffering boyfriend.”
“That’s the plan, yeah.” He shoulders his bag and then hers before she can object. “Come on, let’s get this over with.”
*
Even without her skipping out on the brains, Clarke thinks this case would have felt like a test. It’s their first major case since Bellamy found out about her, and one where it’s just the two of them, away from home. They’re sharing a hotel room too, and that means Bellamy is going to have firsthand interaction with, well, her. For all they spend time together, he’s been spared the day-to-day realities of being a zombie. They’re work friends, and this isn’t them becoming friend friends, but it is a new level of intimacy.
And Clarke’s not opposed to an increase in intimacy. It’s just that she knows she’s not exactly easy to live with these days.
“You have to eat brains?” She can’t read his tone, but if he’s disgusted, he shows no sign of it. He might even be curious.
“Zombie. It won’t interfere with the case, but I don’t want to go too long without eating and risk losing control.”
He nods. “Yeah, I’d appreciate if you didn’t try to eat me.” He watches her for a second, and then adds, “So, what personality are you going to get this time?”
“Oh, no. I shouldn’t get one from this.”
“You shouldn’t?”
“Monty and I did some experiments, when I first–when it happened. Just figuring out how the memories showed up, how long the personality changes lasted, stuff like that. This brain has been completely frozen and then thawed, so it won’t have any effect on me. It’s purely nutritional.”
“Huh.” He drums his fingers on the table. “How did you decide to tell Monty?”
She smiles a little. “I didn’t. He figured it out, and he’s Monty, so he’s basically prepared for an eventual zombie apocalypse. At first I’m pretty sure he was expecting me to turn on him any day, but he was hoping if I did it would give him good data on how to fight the outbreak.”
“And he’s working on a cure, right?”
“Yeah.”
“Do you want that?”
She stares. “Are you kidding? Of course I do.”
“Just checking. I didn’t want to–” He runs his hand through his hair. “It sounds shitty to me, but I figured maybe there were pros that outweighed the cons or something. I didn’t want to say I hoped he found one and then find out that you like being a zombie.”
“You don’t have to worry so much about saying something wrong,” she says, gentle. “I get that it’s fucked up. If you need to freak out.”
“It’s freaky, yeah. But I figure you’ve been a zombie the whole time I’ve known you, so–” He shrugs. “You’re the same person I’ve worked with for years. Except when you’re not.”
“Except when I’m not?”
He gestures to the tupperware she’s eating from, half a smile on his lips. “The wild mood swings.”
“I figured if you really thought I was a psychic, you’d write it off as eccentricity. It’s not my fault you don’t believe in psychics.”
“Good way to get the attention off the zombie thing.” He clucks his tongue. “Okay, I’m going to go grab some food for myself. I assume you’re set.”
“Yeah. But if you want company, I’ll come with you.”
His smile is warm, the kind she doesn’t get from him very often. Maybe, now that everything is out in the open, she’ll get more. “Yeah, company sounds nice.”
*
“Okay,” she says the next morning. They have an hour before the con opens, which means plenty of time to come up with a plan. “So, we know the victim was very involved in–what fandom again?”
“She’s a cosplayer,” he says. “So she’s a part of that community more than a single fandom. A lot of her friends and associates are here, and she was involved in founding and planning the con. I’ve already talked to her family and friends, but we’ve been having trouble finding her online contacts. Or connecting their online and offline identities, I guess. So we’re going to be asking about Tenshi, not about Angela.”
“Did you ask Monty about this one? If anyone knows how the internet works–”
“If this doesn’t work we will. But she’s pretty well known, and she was posting on social media about being here. So if you ask about it, it’s not going to be suspicious.”
“So basically she’s my favorite cosplayer and I want to find out about her.”
“Yeah. And I’ve got a list of other cosplayers we’re looking at. Honestly, I’m just expecting a lot of buzz about her not being here, so we should pay attention and see what we can find out. And I’m hoping that’s going to let us figure out which of the other attendees are her friends and which ones we should be talking to formally.”
“You know what else would let us figure that out?”
“Good, old-fashioned detective work,” he says, firm, and she smiles.
“That’s exactly what I was thinking.”
On the one hand, it is hard to ignore how much easier this would be if Bellamy wasn’t being stubborn about the whole brain-eating thing. On the other, Clarke will admit that real detective work really isn’t so bad. Not that they don’t do real detective work the rest of the time, but it is a different vibe than their usual. It hadn’t occurred to her that Bellamy would feel like he wasn’t really working, when he took advantage of her information, but it’s not a surprise either, not now that she’s thinking about it. He is that kind of stubborn.
Pretending to be his girlfriend isn’t so bad either. She’s not convinced it’s necessary, or that it would draw attention if she and Bellamy were just two people enjoying the con together. But she’d be lying if she said she wasn’t enjoying it, holding his hand and leaning in close to talk. It’s stupid too, of course, kind of unspeakably so, because she can’t date anyone right now, not with the whole zombie issue, and she’s been trying hard to ignore how much she likes him.
But she really, really does. And now he knows everything, and he still seems to like her as much as he ever did. She’d always thought his finding out would lose her a job and a valued relationship, and knowing she still has both, that he’s still happy to be around her and values her, is a little overwhelming.
It’s probably good she doesn’t have to deal with anyone else’s brain on top of all that. It’s a busy enough weekend as it is.
Still, the case isn’t too bad, as they go. Bellamy has done enough legwork that he figures out the major players quickly, and between the two of them they put together a list of suspects and come up with a pretty decent timeline of what would have happened. They even get to enjoy the con some, after they arrest their suspect.
“I feel like I missed out on eating this one,” she muses, in the hotel room, and his eyebrows shoot up.
“What?”
“I could have made us costumes! It would have been cute. You’d make a great James Potter.”
“Thanks, I think.” He pauses, watching her. “It’s mostly just–presentation, right?”
“Presentation?”
“When you eat someone. It doesn’t change that much of what you do, just speech patterns and hobbies, basically. You don’t become another person.”
“No, not really. Sometimes I get–impulses, I guess? Stuff I wouldn’t want to do if I was just myself. But, yeah, it’s more like hobbies. It’s hard to explain. It doesn’t usually–I’m still myself, but different aspects get emphasized.”
“I guess that makes sense.” He clears his throat. “That was, uh–that was the part that gave me the most trouble. Not that the whole zombie thing wasn’t–it was all a lot to take in. But I felt like I’d never actually met you.”
“Really?”
He shrugs one shoulder. “How was I supposed to know which parts were you?”
“That’s why you wanted to make sure the stuff I was eating this weekend wouldn’t affect me.”
“I wanted to make sure I knew the real you, yeah.”
“And?”
“And you’re how I hoped you’d be. Except for the zombie thing,” he adds, careful.
“Not a zombie fan?”
“It complicates this plan I had to ask you out, yeah.”
If not for that complication, she’d kiss him. As it is, she just smiles. “It’s a little complicated, yeah. But–this is me, if you want to try to figure it out.”
He smiles back, takes her hand to give it a quick squeeze. “Yeah. I’d like that.”
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lapublicites · 5 years ago
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INSTAX @ HOME PROJECT.
 For this project, I decided to recreate one of the first ever projects I did in my first year of university at UAL.
This project consisted of two images, showing off various polaroids that I had, however that project - although aesthetically pleasing - didn’t exactly make me feel any type of way towards it. It was pretty but I felt that it lacked depth and meaning, which always helps an advert feel more personal.
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With this, I decided to start researching up previous Instax adverts. While I researched, I realised that their adverts were quite minimalist and bare and I wanted to step away from that.
Not every memory is shot like a day in an Instagrammers life, I wanted my adverts to be messier and more lifelike, something people can relate to in their busy lives, especially now with all of us staying home and houses getting messier, more memories being made despite everything and I wanted to be able to catch that at this vital moment.
I went through a lot of ideas, debating whether I should stay with just photo advertisements or branch out more. I decided on the latter, however the progress to it gave me a lot of things to research.
Instax’ previous adverts are very minimal. 
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They’re almost similar to my first try back in 2017, hence why I tried to go in a different direction. I focused less on the partying and the adventurous aspect that Instaxs hold, but I inside went for the more close to home and personal vibe.
I asked my friends and people close to me to take photos of their own polaroids, scattered on their bed with things they love and that define them.
With these photos, I tried a few different methods of what I wanted to do (insert pic of the faded adverts w the slogan), I was still stuck on wanting to do print adverts before Brian suggested that I try to do this as a live project, so that’s what I did.
I researched into two projects, one called the ‘It Gets Better’ project (@itgetsbetter) and The Live Drawing Project (@livedrawingproject). 
These two projects both have under 100k followers and while rather small, they still have a community within them. I first looked at ‘It Gets Better’.
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The ‘It Gets Better’ project focuses on uplifting, empowering and connecting with LGBT+ youth around the world. Their posts are primarily video posts from actors and other people all around the world, sharing and showing their support for the LGBT+ youth, especially during this tough time. They’re still active, receiving a decent amount of likes on each post.
I looked at this project as I want my project to be able to uplift peoples day to day lives, showing them that there can be memories in everything, showing them that this quarantine can be used to create memories, despite how sullen the world is currently.
The second project is the Live Drawing Project.
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This instagram is the home of LDP, an art project started in France. While the location exactly is unknown (I’m unable to enter their website as I don’t have a log in), their instagram shows pictures of peoples art and creativity shown up on the walls of buildings and houses. They also have an event called the Night Of Illuminations where they’ll have people gather while they project the drawings for all to see in the night, making them show up best.
I absolutely adore this project, I love the fact that it’s still being updated this year and that many, many people are joining in.  
While only a small following, they’ve been around for a year and have grown a gathering of people who will follow their projects. They also hosted various art lessons throughout France, which I found amazing.
I chose to focus on this project as I wanted to see the drive that a smaller instagram had. They may not have thousands of followers but they’re still updating and inspiring others to do the same as I said previously with the ‘It Gets Better’ project. I want to bring people together and to inspire them to create memories from their own homes.
I started to create the adverts with Instagram in mind and started to look through the photos and choose which ones I wanted to post first on the ‘gram.
I used these two pictures that my mum (picture one) and my best friend (picture two) sent me and used these to create my first set of posts on my Instagram.
I decided to have a white background as Instagram doesn’t have a ‘dark mode’ and therefore works with the minimalist feel of the whole account. I also used the yellow from the icon as it would match.
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For the ‘@ home’ font I used Sweet Purple, a fun and simplistic style yet one that looks homemade and personal. I’ve used this font on other projects such as my Animal Crossing Amiibo Cards, that can be found on my portfolio here.
I posted these with a relatability in mind. I wanted to hone in to people's personal sides, to make them feel nostalgic and happy to look at photos that they took with loved ones and I want them to feel the urge to create them within their own home, to make memories that’ll replace the thoughts and things that have happened over the last few months.
While creating the Instagram posts, I decided to go with a yellow colour scheme. Yellow is not only my favourite colour but it’s also widely recognised as the happiest colour, according to sources. I wanted to keep the colours light and happy to keep with my message of creating happy and fond memories. 
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I decided on having ‘picture breaks’, where I’d include a picture like the one above in between photos to somewhat break up the posts, and to be able to give commenters a place to ask questions and talk if they wanted to know anything but didn’t want to comment on the polaroid picture itself. I added a post with what Instax @ Home is, explaining my ideas behind the project and what I would like people to do (partake, comment, tag me in posts, etc). This turned out to work wonderfully, as I’ve had people tagging me in posts!
I created 5 of my own polaroid posts to beef up my feed and to get traction within my account, creating content and tagging it so it can bring in more traffic to my page, as well as bringing in people who’ll want to take part! These photos are ones rom my past memories, 
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This is what the account looks like currently (apologies if the image is bad quality - it shouldn’t be!).
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Now the Instagram is live and I’m waiting for people to start joining in. I’ve got a lot of likes on my first few posts and I hope that I’ll be able to continue this project well after the deadline, or for as long as quarantine is.
UPDATE: 17TH JUNE 2020, DAY BEFORE HAND IN
After I posted the images on Instagram, I got immediate following and interactions!
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While I only have 30 or so followers, I’m getting interactions and people tagging me and sharing their own Instax pictures!
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I realised, I shouldn’t be so focused on making new memories in a household, but instead finding the polaroids and reminiscing on the old photos that have been taken.
One person, under the @ silenceofthesunflower, they captioned a picture of themselves with ‘a long throwback, @instaxathome made me miss my polaroid camera. I should’ve brought it in with me’
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This made me realise that people don’t particularly want to make new memories in this pandemic, but instead focus on the past ones to be able to remember happier times. I wanted to combat the sadness of the world's current situation by creating more memories, but I realise now that some people just want to remember, and that’s okay too. I will be posting both old and new polaroids to this account as a way to expand my userbase!
However, despite that, I do hope this makes more people pick up their Instax camera and use it more in the future. I have my own and I know I don’t use it as much as I should. This project has made me realise, as well, that I should be using my camera more often. I have the means to make memories so why aren’t I?
I know I will absolutely be continuing this project past my deadline and hope to make it a fully fledged account with followers and interactions daily.
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moiraineswife · 8 years ago
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can you pls make a post abt your autistic nesta headcanon :o
Suuuure friend. It’s kinda personal in the sense that, like, this isn’t an argument for canon it’s just…where I see autistic things in Nesta/things that I’ve chosen to interpret/headcanon as autistic things. So this isn’t an attempt to “convince” anyone that she’s autistic it’s more just…An interesting way of twisting the canon a little bit for the sake of some headcanoned autistic rep. (But like I do love this hc so much, u can pry it from my cold, dead hands, I will talk about it endlessly, it’s great.)
Okay this is literally just going to be like…a list of things Nesta does that are so much more interesting to me when viewed through an autistic lens SO, onwards and upwards. This is long btw, and pretty messy?? Things are roughly sectioned out but also not really. #ITried. 
-Poor at readingpeople’s intentions/non-verbal communication:
See: the argument with Feyre at the beginning of ACOTAR.Feyre is being practical and factual when she tells Nesta why she won’t be ableto marry Tomas Mandras as she wants to because his family can’t afford it. Nestadoesn’t see what she’s actually projecting/intending and assumes that she’strying to hurt her/hit her where it hurts the most (Nesta feeling like a burden to those around her, which is a massive insecurity of hers) so she snaps back. She takesin the content of Feyre’s words and nothing else, slapping her owninterpretation over them and responding in a way she thinks is appropriate.
Also:
Teasing my sister,poking fun at her … I snatched a seat at Nesta’s side and murmured, “They meanwell.”
This bit I enjoy for two reasons a)- more proof Nesta doesn’tunderstand people’s intentions (which explains so much more why she goes on thedefensive about everything – she doesn’t get tone or body language orintention, she just goes purely on the content of what people are saying to herand if it sounds bad she takes it that way and assumes they’re trying to hurther, regardless of how it’s actually meant)
b)- the relationshipdevelopment between Feyre and Nesta. Feyre now understands Nesta better andknows how she tends to respond to things like this and so she quietly explainswhat Nesta can’t pick up on herself and reassures her that the Circle aren’treally mocking her, they’re more…including her? But it takes Feyre explainingthat for her to get it.
-0 concept of socialprotocols/rules. Like literally fucking none.
See: “Nesta only said,“Why do your eyes glow?” Little curiosity—just a blunt need for explanation.’  
[…]
 “They neverdared ask me that, either.”“Why.”“Because it is not polite to ask—and they are afraid.”
Never in all her days has anyone asked Amren that becausea)- it’s not polite and b)- they can pick up on the Do Not Do This vibe Amrengives off. Nesta gets none of that. She has a question. She asks it. No frills,no mess, no fuss. The autistic way. Lucien is literally having a heart attackin the background, Feyre and Rhys aren’t breathing but Nesta isjust…Completely chilled because she genuinely doesn’t get why this might be abig deal.
(And the fact that she actually asks why no-one in the who knows how many years Amren has beenalive also implies this lack of social knowledge and understanding. Not onlydoes she blurt out the question in the first place without thought but she hasto ask why no-one else has ever thought to probe Amren on this because she still hasn’t picked up on the atmosphereof ‘girl pls stop ur going to get murdered’ that’s going around the room. She doesn’t understand that she’s crossed a line here and is being impolite, genuinely. She was curious. She asked a question - one that no-one’s ever asked before, which baffles her because, as far as she’s concerned, it’s a pretty practical/intuitive question like come on people why is no-one asking this?)
And:
“What do you want?” I felt the blow like a punch to my gut.“At least immortality hasn’t changed some things about you.” Nesta’s look was nothing short of icy. “Is there a purpose to this visit, ormay I return to my book?”
You can read this asher being mean or deliberately pushing Feyre away but based on previously citedevidence this is just…Nesta, to me? There’s this constant focus on pragmatismand purpose with her and this is just…Kinda like the Amren thing, a bluntattempt at understanding something she doesn’t –ie why her sister has come tosee her/if she needs/wants anything.
It’s practical, like her questioning Amren. The “emotional aspect”(for lack of a better phrase) the curiosity/the cruelty is missing. All there isis a blunt need for explanation. I don’t think she’s trying to hurt Feyre Ithink she’s just blunt and has no concept of social rules and why this Isn’tThe Done Thing. There are a lot of social niceties required here and Nestadoesn’t get/do any of them.
She’s reading, Feyreinterrupts, she assumes there’s a reason for this and she wants to know if sheneeds anything and if not if she can go back to her book. This comes across ashurtful to Feyre because she doesn’t get the way Nesta processes interactions. ToNesta this isn’t rude or cruel it’s just…Practical. It’s a fairly simple Aleads to B leads to C type pattern of thinking that misses out the socialfrills and expectations that most people have to…Hide the A leads to B leadsto C pattern of their own interactions because simply saying exactly what you feel/think in situations like this can come across as rude or cold.
-Difficulty socialising/interactingwith people:
-The bluntness is an aspect of this but Nesta isn’t exactlythe world’s biggest people person. She only really has Elain (likely becauseshe understands her and has learned to read her/understand her so she’s comfywith her – Elain gets Nesta in a way I don’t think anyone else truly does – noteven Feyre, (see: the way that Elain goes to Nesta after her and Feyre’sargument in ACOTAR. Fandom condemns her for “siding” with Nesta over Feyre, but Ithink it’s because Elain understands that Nesta was deeply hurt, which was why shelashed out, something that Feyre does not notice) so Nesta is more comfortablearound her)
-Nesta also seems to have trouble making and keeping friends. She’sconstantly shown as being isolated and alone in ACOTAR. When Feyre returns tothe manor it’s clear that Elain has slotted back into the noble social circles again but Nestahasn’t. She’s withdrawn from their friends, the staff, from everyone, really, and Elain comments:
 “She hardlytalks to anyone, and I feel wretched when my friends pay a visit, because shemakes them so uncomfortable when she stares at them in that way of hers …”
Part of this has to do with Tomas’ recent assault and herdeliberately distancing herself from other people. But Nesta making peopleuncomfortable and ‘staring in that way of hers’ are totally autistic things,especially the staring. Autistic people can have some issues with eye contact; either making too much or too little. Nesta is on the ‘too much’ side of things(this is something she does quite a lot, too, it’s not a one-off thing, as implied by ‘that way of hers’ and the fact we see her do things like this several times in canon).
-The only time we ever see Nesta fully relaxed is when she’sbeen on her own, reading in the library in the House of Wind. She’s not aroundother people and she doesn’t have to try and figure out protocols and shit, shecan just be. (There’s an argument to be made here for sensory things too –librariesare typically quiet, comfortable places that don’t have many things in the wayof uncomfortable sensory things that can overwhelm, they’re safe spaces for autistics in that regard. But more on that later) Assoon as people reappear, she instantly and visibly tenses up again.
Also this line like just…speaks to me:
“You don’t mind fixingthe wall or going to the Court of Nightmares, but speaking to people is whereyou draw your line?”
Because…Yup. What Feyre is asking Nesta to do,essentially, is be at the centre of social attention, which is obviouslysomething she’s not super comfortable with. Nesta doesn’t like feeling out ofcontrol of herself and in a situation like the one Feyre is suggesting, whenshe’s poor at communicating with people and reading them, this automatically puts her on her offfoot, which she doesn’t like. It also puts her in a new place in a room full of strangers she has never met before and is in no way comfortable with, which is yet another autistic related thing that would put her off this kind of thing. 
(putting in a cut for length, more of the same below) 
Black and whitethinking
-This describes Nesta’s attitude towards…Pretty mucheverything but it’s a fairly common autistic trait too? Seeing things in veryblack or white/right or wrong type standards and struggling with abstracts. Autistics tend to have their own sets of Rules and it crosses over into that idea as well. Italso applies to the way she is with Feyre in ACOTAR. It’s all very pragmaticand very stark and clear-cut as far as she’s concerned:
“But I knew—with asudden, uncoiling clarity—that Nesta would buy Elain time to run. Not myfather, whom she resented with her entire steely heart. Not me, because Nestahad always known and hated that she and I were two sides of the same coin, andthat I could fight my own battles. But Elain, the flower-grower, the gentleheart … Nesta would go down swinging for her.”
There’s a lot of stuff in here I’ll pick through bit by bit inthis context.
First that pragmatism, that black and whiteness, in Nestaknowing that Feyre doesn’t need her and is capable of fighting her own battles (not just in this instance).Nesta doesn’t waste time making a show of things or pretending. It’s quitesimple. Elain needs her; Feyre does not – Elain is where she directs her focusand attention. Nesta dedicates herself fully to one thing, the thing sheactually needs to do, rather than tearing her attention between two differentthings when one isn’t necessary in apractical sense.
This also ties in a bit with the socialniceties/expectations thing because the kind of socially acceptable thing herewith regards to Feyre hunting/looking after herself is to fluff things up and‘oh Feyre, shall I help you?’ and offer even if she knows it’s going to berejected – which it would be, because Feyre doesn’t need her help and wouldtell her that. (Incidentally, that rejection would also reinforcing the fact that Nesta is of no real use around the house/in terms of keeping them alive). 
Nesta is perfectly aware of this and doesn’t see the pointin wasting time/words asking when she already knows the answer (and has done for like…five solid years at this point) – even though it’d bemore ‘polite’ of her to do so and be refused because then it shows she cares. 
Social rules are what dictates this way of showing you care, however. To Nesta this is just an entirely empty and pointless gesture. Black and whitelogic dictates that Feyre can take care of herself so Nesta dutifully turns herattentions elsewhere to where she’s actually needed – in this case it’sprotecting Elain. 
When Feyre does need her, however, such as when she’s beentaken by Tamlin, but Elain is comfortable and safe, Nesta moves heaven andearth for Feyre while leaving Elain to her own devices – this is not anElain-exclusive attitude; it’s just the way she is. The same way that she protects Cassian at the end of ACOWAR, and the way she agrees to put herself in a situation she was deeply uncomfortable with (sharing her story with the High Lords) and becoming the human’s emissary because she did not want them to be forgotten. Nesta, like Cassian just fuelled by wildly different motives, protects those who cannot protect themselves; and leaves those that can to do so. 
-Then there’s the other aspect to this black and whitenessin the way Nesta views the world and those in it – for example how she sees herfather. Her morality/sense of good and bad is shaped a lot by this kind of thinking too. There isn’t anything tempering her resentment or her hatred of her father in her eyes. Hedid bad; he’s a bad person, she rejects him, it’s as simple as that. He let hermother die, he lets them starve, he doesn’t even try. Line crossed. Caseclosed. She hates him, fully and completely without any mitigation, end ofstory. (And her feelings here are entirely valid, I am in no way saying thatthis is the ‘wrong’ way of viewing things, it’s just Nesta’s way, and she’scompletely and utterly entitled to it.)
-I’m also using this to aggressively explain away the endingof ACOWAR and the horror show that is Nesta’s conflict with regards toher father. Things are very easy for her to work out while they’re in simpleblack and white/good and bad terms. Her father continues letting them starveand never tries for them, that makes it very easy to consider him as bad andmove on with life. He never does anything to contradict that; there are noconfusing good actions blended in with the bad to swing her focus/feelings. Whenthings become more complicated she struggles with the abstracts. When herfather brings ships named after his daughters to help them and dies right infront of her supposedly defending her this muddies her previously crystal clearwaters.
She has all of this hate and resentment that she’s had forall these years and it makes it impossible to just shift gears and consider himas good because he’s done this good thing for her now. He’s a mix of good andbad now, she has good and bad ‘evidence’ for her feelings towards himand she can’t cope. There’s no easy way to quantify this and put it in a nice,neat little box of ‘good’ or ‘bad’ ‘hate’ or ‘love’ and she gets conflicted andconfused and upset as a result because she can’t work out her own feelings(also an autistic thing) because things aren’t simple stark concepts anymore. She has almost a decade of bad things, but his last act was a good one, and this makes it difficult for her in the absolute way she sees things because suddenly he isn’t an absolute any more and she can’t process it. 
-Also, as I said, this is pretty much Nesta in a nutshell.She deals with things in very definite black and white extremes most of thetime. An answer is either yes or it’s no, the word ‘maybe’ does not exist inNesta’s vocabulary.
“What happened toTomas Mandray?” I asked, the words strangled.“I realized he wouldn’t have gone with me to save you from Prythian.”And for her, with that raging, unrelenting heart, it would have been a line inthe sand.
Earlier on in the book Nesta stated that she loved Tomas.Whether she did or not is debatable but she was fully ready to move out of thecottage and marry him and she pulls a complete U-turn on that because of thisone realisation – a realisation, moreover, that’s based fully on this idea ofcommitment and the black and white nature she sees the world and how she drawslines in the sand with people. This one ‘bad’ action alters her feelings towards him from being willing to marry him, to leaving him on the spot. She deals in absolutes. It’s how she sees and weighs the world and those in it. 
Dislike of change:
-Nesta handles both the death of her mother and the loss oftheir fortune arguably much worse than either of her sisters. Feyre knucklesdown and lives in the moment, Elain looks forwards to a brighter future. Nestagets stuck in the past. These are two massive, massive changes and she doesn’tadapt well to either of them.
She blames and hates her father for her mother’s death andnot doing more to save her (more black and white extremes in there (though alsoa fairly typical reaction to grief/loss, but the extent Nesta takes it to andthe sheer absoluteness that she looks on it with still strikes me. She doesn’tonly condemn her father for this she hates him for it with every inch of herbeing)) and she continues to act like a noble lady even when she lives in arun-down hovel and associates with peasants as opposed to nobility, and hasdone for years. She doesn’t adapt well at all, she continues to live in andlong for the past and she refuses to properly transition into their new life.
But she can’t slot back into her old life either once shegets it back, either, because that’s another change and another upheaval. She becomesisolated, pushes people away, and can’t stomach the social niceties andsmothering rules that come with those social circles and way of life. She does not fit and she cannot adapt in the seamless way that Elain and her father do with the sudden change of their fortunes. She again remains stuck in the past (quite literally, since she fights the glamour and remembers what happened while no-one else does) 
This pattern of her isolating herself when she can’t copewith changes is pretty common, too? She does the same thing after her Making. Ialso think that she projects being more okay with what happened than sheactually is. Nesta has this need to feel in control of herself and when shedoesn’t I think she projects this feeling of being in control even more thanusual in order to try and feel that. But I don’t think she adjusted as well asshe appears to have done, and I think there are hints at that but I won’t gointo all of them here, it’s too long and not relevant enough to delve into. 
She does isolate herself again, though. As she did in the cabin, as she did returning to the manor. She doesn’t really try andactively engage with her new life she just keeps doing what she does; same patterns, different setting. Shedoesn’t try to get to know the Circle or explore Velaris or integrate herselfinto being fae. She remains wearing her old human clothes, doing the things shewould have done as a human, like sitting alone in the library and reading. Sherefuses to train with Cassian and she refuses to acknowledge her new abilitiesor work with them because these things are new and different and overwhelming.  
She clings to the past again. She continues wearing her olddresses and doesn’t change into things more appropriate to the fae world. Sheeven turns up to training and tramps around war camps in her typical dressesbecause they’re familiar and comfortable. (wearing the same clothes over andover again is also a pretty common autistic thing in itself, hence the focus on it)
 The human worldalso remains at the forefront of her thoughts – she remembers to compare thefood the first time she eats with Feyre and the others and she names herself anambassador for the human realm and declares that she hasn’t forgotten them.
Prioritising actionsover words/disliking social niceties:
I’ve kind of mentioned this already but this is in aslightly different vein. Nesta is very actionorientated. She shows how she feels about people in the things that she does,not what she says. She’s very straightforward and I think one of the reasonsshe comes off so poorly is that she puts all of her efforts into doing things (see: the whole going tothe wall thing for Feyre) but she doesn’t back it up with social niceties. (I talked about this earlier; Nesta is living in a world that operates under different social rules to everyone else. Typical social rules dictate that social niceties are a way to come across well and caring - such as offering to help even when she knows it’d be rejected. Nesta doesn’t demonstrate her caring in that way, but she does demonstrate it - in her own way, in terms that she understands and responds to) 
Nesta doesn’t soften herself or attempt to be somethingshe’s not; she doesn’t try and charm people with sweet, flowery words the waythat Elain can, she isn’t made that way. She comes off as cold and rude when inactual fact she just isn’t burying what she says under sixteen layers ofexhausting social protocols that she doesn’t understand. 
Nesta just is. She’s just unapologetically herself(which, in the context of this hc, I adore, because so many people, girls especially, miss out ondiagnoses because they force themselves to learn to appear more socially adeptthan they feel/with what lines up with their experiences with people becauseit’s expected for girls to be soft and polite, and very well-mannered and Nestadoesn’t do that. She is unapologetically herself. She places no stock or valuein social niceties and she doesn’t bother wasting time on them or mincing herwords to try and appease those around her when she just doesn’t get it/care forit herself)
“ I never have togo back to those sycophantic fools over the wall. I get to do as I wish, sinceapparently no one here has any regard for rules or manners or ourtraditions.”
There’s a couple of things in here – one the ‘sycophanticfools’ comment which implies what I was saying about her disregard for socialniceties and that forced, excessive politeness that’s common in high societycircles. In her culture this is just the way that people are and the way theytypically communicate and behave but Nesta refers to them as ‘sycophantic fools’because she isn’t operating under the same rules as they are and just sees themas pandering and false which she dislikes. I can’t see Nesta being particularlyadept at that and I can see her accidentally offending people with the way sheis, awkward silences and shutting down of conversations and completely missing out all of the fluttery, excessive politeness that’sexpected of ladies of her station.
Also the slightly negative connotation in ‘apparently no-onehere has any regard for rules or manners or our traditions’ – implying that shedoes. Autistics tend to be quite rule orientated and routine orientated too,both of which get covered by ‘rules and traditions’ here. Even if they arearchaic and backwards and limiting due to her gender, she finds the completelack of them distasteful/negative because it means there’s no order and nostructure in this world, which doesn’t fully sit right with her.
-Empathy/Emotions:
Autistic people tend to have variations in this (notnecessarily always less than allistics) they can either be hypoempathetic (lessthan typical) or hyperempathetic (more than typical) in different ways. Thereare different types of empathy, believe it or not: cognitive empathy, which isbeing able to understand/know what someone is feeling without them telling them,usually via non-verbal communication, things like tone, body language etc(Nesta, with her poor reading of people’s intentions and body language etc would,arguably, have less than normal cognitive empathy) Same with affective empathywhich is basically, you feel the same emotion you’ve identified in someone – ifthey’re sad, you get empathetically sad too. Nesta doesn’t seem to have a hugeheaping of this either (she has a lot of intense feelings, but they don’tnecessarily mirror the people around her), so she’s hypoempathetic when itcomes to cognitive and affective empathy, as far as my headcanon goes.
She seems to have a fair amount of compassionate empathy,however, to the point of perhaps having too much. Compassionate empathy is,basically, the desire to help people if they’re having problems. She leapfrogsover the non-verbal understanding of what someone is feeling, and she doesn’tempathetically feel what they feel either, but the depth to which she feels theneed to help people is definitely in there. See: the scene where she begs thequeens to give up the book to Rhys and Feyre and the scene where she tellsCassian that she can’t leave him on the battlefield, and the lengths she goesto to try and help Feyre after Tamlin takes her away etc etc etc.
Nesta is said many, many times to feel things a lot moredeeply than those around her. This is, as far as I’m aware, a fairly commonautistic experience, especially because she’s very poor at showing it. In theWings and Embers short she thinks to herself: 
‘She felt it all—tookeenly, too sharply. Hated and cared and loved and dreaded, more than otherpeople, she sometimes thought. Could sift between them all in a matter ofmoments, like she was trying on different sets of clothes, and no one couldtell or care.’
In addition to the depth of feeling thing, the no-onenoticing how she feels is pretty telling. Autistics struggle to read otherpeople but can also suffer from people struggling to read them in turn, whichis something I think Nesta gets a lot of since she feels these things so, sodeeply but no-one ever notices it and she gets brushed off as beingcold/withdrawn (also common to autistics) when in actual fact she’s the preciseopposite. She just doesn’t communicate it in the same was as everyone else, sounless they know her very well and/or are very socially switched on (ie Cassianand Elain) they don’t notice and don’t understand her.  
-‘Learning’ bodylanguage/social rules:
-There are a few places where Nesta seems to be reasonablysocially adept – I’m thinking Wings and Embers where she correctly hits onCassian’s sore points but I don’t think this disproves  this headcanon. Autistics are capable ofunderstanding and reading body language it’s just not something that’sinnate/built-in. But there’s nothing to stop them learning it. A lot ofautistics learn how to ‘pass’ as neurotypical (sometimes evenunintentionally/unconsciously, they do so to try and fit in) by activelylearning to read those around them (which is why some autistics are good withinteracting with people that they know, but struggle a lot with strangers) andlearning social rules and mimicking those around them. The way that Nestawatches Cassian and has to work to consciously gauge his reaction to her inWings and Embers is telling.
Also this scene:
‘Nesta was watching the volley of words as if it were a sporting match,eyes darting between us. She didn’t reach for any food, so I took theliberty of dumping spoonfuls of various things onto her plate.’
This is the first time that Nesta has interacted with thegroup as a whole. She doesn’t engage with them or join in their conversation(and even when she fleetingly does, she only really talks to Feyre, her sister,who she’s obviously more comfortable with) otherwise she just sits and watchesthem, figuring out how they work, how to read them, how to interact with them. It’sall this conscious process of working people out and understanding them whenthey’re in this new casual setting.
-Misc bits and bobs:
-I can make an argument for Nesta being touchaverse/sensitive. Feyre comments that she’s never been physically affectionatewith her sister. When she and Nesta quietly talk over triggers and Feyre isreassuring/comforting her she does this: 
“Iknew better than to touch her hand. But I said, “When we get home, we’llinstall something else for you.” 
Feyre doesn’t attempt to physicallycomfort Nesta since she knows that won’t go down well. (As an aside, thisdoesn’t get discounted by the Nessian moments a)- Most of the time Nestainitiates their contact and b)- sensory sensitives are weird and with touch,having specific people be exceptions to the rule isn’t uncommon)
-@blogtealdeal gets credit for coming up with thissuggestion but the hc Nesta was reading the romance books that seemed souncharacteristic for her, according to Cassian, being her ‘researching’ romanceand trying to get a better handle on how to handle her relationship with Cassis my new favourite thing ever. If she were doing this it’d be a form ofscripting which is basically rehearsing an interaction before it happens. It alsospeaks to Nesta’s general ‘wtfness’ when it comes to relationships with otherpeople and her attempts at learning them through books is understandable.
- ‘Teaching Nestato paint was about as pleasant as I had expected it to be […] Supplies wereeasy enough to come by, but explaining how I painted, convincing Nesta toexpress what was in her mind, her heart … At the very least, she repeated mybrushstrokes with a precise and solid hand.’
Imagining things/thinking in pictures is something some autisticscan struggle with. Nesta doesn’t actually put what’s in her mind down when shepaints, she just copies Feyre’s exact brushstrokes and does what she does. (Kindalike the whole scripting/mimicking fiction thing from her romance reading) Translatingher feelings to paintings/expressing herself in that way is something she alsoseems to struggle a lot with. Trouble pinning down feelings exactly/knowingexactly what you’re feeling is also an autistic experience, it’s called alexithmyaand it’s something I can see Nesta experiencing without too much effort (especially with the Wings and Embers quote being taken into account as well).
Finally, This:
Amren nodded, more toherself than anyone. “You did not fit—the mold that they shoved you into. Thepath you were born upon and forced to walk.You tried, and yet you did not, could not, fit. And thenthe path changed.” A little nod. “I know—what it is to be that way. I rememberit, long ago as it was.”
This is just….The most autistic thing I have ever witnessedin my entire existence. That idea of not fitting, of trying to but not beingable to, of not being able to fit the expected moulds…And Nesta didn’t? Alsothe fact that Amren didn’t fit with the members of her kind because she feltthings differently to them and perceived and understood the world differentlyto them reinforces this parallel with Nesta being an autistic human whoperceived the world differently to those around her and engaged with itdifferently as well, therefore never quite fitting in.
(It’s also my headcanon (pure headcanon, as most of this is)to explain why Nesta appears to adjust much better to being Made Fae than Elaindoes. In spite of her struggling with the dramatic change, the actual Making she seems to accept better than her younger sister. She’s spent her entire life not quite fitting in and not quite belonging tothe people around her – this is not a new experience for her as it is forElain, who has always been very comfortable in herself/her interactions withothers)
I’m going to wrap this up here or I could genuinely go on forever. Like I said at the beginning of this, none of this is me trying to “””prove””” that Nesta actually is autistic/was deliberately written that way. This is just…An elaborate hc that I have and the above is like…the intricate details of said hc, I’m not trying to say this is the way she should be read/was intended to be read it’s just…An interesting way to choose to read her for the sake of some (really good) rep. 
TL;DR: Nesta is my beautiful autistic daughter and this hc delights me. Enjoy. 
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thefatedmeeting · 8 years ago
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@queen-0f-demons​ hey bro!!! i saw u wrote that post and i wanted to talk to u about it, if thats cool with you. i decided to make it a post in case other people would need to read it, but if u want me to make it private or something just hmu. 
i don't wanna hog your post but i wanted to share my experience and realizations so that it perhaps might make you feel better about your art feels somehow. keep in mind these are my personal opinions! more under cut.
i relate to every single word you say. sometimes being an artist doesn't seem rewarding, and most of the time it really isn’t. when you don't get enough money, when you have to undercharge for your art, when people don't acknowledge your effort or even Refuse to do so; when you feel you're not good enough, and when you feel like your art isn't worth anything, or even when, in your eyes, it's bad compared to other people's art.
i feel that!! i used to feel that all the time. especially when i used to post more on tungle, and consciously or not, i also used to feel that Very Intensely due to anxiety and depression. i would try to not be negative, but deep down i'd be super jealous at the artists i admired (and sometimes i still am!), because their art was so nicely developed, stylish, so uniquely THEM. i was unable to have that at the time, or i thought so. 
but back then i was actually in my learning phase - i was developing my anatomy, my style, and myself! i was going through a healing process as well. so of course everything boiled down to a . snowball . HDFFDDFG but you know. i'm still in a learning process. i might understand certain things better - because not only practicing, but my studies have helped me see things i didn't see, or realize, before - but i am still learning! dude! 
i still have to learn how to properly draw legs sometimes. i have to put on more flesh in the joints. i have to DRAW EARS PROPERLY and not like some weird thing! gotta learn BGS! composition! i have to draw more because lately ive been DEAD BUSY! etc etc. but that's alright. the more i practice and learn and see, the more i will improve - just like you.
please keep in mind, the things below are things i have learned and thought for myself. i can't make you have realizations of your own, but i assure you it gets better if you allow yourself to go through that process.
most artists post works they're proud of, or that they consider postable for some reason or another. don't forget that every artist, yourself included, has had hundreds of canvases and pages filled so that they could MANAGE to learn one thing that they're showcasing in that one picture! art takes time, and effort, and everyone has a different rythm. just because others are faster, or have more time, or have more technique, it doesn't lessen your own effort. you are doing what you can at the current time - respect your limits, and push them when possible!
DONT COMPARE YOURSELF TO OTHERS i figure you're very tired of hearing advice like this but it's the truth man. everyone has followed different paths in life, that has given them certain abilities or certain ways of seeing the world. you don't need to follow that same path to be able to do good art. you have to follow your own path, to live your life, and build your own sense of... how do i say. your own lifestyle. your own vision, your personality? btw, of course you can use references. of course you can pick up snippets of what you like/respect/admire the most in other artists, even in things that don't relate to art.
speaking of that! good art is not perfect art. what do you consider to be perfect - life-like realism? life-like proportions? something aesthetically pleasing? something that grabs someone's attention? something that communicates? etc. art is not about being perfect! it's about communicating, expressing, about an experience, about yourself, about whatever you want it to be. what do you like to draw the most? do you enjoy anatomy, or animals? backgrounds? abstract art? is there a style you like the most? and why do you do that? think about it! if you can, study about the old things. about art history, art theory, old and new techniques, things that aren't even related to your area - for example, you want to be a mangaka? why not try sculpting. you can use clay, stone, bronze, metal, you can even assembly different objects and stick them together. might not be related to your area, but it might give you new ideas. expand your horizons!
my teachers said something that stuck with me. at first i didn't like to hear it, but it stuck with me. but they said it's nice for the growth of your own unique style - to perfect a techique to "break" it later. because it gives you purpose, and it's not the lack of a technique that is stopping you from using it! for example. i can do realistic paintings and drawings. takes me more time. i have fun doing them at times, when my confidence is down and i get like oh right, i can do that thing. and even though i do it sometimes, i choose to focus on another style because or semi-realistic paintings are just not my style. but life drawings, which are “realistic” in nature, helped me immensely with anatomy, proportion and lighting.
on another hand, art doesn't necessarily needs technique. i think studying and developing is vital to your formation as an artist - but i don't think the Academy(tm) and Technique(tm) its the only path to success or self realization as an artist. there are socially and economically marginalized artists who have never entered a school and they are selling their things, or making art, inconformed w the status quo (with reason And receipts..), some who are arting their emotions away, some who embrace their lack of technique and amp it up on pure instinct, aesthetic sense and their life path, some who are practicing their culture by making it. if you communicate things well enough, or express what you want to express and think, "wow, that was nice. i like that. it's nice enough." 
an example i can think of on the top of my head for you is ONE, the mangaka who draws the original One Punch-man and Mob Psycho 100%. His art isn't the traditional anime-y style - it's anatomically/proportionally imperfect from an academic view. most of the characters don't have the characteristic "anime eye". your first glance of his drawings might've made you think, "god, this guy can't draw at all." but damn! have you seen the few panels where he puts effort/detail into? he knows how to - he has the eye for it, whether he chooses to make it to a simpler style for comedic value, effort, merchandising or personal values/choices, he knows it! he communicates so well. his panel placement, his expressions, his gestures and even the writing. in my eyes he is a fantastic, top notch artist. and he's getting the recognition and the money, even though you might look at him and say his drawings aren't perfect. (say what you will, he has improved a shit ton ghgh)
everyone has their own values about what is good art and what is bad art. learn what yours are! and allow these values to change as you grow.
don't try to prove anything to the world just yet! focus to yourself. prove to yourself that you can improve. fight off that "not enough" vibe. Do It bro. i know you can! and i assure you it will get better. practice, practice, practice - BUT PLEASE don't forget to rest if necessary, focus on your health first; AND to enjoy your life as well. the more you get out there and see new things, the more things you will have to express.
sorry this was long but i, lost track of time i spent 1 hour writing this. anyway. thank you for admiring me man. i hope the best for your artistic career and for yourself!! don’t give up and keep going. hit me up anytime, i'll answer whenever possible ey
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janschreiner · 5 years ago
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Dr. Jess O-Reilly Plays 20 Questions with SHA!
Dr. Jess O-Reilly Plays 20 Questions with SHA!
“You’re the ultimate expert in your own sexuality and pleasure.”
The Sexual Health Alliance (SHA) is centered around providing Provocative Dialogue and Radical Collaboration. What would radical collaboration look like for you?
To me, radical collaboration involves sharing my business and working with industry peers who don’t have the same opportunities and privilege as I do. This might involve referring out services to folks who are better qualified to speak on specific issues (e.g. Black sexuality, sex for people with disabilities). It also involves sharing resources, insights and experiences for low/no cost to those in financial need. And at times, it involves sharing the financial profits on specific projects (e.g. collaborating on products like books, video courses and speaking engagements).
As a prominent sexuality professional, you have made a wonderful career as a sex educator. What would you recommend to young educators or therapists wanting to follow in your footsteps?
Ask for help. Don’t be afraid to reach out and ask for the support of your peers and potential mentors. Many of us want to help and if you’re very specific with your request (e.g. Can I pick your brain? is too broad, but Could you look over this introductory paragraph of my book proposal? is more manageable), you’ll probably receive a positive reply.
What book(s) are you reading right now?
I’m rereading Life and Death in Shanghai.
What’s the most important thing you talk about with your clients?
Custom-designing their relationships. There is no one-size-fits-all approach and you can make almost any arrangement work if you’re not burdened by social pressure.
What are the top 3 items on your bucket list?
1. I’d like to build an affordable housing building in my hometown of Toronto and see if we can grow the project to be sustainable; eventually, I’d like to continue to build additional units.
2. I’d like to adopt a child.
3. I want to live to be 100+.
One of our goals is to provide all therapists and healthcare providers with high quality sexuality training because they often receive little to no education in sexual health. What is the most important piece about sex that you want all providers to know? What would you want them to incorporate into their practice?
I’d like every professional to understand that our personal sex and relationship lenses can be completely irrelevant to our clients/patients’ lived experience. This doesn’t mean that our work isn’t shaped by personal experience, but simply that we need to be aware of our own biases and limits. And we need to be more aware of our layers of privilege related to race, gender, income, education, ability, nation of birth, relationship status, social status and professional roles.
What are your top 2 books that have influenced you and why?
Give and Take by Adam Grant. This was an affirming read, as he shares stories and data suggesting that good people do finish first in life and in business.
Our Bodies, Ourselves. I read this many, many years ago when I was in school and it offered such an important perspective on so many different topics. I know they’ve updated it since then and I’ve been meaning to go back to it and read the new version, so thanks for the reminder!
What is bad advice you have heard other people in our field give?
I still hear professionals talk about other cultures and countries as though they’re monoliths that they understand because they worked with clients from a specific culture or they lived in a place for a few months or years. If you’re not a part of a group or culture, elevate the voice of someone from that group instead of speaking for or about them. Nothing about us without us.
Who is your sexual role model?
That’s a great question! I’m not sure I know enough about anyone else’s sex life to call them a role model. Marla Renee Stewart is a general role model — personally and professionally — and I believe she has very happy relationships — sexual and otherwise.
SHA utilizes social media to reach our members as well as to find new sexuality content and research, how do you think social media has influenced our culture’s sexuality?
I’m so thankful for the reach and impact of social media. Putting the power of broadcast into individual hands (instead of allowing it to rest in the hands of a few corporations) has shifted and broadened the content we consume. Accounts like @SexPositiveFamilies, for example, disseminate essential information that mainstream (old) media would never have touched. Research shows that digital consumption and connections can foster digital empathy, galvanize support, create feelings of belonging and build community. Of course, social media is still owned by a few corporations and we don’t have access to how they disseminate our posts, so we have to be mindful that new media also has its limitations.
Our team finds podcasts, youtube and other social media platforms sometimes more educational and useful than traditional models. Do you think social media should have a place in formal training, and if so, how much?
There are accounts that offer high-quality, evidence-based information and there are also powerful accounts that provide misinformation. I think it’s important to analyze media (including social media) in all training and examine messages and biases. Part of all learning processes involves developing and tuning our critical thinking skills and I believe that we can certainly use social media as both a lens and subject.
What made you create your Happily ever after approach to working with couples?
I work primarily with folks who run or own businesses. They’re passionate about their work and they claim that their family is the most important aspect of their lives, but they don’t always act like it. Our Marriage As a Business approach involves applying business practices and acumen to intimate relationships. This might entail hosting board meetings (relationship check-ins), building a support team (e.g. therapists and babysitters), respecting timelines (e.g. showing up to dinner on time), planning ahead (e.g. carving out time weeks, months or even a year in advance).
As a Canadian born, Chinese-Jamaican and Irish by descent person, what has been the most challenging aspect of working in this field?
My gender, appearance and (perceived) ethnicity provide me with both privilege and challenges. As a woman talking about a sensitive topic in the public eye, I draw considerable criticism, harassment and personal attacks — on Instagram, Twitter, Facebook, my website contact form and even on LinkedIn. I ignore most of it, but sometimes it does feel like death by a thousand paper cuts. Luckily, I have a lot of support too. And I love life and I’m lucky in so many ways, so I try not to expend my energy on the harassment.
Where is your next dream vacation?
I’m not sure. I have a big birthday coming up in February and I’m deciding between Tuscany, Japan and Jamaica. Help me choose!
What are 2 of the most important things you do everyday?
If I’m home, my partner makes me a decaf macchiato or cortado in a small double-wall glass, which I try to take the time to enjoy without reading, working or scrolling. The glassware and all the details add to my enjoyment; he weighs the beans, grinds them with a beautiful manual grinder, pulls the shots at the right pace and warms the milk to the perfect temperature. It sounds pretentious, but I don’t care, because it’s delicious.
I don’t have many rituals, because I’m on the road most of the time and everything is always changing. But I do make time to enjoy myself wherever I go — even if I only have a few hours in a new city or country, I try to walk to a local third-wave coffee shop or market to get a pulse on local life. If I have time for lunch, I always treat myself to something delicious. Food is my love language and working in the food industry is a part of my family background.
What’s your favorite place you’ve traveling to for you job and why?
It’s hard to pick a favorite place, but Istanbul certainly stands out as a highlight. The people are always so warm and gracious. The rich culture, history and architecture overwhelm me. And the food is so delicious and varied. I hope to return again soon.
What’s the most challenging aspect of being in business with your partner, Brandon? (They are married)
Me. I’m the most challenging aspect. He’s much easier to work with.
We don’t work together full-time. He helps out to co-host the podcast, but he has his own unrelated business that keeps him very busy.
The most challenging aspect relates to my travel schedule. I love travel and I love flying and dealing with the unpredictability of new surroundings, but I do miss being physically together. This was a challenge for several years, but he travels with me far more often now, as he has more flexibility with his business.
What’s your favorite story to tell?
I’m a storyteller. As they say, a story doesn’t have to be true to be good. Ha!
But here’s a true one:
On a flight from Denver to Albuquerque a few years ago, a guy threw up all over me as the plane landed. Instead of just vomiting, he tried to keep it in his cheeks and so the trajectory changed and it sprayed everywhere — all over me and in the hair of the couple in front of us. People were dry heaving all around us and I was just hoping that no one else would vomit. I remember thinking that if one more person vomits, the whole plane is going to become a vomit comet. I don’t know why I picked that story, but it just popped into my head.
If you want something sexuality-related:
One time I was at a sex club and two people high fived on the bed next to us while exclaiming, “Oh yeah. This is so hot! And it’s a great workout, so we can skip the gym tomorrow!”. This was their dirty talk and it got them all riled up, but it killed the vibe for me and some of the others in close proximity.
Another time, as lady who was 7+ months pregnant stopped me and asked if I could help her figure out a good position for DP (double penetration) given her big belly. This was a time when I was reminded that they definitely don’t teach you everything you need to know in school.
Your bio says you like airplane turbulence! Can you tell us more about why you like it?
I just love airplanes — I love flying in them, talking about them, reading about them. And I like the physical thrill of a little turbulence — especially in a bigger plane. I will reroute to fly on a cool plane (e.g. the 787-9) and I hope to train as a pilot someday.
Being trained in sex & disabilities, can you give us some tips on why discussing disability is important?
All sexual health education needs to be inclusive and this includes talking about sex as it relates to race, ethnicity, gender identity, sexual orientation, relationship arrangement, income, and disability. I facilitated sessions on sex and disability early on in my career and now I’ve learned that I should pass the mic and advocate for paying opportunities for fellow sexologists who have disabilities. There are many qualified folks who simply don’t get the same paid opportunities as I do because of ableism.
When we leave folks with disabilities out of the conversation, we reinforce inaccurate stereotypes and put them at greater risk, as sexual health education produces positive health outcomes regardless of whether or not you have a disability.
What's an important take away from your new book The New Sex Bible?
Do what feels good for you. Don’t worry about what the experts or your friends have to say. You’re the ultimate expert in your own sexuality and pleasure.
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About Dr. Jess
Jess O’Reilly began working as a sexuality counsellor in 2001 and she has never looked back! Her PhD studies involved the development of training programs in sex education for teachers and her education and undergraduate degrees focused on equity and sexual diversity.
Her training includes courses in counselling skills, healthy relationships, resolving sexual concerns, sex education, clinical sexology, sexual development, sex and disability, group therapy and Cognitive Behavioural Therapy.
Alongside her academic and television credits, Dr. Jess is also an accomplished author with three best-selling titles. Her latest, The New Sex Bible, has received rave reviews from professionals and clients alike and her first book Hot Sex Tips,Tricks and Licks is in its fourth print! Look for her monthly column in Post City or catch her on Tuesday mornings on Global TV’s The Morning Show, Wednesdays on 102.1 The Edge and Saturdays on PlayboyTV.
Dr. Jess’ work experience includes contracts with school boards, social services agencies, community health organizations and private corporations. A sought-after speaker, her sessions always attract a full-house at conferences and entertainment events alike.
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Dr. Jess O-Reilly Plays 20 Questions with SHA! published first on https://spanishflyhealth.tumblr.com/
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