#i dont write lol | Explore Tumblr posts and blogs

luxaofhesperides · 10 months ago

Text

Soulmark AU + Sleeping Beauty ; requested by @candeartist422!

For the last few years, Duke’s been waiting for his soulmate to die.

It sounds cruel to say it that way. But the waiting is more painful, he thinks, than just mourning a lost love. It’s not like most people ever meet their soulmates anyways; his parents weren’t meant to be, but they still loved each other and had a life together. He wishes he could turn his focus away from his soulmate, but Duke is a romantic at heart and has always wanted to find the other half of his soul.

But since he was fourteen, his soulmark has dulled, fading in and out of color. What was once a vibrant blue crystal star, with eight points and a swirl of watercolor hues around it, dimmed more and more until Duke was sure he was watching his soulmate die slowly.

His soulmate didn’t die then. Whoever they are got better, his soulmark gaining color, but it never went back to the way it was. For years after, Duke would check at the beginning and end of each day, keeping track of when it faded and when it regained its color.

He thought his soulmate was sick. In and out of hospitals, fighting to stay alive.

And then it went nearly colorless.

Duke doesn’t remember much about that day. He knows he woke up, brushed his teeth, the lifted up his shirt to check his soulmark in the mirror. The blue was almost completely gone, the star on his left hipbone nearly gray with how colorless it was. He started at it for a moment, shocked, and reality slid away from him as he retreated into the safety of his mind, fully dissociating.

Bruce had found him when Duke didn’t show up for breakfast. He held him and offered quiet words of comfort that Duke couldn’t understand, but just having someone with him lessened the hurt of losing his soulmate.

Seeing the color come back the next day, faint as it was, hurt even more.

A year later, Duke still can’t break the habit of checking his soulmark twice a day. It hasn’t changed at all, still faint and dim, but carrying just enough color to show that his soulmate was still alive. At the very least, they were still breathing, but his chance of ever meeting them is basically zero. Still, he can’t help but hope, wishing that he could meet them even once before they die and leave him forever.

“Same as ever,” he murmurs to himself as he brushes his thumb against his soulmark. He’s terrified that he’s forgotten how beautiful the blue of it was when his soulmate was healthy.

Duke doesn’t let himself think on it too much anymore. Though his thoughts often turn to his soulmate during quiet moments like these, the busy nature of Gotham is usually more than enough to pull his attention back to the here and now. There’s no use in obsessing over his soulmate anyways; they’re just going to die, sooner or later, and Duke knows he’ll never get to meet them. They’ll just be another empty space in his life, right next to his parents.

“Come on, Thomas, focus,” he tells himself firmly, then gets dressed and heads down to the kitchen for breakfast.

The manor is quiet. It usually is in the mornings, with everyone from the night shift dead asleep and trying to get as much rest as they can before they have to start their day. Not that many of them stay in the manor these days; Duke and Damian are the only permanent residents at the moment, but Steph usually stays half with her mom and half in the manor during the summers when she’s home from college, and the others drop in whenever they feel like it.

Bruce lives more in the Batcave than the manor, so he doesn’t really count. It’s also why Duke is surprised to see Bruce awake and dressed like a normal person, drinking coffee in the kitchen as if this is a normal occurrence.

“Morning,” Duke offers.

“Good morning, Duke,” Bruce replies. “Sleep well?”

“Well enough. Alfred out or something?”

“He may have kicked me out of the Batcave to clean it up a bit,” Bruce answers tiredly. “Want me to make breakfast?”

Duke has heard the horror stories of Bruce’s attempts to make edible food in a kitchen. In the interest of not dealing with food poisoning, Duke shakes his head quickly and says, “Nah, it’s fine. I was kinda wanting to eat out for breakfast. Get out there as me, and not a mask, you know?”

“Mind if I join you? Alfred may forgive me for not sleeping if I willingly go outside.”

Duke laughs. “Sure man, as long as you pay.”

“I’ll drive, too.”

“What, don’t trust me behind a wheel?”

Bruce gives him a tired look, eyes dead and dull. “I have taught all my children how to drive. The day I willingly let them take the wheel when I am not actively dying is the day I’ve been replaced by a robot clone of myself who doesn’t know better yet.”

“That is… very specific. Is that a thing you usually worry about?”

“I’m Batman. I have to worry about everything.”

Yeah, that tracks. Duke wouldn’t be surprised if he has at least five contingency plans for that scenario, should it ever happen. “Well,” he says, “Right now, all you need to worry about is having your wallet and driving us down to The Foodie Nook. I’ve been craving their breakfast plates for ages.”

Bruce doesn’t object to his choice of restaurant and follows Duke down to the garage, grabbing a random set of keys and pointing it out to the many cars he owns. One near the front blinks its lights as it unlocks and Duke cheerfully tosses himself into the passenger seat as Bruce opens the garage door.

The drive into Gotham is smooth. They don’t hit traffic until they reach the bridge that leads into the city proper, taking them away from the quiet of Bristol. The morning is busy, but not enough that Duke worries about being out as the Signal to help keep the peace. It’s a normal type of busy, one borne from people going about their lives, feeling safe enough to go out.

The Foodie Nook is entirely local and very popular, so the parking lot is nearly full. But they expanded their space last year, which means he and Bruce don’t have to sit outside while they wait to grab a table. Bruce keeps conversation light and casual, well aware of the many listening ears around them, and it’s nice, feeling normal for once.

Well, as normal as life can be with Bruce Wayne™. The server who comes to lead them to a table realizes who she’s talking to after she gets a proper look at them while holding open the door and promptly stutters over her words.

“No need for any special treatment,” Bruce laughs lightly, “We’re just here for breakfast. Nothing special.”

“Of course,” she replies, cheeks red. “Um, right this way! We’ve got a table by the windows for you. Just two, yeah?”

“Yup! Just two. Thought this was a good day to spend some time with Duke. He’s a great kid, you know, I’m glad I was given the opportunity to foster him.”

The sunny, cheerful Bruce Wayne persona is so different from the usual Bruce he works with that it feels like he’s standing next to a stranger. But his words are sincere and warm his heart, filling up the gaps that his soulmate has left.

“Here you are!” their server announces, showing them to their table. “I’ll be right back with some menus.” She’s gone in a rush, and other customers glance over before quickly averting their gaze.

It’s one of the unspoken rules of Gotham: give the Waynes their privacy while they’re out in public. Questions and conversation are for public events only, but if they see a Wayne out and about during a normal day, everyone leaves them be unless spoken to first. Duke used to follow those rules as well when he was just another Gothamite. It’s strange being on the other side of that now that he’s in with the Waynes.

Duke barely has to look through the menu when it’s handed to him. The breakfast plates are his favorites and he gets one every single time he comes to The Foodie Nook; stacked full with breakfast foods from around the world. As a kid, he loved the Mexico Plate, but these days he’s craving either the Brazilian Plate or the Vietnamese Plate.

He can’t decide on which one and thinks about tossing a coin to decide, but seeing how that’s Two Face’s whole thing, he decides to hold off and settle the matter with eenie-meenie-minnie-mo.

He gets the Vietnamese Plate.

Bruce, on the other hand, reads through the entire menu like it’s a novel, then leans over and says rather loudly, “Duke, what’s a tort-illa.”

The pain he feels hearing that is only worsened by the amusement in Bruce’s eyes. He’s doing it on purpose, playing up the Brucie act for the public so he can psychologically torment Duke. A few nearby customers choke back laughter, turning away to hide their smiles.

Duke shakes his head and says, “Don’t worry about it. It’s just food. Don’t ask any more questions, I just want a peaceful breakfast.”

“Well then,” Bruce replies, “I suppose I know what to order now.”

As if she was summoned, their server reappears before them, cheeks still looking a little flushed. “Hi! Ready to order?”

She writes down their orders quickly, valiantly keeping a straight face at Bruce’s mispronunciation of tortilla, then heads off to deliver their orders to the kitchen.

Rather than draw out a conversation with Brucie Wayne, Duke settles for playing a few idle games on his phone; his current favorite is one quiet cat cafe game where he directs cats into fulfilling cafe orders.

Bruce, despite being out in his civilian identity, is working. He’s on his Batman phone, which looks the same as his other cell phones except this one has a bat symbol sticker just barely hiding a Superman sticker on the phone case. His brow is slightly furrowed as he reads whatever file he’s accessing from the Batcomputer. It’s a little worrying but it could be anything. Bruce makes the same expression when he reads one of Tim’s snarky comments getting quoted in the news.

But that’s not Duke’s problem! He’s here to enjoy his breakfast and it will take the end of the world itself to remove him from his seat before he’s done eating.

The game takes most of his attention until their food comes out, and by then Bruce has tucked away the smallest of his Batman mannerisms. They enjoy a normal, peaceful breakfast. Bruce ends it by asking their server if she has any debt that’s weighing her down, then giving her a tip that’s at least five thousand dollars above that.

She does cry and Bruce hugs her. It’s very sweet.

As soon as they get back into the car, his easy going smile drops and Duke knows some superhero nonsense is about to take over his day.

“Duke,” Bruce starts, seriously, “I received a message from Zatanna.”

“Don’t drag this out,” Duke says, “Just give it to me straight. What terrible thing is about to happen to us?”

“It’s nothing too big. They just recently defeated a magical being who had been tearing apart secret government facilities in Illinois. He had both magic and a high tech weapon, which they confiscated and are delivering to me. The government agency he was fighting was suspiciously interested in the weapon, and based on their behaviors and newly revealed work, Zatanna made the decision to turn the weapon over to us so it doesn’t fall into the wrong hands.”

Bruce smoothly merges into traffic as he speaks, getting them onto the road back to the manor. There’s a look in his eyes that means he’s keeping a lot unsaid, and Duke knows without a doubt that whatever this government agency was doing is bad if Zatanna needs Batman to act as extra security.

He’s not sure about her decision to trust the weapon to be safe in Gotham, either. Sure, Batman will keep it as safe as he can, but with their luck, it’ll end up in the hands of a Rogue and lead to a lot of death and destruction.

As soon as they cross the bridge and return to Bristol, Bruce steps on the gas and the car tears down the road. Without any other cars to worry about (or traffic laws), it takes barely two minutes to reach the manor, when the gates open for them and let them into the garage.

Alfred waits for them by the door, looking them over with a critical eye. “I see you have managed to go outside, Master Bruce. What’s the special occasion?”

“Just breakfast,” Bruce answers. “I’m heading back down to the Batcave. Zatanna will be here soon to deliver a weapon.” He’s gone before Alfred can say anything more, hurrying down the hall and turning the corner, disappearing from sight as he heads towards his office.

“I see we have yet to break that bad habit of his. Did you enjoy your morning out, Master Duke?”

“Sure did, Alfred. I’m, uh, also going down to the Batcave. He’s definitely not telling me a lot about what’s going on, so I’m just going to read about it over his shoulder. I’ll be back up for lunch, though!”

“And perhaps you’ll be able to drag Master Bruce away from that cave of his,” Alfred comments wryly as he walks with Duke towards the office. He gives Duke a nod, then splits away from him, returning to the kitchen where Duke can hear Damian speaking to someone, probably Tim by the annoyed tone of his voice, and mentally wishes Alfred luck in handling them.

Duke sets the correct time on the clock in Bruce’s office and heads down to the Batcave, taking the steps two at a time.

Bruce is already at the Batcomputer, shoulders tensed, when he arrives.

“More bad news?” he asks as he makes his way over.

Bruce doesn’t bother looking away from the screen as he says, “More details about the fight. It seems the magical being called himself a ghost and was going on a rampage due to a betrayal. He says they nearly killed his son.”

“Oh, yikes.”

“And two of the scientists working with the government agency said that he stole their son and is keeping them from saving him.”

“Yikes,” Duke says with more feeling.

He doesn’t get to hear anymore details about JLD’s fight with this ghost when he catches a flicker in the corner of his eye. Duke turns and stares at the empty space in the Batcave near the medbay and watches as colorful magic gathers and swirls in dizzing circles. The portal opens a moment later and Zatanna steps out, looking exhausted and lightly singed.

“Batman,” she greets, holding a white gun that looks like it belongs in an early sci-fi movie from the 60s. “The GIW is trying to arrest us. Constantine keeps burning their badges and documents so it shouldn’t be a problem, but they are determined to get this back. I wouldn’t be surprised if they came after you next. They’ve got some way of tracking things, but I didn’t have time to get any details before I had to leave.”

Bruce takes the gun from her hands carefully, looking it over with a sharp gaze. “Why would a ghost want to use a gun?”

“I don’t know. He had a variety of powers, too.”

“What does this do?”

“Shoots ice. He never let it go and nearly burned me alive for taking it before we subdued him.”

“We’ll keep it locked up,” Bruce promises.

Zatanna sighs. It looks as though a physical weight fell off her shoulders. “Thanks. I’m going to head back to stop Constantine from getting into a fistfight with the GIW agents.”

She opens another portal with a waved hand and a muttered spell. Bruce is already walking away to set the gun down on a work station, so Duke is the one to wave Zatanna goodbye.

By the time he reaches Bruce’s side, the gun is already dismantled, all pieces neatly set aside. Sticky notes denote which pieces go together and in what order. It looks the same as most guns, save for the aesthetic, but the heart of it is a glowing blue orb, large enough to cover the entirety of Bruce’s palm, and it brings a chill to the air.

Duke stares at it and feels his soulmark burn ice cold.

“Duke?”

It’s in his hands. He doesn’t remember reaching out to take it, but it’s in his hands. He can’t take his eyes off of it, cradling it gently and bringing it closer to his chest.

It’s the same blue his soulmark once was. Before his soulmate began to fade, before every day became a waiting game to see how long his soulmate will last before they die.

This has something to do with his soulmate. He’s sure of it.

He won’t let anyone take it from him.

“Duke. Give that to me.”

He doesn’t feel like he’s in his body. He’s detached, floating somewhere outside his body, puppeteering his limbs, making them move without feeling the motion. Shadows condense around his feet and Bruce takes a step back, wary.

“Duke,” he says again, but Duke can’t find any words, can’t draw on his voice, can’t even look away from the bright, bright blue of the orb. It pulses lightly in his hand like a heartbeat.

Bruce reaches a hand out.

He’s pulled back by shadows before he can get close, and Duke holds the orb against his chest, right against his heart, and feels the cold seep into him.

“Duke. I need you to look at me.” This time, Bruce’s voice has Batman’s growl in it, a heavy command that he can’t help but instinctively follow. He looks up and meets Bruce’s eyes, but he can’t focus. All his awareness is in his hands and the heartbeat of the glowing orb.

“I have to protect this,” Duke manages to whisper. “I… I think it’s alive.”

“Okay. Let’s get you to the medbay so you can sit down. We’ll figure this out, Duke.”

Bruce slowly, carefully, sets his hand on Duke’s shoulder. He keeps his attention away from the orb, so Duke allows it and lets Bruce guide him to the medbay and onto one of the medical cots. Bruce leaves him after a minute of quiet fussing, muttering about calling Zatanna.

Whatever. None of that matters when the heartbeat of the orb grows stronger, steadier, and Duke feels it match the beat of his own heart.

Time slips away from him. Distantly, he hears people move around the cave, speaking in low tones. A hand presses against his shoulder, warm, then moves away.

The orb in his hand moves.

Duke blinks slowly, then claws his way back to awareness, pushing past the haze that’s fallen over his mind. The orb turns over in his hand, then cracks right down the middle. The glow grows stronger, washing the medbay in blue light and a symbol appears on the orb.

It’s his soulmark.

Later, he won’t be able to say why he did it. There were no thoughts, no reasonings, no explanations. Duke simply moved on instinct and lifted the orb up to his face and pressed a soft kiss against it.

One moment, the orb was still.

The next, it had burst in a flash of light that blinded everyone in the Batcave, and then a thin, injured teenager had fallen into Duke’s lap.

Hands immediately grab him, pulling him away from Duke. The teenager puts up no fight, eyes barely open, but he reaches for Duke weakly. On his wrist is the bright blue snowflake, the color strong and vivid.

“That’s me soulmate,” Duke whispers as he watches Bruce and Tim set the boy down on another medical cot.

“What?” Tim says, turning to face Duke, concern clear on his face.

“That’s my soulmate,” he repeats, louder. Then, panicked, he pulls up his shirt enough to see his own soulmark; the color is still dull, weak, barely there, but it’s more blue that it has been in a while. He doesn’t need to say anything. Tim sees the dullness of his soulmark, looks at the boy, and puts the pieces together on his own.

“I’ll call Doc Thompkins,” he says, already moving to fix everything. Bruce remains where he is, making sure the boy is tucked in and breathing steadily before he returns to Duke.

“Are you alright?”

Duke swallows roughly, unable to tear his eyes away from the boy. He’s pale and thin, as if he’d been starved, and there’s frost beginning to spread on the bedsheet from his fingers. “He’s my soulmate,” Duke manages to say. “He’s been dying for two years.”

Bruce’s eyes a hard, a determined light in them. “We’ll save him,” he promises.

If anyone can, it’s Batman.

If anyone can, it’s them, Batman and the Signal, and their entire network of family and friends.

Duke’s been waiting for his soulmate to die all this time. Now, he’s going to save him.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #prompt fill #my writing #i dont really know much abt jld so they are not really in here #just duke trying to live his life and have a nice day with bruce #when his soul mate gets thrown at him in the form of an ORB #(ghost core but they dont know that yet)#dannys gonna have to answer so many questions once hes awake bc not many know abt realms beings #its gonna be rough for him bc he's been asleep for 2 years in his core bc he was never safe enough to recover #until duke gave him a boost (plus the power of soulmates really helped him) and he woke up #in a cave with his soulmate and a whole crew of superheroes #what a thing to open ur eyes to. rip danny lol #thanks for the prompt!

3K notes · View notes

starry-bi-sky · 9 months ago

Text

Danielle and Danyal's meeting... very, very quickly goes very sour from, basically, the moment Danny steps into his room and finds Ellie sitting on his bed (strike one) and reading the comic books Tucker introduced him to (strike two). By the time she's looked up to address him, Danny has the door locked, and a hand hovering near the knife hidden under his shirt.

She gets her third strike when Danny, in a voice that could make the mountains tremble, demands to know how she got into his room, and she lies (with uncertainty of her decision growing in her chest) that Jazz let her in. Danny's hand shifts closer to his weapon, and he turns towards her fully, and says that Jazz would never let someone he didn’t know into his room, and who was she.

(Vlad Masters had underprepared Danielle for her meeting with Danny -- not out of any completely direct malicious intent, but he failed to mention just how... 'touchy' Daniel could be -- he failed to mention the scars littering up his arms, unhidden by the hoodie tee he meets Ellie in. He failed to mention that along with those scars, that Danny was visibly lean, capable of doing very real damage without the use of his powers.)

(He tells Ellie that he’s adopted, and that he is observant and clever, but ungrateful and has a bad attitude.)

Her final strike occurs when Ellie, trying to keep her facade of cheeriness, tells him that she’s his third cousin once removed. Immediately, Danny has his dagger pulled out, and Ellie finds herself with the cold metal of a blade pressing against her throat.

Danyal 'A.G' Fenton hasn’t killed since he arrived in Amity Park. At first it was because mother told him to keep a low profile, and killing would do the opposite of that. But, he's been slowly learning from his sister and friends over the years the value of human life. So it's become a combination of keeping his head down, and also that life has value to it.

But. That doesn’t mean he can’t kill, nor is he opposed to doing it if the situation calls for it. It just means that he doesn't do it. And ‘Danielle’ is an unknown in his room, claiming to be family to him, and appearing uncannily similar to him and his family. Either someone hired her and she was trying to pass herself off as a relative to him because that someone realized Danny was the biggest threat, or, his false death has been compromised, his mother was unable to tell him, and the league was aware he was alive.

No matter how he looks at it, this Danielle was a threat to him, his sister, his friends, to Damian, and to the Drs. Fenton. Danyal Fenton doesn't kill, but he has no problems doing so.

(Ellie, pinned under Danny’s knee and the blade to her neck, is too terrified to think of phasing out of his hold. Not that it would help, he would just chase after her.)

“You have broken into my home, dared to lie to my face, and when I demanded to know the truth, you dared lie to me again." Danny's scowl could cower even Skulker, his glacier blue eyes burning. "Your continual breath has been a favor from me, that I have graciously allowed, from the moment you entered my room, dahkil."

"So I will ask one more time," he hisses, "who. are. you."

Danielle, only a few months old, unprepared for the ice storm that is "Daniel" Fenton, and his clone in only flesh and blood, and not memories, immediately breaks. And tells him that she was his clone, that Vlad sent her to come capture him, and to please not kill her.

Danny's face twists with anger, Ellie thinks he's going to kill her anyways. Instead, he withdraws his knife and gets off her, stringing out curses in Arabic as he sheathes his weapon back into its hiding place faster than Ellie can blink.

He switches to English as she is collecting her bearings (and contemplating fleeing), and Danny paces the room like a tiger in a cage. "--of course that wretched, arrogant, peacocking little ingrate would do something so infuriating. I should have driven my sword into the shrivel of his heart when I had the chance--"

Ellie, for a moment, thinks of leaving while he is distracted. And starts to slowly creep away. But Danny notices instantly, and whirls on her. His too-bright eyes bore into her head: "Where do you think you're going."

"...I'm leaving."

And Danny scoffs at her, "Why? So you can fly back to Masters and tell him that you failed to capture me, and that I know that he cloned me?" He says, and Ellie remains silent -- that's exactly what she was going to do. "He will destroy you within seconds."

Of course, Ellie rears back in offense, and she finds the footing to glare at him. "He would not! He's my dad, he loves me!"

Danny gets in her face, glowering back with an equal intensity. "He does not." He snaps, "Vlad Masters has not a soul in his body nor a heart in his chest. He would sooner cut off the hand that helps him stand, than to take it along with him."

"If you're really made of my blood, then I will teach you only this: we bow not our heads nor our hearts to anyone." Danny's too-blue eyes narrow, and his voice dips into a hiss, "Especially not to a conniving snake like Masters. Your heart: cut it off, or cut it out. He will sooner leave you to bleed."

Then, he unlocks the door and drags her out before she has much time to act. And as he drags her down the hall he shoots Sam and Tucker a text, and they meet up at Nasty Burger. Ellie is a spitfire, but Danny has her too intimidated to leave.

"This is Danielle," he tells them bluntly as he corners her into the booth, "she's my clone. Masters created her."

Ellie is with them for a week, and somehow throughout that time, Danny manages to actually get her to like him throughout that time. He's callous, blunt, and full of sharp edges that you can cut yourself on. But when he's not spitting venom, he's fretting.

When he drags her back to the house after being with Sam and Tucker, he pulls her to Jazz's room and opens the door to tell her the same thing. "This is Danielle." He says upon abruptly opening the door, interrupting Jazz's studying as he pulls Ellie inside. "She is my clone, Masters created her. She needs clothes."

Then he turns and leaves, shutting the door behind him. Ellie, in that moment, thinks that now's her chance to flee. But Jazz then squeals, and she is trapped in new arms, shaken around by Jazz Fenton, excited for a sister.

(Ellie finds herself complaining to Jazz that night, shoved into old pajamas. She's in utter disbelief that Jazz could care about a jerk like Danny.)

("He's rough around the edges, but Danny does care." Jazz tells her, combing through her hair with her fingers. "We've been working on it ever since he joined the family, but Danny warms up slowly. He's usually less stoney; I think your arrival spooked him.")

("Spooked him?" Ellie repeats, she doesn't believe it at all. "He has a funny way of showing it, he threatened to kill me!" And she turns around just in time to see Jazz's press her lips into a line.)

("He's... very protective. He'll deny if you ask him, but he worries a lot." Jazz's fingers find her hair again. "What I do know for certain though, is that he wouldn't have kept you here if he wasn't worried about you at least a little bit.")

(Ellie doubts it.)

But Ellie is indeed there for a week, and the day after her initially rocky introduction with Danny, he is a little bit kinder to her. Still kinda a bitch, but he's less harsh to her, if... almost uncomfortable around her. Flighty, kinda.

Whenever she gets mouthy at him though, he looks oddly smug about it and, infuriatingly enough, praises her attitude. He is very, very annoying. And still kinda terrifying. But hearing him shout insults via puns at someone during a ghost fight that happens that week lessens the intimidating factor,,, a little bit.

Things go about,,,, relatively,,,, similar to canon. In the sense that it ends with Ellie defecting from Vlad because she finds out that Danny was right and that Vlad didn't actually care about her. (And that Jazz had been right too; Danny, in his weird, mean way, had been worried about her as well)

Danny looks out of his depth as she talks about how he was right, and he cuts her off with a vaguely uncomfortable clearing of his throat. And gives her the most awkward, but genuine apology he can muster.

"I should've used more tact when telling you about Masters, and I... apologize for threatening you when we met. I was..." he makes a face like he's sucked on a particularly sour lemon, "worried. First about my family, and then later about you."

(Ellie will be damned: Jazz was right)

Before Ellie leaves, Danny puts a hand on her shoulder and tells her: "I wasn't kidding about what I said to you when we first met: you are of my blood, and as such, you do not bow your head nor your heart to anyone."

Ellie looks at him, thinks about the last week, and smiles like she's caught him in a trap. "What about Sam and Tucker then? And Jazz?"

Danny smiles, it's awkward and tilted, like his face isn't used to the gesture. "We bow not our hearts, but that doesn't mean we can't share."

#danny speaks in formal english when he's pissed. he goes full on 'i shall eat his heart in the marketplace' levels of formal #not quite a ficlet not quite a post talking about the idea but a secret third option: its both of these at the same time #dp x dc #dpxdc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul au #dc x dp crossover #dc x dp au #dpxdc au #dcdp #dpdc au #dp dc crossover #older brother danny #danny is an asshole with a heart of gold #the writing feels all over the place but since its not a fic i dont feel that self conscious about it lol. very much spitballing here #morally gray danny fenton #poc danny fenton #look ellie MIGHt - and thats a big if - have gotten away with the cousin lie if it weren't for the fact that she's danny's clone #danny who is not white nor remotely white-passing in this au. she might have gotten away if he had been and she claimed she was #from jack's side of the family. but alas. danny is adopted. the fentons are whiter than sunscreen. and danny is not.#dani and danny's meeting in danyal al ghul aus have the potenial of being IMMEDIATE dumpster fires which is very funny to me #on the basis of if danny knows he's adopted or not and if dani claims to be related directly to him or to jack.#dani: im your third cousin once removed :)#danny. is adopted: i kNOW YOU LYING. CUZ YO LIPS ARE MOVING #i got fanart for this au on haunting heroes discord and it kickstarted my thoughts about danyal again. they gave him the BATWING EYEBROWS #ellie has the batwing eyebrows too that was the mind killer thats what fucked her over /j. those are UNIQUELY BRUCE WAYNE BROWS FOLKS #fuck i wish tumblr told us on laptop when we run out of tags because i just lost like 4 of them. good thing i got screenies those were FUNN

2K notes · View notes

thosewickedlovelies · 18 days ago

Text

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once.

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject.

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there).

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties.

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later.

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures

You can get information from objects without taking samples, but samples are usually worth the information.

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves.

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

#hopefully this is useful to people as Gladiator II comes out <3 #i dont really know how to tag this lol #museums #fic advice #writing advice #reference #writing resources

501 notes · View notes