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brave-clarice · 4 years

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“Clarice” Liveblog: Episode 2

Again, some extremely unfashionably late hot takes.

(Special thanks to @kathrynethegreat and @special-agent-pendragon for encouraging another liveblog!)

Clarice is working out! And eating junk food! I love it.

and cleaning her gun!

hey, Ardelia is drinking what I’m going to assume is her grandmother’s “smart people tea”.

Krendler disciplining Clarice already is infuriating but appropriate.

“I lost control.” Oh no, I don’t like that. Don’t make Clarice unstable. Her mental and emotional state never had anything to do with her failing career.

getting weird mixed signals from Ardelia. Last week, she obviously didn’t want Clarice to lie/stick to the script Krendler gave her, but now she’s telling Clarice she messed up by not doing so...?

“I better know you if you’re calling this early.” Amen, Ardelia.

I’m in love: this cinematography is straight out of the film (when she’s flying to WV with Crawford)!

“When’s the last time you went back to Appalachia?” “It’s been years.” What??? It has NOT been years--Clarice was JUST in West Virginia last week as well as in Silence, and she arguably attended college there as well. (UVA is at least nestled in the mountains, and you don’t have to drive far outside the Albemarle Valley to hit Appalachia proper.) After all the details about her character they’ve been nailing, they miss this glaring error?

I like the tiny details she’s noticing (like the guy biting his nails). Not only because she’s an investigator, but because it’s reminiscent of Hannibal’s influence (imo).

Clarice Is Short: The Saga continues

still not getting any creepy vibes off Krendler. He’s going to be much less effective as an antagonist if he isn’t lewd as well as a dick.

I really don’t care for the way the opening “credits” fade out from the death’s-head moth to Clarice’s face. There are MANY animals that represent her, or parts of her, in the books--lions, lambs, horses, and of course birds--so this choice feels empty and lazy to me.

also lazy: having a fellow agent straight-up tell her in episode 2 “you shouldn’t be in the Bureau.” Maybe in two or three years, after some further “Death Angel”-type incidents, I could see this blatant rudeness, but not yet.

“Reesey”? Thanks, I hate it.

this flashback must be of Clarice’s little brother. That answers one question I had last week. That said...Clarice’s brother doesn’t play the same role in her story that Mischa does in Hannibal’s--but this sure feels like a Mischa-esque flashback.

good: they’re finally getting to the source of Clarice’s actual trauma!

bad: this is NOT how Clarice found out about her father. In fact, that whole incident is laid out in detail in the novels, and there’s nothing overly literary/un-cinematic about it, so this feels unnecessary. “The police are here! Something happened to Daddy!” No, bad! Show, don’t tell!

she would’ve known better than to introduce herself to that kid as “Clarice Starling, FBI,” come on now.

were they regularly able to wire tap hair clips in 1993?

actually, nothing in this show looks very 90s to me so far. I’m sad about it.

so in eighteen months, Ruth Martin has gone from a junior Senator to the Attorney freakin’ General, and now she might run for governor?? At least let her get settled in one position of power first, why don’t you!

yet more Buffalo Bill flashbacks...alas.

are they trying to make this guy another surrogate Hannibal character? He’s commenting on Clarice’s accent and the dryness of her skin, asking about who she “left behind”...it all feels very Hannibal. (I know he’s a Charismatic Cult Leader trope, too--but when played off of Clarice...)

“Ew.” “I hate this guy.” I laughed.

I understand that Clarice probably feels conflicted re: her siblings in the book, but I’m really not digging the flashbacks of this Tim Burton character her brother.

@ the writers: Clarice already has the lamb backstory/symbolism, too. We don’t need this Little Brother stuff.

*shrieking* Mrs. Starling! At the sink washing the blood out of his hat!!!

...aaand they had to ruin it with the brother’s painfully bad dialogue. Will still be good for gif-making, though.

are we supposed to interpret all these flashbacks as Clarice being incapable of controlling her emotions/state of mind? She keeps losing herself in memories and emerging all doe-eyed and panicky. I don’t like it.

not to be a broken record but...Clarice should be TOUGH. Again, Ardelia only saw her cry once in seven years. But she’s more worked up in this scene than Jodie was in Memphis!

when Mr. Cult Leader shouts “Agent Starling! Agent Starling!” he sounds exactly like Hannibal calling her back to his cell in the asylum. That has to be intentional.

damn, wish that I could look as good five minutes after I’ve been crying as Clarice does.

I LOVE that Ardelia gets to be the crucial behind-the-scenes book-smart partner to Clarice’s action heroine.

AG Martin’s just playing politics by turning a blind eye to the crooked sheriff. But when her own daughter was just kidnapped and almost killed, she looks like a real hypocrite.

gosh, Rebecca Breeds is great. I already hope she gets nominated for an Emmy.

so Krendler is...doing the right thing???

Clarice’s father was definitely not a sheriff. I hope she’s just exaggerating for dramatic effect. (Maybe this will be clarified later.)

she couldn’t just sit with a manipulative guy without getting emotional, but she’s cool as a cucumber while telling an extended story about her father? HmmMM.

sometimes her mannerisms and facial expressions are so much like Jodie’s that it’s uncanny, like here when she leans forward to confront the Cult Leader.

“She did it.” Damn straight!

another great callback to Silence. this show’s camera crew knows its stuff!

“He’s concerned I have some residual trauma from Bill.” I. Hate. This. Subplot--and all its OOC implications.

“Catherine was close to her father, too.” Ooh, a nice allusion to the novel! Clarice makes note of their “common wound,” the loss of a father, when she’s in Catherine’s apartment in Silence.

she is just SO pretty.

little Clarice looks a LOT like Rebecca Breeds. I hope we see some more of her.

The Good:

the continuing visual nods to the Silence film via cinematography

Mama Starling!!!

Clarice’s “The World Will Not Be This Way Within the Reach of my Arm” attitude, refusing to leave without helping the victims.

Ardelia Mapp coming in clutch!

Clarice being, generally, a badass

and using psychological tricks/mind games to pin the antagonist...that’s the woman who disarmed a monster with just a few words.

Rebecca Breed’s acting has been phenomenal so far.

I like Clarice’s haircut a lot better when worn down (though it’s not very practical for fieldwork, so we probably won’t see it much).

The Bad:

the continuing Buffalo Bill-related Trauma Subplot. Ugh.

all the flashbacks to Clarice’s brother (and the not-so-subtle suggestion that her brother is, symbolically, another lamb).

will the real Paul Krendler please come forward? this guy is so TAME.

the other agents’ hostility towards Clarice needs to be toned down slightly so that it can escalate. Otherwise, where’s the tension?

is this actually 1993? I’m not feeling it. Shouldn’t it have a little of that Season 1/2 X-Files aesthetic? Please give me more than once-an-episode references to pagers and fax machines!

that glaring Appalachia continuity error...it’s still bugging me.

I missed the overt Hannibal references, even though they’re not necessary to any part of this episode. A lady can dream!

Overall, I really liked this one despite my various issues with it. It started shakily but built to a great finish. The emphasis across both episodes on Clarice being in the FBI not just to “get out, get anywhere,” but out of a genuine desire to help victims has been wonderful. I just hope they don’t swerve too far into the “too traumatized and emotionally compromised to function” lane. It would be a disservice to Clarice’s character and to her journey (and would smack too much of “Hannibal really did prey on her weak mind/brainwash her”.

Things I’d still like to see: More of her personality. Her hobbies and interests. That she’s cleaning her gun is great! Now let’s see “Poison Oakley” practicing her sharpshooting skills. Or car shopping. Or clothes shopping to show off her “developing taste.” (Ardelia can come!) I’ll take literally anything. Give us more of Clarice’s sense of humor as well. She had some subtle funny moments in the pilot, and it’s nice to see Rebecca smile for a change.

And Krendler? Smear that man in grease! I appreciated a happy ending even though Clarice’s career is, as we know, already in a downward spiral--the last thing we want is for every episode to be a slog, especially when a good chunk of the audience hasn’t read the book and doesn’t know Clarice is doomed to fail in the Bureau.

However... Krendler’s not a “redemption arc” kind of character. Or even a “run-of-the-mill sexist asshole” character. This is a man who spent seven years systematically sabotaging a young woman’s career because a) he was jealous that she solved the Gumb case before him, and b) she wouldn’t fuck him. He was a Justice Department official working fist-in-glove with a serial child molester who was planning some of the heinous vigilante justice imaginable. THAT’S why his very gruesome end at Hannibal’s hands felt deserved--even Clarice thought so! In short, he needs to get nasty.

Anyway, thanks for coming to another long-overdue TedTalk. Fingers crossed that the next one will be more timely (aiming for Sunday night)!

#Clarice Starling #clarice #cbs clarice #rebecca breeds #once again I apologize for how late this is #and how long and somewhat ranty lol #please let me know if you want more ♥♥♥#media [cbs show]#char [clarice starling]

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salvatoreschool · 4 years

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Vampire Diaries Universe: The 25 Best Characters, Ranked

For the first time since 2009, we’re entering a fall season devoid of any new offerings from the Vampire Diaries universe. And like Stefan Salvatore without his daily diet of forest friends, we’re insatiable.

Like so many longtime TVD enthusiasts (those of us to whom the word “thesmatos” really means something!), we’ve spent much of quarantine revisiting the weird, wonderful universe — from Mystic Falls to New Orleans and back again. We’re suddenly spending a lot of time with characters we haven’t seen in years. And we’re having a lot of feelings about them.

In celebration of the franchise’s 11th anniversary, TVLine has assembled another totally non-controversial ranking, this time of the 25 best characters from the Vampire Diaries universe — a category that also includes familiar faces from The Originals and Legacies. (In Legacies‘ defense, the franchise’s latest offshoot hasn’t been around as long to endear itself to us, but that didn’t stop four Salvatore School students from making their way onto our list.)

In lieu of new content from the TVD universe this fall, TVLine is looking back at our 25 favorite characters from the entire franchise, including stand-out favorites from its two spinoffs.

SPOILER ALERT: This ranking discusses major plot points from all three shows. If you haven’t finished The Vampire Diaries (Season 1-8), The Originals (Season 1-5) or Legacies (Season 1-2), proceed at your own risk. Don’t say we didn’t warn you!

25. VINCENT GRIFFITH

Thanks to the magic of body swapping, the Mikaelson siblings have inhabited multiple physical vessels throughout the years, but none have remained in the family’s orbit quite like this Southern gentleman. Powerful, thoughtful and downright Shakespearean in his delivery (Yusuf Gatewood, ladies and gentlemen!), Vincent always has the greater good in mind. And as we learned in The Originals’ series finale, he helped Freya and Keelan pass that good along to the next generation.

24. LANDON KIRBY

Even though we’re still getting to know him, there’s already so much to like about this pure-hearted Mystic Falls townie. Not only is he the franchise’s first-ever phoenix, but he also looks like he could pass for Damon and Elena’s offspring — and that’s never a bad thing. We could tell he had a long future in this universe the moment he danced with Hope in The Originals’ final season. (So far, so good!)

23. JENNA SOMMERS

Like so many paved paradises, we didn’t fully appreciate what we had with Jenna until she was gone. Her death marked the end of Elena’s innocence — which is saying a lot, considering she was still mourning her own parents when The Vampire Diaries began. And if we’re being honest, Jenna was the ghost we were most excited to see again in the series finale. (For the record, Joseph Morgan has apologized on Klaus’ behalf for killing Jenna several times.)

22. TYLER LOCKWOOD

The First Son of Mystic Falls was kind of a jerk when we met him in The Vampire Diaries‘ first season. He was arrogant, aggressive and reckless — so it actually made perfect sense when he was revealed to be a werewolf. Fortunately, Michael Trevino’s character developed a little more nuance from that point on, especially via his Romeo and Juliet romance with Caroline. (After everything that’s happened since 2013, can you believe that they were once in a love triangle with Klaus?)

21. JEREMY GILBERT

Elena’s little brother (er, cousin?) went through a number of different, wonderful phases during his tenure in Mystic Falls. We loved him in The Vampire Diaries’ earlier seasons as the human embodiment of all things emo (he literally dated a ghost!), and we… um… appreciated his unexpected evolution into a shirt-ripping, wood-chopping vampire hunter.

20. CAMILLE ‘CAMI’ O’CONNELL

The Clarice Starling to Klaus’ Hannibal Lecter, this brave bartender was able to tap into the show’s darkest, most complicated character’s psyche in ways that no one named Mikaelson (or even Forbes) ever could. She helped him conquer a number of his demons in the few short years they spent together on The Originals, and like most people who play a significant role in Klaus’ life, she suffered the consequences. (Side note: Are we the only ones who really dug Cami as a vampire? Justice for that short-lived story arc.)

19. SHERIFF ELIZABETH FORBES

Of The Vampire Diaries’ many maternal figures, none put us through the emotional ringer quite like Caroline’s mother. We weren’t her biggest fans in the show’s early seasons, given her penchant for hunting the undead (including her own daughter), but hey, what was this show if not an endless series of redemption arcs? Also, if you don’t get a little choked up when Caroline felt her mom’s presence in the series finale, you don’t have a soul.

18. FREYA MIKAELSON

The long-lost fifth Mikaelson sibling was a little rough around the edges when we first encountered her on The Originals, but the poor woman was in the midst of escaping a centuries-long imprisonment, so we cut her a little slack. And we’re glad we did, because Freya has since become one of the strongest, most inspiring and all-around likable characters in the Vampire Diaries canon. #FreelinForever

17. MARCEL GERARD

While it’s easy to get swept up in Marcel’s charm and swagger (we were robbed of a second karaoke number, by the way!), it’s important to remember just how far back his time with the Mikaelson family goes. When you consider that Klaus literally freed Marcel from slavery and raised him to lead New Orleans as his right-hand vampire, it adds a whole other layer of tension to their passionate power struggle on The Originals. Though he’s treated like an unofficial Mikaelson sibling, Marcel often feels like more of a Mikaelson than Kol — and definitely more than Finn.

16. REBEKAH MIKAELSON

Arguably the funniest (and most glamorous) member of the Mikaelson family, the woman Damon once referred to as “Barbie Klaus” never fai to tell it exactly like it was, beginning with her thoughts on then-lovebirds Stefan and Elena. (“Honestly, I don’t get you two as a couple.”) And Bex only became more complex as the years went on, from her desperate desire for humanity to her undeniable love for Marcel. Just don’t call her insane — she prefers “spontaneous.”

15. ALARIC SALTZMAN

In hindsight, Alaric’s journey from hot history teacher to hot headmaster of a supernatural school makes perfect sense. Still, it was impossible to predict back in The Vampire Diaries’ first season just how much of an impact the man formerly known as Warner Huntington III would have on this franchise. A drinking buddy to some, a father figure to others and a literal father to a lucky pair, Alaric has truly woven himself into the fabric of this universe like few others. (That said, we still wouldn’t recommend dating him if you value your life.)

14. SHERIFF MATT DONOVAN

Only one full-blooded human survived all eight seasons of The Vampire Diaries, and you’re looking at him. The pinnacle of mortal goodness, this blue-eyed patriot hasn’t always been on the same page as his vampire brethren, but that’s only because he didn’t want to see any more his friends and family get eaten. And we can sympathize with that!

12-13. LIZZIE AND JOSIE SALTZMAN

Asking us to choose between Jo (by way of Caroline) and Alaric’s daughters is an impossible task, which is ironic, considering the Gemini twins are literally destined for a fight to the death on their 22nd birthday. Besides, these sisters have always felt like a package deal, from the moment we witnessed their birth on The Vampire Diaries to the day we reunited with them as teenagers on Legacies. (They also popped up in The Originals’ penultimate episode, putting them in the prestigious category of characters who have appeared in all three series.) Despite their inherent connection, Lizzie and Josie really have grown into two very different people, a journey we hope will continue for years (and shows) to come.

11. MALACHAI ‘KAI’ PARKER

The fact that this remorseless, pork rind-loving psychopath ranks so high on our list speaks volumes about actor Chris Wood, who brought a refreshingly sassy vibe to The Vampire Diaries’ sixth season. The guy was so likable, fans were even ‘shipping him with Bonnie… as if that poor girl hadn’t been through enough already! You also have to give Kai points for longevity — even after his head got knocked off, he managed to make two encore appearances on TVD (Season 8) and Legacies (Season 2).

10. HOPE MIKAELSON

As we mentioned with Lizzie and Josie earlier, we feel like we’ve watched Hope grow up before our eyes… because we have. Given the epic circumstances surrounding her conception, birth and upbringing, an adult version of this character had a lot of hype to live up to, and Danielle Rose Russell has proven herself more than up to the challenge. Imbued with her parents’ best qualities, Hope’s power and passion make her both a formidable foe and an invaluable ally. Besides, Legacies showed us what the world would be like without Hope, and it was not a good place.

9. HAYLEY MARSHALL

We can’t even think about this fierce, fearless mama wolf without shedding a single tear. Hayley’s story was basically one long tragedy, from her complicated marriage with Jackson to her tumultuous relationship with Elijah. And then there was her untimely demise in The Originals’ final season, which… actually, let’s not talk about that. From the moment she gave birth, Hayley’s heart belonged to Hope, and it was in her most extreme maternal moments that Hayley’s true strength was on display. That’s how we’ll remember her.

8. ELIJAH MIKAELSON

Suits? Pressed. Hair? Immaculate. Vocabulary? Thicc. With his smooth moves and cunning intellect, Klaus’ extremely respectful brother could do it all — well, except keep the people he loved from meeting horrific ends. (Seriously, this guy’s track record for dead lovers is right up there with Alaric’s.)

7. BONNIE BENNETT

Simply put, this is the witch you want in your corner when things go south. Endlessly powerful and selfless to a fault, Kat Graham’s character spent eight agonizing seasons sacrificing herself — often literally, hence her multiple deaths — in order to keep her friends and family safe. No amount of bloody noses or dead boyfriends could stop this badass from crushing her enemies.

6. CAROLINE FORBES

Getting smothered to death was honestly the best thing that could have happened to Caroline, who evolved from a basic, boy-crazy cheerleader into a bad-ass vampire overnight. And that was just the first phase of her franchise-long evolution into the empowered, globe-trotting mother of two she is today. She’s also responsible for all of The Vampire Diaries’ memorable musical moments, from her sweet song for Matt to her devastating performance at Sheriff Forbes’ funeral. (Now if only she’d pay her old pals at Legacies a visit…)

5. ELENA SALVATORE

She may not have Katherine’s chaotic flare, but Elena deserves credit for carrying much of The Vampire Diaries’ dramatic and romantic weight for six years. And for that pink hair she experimented with in Season 4. On top of that, Elena also rolled with the punches better than almost anyone. (You’re vampires? I’m a doppelgänger? Now I’m a vampire? Now I’m human again? Now I’m in a coma? Sure, let’s do this.)

3-4. DAMON AND STEFAN SALVATORE

Two sides of the same brooding coin, these brothers were as proficient at breaking hearts as they were at breaking necks. And while their love triangle with Elena will remain the stuff of TV legend, their relationship as brothers was revealed to be the real heart of The Vampire Diaries in its final two seasons. Honestly, it’s too hard to choose between them, so we’re not going to.

2. KATHERINE PIERCE

Come on, when were you not excited to see this leather-clad lunatic on your screen? Deliciously twisted and infinitely more interesting than her human doppelgänger, Katherine was behind many of The Vampire Diaries’ most jaw-dropping twists, from her iconic encounter with John(’s bloody fingers) to her long-awaited return in the series finale. Honestly, putting Katherine on hell’s throne in Season 8 was merely a formality — she was always a queen.

1. KLAUS MIKAELSON

The man, the myth, the legend. To think that the monster who slaughtered poor, defenseless Aunt Jenna on The Vampire Diaries is the same person who gave it all up to save his daughter on The Originals… well, there isn’t a clap slow enough to commend that kind of growth. (Again, Joseph Morgan is very sorry about the whole Jenna thing!) By the time Klaus evaporated on the streets of New Orleans, it felt like we had explored every conceivable nook and cranny of his existence, from his traumatic childhood to his fatal romances — and we relished every second of it.

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kathrynethegreat · 5 years

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@random-emerald-thoughts asked: Hello, hope you are doing well. I have to say I am beyond fascinated with your Hannibal Au and was wondering if you might divulge some extra info about what you imagine season 1 would entail...Basically, anything you’ve got.

Oh boy, do I have more info.

While I did not write full episodes, I do have a lot of details for them – some more than others. Season 1, and actually this whole series direction came about when I read Hannibal Rising for the second time. I wanted to see if I could use flashbacks from Hannibal Rising to run alongside the story I was telling. Since Rising has so much Japanese influence, I set the majority of season 1 in Japan to further bring that theme forward.

Below the cut is the following information:

Additional Information about each episode and the real crimes that inspired some of the stories

Artwork featured in each episode

A couple pieces of Fan Art that didn’t make the cut for the Season Rundowns.

Flashbacks featured in each episode

General Season Arcs / Information / Themes

General Clannibal info (Will they kill each other or kiss each other? Who knows?)

A full summary of the absolutely bonkers season 1 finale (scroooolll to the bottom)

These notes in some instances assume you have read the four novels. If you have questions pertaining to anything you’ve not read, let me know. The notes also sometimes specify how a scene may be viewed – because this is envisioned as a TV show and not a standard fan fic.

If anyone has questions about any of the below, want more info on season 1 or the other three seasons, just let me know and I’d be happy to provide. I’ve had all of this information sitting in my head for the last eight months, and I am glad to get it off my plate, as it were.

OVERVIEW

SEASON 1 SUMMARY | SEASON 1 DETAILS

SEASON 2 SUMMARY | SEASON 2 DETAILS

SEASON 3 SUMMARY | SEASON 3 DETAILS

SEASON 4 SUMMARY | SEASON 4 DETAILS

Season 1 General Notes / Arcs / Themes:

The main case Clarice is working on is the Gardner case, which spans all four seasons. However, in each individual episode, she is usually solving other cases along the way.

Hannibal Lecter's background will unfold to help us better understand his attachment to Clarice Starling. Over time we come to understand how they are the same.

Flashbacks with regard to Hannibal and his esteem for Lady Murasaki will run parallel to the episode’s events and hopefully mirror Hannibal’s feelings for Clarice Starling. All flashbacks in general try to mirror some element of the present-day story.

This season focuses heavily on Hannibal Lecter's background, with heavy flashbacks from Hannibal Rising, with the big reveal essentially being that Mischa was eaten. There are a few Silence of the Lambs flashbacks as well.

This season also focuses on the growing relationship between Hannibal Lecter and Clarice Starling. Precarious, with an undeniable attraction at its core.

Hannibal Lecter's affection for Hiroshi Soah's youngest child mirrors his affection for Mischa

Emphasis will be put on the effects of WWII, specifically on Japanese art and culture.

Please note this season takes place in 1990. No internet, no cell phones. Clarice Starling knows Lecter because she’s recently met him several times for the Buffalo Bill case – but our other characters have never seen him. American characters may have seen a photo in a newspaper, but would someone really remember? Characters in Japan would have heard of his name, but almost certainly would not have seen a photo. He would not have been front page news in Japan. For this reason, we must suspend our disbelief and assume even the F.B.I team (except for Clarice and Ardelia (who is not yet on Clarice’s team)) is pretty clueless that Dr.Fell is Hannibal Lecter. Plus, they simply aren’t looking for him…he’s not on their radar.

SEASON 1, EPISODE 1: The One-Eyed Dragon of Ōshu

DATE: April 1990 FLASHBACKS:

Hannibal - Short bursts of young Hannibal sheathing Date's sword

Hannibal - Short bursts of young Hannibal painting with his uncle

Hannibal - Short burst of young Hannibal seeing Murasaki in her bath

Clarice - Speaking with Hannibal Lecter at the Baltimore Asylum about The Flaying of Marsyas painting (broken into several different flashbacks)

ARTWORK FEATURED:

The Concert by Vermeer - Gardner Museum

The Rape of Europa by Titian - Gardner Museum

Storm of the Sea of Galilee by Rembrandt - Gardner Museum

Sheba by Robert Lecter - Murasaki's Estate Sale, Hiroshima, Japan

Starling on a Branch in the Japanese Style, Signed with Infinity in Eight Strokes, Hiroshima, Japan, Painted by Hannibal Lecter, but attributed to Robert Lecter - Murasaki's Estate Sale, Hiroshima, Japan

Armor of Date Masamune, and 3 of its 4 pieces of weaponry - Murasaki's Estate Sale, Hiroshima, Japan

Flaying of Marsyas by Titian - National Gallery, Washington D.C., USA

NOTES:

The title refers to Date Masamune’s nick name.

The episode opens with the Gardner Heist in Boston. We do not know the robbers. From their conversation, it is clear they have been hired by someone. We will not find out by whom until season four. They work quickly. One of the two men stops in the dining room to admire Titian's The Rape of Europa. "No." says the other robber, "He said he didn't want that one."

In Japan two men bid against one another for the armor of Date Masamune at the estate sale of the recently deceased Lady Murasaki. We are introduced to Dr.John Fell and Hiroshi Soah. Those who have not read the book will not yet know that Dr.Fell is Hannibal Lecter. Clarice’s The Silence of the Lambs flashbacks throughout the episode will show Clarice talking to Lecter, but the viewer will be standing inside of Lecter’s cell, looking at Clarice. We will only see Lecter’s shoulder. During Clarice’s last Silence of the Lambs flashback at the end of the episode, we finally switch views to see what she sees. We see inside Hannibal Lecter’s cell, and we realize that Dr.Fell and Dr.Lecter are the same person.

Both Dr.Fell and Hiroshi Soah bid on a piece by Robert Lecter. They both lose to someone over the phone. The viewer, Soah, nor Lecter knows who the anonymous bidder is. This will be revealed later in season four.

The Samurai armor comes complete with 3 of its 4 original weapons. Soah and Fell begin talking about the lost Tanto sword, and when Dr.Fell mentions he may be able to track it down, Soah is intrigued and understands that Fell means this may not be through entirely legal means. They quickly build a rapport, and ultimately Fell is hired by Soah to curate a new museum Soah is opening in Hiroshima.

Hiroshi was young when the bomb went off in the city, but he is still haunted by the war, and wants to create a world-class museum to showcase the culture of Japan, which Dr.Fell will help him with. In addition, Dr.Fell will work to track down the Tanto sword, as well as help to acquire pieces for Soah’s own private art collection – sometimes through legal means…sometimes not. Soah is aware Dr.Fell is a criminal with a decent background in art – but he has no clue he has hired Hannibal Lecter.

Clarice has a somewhat embarrassing meeting with Noble Pilcher's family. They are wealthy and educated and it is obvious that they look down on her. She is mortified. While she is more determined than ever to show that she has class, it is for her own self, not to fit in with his family, as she does not see her relationship with Pilcher as going anywhere. The incident is none the less formative.

Miranda Pilcher, Noble Pilcher's mother is the Curator at the National Gallery. While Clarice and Miranda are frosty at first, ultimately Clarice trusts her judgment in art and will begin going to her for art-related advice in the future. In Miranda, she sees the kind of well dressed, well educated, classy woman that she wants to be.

Miranda mentions over dinner that she helped negotiate the sale of The Fall of Phaeton by Rubens for the Gallery in January of 1990

Clarice is devastated when she is put onto the Gardner case instead of being able to join Behavioral Science. Paul Krendler is shown to clearly not be a member of her fan club. None the less, she starts to do what she can, going over old evidence and trying to look deeper into the situation than those on the case before her. They are expensive pieces of artwork - they were stolen by someone who appreciates them, and understands them. She knows in order to find the culprit, she too will need to learn to understand and appreciate these pieces too.

Clarice goes to visit the National Gallery to speak to Miranda and to see The Flaying of Marsyas. Miranda tells Clarice it is headed back to Czechoslovakia soon, but she is worried about the painting - she doesn't know if there will even be a Chzechosolovaia for it to return to. This begins a deeper conversation about art that will carry through all four seasons. Yes, museums are filled with stolen art from pillaged civilizations – but what about instances where art is put into museums for its safety? Where is the moral line? The show doesn’t aim to give answers – as there are no easy answers – but it will aim to show that the questions are complicated.

Miranda asks Clarice how she heard about the painting, and Clarice merely says "He told me to come to see it." Miranda understands that "he" means Lecter. Miranda does not ask further questions. She does, however, mention she was also trying to purchase a piece by Robert Lecter from Murasaki's estate over the phone several days before but was outbid. Clarice asks if there is any relation to Robert Lecter and Hannibal Lecter. Miranda says she is not sure, but this gives Clarice an idea of where Lecter might be, and she is the first to understand that he is not in South America, but perhaps in Asia.

An event happening in the background is the fact that Lithuanian independence was restored in March of 1990. A recent development that Hannibal Lecter would be following closely, and would be bringing up very strong feelings.

SEASON 1, EPISODE 2: A.A.Aaron

DATE: May 1990 FLASHBACKS:

Hannibal – Young Hannibal meeting Robert, Murasaki and Chiyoh

Hannibal – Young Hannibal awakes at night in the Chateau screaming. We know something terrible has happened to him, but we don’t yet know what.

Clarice - Hannibal in his cell in Baltimore, talking to Clarice about wanting to give her what she craves most - advancement.

ARTWORK FEATURED:

An Experiment on a Bird In An Air Pump, by Joseph Wright - Hanging behind Paul Krendler's desk

Ancient Chinese Gu, unknown artist - Gardner Museum

SUMMARY:

Hannibal Lecter leaves a clue for Clarice in the China Mail. He has seen that she is looking for the Gardner pieces, and he lets her know some information about the Chinese Gu that was stolen. He addresses Hannah, but does not sign his name, though Clarice pretty much figures it's him. She realizes her hunch that he is in Asia and not South America must have some merit to it.

Paul Krendler has never forgiven Clarice Starling for catching Buffalo Bill. Krendler made sure Clarice was put onto the Garnder case, knowing all evidence that could be found, had already been found. Clarice takes this opportunity to create the F.B.I.'s Art Crime Team, which can not only work on the Gardner case, but other important art cases as well. Clarice trying to make the best of a dead-end case, and actually make progress further enrages Krendler.

Clarice assembles her team – herself, plus four other agents. Clarice asks Miranda to help educate her and her team about the ins and outs of Art and Art History.

Hiroshi Soah is recently widowed with three daughters. He is a patron of the arts, and very generous - but also suspected to be very dangerous, and a possible Yakuza (Spoiler, he is). He owns a very successful motorcycle business that he started just after the war with his brothers. Both brothers died of mysterious causes. His sister-in-law, Chiyoh also recently windowed, has moved into his home to care for her nieces. She is suspicious of the sudden death of her husband and is fairly certain that Hiroshi had something to do with it. Chiyoh's husband was head of the Yakuza in Hiroshima, as well as the head of the board of the Motorcycle company. With his death, Hiroshi's position as head of the Yakuza and head of the company was assured. She meets Hannibal when Hiroshi hires him on as curator. She has not seen him in years - not since Hannibal and Murasaki put her onto a train in France years ago. She is vaguely aware of Hannibal's past, but since she has lived for years amongst the Yakuza, his crimes don't really phase her. Turning him in does nothing for her either - she chooses to wait and see if he might be of any use to her at some point. They were good friends once - so she confesses to him her suspicions about the death of her husband. He shares with her how things ended with Murasaki and she confesses that she knows and that she and Murasaki met again after she moved back to Hiroshima.

SEASON 1, EPISODE 3: Eternity in Eight Strokes

DATE: June 1990 FLASHBACKS:

Hannibal - Robert teaching Hannibal to paint

Hannibal - Murasaki teaching Hannibal Calligraphy, specifically Eternity in Eight Strokes

Hannibal - Mischa laughing in the garden in her bathtub

Clarice - Clarice's sitting on her father's lap, looking at his badge

Clarice - Clarice and Mapp discuss Johnny's tattoo

ARTWORK FEATURED:

Eternity in Eight Strokes - Symbol

Three Beauties of the Kansei Era by Kitagawa Utamaro

The Chrysanthemum and the Sword: Patterns of Japanese Culture by Ruth Benedict, being read by Clarice

NOTES:

Since Hiroshi is recently widowed, his sister in law Chiyoh has been teaching the girls, but he asks Dr.Fell to augment their education in art and culture. Natsu, the eldest daughter, is about 18 years old and very impressionable. She very quickly falls in love with the charming and mysterious Dr.Fell. The middle daughter, Aneka, is about 10 and she is a complete smart ass and tends to not have a filter. She’s the comic relief. Emiko, the youngest is about 6 years old, and very sweet, and reminds Hannibal Lecter very much of his sister, Mischa.

When confronted with the Symbol Eternity in Eight Strokes, Clarice consults Jack Crawford’s extensive library on symbology. She finds that many past works by Hannibal Lecter were signed with this symbol.

Very quickly finding that the art theft rings she is dealing with are often dark covers for far dirtier crimes, with art often being used to help with the laundering of money, Jack Crawford decides to send Johnny Brigham to join Clarice and her team of agents. Johnny is tasked specifically by Crawford to watch out for Clarice’s safety.

Johnny has always liked Clarice and she has always liked him. His presence constantly alongside her begins the whole “will they or won’t they?” situation between them. He very quickly becomes smitten.

SEASON 1, EPISODE 4: The Provenance of Dr.Fell

DATE: June 1990 FLASHBACKS:

Clarice - "Clarice, your case file." The touch in Memphis before Lecter’s escape. The crackle in Hannibal's eyes. A shock runs through Clarice's body.

Clarice - Watching the news just after Hannibal Lecter's escape

Clarice - Ardelia asking Clarice if she fears Hannibal will come after her

ARTWORK FEATURED:

Jade burial suit of Liu Sui

NOTES:

Clarice uses her alter ego, Elizabeth Chase for the first time. Elizabeth Chase was the name of an art student and the wife of Robert Hecht, a man who dealt in smuggling antiquities illegally, and the name is an intentional selection on Clarice's part. Her whimsy is showing, and Hannibal Lecter would take notice.

A discussion of art provenance and its importance in authenticating art leads to the idea that people also have their own provenance that gives them their value. This is a major theme that is unfolding, as we essentially see flashbacks from Hannibal and Clarice showing us their own “Provenance”

Clarice does not yet know Hannibal Lecter is in Hiroshi Soah's employ, though she suspects he is somewhere in Asia. She goes undercover as Elizabeth Chase - an art dealer - at a private party at Soah's house celebrating the purchase of the Jade Burial Suit of Liu Sui. When she is dancing with Hiroshi Soah, he tells her about his new curator for the museum he is building, and that he would like to introduce her. He takes her over to Dr.Fell, whose back is turned to her. When Dr.Fell turns around, Clarice is shocked. "Do you two know one another?" Soah asks. "Do we madame?" Dr.Fell asks, taking Clarice's hand and kissing it. She touch sparks again for both of them, and they are aware of it. "I feel if we had, I should not forget.” Clarice is not amused, but cannot cause a scene, as there are several hundred people present, and doing so would endanger them, as well as ruin her cover and her mission. "Not to my knowledge, Dr.Fell." She finally says reluctantly. Dr.Fell asks Clarice to dance, and again she is hesitant to do so. When he sweeps her out onto the floor, they both begin to negotiate, talking quickly through gritted teeth as they both try very hard to smile and not let on that anything is wrong. There is a very real tension between them - both sexual, as well as a heightened feeling of danger. Lecter reveals that he has a good deal of insider information and that he can help her with her case, if only she will not reveal his identity. She agrees – for the time being.

Hiroshi and Johnny both watch Dr.Fell and Elizabeth Chase - Hiroshi is unaware of either Clarice’s and Dr.Fell’s identity, while Johnny also has no idea that Dr.Fell is Hannibal Lecter. What they do notice, however, is that there is clearly undeniable chemistry between the two. Natsu also witnesses the clear chemistry between Elizabeth Chase and Dr.Fell. Both Natsu and Johnny Brigham find themselves feeling jelous.

SEASON 1, EPISODE 5: Sadako and the Thousand Cranes

DATE: July 1990 FLASHBACKS:

Hannibal - Murasaki, Young Hannibal and Chiyoh fold paper Cranes for Chiyoh's cousin, Sadako

Hannibal - Murasaki mentions her home, Hiroshima, being destroyed

Hannibal - Deserters approach the lodge, killing Jakov and Hannibal's parents

Hannibal - Authorities yell at Lecter in his cell, he folds an origami chicken

Clarice - Clarice speaks with Lecter and pulls the origami chicken out of her purse

ARTWORK FEATURED:

The Children's Peace Monument by Kazuo Kikuchi and Kiyoshi Ikebe - Hiroshima, Japan at the Hiroshima Peace Memorial Park

Traditional Origami

NOTES:

One of the major art pieces in Heroshima is the Children's Peace Monument, which memorializes Sadako, said to be Chiyo’s cousin. The monument helps to emphasize the absolute horrors of war.

Though many of our characters are rather villainous – they have all been impacted by an actual war or a terrible hardship in their life. Soah had his home destroyed, Lecter lost his family, Johnny finds being back in Asia brings back memories of his time in Vietnam, something he doesn’t like to think about. Clarice, though not affected by war, has had terrible hardships and is also learning about the horrors of war via the art she is studying.

Traditional Origami is used to link Sadako, Hannibal Lecter's past, and Clarice's experience with meeting Hannibal Lecter for the second time (When she rescued his origami chicken from a trashcan) - A clue to the Chinese Gu is uncovered in the Yakuza crime ring, and Clarice believes it may be in China

Chiyoh and Hannibal come to an agreement - Chiyoh will not reveal who he is to authorities, and in exchange, Hannibal will kill her brother-in-law, Hiroshi Soah in retaliation for her husband's death. He agrees to do this in his own time.

SEASON 1, EPISODE 6: Kyū Bon

DATE: July 15, 1990 FLASHBACKS:

Hannibal - Murasaki mending young Hannibal's finger and asking him to arrange flowers

Hannibal - Hannibal defending Murasaki from the butcher

Hannibal - Robert's death and funeral

Clarice - Hannibal asking her worst memory of childhood

Clarice - In the hospital with her dying father as a visitor recites Thanatopsis

Clarice - Cleaning hotel rooms, Clarice's mother tells her she must move to Montana

ARTWORK FEATURED:

Thanatopsis, a poem by William Cullen Bryant read as a v.o. in the last scene

The Tale of Genji, a novel by Murasaki Shikibu

Kokin Wakashū by Court Poets Ki no Tsurayuki, Ki no Tomonori, Oshikochi no Mitsune and Mibu no Tadamine

NOTES:

This episode deals heavily in family and their impact on us

Clarice disregards the festival, but ultimately changes her mind in the end, and winds up going back to the U.S. to visit her father’s grave.

Hannibal Lecter gives Clarice Starling Chinese Lantern flowers

SEASON 1, EPISODE 7: Honjō Masamune

DATE: August, 1990 FLASHBACKS:

Clarice - Hannibal asking if she thinks he is evil, Typhoid and Swans discussion

Clarice - Hannibal telling her they are going to be partners

Hannibal - Butcher being killed with a sword

Clarice - The Screaming Lambs Confession in Memphis / Clarice escapes in the night as a child

Hannibal - Very quick, flashes of Mischa screaming, an axe, Hannibal's hand reaching for Mischa. We still can’t see what happened.

ARTWORK FEATURED:

Honjō Masamune, a famous sword

Homicide Investigation: Practical Information for Coroners, Police Officers, and Other Investigators by LeMoyne Snyder, being read by Clarice

David with the Head of Goliath, Caravaggio

NOTES:

August 26–28 – In Gainesville, Florida, police find five murdered college students, apparently killed by a serial killer. Clarice is pretty gutted to not be able to work on this case.

This episode is inspired by the real life sword. When Japanese weapons had to be surrendered in 1945, it was given over to a Sgt. Coldy Bimore. Unfortunately, no record of such a Sgt. has ever existed. This has never been solved, but this story tells a bit more about how Hannibal and Clarice uncover the sword at the hands of a man who falsified his name. The American Sgt.’s family had been killed by the Japanese during the war, and thus he took their sword from them.

This adventure takes place over a series of several days, and both Hannibal and Clarice must keep up their identities of Elizabeth Chase and John Fell. They speak a lot during this time. Lecter wakes Clarice from her nightmare during this time.

Clarice experiences her nightmare during this time and heavily begins to question if what she is doing is enough - she’s rescuing art - not people (The Florida serial killer weighs heavily on her). Hannibal Lecter holds her in the dark and tells her that what she is doing is very important and noble. She says, "I was in the barn" she says, to which he replies, "I know." "I was so cold and afraid." she says, and he says "I know." again. He closes his eyes and we understand he is speaking of more than just her dream - that he knows from his own experiences. She is disturbed to realize that she feels very safe with him.

Season 1, Episode 8: The Hall of Two Truths

When eighteen carefully chosen treasures are stolen from the Cairo Museum, the Minister of Antiquities enlists Clarice’s team to help find the culprit. Clarice suspects that a wealthy private collector may be responsible, but soon finds that the truth is far more complicated than she could have imagined.

DATE: September 1990 FLASHBACKS:

Hannibal - Inspector Popil arrives and says that organs of the butcher were removed

Hannibal - Murasaki tells Popil she and Hannibal are moving to Paris and that Hannibal is to enter medical school

Hannibal - Hannibal helps a doctor sketch dead bodies in order to remake De humani corporis fabrica libri septem, which was lost during the war

ARTWORK FEATURED:

Bust of Neferititi

Book of the Dead: The Weighing of the Heart Ceremony

Canopic Jars

De humani corporis fabrica libri septem,

NOTES:

The title references the Egyptian "Hall of Two Truths" where the human heart is weighed against a feather in the Egyptian afterlife. For our purposes, of course, the feather represents Clarice (bird imagery) and the heart represents Lecter (burning heart imagery, organs, etc)

The scales also represent the changing feelings and conflicting emotions going on with Clarice Starling.

Inspired by a 2011 Cairo Museum heist, which was never solved, but likely the pieces were stolen by a wealthy businessman who picked out specific pieces that he wanted.

The removal of organs in Egyptian mummification will be compared against Hannibal Lecter removing the organs of his victims.

SEASON 1, EPISODE 9: Kintsugi

DATE: September 1990 FLASHBACKS:

Hannibal - Flashes of Dog tags hanging around the necks of the men in the lodge

Hannibal - Flashes of Mischa screaming

Hannibal - Flashes of Hannibal and Mischa with the deserters

Hannibal - Mischa is taken away “to play”

ARTWORK FEATURED:

- The Terracotta Warriors of Emperor Qin

- Japanese art of Kintsugi

NOTES:

Kintsugi refers to the art of mending broken vases / pottery with gold

September 12 – Cold War: The two German states and the Four Powers sign the Treaty on the Final Settlement With Respect to Germany in Moscow, paving the way for German reunification.

- A major theme is brokenness. Hannibal's brokenness, Clarice's Brokenness, but her scars ultimately making her more beautiful in Lecter's eyes. He also seems to be intrigued that her brokenness has not managed to destroy her. When Soah's daughter breaks a priceless vase, Lecter discusses with her the art of Kintsugi and discusses with her how one's damage is important to their overall history. Together they repair the vase, as Lecter thinks of Clarice and of his own scars.

On the other, much darker end, it is the shattering of one of the terracotta warrior sculptures reveals that they are fake, and their insides are filled with drugs. The art world is using them as a cover for a much larger drug smuggling operation. Inspired by the movie True Lies, as well as multiple drug busts - hiding drugs in sculptures is fairly common.

There should be a discussion that each Terracotta warrior represented an actual person should tie in to Hannibal thinking about the dog tags, and that they are also tied to an individual. We don't know if this is actually true or not - I've read articles that confirm and deny this, but for our purposes the statues are indeed individuals.

The youngest of Soah's daughters likes the Ninja Turtles (popular in the 90s). Dr.Fell is confused as to why these cartoons are named after painters from the Italian Renaissance.

The episode would either open or close with the quote by Rumi, "The Wound is Where the Light Enters You."

SEASON 1, EPISODE 10: The Three Sacred Treasures of Japan

DATE: October 1990 FLASHBACKS:

Hannibal - Hannibal tries to remember the faces of the men who killed his sister and draws their faces in medical school

Hannibal - Uncovering the Dog tags in the lodge

Hannibal - Hannibal kills Dortlitch and puts the tag around his neck

Hannibal - Murasaki asks Hannibal to stop. He refuses.

ARTWORK FEATURED:

Kusanagi-no-Tsurugi, a sword

Yata-no-Kagami, a mirror

Yasakani no Magatama, a jewel

NOTES:

October 3 – Cold War: East Germany and West Germany reunify into a single Germany.

The three Sacred Treasures do exist, though very few people know where they are kept, and even fewer people have seen them. Clarice and her team must figure out how to find something without even knowing what it looks like. This is paralleled with Flashbacks of Hannibal Lecter not knowing what his sister’s killers look like...

Not knowing what the 3 Treasures look like, and the search for them can bring flashbacks to Hannibal Lecter not knowing the killers that he seeks revenge upon for Mischa's death.

SEASON 1, EPISODE 11: The Last Emperor

DATE: October 1990 FLASHBACKS:

Hannibal - Hannibal sees Kolnas daughter's bracelet and flashes back to Mischa

Hannibal - Kolnas daughter puts his dog tag in the offering plate

Hannibal - Hannibal kills Kolnas with a Tanto after he is given information on Grutas

ARTWORK FEATURED:

Ancient Chinese Gu, unknown artist - Found in China, to be returned to the Gardner Museum

The Forbidden City

NOTES:

When looking for a stolen Chinese Puzzle box, long lost, Clarice ultimately finds herself in search of a theif who it turns out has purchased the Chnese Gu from the Gardner museum. At first she thinks he may be the original theif, but she realizes the piece has changed hands several times.

The Chinese Gu has yet to actually be found.

SEASON 1, EPISODE 12: The Idol Thief

DATE: October 1990

ARTWORK FEATURED:

Natarajan Idols

NOTES:

This episode is based off of Subhash Kapoor is a New York-based art dealer on trial in Chennai for allegedly running a $100 million international smuggling racket.[2] He was previously the owner of the Art of the Past gallery in Manhattan. His sister business, Nimbus Import/Exports, specialised in selling antiquities from across the Indian Subcontinent and Southeast Asia to major museums around the world.

Natsu looks into Dr.Fell’s past and manages to uncover who he is. When she does, she also sees a picture of Clarice Starling and realizes that she is the same woman she knows as Elizabeth Chase.

SEASON 1, EPISODE 13: Yuanming Yuan

DATE: November 1990 FLASHBACKS:

Hannibal - Murasaki and Hannibal put Chiyoh on a train and discuss her fiancé, a man with two brothers who is starting a motorcycle business

ARTWORK FEATURED:

A variety of Chinese vases and bowls around the world

NOTES:

This episode is inspired by several thefts of Chinese pieces that were stolen around the same time. The case has never been solved, but it is most likely a Government inside job. Clarice - if she finds it’s a Government job - can’t really do anything when up against a Government.

There is a discussion about theft. If the pieces were stolen from China...and China steals them back - is it stealing?

SEASON 1, EPISODE 14: Teacups and Time

DATE: November 1990 FLASHBACKS:

Hannibal - Hannibal searches for Grutas

Hannibal - Grutas confirms Mischa's fate

ARTWORK FEATURED:

Japanese Tea Ceremony

Chinese Yixing Teapot

A Brief History of Time, a book by Stephen Hawking

NOTES:

November 19–21 – The leaders of Canada, the United States, and 32 European states meet in Paris to formally mark the end of the Cold War.

Lecter reads A Brief History of Time. The broken teacup is mentioned. When he is at the Japanese tea ceremony, a teacup is broken, and his calm exterior falls away for a very brief moment. Clarice seems to be the only one to notice.

Clarice has found the Chinese Gu in a previous episode. This is a huge break in the Gardner case. However, since it appears all of the items that were stolen were dispersed to different people, the other items have not yet been found. Still, she has decided that though it is a great break in the case, they will keep its discovery a secret so that it does not compromise the rest of the case or her secret identity as Elizabeth Chase.

SEASON 1, EPISODE 15:The Tantō Sword of Date Masamune

DATE: December 1990 FLASHBACKS:

Hannibal - Grutas tries to shoot young Hannibal. He is shot in the back. He appears to be dead, but he pulls the Tanto sword out from the back of his shirt. It has deflected the bullet.

Hannibal – Young Hannibal asks where Grentz is and is told he is in Canada. Hannibal then kills Grutas and puts his dog tag around his neck. Murosaki has been witness to all of this.

Hannibal - Hannibal confesses his love for Murasaki. She rejects him.

ARTWORK FEATURED:

The Dream of the Fisherman's Wife by Hokusai, on loan to the Hiroshima Museum of Art from the British Museum, in conjunction with an exhibition called "Sex and Pleasure in Japanese Art"

Starling on a Branch in the Japanese Style, Signed with Infinity in Eight Strokes, Hiroshima, Japan, Painted by Hannibal Lecter, but attributed to Robert Lecter - found in Dr.Fell's studio

Clarice with a Lamb by Hannibal Lecter, found in Dr.Fell's studio

Armor of Date Masamune, and 3 of its 4 pieces of weaponry - Hiroshi Soah's private collection.

Tanto Sword of Date Masamune, 4th piece of weaponry - on Hannibal Lecter's person

Tessen, Japanese War Fan - on Clarice's person

FULL EPISODE SUMMARY:

We open the episode in the newly opened Hiroshima Museum of Art, opened and funded by Hiroshi Soah in an attempt to help replace heritage lost to the Hiroshima bomb, as well as an attempt to make Hiroshima a center of culture for the nation – a Phoenix from the Ashes, as it were.

Clarice stands in the Hiroshima Museum of Art’s newest exhibition on Sex and Pleasure in Japanese Art, which was Curated by Dr.Fell (this is a real exhibit that would not happen until 2013/2014 at the British Museum). She stands before The Dream of the Fisherman’s Wife and considers it, waiting. Johnny appears and stands beside her. He too considers the painting. He wrinkles his nose - he does not care for it. After a few moments of silence, Johnny hands Clarice some paperwork and tells her that they have enough information, and they now officially have permission from both the American and Japanese government to raid Hiroshi Soah’s private collection and arrest him. They have to be smart about it, as they do not think Soah will go quietly. His home is highly guarded, and even with a warrant, his thugs are likely to put up a fight.

Due to the museum opening, as well as some new private acquisitions, Soah’s private collection has been in constant movement. His renovation on his own personal gallery means there is lots of construction in the home, and it’s agreed that the FBI will disguise themselves as workers. Clarice will need to go in first and assess the situation to make sure to determine the important pieces currently are so that nothing is damaged during the raid, as that would defeat the purpose of the entire mission, which is ultimately to keep the artwork safe and back where it belongs. They agree that Elizabeth Chase will go during the day to assess the situation, giving some other art related reason for being there – offering up a painting she has recently acquired in the hopes that she could walk with Soah through his gallery and tell him exactly where she thinks it should go, meanwhile noting specific placement of everything.

Clarice Starling is mildy concerned and plagued with guilt, however. Several months before she had sent warning to Behavioral Science that she had found Hannibal Lecter. However, Lecter has not betrayed her identity, and has not only been helpful in uncovering information for her, they’ve also begun to confide in one another. She worries that if he discovers her betrayal that no one will be safe from his wrath.

Clarice Starling arrives for her appointment with Hiroshi Soah and is asked to wait in the garden. She sits and drinks tea and hears laughter in the background. She looks to see on the far side of the garden, Dr.Fell teaching the three girls about Japanese Weaponry. He has a long sword, and he two eldest Natsu and Aneka have shorter swords, while Emiko being very young has a fan. She is rather put out that she is not allowed to play with big knives.

Clarice goes closer to watch and she and Lecter acknowledge one another with a nod and a smile, but say nothing. Natsu, who has a big crush on Dr.Fell notices this, and her jealousy flares again – for she has found drawings of Elizabeth Chase in Dr.Fell’s studio.

Dr.Fell assures Emiko that the fan she has is just as important as a sword, and he reveals to her that the spokes of her fan - a tessen - are pointed and indeed very dangerous.

We see a short flash of young Hannibal Lecter fighting with Grutas. Dr.Fell, mildly disturbed by his thoughts, steadies himself back in the present and then teaches Emiko how to deflect a sword using the fan. She is placated.

Clarice playfully mentions “When you taught me how to use a sword, you never mentioned the fan to me.” She then tells him that she has seen the new exhibit he curated at the museum, and she is not entirely sure what to think. Dr.Fell covers Emiko's ears, and seductively begins to talk to Elizabeth about how the West tends to find pleasure and sex sinful, but the east has no such reservations, etc.

Natsu is further angered that Dr.Fell is very clearly entranced by Elizabeth. A servant comes for Elizabeth Chase and leads her into Hiroshi Soah’s study. Clarice and Hiroshi speak for a long time, and then walk down his gallery. Elizabeth mentions the piece she has just acquired from one of her customers who has passed away and pulls out photos from her purse. Soah isn’t sure, but they continue their walk, and she tells him she has a few other pieces that she thinks he might like. She also asks him how the restoration on the sword that she and Dr.Fell managed to find several months ago is going. He takes her over to a new portion of his gallery where he has many pieces of Japanese Weaponry on display – several swords, fans (Tessen) and of course the Samurai suit is the centerpiece.. He mentions that Dr.Fell did the restoration on the sword himself. He also mentions Dr.Fell is close to finding the lost Tanto sword – might Elizabeth be able to help with that as well and she and Fell worked together so well on finding the other sword?

She mentions she will keep her ear to the ground about it. As Hiroshi, very polite and charming, escorts Elizabeth from the house, says goodbye and goes back into the house.

Chiyoh and the three girls are on the terrace folding origami as Elizabeth heads to her car. When Elizabeth asks where Dr.Fell has gone, Chiyoh mentions that he had been called to the museum to consult on the layout and hanging of several paintings.

Emiko goes to Elizabeth and hands her a paper crane before she can descend from the terrace. “Doctor Fell asked me to give this to you.” She says. Elizabeth thanks her and moves put it into her purse when she hears Hiroshi Soah calling her name. He walks out onto the terrace and says he’s re-considered – would she be willing to leave those photographs of that painting with him for a couple of days? She says, of course and digs into her purse and sets them down beside the paper crane. He thanks her, and she turns again to leave, forgetting the crane.

When Elizabeth is gone and the others have all gone inside, Natsu takes the paper crane and unfolds it to reveal a note written on it. It is addressed to Clarice and it indicates that he knows what she is up to, and that he does not advise a raid tonight, as security has just been doubled. It is signed “H.”

Clarice assembles her team and discussed the layout, the plan, and where certain pieces of art are. Some they will take, some they will not, some have been illegally aquired, some have not. She also mentions where Soah will most likely be able to be found in the home. She alerts the men to the bedrooms of the three daughters as well as their aunt Chiyoh and makes sure that everyone is well aware to be very careful around the women, not to scare them, harm them, etc.

Her team asks if Dr.Fell will go along with the law, and she confirms that she has made sure there will be an “urgent call” from the museum an hour before they enter in order to get him off the premises in case he comes back to the house.

Later, Lecter returns only to be called back to the museum on an emergency. Clarice’s team watch and confirm that Dr.Fell has left. Dr.Fell, of course, knows it is a ruse, and later sneaks back in disguised as one of the construction workers, alongside the FBI.

Clarice goes in the back way to secure the inside of the gallery before the raid begins. The men outside await her go ahead via an earpiece, but it is dropped when she is grabbed by one of Soah’s security men who drags her into the newest part of the gallery containing the Japanese weapons, where Soah and Dr.Fell stand. Dr.Fell remains calm and betrays nothing until it looks like Clarice really is going to be killed by one of Soah's men who has a knife to her throat and is just waiting for Soah's command.

Finally, Dr.Fell lets in a sharp intake of breath, which causes Soah to make his men pause while he turns to Dr.Fell and asks if he likes Elizabeth?

“I do believe my daughter is rather jealous of the two of you.” Soah confesses. “It was her jealousy that caused me to find out about you, miss Clarice Starling.”

Fell admits Clarice Starling is very lovely. Perhaps they could make it look like she has gone missing? Soah considers. Fell has given him 100s of millions in stolen goods and has done a great job over the past year. It is clear that though Soah knows Clarice’s identity, he does not know about Fell’s… He agrees to let Dr.Fell have the girl.

Clarice spits at both their feet and says she'd rather die.

Soah says that can be arranged and gives the order for his men to kill Clarice. Just before the knife slits her throat, another knife is thrown through the air and strikes into the henchman’s neck.

It is clearly a match for the Tanto sword of Masamune.

We see a quick flash of young Hannibal Lecter getting up from the floor of the boat after having just been shot and pulling the Tanto sword out from the back of his shirt. We realize suddenly – he’s had the knife all along. We learn Mischa was eaten.

Hiroshi Soah’s eyes grow wide at the realization that it is the knife he’s been looking for. He turns to confront Dr.Fell, but Lecter has grabbed a sword from the armor and takes Soah’s head clean off. He then throws Soah's sword to Clarice, who catches it, midair, while he goes over to the wall and removes the sword he and Clarice tracked down together several months before.

Together they are surrounded on all sides by member’s of Hiroshi’s Yakuza, and they must fight together to kill them. At one point Hannibal Lecter is almost taken down - there is a knife to his throat and he has no weapon. Clarice shouts out his real name to him as she tosses him a weapon that he uses to kill the man holding him back.

All the henchman pause at hearing Lecter's real name - they only knew him as Dr.Fell. There is a new level of fear now that these men know they are fighting Hannibal Lecter.

There is a quick flashback of Hannibal Lecter killing Grutas in front of Murasaki, and then confessing his love for her. She tells him there is nothing left of him to love and leaves him.

Back to reality, the man standing closest to him is now frozen in fear, and Hannibal grabs him and rips out his throat with his teeth. Blood dripping from his mouth, he spits the contents onto the floor, reaches out, and grabs Clarice, kissing her fiercely before they go back to taking down the remaining men.

While fighting, Lecter tells Clarice he didn't betray her. Clarice does not mention that she, several months earlier, had betrayed him. Clarice grabs a Tessen fan from the wall and uses it to deflect a sword and spike another henchman in the heart. Lecter makes a crack about fighting in her good shoes, at which point Clarice takes off her shoe and spikes the heel through one henchman’s eyes.

Lecter is delighted with both her resourcefulness and ferocity. Once all the men are dead, they are surrounded by bodies and covered in blood, breathing heavily. Standing inches apart, they grab one another and kiss hungrily, angrily. When they part he asks her to come away with him. She is upset by this and asks that he turn himself in. Again he asks for her to come with him and promises that he will give her everything she ever wanted. Again she begs for him to turn himself in.

He says he won’t – and that she doesn’t want to turn him in either or she would not have tried to make sure he was off the property during the raid. She hesitates.

Suddenly there is the sound of crashing glass as the FBI come in from the long side of the gallery, and Soah’s backup from the other side. Clarice rushes towards her men, while Lecter heads in the opposite direction.

On his way out of the house he encounters Natsu, who has heard the commotion and come running. She is crying and tells Hannibal Lecter that she did not betray his true identity to her father – only the identity of Clarice Starling. Chiyoh comes up from behind Natsu and takes her arm, calls her a foolish girl and says that she would have been wiser to betray them both.

Hannibal Lecter tells Chiyoh that their agreement has been settled, and she knows that Hannibal Lecter has killed her brother in law for her in retribution for Soah having her husband killed.

Chiyoh lets Hannibal Lecter go, and later is seen speaking with the police. She is shown ascending to the head of the board of Soah's company - as well as becomes the head of Soah's Yakuza clan.

Ultimately the FBI is successful and manages to secure the pieces that they need, and arrest several of Soah’s men.

Dr.Fell cannot be found, but all of his paperwork checks out beautifully...Chiyoh makes an agreement with the Japanese government, and Dr.Fell is not persued.

When Dr.Fell’s studio is found in the attic of the house, the FBI is surprised to find several drawings and paintings of Clarice Starling. Nobody yet realizes that Dr.Fell was Hannibal Lecter.

#hannibal #hannibal lecter #clarice starling #hannibal rising #silence of the lambs #the rape of europa #hannibal au #fan fic #my edits

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everyrubicon · 4 years

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It’s Yuletide!

I’m here!

Dear Yuletide Author,

First, thank you so much for writing for one of these fandoms!!! I'm really psyched about Yuletide. I'm going to enjoy what you write. So, know that.

Apparently my style is to throw everything up here and let you decide if you want to use any of it. Fandom-specific behind the cut.

story stuff I like: found family/team as family, competence porn, family dinners, undercover as lovers, there's only one bed!, training, first times (of anything), discovery, adventure, romance, journeys (emotional and physical), vulnerability, talking through their shit, women being awesome, AUs, crossovers and fusions, gen fic, slice of life, learning to work together, missing scenes., case fic, world building, rituals/traditions, powers/abilities explored, time travel/loops, academia, folklore, they're in space!, take your fandom to work day, hygge, game night, five times

random stuff I will always love: flying (space, super powered, airplane, all of it), horses, knives, swords, swimming, libraries, sheets, that feeling of coming back home after a long day/trip, road trips, banter, laughter, concerts/live music, movie nights, old marked-up maps, , people who answer the phone without saying hello they just leap into the conversation or answer the question they know the person calling is going to ask, cellos, books, notebooks, brownies, sunsets, bonfires, that part of the morning where everything's still and it's not light out but it's not still night and the birds aren't even up yet, rain on the roof, leather, the smell of a bookstore

sexy times, should you want to include them: f/f, m/f, threesomes (+), orgasm delay, semi-public sex, enthusiastic consent, poly are all a green light

crossover/fusion fandoms: MCU, Legends of Tomorrow, Killjoys, Agents of Shield, Wynonna Earp, Farscape, X-Men, Terminator: The Sarah Connor Chronicles, anything else it looks like I post a lot about.

stuff on the no list: rape, abuse, non-canon permanent character deaths, a/b/o, mpreg, watersports/feces, age play, bleak endings/hopelessness, betrayal, longstanding lies

squicks: pregnancy, infidelity, homophobia, hate in general, calling each other mommy/daddy, betrayal [If you, my sweet summer child, are now wondering what the hell a squick is, it's the kind of thing that, when you see it in the tags, you just keep scrolling past, or hit the back button, even if it's your OTP. You're not triggered, but you're not really into hearing it, thanks anyway.]

The fandoms:

Motherland Fort Salem: I love the world building here, but also the relationships between all these women. you don't have to include every nominated character, and feel free to bring others in-- I ran out of slots. The request's words stand, but if you're looking for a little more... I'm hella curious about Anacostia. What's it like growing up an orphan in a military school? Did she hate that she had to enlist? Could she not wait? What does she do now that following orders got her cadet killed? Is that why she freed Scylla. And speaking of: did she skulk by the house Scylla went to so that she could check it out, or to join, or to just know where the hell the girl went/see if she was safe? Did Scylla know she was followed?

The Gifted: this family is so good for each other. If you wanna include Lorna, that's awesome, if you would like to keep her out of this, that's also awesome. I really enjoyed seeing how these three (and with Lorna, pre-Clarice) leaned on each other in turn, they kept each other going. I'm totally down if you want this to be a John/Clarice/Marcos deal, too. I think Marcos could have used a little more love in season 2, the boy was *stressed.*

Maybe they've gotta move again? So road trip with the three of them in the car/hotel/side of the road while John goes to get gas he didn't think they'd run out of quite so soon. Training is always good, so maybe they try new power tricks together?

The way Clarice kept John grounded, focused, on the here and now instead of the responsibility and weight of the mission when he got stressed was something I really liked about their relationship.

Marcos and John have been together for a *while,* but they can be very different. One of my favorite exchanges between them happens when Marcos is pining and fretting over Lorna and the baby, and John says hope's a powerful thing, he just has to keep holding onto it. And then Marcos looks up at him and says hope is what's been killing him.

Chronicles of Elantra: I started reading this series back when it started, and then somehow took a break, but this year I caught back up. Now I'm only three behind--the last I read was Cast in Flight. So if you could please avoid spoilers for those last few, I'd appreciate it.

Okay, I totally missed nominations, which means I missed a chance to nominate characters. If you wanna stick with just Bellusdeo, that's not a problem. I like all of them. Teela, Anarion, and Mandoran, with Bellusdeo and Helen rounding out the home squad are my favs. Kaylin and Severn, too-- and him, not Nightshade, for the record. What's it like there on non-world in peril again time? Does Moran ever crash there now? What's Helen like with everybody? In the books, we only really get Kaylin's pov, so it'd be interesting to see the same place or thing or story through someone else's.

it's the weirdos and outcasts coming together that I love.

The Old Guard: I really love the side by side ass-kicking duo of Nile and Andy, they've got their shit handled. Or, the fighting shit, at least. I really love how tired Andy is of the world. If anything resonated with me in 2020, it was that. Her yelling at Booker to not leave her alone and living was *painful.* I like to think finding Nile put a little more interest back in Andy.

I have a deep fondness for them using their not-dying to thwart people--the car crash, the far too long fall, the plane in the movie. Yes, I'm a-okay with you using the movie cannon. They're not all that different (yet, just started the second arc), honestly, and I think the actors were prettier than the drawings, so that's who I see in my head.

Nile's whole art history interest is fantastic, too. And you know it wasn't just Rodin Andy knew. But how many "historical figures" did they run into? What have they seen? What do they still want to see? What do they all want to show Nile? (I'm feeling very 5 things about that, and if you are, too, run with it!) What human festival things do they check out? Burning Man? Oktoberfest? Pride? ...have they stood guard ove

I know this is really long, but please remember optional details are optional--if none of this helps, ignore it! I can't wait to read what you write, either way.

#yuletide2020

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ssaalexblake · 7 years

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12, 2, 15?

2 - Villains

Lilah Morgan. Like, no contest, number one. Totally evil, intelligent, fully rounded, humanised, in relationship with (for the most part) good guy, but like, still evil.

Mariah Dillard, just, luke cage was an incredible, incredible show and i don’t think i’d do it justice to describe why i love her so much here, but alfre woodard killed it.

AIDA/Ophelia, in agents of shield. I haven’t sworn at my screen so much at a villain for???? a long long time. She was awful, manipulative, abusive, and also, understandable. Like, a total hypocrite, an awful gaslighting hypocrite, but her motivations were understandable, if a little sci-fi cliche. I hated her. It was great writing, actually. Aside from the whole woman in her 20′s and an old man pairing. I mean, it was horrible, had disturbing stuff in the plot, and made me want to flip tables, but like, in the good way.

Dolores Umbridge. I cringe just thinking of that name. I think first reading that book, the same age as Harry at the time, with a teacher far too similar, solidified that one tbh (i used to refer to said teacher as ‘satan’s love child’ so...)

Debbie Jelininsky, from the addams family values. Honestly, she was just fun. I enjoy a good fun villain every now and again, and in a series where the protagonists are morbid and dark, it forces the villains to be different, and it was nice.

12 - Who I think deserved better endings (any woman who got fridged)

Cordelia Chase (and charisma carpenter fuck y’all creative team), because, like, really??? Cordelia’s development throughout btvs and ats is one of my favourite character arcs of all time, it’s incredible, except... you know... the mystical pregnancy trope ugh... with a side of workplace discrimination against a pregnant woman. She deserved better than to have her memory wrest from her just for the dudes to angst over, then to have her body be hijacked by a demon, then be used as an incubator for another demon, and to then slip into a coma and die. Anyway i cannot think of one instance of the mystical pregnancy trope that isn’t misogynistic in any way so sci-fi/fantasy need to desist.

Alex. I could devolve into a puddle of Alex anger right now, but like, my feelings on how poorly alex was treated/written out have been hashed out more than once on here,so i’ll save it. Alex Blake deserved more than this shit.

Elizabeth Weir. throughout the 15 seasons of sga and sg1 put together, ‘we don’t leave anybody behind’ is a HUGE facet. People defy orders, do monumentally stupid crap, all in the name of not leaving that person behind. So, naturally, elizabeth is left to be replicator chow (or whatever they did to her tbh they don’t eat so??) because Sheppard just... left. He left her there. Bullshit. And then Higginson won’t come back because of the disgusting creators so they bring her back~ in another replicator body who Sheppard then spaces??? sure. sure ok.

Jenny Calendar. Like, i’m aware that since she was trying to restore Angelus’ soul, and he found out, is why she died, and therefore she doesn’t qualify as fridged, but i can still be mad because i read that it was oz they were gonna get rid of but ppl liked him more so they killed Jenny. Plus this horrified me as a child.

This is, oddly subjective. But Clarice Starling. I’ve always taken a less ~happy route than some and less~ugh fuck no route than others when it comes to how her story ends. I personally think it’s intensely depressing that she just... Doesn’t win, and have always taken that to be the point. Nothing she fought for or wanted happens. I mean, technically she’s happy (technically, lecter is a shit) and honestly she wouldn’t get any happier than that, but that’s actively why it’s depressing. She never got the respect she sought, she never gets treated fairly, people never stop being shit in general and to her. The happy ending designed for her, she never sees a second of it. She ends up in Argentina with a cannibal who may or may not have drugged her into it, and we get to realise she wouldn’t have had it better anywhere else, tbh. This is subjective because in terms of how i view it, i actually like the ending, but actively /because/ she deserves so much more than that but does not get it. She deserved so much more, as did every other woman in this series, but it’s not like they get it.

15 - I want to rescue from their horrible narratives

Dana Scully. I have decided the x files is my bad boyfriend, i want more, but shouldn’t because it’s never satisfying and leaves me wanting better than i get. But txf’s use of the incubator trope, again, and it’s constant, constant, barrage of crap aimed at her to mostly hurt mulder, tbh, and i’m done. there is too much to cover, but like, the bit that annoys me is seasons one to ten. I’m sure 11 will join them soon.

Sansa Stark. Not even gonna begin to go there.

A minorish one, but in madam secretary the way they treat their son Jason is a million times less harsh than the shit they throw at stevie and Alison, and i’d kind of like to rescue them both from sexist parenting??? I think the pinnacle of that one was when Stevie dropped out of college because the abuse and crap she got from strangers just because of her mother’s job got too much for her, was treated disdainfully by the narrative and never acknowledged by said mother in a decent way, but their son Jason punched a dude and got expelled for basically the same reasons and got like... a pat on the back??? Son commits violent act: oh wow ok team us!!! Daughter suffers b/c of parents’ action: how dare u be such a screw up Stevie! Plus, they keep fucking with Stevie’s narrative to keep her in the show and it’s stunting her character. They want to keep their 23 yr old daughter on the show so she can’t go to school or anything. It’s annoying. (tho there is a fantastic x files joke in there about stevie so it’s almost forgiven).

Laurel Castillo, like, honestly writers???

Tara McClay, there was good stuff, stuff i greatly appreciate, but honestly, really, what the fuck???? First her family, then glory, then willow, some extra willow b/c she never did admit she did anything wrong, and then, oh yeah, death, for willow.

#yetanothercriminalmindsfanatic #meme thingy

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brave-clarice · 4 years

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“Clarice” Liveblog: Episode 1

Here are my extremely unfashionably late takes! They’re long, so strap in if you want.

okay, I genuinely thought the scenes in Gumb’s basement were ripped from the film for a second. extremely well done.

I both appreciate that they’re acknowledging the Bureau-mandated psych eval Clarice would have to go through (not sure she’d have to have another one a year later?)...

...but I sure wish they hadn’t chosen to open this show in a therapy-like session. it’s going to be subject to enough NBC comparisons as it is.

gosh, Rebecca Breeds is so pretty, and in the same almost, idk, elfin kind of way Jodie Foster is.

“Bride of Frankenstein”! a novel reference! and a Hannibal Lecter reference even though they can’t use his name! I’m excited

I was afraid of this part, though--everyone’s going to call her “Clarice” aren’t they?

it’s very significant that in the books, Hannibal is virtually alone in using her first name to address her; even Ardelia calls her “Starling.” but of course this series chose “Clarice” as its title, so...

“the checkout lady at the Safeway asked me to autograph a melon” omg

so Clarice has supposedly been “mandated” to see an FBI therapist for an entire year? hmm.

tbh, this feels kind of like a proxy for Hannibal’s scenes in the movie, especially with the therapist calling her “Clarice.” not sure if I dig it.

“...given that your last therapist was an inmate” Hannibal reference #2!

they’re explicitly talking about Hannibal without being able to name him and it’s hilarious, frustrating, and immensely satisfying all at once.

there’s no way to avoid talking about him altogether without being disingenuous to Clarice’s eventual character arc, so I’m glad they’re ripping off the band-aid early

“you let that relationship be intimate” Yeah, Clarice and Hannibal’s relationship IS intimate and YOU! SHOULD! SAY IT!!!

it’s kind of ridiculous for this guy/the show not to acknowledge that little trainee Clarice was sent to see Hannibal by someone who should’ve known better. That Crawford was doing it with the intention to save lives doesn’t mean he didn’t use the shit out of Clarice.

that’s not to take away her agency or minimize the choices she made after she met Hannibal. She wouldn’t have been in a position to make those choices if Crawford hadn’t arranged it, though.

even if they don’t have the rights to Crawford’s name, either (I have to assume that’s the case) couldn’t they at least mention this??

“hasn’t seen her own family in years” Are they actually going to address Clarice’s maybe-dead-maybe-not mother (depending on the canon they adopt, book or film) and possible siblings??? Please tell me they are!

Clarice’s “egregious” PTSD doesn’t have much to do with Buffalo Bill ofc, and this therapist seems to be making excuses to be the first in a long line of men getting in the way of Clarice’s career goals...

...which she recognizes and confronts him about. Call him out!!!

*Anthony Hopkins voice* That’s my girl.

the way she’s been written in this scene gives me a lot of hope going forward! she’s funny, she doesn’t take any sexist bullshit, she’s calm and polite but you get a glimpse of the rage underneath.

wow, they promoted Senator Martin to Attorney General!

the opening credits (if you can even call them that) are a let-down, though

she has her beads!

can anyone who’s not Hannibal please stop calling her Clarice

wonder if they’re going to touch on any of the extreme tension that existed between Senator Martin and Clarice in the novel? they didn’t interact in the movie, but in the book, Martin is under intense stress, and it doesn’t go smoothly.

of course in “Hannibal,” Martin invites her to “ride horses,” so they obviously reconciled after Catherine’s rescue and kept in some kind of touch.

and speak of the devil: horses! (and Catherine)

“I can’t have a reputation, I’ve only done it once” Thank you for being the voice of reason, Clarice.

“Paul Krendler” *ugly screaming commences*

“you don’t have any people, Clarice” Aaand that’s the plot of the Hannibal novel!

looks like they even gave her the ring Jodie’s Clarice wears!

oh yeah, this Krendler looks like a sumbitch if I ever saw one. No one will ever be as perfectly cast as the dude in Silence imo, but a much better fit than Ray Liotta.

“small carat, but it’s a sweet ring” A very in-character observation probably directly informed by her comments about nail polish in Silence.

she mentions this victim’s nail polish (!) being “tasteful,” and I shrieked a little again.

I understand it’s necessary for Krendler to be a douche, but there’s not even going to be any payoff for the audience (or Clarice) when Hannibal eats him, so boo.

wait...wait, why aren’t Clarice and Ardelia in their Alexandria duplex? They’re not just best friends, they’re roommates! For the entire seven-year story! GIVE ME THE DUPLEX!!!

BUT points for Ardelia bringing Clarice a treat, since she was always leaving her candy bars in the Silence book!

Clarice interacting with the washer/dryer is a nice nod to the books, too.

speaking of... “What did we learn in the laundry room back at Quantico?” For some reason this line made me actually cry, I guess because this whole episode has been such a love letter to something I love so dearly, and it’s making me emotional.

FIRST PRINCIPLES!

DESPERATELY RANDOM!!!

wow, the men in Clarice’s new office giving her lotion as a hazing “welcome” gift is awful, and now I’m just mad (which is the point of the scene ofc).

so this ex-military OC is the John Brigham stand-in, I take it?

if that means John Brigham won’t be here, No Thanks.

Clarice telling him she’ll drive...a tribute to Dana “Why Do You Always Have to Drive?” Scully, perhaps (who was herself inspired by Clarice) as well as a nod to Clarice’s love of cars?

“Why do they call you the bride of Frankenstein?” Sorry, I don’t have the legal rights to tell you about my last intimate relationship.

“Already on my way to West Virginia Granny Witch” Look, this show could crash and burn from this scene on, and it would still have been worth it just for these first 25 minutes.

I like that Clarice is shown wanting to help people, and the scene of her with the baby is a nice call-back to the eventual shoot-out at the beginning of “Hannibal”...but I hope they don’t try to domesticate her too much. Clarice needs her hard edges. To be tough (reasonably so)--a cub growing into its big cat’s claws.

also, somehow I doubt that Miss Valedictorian spent her six years in the Lutheran home “changing a lot of diapers,” but sure, okay. If her siblings are alive in this, she might have changed their diapers!

even though Krendler’s a real dickwad so far, he’s not slimy enough for me. Needs more grease.

“I got a call from your therapist who’s concerned that you might genuinely flip out” I really do not like this subplot Sam-I-Am. Aren’t the huge glass ceiling/Boys’ Club obstacles enough?

seriously, though, I know Hannibal tells her that the metaphorical lambs will come back--at the end of Silence, though, she’s at some kind of temporary peace, not in danger of “flipping out” any time soon.

if Esquivel really is our Brigham stand-in, I’ve got...problems with that. He was Clarice’s teacher and became her friend, not some Krendler double-agent. (Also worried they’re setting him up as a love interest for her which...eesh, no thanks.)

and sorry, I actually hate that Catherine kept Precious the dog in this.

I have no problem with Catherine being a character, or with her interacting with Clarice...that said, I don’t know if her being shown as severely traumatized and reaching out to Clarice as a form of emotional lifeline is...a good idea?

I understand the symbolism of Catherine’s smashed mirror, but...smashed mirrors are already a Thing in this series (albeit not Clarice’s chapter in it), and that’s all I can think of here.

Catherine’s a victim of unthinkable trauma. Nevertheless...she’s talking to the woman who saved her life. Who risked death to do it. I just don’t like the way this scene is written. Apparently, in this show’s canon, Catherine hasn’t gotten the help she needs. But Clarice isn’t her therapist, and it’s upsetting to have Catherine being all “I’ll never be safe and neither will you.”

how does Catherine remember “the mannequins, the autopsy table”?? And why is she throwing them in Clarice’s face?

I’m going to stop talking about this scene now because it’s making me angry and a little upset, which is maybe the point? I just don’t think it’s written well. If Catherine’s going to be a recurring character, I hope she’s shown getting professional, medical help.

Clarice finding the victim’s papers in the box of pads is a direct callback to her finding the photos in the jewelry box in Silence. Nice.

let’s agree that Hannibal and Crawford are both in Ardelia’s (too-cutesy-for-me) book

another nice little X-Files homage?

I have some qualms about that big climax, but...meh. It was capital-F Fine.

Yikes, this is a full week late. Thanks for reading this entirely-too-long post through to the end, if you’re still here!

To sum up my thoughts...

The Good:

the visual connections to the Silence film (that green coat/blue knit scarf combo in particular)

Rebecca Breeds’ performance overall so far

Clarice’s strong writing/characterization

her sense of humor and her inclination to call out bullshit

maybe it was just me, but I also got a sense of Hannibal’s influence on her in some of her dialogue--her blunt observations--and I love it

Ardelia Mapp

the repeated in-your-face references to Hannibal Lecter

the respectful, non-exploitative way the victims were treated by the narrative.

let’s just say, not all Harris-inspired shows managed to do this. :)

the many, many allusions to the novel

“you let that relationship be INTIMATE” !!!

The Bad:

the near-constant implication that all Clarice’s trauma stems from her experiences in Gumb’s basement

I just don’t understand this one...it’s not supported by the text imo

the “Clarice-is-a-psychological-loose-canon” subplot

almost everyone calling her “Clarice”

NO DUPLEX IN ALEXANDRIA! Boo!

Esquivel maybe replacing Brigham

the narrative choices they’ve made surrounding Catherine so far.

Seriously: please let Catherine seek/get help instead of screaming “HELP ME” at Clarice, who after all risked her own life to save Catherine’s, over the phone.

The Ugly: Paul Krendler, lol. Confession time: I also don’t care for the way they’ve styled her hair. Not sure why it bugs me, it just...does.

Overall, I’m thrilled to death with this. I was so afraid it would be disappointing, so even if it’s not a five-star episode (and pilots rarely are), it’s a great beginning! It’s beyond amazing to see our girl on the screen again. Just this hour-long episode did her character way more justice than the entire Hannibal film. Despite its shortcomings, it’s such a loving homage to characters and a story that mean a lot to me, and I love it just for that.

Going forward, I’d like to see more of Clarice as a person. Her hobbies and interests--cars, sharpshooting, running, fashion magazines stuffed under her bed, horseback riding, her total inability to cook...anything would do. I of course want to see more of her with Ardelia. I want to hear more about her backstory and find out which version of it (truly orphaned when her father dies or sent away by her mother) they’ll choose to explore. And while we all agree that this show is about Clarice and she don’t need no man, I won’t lie: I’d gobble up more sly references to Hannibal. He’s her endgame, after all.

I’d also like to really see the warrior underneath. There are flashes of her in the last twenty minutes of this episode. But Clarice Starling is a big cat, she’s a warrior, she’s between iron and silver. I’d hate for her to spend most of this show doe-eyed and traumatized. I want her to be ferocious, to see the woman who’s a match for the monster.

Krendler needs to get nastier. He should make us feel like we need to shower. In the novels, he wants to use Clarice--only for her body. And when she won’t allow him to, he takes his revenge. That’s what makes him so particularly awful. Let’s amp him up here.

And finally...maybe I’ll appreciate Catherine’s scene more on a second watch. Maybe I’m not being sensitive enough to her trauma, her struggles. But I didn’t like the way that scene was staged or scripted, and I didn’t like the suggestion that she just hasn’t gotten help after a year and is subsequently taking her pain out on Clarice on some level. I hope future episodes handle this subplot, and her character, a bit better.

Please let me know if you guys would like me to do another of these monstrosities for the next episode. (I promise it won’t take me an entire week this time!) And thank you again for reading!!!

#Clarice Starling #clarice #cbs clarice #rebecca breeds #media [cbs show]#char [clarice starling]#I'm sorry again about how amazingly late this is heh #you've probably all watched and processed by now and have moved on to Episode 2 but I am slow

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