#i dont want to trigger anyone

[wolfsbanesparks]

Hey y'all!

After a few minor delays I've finally posted the first chapter of my serial killer fic, Pretty Little Thing!

This is much darker than my usual fics, so please read the tags and chapter specific warnings carefully before jumping in! This story tackles a lot of dark subject matter so please be wary.

If you see anything that you think needs an additional tag, please let me know in the comments so I can add it.

Also this fic is non linear! We will be jumping back and forth in time before syncing up the two main story lines near the end. I'll be putting dates for each chapter to help you all follow along.

Summary:

Captain Marvel has gone missing and the whole world is looking for him.

Billy Batson has also gone missing and no one has noticed.

[slingbats]

🏳️‍🌈 based on several old photos of gerard way

[mikqchoux]

she keeps on growing,

slippin' through my fingers all the time.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[roverthegoober]

I JUSTBWATCH WHITEPINE 2 EEE

Spoilers and TW warning for mention/implied abuse, also a lot of rambling

I was lowkey busy while watching, anyway

Im already mad at the detectives BYE

Ross(i think) needing a shovel for cobwebs? Like i get not being able to reach, buttt...

Div in the woods humming?

The stairs are focused on, especially due to Misti dying

Pyro was outed by someone, and i dont think its Misti lol

Zam and Seraptor seem kind of chill w eachother, but I'm not completely sure

Ivory being scared to go in the shower and have someone follow her :( she was shaking too bro, i think someone abused her. And she also seemed really stressed during the entire ep, even in Wych Elm, you can hear shaky breathing, i think. Its also the music that plays while she cooks and gets ordered around

Oughh and seraptor mentioning his family and where he lives. I hope we meet them in a good way and not in a way where seraptor dies and we have to see them 😭 i heart seraptor pleade dont DIEE

Zombie has a lack of emotion and stuff

Misti is still warm?? Like WHAT???? WHYYT

Im just so hyped rn!!!

[elysiadragonart]

this was fully a horny prompt from people and it diverted in a way thats only partially able to blamed on my miseries. still horny if youre a particular kind of person, i guess, so, hey, thats something. this has taken like four days

[raineandsky]

The Villain's Housekeeper

(part 1) (part 2) (part 3) (part 4) (part 5) (part 6) (part 7) (part 8) (part 9) (part 10) (part 11)

tw death mention

The courtesy the villain has decided to show the hero has been incredibly weird. A relief, of course, but weird.

They avoid the hero most days now. The time they used to spend watching the hero break their back for them is now spent as far away from the hero as humanly possible. The hero kind of understands, though—since their damning little slip up in the bedroom last week, the villain’s demanded they stop doing the chores until their arm is better. There isn’t much to watch anymore.

And when the villain disappears out the front door for the night, it’s always with the same instruction now: “get a decent night’s sleep, don’t lie on your arm, and for the love of god don’t make it worse.”

No chores to be done in their absence. No rules. Just… rest. Get better. It’s a breath of fresh air.

Anyway, the lack of random work to do gives them more time to snoop. Okay, so it’s not no rules, but one very easily breakable rule. A rule they couldn’t care less about breaking—snapping clean in half, if they can. The agency taught them how to pry and leave no trace. This is the easiest, most rewarding part of their stay here. It's more of a routine than anything now, trekking through their notes.

The villain’s office is a mess, to put it lightly. It makes it just that little bit harder to restore when they’re done, but it doesn’t matter too much—they get information. A list of missing villains, heroes on hit lists, plans. Plans to infiltrate and extort and seduce and kill. God, everything the agency’s ever wanted is in here. The hero commits it all to memory, and by the time the villain gets home they’re already asleep on the sofa downstairs.

The villain always comes back in the early hours of the morning, and today is no different. The only difference is that the front door batters against the opposite wall and the villain staggers rather loudly into the kitchen.

The hero is up in an instant, sleep torn from them abruptly. They trail after the villain, glancing instinctively to the floor for blood, but the tile is clean. The villain sinks into a kitchen chair like it’s the last thing they’re ever going to do.

“[Villain]...?” the hero says into the silence. The villain barely responds, their gaze burning into the table as they lean their face against their palms, their elbows propped up on the table.

“We’re dying,” the villain says flatly. “We’re dropping like flies, and [Supervillain] is still trying to send us all to our deaths to save herself.”

It’s not hard to feign surprise; this wasn’t mentioned in any of the paperwork the hero’s seen. They pull a chair out and settle opposite them. “What do you mean?”

“What do I—” The villain’s tone is scathing for a moment, but they bite back the end of their sentence with a sigh. “Heroes are killing us. I’ve found more than one person face-down in some back alley. People I know—allies. Friends.”

The hero’s throat closes up for a long, long moment. “I– I’m sorry,” they say testily, but they come out as more of a choke. The villain doesn’t seem to hear them anyway.

“Every so often [Supervillain] sends a new batch of villains into the thick of it, to try and take down some of the heroes wiping us out. Those who do survive are few and far between, usually screwed up beyond repair. And [Supervillain]— she’s—”

The villain sucks in a shuddery breath. The hero waits patiently.

“[Supervillain]’s chosen her next round of sacrifices,” the villain says with a breath of a humourless laugh, and a knot twists in the hero’s stomach. The villain fixes them with an empty stare, and the hero shoves down the urge to glance away. “I’m one of them. I’m— I’m being sent to die.”

Perfect, some part of the hero’s mind murmurs. A safe haven, all to yourself.

But despite everything, the villain’s been kind to them. Even though they humiliated them and forced their hand, the hero’s not in the claws of the superhero yet because of them. And they’re going to die. The villain’s going to leave one day, and they won’t come back. The hero’s brain almost can’t wrap around it.

“She— I’ll be setting off… for good next Thursday.” The villain’s face morphs into hopelessness.

It’s Tuesday now. Nine days.

The villain clears their throat, though it doesn’t seem to dislodge the anxious rasp residing there. “I, uh— I’m sorry,” they say unexpectedly. “For being a villain, for making you dance for my entertainment to stay alive, for— god, for everything. I’m sorry, [Hero].”

The hero can only blink at them for a moment. Sorry? “That’s, uh… it’s okay,” the hero says dumbly after a moment.

“No, it’s not. The least I can do is fix what I can before I… y’know.” The villain’s eyes lock onto the hero’s so intensely that they can’t find it in themself to look away this time. “I’m so sorry.”

You saved my life. You let me stay here. You let me hide from your enemy. You let me hide from mine. You ignored the benefits of turning me out for what? Companionship? Necessity? Something else entirely?

The hero can’t say that to their nemesis. The villain already sounds insane saying all this. They don’t need to feed into the absurdity of the evening. So they simply force a smile, of sorts, onto their face, and say, “I forgive you.”

(next part)

[evermorepeyton]

i didnt even know what to screenshot from this chapter (it’s different from the others so im sorry, but i felt it was important to the story)

anyway, chapter 14 of my dnp F1 au fic is up 🏎️🏎️🏎️🤍🤍🤍✨

[mokeonn]

Hey so recently my relationship with food has changed in a very concerning (yet familiar) direction, where I feel either very grossed out by or I'm very disinterested in the concept of eating solid foods. These last few days I've been primarily just drinking various drinks and a couple of, not very nutritious, small meals. I'm considering getting meal replacement drinks or something to that effect to help me through this, but I worry that I might dislike the taste or texture and I won't use it.

Do any other autistic people have advice on this? I had this problem in the past when I was 14-15 and it had gotten incredibly bad back then. There's a non-zero chance it's ARFID but I am unable to afford going to a doctor right now, so I can't really say that it is that for sure.

Unfortunately the main issue besides general disinterest in food and disgust towards eating, is that the only solid foods I can eat are processed and don't meet my nutritional needs. I would really like to not eat only pizza pockets and cereal because I am 24 years old now and I can feel the effects of no vegetable.

But yeah any other autistic people who might have this issue and know how to overcome it (again) pleasepleaseplease help

[dukeofthomas]

I need people to realize how horrible 'stalking/constant surveillance/breaking into each other's homes is how the Batfamily show love' is. Like i really need someone to just acknowledge how horrific saying this bullshit is.

Like even fics where they're shown as happy and healthy and with good ties, you've always got this thing where none of them have privacy or any boundaries with each other. Which is directly antithetical to actually having good relationships. And this invasion via hacking and stalking and breaking into homes is portrayed as a positive, good thing; it's just how they show love and care to each other, after all. But for some reason I just personally don't find stalking, lack of privacy or boundaries, and emotional manipulation funny, endearing, or healthy, and just end up disgusted at the attempt to sweep it all under the rug.

[midnightsunnyday]

So, I've been thinking over this, and I'm really not trying to come across as rude or offend anyone with my take, but...

What exactly does this fandom want from this game and its characters?

Do y'all want a game featuring good, uncomplicated human men who live by good, uncomplicated human standards and never do anything wrong but with tails, horns, and wings?

Or do y'all want a game about the literal lords of hell and whatever that may entail?

Because I can't be the only one who finds it ironic that the characters who act the most like demons are widely disliked, while the characters who act less like demons are widely liked, right? In a game about dating demons, being demonic or showing any kind of character flaw isn't attractive, and those of us who actually do enjoy the darker themes, when we do get them, are treated as having somehow failed morally for liking it. It makes no sense to me.

And this is in spite of so many posts from this fandom stating how they want their "demons to be demons." That they want complex and interesting characters. That they want to feel like they're in a realm surrounded by devils and engage with all the hostilities and angst and drama and blood that comes along with that, yet in the same breath, can't even handle characters like Lucifer, Belphegor, Asmodeus, Solomon, Simeon, and Diavolo. Characters who aren't exactly nice or fully transparent about their goals or actions. Characters who are a little or a lot fucked up. Characters who are gray at worse, but ultimately, show they are capable of being more. Even if poorly executed by the writers, they tried to show us, to some extent, exactly what we've been asking for. Now we rarely get events or chapters where the brothers so much as even swat a fly, and I can't help but blame that on the knee jerk reaction of the fandom to scream about anything less than flattering.

Which is why I can't help but wonder if Obey Me! Nightbringer does happen to touch on darker themes and characterization, than I can only imagine how well the fandom will handle any of it (my guess is poorly).

Feel free to leave a comment. As I'd really like to have some more opinions on this.

[moeblob]

So, Fall 5 rolls around and I give Elliott flowers in the morning while he's trapped in his shack (because it's raining on a bday again wow). I continue on with my day in game and grab a hot pepper and run over to the bar to give Shane a gift. Which is delayed because I had to get drunk with Elliott first, then am politely removed from the premises as the heart event ends, and walked RIGHT BACK INSIDE while still drunk from Elliott and give Shane a hot pepper and wobbled back out. But it's so funny to imagine Shane watching the weird farmer getting drunk, leaving, running back in to hand him a pepper, and then leaving /again/.

[chocottang]

the more i think abt goldica the more i like it

[etherealspacejelly]

hi, sorry to hear you're having a hard time 💞

would it help/feel nice to talk about star trek?

if yes: what are some of the best things about Spock? like we know and love him, but if you had to explain to someone

if no (or either way actually): I am sending you a warm cup of tea (or preferred drink of your choice) and wishing you well 💕

i am currently so anxious i feel nauseus and can't eat breakfast! so yes. that might help. lets do that

i think one of the best things about spock is his inner conflict and character arc throughout the show and movies. he is a man at war with himself. he is emotional, and disagrees with that emotion, but to repress that emotion does him harm. his human blood makes it impossible to ignore those emotions, and that causes him shame.

this makes him a nuanced and complex character. we get to explore who he is when those walls come down. we get to see how he tries to build those walls up further and fails, and what causes him to fail. through him we get to ask the question "what even is 'logical', anyway?"

he also represents everything 'other'. i think many people relate to spock because he resonates with so many experiences. biracial people, queer people, neurodivergent people, and probably others, all see themselves reflected in this character. he never quite seems to fit in anywhere, certainly not on his own home planet. his parents pull him in two different directions, they expect things of him that he is not able to do. he was outcasted as a child by his peers. he found refuge in starfleet, but even then he still feels like an alien, an outsider, never quite good enough.

yeah idk this is all just off the dome so if any of it is wrong or doesnt make sense, thats why. dont take this too seriously i am a stem student after all

[raineandsky]

The Villain's Housekeeper

(part 1) (part 2) (part 3) (part 4) (part 5) (part 6) (part 7) (part 8) (part 9) (part 10) (part 11)

tw: death mention, implied torture

The villain leaves, as promised. The hero sees them off at the door for the first time with a smile they stop pretending is genuine after a few seconds.

The villain wraps them in a slightly desperate hug, to their surprise. Their body’s warm, their arms shaking slightly. Nerves? Dread? Fear? The hero doesn’t know.

“I hope things get better for you,” they mumble into the hero’s shoulder. “I really mean that.”

They lean back to hold the hero at arm’s length. Their eyes glisten with tears the hero can’t put an emotion to. Doesn’t want to. “Stay safe, [Hero].”

And with that they’re on their way, their coat wrapped tight around them and their step quick. The hero watches them until they disappear around the corner. They shut the door slowly, slowly, and when it clicks into place they vaguely realise that they don’t know what to do with themself anymore.

So they do what they always do—they clean shelves, sweep the floor, clean counters. By the time they’re done the house is spotless and they’re out of work to swallow down that gnawing anxiety in their chest.

They flop down on the sofa—they’re not going to use the villain’s bed whilst it’s still warm, they’re not an animal—and let the exhaustion of the work overtake their worry and force them into a light sleep.

Light enough that they wake to the sound of the front door quietly clicking open. They sit up, ready to vocalise their surprise at the villain’s return, until they hear that the footsteps in the hall are decidedly not the villain’s. Too heavy, too slow. Too familiar.

The hero’s on their feet immediately. They want to hide, to run away, to do something, but their body feels like it’s weighed down by stone as the superhero turns the corner into the living room.

“Ah, [Hero].” Surprise is lacking in the superhero’s voice. A small smile stretches at his mouth. “I heard rumours. It’ll be nice to have you back with us.”

With us. For a moment all the hero can think about is those long days in the jail, treated like nothing more than a stain in the agency’s gleaming record. “How—” The hero’s voice chokes in their throat, and they curse themself inwardly. “How did you know—”

“Good people do not hide things from the agency, [Hero],” the superhero says smoothly. “Common civilians are ranking higher than you in that aspect.”

“I wasn’t hiding anything,” the hero spits desperately. “I– I was never one of them.”

The last word comes out a little harsher than they intended. They were never one of the corrupt demons that kindly lets their nemesis hide in their home. No, no, of course not. No, no one would want to be like the villain.

The hero, though, didn’t become a hero without an innate eagerness to please. To prove themself. To show the superhero how good they can be.

“I was never one of them,” the hero repeats, and the superhero cocks his head. Interest. “I– I can prove it.”

The superhero hums a cold laugh, and for a moment the hero feels like they’re back in that awful little basement, chains on their wrists, swearing their innocence, assaulted by the sound of dragging leather behind them—

The hero quickly turns on their heel to avoid looking at the superhero any longer.

They lead the way to the villain’s office, desperate to keep themself a few paces ahead. A belt sits at the superhero’s waist, and they don’t want to get close enough to see him unsheathe it again.

The door swings inward. The superhero looks inside momentarily. His gaze turns to the hero. Disappointed.

Please, no. “This is– it’s [Villain]’s office,” they add quickly. “This is their house.”

The superhero’s eyes linger on them for a moment. His face gives nothing away. Then he turns away to step into the office, and it feels like the hero can breathe again.

The hero stays in the doorway whilst the superhero peruses like this is nothing more than his weekly trip to the shops. He flits through papers, looks through drawers. He taps his chin in thought. His eyes scan across the room curiously. Eventually, after an eternity of the hero trying to figure out whether this is how they repent, he glances back up to meet the hero’s gaze.

“This is a good find.” The superhero offers something of a kind smile, and the hero has to hold back an entirely too genuine grin of their own. “Good. Very good.”

He collects a stack of papers. “Thank you for this, [Hero],” he says as he lugs them into his arms. “Let’s head back to the agency, hm?”

The hero’s evaded the superhero’s fury. There’s no way this is real. They can’t believe their luck. “Y–Yes, sir.”

The hero follows the superhero to his car. Another one waits behind it, a sleek black thing straight from the agency garage. The hero swallows and averts their gaze—of course he knew they were here. Of course he didn’t come alone.

The superhero doesn’t say much on the journey back to the agency. His gaze speaks volumes without the words, continuously slipping to the piles of paper the entire way, a satisfied smirk pulling at his lips. The hero decides to point their interest to the world passing outside in the hopes that they can ignore what they’ve done to the villain to put themself in the superhero’s favour.

It doesn’t matter, their mind promises in sickening whispers. They’ll be dead soon. Step on their corpse to survive if you have to.

The superhero sighs shortly as he pulls the car into the agency’s underground garage. Waves the hero along as he lets himself into the building. Invites them into his office. Lets the door click shut behind him.

“It is nice to see you back where you belong, [Hero],” the superhero says as he settles at his desk. It looks comically small in comparison to the giant room it's set in. “And with documents! You’ve gone above and beyond.”

The hero allows themself the smallest of smiles. “Thank you, sir.”

“To prove innocence I don’t believe you have.”

The smile falters. Their heart leaps into their throat. “... What?”

The superhero smiles lightly. “We don’t do coincidences in this agency, [Hero]. Everything has a meaning. Even if it is a mistake, it is set in stone, and we will treat it as such. You relayed information to a spy. That is all I need to know.”

The hero turns on their heel. Security is already in the doorway, a pair of metal cuffs in his hand. The superhero laughs humorlessly.

“Don’t you worry, [Hero].” The hero whips back to him, their face surely a myriad of pain and horror and betrayal. “Innocence means nothing to us. You’ll make up for what you’ve done.”

The cuffs click around the hero’s wrists. They can’t even find it in themself to struggle against them. They just stare at the superhero, aghast. “You… you tricked me.”

The superhero arranges the villain’s papers on his desk idly. “It is nothing on me if you were foolish enough to trust me.”

The man behind the hero tugs them towards the door. Jail. Right back where they started. The superhero throws them one last smirk. Satisfied, cruel, mocking. Disgusting.

“Thanks for coming back, [Hero]. Really,” he says as his door swings open in a creaking goodbye. “It’s nice to have you back where you belong.”

(next part)

Taglist:

@runarelle @thiefofthecrowns