#i even added the post credits scene! and i put in background music and i made the main menu look like the half life 2 main menu

[once-in-a-half-life]

"so what did you do this summer?"

i. uh. I recreated the ending cutscene of half life alyx as a visual novel in ren'py ....

it was a really cool project through! I learned a lot and am really proud of the result! I even made the G-Man sprites in S2FM (by playing his in-game animations frame by frame and rendering some stills I liked haha)

here's some screeshots!

[bizarrequazar]

Timeline of Events Relating to 813

By this point, I know that it can be difficult for people who are just learning about 813 to get a full picture of everything that’s happened. A number of timelines already exist, but I thought I’d put together one myself highlighting only the major points to make it more accessible. As well, sometimes seeing the key points without the distraction of minutiae can help make things clearer. Please let me know if you have any comments or corrections.

Prior to 813

2021-07 → Rumors, chatlogs, and falsified photos were spread claimed to be of Zhang Zhehan and a secret pregnant girlfriend / fiancee, marking the third and most serious incident of online slander against him that month. This reached it’s height mid-July. It’s believed it was possibly something of a test run for 813.

2021-07-28 → A legal statement was posted on Zhang Zhehan’s studio Weibo shutting down the girlfriend rumors, giving a direct warning to a list of people who had been spreading the rumors, and formally suing one person.

813

2021-08-12  → The Baidu Baike (similar to Wikipedia) pages for Nogi Shrine and Dewi Sukarno were edited to cast them in an anti-Chinese light.

→ Photos of Zhang Zhehan were suddenly spread by water armies online: one of him in front of cherry blossoms near Yasukuni Shrine* from his trip to Japan in 2018, one from a wedding he attended at Nogi Shrine in 2019 of him and Dewi Sukarno, and another from the same wedding. These were spread alongside claims of him being anti-Chinese and supporting the Japanese right wing. *Yasukuni Shrine itself has been a point of political tension for years due to WWII war criminals being enshrined there. The cherry blossoms on the street in front of it, however, are a popular tourist destination.

2021-08-13 → Zhang Zhehan posted a letter to his Weibo apologizing for not knowing the background of other wedding attendees (ie. Dewi Sukarno), for not being aware of the history of the places he had taken photos, and for causing a public disturbance. 

→ Rumors continued and tabloid and news reporters began to talk about it. It was now added that he as a Chinese citizen should have known about the history of the shrines, and this was used as further “evidence” for him "being a traitor to his country” who had “hurt national sentiments.” 

→ All of his endorsements formally ended their partnerships with him with some directly citing the rumors, along with the movie he had filmed that spring saying they were cutting him from the cast.

2021-08-14 → Zhang Zhehan’s personal and studio Weibo accounts were muted.

2021-08-15 → CAPA, a non-governmental association that formally only manages live events, posted a statement calling for the boycott of Zhang Zhehan. This post is the first known one to have specifically claimed he visited Yasukuni Shrine.

→ Zhang Zhehan’s personal and studio Weibo, Douyin, Douban, and Weibo super topic were all shut down, his music was removed from streaming sites, and his name was removed from show and movie credits. By 08-20, all of his shows, movies, and variety show appearances were either taken down or had removed / digitally altered his scenes.

→ Anyone online who showed support or even neutrality towards Zhang Zhehan was met with severe backlash, with some later being fired from jobs. Due to the nature of the allegations, there were fears that actions by fans to try to defend him would hurt him further by making him seem like a bad influence, so most fans stayed silent (”went into their coffins”).

2021-08-16 → Zhang Zhehan’s Instagram, which had remained up due to it being an international platform, was deactivated.

For the three months after this, nothing was known about him or his wellbeing, to the extent that many feared that any day we would hear news that he was dead. Any posts on Chinese social media sites with his name or image were removed except for those that continued to defame him and spread further rumors, including ones that implicated his family, as well as more photos that were either photoshopped or taken out of context. He was used as a bad example in school texts and exams, and could no longer register his name on some phones and apps including shopping and ride sharing apps. Several accounts appeared claiming to be him, at least one of which still exists. Fans continued to be afraid to say anything publicly, but some investigated privately.

Li Xuezheng

2021-11-23 → CAPA released a 9th “list of immoral artists”—a semi-monthly list they had begun that year which was officially stated to be non-retroactive—including Zhang Zhehan alongside two other actors with serious criminal charges against them.

→ Li Xuezheng, a television producer and former journalist respected in the legal community, made a post questioning CAPA’s list due to there being no legal or governmental statements against Zhang Zhehan.

2021-11-24  → Li Xuezheng clarified that he had no past involvement with or knowledge of Zhang Zhehan other than being vaguely aware of 813 when it happened. He posted that he believed Zhang Zhehan had not been given a fair chance to defend himself, and he asked netizens to help him get in contact with Zhang Zhehan so that he and his legal team could help him with litigations. He emphasized that he was not defending Zhang Zhehan, but was instead defending procedural justice. This and related posts were removed by Weibo only for Li Xuezheng to repost them, as would become a common occurance thereafter.

→ CAPA removed all names under the management and leadership pages on their website.

Over the following month, Li Xuezheng continuously investigated CAPA and revealed a great deal of their dirty laundry and how many other industry companies they have hands in. As well, netizens began to come out of their coffins and sent him the information they had uncovered, showing evidence for water army involvement, edited Baidu pages, and admission by someone who had photoshopped one of the most widespread photos, among other things. The main hashtag for this was #Justice of the People#, which never got on Weibo’s hot search despite ultimately having several billion views.

2021-11-30 → Zhang Zhehan submitted an appeal by proxy to CAPA against his inclusion on their list, but found that no formal system was in place to do so, and was only given a phone number which went directly to voicemail. This number was later discovered to be for their mail service.

2021-12-01 → CAPA made a post clarifying that their lists were non-mandatory, but did not address any of the other questions Li Xuezheng brought up about them, and made no mention of Zhang Zhehan.

2021-12-03 → Li Xuezheng posted a letter written by Zhang Zhehan’s mother wherein she talked about what they had gone through in the previous months. (suicide tw) In it, she explained the damage that had been done to their family, that she and her family would willingly die if the rumors were proven to be true, and that she herself had considered suicide several times as a way of showing their innocence, but that Zhang Zhehan had talked her out of it. “Justice may be late, but it is never absent.” [full letter]

2021-12-23 → The NRTA and MCT, actual government bodies, officially responded to public inquiries stating they had no record of Zhang Zhehan in their files. In other words, there was no legal basis to his boycott.

2021-12-24 → Beijing police accepted Zhang Zhehan’s defamation case. He had previously been turned away by other precincts who didn’t want to get involved due to the public nature of the case, but was advised by legal professionals to seek out this precinct in particular due to it having a reputable history.

2022-01-01 → Li Xuezheng posted a ten minute audio interview between himself and Zhang Zhehan, which had been recorded on 12-30 in the presence of three media sources, multiple legal professionals, and over ten government officials. What was posted is only a portion of everything that was said that day.

(suicide tw) In this interview, Zhang Zhehan stated that he had never visited nor worshipped at Yasukuni Shrine nor knew where it was, that the trip’s itinerary had been organized by a friend he was with, and that he hadn’t known who Dewi Sukarno was when their photo together was taken, as well as reiterating what his mother had said about what they had gone through and her considering suicide. “I wondered if I would have to take out my heart to prove that it’s red.” [full interview]

2022-01-10 → Li Xuezheng’s Weibo was muted, related hashtags were deleted, and several high-traffic accounts posting in the hashtag were muted.

After Li Xuezheng’s muting

2022-01-13 → Zhang Zhehan’s Instagram was reactivated but privated.

2022-01-16 → A WeChat account under the name Zhang Sanjian was registered and began making posts designed to make people think Zhang Zhehan was the person behind it, without explicitly claiming to be him.

In the time since, this account and persona have greatly divided fans between people who believe it to truly be him and people who believe it to be a malicious imposter. Since it first appeared, it has made numerous posts with inflammatory and politically sensitive content.

2022-01-25  → A short audio clip from Li Xuezheng was posted. “The victim has a basic legal channel to obtain assistance. ... Do not be driven by emotion. Offline work is going well, do not be worried.”

2022-03-04 → Xie Yihua, Zhang Zhehan’s former music manager, registered 50 trademarks for Zhang Sanjian to use for a clothing brand targeted at Zhang Zhehan’s fans, with all profits from these trademarks going to her and her sister. [ownership clarifications]

2022-03-18  → Two short voice recordings of Zhang Zhehan appeared; the first is believed to be from the same day as the Li Xuezheng interview, the second shorter one was later determined to be from an unreleased interview recorded in early August. In the first, he asserts that it’s one thing for his own career to be destroyed, but that them going after his family too is reason enough for him to fight back.

The Instagram Account

2022-03-31 → The profile picture on Zhang Zhehan’s Instagram changed to one of the trademarks registered by Xie Yihua.

→ Wang Mengmeng, a well known fan who had previously been in Xie Yihua’s circle, posted claims that Xie Yihua had already had plans for the clothing brand since early January for personal profit since “he’s as good as dead.”

2022-04-02 → Zhang Zhehan’s Instagram was unprivated and posted “new” (read: previously-unseen) photos of him with the brand’s slogan and a quote from one of Zhang Sanjian’s posts as the caption. More photos from the same photoshoot—determined to most likely be from around late June 2021—would be released throughout the month.

2022-04-08 → Li Xuezheng’s Weibo account was deleted less than 48 hours before it was expected to be unmuted. 

2022-04-13 → A video was posted to Zhang Zhehan’s Instagram following up another posted the day before, both in the style of Zhang Sanjian’s videos of a figure visible from the neck down playing guitar and now also singing. Significantly in this video, near the end the camera seems to fall onto the floor, briefly revealing Zhang Zhehan’s face looking down at it. 

The video was analyzed by professional editors who found that it showed clear evidence of having been edited together from multiple videos and separate audio. [x] [x] [x] 

2022-05-04 → A six minute video of Zhang Zhehan speaking was uploaded to the Instagram, with the focus being largely on fan issues and no mention made of his case. It has been confirmed beyond reasonable doubt that this video was a deepfake, a full breakdown can be found [here].

2022-05-05 → The Instagram account was deactivated, most likely because Zhang Zhehan himself reported it for impersonation.

2022-05-12 → The Instagram account was reactivated, most likely due to an appeal against Zhang Zhehan reporting it.

2022-06-12 → Sophie, one of the people behind the Instagram account, was seen at a driving range with a Zhang Zhehan lookalike while the two of them were there to film a video for the Instagram. Footage of this was turned over to the police and witnesses gave formal legal statements. [space notes detailing this]

2022-07-17 → Footage of a supposed fanmeet with Zhang Zhehan preported to have taken place the day before was spread online. [Here] is collected evidence showing that this was falsified using a body double and digital manipulation.

2022-09-26 → Zhang Zhehan requested for a company he established in 2019 to be dissolved, directly contradicting Xie Yihua and co.’s claims that he is currently unable to manage business affairs (as an excuse for his name being nowhere in her brand’s financial records).

Most of these were witnessed by myself from primary sources. Main secondary sources: → teddyfoxfluff’s blog → Flora’s Justice of the People daily timeline → QuelleVous [x] [x] → Bluebird

This post was last edited 2022-09-30.

[papers4me]

Fruits Basket Manga Review , ch 109

-The Tragedy of a an episodic format attempting to connect narrative in a series: (Tohru’s Background or Kyo’s Focus?)

One of my issues with se03, ep6 (other than it being 3 chapters combined horribly with new material added for shock value) is that it was weakly undecided who would be the focus? who would the narrative follow?: Is it tohru’s own pov abt herself? is it the gramps giving boring exposition abt tohru over weak still images of flashbacks or is kyo thinking abt tohru’s pain?

The truth is, it was all the above in the manga, but the manga gave each a chapter focus so that the chapter is well-directed with focused narrative. The anime weakly jumbled the 3 chapters together as they always do. You mix chapters & tada~ you got an ep, you only need a broad weak theme that connects the dots! here: it is tohru! & that’s it. As long as the 3 chapters discuss tohru in any form & manner, nothing will seem off if we put them next to each other in a 20 minute ep! right? riiiiiight ????

.. this was never a correct way. Just like a chapter needed a narrative direction, the ep is the same!!

ch 107: The beginning of tohru’s pov on her realization abt loving kyo.

ch108: tohru’s full pov of shock upon reaching the conclusion that she loves him & the beginning of her mom’s issues & abandonment.

ch109: Kyo’s pov abt tohru’s pain & his involvement, guil & the sheet hug.

ch110: (completely cut from the anime!!!!!!!!!!!!!) Kyoru’s part: the aftermath of kyo & tohru crossing the line of being in the most vulnerable & intimate, building towards a more crushing impact of the climax. The stronger & more painful their love is, the more it will hurt. Also a yuchi buildup?!!!!

-so, you see each chapter has a direction i& a narrative it follows independently that is weaved together to make a connected tissue of the overall plot. The anime puts the 3 chapters next to each other & we are lost on who to follow? kyo or tohru or the gramps. That’s why it feels tohru is weak & her two chapters worth of pov is stolen from her cuz it cut or shortened to include the grandpa, kyo, isuzu, shigure & let’s not forget (kazuma, yuki & haru) at the beginning, the dramatic shock value addition & OP & ED. All these take valuable screen time. The ep shocks us by moving from tohru to kyo. One minute she’s crying with him on the streets, next he’s at the grave & she’s visiting isuzu.

Kyo said he isn't going to the grave in the ep, upon seeing him actually going, I just assumed he wanted to avoid, hana, cuz I’m so invested in his story that I remember sth happened in se1, ep 14.. ages ago, The anime didn’t even allow kyo to inner talk abt avoiding hana... In their weird mind, kyo only inner talks in dramatic situations..See the difference!

Not only the writer (a) reminds us why kyo avoided the grave visit, she also (b) seized the opportunity to shine lifht onto an issue that will be the center of kyo’s struggles: Running away!

The anime introduce this in kyo’s pov only when kyo confronts tohru. Only when it was needed & couldnt be avoided. This is sth that will be the core of all the climax & the aftermath as well! Kyo running away.. How bad are you if you avoid inserting one line only that can be said in few seconds & establish great deal & foreshadow plenty!!!!!!!!!! I can’t for the life of my understand why short lines are cut from kyo when in the anime they have him be standing silent in the graveyard. Like slap the line above the silent scene!!!!! But doing so means the anime team understands tohru & kyo’s issues. They don’t. Not the slightest.

-Ep 6 signals the beginning of the anime moving from episodic format of se1, 2 & 5 eps of se3 & entering a connect plot. The anime doesn’t know how to do that & screwed tohru in the process. The protagonist’s main issues are one ep worth only. The antagonist main issues are one ep only (ep7).  Ep 6, was treated as a stand alone ep (minus the inserted shock scene to create a lingering issue that needs a following ep to explain. TOLD YOU they don’t know how to make a series!). Thus the following ep 7 is akito’s focus. Everything that was established in ep 6 was pit on hold until akito reaches the craziest mindset for the climax. See why ep 6 was so bad? it is Should NOT be a stand alone ep.

-The plot connects kyoru emotional & physically: (Kyo’s chapter with a tohru’s focus:

Unlike the anime, the chapter knows what it’s presenting 7 where it’s going. Kyo’s issues. This ch focuses on him uncovering parts of his past as it connects with tohru’s. Unlike the anime, we know why kyo's connection to kyoko’s past. The anime is hiding this for the climax, no problem, it can still work both ways. However, hiding kyoko /kyo connection doesn't necessarily mean hiding kyoko/tohru connection. But the anime is cutting this to milk it in an ova or series next year~ no problem,  it can still work if you handle this ep’s  flashback better. for all the artistic creativity they inserted in the added scene, they failed miserably in tohru’s flashback portion. how?

By choosing a frontal pov shot in tohru’s grandpa flashback as if the audience are the ones who abandoned tohru or opening the door to find her alone. it does NOT work at all. why? the audience are encouraged to be like tohru since ep 1 as tohru is the mother, angel, fixer & endearing hopeful girl. The audience will NEVER abandon tohru, that’s why tohru’s story felt disconnected & weak in the anime. Not knowing what kyoko did, who would abandon such child?! differently not us. so why use the frontal pov shot? -_-’

-tohru confesses her pain to kyo without being ushered by isuzu, without any outside factor. She simply visited the grave & came home. hiding her pain. once again. like she always do. One question by kyo, prompts her to “ complain a little” call back to se1, ep5 as he advised. we see tohru get out of her shell little by little. NOT SCREAM OR SLAP. She opened up. why? cuz the story is abt “ opening the lid” not abt “ snatching the lid”. No need for shocks. Yuki opened his lide slowly, tohru even slower, kyo is resisting opening his altho it is cracking in this chapter. When your story focuses on character buildup it pays!

-I’ll give the anime credit when it due. The hug scene is so good both in manga & anime. but so awesome in animation, colors, music & voice acting. It’s breathtaking & painful. The most beautiful kyoru scene in the whole anime.

-It represents their mutual vulnerability, understanding, pain & determination to love the other but not also let go. kyo has made his mind to be locked in order not to hurt tohru & tohru has made her mind that she can’t let go of her mom.

You see, the scene’s meaning hits different between manga & anime; In the anime: tohru has already challenged the sohmas & screamed to be with kyo, while kyo is still decided to leave her. In the manga: they’re both at the same spot (undecided). I like both interpretations but I’ll choose the manga’s version. Simply cuz it means tohru is still uncovering her issues which means more focus on her, & more explanation of why cant tohru love her mom & kyo at the same time.

-This expression on tohru’s face is a the complete opposite of the shock value expression in ep 6! T_T. I do’nt even hate the shocked scene addition itself that much, I just think (a) this is NOT its time! Tohru deserved better spotlight! (b) kyo didn’t friggen forget! ah! THIS I HATE! (c) the whole shocked scene was so wasted in ep 7. tohru return to her stupid dumb lalala~ land, cooking & forgetting kyo. what growth? what determination & screams to isuzu? what enduring kagura’s slaps? nope! just happy & cooking, lalala~ no one was freaking over her mom’s picture~ lalala~ & kyo just slept it over~ shhhh... its okay. he’ll forget again... see? totally wasted!

The anime knows nothing abt connected narrative! augh!

Side Notes:

We see kyo asking the gramps why he’s offering him info abt tohru which is so logical! XD. I love it.

I’ve read ch 110 & wanted to insert the kyoru scene in ch 110 here, & put yuchi alone in a different post, then I realized I’ll need to talk abt it again once I analyze yuki’s own expressions! XD. so, I’ll put all ch 110 together in one post. It kinda half written by now, so I’ll publish it very soon in two days time. I didn’t read ch 111 yet tho.

I hope ch 110 is the last I feel this much disappointments in furuba’s anime & by ch 11, it hopefully be be minor changes altho I doubt that cuz the manga needed to dwell into tohru’s mindset & the anime kinda stopped after ep 6. so, yup! more big changes coming!

The sheet hug is so brilliant in theory & application! so romantic & so endearing! love it so much! The anime did it so well, too!

I love kyo’s narration & pov cuz it’s so refreshing change from the anime where he rarely does!

I really wish they kept the kyoko abandoning tohru part in the anime... sigh~ it has nothing much to affect her story with katsuya. so it won’t ruin the spin off/ ova or whatever it’s called. 

I love the light focus on tohru in this chapter & how organic & natural it is opposed to how forced the plot seems in the anime....

[nightswithkookmin]

Hi Goldy! I am curious about your take on how Jikook are edited in the behind the scenes clips since October (such as the ones for the Life Goes on music video, ABC Holiday Dynamite, and the Japan one (search on youtube for BTS japan shoot || behind the scene of Japan)). Do you think Jikook are interacting less, being just friends, being more professional, or is BigHit editing their interactions out? It just seems so different from the ones before Oct (FILA, Dynamite MV, Season's Greetings 2021)

Huh???😲😲😲

BigHit is doing what what now?😥

Do you mean that as a fact or theory?🤔

Why though?👀 They are not Tae Kook? 😥

There's Bangtan video of Jimin with his third leg dangling loose in the air somewhere on the internet, I don't think BigHit is that savvy.

Lmho. I mean I see what you mean but they are editors and cutting is what they do for a living. But this is Jikook sis. I don't see BigHit's incentive for 'cutting' Jikook's moments and you shouldn't assume that-

Unless...

You don't think Jikook's been groping eachother homoerotically on set lately have you? Cos, chile I'll believe that! I don't trust Jikook anywhere near eachother's vicinity and personal space.

I've seen enough to traumatize the devil himself. Chilee. Lol.

Bighit, in recent times, mostly tend to cut scenes and moments if they are a bit risqué. Like JK shoving his butt in Jimin's groin face, sliding his hands down Tae's chest...

Often times too they cut moments if its redundant. If a part of a scene is already in the main content they don't bother showing it in the behind scenes. From my observation.

When an interaction is awkward they skip it too, I feel. I mean I am still waiting to see JK touching all over Jimin and feeling him up in Run 106- honey, I'll pay to watch that shit with my kidneys. Lol.

Often too they save some scenes for memories or some other shit that they use all those pent up footages for. Lol.

BigHit is a business, they produce content that per their research and analytics garners more engagement, audience retention and a whole other metrics. They put a lot of creativity into what they do as creatives and artists- I mean if the baby noises is anything to go by. Those bites are tired!

But often times too, they're tired and they're lazy, and they just put anything together and toss it out there without giving it much thought- isn't that how they leave Jin or Tae out of packages, how certain Jikook moments that should have never made it into screen time ended up in screen time- how JM's third leg made it to the internet? They should have cut that shit before uploading it with those subtitles and yet here we are.

I think people give BigHit too much credit- talking about JK shouldn't gay panic and run away from certain moments with JM if he knows BigHit editors are going to cut those moments.... JM's dixk begs to differ. Chilee, Jimin you should have just worn pants. Can't trust these phony ass editors my guy.

The editing is really not a big deal. Not to me. But I love your question anyway. Especially the bits about what's different about Jikook and the content BigHit has been putting out since October.

Well something sure did go down in October, I don't care what anybody says.

I keep saying BigHit banks on the bond and intimacy of the boys, and the boys are more than happy to showcase their bond for the cameras just as Tae said and confirmed in a recent interview- Tuktukkers y'all did an Oopsie on the whole Taekook don't like to show their bond on cameras! Lol

Tae said it himself not me- he lives to showcase his bond with the other members. *where is my skull head emoji. Lmho.

I think what has changed since JM's birthday in October to now, to me where BigHit is concerned, is the general marketing strategy of the company.

It seems to me the company is adopting a marketing module opposite of the strategy they had been using before the pandemic. I think I've talked about this though...

Hate to say I said it, but I said it. Lol.

They are limiting access to the boys to drive sales as and when. BTS dominates the internet and have amassed greater reach and attention partly due to the free content they put out on the internet. But those were never monitised- not in a direct or significant way.

In the wake of the virus, they've had to monetize their online presence. A single tweet from their Twitter account is a phone brand promotion as I pointed out in past posts. There's been an increase in their sponsorship collaborations, in Soop and many of the content they've put up this year. They even turned on ads on their YT channels it seems.

Like I've been saying, this situation is global and novel, they are going to experiment with means and methods till they find that sweet spot and that is what I feel we are experiencing- amongst other things.

Unfortunately for us, our access to Jikook is gonna take a hit like I said before because the numbers are in their favor. I mean go to their YouTube page and see the metrics for yourself.

Jikook's holiday remix pulls way ahead of their counterparts. If their going to monetize any ship brand in BTS it's Jikooks. Trust. But that doesn't mean any ship in BTS is spared.

Someone asked me a while back, when I talked about this, whether all these changes the company was going through was going to affect the way Jikook interact on camera and I couldn't answer that with conviction then.

But I mean we are seeing a subtle, if not drastic change in the way Jikook interact with eachother and with their glass closet.

What that means for us, I think, is the company is going to choose when and where to show us content and certain interactions but that doesn't mean Jikook aren't interacting- know what I mean? I mean they have them. The juicy moments that's gonna make us slap our mamas. BigHit has it all. They are just gonna save it for as and when based on their marketing strategy, if you know what I mean.

I mean we all saw that blackswan performance, we all saw the holiday remix performance etc.

And you are right about the less interactions post October and I've shared my thoughts on it so I won't go into it. But I will state again that they are not broken up either, not to me. Lol.

I think we need to examine what interacting less means. To me, I consider Jikook interacting less if they have an opportunity to interact and they don't interact in a way that is usual of them.

Majority of the content we've gotten in recent times are pretty much very official contents, interviews, etc. The entire BE era, as I said is not about Jikook or even BigHit.

It's about BTS, all seven and Jikook can't monopolize the shine like they tend to do in other BigHit marketed contents in my opinion.

Jimin tried to be funny and chill in the dynamite mv and RM nearly went ninja turtle on his ass when he called him out for not taking things seriously enough during the shoot- Left to grandpa Joonie, the kids will sleep at five. Lol.

Seriously though, there is a huge gap between what BTS views as marketing and marketable and what Jikook or even BigHit views as marketing, in my opinion. And conversations like that between RM and Jimin goes to prove it.

Another interesting thing about this whole marketing approach is how BigHit isn't substituting any other particular pair in Jikook's stead. I see them giving equal screan time to the individual members- well not in a technical sense but I think you know what I mean.

Are Jikook required to be professional in certain situations, absolutely. And in previous years, I think they took too many liberties with it. But as I said, now more than ever they are learning and need to learn to read the room because they wouldn't be able to get away with much if they don't.

BE is a self produced project, after Soop- after when they were isolated to help them bond and repair fractures in their bond. If there were anything they were not happy with that led to Soop, trust that they are going to fix it post Soop and it's going to reflect in every sphere of their interactions.

RM for example has chilled on his monitoring and censorship of Jikook, Jikook have been pretty considerate of the group and have tried not to do anything to have RM pop a vein, Tae has been stepping up too- with the members going out their way to praise him and push him to the fore front of the group unlike in previous years *cough cough I don't want trouble but chilee.

I mean Jimin pointed it out in the Be behind when he said Tae was working hard and putting his best foot forward because the members had been showering him with lots of compliments in recent times and he wasn't kidding.

In the LGO comeback live, RM praised Tae for working hard forgetting it wasn't just Tae and JM's reaction was telling. Of course he backpedaled to compliment JM too.

Suga did the same thing in the Be behind video when he was talking about JM and praising him- I mean it's Suga and his Jimin, uWu. But then he too backpedaled to compliment Tae when he realized what he was doing and I was like CAN SOMEONE PRAISE KOOKIE TOO PLEASE AND THANK YOU. Lol.

Anywho, the company is equally chilling on their Jikook agenda which I have speculated on several ttimes so won't get into- it's all so very kumbaya and God, I hate it. Lol.

Give me the chaos goddammit!

I feel Jlkook loosen up in contents that aren't like super official business moments and that's when you see their domesticity. Lol.

You see them having their me time in the background of some of the content, and in one of the interviews where they were sat a good feet apart but they kept moving closer and closer till eventually after their lunch break cut, they were sat very close to each other.

I'm not a fan of the cameras being shove in their faces during their private moments- Kookie certainly doesn't appreciate that either.

But they are working for a living nonetheless and making content is what they do for a living. So we are definitely gonna get the content from them alright, the fanservice, the organic moments passed off as fanservice, the moments that should never make it to screen- all nine. Lol.

We are just not going to get them in a way we are accustomed to. And it certainly doesn't help that they are each on their own personal growth journeys- gradually disconnecting from their fanbase, I mean Jk's been long gone duh, and Jimin did say he has come to the realization not everyone in the fandom loves him and he is learning to react less strongly to them; which to me translates as bye bitches you don't deserve me. Lol.

I mean dude didn't bother posting for new year this year- y'all Jimin is done with our ass. We might as well pack our bags and join him in Kookie's Casa. I call dibs on the broom closet under the stairs. Lol.

Jikook gets called fanservice and other creepy slurs in this fandom but people forget all of this is their choice too. They choose, are choosing to share all the bits of them they share with us, with us. Inspite of all the hate and insults, they choose to do that- if they did it for the fanservice don't you think they would have called a time out on it long ago because it's not worth it?

I hate it here.

I guess what I'm saying is, you are right about these observations you've made and some of the things you've pointed out are facts.

But we have talked about all of that so it really shouldn't be anything new? Kindly check my previous posts. I think I shared my point of view on what I think is going on with Jikook, BigHit and BTS.

Other than those, I don't think there is anything major up with Jikook honestly. I keep saying I don't think they are broken up. I don't see either of them closed off, emotionally open to connecting with the others.

If anything I said I feel Jimin is falling in love all over again with Kook. I mean when he looks at him he looks to me as if he is seeing Kook in a different light.

And it's funny how all through out 2020 he kept reiterating how his friends and family and relationships were important to him, shading the ef out of Kook during the Japan Stay Gold promos claiming his relationships were important to him and was what was Gold in his life.

He even went on to talk about picking an accent spending time around his friends and talking with his friends around his birthday but suddenly in the Be behind scenes he was talking about how he's come to the realization BTS is his only true friends and how friends come and go.

Clearly he's had an epiphany of a sort and has been through something post his birthday that has him setting his priorities straight in the aftermath.

In his Weverse magazine, he mentioned how he's recently discovered something about himself, about how he loves to be loved. He then went on to clarify that when during festa he talked about having a desire to perform with the members for a long that that he meant to say he wanted to be with them for a very long time.

But then JK said Jimin said that bit to him first. And if this is the interpretation Jimin is giving to that statement then- one plus one is two honey. Numbers don't lie.

Dude don whispered those sweet empty nothings in JK's ear telling him he wants to be with him for a very long time and shit.

And now homeboy out here setting up roots in gay boulevard. I don't think their well is drying up any time soon. Lol.

They are in a honeymoon phase again and they are not showing us. Stingy bastards! Lol

And when JK said to JM in response, that BTS is his home- wow. He really said that...

He is Jimin's home. Literally. Please, my heartu😭

Jikook is real. Please support them.

Signed,

GOLDY

[bnha-scenarios]

Okay, so, first thing first. The second half of September and the whole October has been a wild ride.

Apparently this game blew up on TikTok (and probably some other platform or something?), and now I could see that there are tons of you who downloaded the game. That's just... so... unreal, at least to me. I didn't think this project would get so much attention. Even now, I’m still waiting to wake up from this dream 🙃

Anyway, if you’re new here: welcome! Sit back and relax, ‘cause this is gonna be a long ride!

I want to take this opportunity to say that due to the amount of comments, especially on itch.io page and my Tumblr, I won’t be always replying personally one by one to everyone anymore. I'll still try my best to answer questions and all, but I think by now everyone's common questions should already be answered in the FAQ page. So, moving forward, questions I have already answered inside that page will be ignored.

Still, I want you to know that I do read and treasure every single one of your comments. Thank you so much for your encouraging words, support, and suggestions! I'm sorry I can’t reply to those writing in languages other than English and Indonesian. While I can throw simple comments into Google Translate, every now and then the translator butchers long sentences and gives me garbled translation which I can't understand 😥

  ☕️ Special Thanks ☕️ 

I'd like to also take this chance to say, many, many thanks for the coffee, you all amazing, generous people:

M.L. | Dominique | Genki | Sara | 1 Anon

Even in this hard time, you’re all so kind. Again, I can’t really do much, but as my way of thanking you, your names will be put under Special Thanks in the game ♡ 

Alright, now, to the real essence of this post: progress update.

My work had been pretty demanding nearing the end of this month, and it made me get really sick of doing coding in general. Still, there is some progress on the game, and that’s good enough for me!

More details below ↓

Character Sheet: You / Player / Main Character

Before I get to anything else, let’s talk about ‘you’ first, shall we?

Although the main character's name is changeable, if you don’t wish to pick a name for them, ‘Suzuki Kaede’ is set as the default name.

Why Suzuki? I figured I would just take from one of the most common Japanese surnames.

Why Kaede? I chose it because I wanted a common Japanese unisex name, because the main character themselves is supposed to be gender neutral. So, the name came up as one of the results in Google, it has a somewhat nice and neutral meaning (maple), and I find that it sounds pretty nice, I decided to use it.

To reiterate, throughout the game, I try my best to not mention any physical characteristics and avoid elements which leans heavily to a specific gender in the story. All the characters in the game will also call you with your last name, and only neutral suffix (-san) is used at first. But you could get an event where you would be able to pick how the love interest will call the player, starting from that point in the story (on top of neutral options, there will be choices with gender-specific suffixes which you could pick if you want to). Other than that, all characters will always refer to the MC as ‘they/them’.

Now, moving on to the thing which people has asked about -- the player's Quirk. Here's a text version in case you couldn't see it in the image above for some reason:

What happens when a woman with Enhanced Learning quirk and a man with Camera Vision procreates? A child with exemplary learning ability and a pair of exceptionally observant eyes, apparently! The hereditary Vision you got from your father enables you to focus or scan an object or landscapes. With all the cues and information from your eyes, it seems that you're able to analyze and 'see' particular details of your object of interest in the form of numerical data. Due to the mainly passive nature of your quirk, you have to rely on the traditional weapons for offense, which might not be useful at all depending on your opponent's quirk. It's a plain and nonoffensive ability which isn’t so suited for a hero according to most people, but whatever - you’ll show those noobs the power of a gamer!

In other words, the information in 'Stats',  ' Weapon Proficiency', 'Special Moves', and even the 'Affection' meter, are actually part of the MC's Quirk. This also means, the more you hone your Quirk, the more it could affect your gameplay. I'll talk about that on the Gameplay section below.

There is one thing that’s kind of related to the MC's Quirk and I wanted to clarify. Bakugou did call you this in the demo, and yep, you might have guessed it: “crosshair eyes”. Reticle, crosshair, whatever you want to call it -- it’s that symbol you usually see in the center of your screen whenever you play FPS games. This is the only physical feature of the player's character that I specified (and yes, canonically, Hatsume has a pair of similar looking eyes in the original work). In relation to this, the icon for ‘activating’ your Quirk matches the same symbol.

Gameplay

Introducing: Stats, Special Moves, and Video Games!

Stats

There are 5 basic Stats for all of the characters in the game (brownie points if you recognize where they're taken from!): Speed, Technique, Power, Intelligence, Cooperativeness.

Your own Stats start off low, but you will be able to increase it by doing various activities, such as studying, playing games, winning on Heroics lessons, going to certain places, etc. Different activities raises different Stat, and you're free to choose which particular Stat you want to develop.

What are Stats being used for?

Certain Stat will increase a certain character’s affection, though it won’t be as much as if you hang out with that character.

There are certain places which you can only unlock when a specific Stat reaches a certain point. I’ll talk about hang out places and characters’ schedules in another post.

Weekly one-on-one training matches in Heroics lessons will test a specific Stat or Special Moves each time. Depending on who you chose to become your opponent, that specific Stat will determine the outcome of that match. On one hand, winning these matches can increase your Stat, but on the other hand, there are also special events you could possibly unlock when you lose. Again, I’ll probably talk more in detail about this in another post, since I still don't have the coding part down, so things might change.

Special Moves

Every hero has a Special Move in this universe, and so does the player’s character! While they might not be as flashy as All Might’s iconic United States of Smash, some of your Special Moves will have a direct effect on the gameplay. For example, a certain Special Move could unlock more answer choices for certain scenarios. Another Special Move could be activated to give you hints on how many affection points will be added to a character for the available choices.

You have a total of 5 unlockable Special Moves, and it will be up to you to use this feature: do you spend your time trying to unlock all of it in hope to make your gameplay easier, or ignore them completely in favor of balancing your Stats while pursuing the affection of your chosen love interest? It’s your choice!

(More brownie points for you if you got the reference in that picture lol)

Another use for Special Moves would be in the Heroics lessons, seeing as it might test how your Special Move fares against the opponent you picked.

Video Games

I would say that this particular element plays quite a big role in this game, since the MC learns and develops themselves by playing games. While you do have a set of games which you’ve owned, you’re able to purchase new games from the Video Game store. I would recommend doing this, as there are some neat ones which will help you greatly in your playthrough. But if you're not interested to explore them, that's fine too!

Each video game has a different effect, and it’s up to you to discover them! Or, perhaps, you could unlock a Special Move that allows you to know what effect each of the game has? 😉

What are Video Games being used for?

Most games will only increase specific Stat(s), but there are also others that can unlock Special Moves.

There is one game which helps you to unlock Stats or Special Moves of your classmates, which you can use in the Heroics lesson to pick a suitable opponent based on your current Stats.

In addition to all that, there are 2P games which require more than one person to play, and you could play them with your romance target when they’re available. On top of building your Cooperativeness, choosing the right answers during the gaming session will increase that character's affection.

Others

The basic functions behind some activities like studying, buying video games, and playing video games are done. I will probably move on to code the functions handling the Heroics lesson’s battles and the behind-the-scenes of when the player chooses to go to certain places.

I've also finished the two main custom screens, which is the Quirk and Games page. If I have time and the motivation, I'm guessing I'll be adding the two other additional screens I had thought of doing. We'll see.

Assets

This part is my nightmare, because I’m a perfectionist who’s far too picky when gathering resources…

But no assets = no game, so I did find several assets which I did like. This includes backgrounds, audios, background musics, and some sprites I was planning to use for developing the phone call function. I’m not going to list down all the things I found here, because I don’t think any of you would be interested in a long-ass list, but here’s an amazing background picture which I stumbled upon searching the dark abyss that is the internet:

Full credits to the artist: https://arsenixc.artstation.com/

Writing

I would have to say there isn't too much progress on this side yet, but I did decide on some story elements I want to insert into the game and scripted in a few scenes for the first day. I also managed to code in the dialogs for some common activities / places, like the video game store and a small part of school lunch time.

Honestly, I should probably create a sheet to identify how many scenes I would have to write? So all of us know the progress for this part of the development? ..... Let's see how it goes when my OCD flares up...

Disclaimers

All assets included in the devlogs are not mine, and credits to the asset owners / websites will be included in the game! My Hero Academia / Boku no Hero Academia ⓒ Horikoshi Kouhei

[kaiowut99]

5D's Episode 27... with an “Uncut” Dub?! (Re-Edited 4Kids Dub/Japanese OST - Revised)

“A World Without Light -- The Dark Synchro Frozen Fitzgerald!”/”A Web of Deceit (Part 1)″

Everybody listen!

Took long enough to finish up and polish (partly because of work and activism life actually picking up a bit), but here’s a brand-new “dub-uncut” episode! With my first few takes in episodes 23-26 newly revised, I was looking forward to working on 27 and starting fresh again, lol. In case this is the first you’re hearing about my mini-project here, let’s get you up to speed:

So, the official Spanish YGO channel on YouTube flubbed a few uploads of the 5D’s dub such that they ended up uploading a few episodes of the English dub instead of the Latin American dub (21-29)–but with none of 4Kids’s background music! Which meant that I could swoop in and re-insert the original Japanese soundtrack (which I did by matching each track to how it was looped in the episode), but I wanted to do more by also tweaking the dub itself so that not only was it matching the original footage, but the dialogue was more in line with the original dialogue timing-wise (since I couldn’t salvage much of what they changed).  Hence, the “dubbed uncut” gimmick here.  To this end, I’ve also used dialogue from Duel Links where applicable, or even borrowed audio from other episodes with the vocals isolated to lend to that effect.

Check out the masterpost of episodes I’ve done here!

Check out this episode’s WIP videos! WIP #1     WIP #2     WIP #3   WIP #4   WIP #5

So, this one was fun to do particularly because overall, save for the, er... butchering that happened on explaining the Dark Synchro mechanic (4Kids wut) and the rewrite of Carly’s interaction with her Editor-in-Chief (and making Carly a “blogger” lol), the dialogue was already more or less in line with the Japanese version, which meant that I was more or less just removing a lot of the fluff as I added back the OST.  As I did in 22, 24, and 26, I added subs for the scenes where 4Kids rewrote things a bit too much for my taste (so, the scenes I mentioned above, but also the occasional line or a few), but of course these subs will be optional in the MKV I release on NAC for this.  I also added back some SFX and tried to remove the dub’s replacement SFX in most cases, though I had to swap out the SFX as Speed Warrior was tuning with Junk Synchron since 4Kids had a tendency to add some new one over the original SFX and made it too loud to work with the Yusei chant I put there.  And I translated the OP/ED credits in Last Train and CROSS GAME, revamping my singable lyrics a bit for Last Train while drafting new ones for CROSS GAME which I’ll post soon; you can see my Last Train translation in the second WIP video and CROSS GAME’s here. Full process breakdown below the cut.

Also, major thanks to yugidmx5 for providing A+ rips of the “The Day Begins/Tenpei” theme in the Carly/Angela scene, the “Vision of Tragedy” theme as Yusei and Ruka talk about the Satellite’s future, and the alternate “Dark Signers” tune which plays as we first see them and then again between the Dark Signer drones recruiting and Yusei chasing Dark-Signer!Dick down (before it transitions to the OST-released version once Yusei gets to the building under construction); I know that since these came out well, he’s working on better rips for some or most of the unreleased OST, so stay tuned there (I also drafted up a full version of the alternate DS theme, but had to get creative since they didn’t play all of it in this alternate style; will post soon).  And thanks to Tiny Spider Productions, who provided the “shock” SFX playing as Carly sees Yusei’s arm actually glowing in her car, some inspo here/there for dialogue fixes, and provided CurtisH from CastingCallClub’s recording he did voicing a line from Tanner translating the original line about the four Signers they know which 4Kids cut short.

I hope folks enjoy! Just breezing through 28 often for lines to use here, I can tell it’s going to be a headache because they did throw in a lot more jankiness in the dialogue... So, fun. 🙃 Once I handle finalizing my subs for GX 56 (and possibly 57 due to how long this took), I’ll start drafting it out; stay tuned~ 

(And if you're able to reblog for visibility, it’d be appreciated given Tumblr’s suckage with links 🙏🏽)

Breakdown, breakdown~

So, I used Duel Links audio for the twins to handle the Noteworthy/Showcased Cards bit (we’ll see if I still can in 28... And as the twins are voiced by Eileen Stevens in Duel Links but not yet in 5D’s [that happens in 65], bear with me lol), and I also translated the sign for this hardsub in Photoshop, masking in the Fitzgerald card and Rua and Ruka’s heads over it in Sony Vegas.  

Moving to the episode proper, a second was trimmed from the shot of the stadium in the TV Rally/co are using once it tunes in, and I couldn’t properly loop the “Yusei!” shouts to cover it, so I just filled in the audio with the crowd just cheering.  In the Carly/Angela scene, I removed Angela’s extra lines about her makeup and hair while Carly was getting ready, then tweaked Angela’s line on camera to remove her last name (which we never learn originally) and move her lines about “Fusei Yudo” winning to play sooner while removing Carly’s “one journalist to another” as she walks up to correct her (as this scene was rewritten, there are subs to show the original dialogue).  Looped chants of “Yusei!” to remove his internal “pointing out the obvious” monologue before the OP.

After the OP, I used the JP audio to keep the doctors moving Jack quiet (hopefully you don’t notice the chants changing lol), then as Yanagi runs over, I replaced his bit about Yusei having “a brand new enemy” in the media with “we should all get going” from 26.  The Godwin/Lazar scene stays the same since it was accurate, but I did have to put the end of Rex’s “that’s the only thing that matters” line on another track so Lazar’s gasp would play when it should (they added a second to his talking in the dub).  The Yusei/co scene in the tunnel stays mostly the same, just switched to the JP audio as the flashback to the Satellite vision happened, then as Yusei had a quick one before gasping, I recycled a gasp and a “hmm” from elsewhere to cover the commercial-inducing monologue they gave him in the dub.  For the press conference scene, I thought about removing the one “That’s right, Ted” reporter’s line since he’s quiet originally, but thought “whatever,” and then I spaced out Carly’s line as she reads her fortune to match her Japanese line’s pace and remove some of the fluff.  I switched to the JP audio after Carly asked about Yusei’s arm glowing to remove Rex’s comment over it, then stitched up a “Perhaps; still, I didn’t see that” mixing his line there with a “still” from 23.  Carly’s line as she’s excited about Goodwin dodging her question (originally just “I’ll keep moving forward too!” [she references her fortune a lot more]) was longer in the dub, so I cut out the “which means I’m onto something” for use later.  For Carly’s chat with her Editor-in-Chief, I included subs because of the rewrite, but I did shorten Carly’s line just before “bring some dirt and you might still have a job” which was lengthened by 4Kids.  Removed a lot of Carly’s fluff as she began to watch the Yusei duel footage via the JP audio, then stitched together “Goodwin tried to give me that bit but [the whole world will know what Goodwin’s trying to hide]”, the latter bit coming from Carly’s monologue as she’s running at the end of the ep, then switched to the JP audio to remove Carly’s fluff about living in her car.  Then, as we see the Dark Signers looming, because 4Kids removed the commercial break here, I kept only Demak and Kalin’s chuckling and Roman’s “lower the curtains” line over the desk shot, then looped some of his laughing from after the eyecatch to lead into it.

After the eyecatch, I made use of his “Goodwin assembled his Signers” bit, recycled a little chuckling, then cut Roman’s reference to Shakespeare to just the “tangled web” line (thanks to yugidmx5 also providing the SFX for this scene, I was able to move Roman’s laughing to play where it should after he releases his spiders).  Moving to Yanagi drawing the Crimson Dragon, I only kept his “saw it the once” line while using Japanese Rua and Ruka’s interested gasps to fill a fluff gap, then combined two bits of audio to get a [slightly] awkward “t[ail]” to fix 4Kids’s dumb error claiming he had the Head birthmark; accordingly, made Leo say “What about it?” instead of “What about the Head?”.  CurtisH’s line for Tanner comes in here, with a slight tweak or two to match the lip-flaps more, then JP audio as we see all the Signers so far to remove Leo’s dialogue.  Meanwhile, for Jack’s hospital scene, I translated the “No Visitors” sign Mikage walks past (along with fixing “Atlus” to “Atlas”).  The Dark Signer recruitment scene also gets some subs, then I used the JP audio from when we see Dark Signer!Dick walking to Yusei’s birthmark beginning to glow; yugidmx5 providing the SFX was a big help here, too.  Yusei runs out to chase Dick down, and then when he sees him inside the under-construction building, I took “Who are you” from later in the episode, but added a more question-ending “u?” to flesh the sound out a bit (since the line was “Who are you and what’s going on”).  I took “Fine, then” and “What are you planning to do to the Satellite” from 28 (which I’ll likely cut as it was added offscreen dialogue), and TSP provided a vocal-isolated cut of Dick’s line about his master (because 4Kids cut his shot short by a second or two and played it as the SFX for the zoomout as his Disk activated played).  

They begin the duel, and here I just kept “What’s going on?” from the line I noted earlier, recycled some laughing from Dick to match the JP script, then shortened his line about their being offered up “by the light” to work with the new timing.  Dick begins his turn, but I recycled an “It’s my turn now” line from later for accuracy, then his setting-a-card line is cut short at his ending his turn as Yusei looks on.  Carly, driving nearby and seeing lights from the duel off in the distance, gets her reference to the Goodwin “sheen from Yusei’s Runner got in your eye” line that I cut replaced with the “I’m onto something” I noted before.  Yusei gets a recycled “It’s my move!” line from 24 to start his turn, tweaked to remove the drawing SFX that happens in it, then to remove a dub SFX I used a Duel Links line to fill out “I activate the Tuning [Spell Card]”.  “I summon Junk Synchron” comes from 24 (and “Level-2-or-below Monster from my Graveyard” comes from his Graceful Revival explanation in episode 3), then--thanks to Arian over on NAC reuploading some HQ dub episodes--a better-quality vocal rip of his “Level-3 Junk Synchron, tune with Level-2 Speed Warrior!” line from 87, along with a better-quality rip of his “From two come one” chant and “Form the road of light!” from Duel Links.  Yusei shouts “Battle!” from Duel Links, then I slowed down his line at “[Attack his Blizzard Li]zard” to end it there (and remove the “warm Satellite welcome” fluff).  As Blizzard Lizard’s effect activates, I combined an “I activate,” “Blizzard Lizard’s special ability,” and “now” for a better line than “Blizzard Lizard’s special ability is going on.” Yusei’s lines after being damaged and realizing he damaged Dick too are spaced out to match the JP script, then I borrowed Yusei’s line on setting two cards from episode 3.  Then, when Dick plays Ice Mirror, I stitched up an explanation (since the Card Interruption does it for him) combining Call of the Haunted’s explanation with a few other pieces of dialogue (thanks to TSP for the inspo).  I cut Dick’s “Now I’ll play” line there to remove the dub’s zooming-in SFX, and then made Dick’s line about his third Blizzard Lizard end right before the split-screen with all three of them to remove the dub’s split-screen SFX.  I thought about replacing Yusei’s “three’s a crowd” line with “What’s that all about” from later, but couldn’t figure out a way to fill the line in before that, so I left it, but didn’t let Dick acknowledge it by just recycling “With that done” to replace “Well, how about [I release]”, then after Yusei reacts to his Dark Tuner, I recycled some chuckling to match the JP script and trimmed his line about its “power to extinguish;” the Dark Synchro “explanation” gets some subs to actually explain it, then I looped Carly’s panting as she runs to cover the “Goodwin’s trying to hide” line I moved to earlier, and recycled/amplified Dick’s laughing at various points through the ep to remove Yusei’s episode-ending monologue.

In the preview, I just recycled Yusei’s “No way...” and “A Dark Synchro Summon?!” while borrowing Carly’s lines about the Dark Tuner from 28, then Yusei’s line about getting his answers to end it.  I had to speed up the OST version of the preview tune to match the pace here, then trimmed it and ended it with the JP audio for the quick fade-out.

/phew

[watchathon]

12th Day of Christmas

In case you’re finding this post just by browsing the tags I’ve used, this is the Watchathon, a blog where I watch a movie or TV show and then write a review of what I watched.

Right now, I’m doing the 12 Days of Christmas, a 12-day-long Christmas special where each day is a different Christmas movie or special decided by a randomizer. 

And today, for the 12th and final Day of Christmas, I’m feeding a much smaller list into the randomizer of my favorite Christmas special (which is severely underrated) or what I believe is the best Christmas special I’ve ever seen (which is technically a movie), while the other one is saved for next year!

Now, you might be thinking, doesn’t this mean I’ll only have two years worth of grand finales to 12 Days of Christmas? ...Well, yes. Yes, it does. *awkward silence*

On the 12th Day of Christmas, the randomizer gave to me~

The best Christmas special (which is to say, movie), The Muppet Christmas Carol! Really, as much as I wanted to give even a microscopic spotlight to an underrated Christmas classic, this feels only fitting considering I’ve covered two other Christmas Carols this year.

I missed out on this one as a kid, which I do kinda regret since I loved the Muppets so much, but watching it for the first time last year really showed me why so many people hold it in such high regard, especially other Muppet fans. And I hope to show you all the same, in the review I give right after watching it again to refresh my memory:

I’ve said a couple times that adaptations of stories told as often as A Christmas Carol need to bring something new to the table as well as doing the story justice. And that’s a goal that this telling accomplishes with aplomb, being surprisingly faithful as well as doing some stuff that makes it better than any other version I’ve seen.

First off, there’s the involvement of the Muppets, something which will appeal to fans such as myself. But it’s not just novelty; having these parts played by such beloved characters can add impact to sad moments. For example, Tiny Tim’s death is always sad, but it hits even harder when it’s Robin the Frog who succumbed to illness.

But even outside of the Muppets, Michael Caine gives quite possibly the best portrayal of Scrooge I’ve ever seen. When he puts off wiping the snow from the grave, holding back tears and begging to know whether he can still change the future, it brings tears to my eyes every time I see it.

He’s certainly the only one I could think of where I really bought the character development. With other adaptations, it feels like Scrooge just suddenly turned into an entirely different person.

And that segues nicely into the topic of what this version does differently, as I brought up at the beginning: For one, this Scrooge does have visible character development, and it’s not just because of Michael Caine’s brilliant performance.

In most versions, the Ghost of Christmas Present will just show Scrooge his nephew and Bob Cratchit’s family, focusing purely on the negative effects that Scrooge’s greed has on those around him. In this version? Scrooge is also shown the magic of Christmas, why people love it so, in the form of a musical number sung by the spirit as well as the people of London.

Then there’s Bean Bunny as the boy who Scrooge asks to buy the turkey at the end, doubling as a poor beggar boy who Scrooge turns away at the beginning, and who spends Christmas Eve freezing on the streets.

It’s a staple of the Christmas Carol story for Scrooge to refuse to donate to charity, but here we see for ourselves someone who that money might’ve gone to, and who Scrooge’s grimness has (albeit indirectly) affected. And again, a moment that hits even harder because it’s a beloved Muppet that we see in that situation.

Getting back to the musical numbers, those are another thing this movie does that add something to the story. They’re all very well-written (I’ve added quite a few of them to my Christmas music playlist) and they contribute to the story.

I’ve touched on what It Feels Like Christmas brings to the table, but then there’s songs like Bless Us All, a gentle song sung by Tiny Tim and family on Christmas morning. Or Thankful Heart, which displays the change Scrooge has gone through better than anything else could.

While we’re on the topic of the songs, that does unfortunately bring us to one of the few negatives: The absence of When Love Is Gone in modern releases. I’ve seen it said that it messed with the pacing of the film and brought it to a screeching halt. But for better or worse, the song is baked into the film.

The background music as Belle is leaving clearly is the lead into a number, but in the version without the song, it simply peters out. Thus leaving Scrooge and Belle’s parting as simply a short exchange before she walks off.

Then there’s the issue of the reprise at the end, When Love Is Found. Without the earlier number for it to be a reprise of, it loses a lot of the effect it’s meant to have. It just serves as a closing number and credits song, rather than yet another display of how Scrooge changed for the better.

*sigh* Why, Katzenberg, why...?

Luckily, the negatives have been found for this song, and it’s to be reinserted in the 4K remaster. Who knows, maybe it’ll be my least favorite song by far. But, the film will be complete again. It won’t just awkwardly be missing a scene.

I could go on all day about why this film is so great, but I get the feeling that this post is on the long side already. Needless to say, I highly recommend it to anyone who hasn’t seen it yet. And I recommend a rewatch for those who have.

[iamcinema]

IAC Reviews #016: Captives / Mama’s Home (1988)

It’s almost funny how things happen sometimes. You’re just going about your day, and something will just pop up in your thoughts or memory that you forgot about a long time ago. When you decide to follow it to see where it takes you, and when it finally decides to turn up, it completely chucks all your original plans out the window and you have to see it to believe it. If you have no idea what I’m talking about, we need to finally, after so long, get around to talking about Captives aka Mama’s Home. And, oh boy, we have a lot to cover here.

As a side note to make this easier, I’ll be referring to the film as Captives for the duration of the review when discussing Gary P Cohen’s original film. However, when I’m discussing the release by the original production company, Majestic Home Video, I’ll refer to it as Mama’s Home to help clear up any confusion since I can’t even call them the same movie. _______________________________________ 

Captives is 1988 horror-drama revenge SOV film directed by Gary P Cohen, who is best known for his Video Violence films that were made just before and after this. To quote VHS Meltdown on the plot, it goes as such;

“Three weirdos invade the home of a well-to-do family while the husband is at work. They aren’t there to steal anything; they have a video they want to show the wife. On it is the past life of her husband, something much more violent and drug-fueled than she ever could have expected. When things go wrong for the invaders and blood gets shed, the wife must reconcile what she has seen and what she knows, and her new knowledge of the past makes her future unthinkable.”

According to Cohen, this was intended to be a serious commentary about violence, which was tonally different from the sort of black comedy nature of the Video Violence films. He originally pitched the film to Camp Video, who turned down Captives, but took in Video Violence 2 after distributing Video Violence the year before. So, Cohen turned to Majestic Home Video for help, and they took the film in for release.

Well, what happened to the film was beyond a travesty and feels criminal.

If you want to learn more about that, I highly recommend seeing Paul (Analog Archivist/VHS Collector)’s review of the tape because he goes more into the history of the film and included Cohen’s interview where he discusses the treatment of Captives; which included large chunks of dialogue being manipulated, bad amateurish editing, and loud music being played over the dialogue scenes. It’s just a shameful butchering of the film, but this does sort of have a happy ending because Camp Motion Picture picked the film up in 2011 to be showcased on The Basement: Retro 80s Horror Collection; which included Timothy O’Rawe’s The Basement (1989), another SOV horror film that was widely considered lost for nearly 20 years. Copies of Mama’s Home are considered extremely rare, with one user saying they saw a copy of it go for over $335USD.

The film stars many of the actors from the first Video Violence film, including Cohen himself. So, if you’re a fan of the film, then you’re in for a bit of a treat. But, if you’re in the other category that hated the film, then, well, you’re in for something. Plus, I don’t think the notoriety of Mama’s Home helps much either as far as what you think you can do with your expectations. It’s going to be a rough ride for some of you, I’m sure.

VHS Collector | Mama’s Home Review:

So, now we’ve been finally given the opportunity to see Captives and all it’s glory without the cloud of shame that Majestic put over us. It’s been a long, long time coming to see Cohen’s true vision unearthed - even if I’m about ten years too late for the viewing part.

Captives (1988) in One Gif:

Oh. Okay, then. So, let’s really dig into this one. _______________________________________  

First, I think I should comment on what VHS Meltdown said as the plot summary since there’s a bit more to it than that. The primary thing is who our “three weirdos” are, which are that of Nikki, Chick, and Paulie whom we learn have a personal vendetta to some degree with Ellen and her family - more specifically her husband, Barry. So, I don’t know, the vague descriptor can make the invasion seem a bit less personal.

Speaking of which, let’s talk about our guests of honor more.

The ringleader of the group is Nikki, who has more stake in the home invasion and a motivation for revenge due to her treatment and abuse by Barry and former mother in-law, Estelle. She’s accompanied by her brothers, Chick and Paulie. Chick is the arms of the group, having a hot temper and seems to take the most pleasure in the violence and madness. Paulie is, for a lack of better terms, the slow “idiot” brother of the group and he’s a trope you’ve probably seen in other slasher films of the time like Mother’s Day, Redneck Zombies, and Cannibal Campout. He’s the docile one of the team and only tagged along because he cares about his sister and was pressured into it, not because he’s out for blood or vengeance.

If you’re a fan of Video Violence, then you probably already recognize Art and Jackie Neill right off the bat who are playing polar opposites of their other characters. It makes for an interesting watch to see them relish in the violence they cause, rather than be repulsed by it. On the opposite side of things, we have Ellen, Estelle, Barry, and little Zach.

There isn’t a whole lot to really say about them. Ellen is the unsuspecting housewife, Estelle is the loaded mother in-law that would do anything for her son, Barry is a two-faced, mama’s boy husband with a secret double life, and Zach is, well, a baby that links them together in a few ways. Much like their co-stars, some of them were also in Video Violence with a similar take on things. Seeing as how this (or Video Violence) was their first acting role, and one of their only ones point blank, you can expect something mostly amateurish and nothing too special. If I had to name any specifics, I’d say the trio is the best in their own right; Chick being a great sleazy dirtbag, Paulie being sympathetic, and Nikki being almost justifiably unhinged with the lengths she’d go to for revenge.

Plot wise, it’s not all that bad and it’s not to see something that isn’t like Blood Lake where the motive isn’t sloppy or feels like a complete after thought. It’s a bit shocking to say the least to see a topic relating to child death or murder done this way, something I don’t think I’ve really seen in some time since Las Vegas Bloodbath or Beware! Children at Play. It’s a bit of a slow burn after the trio makes their motives known to Ellen, with the occasional burst of violent mayhem and the trio trying to figure out an exit plan when things don’t go as they planned. We also get some occasional cut scenes with what Barry’s doing with his time, but they’re brief and only add to what kind of a picture Nikki paints for us of him.

As far as the violence goes, it’s not all that bad. However, some of it was a bit hard to make out what was going on because the quality was on the low end. But, that’s kind of how it is with SOV some times, so it is what it is. There’s also not a whole ton of blood either, so don’t expect a total massacre. What we do get isn’t too shabby or rough around the edges either, which is a really nice surprise. There’s some general torture, humiliation, and sleaze scenes too, and those are also nice when it comes to adding a bit more grime to the mix; including a really bizarre moment where a drunken Chick is groping and coming onto Nikki (and she may or may not be into it) and we see what Barry is doing when he’s not at work.

If I had to say something that really hinders this, it’s the sound and music aspect.

Just like with Mama’s Home, there’s moments where the sound mixing doesn’t feel right, so the dialogue is a bit drowned out by the music. On the bright side, it’s a bit better here with Captives than Mama’s Home since you can at least make out most of the conversation that’s going on and I had to do a side by side comparison with this and the clips Paul included as a reference to be sure I wasn’t hearing things. If it’s not that, it’s how the music robs the tone and mood of the film.

As I said earlier, Cohen intended for this to be a serious film about violence, and having this audio track in the background for so much of it kills the mood for me and it unintentionally brings it back to Video Violence with it being a dark comedy. On the flip side, the tracks on their own aren’t that bad and are exactly what you could expect for a low budget SOV trash flick from the time period. So, if you’re like me and you have a guilty pleasure for this type of thing, you might have some fun with it. I’d like to hope that Cohen still has the masters for these somewhere and would be open to releasing them if they weren’t included on The Basement: Retro 80s Horror Collection.

The film ends on a weird open ended note and since there’s no post credit scene, we’re largely left to wonder if Ellen is able to follow through with her choice given what she’s seen and learned and she’s able to escape. I think it was probably for the best as well since it plays into this being a revenge flick as well, but I’d like to hear Cohen’s thoughts and what he thinks happened after the final scene.

________________________________________

So, where are we at now with this?

I’m a bit disappointed that it took me so many years to finally get around to seeing this, and I was initially nervous going into this given all the things I heard about Mama’s Home. As excited as I was, I wasn’t sure if I was going to waste my time with this and I was prepared for the let down early on thinking I was just getting a hybrid of Captives and Mama’s Home.

In a lot of ways, it was worth the wait to see what I was missing all these years, because if I found out it got taken down yesterday, then I knew it would be a long time until I would have this chance again since the box set from Camp Motion Pictures is currently out of print. If you told me that it would stay online and it wasn’t going anywhere any time soon, then I’d say I wouldn’t really rush to seeing it or writing this mock up with what I know now and shift my focus onto the other really obscure SOV material that I wouldn’t know about if it wasn’t for SOVHorror, A Slash Above, or SRS Cinema having bits and pieces of them up. In this case, I could probably go a few more months or so before I’d get an itch to hunker down for it.

Is it worth a watch? Sure.

If you’re a sucker for SOV films, then you should consider crossing it off your list since it feels like not everybody has seen it, let alone is aware of it. If you liked the Video Violence films, then I think you’ll have an alright time with this one. It’s probably the ToeTag fanboy in me saying this, but I’d like to think that this is another one of those proto August Underground movies with how it wanted to push the envelope with the brutality and humiliation, something I still feel would have been better if the incidental music was toned down way more. Nonetheless, if you find this type of thing boring and uninteresting, then you aren’t going to feel like you missed out on something amazing or mindblowing. It’s another run-of-the-mill horror-esque low-budget tier SOV flick from the time, just with an emphasis on revenge. Don’t be too dismissive, but don’t expect anything too impressive.

Rating: 4.5/10

[ibelieveinahappilyeverafter]

Writing Commissions (NEW PRICES)

(Please note that the new price update does not apply to commissions currently in progress.) 

Writing Commissions are here and I am open to countless forms of writing that range from one-shots and drabbles to long-term multi-chapter stories; for both original work and fanfiction! I’m an author who’s been writing professionally for over half a decade and I’m currently studying for a degree in Creative Writing with experience in multiple writing classes and workshops. If you want to look at some of my writing I’ve already done, you can find it at:

ibelieveinahappilyeverafter on Tumblr under the tag my writing ibelieveinahappilyeverafter on Archive of Our Own and UrbanFantasyBlogging on WordPress

I have experience in multiple genres and fandoms as well as different writing styles. The default for my writing is 3rd Person Limited and focused on a specific character when it comes to Point of View, but I can cover many other types depending on what works best for the story or what you might like most. I’m also happy to write for a fandom I have no knowledge of as long as background research to write the story does not take more than a few days. Further discussion can be had depending on the story or fandom.  

Whether it be fanfiction or original fiction, I will write OC’s as described by you as long as I am given a complete or semi-complete character profile to work with.

★★★

Basic Information

All correspondence can be had through the email d.phantom94@gmail.com. When emailing me, please specify that you are seeking a Writing Commission piece and share with me the projected word count you wish for, the maximum you are able to pay, and a basic plot, prompt, or summary of the story you wish to see written. Upon acceptance of your request, I will email you and further discussion can happen about the piece.

Replies can typically be expected 1-3 days after the initial email is sent. The story will then be completed within 1-2 weeks (or longer) once the details are worked out over correspondence and payment is sent. Please keep in mind that the longer the piece, the more time it will take.

If you need the completed piece done by a certain time, such as needing the story to gift to a friend for a birthday or other occasion, please tell me so and I will do my best to get it completed by the date you need it by.

★★★

Prices and Payment Information

Below are the pricing options and word count tiers that I currently have available. If you wish for a higher word count then price is available upon request (although generally expect +$5 per 1,000 words). I will not typically go above 15,000 words.

*500-999 words = $5  *1,000-1,999 words = $10  *2,000-2,999 words = $15  *3,000-3,999 words = $20  *4,000-4,999 words = $25  *5,000-5,999 words = $30  *6,000,6,999 words = $35  *7,000-7,999 words = $40  *8,000-8,999 words = $45 *9,000-9,999 words = $50 *10,000-10,999 words = $55 *11,000-11,999 words = $60 *12,000-12,999 words = $65 *13,000-13,999 words = $70 *14,000-14,999 words = $75 *15,000-15,999 words = $80

I now have a price option for a fuller, complete multi-chapter work and editing prices as well! The editing would cover any extra proofing or the changing of certain scenes. Rewrites or advanced editing can be asked about upon request. 

              *Complete Story: 30,000 - 40,000 words = flat rate of $250               *Editing: flat rate of $10 

Another option has been added! I will now offer a reduced price for any stories, drabbles, or ideas that you wish to have written if they belong to a story I’ve already written (or even an idea/AU I’ve simply talked about on my blog) or run along the themes of a simple plot with a specified fandom or pairing (such as ‘Character A runs a flower show while Character B runs a tattoo parlor. Write how they first meet.’ or ‘Write about this idea for this fanfiction you wrote a few months ago.’) 

*2,000-5,000 words = $10 *5,000-10,000 words = $20

Taking into account the time it takes to plot, write, and proof a story, these prices cover what would roughly be minimum wage for my living area. All payment is done with PayPal invoices which means payment is received BEFORE the story is written and sent to you in a PDF format. With invoice you are able to pay in a variety of ways depending on what works best for you. Please keep in mind that while I do not expect payment in the plotting stages over email, I do expect payment before work on the story itself begins.

Full refunds are allowed and will be given if work on the story is minimal or has not yet begun, but once the story is underway, there will be NO REFUNDS.

★★★

Information Needed for Story

While you may approach me with a basic idea or prompt and a projected word count, upon acceptance I will ask for things such as characters you wish to be in the story, more details on what sort of story you wished to see written, any background or main relationships you’ll want to see, what Point of View preference you have, if any, and so on until a basic rough draft is completed. 

★★★

Content Guidelines

I will do my best to write along whatever guidelines I am given, but I retain the right to refuse to accept a commission if I find myself unable to write for the content - whether due to a lack of knowledge or moral standing. I will also not write: 

               *Music or Poetry: While I can write a short poem within a piece that a character might have written for another character, I have limited experience in Poetry and no experience in Music or writing music.

               *Out of Character (OOC): I will not write characters who would act wildly outside of how they are portrayed in the source material. While changes to them might be made depending on the story or AU, I will do my best to keep to how they come across in the source material (unless fanon is better).

               *Overpowered Original Characters: I will not write Original Characters that have skills outside of what they could conceivably have, meaning I won’t write for a character that is gifted at everything, utterly perfect, and is attractive to everyone around them. (I will, however, be happy to write for a character who thinks they’re gifted, perfect, and a gift from god before finding out the horrible truth.)

★★★

Copyright and Ownership Information

Please keep in mind the following information before ordering:

               *All stories, whether fanfiction or original work, have the possibility of being uploaded and cross posted to my writing accounts to serve as examples of my work.

               *Upon the story’s completion you will receive a PDF read-only version of the story that will be emailed to you. Please let me know in advance if you are unable to work with PDFs and I will instead send you a file that will be easier for you to work with.

               *You are allowed to share and re-post the work to your own accounts as long as credit is given back to M.J. Anderson and my tumblr at ibelieveinahappilyeverafter.

               *With original work or work written for fandoms with source material in the public domain I retain all intellectual rights of the piece and can, as such, choose to redistribute, self-publish, or sell to a publishing company.

                           -In regards to copyright and intellectual properties, I would hold the rights to the original stories I write and be able to publish them as I wished, but I would not use any Original Characters that you personally commissioned me to put into the story. I would instead rewrite those scenes with different characters so none of your work would be claimed as mine in any situation.

                          -Original Characters here would mean detailed characters with profiles that you send to me to be written about and not characters with only a name, vague description, or small role within the story itself. An example of a character I would keep versus a character that would remain yours would be: Bob the blacksmith who likes blueberries versus Robert Tiller who works as a local blacksmith in his town, is quick to anger, maintains a garden, and lives three towns away from his parents.

                          -In regards to any commissioned story that would be all of your Original Characters, I might take the idea of the story (such as the plot and what happens to the characters) and use it again in future work, but your characters, as always, would remain yours and yours alone. 

★★★

Final Information

Thank you so much for your interest and reading everything here and I look forward to working with you in the future! Remember to contact me at my email or here on my blog for any questions you have about the commissions, even if it’s a simple price check. 

[alexswak]

Studio Graviton

I have been researching Studio Graviton for a while, a small studio notable for its activities during the ‘80s, and I’ll articulate what I found in this post here. As for why this small studio is relevant, let’s say an individual with the name of Hideaki Anno was one of the founders, and it was there that he had his debut as a director. 

So it all starts with Anno back in 1984, just after finishing his work on “Macross: Do You Remember Love?”. To get an idea about the nature of Studio Graviton we need to understand Anno’s situation back then, as he was still a newling in the industry, not even sure if he was going to continue in this line of work or not. It’s well-known that Anno moved to Tokyo based on an invitation from Miyazaki to work on Nausicaa, after dropping from university, but he moved with only his backpack and barely any money. It was a hard time for him, moving from one place to another, sleeping in the studio when he could, and so on. People might think the harsh working conditions of the anime industry are something recent, yet, while admittingly getting a bit worse recently, it’s always been like that, especially for newcomers.

A comic drawn by Anno detailing how he spent 1984. Translation here.

While working on Do You Remember Love he met with one young animator called Shoichi Masuo. They and two other friends, Kouji Itou and Katsuhiko Nishijima, decided to establish their own studio and called it Graviton. Exact date for establishing the studio is around June of that year, and Anno worked on Megazone 23 there.

I say studio because that is used to refer to Graviton, but let’s clarify the nature of this “studio” first. Studios in general are basically a place for creators to gather and work on the projects at hand, a place where they put their work material and tools and the like. The word “studio” might give off an impression of a place akin to a company or an organization of sorts, with representatives and management staff, yet this isn’t the case for most anime studios. The majority small studios exist mostly for the purpose of providing a place for creators to work in, with maybe one or two persons with management roles such as a producer to organize work and secure new contracts, but not always.

Graviton may be a bit special, but most small studios, which is to say most anime studios, are closer to Graviton than they are to larger studios like Bones or Toei. Graviton was just a rented apartment for the studio members to stay in whenever they pleased, with expenses shared among them. They didn’t have to work together on the same project, and they didn’t have any specific responsibilities or obligations, they could come and go whenever they wanted, really. Anno for example kept switching places between Graviton and Gainax a few times during those years. Another more recent example is Takafumi Hori, who works from Trigger on other studios’ projects, and him having his desk at Trigger is due to his good friendship with other studio members.

The benefits of having a shared working place like Graviton are obvious I believe, like sharing expenses or getting to work on other studio members’ projects if there is a vacancy, I’ll mention some examples on that in a moment. My examples are mainly related to Anno, because getting information on him and his career is much easier, but each one of the original studio members had a notable career of his own and is worth checking out.

So starting with the projects Anno worked on while being at Graviton we have the first part of Megazone-23 where he did some scenes. I guess he worked on the infamous Pop Chaser 4 while being at Graviton too, and then went back to Gainax to work on Wings of Honneamise, and then went back and forth between the two studios juggling different projects till around 1988, when he took over as the director of Gunbuster. He didn’t come back to Graviton after that, probably because his financial situation became much more stable and just settled at Gainax.

Among the things Anno worked on back then were ads, one of them was an ad for a music player from JVC, which he did at Gainax in 1987. The ad evidently has nothing to do with neither music nor electrical devices, which is what the company’s representatives said if I’m not mistaken, but it’s a good piece of animation. Another ad, the really interesting one, was a promotional video for a game on NES called “Mugen Senshi Valis”. This ad is by the way the first directorial (paid) work for Anno. He did it in the same year but this time at Graviton, and I’d have said by this point that the studio at which he worked was a mere difference in location no more, yet this ad was a rare collaboration between all of Studio Graviton members. Also, as a side note, Anno spent the money he got from this job on buying a cooler for the studio in place of the one that broke. 

The promotional video was promoted in magazines and posters with focus on two points: The first is being directed by Hideaki Anno, a genius animator who played a major role in DAICON and Wings of Honneamise. The second is having Katsuhiko Nishijima, the director of Project A-Ko, as a character designer and animation director. I think that the target audience for this promotional video was obvious. The production company behind this was Sunrise, and I think they were the ones who reached out to Anno in one way or another to direct this, who in turn invited his friends from Graviton, so as a result Graviton was credited with the animation.

Director - Storyboard: Hideaki Anno

Character Designer - Animation Director: Katsuhiko Nishijima

Key Animation: Graviton

Backgrounds: Atelier Musa

Finishing: Studio Fantasia

Production: Hideoki Tomoika(Sunrise)

This is a great opportunity to talk about Nishijima, who was a key figure in the ‘80s. He wanted to become a mangaka at first, but wanting to make a living drove him to enter a university, which he left after his first year to join the anime industry. Applying for a place at Sunrise at first, after watching Gundam during his year at the university, he was referred to Studio Live because Sunrise didn’t accept new in-betweeners at the time. He passed the entry test there and had his first gig as an in-betweener on Cyborg 009 episode 27 I believe. His first key animation came shortly thereafter on episode 26 of Maeterlinck no Aoi Tori: Tyltyl Mytyl no Bōken Ryokō.

He started attracting attention due to his scenes in Urusei Yatsura, being a big fan of the manga to begin with he personally asked Toyo Ashida(Studio Live’s president) to work on the TV anime. There he started developing his own style, and although a hint of Kanadism was there, his style was pretty distinct even early on, which led to his scenes standing out from the rest. Even when Studio Live stopped working on Urusei Yatsura, Nishijima moved to Deen where he continued working on it. It can be said that the long time he spent working on Urusei Yatsura culminated in his magnum opus, Project A-Ko, but that’s a whole discussion of its own for another time. Before Nishijima left Studio Live he participated in a dozen of their shows, such as Minky Momo and Dr. Slump Arale-chan, and even after leaving he kept ties with them and worked on things like the Kyoufu no Bio Ningen Saishuu Kyoushi OVA.

There’re a lot of characteristics for his style. First there’s the way he draws bodies, as he was known for drawing girls with sexy bodies while keeping the faces simple and cute with large round eyes. No wonder such style was popular among otaku of the day, especially considering the “idol” status of Lum from Urusei Yatsura back then. His popularity only increased after Project A-Ko OVA, and the Valis PV came shortly after all of that.

Nishijima’s designs are pretty beautiful if you ask me, and this PV is one of the few works where you’ll find his designs. Aside from that his scenes are a joy to watch. I think he was capable of adding a sense of dynamism to his scenes without unnecessary or excessive movement, which not a lot of young animators could do giving his style a hint of “maturity” so to speak, all the while without losing attractiveness. He achieves this through his good use of perspective, for example, or his unique impact frames, which are a favourite of mine.

Some of his impact frames.

If we take a look at his scene in the PV we see how both characters exchange position relative to the camera, as if the camera is rotating around them as they exchange blows. It reminds of his scene in Outlanders OVA, one of his best overall. Just like a lot of other young animators of that generation, however, he sadly didn’t put out any work worthy of note after the ‘80s, especially after switching his focus to directing and participating in less projects overall.

As for people he works\worked regularly with there was Moriyama Yuuji, a friend of his since the ‘80s. I bet the person who introduced them to each other was Hideaki Anno, since Anno met Moriyama around the year 1984 while the latter was at Studio MIN, which is another small studio located not that far from Graviton. Again, the word “studio” isn’t to be taken at face value here, as MIN was akin to Graviton in being more or less an apartment for animators to work in, hinting at the fact that such studios weren’t all that rare.

MIN was founded in 1982 and dissolved in the year 1991, yet it was full of prolific creators throughout its short lifespan. Other than the aforementioned Moriyama we have Hiroyuki Kitakubo, Hideki Tamura and Yoshiharu Fukushima as the studio’s founders, while Nobuteru Yuuki joined them later on. You’re free to look up any of those names, no short post is enough to cover the career of any single one of them, and this short post has already been dragged beyond its original intended length. As a side note though, I now notice that most of the people behind the infamous Cream Lemon Pop Chaser were either form MIN or from Graviton, and it’s an amazing realisation that a few very young creators in their small apartments created one of the most memorable and striking episodes of the whole ‘80s.

Before I end this post I’ll add that the period in which Anno met Moriyama was when Moriyama was working on a manga by Mamoru Oshii (the acquaintance between them goes back to when Moriyama worked on Urusei Yatsura). The manga was named “In The End... “ (とどのつまり) and was published (or was to be published?) in a sub-magazine from Animage called Animage Comics (アニメージュコミックス). That caused Toshio Suzuki, who was still an editor at Animage, to visit MIN regularly and run into Anno, whom he probably knew due to his participation in Nausicaa 2 years prior.

[caracalfeather]

WARNING- Cats and Birds is a mob AU fanfiction of the Arcana game, and is not meant for young audiences and is not meant to offend anyone. Some writing choices were made so characters are out of their canon way of acting and thinking. Please do not be offended by character choices made by the authors and content creators, this story was made for fun and in the way we wanted it to be. The story was not hijacked by any of the authors to make any ships or characters overshadow any other. All content contained in this story has been agreed upon and accepted by all parties in it’s creation.

TW- Cats and Birds contains scenes that may not be suitable with some readers, including themes of violence, smoking/drug use, sex, cursing and various other strong themes. Special warnings for scenes will be posted with chapters. Proceed with caution and Reader’s discretion is advised.

14

It wasn't long after that they arrived home in LA. Rose didn't stay in the house much, instead she walked the grey area, thinking.

A dog was in the park sniffing around, he saw Rose and growled, backing away. It was THE DOG, the one that started this mess.

Rose was surprised, but too tired to be mad. Instead, she kneeled and dug a snack from her bag, offering it to him with a sigh “Hey big guy….”

The dog approached her still looking fierce, almost as if he could smell the mob all over her. As he got closer he sniffed her hand and he caught a whiff of…..his master! The dog barked and took the snack running off.

Rose smiled and sighed, he was a cute guy. She started walking again, following the dog.

Madeve ran down the street to a little cafè and inn. The sign above the door read “Le Paon D’ivoire” Madeve entered through a little dog door in the side of the front door, a little bell jingling as he entered.

Rose looked at the inn curiously and walked in, she was a little hungry anyway. She walked in,smiling slightly as she watched madeve go in.

At the sound of the bell the woman behind the counter turned around and smiled, “salut! Bienvenue! I’ll be with you in a moment!” She turned around and finished the leaf latte art she was making and slid it over to a man who sat at the coffee bar. Madeve barked, “Madeve! Shh! Sorry...he usually doesn’t act this strange.” She wipes her hands off on a towel and smiles at Rose. “What can I do for you?”

“Oh um, just followed this big guy here and got curious.” The Owner smiled. Her eyes obviously looked like she needed a pick me up as she looked around “It's so cute here!”

“Oh thank you!” She smiled, “and I can tell exactly what you need.” She started pulling shots of coffee into a back and blue mug. “Madeve likes to wander but it’s rare that he ever brings people in.” She chuckled. “You must be special.” She stirred a cinnamon smelling syrup in with the shots before adding the steamed milk.

She chuckled and sat at the coffee bar “I..I doubt it. But thank you.” she put some cash on the counter and sighed happily at the smell.

The Owner set the cup and a plate with a croissant down in front of her. “It’s on the house, besides, it looks like you’ve had a rough night.” She leaned over the counter trying to be friendly.

Rose leaned over and put the cash in the tip jar before sighing “Rough few weeks actually. Guy troubles, you know?” She took a sip of coffee and groaned at the taste “This..is way too good.”

She blushed and smiled, “Thank you! Although I can’t take credit….my...friend thought of it. He called it the ‘Cat Call’ . I'll keep it coming. I’ve had my fair share of heart to hearts about men.” She did air quotes when she stated the name of the drink.

How ironic rose thought before looking up at the woman “Yeah? Sometimes i think it'd be best for me just to stay single…”

“Well, I’ve been single for 3 years. I’ve been doing alright. But I’m biased, I’m sure whatever man is causing you weeks of headache isn’t worth it.” She sighed Madeve leaning up against Rose’s leg.

Rose pat his head “Yeah.. but i still love him..before everything started i was gonna ask him to marry me...guess i got my hopes up for nothing.” She finished the coffee and sighed

“If you’ve been together for that long and this has just started happening, it may just be your man working through something really personal. Have you talked to him about it?” She picked up the cup and started another cup.

“Yeah. Apparently a lot happened with his..ex.” She mumbled “He refuses to get help and it was hurting me…”

The owner of the shop nodded, “he needs space. Once he gets over the heartache of his ex, then his mind should clear up and he’ll be ready to seek help.” She slid the cup over to her, before she continued what she was saying one of the guests called to her, “HEY LY! WHY DON'T YOU SING FOR US?!?! It’s such a nice day!” Lyra rolled her eyes and whipped around towards the guests, “BART! You know I don’t sing anymore! And if your band wants to keep receiving free food I suggest you stop bugging me about it.” Bart laughed and waved his hand at her.

And there on her shoulder was a nasty scar. It looked like a bullet had barely grazed her.

Rose looked at the scar for a moment and then looked away, she didn't want to pry, instead she smiled “Um… I sing a little bit. Maybe i could do a little show since you won't let me actually pay?” She giggled and stood.

With a wide smile Ly nodded, “knock yourself out, there’s records by the mic!” Madeve wagged his tail.

Rose walked over and chose a record, going over as the beginning notes of ‘Le festin’ started to play. Upbeat, soft, and a song ilya taught her.

The Owner was impressed by her good pronunciation. The entire cafe seemed interested and smiled. Ly hummed the tune to herself.

After Rose finished, she blushed, her heart aching slightly as she sat back down, embarrassed.

Ly applauded her, “that was impressive! You sounded so amazing!” She smiled and slid another cup of coffee towards her, “have you trained anywhere?”

Bart and his band started pounding their fists on the table wanting an encore….and for Ly to sing.

Rose smiled “No.. My boyfriend taught me french. And the song. He occasionally spoke it.” She looked at the band and laughed “I think they want more!”

“What do you think I should do to bend their will?!” She leaned in close and muttered with a soft laugh. Madeve sneezing in agreement.

Rose giggled “If you have a song, we could duet if you'd like. I enjoy the music.” She glanced at the men and smiled

“It’s been a few years….but I think I remember the choreography to one.” She smiled, “I’ll warm up the crowd, you choose our duet.”

She walked over to the mic and the entire cafe was watching, as she started to sing “Tangled up” commanding the attention of everyone, she moved with a certain level of sensuality. Walking on top of tables, from table to table as if she were born to do it.

Rose blushed and watched her in aw until getting ready for the duet, choosing the show stopping ‘La seine’ song that she’d learned to dance to.

The crowd roared as the song ended, it felt good sinking back into her old skin. Even if it was for just a few minutes. She returned to Rose. “You ready?”

“As i'll ever be.” She smiled and started the music, enjoying herself to the fullest.

Ly harmonized with her, knowing it was all for fun. She was used to being a star, but being in the background making someone else feel good. It was amazing, and Rose was such a good singer.

After they finished, Rose laughed “That was amazing! I have to go but…``Rose dug a card out of her bag and smiled “Keep in touch.” The card read R. Sagena, Caracal den co.

“I will. Come anytime,Madeve really likes your company!” She giggled, “which is weird, he’s usually clingy to me. You must be really special.”

“You know, i'm usually a cat person. But i think he’s an exception.” She smiled and left, driving home with a new smile.

[lordofassgard]

Sweet Creature ↠ 2/100 ways to say I love you

Pairing: Kim Yugyeom x Reader gender neutral

Summary: he only loves you when he’s faded

Genre:  non idol!au, kinda stoner!au, friends to lovers!au, fluff, a lil bit of angst it’s me what are you expecting

Word Count: 1.4k+

Warnings: small mention of drugs

A/N: can you tell i love harry styles? lmao, but the song is really sweet. once again, it’s based on this post. pls don’t let this flop. anyways i hope you enjoy it :)

series masterlist || main masterlist

gif credits to kokorobeom

«1 || 3 »

disclaimer: i don’t agree with yugyeom’s antics, this is not healthy at all. he has zero consideration for the reader’s feelings despite liking them. toxic behavior at its finest

Yugyeom invited you to hang out at his place one afternoon. And you knew exactly what it meant, so you brought extra snacks and your comfiest clothes. The music coming from his phone played softly in the background as the two of you sat on his living room’s floor, your backs against the couch and two blunts on the coffee table untouched. Your head was leaning against his shoulder, your eyes closed as Yugyeom fed you chips. The only noises heard in his apartment were the music and his loud chewing that didn’t seem to bother you anymore.

“You look pretty today.” He broke the silence, his tone slightly playful.

Even though you didn’t open your eyes, you knew he was smiling. It didn’t really surprise you anymore, you were used to him complimenting you out of nowhere. But despite being a habit, it still made your heart skip a beat and you wished, deep down, that he’d for once mean it like you did.

“Not as pretty as you.” You replied in the same tone, snuggling further into him.

He chuckled and you felt his chest vibrate as he brought another chip to your lips, only to move it away once you opened your mouth. He did this a couple of times, both of you laughing at his childish antics before you finally had enough and grabbed his wrist so that you could eat.

A new song started and it caught your attention. You had heard that playlist countless times but you had never heard that song before. Its soft melody soothed the non-existent ache in your chest, it made you yearn for a love you never lost. Opening your eyes slowly, you tried to make out the singer’s voice, to see if you actually knew the song. But your mind was blank as you tried to decipher the artist’s name.

“What song is this?” You asked, eyes not moving from his phone on the floor in between the two of you.

Yugyeom turned up the volume, the melody casting a new light to his now sunset painted living room thanks to the open window. It wasn’t like any other song Yugyeom ever showed you. He had a very specific music taste, usually something that made him look more badass - or manly as he liked to call it - than he was. Songs with dirty lyrics that he would whisper in your ear when he was too high to think of any words other than the ones he had memorized over time.

“Why do you have this song? It’s not your type at all.” You asked, lifting your head from his shoulder so that you could look at him properly.

“It reminded me of you.” It slipped from between his lips before he could think his words through.

When I run out of rope, you bring me home

Your eyes met but he quickly looked away as his ears turned pink.

“Why does it remind you of me?”

Yugyeom sighed and you could see him struggling on whether he should say something or just keep quiet and hope you’d forget all about it.

“I-I like you.” He confessed.

“You like me?” You repeated.

Your heart skipped a beat and you weren’t sure if it was in a good way or not. His displays of affection in the past could make you believe in his words if he wasn’t high when he decided to hold your hand or kiss your neck. In the morning he wouldn’t remember anything and you were left wondering if he actually meant anything. So why was this time any different?

But it was. This time it was different because he was sober and completely aware of his actions. He remembered everything, maybe not as clearly as you did but the faint memory of the taste of your lips still lingered in the back of his mind. His sober mind couldn’t handle the pain of rejection, of losing you, so he never said anything hoping you’d bring it up.

“Yeah, I’ve liked you for a while.” He paused “I thought it was obvious when I flirted with you.”

“I…I thought you were joking.” You managed to articulate “But I like you too.” You added.

Silence filled the room once again as both of your hearts beat so loud in your chests that you wondered if the other could hear. Sitting up straight, you realized that the two of you were way closer than you thought. Yugyeom turned his head towards you, leaning in to brush his lips against yours, to test the waters and see if you’d pull away. You did more than not pull away, you kissed him. His lips were soft and still tasted of the snacks he had been eating. You could feel the soft tickle of his breath on your face as you brought your hand up to his hair, fingers carding through the soft strands that he had recently dyed. Warmth blossomed in both of your chests as you moved your lips against each others until he pulled away, not really wanting to do so.

It wasn’t the first time that the two of you had kissed. But it was the first time that you had kissed sober. And yet, you still felt high. High on Yugyeom, his scent, his touch, everything seemed too much and yet not enough. No drug pumping through your veins could ever recreate that feeling and to be honest, you didn’t want it to. That feeling you wanted to associate with Yugyeom only and you were sure he felt the same way.

Yugyeom leaned back and laid his head on your shoulder, his eyes closed. He mumbled something, asking you if you remembered something funny that happened a while ago. You laughed, the memory of that night still present in your head. Silence filled the room once again but it was comfortable, so neither of you minded it. You only moved to place the snacks in your lap so that it could be close enough for the both of you to reach it but only you were eating. After a while, you noticed that his breathing got slower as he wrapped both of his arms around one of yours. Looking down at his sleeping figure, you smiled before doubts started filling your head.

What were you? It was a legitimate question seeing that the line between friendship and something else had been blurred many moons ago. It wasn’t the first time you kissed and it wasn’t the last. The confession should change things but you had the vague memory of spilling out all your feelings when you were intoxicated, not really sure on what and still waking up to be just Yugyeom’s best friend. Only this time, you weren’t sure if you could take that. You were both sober and aware of what you were saying, something had to change.

But as Yugyeom blindly reached for your hand in his sleep, your chest felt a little lighter. The doubts weren’t gone, far from that, but his unconscious gesture put you at ease. The only thing you wanted was to enjoy the moment. Whatever it was that was going to happen, it could wait, that was what you thought as you laid your head on top of his. You were going to enjoy the moment. After all, it could be the last one.

Bonus:

Bambam used his spare key to open the door after no one answered it. He ventured into his best friend’s apartment stopping dead in his tracks once he hears music playing in the living room. The playlist was very familiar to him, so he figured that was where Yugyeom was.

Bambam opened his mouth, ready to make a stupid joke on why Yugyeom wasn’t answering the door but was quick to shut it once his eyes fell on the two of you. Yugyeom’s head on your shoulder and yours on top of his, hands intertwined and smiles on both of your faces.

Finally, he mumbled as he grabbed his phone out of his pocket to take a picture at the disgustingly adorable scene (in his opinion) in front of him and send it to the group chat. His phone vibrated with replies almost immediately but Bambam only read the last one.

[Jinyoung]: It was about time those two idiots realized

feedback is appreciated :)

[onepunchmiss]

OPM s2e10 Live Blog

“Justice Under Siege”

ALRIGHT so despite the fact that it is the 1 week anniversary of my death, OPM has forcefully wrenched me from the underworld to come continue with the season. So here I am and I’ve already posted my guess for what this episode will entail so lets see how well I handle it! (see: how much I scream) As always, I’m watching as someone who is up to date on both the Manga and webcomic

ASDFGHJKL I OPENED OPM ON HULU AND IT IMMEDIATELY PICKED UP WHERE I LEFT OFF AT REWATCHING THE ZOMBIEMAN BIT HOW DARE I WAS NOT READY

lets try that again ok

AHA YES OMG we’re starting with this!! I was totally expecting to pick up exactly where we left off, with Destrochloridium at the HA but OK throw me for a loop! Mix it up! “ORA ORA ORA ORA” I love Saitamas VA, I’ve said it before and I’ll say it again I laffff oh my god it keeps going in the background as Kind talks I can’t

This is the scariest Saitama face I have ever witnessed wtf??? Why does it look so creepy?? Also, they added quite a bit to this scene huh? I guess They have to amp up the jokes since shit is getting pretty serious otherwise at this point in the series. OH SHIT THE DING ‘NO OTHER WORDS CAME TO MIND” OK Excellently done that got me I cackled fffffffffffffffff

OH MY GOD KING THAT SICK BURN?!?! I dont remember that I guess they’re really making it a point to be like ‘HEY LOOK THIS IS GONNA BE USED!!! IT EXISTS!!!’ but like I dont care cause it was worth it for the joke hhhhhhhhhhhJUST

Yanno, I just realised I think I know where every sing scene in the whole opening comes from down to the omake. Also just realised we are definitely getting Genos/Bang/Bomb vs Centipede cause that joint attack Bang and Bomb use is in the opening. Huh why did that only just now click anD OH MY GOD BB GENOS IM DYING NO

Ok now we’re where we left off and oh dear god I HATE that squish noise please stop no OK Gyoro’s weird Eye twitch was a cool touch. Oh wait Narinki is the highest ranking executive now? I thought he was just the top donor of funds or something? eh anyway- lol wow Gyoro puts on a convincing sob story voice this is so funny?? Cause its Complete BS and I wonder what my reaction would be if I didn’t already know that AHH OK BUT THAT ‘HEHIHIHIHIHI’ LAUGH THO OMG SO GOOD

WHEW ok but seriously just the MENTION of assembling all the heroes is raising my blood pressure asdfghjkl if I may have one thing in life PLEASE LET IT BE A THIRD SEASON PLEASE IM BE G G IN G

AHH YESSS!!!! YYYEEESSSS!!!!! DARKSHINE MY DUDE MAN BRO GUY YESSSS!!!!!!! I LOVE!!!!!!! I JUST!!!!!! HAVE A SOFT SPOT FOR THE OTHERWISE NORMAL GUYS WITH OBSCENE MUSCLES LIKE DARKSHINE AND TTM!!!! AHHHHHH!!!!!!!

ASDFGHHJKL Did Destrochloridium just shout Itadakimasu?? HULU y u no translate that??? DOI as he gets smooshed pfffffftttttttttttt omg the sound pls ohmigod everyone knows steel is no match for a hardened body i just fukken HEKK I love this show so much pls he sounds so concerned that destro DIDNT know that

“Better step up” OH MY GOD YES DO THE THING

OK WAIT This is actually badass and not just a joke?? Darkshine, er, Blackluster(??) stop u r 2 good I cant handle it rn

oooohhhhHH OH OH OH OH PLS SHOW EVERYONE I WANT PLS THE MONSTER ASSOCIATION!!! PLS!! SHOW ME WIFE?? CADRES?? PLZ?? yo total side note but I LOVE Murata’s monster designs?? Every time I reread opm I just oogle at a new one I never noticed before they’re all so unique and good. Also At least 3 of them in this sequence look like pokemon i swear- lol the silence no applause, if that was a joke in the manga i totally missed it uuuuwaAAAAAAAAAAA SCREAMING SCREAMING I AM SCREAM CADRE YES YES ASDFGHJKL ARE YALL READY TO SEE T H  A T FACE FOR THE REST OF THE SERIES THUS FAR???? HUH????

ew oh wait I actually feel bad for Awakened Cockroach, and he twitches after getting eaten oh noooooonono ew oh no dude im sorry no AAAAAAAAA WIFE HELLO oh their voices are so sad when they’re terrified for their lives I dont like it :[ ITS OK UR SAFE 4 NOW ILY PLZ BE CAREFUL AND STAY AWAY FROM PRETTY MEN 

YES THIS EPISODE IS GIVING ME EVERYTHING IVE  WANTED SO FAR THANK YOU SO MUCH HHHHHHHHHHHHHHHHHH LOOOOOOOK AAT THEMMMMMM

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAMY TRASH SON I HAVE MISSED YOU OH NO MY EYES THERES WATER IN MY EYES HELP ILY

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAMYCYBORG SON MY HEART I WEAK GENOS BB PLS BE CAREFUL ILY TOO hey heres a WACKY  and TOTALLY LoOnEy IdEa, what if,,,,,,,,,,,,,,WHAT-IFF,,,,,,,,,,, everyone was HAPPY???? Crazy I knowww I just want the best for my sons and babies and children boys wives daughters loves and husband, is it so much to ask???

Oh my god he looks so Sad here please no Genos everything will be ok please don’t be reckless do not be reckless listen to Dr. Kuseno you fool 

[SCREAMING] ASDFGGHJKL LOOKIT HIM EATING OH MY GOD MY BOY MY DELINQUENT SON GET BETTER SOON oh my god i started out fine this episode but its KILLING ME there are TOO MANY PEOPLE AT ONCE i CANNOT BREATH

CHILD EMPEROR MY SON I LOVE YOU TOO BOFOI UR AN ASS oh my god please can you even TRY to be a good mentor for the kid???? Thats it Zombieman adopt him pls remove shitty Bofoi influence replace with Best dad man influence. ANYWAY ok that was a tangent huh oops sorry. Ok but look at him. Child Emperor is genuinely adorable and a sweetheart poor kid don’t lose your faith in adults.

Uh, the episode is running late still not to Garou yet either?? hmmmmmmmmm again I’m getting nervous are they gonna rush it?? lol the saitama throwaway OH OH FINALLY OMG MY HEART ISNT READY MY FAVORITE GAROU IN THE WHOLE SERIES OH MY GOD

im… im screaming… i love these two so much it hurts it does really. I was not prepared for how adorable it was possible to make Tareo either can I hug?? I must hugg?? And Garou’s voice is so calming and he’s being so sweet? I was really expecting to sound more… i dont know, whiney? Every time he shows up on the screen I love him more and more ffs

This is such a good shot. Desktop wallpaper material right here.

Oh my god, this moment. And the music is just yanking my heart strings stop.

Oh yeah, they interrupt right. I like these heroes and all, but none of them are particular faves the fact that I think SO MANY OTHER FAVES were are RIGHT before them this ep just kinda overshadows their existence for me. I think this is the ONLY time in the series where Garou goes up against heroes and i cheer for him 110%, don’t even feel a little bad about who he’s beating the shit out of, and that’s kinda messed up of me but thats how impartial I am towards all these guys?

Back to Garou and I love him. hhhhh.

He smak the table

He laughs. Oh no his laugh. OPM forcefully dislocated me from the underworld to watch this episode and has thusly YEETED ME TO HEAVEN THAT LAUGH. I really need Garou to be happy.

Do you see this man? Do you see him? I do and I’m crying thank you

Omg I got really caught up it watching them talk but the sparkles around death gatling whe Tareo was looking at them snapped me out of it. oi I cant handle this. Garou I want you to know that you have successfully turned the bad guy into the one everyone wants to win. You did it boy you did

WOAHMYGOD THIS IS BEAUTIFUL

OH MY GOD AND THE MUSIC IM SCREAMING

GAROU

YOU

ARE  

AMAZING SON

like I know how this goes but I’m so anxious anyway the hhhhhhhhhhhhh the fight choreography is a little clunky but I don’t care OH ok cool Glasses actually kept his little spotlight nice but Garou GAROU PLS B CAREFUL OK except WHAT THE FUCK IS HIS MOUTH DOING THAT LOOKS SO STUPID WHAT THE HELL?? HOLY SHIT IM GETTING DIZZY STOP wh- wh- wait no. NO IM NOT DONE WITH YOU YET COME BACK PLEASE I NEED MORE WAIT NO UHG this is my reaction at the end of every episode when will I learn?????????????? never. The answer is never.

NO POST CREDITS STINGER and AS MUCH AS I LOVE GENOS’S FACE I already knew he would be in the episode next week. Yall I am so lost as to where the final episode will land. WTF.

This ep was a roller coaster oh my god. Non stop plot not that the tournament is done, and we saw like EVERY CHARACTER my feeble heart could not keep up. The ONLY thing that bothered me was part of the fight sequence at the end, like it was half drawn beautifully half animated so stiff and blocky ??? Threw me for a loop. But next week is only gonna get more intense??? I’m gonna guess we’ll get through the Elder Centipede fight??? But then what does that mean for the last episode??? I am full of SO MANY QUESTIONS??? I really don’t want the season to end yet, 12 eps is not enough. There’s only 2 more. Just. I’m not ready to let go of my bbs it feels like I only JUST got them… Well! Before I devolve into more of a blubbering mess, thanks yall so much for reading!!! As always, see yall next week!

[hale-of-stiles-heart]

Little things I loved about Venom (2018)

(people seemed to like the one i did for Love, Simon so here we go away)

Eddie was right, Anne in a suit is 👀👌

the part with Anne leading Eddie to the bedroom with her tie was amazing, Eddie is such a bottom I just can't

Drake telling the little girl that she's in charge (I know he's a dick but that was cute)

the bartender shutting Eddie down

Eddie's whole interaction with Maria

"Meditation doesn't work because I bought a DVD from your cousin and it's in Mandarin."

also, in that scene, you could see how much Eddie wanted to help

"How's Mr. Belvedere?"

Eddie getting suspicious when Maria wasn't there to charge him for the newspaper

the whole part with him calling Skirth out for obviously following him (I love the parallel of him seemingly talking to himself when talking to her vs seemingly talking to himself when talking to Venom)

Eddie immediately trying to help Maria despite not knowing if it would put him in danger

the whole chase scene sequence in the woods

*grabs steak and bites it* "That's dead!"

the lobster tank

Dan, very patiently, trying to talk to Eddie in the lobster tank

Venom randomly blurting "Food!" because big mood

Eddie screaming when he first saw Venom in the mirror and knocking himself out

the neighbor's reaction to Venom

"Is there a parasite that could make me climb a really tall tree but like super, super fast?" Eddie you dumb bi disaster

the entire chase scene through the city, especially the angry reaction to 'parasite' and Eddie and Venom bantering

"Oh, that was pretty cool, I'm not gonna lie!"

pretty much all of the dialogue of that scene

"I am Venom and you are mine" wow, okay, you possessive bastard

Venom correcting Eddie to say 'we' instead of 'I'

Eddie protecting his security guard friend

Venom admiring the city while Eddie's just worried about the height

"No, we do not eat policeman!"

Eddie and Venom running after Anne like in that vine, you know the one

Eddie asking for help like a reasonable person, his voice breaking and everything

Venom immediately liking Anne

"Aww, that's nice."

"You can hear him?" "All the time."

Eddie's it's been less than 48 hours don't be overdramatic

Riot bonding with a little girl, it added an extra creep factor that was just perfect

Eddie getting pissed at Venom and Venom insisting that he can heal him and telling him not to listen to Anne and Dan

"You were killing me? What happened to we?!"

because 1. Eddie pretty much calling Venom out for being a loser and 2. Eddie was already pretty committed to being a we

Venom using the dog as a host and Anne immediately recognizing them

the whole exchange with Drake/Riot

Eddie holding his own without Venom

Eddie making out with Venom/Anne without any hesitation

Venom admitting he's a loser

"You. It was you, Eddie." Fucking iconic.

Eddie and Venom reaching for each other

"You talk too much."

Riot stabbing Eddie, I literally gasped even though I already knew it happened

Venom crawling over to Eddie while vaguely romantic music played in the background

"Traitor." "Have a nice life."

"Goodbye, Eddie." Like c'mon, how am I not supposed to view this as a romance

Eddie (not very successfully) hiding Venom from Anne

Stan Lee's cameo!!! Especially Venom asking, "Who was that guy?"

the whole ending scene that tied a bunch of stuff together

that post credit scene!!! I mean!!! Woody Harrelson as Cletus Kasady!!! Him writing 'Welcome Eddie' in blood!!!! The setup for Carnage!!!!

anyway Venom (2018) is one of the best romantic comedies I've ever seen and all the critics who gave it bad ratings are dumb cowards

[murasaki-murasame]

Thoughts on Fruits Basket 2019 Episode 16: “She Said Don’t Step On Them!”

I feel like I’ve been waiting ages for this episode specifically, and let’s just say it surpassed my expectations!

There’s something surreal and thrilling about finally getting an episode that’s like 99% stuff that wasn’t covered in the 2001 anime at all.

I think this might already be an improvement over this arc from the manga, and it was already one of my favourite bits to begin with, so that probably says a lot about how much I liked it.

Anyway, thoughts under the cut. [Potential spoiler warning for the whole manga]

I guess this is what I do every week, but I want to immediately talk about how this compares to the manga and exactly what material it adapts, since this is the first episode thus far where it’s been unclear in advance exactly how they’d go about it. Every episode thus far has more or less covered one- or two-chapter long self-contained story beats [aside from some rearranging early on], but this is the start of a two-episode arc adapting a three-chapter arc of the manga, so I’ve been wondering how they’d do it.

So basically this episode adapted chapter 39 and the first half of chapter 40. Which is a bit of a jump forward from the last episode covering chapters 25 and 26, but honestly I think it works fine to move Uo’s whole backstory arc up this early. Especially since we know that they’re also going to be adapting Hana’s backstory chapter later in this season, even though it happened even later in the manga, it’s clear that they’re trying to shuffle things about a bit so that the first season of the reboot covers all of the major character introduction/backstory arcs from the first half of the series, which I think is a good choice. This way the second season will be all about introducing entirely new characters and developing old ones.

I was wondering if they might attach chapter 50 to the next episode so that it can keep up a two chapters per episode pace, but I probably should have expected they’d just cover one and a half chapters per episode instead. It should work out for the best, but I guess this means that we won’t be seeing Kureno until season 2. I wonder if they’ll also leave Rin’s introduction to that point too. She gets introduced a little bit earlier than Kureno in the manga, but they’re gonna be shuffling things about later in season 1 anyway so she might also just appear near the start of season 2.

Anyway, that aside, this was a really good and faithful adaptation of the first half of this whole backstory arc. And since it covered less than two chapters, it gave them room to really flesh things out and to add a few things here and there, including an entire post-credits scene. Which was a real surprise, since I don’t think there’s been a single post-credits scene in the whole show before this point. But I’m not complaining or anything, since it was incredible. You’d think it would have been way too jarring after how sad of a note the episode ended on, but I think it did a nice job of just sneaking in some last minute comedy. It was also an entirely anime-original scene, which was nice. It’s pretty similar to a few background moments we get with the delinquent girls, but I’m pretty sure it’s technically still a new scene. I have a feeling that they wanted to give themselves an excuse to throw in some character animation that’s a lot more cartoonish and loose than what this series usually has, and I respect that, lol. It fit these characters really well, and it made the scene really stand out.

It’s also worth noting that back in the New Years episode they also added a scene that gave us a glimpse of Uo’s household, and how her father is a recovering alcoholic. Which at least puts a more positive and hopeful spin on this whole episode.

I’ve always really loved this whole arc from the manga, since it’s one of the best examples of the series’ willingness to take the time to really flesh out it’s supporting cast and to build up this interconnected web of relationships, and thankfully the anime’s really doing it justice so far. We still have another episode to go before this whole part’s finished, but I think it’s safe to say that the next episode should be just as good as this one.

The whole deal with Kyoko having been a delinquent in the past, and even Uo having been one too, have sorta just been running jokes up to this point, but this is where the story really makes it clear that on top of being a running joke, it’s also a topic that it’s willing to seriously dive into and explore the implications of. We haven’t gotten to the part where we really get to know about Kyoko’s own delinquent days [that’ll happen WAY later], but we do get a really interesting glimpse at her post-delinquency life in this episode, and most of all this is where we get all the details about Uo’s time in her gang.

The manga was already pretty explicit and heavy about it, especially for the time it was made, but pretty much everything about the animation and music and voice acting really elevated it even higher, and made the reality of it all even more hard-hitting. The specific type of gang Uo was in probably comes across as a bit more ‘dated’ in the modern day than it’s meant to, but I don’t think it’s super jarring or anything.

I have a feeling that most people getting into this series don’t exactly expect it to end up having a whole arc about how young people can fall through the cracks in society and end up involved in criminal activity before they know it, but that’s just what this series is like, lol.

I think one thing that really gives this whole part a distinctly ‘realistic’ tone is the fact that in several different ways it’s all about looking back on dark elements of your past when you’ve been able to grow past them and become a better and more happy person. Uo is literally narrating this story to everyone as a flashback just to highlight how different she is now and how much happier and more well-adjusted she is with Tohru and Hana in her life, and how she’s channeled her rebellious punk energy into being part of her self-confidence and independence, rather than it all being about her being a vulnerable live wire who just wanted to lash out at everything.

And on the other hand, we find out that the thing that really shook Uo as a child and made her think about her own life and whether or not she was truly happy was seeing how Kyoko had moved on from her own delinquency days and forged her own life and her own family. Like she said, she just learned to relax, and to let it all go, and Uo just didn’t really know how to process that at the time.

It just gives it a more mature and introspective sort of feeling, rather than having it be about characters who are still in the midst of it all. We do get the three delinquent girls who are tailing Uo in this episode. Though they’re mostly just funny background characters, which in it’s own way also spells out how the series isn’t trying to, like, glorify and glamorize the image of deliquency.

But I do still like, on the other hand, how Uo still has largely the same punk aesthetic and attitude going on. It’s just channeled in a more positive way, and she does it just because she genuinely enjoys it, and not out of a need to fit in with a gang. It’s just neat that the story still lets her embrace certain aspects of how she used to be, rather than having her completely abandon all of it and just be conventionally ‘normal’ afterward.

Also, before I forget, they also added a small detail of having Uo’s senpai from the gang watching her leaving Tohru’s house, and I think there were one or two other moments elsewhere that emphasized the way that she was keeping an eye on Uo. It’s not like there wasn’t any of that in the manga, but it was a lot more minor and easy to miss, and it was a bit more out of the blue when we found out later in this arc that she went to Kyoko for help.

And even if it wasn’t exactly a new scene, I really like how moody and atmospheric the scenes at the start and end of the episode with Uo in her apartment were. It’s not the sorta tone this series usually has, but it worked really well. The bit at the very end with Uo’s thoughts and the sound of her father’s TV blending together into overwhelming white noise was a really fantastic touch that helped get across how bad Uo was feeling.

With how this episode managed to be even more intense than the manga version was, I can’t wait to see how the next one goes, since it’ll be the big emotional climax of this arc. And now that we’ve seen how well they’re adapting Uo’s backstory, I can’t wait to see how their adaptation of Hana’s backstory chapter later in the season will be.

Also, on top of all the incredibly good and dramatic Uo content, the cute and fluffy present-day scenes were even more cute and fluffy than they were in the manga. It’s kinda funny at this point how much they’re leaning into the Kyo/Tohru ship-tease, lol. I feel like Kyo’s screen-time in this episode was 90% just him blushing and making a >n< face and honestly I am living for it.

I have a feeling that a lot of anime-only people might not even realize that this is actually the first part of a two-episode arc, rather than a self-contained episode like basically all of the ones before it, since it was still so cohesive and satisfying on it’s own. So I wonder how surprised they might be when they find out that the next episode is a direct continuation of this one.

Anyway this was a great episode and I’m even more excited than ever to see the anime get even deeper into ‘new’ material.

[snkpolls]

SnK S3E18 Poll Results (Manga Reader Version)

The poll closed with 381 responses. Thank you to everyone who participated!

Please note that these are the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

RATE THE EPISODE 363 Responses

This was considered a very emotional episode for many viewers, but also highly praised. A majority 86.8% of viewers rated the episode 5/5, with only a few less thrilled viewers.

beautiful episode

Attack on Feels at its finest yet again

It felt slightly underwhelming, but I don't think it couldn't have been considering how great the previous episode was

I cried so much, but I liked it a lot.

Brilliant and excruciating

the most emotionally impactful episode for me so far. it was perfectly done

Awful, fast-paced, and just a statement that Araki wanted to get this out of the way before he could very probably put his eremika fillers. Him cutting out Reienr's tears is unforgivable. It lessens his relationship with bert when the fucking back-bump was a highlight of the OP.

Best of the season

Powerful episode with excellent voice acting.

It was absolutely perfect!

It was so emotional and dramatic, this show keeps getting better and better

WHICH OF THE FOLLOWING WAS YOUR FAVORITE PART OF THE EPISODE? 371 Responses

A number of notable moments split the chart into several nearly even pieces. In fact, 16.2% of respondents could not decide their favorite moment. 12.7% did favor watching Levi make his final choice, with Levi and Hange saying their goodbyes to Erwin, Hange’s speech, and the 104th holding Armin in the 9%’s.

Shirtless Armin really waters my crops

This episode was DEVASTATING. OnoD had only one line, but even that one, all soft and weak that made the Commander sound so *human*... I was practically sobbing. And the look on Levi's face just. Just ended me.

Eren and Mikasa's pain was beautifully done. Kaji Yuuki is an absolute marvel, his voice is always dripping with emotion and Eren's pain brought me to tears, too. Not to mention Mikasa's wail...

WHICH SEIYUU WAS THE MVP THIS EPISODE? 366 Responses

Of course, such emotional performances should be credited to the talented voice acting. 36.6% of respondents believe all of them deserve equal praise. 25.1% thought Eren’s seiyuu, Yuki Kaji, was MVP for this episode, followed by 17.8% Yui Ishikawa, who plays Mikasa.

Thanks to the voice actors it had more impact than the manga. I cried for Levi, who had to make the hardest decision of his life.

Yoooo i made a post on reddit appreciating Zeke's VA but he didn't get included in the VA list ;_;

i am a hardcore dub over sub person and yuki kaji had me in tears. SUPER phenomenal voice performance in this episode, jesus christ.

Might’ve been the best ensemble voice acting I’ve ever seen in anything and that included movies. Eren’s, Mikasa, and Levi’s performances were phenomenal. Also, Erwin and Bertholdt’s voiceactors made their deaths that much more impactful.

Great VA work. Growing increasingly attached to floch character because his VA is so good.

Regarding the voice actors this episode, everyone did an awesome job and I expect EreMika to take top place. I chose Hange though because this episode showed new sides of her and it felt like she had a bigger variety of emotions to display. From the relentless wish to kill a titan, which was something uncharacteristic of her usual self, to the strong and determined ""It was my decision"" and then her desperate and vulnerable speech, and finally, her worn-out ""He's already dead."

I may have said all the voice actors were MVP this episode(they are tbh lol added a lot to this already emotional episode) but Mikasa's crying omg I FELT THAT

Hands down to the voice actors this episode, man. They deserve all the praise they can get. 🙌

THIS EPISODE HAD A PROFOUND LACK OF BACKGROUND MUSIC. DO YOU THINK THIS WAS THE CORRECT DECISION ON THE PART OF THE ANIME TEAM? 369 Responses

The majority of the episode had minimal or no background music. 71% of respondents were especially supportive of the decision, with 19.2% who were simply content. The rest would have preferred some more soundtracks or didn’t even notice at all.

It was a great decision, we could focus on what was the most important during those scenes - pure emotion in an outstanding performance by the VA's.

I feel like a track could've been placed during Hange's speech, but otherwise I liked the silence

thanksArminTitan ruined everything

It creeped me out so much. Awful yet good

It was great. But it could also have been great with music so I don't know if it was a good choice.

The silence made it feel eerie, you were able to hear the sizzling body in the background.

THE LACK OF AN OP WAS AN EXCELLENT DECISION. JUST HEARING SHIGASHINA BURNING? EXCELLENT DECISION.

This episode destroyed me! I was nearly in tears during the whole episode and finally shed tears once the music started playing at the end 😭

WHAT WAS YOUR FAVORITE PART ABOUT HANGE’S SPEECH? 371 Responses

Hange’s monologue about loss tugged a lot of heart strings. 35.8% of respondents preferred seeing the flashback of Moblit’s sacrifice. 33.2% liked everything Hange had to say, while 20.8% favored the hug between Hange and Mikasa.

WHO DO YOU FEEL WAS OBJECTIVELY THE BETTER PERSON TO REVIVE? 370 Responses

The decision between Armin and Erwin’s survival split the participants’ responses near evenly, though 47.3% thought the best objective choice was to revive Erwin, while 42.4% thought Armin was a better choice. (A small 10.3% thought neither were good options, you monsters!)

I want to say that depends on what sort of objectively we are looking for. Are we looking at it from an in character perspective? Then yes, I would've chosen Erwin. However, if we are looking at it from a story analysis/out of universe perspective, I feel Erwin should always have died, as Armin, in my opinion, has more potential for an additional narrative arc (though his character development would also have been perfect if he had died there) but also through Erwin's death, a lot more people gained new development (Levi, Hange, Armin obviously, Floche to some degree, to some degree the rest of the 104th) that I feel is much more important from a narrative point of view. This arc marks the moment where the status quo about the world is very violently shaken up, and Erwin's death does the same thing to the SC which I feel works best thematically.

OBJECTIVENESS ASIDE, WHO WOULD YOU HAVE CHOSEN TO REVIVE? 371 Responses

When it comes to personal preference, 70.1% of respondents would revive Armin, while 24% would have picked Erwin.

HOW DO YOU THINK ERWIN WOULD FEEL IF HE HAD BEEN PICKED INSTEAD OF ARMIN? 365 Responses

Had Erwin been chosen to receive the serum instead of Armin, 49.6% of respondents believe he would have mostly felt guilty. 25.8% believed Erwin would understand the final decision, while 15.3% think he’d be disappointed.

Accepting, but terribly sad, guilty and weary.

Happy to find out about the basement but once he confirmed his father’s theory, I think he would have preferred not being chosen.

Depressed. After the basement? Unmotivated and listless.

The first thing is he would want to go see the basement. After that, he'd continue to be crushed by his guilt and feel burdened with the responsibility of the titan power even though he no longer has a motivation to lead an army.

His speech made everyone go on a suicide charge with him, therefore after he would survive his guilt of fallen comrades would be unmeasurable. The charge was his final decision and his final redemption.

Erwin not only feel guilty at having been forced to live after coming to peace with his death, he would probably also come to resent Levi for breaking Erwin's trust by bringing him back.

Idk i feel he'd kinda be resentful like he was ready to die and he did value armin's skills so maybe he would view them killing off potential as a bad choice?

He would be suicidal like Reiner. Truth is Erwin wanted to die. And the basement reveal wouldn't make him happy. Like oh shit I found out the truth but now I have to worry about humans(Marley) instead of Titans now.

Very very tired. And saddened by Armin's death (cause the loss of potential, and I sorta feel Erwin does see his own younger self in Armin) but at the same time, it's also the same sadness over all the recruits that died. And again, that they died but he lived.

WHY DO YOU THINK LEVI INJECTED ARMIN INSTEAD OF ERWIN? 371 Responses

Multiple possibilities factored into Levi’s decision to pick Armin, though 45.8% of viewers believe it was mostly because Levi wanted to let Erwin rest. 42.6% believed it was a mix of all possible factors that played a role in his decision.

Erwin told Levi how he felt all his dead comrades were looking at him, Levi didn't want him to live with the guilt any longer.

I think ultimately, after Floch's speach Levi realized that Erwin was indeed becoming a monster and he didnt want him to go further down. But I also think that he cared for Armin and his dream enough that also played a part in his choice. He may have realized that he was being a hypocrite when he told Eren to set his feelings aside.

I believe that Levi wanted Erwin to escape this hellish world but also because he saw a more visionary future from Armin.

He realized Erwin gave up on his dream and made his mind to die but Armin hasnt and died while still longing for his dream. Plus he wanted him to rest from being a devil with guilt

Levi realized that Erwin had given all he had to give and that he’d only be bringing back an empty shell of who Erwin was. It would also be cruel to bring him back, as Levi explained.

He realized that Erwin and Kenny were both driven by the intoxication of their dreams, and wanted to set Erwin free from that.

Levi understood that Erwin's wish was to die there, at that moment when he was finally in tune with his words as a commander

Many factors influenced Levi's final decision. But I want to say something that suits better than simply saying "Levi chooses Armin". I mean, yes, he gave him the serum and the chance to be reborn to Armin, but I saw him more as if Levi chose Erwin as the best way for him, not for humanity. Both (and all) are slaves of a dream, a goal to achieve in their lives, and it is wrong to say that some dreams are more "good" or more valuable than others. Their lives cannot be measured by their actions, but by their souls. And Erwin soul was tired, full of pitty and guilt for how much soldiers and close friends died because "they gave their hearts" to him, their life and dreams for humanity, and every dead was a weight that fall in his shoulders, every mission, every year. And for Levi, Erwin is the most important person in his life, he knew all of his suffer. Erwin's death was the freedom for him, being freed of living in this hellsite and being called by the name of the devil. In summary, Levi decision was the most kind, empathetic and noble act in his life for Erwin. He loves this man so much, he needs to rest.

WHICH CHARACTER DO YOU FIND YOURSELF MOURNING THE MOST? 370 Responses

Three long-term character deaths happened in this episode. 58.4% of respondents grieved Erwin the most. Moblit was mourned by 18.9% of participants and 16.8% were more emotional for Bertolt’s demise.

Bertholdt deserved better 😔

I thought I got over Erwin’s death but haHA GUESS I WAS WRONG

RIP Erwin.

I feel almost cheated by having Bertl reduced to just titan fodder for the sake of pushing a protag’s story along.

F to Erwin

WHICH PART OF THE EPISODE GOT YOU CHOKED UP, IF AT ALL? 369 Responses

There were plenty of tearful moments that got viewers grabbing their tissues. Mikasa’s panicked crying when Levi was preparing to inject Erwin choked up 16.8% of participants the most. Levi’s reaction to Erwin’s death was the saddest to 13.3%, and 11.9% were emotional over Eren’s final plea to save Armin.

I teared up when Erwin died; I didn't realize the anime adaptation of Serumbowl would affect me so much. Kudos to the directors, VAs, animators, everyone for such an impactful episode

The episode was beautiful. It made me cry throughout most of it. The voice acting was amazing, especially Mikasa’s VA imo. Tons of respects for the VAs for delivering so much raw emotion and the animators’ amazing work on the visuals.

I'm not crying you're crying

Even if Eren and Mikasa were more demonstrative in their emotions, the one that made my heart broke is without hesitation Levi. His silent despair was much more poignant.

the "Which part of the episode got you choked up, if at all" made me insulted. I choked up the entire episode and this wasn't even a option.

I didn't cry like I did in the manga.

HOW WELL DID THE ANIME ADAPT THE CORRESPONDING CHAPTERS? 367 Responses

Overall, a majority of respondents believed the episode was very faithful to the manga with 80.4% rating at a near perfect score.

i wish the anime production team would realize that since anime ("film") and manga ("print") are two totally different media, you cant just adapt an anime episode "panel by panel" from a manga and have it be as good. it needs to be formatted for *anime*. such a lazy fucking way to go about adapting a show

Honestly this episode was emotionally exhausting, in a good way. The silence was a brilliant choice on the directors' part as it let the VAs raw emotion carry the episode. Character animation and expressions were also on point. Couldn't be happier with the adaptation of Ch.83-84.

IF LEVI HAD CHOSEN TO INJECT ERWIN, DO YOU THINK THAT THE CURRENT MANGA SITUATION WOULD BE AS DIRE? 370 Responses

It’s possible the events of the manga would have been different if Erwin were chosen instead of Armin. 24.9% of respondents the situation would be just as dire, 24.6% are not sure what would have happened, and 24.1% have faith in Erwin to come up with better strategies.

Armin will come through like he always does

His presence COULD have prevented a lot of factors, but this is just a guess, there is no guarantee he would change anything.

It would probably have been as bad, but Armin still has time to do something important.

Eren probably would've been a bit resentful over losing his best friend. Resulting in him going off on his own and being potentially more uncaring with the choices he makes

Would things be different if Erwin had been saved? I believe a lot of the shit that's going on in the manga right now is because cultists infiltrated the Survey Corps. I know Erwin is not perfect but his absence left a clear gap in their organization.

Hard to say. Grass is greener on the other side.

Just different. I don't think we can say that Erwin would've dealt with the current situation better because the current situation would not exist at all. From the moment of Erwin's death, the decisions became Hange's and her priorities shaped those. Erwin, from the start, would've made different decisions. Those may have led to the same situation occurring, those might have led to a whole different set of difficult circumstances. It is impossible to predict. Plus there is the Eren factor. We have Eren causing a lot of trouble for the SC right now, and that is an Eren who did get the revival of his best friend and his close companionship for a few more years. And Eren who lost Armin would've acted completely differently. Would he have resented the SC? Would he have even wanted to stay under the people who, in his eyes, killed Armin? Would anyone be able to talk him down. Would he strike out on his own more quickly and have another reason for potentially joining with Zeke? Maybe in a universe where Erwin was revived, sure, they would've had his experience and political savvy, but it is quite possible they would've lost Eren completely at a much earlier point. Does that lead to a better or worse situation? We literally cannot say.

I don't think there's a way to know for sure. Erwin stated that he wasn't sure what he planned to do after seeing Eren's basement, plus I'm not sure if he would have been able to handle any more guilt related to sending his soldiers to their deaths. Personally, I agreed with Levi when he said that Erwin deserved to rest.

No fucking Armin is useless as of now. That's what Hange was saying about leadership and insight. We could easily argue Isayama hasn't written anything for Armin, but you could also argue that attests to his lack of. Erwin wouldn't let Eren go rogue. The biggest question to ask all manga readers is whether Armin has done anything for humanity that Erwin couldn't have done thus far.

The situation inside the walls would definitely be a lot more organized, but when it comes to turning the tables on Marley, Armin seems to find the most creative ways to turn the tables on their enemies in a way that doesn’t leave a pile of corpses behind him the way Erwin does. The early part of this arc demonstrated what they lost with Erwin, but I believe it’s Armin’s turn to do something great again. And let’s be honest, it’s Eren’s fault that Armin hasn’t gotten the chance to do anything besides plan the Liberio reinforcements anyways.

EREN WAS UNABLE TO LET ARMIN GO, A SHOW OF HOW MUCH HIS FRIENDS ARE HIS WEAKNESS. DO YOU THINK HE STILL HARBORS THE SAME WEAKNESS TOWARDS THEM IN THE CURRENT EVENTS? 371 Responses

One of Eren’s biggest vulnerabilities is his attachment to his friends, although current manga events have displayed Eren’s less heartfelt treatment of his loved ones. 51.5% of respondents, however, still believe Eren harbors the same weakness for them now as he did back then.  25.6% aren’t quite sure, while 18.6% believe he has completely moved on.

He does care. He just isn’t weak about it. Or at least, he doesn’t show it. But he still wants to protect them.

I think only placing Armin or Mikasa in a deathly situation would descover If Eren still harbours feelings for them. In this point of the manga I believe Eren has forgotten all love and compassion and he needs a sparkle to remind them.

He grew up, so of course he has changed. But I still believe he cares about them, he just doesn't want them around rn and prefers to do this by himself.

Eren never really cared about his friends. He didn't wnat to let Armin go because he can't take no for an answer.

Some yes but I think he is influenced by so many previous titan shifters and the titans themselves it got kinda suppressed

Probably? Maybe he kept what happened here in mind in order to say the horrible things he did in Ch 112. I honestly hadn't thought of this before, that Eren himself would distance his friends because they were his weaknesses. :/

I don’t think Eren actually loves Armin, just what Armin symbolizes to him

Maybe a little but not as much

if we can believe what the message Isayama is making us read between the lines to see, yes, the 104th are his weakness and he is subjecting himself to be a terrible villain for their futures and freedom, 100%

HAS THE ANIME ADAPTATION OF THE SERUMBOWL™ CHANGED YOUR PERCEPTION OF EREN AND MIKASA IN THIS MOMENT? 367 Responses

When the Serumbowl chapters were first released, there were varying reactions to Eren and Mikasa’s actions. With years since then and the anime retelling, most viewers’ opinions remained unchanged, 69.5% of respondents say that they were always empathetic, while 10.1% are still indifferent, and 9.3% remain upset by their behavior.

I get where they were coming from, I still do. But I also still think they shouldn't have acted this way (neither of them, even Levi), but it was a tough and intense situation

It was badly animated and overacted so I cringed. But that’s not the characters’ fault

Eren was understandably sad but Mikasa proved her unlikability further with her need to resort to violence.

From their perspective, it was reasonable for them to feel that way. However, I felt disappointed that Erwin was going to die especially since I would have chosen him.

I understood their behavior, but they were in the wrong ( both versions)

Empathised before, but now moreso

It changed a bit from Eren side bc I was surprise by the ease he could have to rebel against someone he admire that much, but also Mikasa bc with a manga reader perspective, I saw that she wouldn't have killed none of Levi and Floch. But tbh I just  thought "Oh waw, it's almost scary to see how well they get along when it comes to murder someone"

EreMika being emotional during the serumbowl. Well that is understandable but not excusable. I could argue that Levi was emotional too, his decision to revive Armin wasn't just because he wanted Erwin to rest but also because he thought Armin had a good, pure dream (otherwise he wouldn't have gotten all those flashbacks of Armin flailing about the sea). But EreMika only wanted their friend alive, with little consideration towards Humanity's chances of survival, and only after a long process of persuasion did Mikasa finally let go of Armin...while Eren still did not. That, coupled with the fact that Mikasa legit attacked their one and only best soldier because emotions...I cannot find their actions justifiable…

Eren action just screams childish and selfish just like a child who is throwing a tantrum and crying out loud when his demand wasn’t fulfilled. I understand he can’t helped it since it’s his precious friend but it just shows his immaturity and his inability to understand other people pains other than his own. I don’t see him putting his faith in Levi’s decisions nor others comrades’ when the decisions didn’t go the way he likes; he was angry, bitter, he even forced to take it away and threatening.

FLOCH HAS COMPARED BOTH ERWIN AND EREN TO A DEVIL. DO YOU THINK HE SEES THE SAME QUALITIES IN EREN NOW THAN HE HAD SEEN IN ERWIN? 369 Responses

Floch believes only a devil can defeat their enemies. With the current happenings of the manga, 73.4% of respondents believe Floch thinks Eren holds similar “monstrous” qualities that Erwin had, though 14.6% are not quite sure.

Maybe Floch in the Manga is trying to become the devil because he knows no one else will do it.

HOW DID YOU FEEL ABOUT THE SPLIT SECOND FLASHBACK OF ERWIN RAISING HIS HAND AT SCHOOL? 367 Responses

The anime added a brief transition scene of Erwin raising his hand at school. 52.9% of respondents enjoyed the addition and felt it helped show that Erwin was in a dreamlike state. 40.6% of viewers though it was a neat extra touch that added more impact to the moment. A small amount of viewers could have done without it.

I jumped when i saw that moment, that was a perfect decision, this episode is truly poetic cinema.

Essentially the second option, but I'd like to say that it wasn't just a "neat" addition, it was a heartbreakingly poignant one.

really makes you realize how much erwin was stuck in the past

I blinked and almost missed it, so if they were gonna add it, they should have made it a tad longer

Apparently this still wasn't enough for people to realize that this was Erwin hallucinating, and not him rejecting the serum.

I feel like Erwin overheard everything & willingly rejected the serum, but was just so out of it that he couldn’t form the right words to tell Levi his actual thoughts on the matter. I think it’s good writing, generally speaking.

I started sobbing

It was funny and silly actually

This scene was made in perfection. It showed Erwin’s hopes and dreams but also his big heroism and dedication to the cause.

iM NOT CRYING YOU'RE CRYING

NOW THAT WE KNOW MORE ABOUT BERTOLT, HAVE YOUR FEELINGS ABOUT HIS DEATH CHANGED? 366 Responses

More information on Bertolt’s backstory was revealed later in the manga, which had 31.7% of respondents feel more pity for him when watching his death in the anime. 24.6% were always sad to see him die and 21% of participants felt more sad about it.

Didn't really change. On one hand i feel bad for him but i also really disliked him.

His death in the anime mirrored Marco's and seemed fitting

Nah, i didn't felt anything when he died, and even tho i am more empatethic and pit for with him rn, he still killed hundreds of people. It's good to understand the characters reasons (somethign wedon't have with Eren) but it's also a fact that his reasons don't erase what he did.

I felt bad for Bert's death before the Marley arc. But more of a disturbing pity way. Now I feel alot more sympathetic. However, he still deserved to die unfortunately.

In that moment I felt so bad and there are times when I do but in general I prefer Paradis to Marley. Though I understand what an awful situation they are in. The music and how it was carried out was heartbreaking tho.

His reaction just broke me, in the end he was left alone, with his own guilt and unfulfilment.

I am more sympathetic, but I still believe that he brought that onto himself.

I've always been ambivalent about Bert's death; I'm not happy to see him die but I'm not particularly sad either.

No, he's one of the characters the series could never get me to care much for.

Seeing Bertholdt’s death made me a lot more emotional than the manga. His reaction and voice acting really hit it home for me since I have a soft spot for him after reading the manga. RIP Bertie, despite the circumstances he couldn’t control he definitely deserved better :’(

WHAT DID YOU THINK ABOUT THE ADDITION OF BERTOLT SMILING AS HE SPOTS HIS FORMER COMRADES? 368 Responses

The anime added a moment of Bertolt’s temporarily smiling when he saw his former comrades.  44.3% of participants thought the addition added more emotional impact to his death, and 28.5% of participants felt sorry for him. 14.9% were upset that Bertolt had the nerve to smile at all.

Dark as heck, I love it

After he clearly asked them to die, how could he think they would help him? (Granted, he was panicking and all but still...)

It was a good show that for a brief moment after regaining consciousness, he was back to thinking of his days as a solder and that his old friendship would save him, before realizing the gravity of the situation

Didn't notice until it was pointed out on Reddit; strange detail to add

It made the scene weirdly comedic

That moment of hope then realization did work emotionally, but I preferred the way it happened in the manga.

It wasn't a smile. More like a baffled-smile.

We all know that his actions were imposed, and the thought of them alone has traumatized the RBA trio. They have shown many times the guilt and need for forgiveness for everything they did. They don't deserve any of this, much less die in such a horrible way as being devoured alive! For me, Berthold was a background character, the boy who was always next to Reiner and that's all, but reviewing and watching more closely his evolution in the anime, even more his death, made me feel really bad for him. Berth deserved more attention in his life, more love and praise, because it is evident that his self-esteem was THAT LOW for all the comments that others gave, including Reiner, his best friend. Anyway, as I said in a post, the one who died was not the Colossal Titan, was a lonely, shy and noble teenager who just wanted to be loved.

I truly wish the survey corps were instead able to convert Bertolt and Reiner to their side instead of watching Bertolt die so brutally. The fact that he flashed a smile when he saw his former comrades really goes to show that he instinctively thought of them as his friends. Truly a sad addition to the anime. All he wanted was to be found.

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 366 Responses

From the preview scenes of the Basement, a majority 39.9% of participants anticipate the scene of Eren being unable to unlock the door with the key. 29.8% of respondents are most looking forward to Eren, Mikasa, Levi, and Hange approaching the basement. 13.7% are anticipating the scene where Armin learns about the sacrifices made to revive him.

I just need to see Eren's face trying so Hard to lift the bar that fell on top of his house and Mikasa and Levi just lift it like it is a feather.

Levi opening the basement's door with his foot is one of the best scenes of the whole chapter and no one will ever change my mind

THERE HAVE BEEN RUMORS ABOUT A POSSIBLE ANIME-ONLY EM FLASHBACK SEQUENCE NEXT EPISODE TO MAKE SURE THE EPISODE ENDS WITH GRISHA AND FAYE LEAVING THEIR HOUSE. THOUGHTS? 367 Responses

There are rumors that the new episode will have an extended flashback with Eren and Mikasa.  60.8% of respondents are fine with the addition as long as it doesn’t detract from the manga material. Others are very excited about the flashback, don’t want the extra scenes, or don’t care.

As long as it contributes to what’s currently happening, I won’t have a problem with it.

I don't think anime has time for filler

The anime direly needs a breather episode to let people process the events of the last few episodes, and that would allow for it while also leading to an ending that brings in the next part of the story.

I dont like filler but if it's relevant and faithful to the story, why not

I like when they stick straight to the manga, but this will be interesting?

ADDITIONAL THOUGHTS ON THE EPISODE?

The anime deciding to work both 83 and 84 into an episode solved my biggest issue with Serumbowl just like that. By having both chapters flow into each other, the sense of urgency and chaos of the event actually resonated with me, rather that having lost that in the monthly wait between chapters. And I really appreciate that.

I was crying like a fuckin baby, this was amazing.

Wonderful episode. So much emotion. I was only disappointed to see that it removed the close-up shot of a crying Reiner. I believe it was the only scene of him ever shedding a tear since he became a warrior..

Hange may have suffered the most by losing her close friend/assistant and her close friend/commander + physically losing her left eye. She also has to step up to the mantle of being the new commander to fill the impossibly large shoes that Erwin left behind.

All the emotions I felt while watching this episode made me realise how much i am greatful for those who matter to me the most, this is why this episode was just the best.

Erwin will live forever in my heart. Best anime character

Sad that we didn't see Reiner crying.

I find it great that Bert's death was done in such a great way where whether you are a Manga or Anime-only viewer, you have tons of different conflicting opinions regarding Bert's death.

This episode was splendid, brilliant in every way, I just have to give a round of applause to the voice actors and animators who did this great work. And maybe for that reason and to relive these feelings already believed buried years ago, I thought about what things would have happened and not if another path had been taken. The death of Erwin was the breaking of everything. In that time (years ago) when I saw that Levi chose Armin, it was sad, VERY SAD, but I had faith that he would be the future and the hope to guide us to a better destiny, one without big conflicts and wise and transcendent decisions, but no. Until now Armin has not done much, almost nothing. The current situation of the government, the "betrayal" from Eren and genocide on Liberio, Historia waiting for the time to pass so that her son born and immediately introduce her to the curse that cost so much to get out, ingesting the Beast Titan from Zeke. All these factors make me think that if Erwin was alive none of this would have happened, his leadership and conviction are more necessary than ever now. And seeing it as a whole, more than the fact that Erwin is officially dead (I mean in anime and manga), it gives me even more pain and helplessness than before to see that maybe Levi's decision was not the right one. This feel of desolation also falls for Levi (ofc), Hange, Armin, Eren, Historia, in everyone! Perhaps if the situation had been different, maybe everything would be better, I don't know. However, I don't want to stop believing in Armin, if he was chosen is because he has a purpose to fulfill, perhaps being the new "Helos" that will stop this great war, I don't know either... We'll see it soon, I hope so.

Some of the timing in the animation was weird and irked me a little

"I read the manga, I know whats gonna happen, I'll be fine" - BOY WAS I WRONG! Cried like a bitch pratically the whole episode holy crap what a masterpiece this episode was

It was so so so so badly animated. It looked worse than the manga. The amount of completely still frames was absurd.

It feels like the end of an era. I don't think I'll ever be able to watch the anime the same way. After this, everything turns upside down, and everything seems tainted by the truth of their world. When I think like that I'm glad Levi let Erwin go when he did. Erwin would have thrived in the current events, for sure, but he would've hated it and himself for his part in it. I have no doubt Erwin would blame himself thoroughly for Armin's death, if he had been given the serum then.

Best episode of season 3 thus far. I feel like the art in this episode is the best out of any of them, mostly due to the fact that they probably brought back some of the season 2 staff to work their Close-Up-Facial-Shot-Magic™️. There was a lot of detail put into the faces of the characters this time around and I feel like that’s been lacking ever since season 3 started. I hope they stick around for the rest of the season.

As someone who is extremely neutral about Mikasa, this episode made me shed tears at the expression of utter pain she had when she accepted armin's death, 10/10 animation, how heartbreaking.

The last 3 episodes are the greatest Attack On Titan episodes ever. I just can't decide which one is the best. I am leaning on Hero, but both Perfect Game and Midnight Sun could easily take its place.

omg it was so good I died and thanked God that snk exists kjnhbdhcbdsapozkd

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 353 Responses

Thanks again to everyone who participated! We’ll see you again in a few days!