#i enjoy their dynamic so much

[fredmundo]

oshamir ; born knowing you ; two violent beings coming together

[nato-obenkrieger]

i think it would be very funny if jeremy and nato (who are cousins for the uninformed) hadnt seen each other since they were young and they meet up after they both transitioned (jeremy heere trans girl fight me you wont) and theyre immediately like "YOURE A GIRL/BOY NOW??" in sync.

[thevikingwoman]

A small gift for @galadae! I love Cala and Hien so much, and had to write this little scene. I hope you enjoy, my friend 💕

thank you so much for your support of my own brainrot 😔

Fandom: Final Fantasy XIV | Words: 527 | Read on Ao3

Calantha Lenn x Hien Rijin | romance Ranting: T. Fluff, established relationship, sparring

Stress Relief

Calantha is somewhere between aggravated, alarmed and saddened – not that she perhaps would use those words herself. She mostly just finds herself weary, and glad she has the time to see Hien, her stress lifting as soon as she sat foot in the Kienkan. Even if she does, perhaps, slam the shoji open with more force than strictly necessary.

“Calantha!” Hien looks up from the scroll he’s been reading, and smiles at her. She doesn’t even resist the urge to smile back, some of her annoyance dissipating at the sight of him. “How you are you?”

“Fine,” she replies. Really, she is. “And you?”

Hien nods, rolls up his scrolls and stands. “To be forthright, I need to stretch my legs – too many missives today.”

He reaches for her, and presses a soft kiss to her lips.

“Do you care to spar, Calantha? I could use the exercise.”

Calantha considers. She is tired, but restless.

“Not afraid I will injure your pride?”

“We will see.”

~

They warm up both of them, the luxury of having time to stretch and not rushing into battle. Calantha picks a simple lance, and Hien a training katana.

“Ready?” Hien asks, and Calantha realizes she is more than, bouncing on her feet, restlessness winning over her tiredness.

Hien charges her, and she jumps, avoiding his swing. It’s a rush next; attack and dodge, weapons connecting, retreat and attack, strike and parry. She thinks she gets a hit in or two, but Hien doesn’t flinch and presses on, likewise managing a strike on her, the blunt weapon striking across her thigh.

Hien grins at her, and presses his advantage, but Calantha flips out of his way, landing solidly in the empty training yard. She wipes sweat off her brow, and their dance begins anew. Now, Calantha takes the time to assess the battlefield, determined not to let Hien get the upper hand. She knows his fighting style, as well as he knows hers. Considering, she vaults back when he advances, twisting herself to avoid crashing into a training dummy. Hien advances again, his gaze blazing, almost like a physical caress.

It wouldn’t serve to get distracted now. She goes on the offense, thrusting her lance with a renewed fierceness. Thrust and counter. Thrust and counter.  When Hien takes a step back, she presses, and jumps.

Calantha has him against the wall, the tip of her lance pressed against his throat. She looks down at him with a feral smile, and Hien swallows and licks his lips.

“You got me, Calantha.”

She breathes out, a hard puff, and tosses her lance to the ground.

“And your pride?”

“Hale and well.” He drops the katana, and puts his hands around her waist. “You did not have me on the ground.”

She bends her head and kisses him, hard and rough at first, but she slows when he melts under her, giving and giving and giving. Calantha feels much less tired and far more calm when they finally break the kiss apart, and she pulls him as close as she can.

“I think you tricked me,” she says.

Hien smiles into her collarbone.

“Did, I now?”

[hekuuu]

mixed signals

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[deecotan]

anyway here's wavewave

[peace-hunter]

Hi! I love your Ghost Primes with Optimus AU! It’s so good.

I have a question though, do the Decepticons know that Optimus can see the 13 prime ghosts or do they just get increasingly confused each time they fight?

Thank you for the lovely artwork!!

oh they Know something funky is going on for sure lmao

a little more serious answer: they can tell something is going on with optimus and they desperately want to pretend it's not. they don't want to know how he's aware of things he shouldn't be, how he knows stuff that should have long been forgotten, how he seems to be more familiar with them than he should be. how sometimes he speaks and it's like the dead are talking through him. how sometimes he will answer to empty air and somehow they can just tell what he's responding to. who he is talking to.

they Know. and they really, really want to pretend they don't.

they already carry the guilt of failing them once. the idea of doing it once more is unbearable and they'd rather deceive themselves than face it. they'd rather their friends stay dead and gone than think of them seeing what they've become.

haunted au

[joejhang]

my favourite bits of the unhinged kandreil draft snippet

honestly this is a goldmine of insane moments. love nora for this.

THEIR BANTER THO

good to know neil's always been a cunty diva

it's giving you'll just have to taste me when he's kissing you. r.i.p. kandreil au kevin you truly had infinite rizz.

the way i feel like i've been sledgehammered

andreil still going strong

the way they have me giggling and twirling my hair kicking my feet booktok couples could only DREAM of having this kinda chemistry

i don't think i need to say anything

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[sunny-knight]

STING

a short Sailor Song animatic!

(I made this a while ago and only posted it to my tiktok- posting it here now for reasons explained below!)

*nothing will ever be the same.

Hey hey some past followers of my tiktok may recognize this one! Still incredibly happy with it… AND SO! The idea has stuck with me, and ivd been planning a full AMV on the song with the same concept just a LOTTT more expanded on, because omg am I obsessed with the Roommate Toriel endings-

The circumstances and how they are being handled is gives direction but we still dont know all the exact points cause why the hell would Sans tell you that?

AND SO! TO AVOID SPOILERS IM ACTUALLY GONNA REFRAIN FROM YAPPING AS MUCH ABOUT THIS- id end up just saying all the stuff I plan to add in the whole song.

Only thing ill explain with this is WHATS THE PRESENT??? cause lots of people asked that in the comments of my tiktok- Its THIS BAD BOY. (change in dialogue to when you kill Papyrus)

lastly, I dont knowww if the boiling will carry on to the full AMV, just cause thatd take FOREVER. but the format is gonna be pretty similar to the short!

lastly lastly CLEARING UP SOME MISCONCEPTIONS THAT I SOMEHOW HAD IN MY COMMENTSECTION- UH

the comparison between Sans enjoying his time with Toriel, and missing his life with Papyrus- and how Sans and Toriel can be considered romantic- THAT IS NOT- AND WILL NEVER BE, AND HAS NEVER BEEN MY INTENTION WITH SANS AND PAPYRUS 😭😭 its just missing your old life after getting caught up in your new one IDK HOW THAT CAME ACROSS HERE BUT I WANNA MAKE THAT CLEAR IN CASE ANYONE ELSE CONSIDERS THAT

lastly, lastly, lastly, take this teaser for the amv… (forgettable au reference?????????????)

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[habken]

I love drawing stuff for other fandoms and ships and stuff and then after a few days going “okay that was great. Now back to the two losers I care about the most”

[benevolenterrancy]

Swords pining for each other's cultivator is my new favorite type of pining. Love your NieYao content! <3

I don't suppose we could get Baxia or Hensheng throwing a tantrum while Jin Guangyao / Nie Mingjue are away, leaving their owners to deal with the embarrassing aftermath?

Also, do you have any recs you'd recommend with these two?

this is the exact moment Nie Huaisang realised he was going to have to start meddling in his big brother's love life (con't: 1, 2, 3, 4, 5)

Hensheng, on the other hand, doesn't throw tantrums but WILL sulk...

[crazymecjc]

but can you imagine Jace from Act3 end up seeing Viktor from season 1 and BECOMING absolutely crazy, careful, obsessed with staying with him all the time/making sure he doesn't get evil/corrupted by the Hexcore and still with the knowledge that this man saved him countless times from death, that he chose him in all dimensions and possibilities and that Old jace from the past DIDN'T realize it.

HI ANON. IM IMAGINING ‼️‼️‼️‼️

(I’m taking jayvik drawing requests! send me an ask!!)

[shouyuus]

>“college roommate!vi who goes real quiet the first time you laugh in her presence, a real laugh, not one of those ha-ha ones you snipe at her when she's trying to get a rise out of you, or teasing you about spending all your time in the library, but one that shakes your shoulders and makes your whole face light up.”

inserts that one reaction image with the badly drawn figure head in hands blushing. ahem anyways i’ve been going through your collage roommate stuff again because it’s so lovely i love rereading it!!! your hc stuff is so nice

i feel like just. lovergirl!vi is so real in every universe right like no matter what, she loves so hard and with her whole entire fucking chest. like.

the first time she feels that tingle in her stomach, she kinda knows is already a bit too late. bc like PHEW there's only DOWN from here like she's finna SPIRAL and she KNOWS it.

all rise for simp!vi truthers!!!!

[linkedin-offficial]

was about time i drew these two... i love their shenanigans 🫶

piripu + mufotsuki belong to @mufos-photo-album !