#i dont know enough about it to include it in the lore

[tai-janai]

vague idea of what happens when you reach the end

[evilmagician430]

sally acachalla is a complex character and shes also veryvery fun to draw. shes so "fake" in a coping mechanism age regression way but also genuinely enjoys the things and people she seems to shes just a lot deeper than she lets on... i dont think she's secretly like smart or anything just capable of emotional maturity sometimes. i think she genuinely isnt very good at literacy but she does fully know what death is. yknow. also she has moar swagger than all ur favs combined!!!!

[staraxiaa]

+ extra lines bc i ran out of tag space .

If you cross the river (will the fighting end?)

Contrary to what granny once said, Kita thinks he won't ever truly know who you are. You are the one who waits by the river, watching as he scrubs dirt from fresh carrots and dirty shovels. You are the one whose presence lingers like mist over his skin when you part. You are the one whose eyes he always feels, at every moment—the eyes granny reminds him of when they wipe the floor or prepare a meal together.

You are the one who knows that it does not matter, that he would still perform his rituals and hold unwavering conviction even if you were not there. Because he is Kita; he is Shin-chan—repetition, perseverance, and diligence is how he lives...because it simply feels good.

You are the same, committed to your duty to watch him from the moment you were pulled from the glory of a summit. And he is committed to being watched by you.

shinsuke kita x GN reader character study for shin, reader is a river/rain spirit, themes of disaster, mentions of dying/minor character death, fluff and angst, slow burn (i think), slight spoilers for haikyuu!! timeskip 20.4k words | oneshot, complete

notes: This fic is set around the premise that Kita's gran lives in the mountains of eastern Hyogo, just above Osaka. I have his parents living in the city while Kita is cared for by granny until it's time for him to start school, around 6 years old. He goes to Osaka during the school year and no longer spends time in the mtns. Since canon doesn't offer a whole lot of information, I took liberties with the setting and backstory to fit the plot of my fic. I hope this can help negate any potential confusion! + (It's another fic spanning childhood to adulthood. With a magical reader. I am unfortunately not able to escape my own tropes.) + shoutout to this fic for inspiration

ao3 option

One moment you are a carefree being, gleefully running along a series of falls wedged along the mountain summit. The sun is setting and you are soaking in the glory of the day: with swaying leaves and shimmering droplets, and the last bit of light streaming through pockets of trees.

The next you are falling, rolling, bumping your way through the water. A current sweeps you away without warning, your vision goes dark, and you have left your place above the sun to land in the depths of a looming valley. You have to carry onwards, knowing there is no going back, so you search for the one who brought you here.

There is a dim light beyond the bank. It seeps from the open screen of a traditional-style house, illuminating the wooden beams and eaves from behind. It's a bedroom, with a small boy dutifully putting his futon down for the night, smoothing out the bumps and lining the base to be in its exact spot. He has salt and pepper hair and you think he is the youngest old person you will ever see. He never looks your way, but you sense that he knows you are watching.

So you watch, now that you're here.

"Granny, who's that?"

He is a toddler, carried along the path next to the river by his grandmother, a thin arm clutching him tightly against her hip. Her eyes slowly move from his face to his finger pointing towards the water. She can't see what he sees: another child, waist deep in the gentle rapids, mysteriously faded—like a mist lingering instead of wafting to the sky. She smiles gently when she understands, bringing a hand to pat his hair softly.

"You'll learn when the time is right, Shin-chan."

She knows how this story will go.

Someone is always watching, Shin-chan.

Kita's life is built upon the small things he does everyday, and the end results are no more than a byproduct of that.

Someone is watching over you.

Rain streams down the mountain gullies and pools in the river at the center of the valley.

The sun rises. Over and over and over again.

Childhood

The morning light streams through open screens, crawling up the veranda and into the adjacent interior. It’s the beginning of June—cleaning day, the tatami mats moved aside for inspection and rotation while Kita and granny scrub the wooden floors together. Foam bubbles from the rag when he wrings it out, excess water trickling into the bucket. He wipes it across the floor of their living room, watching carefully as the wood darkens slightly, but not too much, leaving shiny streaks and stray bubbles behind. He smiles to himself gently.

A grin tugs at granny as she watches from the opposite side of the room. It was Shin-chan’s own decision to clean with her today. He gave her no reason as he simply said, “I’ll help,” when she grabbed her bucket and rags. He already started pulling the mats aside, then struggled to move the table in the center by himself. Granny chuckles to herself at the recollection before returning her attention to the floor, her section a little lighter than Kita's.

He looks to her side and the faintest crease appears between his brows, a slight purse of his lips. When he wrings out his towel again, he pulls the ends a little tighter before bringing it back to the floor with a new gentleness. The result brings the twitch of a smile to his mouth. It makes him feel good.

From outside, he hears the rustling of leaves, creaking as bamboo sways in a light breeze, and the scrapes of shrubs against the house. The morning is cool, bringing in air that will hopefully linger as the day drags on. The only chatter comes from the birds, quick raps of storks in the river and singing sparrows in the trees. Kita feels a warmth, one from inside, as he listens. Focuses.

He thinks it could be praise, from the spirits that are watching.

It’s still morning when they finish, the mats brushed and switched with the ones in the closet. After they return the table to the center of the room, granny quietly thanks Kita for his help. He only nods in return. Quiet Shin-chan. He thinks he’ll read until lunch, or maybe help some more if granny plans to work in the garden.

She interrupts his thoughts. “Let’s go for a walk, to Fujiwara-san’s.”

Kita's brow furrows ever so slightly, but he nods. Granny sometimes likes to visit the neighbors, though without any clear pattern or schedule. He thinks she might be doing it for him, so he can talk with other kids his age, especially with his sister always gone to a friend’s and his baby brother in the city. He would rather read, but agrees regardless since it’s granny asking.

They slip their feet into sandals and start down the path along the river, towards the right. Kita reaches for granny’s hand and she smiles down at the top of his hair. They walk slowly along pebbles and dirt, accompanied by the sound of water rushing next to them. Eventually they approach a bridge, granny having to grasp the railing as she walks up the steps. When she reaches the center of the river she pauses, a ritual, to watch the water run by.

“Fujiwara-san said he has exciting news,” granny offers in a delayed explanation. Kita doesn’t respond. 

Granny takes another minute to step down on the other end of the bridge and continue walking. They go left, towards the house that sits opposite of theirs. It takes slightly longer with the incline, but it’s quaint and Kita feels no hurry.

The house is open when they arrive, doors aside to let the last cool minutes waft through. There’s nobody home, however, and Kita looks up to granny curiously after they step onto the exterior veranda.

She only offers a smile as they wait a few moments. His attention is diverted when he hears the thumping of footsteps, small and quick, getting closer. They’re followed by Fujiwara’s muffled voice, worried. Kita's hand tightens in granny’s as he watches closely.

Out runs a child, his age, tracking dark footprints along the tatami mats from the back entrance. Not just with dirt, but smudges of mud, smearing on the woven grass. His chest tightens at the sight and he has the urge to scold, to clean the mess, but then he feels eyes on him and—

That watchful gaze he remembers clearly, despite only seeing it once, years ago. A gaze he still feels everyday, most intently at night. You are grown, but only as much as he is. And you’re…real. With a weight and embodiment, a person instead of a misty image on the river’s surface. You’re also brighter, both in appearance and spirit, as you put a small handful of grapes (fat and crisp and green) into your mouth (skin and seeds included) and chew quickly before swallowing and smiling widely at him. 

Again, Kita wants to protest the sight, tell you the skin is dirty and you can’t eat seeds, but the words are trapped. Something is tugging at his chest—something other than his apprehension, something that makes him want to physically step forward.

But then Fujiwara-san is rushing in, though not very quickly. He’s another old-timer in the village, with crinkly eyes and little hair remaining on his head, paired with a thin physique and hunch in his back. In one hand he carries a woven basket, filled with more bunches of grapes, shiny and wet. In the other is a wooden cane, pale with a reddish tint—Kita thinks maple. The old man never needed one before, and Kita wonders what’s changed.

He looks back to you, the one change he’s aware of.

“Shinsuke-kun,” his thoughts are interrupted by the call of his name. He hasn’t been listening, he realizes, and he turns his attention to the grandpa. “This is one of my grandchildren. My daughter has been busier with work lately.”

Kita, for a third time, wants to protest. He’s met all of Fujiwara-san’s grandchildren before, and if he hadn’t, granny would have certainly told him about another five year old. He doesn’t know how to respond, can’t, and so he watches blankly. You are smiling at him the entire time, with a joy he doesn’t understand—at least, not entirely.

(There is a tightness in his chest at the sight of you, like it wants to expand beyond its capability. He’s not sure what that means.)

“Have some grapes!” you exclaim in a soft voice, thrusting the bunch towards him. Two fall from the force of your sharp movements, and he watches as they roll on the ground, leaving another stain. He doesn’t accept them, just continues to stare at the mess.

Granny fights a smile as she encourages him. “Let’s try some Shin-chan.”

He wants to say that he’s already had them before. He knows they will be delicious and crunchy and refreshing, especially now that the heat is rising with the sun. He knows that Fujiwara’s grapes are the best, and now two have been wasted and splattered on the tatami. Instead of reprimanding you, he reaches his arm out to take the bundle. Since granny asked.

His eyes widen when you then crouch to pick up the fallen fruit from the floor and eat them (skin and seeds included) without so much as wiping them off.

Who are you?

The faintest tug on his hand makes him turn to granny, who’s pulling one off the bundle he’s holding to give it a taste. “They’re delicious as always,” she says. “I’m surprised it’s such an early harvest.”

Fujiwara smiles, eyes crinkling further. “Snow came early this winter,” he reminds her.

She hums thoughtfully. “Ah, yes. The weather has been quite unusual this year.”

Unusual, Kita wonders to himself. Because of you.

You smile at him again and that inexplicable tightness arises in his chest once more. He frowns, the first genuine frown of displeasure today. His mind tells him to ask granny if he can go home, but he doesn’t want to. He doesn’t understand how that could be possible, to want and not want something at the same time. His frown deepens.

Kita thinks his time at Fujiwara-san’s is excruciating. Kita is also hesitant to leave when granny says it’s time to go. He misses a knowing smile that rests on her face as she tugs him gently, watching as he glances back during their walk home.

You are nosy. Kita was already aware, given he could feel you watching him at every moment, even when he can’t see you. But you are nosy when you are physically near him. And you are around him often now, nearly every day for the past week. Whether you simply show up at random or granny is pulling him along to Fujiwara’s, Kita learns that being around you is inescapable, inevitable. 

At the very least you aren’t noisy, just curious. At granny’s you quietly hover whenever Kita switches tasks or activities, a ghost floating over his shoulder. Once you’ve fulfilled whatever interest you have, you keep to yourself in your own part of the room. You’re helpful in the garden, for some reason, but you make him grimace when you pull a carrot directly from the ground and take a bite, dirt and all. You don’t help him wash the harvest, just crouch next to him by the river water and watch his hands diligently scrub.

You are, however, incredibly messy. It’s as if you don’t even register what a mess is, mud and leaves and water following you everywhere. Always. Trekking through the door with bare feet, smudges of grime trailing behind, sometimes with dripping hair—undried hair—that leaves dark circles and puddles on the mats and wood.

Every time it happens his chest flares with irritation, that urge to scold you. But granny is near, so he says nothing and instead looks at her intently. Granny only ever smiles back, sometimes handing him a towel and reminding him that he can help, if he wants. He doesn’t want to. He’s not sure why the adults haven’t explained it to you, surely Fujiwara-san can’t keep up with the cleaning he must have to do to house you. If Kita and granny always have to scrub your mess after you visit, Fujiwara must be mopping every hour. Sometimes they clean when you’re here, while you just sit and watch, only to dirty the floor again the following day.

After a week of this passes and you show up again, uninvited and with your bare feet leaving mud on the veranda, he caves.

“Don’ come around here if yer jus’ gonna make a mess,” he says firmly—but also quietly, wary of granny’s proximity. Why do you always enter through the veranda anyways—not the genkan, where the mess would be easier to contain?

You don’t appear deterred, smiling as you hold up a basket. “I brought you grapes, Shin-chan.”

He blinks. “That’s kind,” he admits, “but I don’ want ‘em.”

“Well I do,” Granny’s sweet voice says from behind him. Kita tenses when he hears it, turns to look at her guiltily. Her calm, smiling face makes him uneasy.

He starts to protest, those disagreements he felt a week ago, since the moment she wanted to go to Fujiwara’s, bubble up together. “But gran—”

“Shin-chan,” she cuts him off. Her voice is gentle and soft, but holds a different kind of firmness that Kita can’t deliver. One that makes him listen, because he has to.

“It’s okay,” you say, interrupting the conversation that would have followed. You’re still smiling, unfazed. It flames Kita's annoyance, while calming his nerves. Again, he doesn’t understand these feelings. “I’ll go home if Shin-chan wants me to.”

The boy’s eyes widen at that, heart plummeting as if he’s done something wrong. Why do I care? he immediately wonders. Maybe because granny is watching over his shoulder, or because Fujiwara-san seemed so happy to have his not-actually-grandkid (Kita is still certain) around his house. He doesn’t know what home you’re referring to, Fujiwara’s or the city or…somewhere else. Regardless, it would be easier if you went back and let them rest, granny especially, since she must be tired from the extra chores. He still hasn’t answered, caught between wanting to agree, waiting to disagree. He’s not sure which part of him wants what.

Instead of caving to his irritation for a second time today, he sighs and says, “It’s fine…jus’ wash yer feet.” He realizes he’s resolved to clean up after you so granny doesn’t have to. What is he doing?

“Okay,” you say easily, smiling. That relief fills him once again, and he can only stare at you, as if explanations for that feeling in his chest will surface if he looks hard enough. They don’t.

“Here are the grapes,” you assert, raising them in front of you. He hesitates, staring at them in accusation after he finally grasps the handle of the basket. Then you say: “Okay, bye now!” and run off the veranda, your bare feet landing in the dirt and carrying you along the trail and across the bridge.

Kita watches you with a pained face, and he realizes his free hand lifted slightly, as if reaching for you. He scowls and forces it down. Then he turns to granny. She’s smiling at him, he can sense it’s with amusement. He wants to ask why you left, if you really are going home, wherever that is. But he can’t, not when granny is giving him such a look.

“Stop cleanin’ up after others,” he tells her instead. Granny blinks, wondering why she’s being scolded now, too. “I’ll do it. Jus’…jus’ rest.”

She smiles warmly. “You’re a good kid, Shin-chan.”

Kita doesn’t think so. Not right now, with the way you ran away.

“Some people need time to learn the ways we live,” she continues vaguely. “Not everyone comes from the same place.”

He wonders why someone from the city would run around without shoes, through mud.

That inexplicable relief returns when you stand in the outdoor veranda the next day. He still doesn’t understand why he would want to see you, maybe for the confirmation that his words did not actually send you away—that granny and Fujiwara-san can continue to enjoy your presence. Regardless, he stares pointedly at your feet, the dirt clinging to them.

“Sorry,” you say, with the tact to at least look sheepish this time. “I washed them at Jii-chan’s, but they got dirty again.”

Kita is too stunned to react. Do people from the city not understand how shoes work? Or water? Dirt? He sighs, attempting to find his patience, as he tells you to stay put while he leaves. He grabs two pairs of sandals from the genkan and re-enters the veranda. He slips on one pair, then ushers you to follow him down the steps to the spigot.

“Rinse your feet,” he instructs. You do, poorly, but he supposes he can only ask for so much. He puts the second pair of sandals on the ground and tells you to step your feet in after you rinse. It’s an arduous process, but finally you are mostly clean and in the sandals. He then walks you to the entrance of the genkan and tells you, “Enter here. Wear those shoes when ya visit and put ‘em—” he points to a cubby, “there when ya come in.”

You are smiling, always smiling, when you reply. “Thanks Shin-chan!” Then you kick off your sandals and toss them into the cubby. Kita's chest flares again with displeasure at your haphazard treatment of his things. Suddenly you grab his hand and pull him inside, and all he can think is that your skin is cold. He can’t find it in himself to comment, heart racing as he stumbles and tries to slip off his slides before you tug him to the main room. He watches as your undried feet leave dark prints in the tatami in front of him—he thinks of the mold that has probably started growing under them since your first visit.

He passes granny as you pull him through the rooms. He gives her a wide-eyed look, one that tries to ask for help. She only smiles.

Kita feels a little bad for his outburst, once a few days pass and he understands that you aren’t intentionally helpless. You enter through the genkan, with relatively clean feet. You’re careful when you eat after he points out that you tend to make a mess. You help clean, when he asks you to. You still leave crumbs around and wet patches, you scrub too hard sometimes and other times not enough, but you try. And Kita finds that he doesn’t mind so much anymore.

You just don’t know things.

The more he ruminates on your…unfamiliarity with the world, the less sense your story makes—the city story that Fujiwara-san told him and granny. It’s obviously not true, but it also has to be, if everyone believes it. Someone from the city wouldn’t look so surprised that their feet collect dirt. He recalls that evening a few years ago when he was only two, when he could see you in the river. He thinks about the never-ending feeling of being watched. You’re from here, from him.

It becomes apparent why you’re here, why you hang around him at home and linger in his presence. One night he wakes up hours before sunrise. He struggles to re-enter his slumber and curiously opens the screen facing the river, to gauge the time. The mountains loom behind the image of a small figure on Fujiwara’s veranda. You, offering a little wave.

He doesn’t react, just watches as you swing your feet. The moon sits high between you, illuminating the river below, the mist that lingers on its surface. He wonders if you’ve always been there, why he never saw you until a couple weeks ago.

The spirits are all around us, in every living thing. Granny’s voice calls from his memory.

As he watches you, the river, he wonders what defines a “living thing”— if it’s breath or blood or growth. Something else entirely. He thinks the river breathes; it absorbs the air when it bubbles over rocks. Its blood is the water itself. It grows in its own way, banks expanding and collapsing, body winding and pooling, collecting life, collecting stories and history. He’s curious about your story, why it’s part of his.

He closes the screen and goes back to bed.

Shinsuke is not the kind of person to ask unnecessary questions. Even as a child, he keeps those curiosities within, assuming they’ll be answered eventually. Like granny said, You’ll learn when the time is right.

So he doesn’t ask, instead infers. Analyzes and assumes. You aren’t the same. Throughout the summer, as you spend time together, you are always asking. Asking and smiling. Sometimes they’re necessary questions: how to properly wash a dish, or where to set a gift of vegetables. Most of the time they’re unnecessary, asking how Kita is feeling, what he thinks of the weather. Sometimes they’re downright invasive.

“Where are your parents?” you ask him one hot July day, laying in the main room. Kita is fanning himself and wondering why you aren’t sweating.

“Osaka,” he says curtly. He hasn’t seen them in a while, hasn’t thought about them either.

“Do you miss them?” You ask, nosiness unsatisfied.

He shakes his head, no unnecessary response. He likes it with granny, always misses her the few times he’s gone to the city.

You hum, like you heard his unspoken answer. He thinks that’ll be the end of it. It isn’t.

“Your hair must be a mix of theirs,” you say plainly. “Whose is grey?”

He shakes his head, “Neither.” They both have black hair, the same with his sister who’s never home and his baby brother in the city with a nanny.

You’re surprised. “Oh. Do you know whose it is?”

He shrugs, uncaring.

But you smile for some reason, with genuinely joyful eyes. “Maybe it’s your gran’s,” you say happily. It makes him blink in surprise, mystified. He inhales, chest lighter. “It’s cool how that sort of stuff happens.”

He can’t look away from you, your smile that pierces right through him.

That night after his bath, he looks at himself in the mirror, intense, searching in a way he’s never done before. He sees the traces of his mom in his eyes and his lips, his dad in his nose. Both of them at the tips of his hair, that lower section by his neck. He continues to stare, looking for granny. He sees the way she influenced the nose he got from dad. He sees the way she claimed his hair, cradling his head and framing his eyes and cheeks. He wonders what it means, to be chosen by the traits from a generation before.

When granny says goodnight, Kita puts his arms up for a hug. She’s warm, always is. His head nestles into her neck, his threads of grey and black hair tangling with her sea of silver. He doesn’t know what it means; he is a five year old without the vocabulary to articulate the tightness in his chest, something akin to longing and fear. He is a five year old incapable of grasping what it means to be alive.

Only a couple days later, Kita catches a new perspective of you. 

You are barefoot in the genkan and Kita is ready to scold you, this one he knows is deserved after all he’s taught you. Before he can, you speak.

“Come with me today.”

Your hand is outstretched and inviting, but Kita is apprehensive, not sure what you mean. Before he can ask, granny speaks from behind him. “Go on, Shin-chan.”

He frowns and looks at her. Neither of them know what you’re talking about, where you even want to go. But granny looks calm and assured, without a worry in the world.

You don’t wait for an answer, grasping his hand when he’s still turned away and giving it a tug. He feels that same chilliness on your skin, one that makes him think you might be sick. He manages to protest long enough to step into his slides before you pull him out the door. 

It’s a beautiful day. The sun still hangs to the side, the heat of July not yet settled in the valley. The sky is a bright blue, populated with innocent fluffy clouds, white and rolling in the breeze. A group of sparrows sing in a shrub you two pass, and a toad leaps off the path to get out of your way. Kita inhales deeply, the air humid but clean.

“Where’r we goin’?” he manages to ask, quickening his pace to match yours. Your hand has loosened its grip, but he doesn’t let go.

“The forest!” you cheer easily.

His eyes widen. The forest? He’s been to the forest before, to pick bamboo shoots and tea leaves with granny, but he’s not supposed to go without an adult. Does granny know? Why would she let them go by themselves? These are necessary questions, he thinks, and yet he swallows them down and lets you take him without protest.

You are fast despite being barefoot, rocks and sticks seemingly unnoticed as you dart along the path. Kita follows along diligently, stumbling only a few times. He wishes he wore his athletic shoes instead of the sandals. He glances back to the house, studies the way it shrinks from the distance. The two of you are still on the southern side of the river, not yet crossed to the northern mountains, where granny takes him.

Kita decides that he likes running like this, despite the heat and his shoes. It’s a gentle jog, with a destination in mind, his hand in yours as you lead the way.

He doesn’t know how much time passes, just follows you up and along the path until the two of you reach its end. It’s the first time Kita has seen it, the way it stops before a rock face that climbs up a mountain west from his house. He looks down the path, into the valley from the incline.

He looks back at you, waiting for an explanation for what to do next. You don’t offer one, walking to the bank of the river. To get in the river, he realizes, and for the first time since leaving granny’s he tries to pull away.

You turn back to him, smiling softly. “Trust me, Shin-chan,” you say.

He’s not sure why he should, why he did, to let you take him all the way out here in the first place. Because of granny’s encouragement, he thinks. Go on, she said. Did that mean all the way? To the ends of wherever you wanted him?

You have turned and continued down the bank. Kita does not try to escape your grasp, letting you pull him along.

The water of the river rushes over his feet, cool and surprising. It runs up his ankles, his shins, his knees, and finally his thighs. You are leading him forwards, upstream and past the rock face that marks the end of the trail. His toes bump rocks covered in algae, slipping and wavering as he wades slowly. You, however, are sturdy, never faltering with your sure steps.

You approach a pile of rocks, scrambling over them to bring yourself back onto land. You help hoist Kita after you. He pauses when he steps onto the forest floor, the softness catching him off guard. He looks down to see reddish-brown piles of pine needles coating the ground, dotted with lush bundles of ferns and patches of vibrant moss. The land rolls gently, small and soft hills of fallen pine covering rocks and dirt and life. A mist lingers from the proximity of the water, the sun pulling the moisture into the air. The scenery is dark, quiet from the hazy canopy above. Kita inhales deeply in attempt to regulate his exhausted panting, the essence of wood and mint taking over him. He is in awe, not used to being swaddled in pine. The forests here are mostly a mix of leafy trees, oaks and maples and chestnuts, with pockets of bamboo. Not secret havens of sweetness and tang.

You tug him along, bouncing through the fluff of the soft ground. He follows, eyes wide and soaking in the scenery, wanting to memorize every moment. You show him your enchanted forest, its mysterious darkness splattered with occasional sun that manages to seep through. He spots a white hare leaping away, watches birds flutter from the trees. At one point you guide him to cross the river on a fallen tree, green with moss and bundles of young sedge. Behind your skipping form he walks carefully, arms outstretched for balance.

His heart freezes when he steps down onto the other side, catching sight of a grey wolf waiting its turn. He clutches your hand as the creature steps forwards, two smaller ones following. They look at him blankly before leaping onto the natural bridge, continuing their own journey without looking back.

When he turns to you, you are smiling, and tug him forwards once more. The sun starts to stream in, brightening as pines transition to those oak and maple and chestnut trees. The ground is no longer soft, but firm dirt and clumps of rocks, leading to one larger slab of jagged earth that juts out from the mountain entirely.

You step out into the sun and he follows, taking in the view in front of him.

He is not at the peak of the mountain, maybe halfway there, but the outlook forces him to understand the vastness of the valley. He can see the large span of the mountains as they roll and crawl in the distance, his house a small square along others. The river is more apparent, winding intensely down the mountain and softening into a gentle curve next to the village. He can see crop fields and the road that has taken him to Osaka before.

You speak, the first time since bringing him into the water, “Some people climb mountains to look from above. I like when I still feel inside of it, can still see what’s happening.”

Kita thinks he understands, remembers the way the mountains from his house are like a promising wall, a guardian. How the depth of the valley cradles him. He thinks of the hare and the birds, the wolves, the journey here striking wonder and awe into his heart. He recalls that feeling of being watched, your gaze always near.

The sun approaches its peak in the sky, nearly noon. It illuminates the valley, brings light into the forest behind them. Kita watches it light up your face, already bright from your joyful expressions.

“Happy birthday, Shin-chan,” you tell him, taking him by surprise. He forgot, in the excitement of the past hours with you. Granny gave him some books this morning as a gift. You’re giving him the forest. His smile is small and reserved, but it’s the first time he offers one back to you.

He thinks he understands now: what you meant when you said home.

The sight of your back with a hand pulling him along defines the next year. After you show Kita the forest, he trusts you wholly, no doubt that you will look after him. He is happily tugged again and again into that realm of magic. He encounters more animals—badgers and pigs, bears and herons. In the winter he sees foxes and macaques. The river freezes and snow becomes the new carpet of the forest. You don’t shiver either, he learns.

You take him to the summit once, so he can see the view. The pine transitions to a highland, bald of trees and instead coated in grass and shrubs. It’s beautiful, a clear day when the entirety of the valley is visible and he can spot granny’s home, how it sits across from Fujiwara-san’s. When he looks up, there is only the blue of the sky, not a single speck of cloud coverage. They stay until dark and watch the Milky Way span across the blackness of night, its subtle hues of pinks and blues, the way meteors shower down in flashes.

He watches life rise from the ground when the weather warms once again, as seedlings sprout and newborn animals wander through the land. Flowers bloom, coating pockets of earth in the full spectrum of light. He is witness to deer learning to walk, stumbling awkwardly over roots and rocks. He sees the other clumsy ways animals go about the world, how a sparrow drops its worm, how a duck trips and rolls into the river behind its mother. He collects these moments in his memory, happy to observe, solely to understand.

And you observe him, because Kita knows that is what you are meant to do. He still doesn’t know who you are, or why him, but he feels your eyes constantly. He doesn’t admit it, but they are comforting.

On the days you two are not parading in the mountain, you are still usually in each other’s presence. Kita no longer reads while you look over his shoulder or sit on the other side of the room. He reads to you, the books granny rents him from the library. You like to lay on the veranda while he sits and swings his feet, paying close attention to pronouncing the words. He still cleans up after you, since you never fully get the hang of doing things yourself. It’s only crumbs and small puddles, untidy blankets or cushions, an untucked chair at the table after dinner. He finds himself volunteering to take granny’s extra harvest of leeks to Fujiwara-san’s, under the pretense that he wants her to rest.

He walks there briskly, and stays for an additional hour. You have a lot to say, your nosiness still strong even after nearly a year.

“Jii-chan told me you’re starting school soon,” you say, eating one of the leeks. He watches you chew the entirety of it, uncooked. Some water squeezes out and dribbles onto the floor.

“In April,” he replies. April is two weeks away. It’s when he’ll go to Osaka. He’s supposed to stay there for the week leading up to school to prepare. He gets the sense that you’re leaving too.

You don’t look sad, and his shoulders feel tense when he notices. He’s not sure why.

Kita doesn’t ever ask unnecessary questions, but right now he is compelled to ask you many things. Sometimes it seems like you understand what he’s thinking, but you never respond unless he says it outright. As a result, he never gets to know.

He surprises both himself and you when he asks, “Are ya goin’ to school, too?” He already knows you aren’t.

You shake your head. He wants to ask why, wants to ask if you’re going somewhere else. He wants to know if you’ll be here when he comes back during break. He wants to figure out why you came in the first place.

Another question: “Are ya goin’ home?”

You nod your head this time. He watches you, thinking you’ll return to the pine forest. You shake your head when he thinks it, and give him the reprieve of elaborating. “The river.”

He frowns, confused. The river? You were always in the forest, guiding him along its greenery. He thinks about how he has to wade upstream to enter the forest in the west. He recalls the memory from years ago, a child in the water watching him. 

“I came from the forest,” you try to explain, “but the water’s my home now.”

Kita is reminded that he was born in Osaka, but would always rather be at granny’s house in the northern mountains.

It’s hard for him to leave granny’s, more than any time before. When the driver comes to get him and he squeezes in the back with granny, he looks out the window towards Fujiwara’s house. You sit on the veranda, waving while your legs swing. This time the sun is high in the sky and the river releases a blinding reflection. When the car drives away and he can no longer see you, his chest hurts.

Osaka does not make it easier. His mother coos at how big he’s grown while his father watches disinterested. Kita is shown his baby brother, now a toddler awkwardly walking around and speaking. Kita doesn’t know how to talk to him, but he tries. He says hello to his sister—who he hasn’t seen since she decided to stay in the city—when she finally makes an appearance at dinner. Granny stays for the meal and the night, and then leaves in the morning.

That night, the second one in Osaka, he cries while laying in bed. He isn’t sure why, the feelings simply overwhelming and in need of release. The squishy mattress in a raised bed frame doesn’t comfort him. He thinks about you, about granny. The mountains and the forest. The river. When he looks outside his window—a square of glass punched through plaster walls—he only sees pavement and blocks of concrete. Other homes, maybe with other children crying for reasons they can’t explain. There is no mountain in the distance or river running along the ground. The sky is hazy, no stars in sight. The only twinkling comes from his own eyes, his teary squinting blurring streetlights and windows with every blink. Each time his eyes close, for a moment he thinks he can see you.

If Shinsuke is one thing, he is malleable. He can fit himself into environments, his adherence to routine giving him a means of finding comfort no matter where he is placed. Responsibility grounds him, distracts him. He can redirect his energy to doing well in school, looking after his brother. These things feel good to him, to simply do them well.

Even though you are not with him, he can feel your eyes at all times. He is reminded of being at granny’s, her washing the floor as she tells him that the spirits are everywhere, always watching. He finds himself cleaning up after his brother, thinking of you. He wonders what you think, if you’re reminded of the same.

School is as alien as Osaka, with its concrete exterior and plastered walls. They are painted white and lined with large sheets of glass. They slide open, but only for students to shout at their friends outside, not to let the morning air in. 

In class, he sits quietly at his desk and listens to the teacher. He doesn't talk with other students or pass notes under the desk. He doesn’t even wonder about you, the feeling of your eyes always on him. He watches the teacher closely, diligently records the lessons. He watches other students, gathering first impressions and additional observations. He notices the way some of them doze off or scribble in their books. He sees the meaningful glances some make to each other, usually girls as they eye each other and specific boys in the class.

When he studies for his first exam, he thinks that he can feel you in the room with him. First looking over his shoulder—a cool breeze wafting from behind him, and then laying on his bed—the sheets oddly chilly when he goes to sleep. He remembers how you sat by him while he read aloud just a few weeks ago. He murmurs to himself as he reviews information, wondering if you can hear him.

Kita scores at the top of his class. He doesn’t feel anything when teachers congratulate him and other students whine. There is no pride in his chest or sense of satisfaction at the results. He thinks back to his nights studying, your presence lingering over him. It just feels good, he thinks, to do things well. The process of trying and dedicating himself to something.

He makes a routine out of it, delegating time after school to review material. It falls easily into his schedule, after dinner and before he readies for bed. He still has time to play with his brother, usually reading or offering him toys. His sister is always gone, either busy with club activities or friends. His parents get home late too, but they usually manage to have a full family dinner.

They’re eating quietly, having debriefed their days as they reach the end of their meal. Kita glances at his family, realizing that they’re different from the people at school. He’s known them for his whole life, people without first impressions and instead ingrained understandings. He looks at them intently, notices the way they eat, listens to the way they speak. He knows them intuitively, no running list in his mind to keep track of information. He is reminded of the time you asked about his hair, and he stares at his mom, then his dad. His mom’s hair is long and brown, artificially lightened from its original dark color. His dad’s is black with a sprinkling of silver from age. Kita wonders if his will do the opposite when he grows old.

There’s another exam the following week, this one for his science class. Kita is the first one in the classroom, watching students filter in. The boy who sits next to him—Daiki, tall and skinny—plops down with a sigh just a few minutes before the teacher is supposed to arrive.

“Gahh, I’m so nervous,” he says to Kita, laying his head on the desk. When Kita doesn’t respond, he asks, “Are you?”

Kita shakes his head at that, not sure why he would be. He studied. 

When the results come back after a few days Daiki whines that Kita is a goody-goody, trying his hardest to get the teacher’s attention. Kita looks at his full marks and once again feels nothing. He thinks it is the natural result of his efforts. He wonders what you would say, if he could talk to you. He thinks you would ask nosey questions about his siblings. It makes his chest feel hollow.

Some kids try to be his friend, or at least try to talk to him. But he’s quiet, not very eloquent or forgiving with his words, and so they eventually leave him alone. He thinks about how you diligently stood by him, how you smiled when he scolded you.

When he gets home and returns to his room, it is exactly as he left it. There are no crumbs to sweep or puddles to wipe. His brother is out with the nanny, but he feels restless, the need to do something. He thinks he can get started on his homework early, pulling out his notebooks and folders. He can’t focus on the words, eyes skimming the pages without understanding. He knows that studying now is futile, and decides to continue later. He settles on bathing early instead.

His bath draws on, longer than usual. He finds himself pausing, getting lost in thought—though more lost in feeling, since his mind drifts blankly. He’s still restless by the time he finishes, but slightly relaxed. He stands to wrap himself with the towel and steps carefully onto the bath rug. Once he’s dried and his towel is secure around his waist, he leans over to pull the plug and let the water drain. Just as he grasps it, there’s a lurch of water that spills out and onto the floor. His eyes widen in disbelief and his chest flares with annoyance knowing he will have to clean the mess. He looks at the floor incredulously before turning back to the bath and—

His eyes widen further, mouth opening slightly at the sight of you—a misty figure over the water. You’re wearing a sheepish expression as you lean over the edge to assess the mess.

“Sorry,” you say quietly. Kita's disbelief increases at the sound of your voice. “I’m still getting the hang of it.”

Kita slams the plug back down and stands to face you clearly. He feels the water pooled at his feet, but all irritation has fled his body. Instead he is filled with a warmth, a contrast to the coolness wafting from you.

“You made a mess,” he tells you, unnecessarily. You know that already.

“Yeah,” you say. You apologize again.

“Don’ do it again,” he tries to scold. His body wants to step forward, to reach you. He’s not sure why, and he frowns with skepticism.

You nod, then lift your leg experimentally. When it’s pulled above the water, there are no droplets falling. Instead, you appear airy, like the water sits around your body. You step out and onto the bathroom floor, successfully avoiding increasing the mess. You smile brightly at your success. Kita continues to watch, wondering if you’ll disappear, evaporate at any moment. You look at the water on the floor and then meet his eyes, smile turning sheepish again.

“I should mop,” you tell him, breaking him from his quiet spell.

“I’ll do it,” he says immediately. “Jus’...jus’ don’ go anywhere.”

You nod.

Mopping helps him calm down, perhaps needing a task to manage his agitation. You watch, and then follow him to his room once he’s finished. He dresses while you distractedly rummage through his things, then walks over to you at his desk. He feels a wetness under his foot and looks down, seeing footprints scattered along the floor. They’re light and clearly yours, and he ignores them, continuing over to you.

“You can go back to studying,” you tell him.

He can’t bring himself to look away. He’s not sure why, chest tight with anticipation.

There’s a knock at the door, mom’s sign that dinner is ready. The noise startles you and there is a poof, the sound of you evaporating into mist, wafting up to the ceiling. Gone. The only traces of you are those faint, damp footprints and few misplaced items on his desk.

For the first time in a long time, Kita feels a sinking disappointment.

Adolescence

Contrary to what he expected, Kita doesn’t leave Osaka during break. His parents think it would be good for him to have a consistent lifestyle. Kita doesn’t protest, but he can feel a heaviness in his stomach. He asks about granny, if he’ll see her soon. They tell him she will visit some time, and she does, though rarely. He thinks about the forest and the mountains, when he’ll see them again.

On the first day of fourth grade, Kita wakes up on time. He uses the toilet, washes his face, brushes his teeth, and changes his clothes at his usual pace. As he splashes cool water along his forehead and cheeks, he is reminded of your touch and wonders if he will see you this morning. He often finds himself waiting, without realizing until a significant amount of time has already passed. You are irregular and unpredictable. It puts him on edge, that you might disrupt his perfectly crafted routine.

He is the first to sit down for breakfast and the first one to finish, everyone else but his mother just having started. He stands to put his dishes away and gather his school things when she rushes into the room. She’s fumbling with her shoe, trying to get it in place while collecting her things to fill her purse. Her face brightens when she sees him and asks about his first day, if he’s excited or nervous.

Kita shakes his head, neither. He’s been going to school nearly everyday for years now, what reason would he have to be nervous? What’s to be excited for?

He turns to leave, but she calls for him. She asks if he’s planning to join a club.

He shakes his head again, not sure why he should.

But his mother protests, “I think it’d be good for you to do a sport. You don’t exercise much, with all the studying.”

His father hums in agreement from the table and his sister stands to excuse herself. His brother knocks his bowl over, spoon clattering to the ground. Without hesitation, Kita walks over to return it.

“Just try one, okay?” his mom asks. Kita nods in response before finally leaving. 

In his room, he gathers his books and school supplies into his backpack, double checking that everything is there. He slips it over his shoulders and then turns to the window. It’s translucent with a sheen of moisture from inside. He wipes it away and glances at the sky. It’ll probably rain, he gauges. As he steps away from the window to leave, he catches a glimpse of you in the reflection.

His first day of school is like any other, spent seated at his desk near the center of the room, watching the teacher, observing his classmates. He diligently helps clean at the end of the day: sweeping duty, not missing a single spot. Once finished, he changes his shoes and makes for the exit. Some students say goodbye, and he nods in return. He can hear the soft pattering of rain as he approaches the door, and pops open his umbrella before stepping outside.

The walk home is quiet, with occasional groups of students chattering by. Kita walks at his typical pace, unrushed. He hears his shoes tap against the pavement with each step, the plopping of raindrops above his head. The occasional car rushes by, veering aside to avoid splashing him. He runs through a mental list of what he needs to do for school, but it’s short given it being the first day.

When he’s only a few minutes from home, he hears splashing behind him, as if someone is running through a puddle. You, calling his name.

He doesn’t turn to look, but his steps slow while his heart speeds, giving you time to catch up. Within a few seconds you are by his side, your now-usual misty and translucent figure at his side. You smile when he glances at you, but he appears unfazed. You’re unbothered as you walk with him, light on your feet.

When he reaches the door of his home and unlocks it, you let yourself in first. He closes his umbrella and gives it a shake before setting it on the rack. While he removes his shoes in the genkan, he eyes the light trail of footprints you left on your way to his room. He leaves them, knowing they’ll evaporate before anyone else comes home. He stops by the kitchen, dumping a bag of carrots onto a small plate, and then he briskly enters his room and closes the door behind him.

He sees you laying on his bed and he feels an itch of annoyance, knowing the sheets will be damp. But he doesn’t say anything, instead setting the plate on his desk and sliding his bag onto the floor. You smile and ask how his day was.

This has become part of Kita's routine, your irregular visits. He walks through life with an anxious anticipation, waiting for you to come. He is relieved when you appear, but he is never entirely pleased. There’s a warmth in his chest regardless, one that reminds him of granny.

He wonders if maybe that’s why he accepts the interruption so easily, because it momentarily brings him home, his life in the mountains, granny’s voice telling him that someone is watching over him. He knows that someone is you. He wonders if granny knows about your visits, if you ever tell her about him.

His answers are short, per usual. But he talks about his classes, his classmates, how mom wants him to join a club. He knows that you know all this, but he says it anyways, gives into you.

“Do you know what club you’ll join?” you ask.

He shrugs. “A sport, since I should exercise.”

You nod at that, “It’s too bad the forest is so far away. Exploring is good exercise.”

Kita thinks about the forest often, seeping into his spare time when he’s not caught up in classes or the growing responsibilities of life. He’s heard from mom about wildfires in Hyogo, ones that spring at random in the dryness of summertime. Luckily nothing near home, but still within the province. He recounts those memories of rabbits and monkeys, remembers the flowers that are blooming right about now. He's curious if it’s raining, how visible the stars are tonight. These questions bring a pain to his chest, one he can’t explain, one that doesn’t make sense. Sometimes he calls granny and the pain goes away. Sometimes it gets worse.

When you’re in his room with him like this, he thinks it’s a different pain entirely.

Eventually your questions lull and Kita knows that this is his queue to start his schoolwork. He doesn’t have much to do, though. Instead he wants to ask a question of his own. You can tell, and you wait.

He doesn’t know how to phrase it, so he never asks. As a result, you never answer.

A week later the school allows them to pick clubs. Kita looks at the other hopeful kids as they play rock-paper-scissors for a spot for the popular sports: basketball, football, baseball. He eyes the groups that are smaller, have less interest. The running club looks crowded, so he makes his way over. He still has to do a round of rock-paper-scissors, and he’s one of the three who have to find another option. To his right is another small group, and he asks to join without knowing what they are. Volleyball, apparently. He’s not sure if he’ll be any good, but he figures it’s only for the year and he can try something different in fifth grade.

Volleyball, it turns out, is difficult. He learns how to receive a ball, but it flies in the opposite direction of where he wants it to go. He watches the other players, trying to understand how to improve himself.

Volleyball, it turns out, is technical and requires a lot of practice to sharpen his skills. He diligently attends practice, two days a week for fourth-graders. The coaches appreciate his efforts, how he runs his full laps and takes every suggestion seriously. Kita finds that he just enjoys the process of training, improving his abilities and caring for his body. His legs feel tired at the end of the day and it reminds him of running through the forest. It reminds him of his efforts, makes him feel good.

Volleyball, it turns out, is the perfect distraction. From you.

It becomes part of his routine, filling in the gaps of time that he normally finds himself waffling in, waiting for you. He learns to walk through everyday as if it’s the same, just himself, but allows it to shuffle when you make an appearance. 

Volleyball helps as he enters middle school and your visits lose frequency. Your lack of presence, however, makes the feeling of your gaze on him even stronger. He feels it every time he’s on the court—though he only ever plays games in practice. He in turn watches his teammates, their ticks and habits. He watches his opponents, offers notes to his team about patterns and flaws in their styles. He’s not a powerhouse like the standout players, doesn’t have any exceptional talent, and so despite his hard work and consistent practice, he doesn’t play a single game, doesn’t even receive a jersey.

You ask him about it one evening, on break before high school starts.

“Are you going to join the volleyball club?” you ask, to which he nods. It makes you hum as you sit on his bed. He can see the wall behind you, how it darkens slightly from the moisture of your form leaning against it. 

“I hope you get the chance to play more,” you tell him honestly. “I don’t know why they don’t let you.”

But it means nothing to him, that sort of attention and recognition. He just plays to play the game, do the drills, learn the mechanics—to take care of himself. You know this, but you like watching him, the way he watches the game, moves with it, into it.

He doesn’t say anything in response, knowing that you know what he thinks.

Instead of pushing further, you change the subject. “I’m not going to be able to visit very often,” you tell him. You sound regretful, and his chest is agitated. He thinks of the fires, happening at random across the country.

“I know,” he tells you. He could sense it, recognized the increasing infrequency of your presence. He wants to ask why, but he can’t get the words out, for whatever reason.

You look at him closely and say, “I’ll be around though.”

He nods at that. He knows.

Inarizaki is a prestigious school, known for academics and athletics alike. Kita makes it in easily with his grades, and joins the volleyball club despite knowing he will likely never play in a match. The coaches note that Kita is inexperienced in competition, but they know an asset when they see one. His skills are too sturdy, too well-practiced for Inarizaki to not take advantage of him.

During his first year, he hardly plays. Even so, he is the first at practice, one of the last ones to leave, and the most diligent athlete on the team. He runs the entire length of the track, finishes every rep during weight training, and completes every drill and penalty without complaint. The coaches find that he does not have star power—he is unassuming and ordinary—but he is exceptional in his efforts, and his efforts meet returns when it counts, when they need him on the court as his usual Kita-san.

Some of the older players tease him for his diligence, others admire him because of it. Everyone realizes that he pays no mind to what they think, only ever doing what he wants, what fits his values. He respects his elders even when he disagrees with them, but he is blunt with his fellow first years, unafraid to call out their behavior, especially if it contradicts something they’ve said before. Some say it’s rich coming from him, someone who only warms the bench.

Aran is the one who talks to him, one day in the locker room. A tense conversation between Michinari and Shinsuke unraveled earlier when Kita commented on how the libero attempted too many unpracticed receives in-game, that he should have stuck to underhand until he perfected his overhand off the court. Michi has a temper, and his frustration was pushed by the spiker’s comment. He shouted that Kita wouldn’t understand, that he hasn’t been put in a game, hasn’t had the opportunity to feel the pressures of expectation.

Aran lingered when the others filed out of the locker room—partially to make sure Kita was okay, and partially to suggest he cool it with the critique.

“Don’t take it to heart,” he offers. “Akagi-san gets bad nerves. He knows what he needs to do.”

“I don’t understand the point of being nervous,” Kita responds.

A machine, Aran thinks. This guy is a machine. He says as much, and thinks there’s truth to Michi’s comments, that Kita must not understand because he’s never played in a match that counted.

But Kita explains—that it doesn’t make sense if you’ve practiced the skills and know your capabilities. That it’s the same with eating, shitting even. He thinks Michi’s underhand receives are enough, that they have saved the ball from Inarizaki’s own powerhouses in practice. Why would he need to try anything else?

Aran’s eyes widen as Kita speaks, starting to understand his perspective. It becomes apparent that his criticism towards Michi was more of a poorly delivered compliment: that their first-year libero is enough as he is, that he could save them with the tools he knows—he doesn’t need miracles. This glimpse into Kita puts Aran’s teammate in a new light, recontextualizes his diligent attitude towards their training and the criticism he gives his peers. He trusts the process, knows that the results will follow suit.

Aran begins to notice how Kita fades to the back, his presence unassuming on its own. Kita does not play for recognition or adulation, he simply does what needs to be done. His diligence to get every ball in the air goes unnoticed when the flashy ace pulls an impressive cross against three blockers—a move that would not have been possible without Kita, committed behind him. But Kita doesn’t care, doesn’t ask for attention. 

Aran already held immense respect for his teammate, for his repetition, diligence, and perseverance. But now he feels a special type of awe when he watches him more closely.

Kita does not make a fuss of convincing others of his praiseworthy traits, but Aran takes it upon himself to point them out to his team, to give new context to Kita's seemingly harsh words. Slowly but surely, they will understand, too.

What Aran doesn’t know is that Kita feels like he has already been noticed and recognized, always has been and always will be, at every moment—by you.

(Your eyes continue to bore into him no matter where he is. They feel stronger the longer he goes without seeing you. Your visits are few and far between, but he has his routine, knows to follow it independently and let it shape around your irregularity.)

The following season, a handful of talented first years join, including a freakishly synchronized twin duo and a sly middle blocker. They fight with each other. Some of them cut corners. One particularly troublesome one likes to work himself through illness, inspiring misguided awe in other first years. Kita as a second year has no qualms scolding his teammates, now sometimes including his upperclassmen. The underclassmen pout and grumble while the elders know the intent resting behind his abrasion. 

You only visit him twice during the school year, both times at the hotel for nationals. The first is during the Interhigh National Tournament; he is sitting in the tub at the end of the day, running through his observations of other teams he saw, considering what would be useful to share with the others, to exploit. His head is resting on the ledge of the tub, staring at the blank ceiling as a canvas for him to visualize what he saw: bad crosses, a fragile ego, delayed timing for a back attack. He thinks about the team they’re playing tomorrow, the most imperative information to note. He thinks he should finish bathing so he can write it down.

When he straightens his head to look forward, he jolts in surprise, water splashing out and onto the bathroom floor.

You’re there, sitting on the other end of the bath in your misty form. Your eyes are wide, head turning to look at the puddles on the tile. Kita can’t even consider the mess, body tense at your proximity. He’s never been flustered around you before, never felt strange about his nakedness if you appeared after a bath. It’s been a long time since you’ve come from a bath. And this—this is a closeness and intimacy he has never imagined. You, sharing the water, right beside him. He is frozen when your eyes move back to his face.

“I’m sorry I scared you,” you whisper, and he recalls another variable to add to the situation: Aran, likely still in their shared room.

Kita shakes his head, not knowing what to say. “You—” he stutters, unlike him. “What’re ya doin’.” Ever since middle school you only appeared in the rain. He didn’t know bathtubs were even still a…vessel of transportation.

You smile. “Good luck tomorrow.”

Kita blinks, torn between the urge to scold you, the urge to reach for you, and the urge to make you leave before Aran learns of your presence. He finds it exhausting, the way you pit these conflicting pieces of him against each other.

Instead he tells you, “I probably won’ play.”

You shake your head, still smiling. “You’re doing it right now.” The analysis of his opponents, you mean.

A sound at the door makes you jolt, the water softly rippling around you. It’s Aran, asking if things are okay. He doesn’t comment further, but he swears he hears the murmuring of voices.

Kita calls back that he’s fine, just about to get out and be done for the night. He gives you a look afterwards, a sign that you can’t stay. He wishes you could.

You surprise him by leaning forwards, reaching for him. He is suddenly swept into your chilly embrace, arms wrapping around his shoulders. His body is tense, on edge from the intimacy, but he only feels your body above the water, arms and chest and head as it settles into his neck. Despite your cold temperature, Kita's body heats at the contact.

“I’ll see you,” you say, and then you are mist, dispersing into the air.

When Kita exits the bathroom, Aran thinks for the first time that he looks amused—a mirth settled in his eyes and his lips slightly quirked.

A few months later during the Spring High Nationals, you appear in his room, again shared with Aran. Luckily the spiker is out for the moment, allowing Kita the freedom to speak with you. He’s getting dressed from the bath while you flop onto his bed. When he finishes he stands over you, inquiring why you came.

“To wish you luck again.”

Where you’re laying on the bed, his hand hangs by his hip only inches from your face. He is called to reach for it, hold it gently. He’s not sure why but this visit makes him uneasy, like it could be the last. He wonders if these are nerves.

The sound of the key opening the door interrupts his thinking. You have already faded into the air by the time Aran enters, followed by the twins barreling their way past him.

Atsumu (the obnoxious) immediately makes for Kita's bed. He flops down onto it, not unlike how you did minutes before, but immediately tenses and shrieks. He rolls himself off, pushing Kita back from where he was standing, all while shouting, “Kitaaa! Why’s it wet—”

Kita thinks he should thank you, next time you visit.

You don’t visit again.

Rather, Kita goes home to you. He decides to leave for break instead of sticking around for club practice, a choice he’s never made since he started volleyball. Something in him calls to visit granny. So at the end of March he boards the train headed towards the north station, and then hails a ride to the village. Granny is home when he arrives, and she marvels at how tall he is, not having seen him since she visited in middle school.

He towers over her small figure, awkwardly hunching in a hug. Granny says that he’ll be a big help with his height, and over the next day she sets him to dust the high shelves and put away dishes. She comments that he can move the table in the main room all on his own, no longer small, five year old Shin-chan.

The ease Kita feels in himself when he is here, with granny in the mountains, is undeniably because this is his home. He is malleable, shapeable to the life he’s lived in Osaka, but this is where he should be. He knows that when he enters this final year of high school, he will be given a sheet that asks for his three career plans. With his grades and diligent work ethic, he knows that he can put himself on any path and make it work. But in this moment, in granny’s embrace, the warmth of a home lined with screens and tatami, Kita knows that he wants to be here, no matter what.

That night he lays out his futon, smoothing out the creases and carefully lining it to be perpendicular with the wall. He smiles, this routine of preparing his bed one of many things he missed in the city. Before he lays down, he is overcome by the feeling of being watched. He turns to the screens that lead outside, towards the river. He walks over and opens them, looking into the darkness of the night.

The moon hangs low in the sky—a crescent, a smile. It shines softly on the water, Fujiwara-san’s house behind it, and the form of the mountains beyond. You aren’t there, but the river is misty, a bluish haze settling thickly on its surface.

In the morning he decides to go for a run, an attempt to maintain conditioning while he’s gone from practice. He goes left—west—towards your mountain.

The jog is peaceful, with March air cool and crisp against his skin. He is calmed by the sound of the water rushing next to him, running the opposite way. There are birds singing when he passes and a small hare jets by his feet. Running feels like a trip through his memory, recounting the times he tried to keep up with your pace, the adventures you went on together. He is running through the blue of wanderlust, along the breathing water and between the distant mountains, under the bright sky above him. He is running through the green of nostalgia, the lush vegetation, stalks of bamboo and solid trees, mostly oak and maple and chestnut, but occasionally the mysterious pine.

He is running to you.

It isn’t apparent until he reaches the end of the path, to that rock face at the foot of the mountain, and you are there—in the flesh—waiting in the river. The water is cold during spring, and yet you smile warmly, unfazed by the temperature. When he takes your hand to let you guide him through the water, through soft pine and hazy light, your touch is cool and refreshing against his—hot from exertion.His heart lurches at the contact, an inexplicable mix of tightness and lightness blooming in his chest. He can’t tell if it’s hollowing him out or overfilling him. It feels like hello and farewell all at once. There is a knot in his stomach, one that feels like nerves. It is exhilarating, magnetizing, like falling into you completely. He lets himself. He has no other option.

You come back with him to granny’s and have breakfast together. She doesn’t say anything, only calls you “dear” and thanks you for your help cleaning up. She does not mention Fujiwara and neither do you. Kita feels whole, sitting on the floor at this table.

At night you sit and watch as he prepares his futon. He looks at you and asks, “D’ya need one?”

You shake your head, smiling. “Don’t sleep.”

He nods before getting up to turn off the light. He opens the soft blanket and lays down. He turns to you, hesitating. He wants to know if you’re staying, if you’ll be here all night. Part of him wants to invite you to lay next to him.

He doesn’t say anything, just looks at you curiously.

You are smiling over him, as always. One of your hands reaches to smooth back his hair and he softens. Even with your skin always cold, his body will forever warm at your touch.

These days continue and Kita feels light, enjoying time with you, as a person. His questions fade after he succumbs to focusing on soaking in your presence. It feels good, not unlike the satisfaction of completing his daily rituals.

He looks at you closely, the way you’ve grown with him. You are still smiling, still diligent in ways that he initially failed to see as a five year old. Watchful, joyful. He doesn’t feel the smile on his face, a small one that granny notices. You are smiling too, as you take dishes he’s finished washing and run a rag across their surface. You miss some spots, little droplets sticking to the ceramic. Some fly off and land on the floor and counter.

Kita is entirely at ease. It is quaint, quiet, content.

After a few moments, you suddenly pause your drying and turn thoughtfully, towards the river. Kita watches as the faintest furrow appears between your brows, your face both pensive and concerned. You drop the rag on the counter and step away. He stares curiously, still scrubbing a plate.

“I’ll be back in a second,” you say. Nothing else, no unnecessary information. 

Fear germinates in his chest, his heartbeat picking up speed. Granny smiles at him, reassured. He wonders how she retains her calm demeanor.

When nearly ten minutes pass and you don't return, Kita tells granny he’s going to check on you. She nods in understanding as he slips on his sandals and exits through the genkan. He spots you immediately, standing between the house and the river. You’re facing the northern mountains with a frown on your face. Kita realizes this is the first time he’s seen you anything but joyful.

You answer his silent question when he stands beside you, “There’s something wrong.”

“In the forest?” he clarifies. You nod, looking onwards. He watches you for a silent minute, the way you study the sky over the ridge. 

“I think…” you start. Pause. “You should leave, with your gran. And everyone else.”

Kita's brow furrows as he looks at you skeptically. You turn to him, eyes unwavering. You never look this serious. Always nosy, unnecessary questions. Lighthearted. Messes on the floor.

“Shinsuke,” you say firmly. He startles at the sound of his full name. “Tell everyone there’s a fire—in the northern mountains. I’ll try to keep it at bay, but it’s spreading. By the time they see it, it’ll be too late. If you can evacuate the houses on the other side of the river before it’s visible, things should be okay.”

He feels a strike in his lungs, like he’s gasping for breath. He wants to ask for details, but you’ve made it clear there’s no time. You are grabbing him, your cool hand holding his wrist, as you start towards the bridge in a run. He is momentarily brought back to his sixth birthday, running behind you as you guide him along the path to the base of a mountain—your mountain. He remembers thinking that running behind you was fun.

This time you are serious, almost panicked, bringing him across the river and pointing at the houses, which ones he should evacuate first. The ones with the oldest people. Fujiwara-san is one of them. You let go of his hand and run, sprint towards the base of the mountain. He feels panicked, wondering how long it’ll take for you to come back. What it means for you to keep the fire at bay. You fade away, the blue of distance settling between you two, mistiness.

The next moments are a blur. He knocks on doors and is greeted by elders he hasn’t seen in years, ready to exclaim at how he’s grown. Their coos are interrupted by his apologies, an explanation that he got news of a wildfire and wants to make sure people have time to evacuate. He suggests that they get into their cars and head east near the highway, and to wait for official advice for next steps. He says the words, but they don’t fully register when his mind is still occupied with the memory of you sprinting to the danger. The families look at him skeptically, but they get a move on when they remember this is Shin-chan, the quiet and good-natured village boy.

He makes his way down the homes to relay the news. He asks neighbors to tell the others, and to call emergency services. There are 26 homes on this side of the river, and by the time he knocks on half the doors, smoke hangs over the mountains. No fire is in sight, but the signs are there. It makes the next conversations much quicker, and he is relieved as he watches cars pile out towards the highway.

Suddenly an alarm starts blaring. The emergency intercoms spaced along the neighborhood release a sharp and repeating warning sound. A deep voice calls out between the noise, commanding evacuation. Kita's breath is labored from the exertion of running between houses, but his chest feels lighter knowing that his responsibility has been lifted.

By the time he crosses the bridge back to granny’s home, the sky has darkened significantly, black smog blowing along and spewing upwards. There’s the slight lick of a flame creeping over the ridge and he feels his heart begin to gallop. His stomach clenches roughly when his mind flashes with images of the western mountain forest, deer and wolves and rabbits and birds. Flowers and pine and ferns. He glances that way and sees that it’s still untouched, for now.

He runs inside granny’s, calling for her to get in a neighbor’s car, since she doesn’t own one herself. She stands slowly, at her elderly pace, and Kita is restless as he helps her exit the house as quickly as she can. He takes another glance at the mountains and his heart plummets at the sight. The fire has crept over the ridge, and he can hear the distant crackling as it runs forward. Kita's eyes trail down to a figure by the bank on the opposite end of the river and recognizes you. His chest constricts with relief and concern at the sight. He tells granny to walk down to the next door neighbor, to see if she can evacuate with them. He has to lower his head to her ear so he can be heard over the sounds of the sirens and the voice on the intercom.

He starts jogging towards the bridge, to cross it, but you yell his name. It’s loud and fierce, a demand to stay put. It has a firmness that forces him to listen.

His feet stop, now directly across from you. He can see your face, the intensity in your glare. You’ve never looked at him this way.

“Don’t come!” you yell, voice almost lost over the commotion.

Kita is frowning, brow furrowed and mouth open in disbelief. He doesn’t have time to yell back before you continue.

“You have to go, Shin!” You shout. Kitas chest is heavy, and his shoulders are rigid. The flames are growing closer, rolling down the mountain. There’s a gust of wind and it blows the smoke towards the village. He can feel the heat of the burning forest.

Suddenly there are popping sounds, loud like fireworks squealing and shooting through the air. He doesn’t understand where they’re coming from, what they mean. They don’t stop, ringing through the valley and compounding with the blaring alarms, the warning voice on the speakers.

Kita doesn’t want to leave. When he looks at you, the despaired expression on your face and the many layers of hurt—layers he doesn’t understand, has never understood because he never asked—he knows that he can’t leave you. He has to do something, he is restless, like a child waiting for something that has no regular pattern, no rhyme or reason to be there in the first place. You, visiting him in Osaka.

But you won’t have any of it. “GO, SHIN!” you yell, voice booming—akin to a clap of thunder. The popping and splintering noises grow louder, and it strikes him that they are from the bamboo at the base of the mountain, the moisture in their chambers expanding enough to turn into deadly explosives. He sees a flock of birds lift from the forest behind you and fly east.

He tastes salt—tears, rolling down his cheeks and through his open lips. His voice is choked as he yells back in a desperate attempt for you to leave with him.

“I’m yer burden,” he reminds you, face scrunched in pain. His voice isn’t as loud as it should be, for you to hear him across the river. But he knows you can anyways, knows that you know he means don’t leave me, I’m the one you’re supposed to look after.

You smile sadly. He can’t tell if you’re crying too, but he can feel the same pain on your end. Your voice is equally too quiet to be heard when you respond, but it rings clearly in his mind.

“But I’m not yours.”

Your gaze is looking behind him, beyond him. He turns and his eyes widen, spotting granny slowly making her way down the path. His stomach churns—she didn’t catch the neighbor driving away. She’s coughing, unable to walk at the same time. With the smoke blowing over and granny’s old lungs, she can’t carry onwards alone. Kita hears himself curse and he rushes to her side, no hesitation as he lifts her frail body against his chest. Her head lands against his neck—her hair soft against his—and she coughs another long fit. He knows he has to leave. 

He takes one last glance at you, then at the fire crawling towards the now-emptied homes on your side of the river. The heat is increasing, blowing towards him with more smoke and ash. Five deer appear from the woods behind you and run across the bridge. You are staring at him, urging him to follow their example. He knows that he has to take care of granny, but he thinks this is the most pain he’s ever felt, buried deep in his chest. It’s the kind of pain that comes from hollowness, recognition that something vital is missing and yet somehow life is forcing him onwards regardless. He doesn’t know why this tension is there, when there’s a clear job for him to do, to do well. His face pinches, another round of tears welling before he blinks and turns to run down the path.

In this moment, he summons that unwavering confidence he has in himself. Not one of arrogance, but from the knowledge of what he is capable of, what he does everyday without failure. He runs east along the river, clutching his grandmother close. He tells himself this is any normal day of training, running to improve his endurance for volleyball. He is running besides Suna-san, who’s looking for a shortcut. He is running behind you, on your way to explore the enchanted section of pine in the mountain.

He is a toddler, carried along the path next to the river by his grandmother, seeing a mysterious child his age standing in the water. He asks who it is, pointing to a figure that granny can’t see. She tells him that he’ll learn one day, when the time is right.

He is sprinting down the same path, through smoke billowing over the valley erupting from a fire to his left, separated only by a river. Separated by you.

The honk of a car sounds behind him, a noise he barely catches with the sirens and the voices and the explosions pounding around him. He turns and sees the car of another neighbor, ushering him to get in. He veers to his left, letting the vehicle pull up beside him, and he yanks the door open, climbing inside with granny still against his chest. They lurch forwards as the driver steps on the gas and Kita guides granny to the seat beside him, reaching over to buckle her in. The interior blasts cool air and Kita is handed a water bottle.

“The fire department’s tellin’ people to evacuate to the next city,” the neighbor says. Kita nods numbly in response, unscrewing the bottle and helping granny take a few sips. She still coughs, but they’re smaller, less frequent.

With granny somewhat stable, Kita looks out the window to his left, facing the burning mountains. The car nears the ramp to the highway, starting up a mountain east of the fire. It gives him a clear view of homes being swallowed, Fujiwara-san’s one of the first.

Kita is breathless at the sight, reminded of everything these people will lose. He recalls what is already lost: the forest, the animals, the delicate combination of life that dwells in this valley. He thinks your mountain will be lost too, watching as the fire creeps west.

The popping sounds are dwindling, with the fire moving past the burnt bamboo sections and the car speeding away from the scene of destruction. But it is not quiet. There is a sudden clap of thunder that rumbles, long and gritty and deep. Kita watches as winds blow ferociously. Untouched trees sway while burning ones topple from the force. The sky is dark, a mix of smoke and storm clouds, though Kita isn’t sure when the storm began to form. He can see the water falling from the sky, blown at a sharp angle from the strength of the wind. It pelts over the mess of heat, releasing bouts of swirling steam into the air, to condense back into rain clouds.

As the car climbs higher up the mountain and the road, Kita watches the battle unfold before him. The power of rain as it fights the flames of red and gold eating the landscape. He watches the mist rising at the contact between elements, the water evaporating on impact.

He sees you in his room, that first time in Osaka when you were startled by a knock on the door. The way you went poof and disappeared.

They house granny in Osaka, taking over Kita's sister's room since she's at university in Tokyo. Kita is the one who looks after granny most carefully. It reminds him of caring for his brother when he first came to the city. He learns that granny’s house wasn’t caught in the fire. The river was an effective barrier and the rain came in time to manage any embers that had gotten blown over. The reports on the event stated that it was a miraculous storm, one that came from nowhere, completely unpredicted. It was an eventual downpour, enough to contain the fire within minutes and smother it completely in less than a half-hour. Footage from a helicopter shows the water rushing down the gullies and pouring into the river. With it carried embers, soot, ash, all piling together and flowing downstream. The next town down the river reported black water filled with sediment. A truck came in to deliver hundreds of cases of bottled water.

Aerial images reveal that nearly every house on the northern bank was claimed, only a few saved towards the east. He sees photos of the destruction. Your forest didn’t manage to escape in time, the fire stealing your enchanted pine. He wonders if you could have saved it if you didn’t prioritize his home.

There was one death: a backpacker, the person everyone believes is responsible for the disaster. Her body was completely charred, things almost entirely unidentifiable. Emergency services only picked out the metal of a stove—the decided perpetrator.

Kita has no time to grieve, with only a week before school starts again. After he helping granny get situated in the house, he immediately went to practice as a distraction. His teammates are appalled at the news, offering pats on the back and words of condolences, sighs of relief that he was lucky to leave in time.

But they don’t know what he lost. Not just the forest and the mountains, or the ability to visit his real home for months at the earliest. Even with the fire out there may be coals smoldering underground, or dangerous air wafting in the sky. The mountains won’t be green for at least a year, needing time for seeds to take root and sprout, needing seasons to accumulate rich dirt again. There’s no telling how long it will take for animals to return, birds to nestle back into shrubs or rodents to burrow again. The wolves and the deer are surely gone, evacuated to the next viable plot of land.

These aren’t the worst of his losses. What grasps his heart tightly, enough that sometimes he struggles to breathe, is the sight of you running into that smothering roll of flames. The loss of your eyes watching over him.

He dreams of fire, of heat and searing pain. His mind flashes with streaks of red and orange, billowing greys behind it. He hears the crackling of a burning forest and the popping of erupting bamboo. He wakes up panicked some nights, coated in sweat from the searing sensations he conjures in his sleep. In these moments he thinks it would help if he could be with you, your body always cool and damp, the sort of comfort that eases him, that could put out the fires of fear that grasp him.

A week later during practice, coach hands out jerseys. Kita is called first, given the number 1—captain. He blinks in surprise, having expected it to go to Aran. Nonetheless he takes the jersey and the title, and sits on the gym floor. He doesn’t register that he’s crying until he sees the teardrops fall onto the fabric, little spots of grey appearing where it was originally white.

He can hear Suna’s comment about the unfeeling robot showing emotion. He doesn’t care. He sniffles. There is a warmth in his heart that he hasn’t felt the past two weeks. He doesn’t understand where it comes from, why this of all things brings him comfort.

He tries to explain while walking home with Aran.

“I tend to agree with the adults…that the journey is more important than the destination.” His words remind him of granny at home, the way her hair skipped over his dad and went straight to him. The ace turns to him curiously, not sure what he’s getting at.

“I am built upon the small things I do everyday, and the end results are no more than a byproduct of that.”

He’s not good enough to go pro or make a living off volleyball. He just does what needs to be done, what fits into his routine—taking care of his body, cleaning up after himself, being courteous, and…volleyball. He holds up this jersey, looks at how it’s branded with 1, the captain’s number.

“Maybe this is just another result of the things I do.”

Aran blinks, stutters for a moment when he realizes what Kita is implying. “Don’t just—don’t sweat the small stuff! You don’t have to have some sort of logic behind your feelings!! If you’re happy, then you’re happy…that’s it!”

They hold eye contact after Aran’s outburst, and then Kita erupts into laughter. The ace watches his captain skeptically, not intending for his heartfelt advice to be amusing. His shoulders slump when he realizes this is the hardest he’s seen Kita laugh, ever.

Kita is reminded of all those times he couldn’t understand what he was feeling, why he was being drawn to do something he knew he logically didn’t want. All the moments he saw you and felt skeptical of the questions he wanted to ask, the embrace he wanted to pull you in, the warmth he felt in your presence—the way his brain and his logic denied him something he wanted, because there was no explicable reason for it. He thinks of the way you left, the way it hurt like no injury he’s ever lived through. He thinks of the lack of your gaze following him since just two weeks ago, the way he misses it but refuses to admit to it.

“You’re right,” he tells Aran.

By the time school is ending and he plays his final match, you are still not watching him. He feels the eyes of his granny and the eyes of his school on his back. The brooding eyes of Karasuno are on him when he is subbed for Aran in the second set. But yours are still missing.

He, however, has his eyes on his team the entire game, picking out their mistakes and what he knows is the misguided thinking behind them: Gin’s impatience, Atsumu and Osamu’s carelessness, Suna’s laziness. He stands behind them, the defense specialist who will receive the ball, and the one who’s eyes linger on their backs. He is watching them. He is like the lingering mist that wafts behind them, telling them that someone will see, whether they work hard until the very end, or let themselves succumb to their impulses. 

Kita has lived his entire life under your careful gaze. To cope with its absence, he has learned to become the omnipresent eyes backing up his team.

Adulthood

Granny always told him that someone was watching, and your gaze was proof. But at some point he realized that he wasn’t doing it for the spirits, that it didn’t matter either way. His work ethic would be the same even if you never saw him. This realization holds more weight when it is carried out in practice, Kita living his life with the same repetition, perseverance, and diligence in your absence. It makes him feel good, eases the emptiness. So he does it well, and he does it everyday.

He graduates at the top of his class, with grades that could get him into any university, launch him into any career he could imagine. And yet when the year passes and granny says she wants to return to the valley, Kita knows where he will go.

When he pulls into the neighborhood, his eyes are glued to the mountain. There are still trees and bamboo standing, though they are charred corpses. Debris of coals and fallen leaves litter the ground, coating the forest in brown and black. A light layer of green sits atop the earthy tones, sprigs of saplings and shrubs breaking the surface. Kita’s chest expands at the sight, a glimmer of hope.

There are only a few other neighbors who have returned, most still with family in the city. Kita speaks with some of them and gathers that they figure it’s a sign to leave the countryside—to better opportunities and a more convenient life. He wonders what will happen to this village if everyone decides to flee, who will take the land. Maybe the government will turn it into a Hyogo heritage site, a place people will flock to as a sort of pilgrimage. To see the brittle remains of homes and the earth’s attempt at recovery.

Kita knows that he wants to stay here, that granny does too. He’s not sure how it’ll work, but he can’t imagine himself anywhere else. His parents are skeptical, figuring that he’ll make an attempt only to eventually fold for a city job, but they forget that one of Kita’s life pillars is perseverance. He will find a way.

The way opens itself to him the following day. The April air is cool when he goes for a midday walk, crossing the bridge to the burned edge of the river. He trails along the slight incline towards the skeleton of Fujiwara’s home. There is only the charred foundation and a couple ragged beams standing upright, the rest collapsed into rubble. For a moment he can imagine you, running from the back door and into the front room with a bundle of grapes. He hears the distant whispers of Fujiwara’s protests as he follows slowly.

Kita walks to the once-veranda, experimentally standing on the elevated foundation. The charred wood creaks beneath him, but feels sturdy enough to hold. He carefully ambles along the collapsed room, scanning the damage. He manages to cross the house and reach the back exit, and he pauses at the sight.

The ground outside is similarly littered with earthy debris, patchy with occasional new grasses and saplings. Fujiwara’s garden is gone, no more grape trellises or rows of starches. But there is a small square, less than a tsubo, dug into the dirt. Kita knows what this sort of sunken patch means, has seen them in some of the neighbors’ backyards growing up, flooded and filled with lines of grassy crop. He steps carefully from the foundation of the house and curiously stands over the square, imagining the rice that would be planted at the end of the month.

He hears footsteps from near the house and turns to see Mayumi-san, the one who drove Kita and granny out of the valley during the fire. She looks healthy despite being in her seventies, carrying a shovel and a hoe as she makes her way over.

“Ah, Shin-chan,” she greets him. “S’been a while, good to see ya again. What’re ya doin’ out here?”

He bows slightly as he greets her and explains that he was exploring the neighborhood, since he only just returned. He asks about the rice garden.

“I was testin’ to see how it’d grow, since the ash can help sometimes,” she explains. “I came back early after the fire, n’Fujiwara said I could use his yard since he’s probably stayin’ in the city with his daughter.”

An excitement sparks in Kita’s chest, like something clicked into place. He’s not sure what it is exactly, but he presses her. “How’d it do?”

Mayumi smiles, one that looks devilish and would be frightening if he wasn’t accustomed to seeing it. “Shit’s the best yield I’ve ever had. M’gonna try to dig a few more plots, maybe sell ‘em at the city markets.”

This is his way, he realizes. He sees the shovel in her right hand and hoe in the left and speaks before he can register the words. “Y’want any help?”

The rest of April is spent preparing the land with Mayumi and pouring over books on agriculture. He soaks in his elder’s expertise on the subject, in the abstract and the field. When the end of the month rolls around and the two of them begin sowing seeds, Kita thinks that for the first time since your absence that he feels whole. He is here in the valley, between your two homes, dedicating himself to the land that you led him through as a child. He thinks he can feel your presence while working, your hands misting over his, transplanting seedlings with him. The rains that come in are well timed, bringing rushing water down the mountain to flood the few squares of crops.

The days pass with granny, some quick and others slow. She does well in the village, with other people her age, though the company is sparse. Kita can sense that it’s hard for her sometimes, but like himself she is malleable to her environment, can make do as long as she has her routines. Her lungs aren’t as strong as they used to be, but she enjoys her walks and can maintain the chores—the ones Kita lets her.

When September comes in, Kita and Mayumi spend one sunny day harvesting. Kita wields his scythe carefully, the movement unpracticed. He grasps the dry stalks and runs the blade across the taut stems, bundling them on the ground to be collected. They gather the clumps and carry them to the house next to Mayumi’s—another neighbor who hasn’t returned since evacuation. 

Mayumi prepares a sheet across the main room for them to work on. Then they thresh the harvest, grabbing the bundles and smacking them against the floor, pelts of rice springing off the stems. Kita is reminded of water, of rain splashing against the surface of the river. When all the stalks have been emptied, they spread the seeds of gold with their hands, like smoothing the creases of a futon. The day’s work is over, now waiting for the crop to dry. They exit, leaving a few of the screens open to let new waves of dry air flow through.

Kita finds these processes fulfilling, like his own daily routine. It’s another series of tasks that can be learned and done well. The result is his own sustenance, something he can live off of and share with others. It tastes better, he thinks, once he’s experienced the entire journey.

He tells his old teammates that he’ll be in Osaka next month for the markets. They only have a few dozen bags to sell, but he wants to get his friends’ opinions.

The markets are energetic and amiable. Kita shares with curious shoppers the story of the valley, how the burned houses and their backyards left ash that the rice took to. People find the narrative compelling, and they buy the rice despite the hefty price tag. Other vendors are interested, some make purchases to try in their food. Kita enjoys the atmosphere, the way these people and their businesses are connected. He and Mayumi manage to sell all the rice they brought. It’s hardly a profit, but it’s promising.

The next day Kita is in the Miya’s home with the additional company of Suna and Gin. They talk about life, preparation for nationals, what they’re thinking of doing when school ends. Atsumu is going pro, taking volleyball as far as he can. Osamu is ending it here, contemplating career options. He says he’s looking for restaurant jobs; he wants to be a chef.

“Yer gonna be a farmer, huh?” Atsumu asks, laying back on the couch. “It suits ya, that simple life.”

Kita nods. “Knew I needed to take care of granny, that I was gonna be in the valley anyways. One of the neighbors was growing some an’ I asked to help—wanted to see what it was like. S’gonna take time, but we’re gonna try to get the land from the neighbors, see if we can apply for subsidies ‘cause of the fire. Then we’ll try t’upscale. The market yesterday was good.”

Gin sighs, “Ever the considerate and diligent Shin-chan.”

“The rice is good,” Osamu interjects. “It’d be good for onigiri.”

It is, it turns out. After three years, Osamu decides to leave the restaurant he started working for out of highschool and open his own onigiri store. Kita is their main rice supplier, and a customer who never has to pay. They have classic flavors in the beginning: tuna mayo, pickled plum, ikura. When Kita comes with his next delivery, Osamu sits him in the dining room and has him try new options. The former captain takes his job as taste-tester seriously, his diligence appreciated by the former setter. They decide that the shrimp and beef flavors are ready to be sold, but the chicken needs reworking.

Kita gets into his truck that evening and drives home. The sun sets by the time he enters the valley, winding through roads in the black darkness. When he arrives at granny’s and exits the car, he sees that the sky is beautifully clear. The Milky Way spreads itself over the northern mountains, where life is still recovering, slowly but surely. He takes in the view for a few minutes, enjoying the quiet noise of the night—soft rushing water from the river, chirping insects, occasional wind.

He notices the blinking lights that cross the expanse of stars: planes and satellites. He sighs, remembering a time when he could sit on the top of the mountain and witness an unobscured view of the sky, taking up the entirety of his visual landscape.

Suddenly there is a shooting star, the most intense he’s ever seen. It’s a bright flash of light, he thinks for a moment white and orange and pink, that darts from the east and disappears as it curves west. Its trajectory gives the illusion that if it touched the ground, it would land on your mountain, that special enchanted forest.

After a few more minutes of watching, of relishing the awe, he makes his way inside. Granny is asleep, so he heads straight to bed.

When he wakes the next morning, for the first time in years—since that fire crawled along an entire mountain and you left to put an end to it—he feels the prickly sensation that he’s being watched.

Life doesn’t change with you watching him. Life didn’t change when you stopped. It’s something he knew, something you knew. He carries onwards, his routine of life, one that he does well and does everyday. He and Mayumi expand the fields again, creeping their business along the length of the river. Kita slowly takes on more farm responsibility, knowing enough to work independently when Mayumi needs to rest with increasing frequency. Granny is similar—she likes to help sometimes, with the easier work, but her lungs still struggle, never fully recovered.

It’s a beautiful morning, with cool air entering the house and light diffusing through the shoji. He can hear the birds and the rustling of leaves outside when he wakes, blinking away the lingering visions of orange and red from his dreamscape. He opens the screen towards the river while he puts away his futon and prepares for the day.

Granny isn’t in the main room as per usual. Kita pays it no mind, assuming she’ll be in soon. He makes breakfast and waits for her. She doesn’t come in on time. Kita stands to search, thinking she may have missed the time.

He enters her room and sees she’s still sleeping. He crouches over her to gently rock her awake, but there is no response. At that moment he realizes she is not breathing, not making a sound. He freezes, feels his heart plummet. He carefully lifts her hand from under the blankets—still warm—and checks to see if there’s a pulse. It’s quiet, flat.

He moves slowly, processing, sitting back on his heels next to her. His throat is tight and his chest—it’s hard to breathe. He shakily inhales through his nose and holds her hand in both of his. There’s a stinging behind his eyes and suddenly he is crying, weeping openly as he holds onto her. Death is the logical consequence of living, one of the only certainties of life; knowing this does not make Kita’s loss any less painful. While the hurt sits heavily in his chest, there is a growing spark of gratitude for her, that they were able to spend the beginning of his life and the end of her’s together.

Granny’s passing brings her closer to Kita, in a way. He feels that there are now two pairs of eyes on him, watching over him. When he looks in the mirror and sees his grey hair, granny’s hair, he thinks that he will always be a piece of her living on, that it’s his duty to live earnestly for her. He makes a shrine for her in one of the rooms of the house, placing her urn in the center. It is a beautiful grey clay, narrow and unglazed. A black thread ties the lid to the body.

She becomes another part of his routine, sitting before her remains and her images with his hands clasped and eyes closed.

Life goes on.

A month later he is in the field, tending to his crop. It’s late in the day, when the sun is near setting. The pink of the sky reflects onto the flooded beds, interrupted by sprigs of green. He inhales, appreciating the scenery, before exhaling and continuing his work. When he looks up a moment later, he is frozen by the sight.

There’s a wolf, large and grey, like the first one he saw as a child in the pine forest. He is not afraid, but in awe. A wolf returning means there’s prey: rabbits and deer. It means the forest is recovering, that creatures are finding their way back. He takes in the strong figure of the predator in front of him, sturdy and confident. A movement flashes in his peripheral, three pups catching up. Shin notices that one is nearly white, standing out from the others. He thinks of himself in Osaka, with his relatives.

When the pups catch up, the mother turns away and carries on.

Kita finishes his work before the sun fully sets. A light rain begins, clouds absorbing the vivid hues of sunfall, and he hurries to collect his tools before crossing the bridge home. The drizzling turns into solid pelting by the time he makes it to the empty house. He turns back briefly, squinting through the water collecting in his eyelashes, to see how long the downpour will last.

There’s a figure, at the other side, and his eyes widen in shock. He drops his tools and takes a few hurried steps closer, searching for confirmation.

Through the rain he can see you, standing at the other bank. You are smiling, he can tell, with your shoulders pulled upwards as if embarrassed. He thinks he is dreaming, that this is impossible. You, in flesh and bones, standing in front of the remnants of Fujiwara’s once home. He does not realize that he is smiling back, eyes crinkling and collecting water—his own tears as they spill—and grin spanning impossibly wide. His chest feels like it’s lifting, floating him in the air, to you on the other side.

Suddenly you are running forwards, not towards the bridge, but down the bank, to cross the water. Kita’s face flashes with concern and he starts down his own side, slipping through the mud. By the time he reaches the shore you have swum halfway across, long confident strokes despite the speed of the current. Kita marches forward, water touching his waist when he finally reaches you. He grabs your outstretched hand and tugs you into him, engulfing you in his chest and arms. You are as cold as the water surrounding him, but his body explodes with warmth at the contact, at finally being with you.

His heart races as he clutches you close, in an iron grip that refuses to relent. He thinks he hears you laugh against him, and he chokes out some strangled mixture of a laugh and sob. The water makes it hard for him to stand steady, so he brings one arm beneath you to lift you from the sediment and carry you to the bank. There he sets you down and grabs your waist firmly, staring at you with disbelief. You are smiling with all the glee in the world, eyes nearly closed by the force of it.

“I made it, Shin-chan.”

He doesn’t know what that means, but he thinks of the shooting star and the wolf, the rice fields filling easily without additional irrigation.

You lean forwards and wrap your arms over his shoulders, clutching him close. His arms come around your waist and he thinks he can recognize his feelings: relief and homecoming. There is a fullness, one that is close to painful, a pain he had been living with for years in your absence. He pulls you up the bank, to bring you into the house. He leaves his tools out, to be dealt with tomorrow, and goes straight for the genkan. 

You try to protest when he passes the spigot, “Shin, the mud—”

But he doesn’t care, kicking off his boots to be cleaned later. The mixture of river water and mud splatter on the tile of the genkan, leaving brown puddles and smears. Kita removes his socks and drops them behind him, letting his clean feet be the barrier between himself and the floor. He carries you to the bathroom, to deal with the mess together.

At night you are in his room, watching him set up the futon. He looks at you to ask, “D’ya need one?”

You shake your head, smiling. “Let’s share.”

His heart pounds loudly in his ears. He nods quickly and pushes the blanket aside for the two of you. He clutches you close under the soft comforter, your head slotting snugly in the space of his neck. It sends a shiver down his spine, the chilliness, but it coats him in warmth. He can feel his heart still racing, never fully calmed since seeing you. He feels those questions and thoughts bubbling up, words he always found unnecessary to say. Something about this moment lets him release them, lets him be curious about you.

“Didn’t know if I’d ever see ya again,” he says quietly, into your hair.

You nestle your head further into his neck. He can feel your lips against his throat as you speak. “It took a lot from me, the fire. Always need time to recover.”

His hand comes up to cradle your head, smoothing through your hair.  The image of the rainstorm flashes before him, the way the clouds swarmed from a previously blue sky to pour everything it had—everything you had—to put out the fire. He remembers the awe he felt, the sublimity of the view from a car fleeing the scene.

He doesn’t dream that night, his mind like an empty gulley, letting the soothing rainwater rush through him.

He cleans up after himself in the morning, retrieving his tools and mopping the genkan. It takes a while, though, interrupting his work several times to check that you are still in his room. You haven’t risen by the time he finishes making breakfast. A panic sits in his chest as he enters to wake you. You are still asleep, and he relaxes when he sees the steady rise and fall of your chest beneath the covers.

He sits on his knees beside you and gives your body a gentle rock. Your eyes peel open after a moment of stirring, and you are already smiling. Kita thinks it brightens the room more than the sun streaming in, that life is breathed into him from you.

You notice the granny’s shrine at breakfast. After assisting with cleanup, you ask if the small urn is all the ashes he has of her. He shakes his head and shows you the drawer in the display, where a box lays with the majority of her cremated remains.

“I wasn’ sure where t’put her,” he tells you.

You have an idea.

Only a few minutes later the two of you are exiting through the genkan, dressed for a day in the woods. Kita has a backpack on, the box from the shrine tucked safely inside. He lets you take the lead, turning left down the path and towards the western mountain. He is reminded of his sixth birthday, running to the end of the dirt road for the first time, panting to keep up with you. This time you are calmly walking hand in hand, in no hurry. Kita squeezes yours tightly, a necessary action to express the feeling in his heart.

You smile at him, and bring his hand to your mouth, kissing the back of it. Kita inhales in surprise and you watch his ears turn red, giggling at the sight.

When you two reach the end of the road, the rock face is still standing sturdy. He can see burned trees standing at the base, your mountain not untouched by the disaster. However, like the other forests, it is recovering, hope sprouting in the form of ferns and saplings. He sees a rabbit scurry away and a soft smile crosses his face.

You head first down the bank and into the water as usual, him following with his hand in yours. The cool water creeps up, only up to his knees now that he is grown. The water is easier to navigate in his adult body, and he effortlessly steps up the rocks to the forest floor, ones he used to scramble over on his hands and feet. The ground crunches beneath him. There is a patchy layer of pine needles—short ones—spreading along. The ground is not fluffy from decades of accumulation, but it’s a start. Small saplings bring bursts of fresh green, prickly when he brushes against them. The ferns hide beneath them, avoiding the scorching sun.

History repeats itself as you pull him forwards, along the river and through the early rebirth of the enchanted pine forest. The fallen tree that once served as a bridge is miraculously intact, though the top is scorched and he feels unsteady walking to the other side.

Wandering through the forest is another type of home. He hadn’t taken it upon himself to explore since returning, not wanting to disrupt the delicate healing of the ecosystem. He trusts you, though, and the path you’ll lead him to experience the land without damaging it further.

He notices that you are taking him to a section that he hasn’t been often, not a regular spot during your times together as kids. But it makes sense when you arrive at the small clearing and he sees the massive pine from his memory. It is thick with twisting branches, sturdy. Some of them are blackened from the fire, but others are coated in fresh needles, long and green, waving gently in the wind. He is surprised he hasn’t seen this miracle before, from the house. Maybe the distance obscured the view.

Kita walks slowly to the base of the tree and looks up towards its canopy. He can see the contrast of the charred and ashy sections of trunk against the rich brown of its healthy, resilient branches. The green shines brightly against the black and grey, proud of its revival.

He shrugs his backpack from his shoulders, understanding that this is where granny should be. He lowers to his knees before he unzips the bag and carefully removes the box. It’s a light wood, with tan streaks running along the grain. Pine, he thinks to himself in disbelief.

He slowly unlatches the box and sets it on the bed of brown needles near the trunk. There’s a plastic bag inside, tied with a simple overhand knot. He undoes it gently, slowly unfurling it to roll open and over the edge of the box. It’s the first time he’s looking at her remains, he realizes, and he notices that they are grey, grey ash with clumps of small black coals.

You watch as he moves slowly, cupping soft remains in his calloused hands.

“It’s like your hair,” you say.

He cries, letting out soft, ragged breaths between quick inhales. His weeping lasts the entirety of the time it takes him to spread the ashes at the base of the tree, where it meets the ground. When he finishes you crouch behind him and wrap your arms around his torso. He continues to cry. You feel it, his chest heaving with grief and mourn, love and gratitude. He brings his palms to his eyes to wipe the tears, but they continue to fall, splatter the earth beneath him with feeling.

You listen quietly as his sobs fill the space between rustling leaves and distant cooing birds. Eventually you take one hand from his torso to rub his back slowly, soothingly. 

His noises eventually lull, quieting to the occasional sniffle. He gently pushes the bag into the pine box and then slowly closes the lid and does the clasp. He returns it to the backpack with careful, practiced motions. Your arms release him when you sense he wants to stand. He turns around to face you, you and the valley below.

He watches you closely, runs his eyes over your face, eyes and nose and lips. He wants to memorize your soft smile, the way it warms him like the sun.

You bring your hands to his cheeks, their coolness refreshing after crying so heavily. He leans into your touch and closes his eyes, soaking in the contradicting ways you make him feel—this tug between heat and cold. He feels you press a kiss on his temple, then the other. They’re smeared with the grey ash and black coals, transferring the dust onto your lips. He sighs, in peace, and brings his hands to cover yours. 

When he opens his eyes once more, he looks behind you through the space between the trees, to the valley below him, spanning wide. He is reminded of the thousands of years it took these mountains to form, the thousands of years it took for the forest to grow on top of it. He knows that the fire he witnessed was not the first to rage across the land, and it certainly won’t be the last. He takes in the growth and change that has developed in the past few years, sparkles of hope in a collapse of despair. He recognizes that the destruction is an opportunity for something new, for him to be part of building the next beautiful forest that will rise.

He has lived for what feels like forever, and yet an entire life lays ahead of him. A life with the forest and the mountains and the river. A life with granny’s spirit watching over him, her hair and remains guiding him forwards. A life of working the land and growing something for himself, for others.

A life of unnecessary questions, ones he struggles to ask. A life of inexplicable feelings, ones he’s learning to let in.

A life with you. Here.

i know i said minor character death and then killed granny,, she's a minor character in haikyuu!! but she is a main character in my heart

anyways here's the afterword

[nothingmoment]

I'm not taking the Half Life listing off despite my outburst the other day. If I ever do it again and it decides it wants to play nice for once I won't bother with getting into character at the beginning. I'll just play regularly to get it over with.

[poisonouspastels]

now that im back home i need to make like. an updated info sheet for Rose i think bc he’s changed. A LOT since I’ve last used him in a more mainstream way and people don’t really pick up on the fact that he’s that cc self insert

[lilybug-02]

Wait so how do you know for sure the sprite is Ralsei? No hate, I do believe you haha, but I too am a lore scientist and I wanna know your evidence. Does it show up in-game? I could definitely believe that I saw it in-game and forgot about it :P

YES. Finding legitimate sprites directly from Toby Fox games can be surprisingly difficult. There are so many fan-made character sprites, that it can be hard to differentiate from the real ones!

Guess how many are NOT fan-made? .....only one 🗿

...(please don't question why google is in italian)

Official Websites like Spriters Resource (Ralsei's Offical Sprite Sheet) are very helpful in this regard :)

They may even include unused file graphics. Like this unused face of Ralsei.

Sprite legitimacy is a big rabbit hole that I personally don't have enough knowlege on :( ((BUT OH MY GOSH The internet is notorious for reposting fan-spriteworks without sourcing. It can be really hard to find the original artist.))

It's also HILARIOUS how many people have redone Ralsei's sprite. It is quite obvious from my Ralsei poll and through his mass of fan-redesigns, that many people in the Deltarune community REALLY LOVE his Chapter 1 sprite more.

Ralsei sprite fan-art is amazing and I personally want to mod it into my game bc it looks so good. Below I have some really cool fan-sprites I found and the artists who made them!

Left (Ralsei Ch 2 redesign- metr0nix727), Middle (Ralsei based off Ch 1- larituca), Left (Full Ralsei Chapter 2 Sprite sheet with Hat- artist unknown**)

**this sprite sheet was submitted through Sprites Resource but I traced it back to TaxeisNotOkay, who I presume to be the original artist. I could not find any other information regarding the full sprite sheet, so feel free to correct or inform me if you find anything!

Looking back at Ralsei's Chapter 2 head sprites..... they just don't look as good as they could in my opinion. I dont like them :(...uhhh NO HATE OF COURSE!!..ahklasdkflansdf I'll go jump in this hole now.

[dunmeshi-darlings]

"you cant ship izutsumi with anyone in the cast she is a child!!"

or

"you cant ship izutsumi with anyone she is canon aro/ace!"

Firstly, Its fiction and people can do whatever they want in fiction it does not matter.

But also, this just isnt correct? izutsumi is considered an adult in the dungeon meshi world with multiple sources proving this.

Here We have the Race bio for teh tall-men race, here it lists ever bit of information about tall men from where they are most common, to hieghts, notable tall-men characters including our favorite cat girl izutsumi.

Here we see that the age of maturity is specifically listed as 16 years of age. That at 16 years old in dungeon meshi, Tall-men are considered adults. Maybe this isnt good enough proof for you, well thats fine the words "age of maturity" are a bit vague. However we have this bit of dialogue between Laios, Chilchuck, And Marcille

Laios Specifically uses the word "adult" Because thats what it is, At 16 the Tall-Men are Adults. Adults who can Do adult things like Join the army, Go out and live on their own, Look for Love and Romance and sexual relationships. Want more proof of that? i can do that

Here we see that Chilchucks daughters Plan to try and seduce and romance Laios, Wanting to engage in a relationship with this new king. As for the ages? Chilchucks daughters are all between 14-16

Puckpatti is the youngest at 14

Flertom is the middle child at 16

And finally meijack who is also 16, however she must be older than flertom as she is referred to as "big sis".

As for laios? We know he is 26 years old.

So here we have two half foots who are 14 and 16 wanting to try and seduce King laios, who is 26 years old. A full 10+ year age gap between them, but it doesnt matter because as Flertom herself says

"But wont it embaras you, dad? To have three ADULT daughters who are unmarried?"

She literally says adult, because thats what chilchucks daughters are, they are adults because they fall into the age of maturity for half foots. (which is stated here)

So because they are at least 14, they are considered an adult and can try and romance king laios, a man who is 26 years old and chilchuck isnt upset at that because they are adult women (just upset that its laios of all people)

So if Chilchucks daughters at ages 14-16 are called adults, The half foot age of maturity is listed as 14, and they call THEMSELVES adults, and are shown showing romantic interest with a 26 year old man. Its safe to say that they are adults in every sense of the word, meaning that age of maturity is when the individual of that race is considered an adult, as for izutsumi?

She is listed as 17 years old, a full year past the age of maturity for Tall-men. Aka, a full year past when a tall-man is considered an adult, therefore by all the rules of the dungeon meshi world she is an adult.

As for the Aro/ace part? there is no specific wording for it besides these parts in the succubus arc

Here we see her say "i dont have a type or anything that im attracted to, so ill be fine."

Here we see the succubus take the form of izutsumis mother (or her supposed idea of her)

As somebody who is asexual (yes little lore drop about yours truly, i am actually ace myself) this doesnt strike me as her being asexual. That isnt to say you cant headcanon her as ace, thats your right and i fully support that especially being ace myself. But that doesnt make it canon though.

I personally headcanon her as demisexual, but i know that also isnt canon. and i dont want to try and claim it is.

[cupidspup]

CG!Ticci-Toby x Little!Reader

All art credit above goes to the original artist!!

A/N (PLEASE READ!):

OKAY SO-- It's been a long while since I've done a fic (especially an agere one) SO PLEASE BE NICE (╥ᆺ╥；) I love writing but it takes a lot of courage and energy and when it comes to agere fics it's especially for littles who feel lonely and take comfort in reading a fic! I want my fics to be something that allows littles like me (who have a softer heart and need extra lovins) feel better and more little!! And I've decided to start writing again by being indulgent in what I write! Today's prompt is based off of what I remember from creepypasta when I was young and I'm not very well versed in any of their lore as much as I used to be skdksks if that's not your thing that's okay! I just hope you enjoy my writing! ໒꒰ྀིᵔ ᵕ ᵔ ꒱ྀི১ anywho! Back to the post!! Below are some trigger warnings if needed :3 I won't be including anything too graphic or anything but there *MAY* be a curse word or two or just more adult things since they're serial killers x) (I'm writing this all before I'm writing it lol)

- ꒰ა♡ Kewpie ♡໒꒱

Trigger Warnings:⤵

Strong language, mentions of blood (past tense/present), implications of death/murder via the presence of blood (past tense and very minimal), mentions of weapons, masc caregiver nicknames (daddy, dada, baba, papa, ect), feminine and gender neutral nicknames (princess, kid/kiddo, tiny)

Summary

Toby comes back to Slendermansion after a long day on the job only to find you asleep in bed! Oh no that won't do! He wants to see his baby!

Not a trigger warning but more so something to keep in mind: I know Toby is/was known for a stutter because of his tics BUT I will NOT write the way he speaks like people used to. I don't have Tourrettes myself but I also know that stuttering doesn't always happen when you have it. I also did do research on him a little and found that his tics are more physical rather than verbal! I would like to avoid doing it until im more knowledgeable about it just so i dont offend anyone on accident ૮ ◞ ﻌ ◟ ა If any of you guys feel that I need to change anything or would like to educate me please do in the comments or in private in a polite manner! ^^

It's dark out and you're already snuggled into your bed. Going to sleep alone isn't very uncommon and you've gotten used to it. You and your daddy have put together quite the bedtime routine to make up for your lack of tucking ins! As you're cuddled nice and warm into bed, there's a slight creak in the door.

Not enough to wake you up, it's slow and quiet. You hear footsteps make their way throughout the room, closer to your bed. This is what makes you stir and start to wake up.

The footsteps stop. They know you're awake now.

You groan as you sit up, squinting and looking into the darkness. "Dada?" You wait for an answer. The footsteps resume this time faster.

Finally, the mystery person comes out from the shadows. The gentle light from your nightlight shining on them and it's your one and only caregiver, Toby!

He excitedly makes his way back to your side of your bed, sitting right by you. Before he does anything else he makes sure to put his (now clean) hatchets away before hugging you close. Toby always gives the best hugs, even though his tics are unpredictable it doesn't mean the firm yet gentle squeeze isn't nice to sink into.

"Yes, princess? Did I.. did I wake you? I'm sorry if I did. I was trying to be quiet, but I was just, just so excited to see you! You, you're just so cute when you're snoozin away like that!"

His mind goes a thousand miles a minute, and his mouth can't catch up, especially with his tics. So there's a stutter here and there. Not that it's a very big issue. It's just how your daddy talks! And you love it when he talks.♡

You yawn and lean into him, your eyes closed as you try to wake yourself up more. It's very late, if you were big enough to read the clock you'd probably know but now? Clocks are for big kids and you? You're very small, so the moon shining light through the window is enough for now.

"C'mon, cutie I know you can hug, hug me better than that! You missed your dada, didn't you?" He says in a playful tone, squishing you slightly in his arms. You reach your hands up to him and give him your best sleepy hug. To which he holds you even longer, resting his cheek on the top of your head. When he does you feel this weird wet substance and it makes you fuss a little.

"Mmmm babaaaaa m no like itttt" you whine at him.

He releases you from his hug and takes his goggles off, looking at you confused. "What do you mean, baby? What's going on?" When you look him in the eye you see it, he's got a small cut on his cheek and it's leaking blood. He probably doesn't feel it due to his disorder that prevents him from feeling pain in the first place. You yawn and point sleepily at his cheek. "You gots messy on you face, dada"

He feels around his face before touching his cheek right above his muzzle before looking at his gloved hands. Sure enough there's a spot of blood on the fabric where he touched.

"Oh no that's no good, thank, thank you for telling me kiddo! Daddy wouldn't have known if it wasn't for you! Wanna make it all better and put some...some cute bandaids on it?" He says to you with a smile, cleaning the blood off of his gloves for the most part. You nod with a smile and start doing grabby hands at him, the lack of cuddling and holding already making you feel lonely.

He smiles at you wider than he already is and ruffles your hair a little before going off to the bedside drawer. He always has bandaids handy for you. You two are the perfect pair! A clumsy little with an even clumsier caregiver! What a match!

He carefully opens the box, taking out a few bandaids for you to choose from. Of course these are patterned all cute with your favorite characters on them! You smile at the selection and before Toby can tell you to choose one, you're already opening the packages to each of them.

"Sure we can put all of them on my ouchies! Be super super careful though, sweetheart. I don't want any of your cute pj's getting messy because of me alright?" He says with a cautious but still laid back and nice tone. You nod happily in response before sticking on all of the bandaids. Two actually did the job for what he had, but you also know Toby is never gonna say no to you when you put them all over him. By the end of it, Toby has some on his muzzle, his nose, forehead, even some on his fingers! Everywhere that your daddy has owies on or you know he might have some in the future. Extra love for him can never hurt!

He takes out his phone and looks at himself in the screen. Most people can't tell but because you're not most people you can see the little squint and grin across his face. He seems really happy with your bandaid makeover! He looks over his fingers fondly, chuckling at you trying to think ahead for him.

"How lucky am I to have such a..such a thoughtful lil one?" He says happily before sitting closer to you, his phone still unlocked in his hand. "I wanna remember this moment so how, how about we take a selfie together, cutie? I want to have something to see for when I miss you and you're not with me!" You smile and nod your head quickly at the idea, coming closer to him and cuddling up to his arm, nuzzling your nose into his neck and cheek.

"C'mon tiny, say 'Cheese!'"

"Cheeeee!!"

It takes a few tries to get a photo that isnt blurry from his tics but finally he takes the photo and looks it over. You look it over, too and you feel the swarm of butterflies flutter in your tummy. Being with your daddy always makes you so, so happy. Especially when he's so soft and sweet like this!

"Hey baby I found some, some filters! Let's take a few more!"

Once again you're snuggled up to your silly caregiver, posing for photos with him while he puts bunny ear filters and funny face filters. He saves each and every one and you can't help that fuzzy lil tingle in your chest when you see his gallery is basically only filled with you two. You smile and give him a lil peck on the side of his muzzle. To that he smiles from under it and puts his hand softly over the spot.

"Awe that was real sweet of you kid, what, what was that for?" He says with a happy tone.

Your face flushes a little as you twiddle your fingers, mumbling softly. Something about cute and loving your baba. He chuckles and pulls his goggles off, now seeing you much easier in the dim lit room.

Toby pulls his muzzle down just enough to lean in for a quick peck. He kisses your forehead softly and smiles at you before putting it back into place. ♡ His kisses always feel extra special when he does that. Toby doesn't like people seeing him without his muzzle, especially because of the gash on the side of his cheek. But with you, he knows that extra but of vulnerability goes a long way. You're his baby after all, if you trust him so much he should trust you just the same.

Once his muzzle is back on your stomach let's out a low growl. At first you're a little embarrassed but Toby isn't phased at all. As a matter of fact, Toby wastes no time picking you up and hoisting you to his hip. He rests you onto the side and carries you with one arm (because he's your daddy, of course he can carry his little one no problem!).

Carrying you is never an issue for Toby. It can only be a little difficult when he's has his tics or they come more than just once. But it never stops him! He just makes sure to hold onto you a little bit tighter and tries to move his head away when he does.

It's hard to predict when his tics will come but even when you're small you're understanding and patient. He's doing his best just like you are.

"Let's go get some midnight snacks for that lil tummy of yours huh? A midnight...midnight snack with my princess sounds delicious." He says as he tickles your tummy a little. He was about to start walking to the door before you started to fuss in his arms, squirming as you continue to whine.

"What is it baby what's wrong? Did Dada do something to make you upset? Are, are you sleepy? Hungry? Sad?" He questions as he bounces you gently. His questions come left and right as he continues trying to find the answer. You fussily point to your forgotten stuffie on the bed and turn back to whine at him. With that he finally gets the hint.

"Ooooh you, you just wanted your plushie! You silly billy you've gotta use your big kid words for stuff, stuff like that okay?" He goes back and retrieves your stuffie, snuggling it right into your arms before heading out the door.

This, of course, sends you even deeper into your little space. Even though he tells you to use big kid words, something about him babying you and talking to you that way just makes you melt. And he's fully aware of that too.

Finally, you're both out of the room and headed down the halls of the mansion to the kitchen. All the residents of Slendermansion are very aware of you and Toby and the different aspects of your guys' dynamics. They don't really care what you both do as long as you aren't making other uncomfortable and being civil they're all pretty on board! That or stick to themselves for the most part.

Once you and Toby are in the kitchen he finds a place to set you down by the counter. Before starting his snack preparations he turns to you. "Can you be a good baby for Daddy and sit, sit here for me? Be reaaally careful so you don't fall okay? I need both of my hands for this so that I can make you...make you the bestest snack ever!" You give him an affirmative nod and snuggle your plushie closer for comfort. You see his eyes squint as he smiles, he pets your hair gently before ruffling it.

"That's a good baby, so we'll behaved" He says affectionately, "I'll be...I'll be done in just a minute okay, tiny?" You nod affirmatively again and flush slightly at his praise and gentle touch.

Toby rummaged through the cabinet, taking out a cute bowl fit for a small child. With some more rummaging he finds some baby puffs along with an adult sized baby bottle. Of course, this one is decorated and themed to your liking. He fills the bowl with the puffs to an amount you both can share. He knows you enjoy sharing your snacks with him and honestly, baby puffs "smack" (according to him) and he'd eat them with you any day.

Once the bowl is filled he heats some milk with honey in the microwave (Toby isn't allowed to use the stove unless there's another person with him - regressed babies do not count). While the milk heats up he brings the bowl to you and offers a puff up to your mouth.

"Here sweetheart, say 'ahh' for me." He says happily.

You do as told and he pops in a puff. You chew on that and offer him one, to thar he quickly pulls down his muzzle and lets you feed him a few at a time. Not too many at once due to his gash. After a few more moments of you feeding each other, Ben walks into the room. He comes in without looking up, busy playing with his games on his phone.

" 'Sup." He says as he makes his way to the fridge.

"Hey dude, whatcha up to? Is, Is it snack time for you too? Whatcha gonna do after that?" Toby starts to bombard him with questions, always one to not only strike up conversation but carry that conversation too.

"Jesus Toby one at a time I can barely answer the first God damn question-" Ben says at first before looking at you. He stops in the middle of his sentence before lowering his voice.

"Didn't notice you had the baby with you." He takes a random snack from the fridge and closes it, leaning against the counter close to you while he eats it. Toby feeds you some more puffs, keeping you occupied as you wave at him politely.

Ben has seen you this way before so you don't mind being little with him that much. He's even babysat you before a couple of times, though most of those times were spent playing games (that he would let you win sometimes). Ben definitely acts like the big brother when he's around you. And because he's like your big brother he waves but sticks his tongue out at you right after. You stick your tongue out back at him before giggling a little.

"Hey you two be nice to each other," Toby says, piping up slightly, "I've still got to put them back to sleep Ben, don't rile them up too much either." Ben waves Toby off and rolls his red pupils.

"Yeah, yeah I know it's fine. We're just messing around." Ben responds, perfectly dismissing Toby's protective nature around you. Just when Toby is about to respond the microwave beeps, signaling that your bottle is ready! "Actually, I need a favor from you." Toby says as he takes it out, handing the bottle like it's nothing at all.

Ben looks at Toby with a curious look, waiting to hear what the favor is. Toby hands him the bottle. "Test that on your arm, I need to know if it's warm but not too hot for the baby."

(Of course Toby and Ben's repeated use of "the baby" makes you feel even more babyish and has you regressing even further. Big kid vocabulary is out the window and it's semi-nonverbal time for you.)

"What?? Why?? I don't wanna do that do it yourself." Ben protests quickly, going back to his phone.

"Dude I can't, I feel numb all of the time how, how would I even know?" Toby rebuttals to Ben just as quick.

Ben huffs and takes the bottle in his hand, turning it over his wrist and letting it drip onto him. "Ugh fine gimme that." He waits a second for it to process and see if it's hot or not. Luckily the bottle was just right so he hands it right back to Toby, licking the milk off of his wrist. "Its fine you can give it to the kid now."

Toby takes it with a smile and batting his eyelashes at Ben while he puts the bottle in his large pockets. "Thank you Bennie~" he says with a sickenly, sweet voice. Ben, of course, rolls his eyes at this and keeps at his game.

"C'mon cutie it's time to put you to sleep. Say 'bye-bye' to big brother Bennie!" He says as he hoists you back onto his hip, walking away. You smile and wave at Ben, "Bai Bai Bennie!!" You say happily to him. He looks up and waves back a little at you, a little smile across his face. "Bye gremlin, sleep well."

Toby makes his way back to the room and sits on your guys' bed. He lets out a long sigh as he sits, now situating you onto his lap as he gets ready to feed you. With you rested into his arms and the bottle at the ready, you both were absolutely ready for bedtime. He takes his muzzle off and smiles, kissing your forehead. "Drink up tiny, it's time that... that daddy puts you sleep! I'll head to bed once you're snoozin away don't worry kiddo."

He brings the bottle up to your lips and before he can even tell you to open wide you already do so, guzzling down the sweet drink he made you. Toby absolutely melts at how cute you are, squishing you a little closer just to relish in you. And of course, you cuddle into him just as much.

He always does such a good job at taking care of you and doing all the little things. Even though his tics can get in the way or startle you awake again, you never get angry with him or fuss. Maybe it was new to navigate at first but you know that it was out of his control and he always does his best to keep them under control when it's necessary.

Finally, you finish your bottle and bury your face into his chest. Curling up and fully starting to fall asleep again. Toby puts your finished bottle on the nightstand and rests his cheek on top of your head for a few seconds. Just to savor this moment. He loves these moments so much. He softly rocks you as you drift to sleep, rubbing your back gently as he does.

"I love you baby. I'll head to bed too." He says before laying down fully with you in his arms as he pulls the covers over you both. With a quick kiss on your cheek the night is once again peaceful and you're together again.

♡

A/N: Waaah! It's finally finished!! It took me so, so long to do everything but its finished and I'm so proud of myself for sticking it out QwQ I really hope you guys liked this story, it's truly just so nostalgic to me and honestly has such a nice place in my heart 🩷 This is my first agere fic with a character and I hope I did well!! I was so anxious about this but I think I did well with balancing everything out hehe ૮ ᴖﻌᴖა I'm going to head back to sleep now but I'll have another fic up soon! ૮( ˃ ꒳ ˂)ა if you have any requests or suggestions please comment or submit them to my account I love it when people do those! :3 (also maybe a sorta part 2 with Big brother Ben drowned? ८,,◐⩊◐,,ა ) hehehe okay bye for realsies now, stay safe everyone!૮ ᴖﻌᴖა🩷

[the-s1lly-corner]

May I request the cast of Tadc x reader, whose y/n is a mermaid? I already imagine that yn would be right in the digital lake, singing or combing her hair like Ariel-

TADC cast x mermaid!reader !

this one may be a little short since my back is already starting to get all... stiff... sobs.... might go lay down for a few minutes then come back and knock out the other request that got sent in !!

CAINE:

caine is a little perplexed as to why you stay at the lake all the time, your room does have water... though, to be fair, your room is blocked off and small. i think it would take him a while to directly interact with you but just know that every night when you sing hes listening to you... actually now that i think about it, i dont think it would take him long to make himself known, he would probably clap and applaud you after one of your personal performances... probably makes sailor jokes, because, you know, sea stuff and mermaid lore... wants to include you more in stuff so he probably does IHAs that are lake themed, or perhaps makes something sort of like a portable tank..

POMNI:

she probably mistakes you for an NPC for a moment LMAO... i was going to go with an idea that pomni would be into mythology and stuff but now that i think about it, i actually see the opposite now thats more of something i can see zooble and gangle being into... not many ideas for pomni, unfortunately, but i think she would be friendly around you for manners

RAGATHA:

she thinks your really pretty, i think... while ragatha doesnt strike me as the type to be into mythology and stuff, i think she subconsciously is attracted to you because she grew up on stories about mermaids, fairies, and princesses... sure she doesnt remember all that since shes gotten stuck in the digital world, but the instinct to be near you is still there... i think if she got caught listening to you sing she would be so embarrassed, probably tries to excuse herself unless you tell her she can stay.. having someone come by down to the lake is nice, to finally have company

JAX:

has probably snagged your comb and darted to the shore of the lake far enough so that you cant reasonably crawl out of the water and grab it back, assuming you actively need water to survive instead of mobility... but either is really mean in my opinion.. toss him into the water/j actually i dont think he can swim, jax doesnt look like the kind of person to swim.. omg omg bonding moment for when you two get closer, imagine teaching him how to (admin never learned how to swim so theyre unqualified to write this </3)

KINGER:

rarely leaves the tent but lets say he goes down to the lake one day while you happen to be out.. similar to pomni i think he would mistake you for an NPC simply because you are almost never in the tent... i think he would enjoy your singing, though, very calming and it eases him.. quietly listens and returns a few times when he sees youre out. meek apologies when hes caught, hes almost sheepish about it and admits that he should have asked before getting up in your business.. ooo i love this man

ZOOBLE:

"so like, do you drown people," just straight up, probably asks this after a day of jax being more annoying than usual... as mentioned earlier i think they would be really into mythological creatures and lore, as well as cryptids, both before and after joining the circus... sure you probably arent lore accurate to mermaid stories in the real world, but i think they would like to learn about youre whole deal.. sometimes helps you get stuff out of your hair if things get tangled up

GANGLE:

gangle is what gets tangled up in your hair^/j

no but i think she would also be very interested in your whole deal, but is less blunt about it unlike zooble... also thinks your pretty.. i think she would bring stuff down to the lake for you guys to do together, like games and drawing stuff... its nice for the both of you to be away from everyone else but still have company in someone who knows what its like to be cast to the side; be it due to shyness or being locked to a place

[dr-spectre]

Helloooo, just saw the big ol Callie rant and thought I’d share my (albeit not as detailed) thoughts cause the first Splatoon game I played was Splatoon 2 and I took my sweet time on the story mode.

Despite her being your main companion throughout the story mode, I found Marie’s spiteful and clearly discriminatory language towards the Octarians to be consistent overkill, while she was obviously mad about Callie “going missing”, these fellas were only doing their jobs and it was painfully clear that Marie had an inherent dislike for their entire species. Since I hadn’t seen Craig Cuttlefish before I didn’t know that this discrimination came from him, with a distinct parallel between their jabs (aggression being directed and focussed at the Octarian species at a whole rather than the reason you’re here in the first place) and with the fact that I was the one barging in and committing wanton destruction and violence in their territory the universal hate felt incredibly undeserved.

As for Callie, no Squid Sisters songs feel so authentic and genuine as the ones made in Octo Canyon. Even Bomb Rush Blush isn’t trying to sound perfect for any pop lover’s fragile little ears, it’s erratic and fills every silence like a one sided argument. With each song sounding like a vent album and the art showing Callie to be miserable and having to desperately hide it on the surface, she’s seemingly using her distance from Inklings as an opportunity to be completely outwardly honest and express the deeper emotions that wouldn’t be accepted in the media she’s surrounded by. Rather than “I REMEMBER!!!” being some ooga booga the cool glasses magic has been dispelled, I saw it more as Callie accepting these emotions she’d kept from expressing and realising her lifestyle and family meant enough to her that it would be more worth it to try and work through those feelings with them rather than use an outlet that worries them. Additionally, she has quite the opposite view on Octarians to Marie, finding them consistently cute and clearly still being friends with Octavio as they collaborated during the Low Water Party after the events of Octo Expansion (discreet lore but it shows she truly had an enjoyable time there!)

Now I could ramble about DJ Octavio for hours so I will cut this short, while - as you mentioned - Octavio was helping Callie escape the stress of her lifestyle in the interest of his own species, (uh oh the can of worms is threatening to open) insert the fact that Octavio winning means species equality through political negotiations put off for hundreds of years. I know! Oh goodness gracious how terrifying! The spicy beats man has used drastic measures due to neglect and forced poverty of a substantially sized society through giving stressed squid sanctuary! Next he might use his technological advancements in energy efficiency to revolutionise our industrial infrastructure- SHIELD YOUR EYES, CHILDREN!!

oh hey! cheers for reading the full thing!

Oh... oh damn... you just plopped your own rant in here, jesus.

I respect it honestly, i respect the hustle.

You know what's kinda crazy? From my knowledge and what people say online, Marie's hatred for Octarians as a species is a NoA localisation thing and not something in the original Japanese version of Splatoon 2. I could be wrong on that but that's just something I've heard in the grapevine.

Yet another example of poor localisation due to deadlines and rushed development cycles!!! ISNT IT SO FUN HOW IT KEEPS OCCURRING AND HOW PEOPLE BELIEVE IT INCLUDING LOUD VOICES IN THE COMMUNITY AND WIKIS TAKING THE NOA VERSIONS AS THE HOLY GRAIL?!?!?! SO FUN!!!!

(Massive fucking sarcasm.)

I dont have much else to say in response to your ask but, I wanna touch on DJ Octavio for a bit because I think the way that Nintendo treats him as well as the fanbase treats him kinda fucking sucks and flips flops between different personalities and actions he's done.

I swear to god people have such different takes on his personality and what he's done over the three games and it's a real headache to deal with. And the way that a lot of people talk about what he did in Splatoon 2 and the suggestions people say.... ugh... they make him so unredeemable and disgusting.

In Splatoon 1, depending on if you play the NoA version or European/Japanese version, he's either very silly and in your face, making musical puns and being a loud mouth. Or he's trying to be intimating and he gets to the point in his dialogue instead of making musical puns.

The worst things he did in that game was kidnap Cuttlefish and tie him up as bait to fight Agent 3, and stealing the power source for the Inklings. Cuttlefish is a frail old man and Octavio has anger towards him, so it makes sense he would go after him and snatch him up.

And then in Splatoon 2, people wanna fucking say that Octavio kidnapped Callie and brainwashed her, removing all of her memories and making her into a slave for the Octarian army... LIKE... WHAT?!?!?! OCTAVIO IN SPLATOON 1 WASNT THAT EVIL!!! WHY DO PEOPLE SUDDENLY SAY HE DID SOMETHING INCREDIBLY UNREDEEMABLE LIKE THAT?!?! WHY DOES NINTENDO PUSH THAT SHIT TOO?!?! ITS SO ANNOYING!!!!

AND PEOPLE BRING UP THIS PIECE OF CONCEPT ART TOO AND GUYS!!! ITS JUST FUCKING CONCEPT ART!!! ITS NOT CANON!! THERES NO EVIDENCE TO PROVE THAT THIS HAPPENED IN THE REMATCH FIGHTS!!! YOU BRAIN DEAD SONS OF-

You can't just go from "im gonna use Cuttlefish as bait because I hate that guy!" To "neheheh, when Callie isn't looking... I'm gonna grab her and brainwash her!" And then to "IM GONNA GET THAT OLD BASTARD AGAIN! HE TOOK MY ARMY!!!" You can't flip flop between silly old guy wanting vengeance against his lover to enemy Cuttlefish, to a malicious beast that kidnaps young women dude. You can't just do that.

You see the issue here? People give Octavio this ultra dark stain on his legacy and I think it ultimately ruins his redemption in Splatoon 3. He did something unredeemable and you cannot go back from that.

It makes more logical sense for Octavio to use his abilities of propaganda and manipulation out of desperation to convince Callie to join him. Octavio is a general and does things out of rage and vengeance from the past. He is not malicious in his actions and a lot of them can be justifiable. It makes more sense for Octavio to go "I need Callie because my peeps are dying, I'll convince her to join me and then I'll hypnotise her so she's more comfortable in the Octo Canyon to help my troops!"

Octavio is still obviously in the wrong for hypnotising Callie, duh. But, like I've said a trillion times, hypnosis isn't mind control, you cannot force someone to do something against their knowledge and morals. So it's more justifiable for Octavio to hypnotise Callie than to literally kidnap her and brainwash her while she was kicking and screaming, trying to stop him. Okay? WE GOOD SPLATOON COMMUNITY?!?!?!

Ugh.

[onlyjaeyun]

i’ve been following ur writing for some time now and i do have to agree with that anon who said you did CH dirty. you are a very talented writer so it’s just hard to watch.

you started off CH so strong with the lore and little chapters here and there but as it progressed you kind of just got lazy and it shows. when important events happened in the story, they weren’t conveyed through writing but through the texts (ie the riki and yn fight, that was definitely worth a written chapter) and it was honestly disappointing.

the ending isn’t much to say about either. yn and hoon barely go through development after the letter incident and all of a sudden they’re dating and married with a kid like two chapters later?

idk, if it was a mental health issue then i get that but even then you should’ve just gave it a break and thought everything out more. you could do so much better.

thank you for the feedback!

i wanna put you through the progess of a piece of writing from the POV of a writer okay? now keep in mind: i work two jobs, am a fulltime uni student and the daughter of an immigrant household with two parents who still work most of the day just so you know what else i have to deal with, besides my mental health okay?

now, i started off CH strong right? yes. i uploaded on the daily, fine i chose that. a chapter usually takes me around one hour if i actually sit down and focus on nothing but the chapter itself, which includes IG stories, editing, formatting etc. alright

on top of the daily chapters, i constantly replied to 40+ asks a day, a blessing in disguise because no matter how much i enjoy talking to you guys, the pressure does get worse the bigger that number of my inbox becomes, i hope this makes sense

now, i started CH back in october, right when my semester started, thats why i started off strong but as time went on, my assignments and private life got too busy and i guess i felt entitled enough as a writer to skip a few certain chaps and make life a little easier for me by making them regular chapters instead of written ones.

and this is gonna be my main point: i'm not a machine. i wrote a minimum of 5 THOUSAND words per written chapter, MINIMUM. we're talking about a 5-9 THOUSANDED worded chapter EACH WEEK. which usually took me about 6-7 hours, even allnighters.

yes, i chose to do that and maybe my time management wasn't the best but i had to create a compromise where i wouldnt have let you guys wait for over two months which would have resulted in me losing my motivation completely, and yet still focusing on EXAMS. because you know, i'm a fulltime uni student with TWO jobs 😮‍💨

if YOU think i did CH dirty go write an alternative ending yourself but it should be a minimum of 15 chapters including 5 written ones, with at LEAST 9k words each yeah? i wanna see you manage it all, pls prove me wrong snd show me you're better than me i'm genuinely begging bc it might inspire me to do "better" next time.

as a writer/artist/creator, and i can tell you probably arent one yourself or havent been one for long, the longer smth takes to come to an end the worse the pressure becomes which results in a blockage i dont wish upon my worst enemy i'm being deadass. i dealt with some of the worst writer's block ive had since i started writing literally 12 years ago and you're telling me i should have just "taken a break" and do "better"

i never, ever expected anything from anyone but some of you are so entitled to a writer's time and skill it's giving me a headache. maybe you didn't like the timing and writing of the last few chapters of CH and i guess that's unfortunate but this was so unnecessary because you completely dismissed everything else that could have been going on in my life and even belittled my mental health issues like im some fucking AI writing machine

do better, be nicer, write it yourself if you don't like it i'm so fucking over this

if i had gotten out of my own comfort and wellbeing and have actually written another set of written chapters i would have burned myself completely out. ive been in this fandom for not even a year and have already finished FOUR smaus with 50 chapters each, you do NOT get to tell me what i should or could have done better because you dont even give a fuck about me as a person this is just about receiving what YOU think YOURE entitled to but this is MY art and I will do what I see fit even if it's not what was expected of it because i'm a fucking human being with a life before i'm a writer on tumblr

oh, also: i do this for free ㅤ:) just a reminder :) this is my HOBBY :)

and don't you EVER call me lazy again when it comes to writing because i'm not gonna pour my heart and soul into a fic just for you to call me lazy when i literally wrote 50 THOUSAND words for this fucking fic just for the written chapters

goodbye

[z-v06instance]

" NO ONE HOME, BUT THE VOID IS LOUD " a z-v06 (pressure, roblox) ask blog

you've been in blacksite long enough to confidently say you know how this place works. you learn more and more with every painful retry of the same mission: gather the crystal. so, yes, you can confidently say you understand this place, that you know how each of the creatures that lurk the halls of blacksite function. or so you think, for in front of you sits an open locker. you've seen these lockers, infested and plagued by that sickly darkness that you can feel the gaze of lingering on you. it preys upon the ones who are more idiotic than others; the ones who see its eyes and still run to it for safety. you've seen this before - you've seen all of this before. you've looked the void in the eyes, and it has felt like death. yet here you are, looking the open locker in the eyes, waiting for the suction cups of those octopus-like tentacles to latch onto you and pull you in. yet it does not try to grab you. it does not try to harm you. it simply watches you. for the first time you call out to the void. the void answers back.

for your first visit to this blog, it is recommended that you look under the cut. please note: currently this blog is on an indefinite hiatus. i apologise.

" THE VOID BREAKS US, THEN RESHAPES US. " the following sections are ooc ;; dividers by @/saradika

📼 ⎯ hey hey heyy welcome to my lil rp askblog :3 this is like. my first askblog in 5-6 years im rusty as fuck n barely remember shit. 🎬 ⎯ im the mun, itris, but haley works too! after seeing all the pressure askblogs pop up i decided to be a so called "free thinker" and make one myself. 📼 ⎯ how old am i? what's my main? what are my pronouns? what are you, a cop? i'm not tellin' you that! (all jokes aside, i only feel comfortable answerin one of these: just use it/its or ey/em!) 🎬 ⎯ considering there's like jack shit regarding the lore of the void-mass puddles (afaik), a lot of this blog will be headcanon heavy! (..mun is also neurodivergant and that may slip through so mun is sorry if it does. muse is not intended to be neurodivergant) 📼 ⎯ english is not my first language and i have dislexia so. im so sorry if shit i say doesn't make sense or my spelling is wackers 🙏 i also make up words sometimes without realising it. i am so sorry 🎬 ⎯ i dont usually use tonetags, so ask me if you need me to clarify my tone! 📼 ⎯ aaalright i think this is enough rambling. ya think it's time for us to hop onto the actual muse info?

" PLEASE, PULL ME FROM THE VOID. " this section is about the askblog. it includes muse info, rules, and anything i think is neceserry.

* buckle in, this section may be long. as if this entire thing wasnt already longer than i intended...

BLOG INFO

🌌 ⎯ this blog will contain profanity and mentions of canon typical death/violence. other possibly triggering topics may come up along the way, so please, view this blog with caution. feel free to ask me to tag things. 🔮 ⎯ please, and i mean PLEASE, no sexual stuff (i know why some of you people like tentacles). mun isnt interested in rp-ing that. the only exception are sexual jokes as long as they don't go too far. threaten to fuck the void's mom if you want! (i am not going to question how you'd be able to do that) 🌌 ⎯ ANY interaction is fine by me! feel free to interact as any muse, whether that be an oc, another pressure character, or someone from a whole other fandom! 🔮 ⎯ feel free to claim any anons and ill make a special tag for you (if you aren't on anon ill give you one too)! i may forget to tag some posts tho so if i ever do just. lemme know LMFAO 😭 🌌 ⎯ if im uncomfortable with an ask, ill delete it. but honestly there's not really much that im against. 'nd also lemme know if i ever do somethin that makes ya uncomfortable too!! 🔮 ⎯ unless stated otherwise, anyone who sends an ask will be treated as an expendable ! :3 actually on the topic of asks pls make it clear if ur ask is towards me and not the z-v06 instance otherwise ill answer ic 😭 🌌 ⎯ im alright w/ m!a's i fucking LOVE m!a's 👍 🔮 ⎯ if i randomly stop posting one day assume the void got me.

MUSE INFO [written ic, but not as the z-v06 instance]

🔮 ⎯ this instance of z-v06 answers to anything you use to refer to it. it has no sense of identity, therefore does not have a name or pronouns. it is up to you to call it whatever you'd like. though, i'm not sure if it has the ability to care. ...note to self, see if the verbal z-v06 instance is capable of emotions and feelings. 🌌 ⎯ fascinating.. the instance you've stumbled upon appears to be showing no signs of hostility. though, i'm sure that, just like the rest of the monsters that roam blacksite, if you provoke it, it may become more violent. 🔮 ⎯ it seems to be capable of remembering things you tell it. perhaps it can remember faces too.. 🌌 ⎯ not much else can be said. i suppose you'll have to interact with it in order to find out more about it.

TAGS

( OOC )⠀ ⠀||⠀ MUN HALEY ( ANON )⠀ ⠀||⠀ UNNAMED (^ the "unnamed" will be replaced by the anon name if there is one provided) ( BLOG )⠀ ⠀||⠀ [INSERT WHATEVER BLOG NAME HERE] ( IC )⠀ ⠀||⠀ WITHIN THE VOID WE ARE UNDONE ( ASK ANSWERED )⠀ ⠀||⠀ THE VOID ANSWERS BACK

tws will be tagged as 'tw [triggering thing]'

i prolly forgot some tag ideas or whatever the word is tbh so expect this to be edited 👍

LAST EDITED: 17TH SEPTEMBER 2024

[star--nymph]

sorry to bother you but templars dont get paid? i thought carver joined the templars in da2 in part for money, i dont remember the lore too much but if you have source of that?? cause thats wild gosh if it wasnt bad enough to have them addicted to lyrium

Oh, hey! It's not a bother at all. Admittedly when I wrote that post it was a bit off the cuff (in my defense it was like 10pm and I was super tired) and I was basing it off what Cullen said during his romance scene, "Templars are not supposed to carry such things [coin], our faith should see us through".

Now this could be that what he's referring to is 'luck' here but it could also be that they aren't allowed to take anything, including coin. While there's no insistences templars taking a vow of poverty that we know of, we can at least infer from canon that they aren't encourage to keep much.

But you're right, there is mention though I couldn't find Carver saying it was for money--he explicitly says in Legacy he joined to get out of Hawke's shadow and be his own person. That doesn't mean that the line doesn't exist, of course, just that I couldn't find it (and personally I've only ever had Carver become a Grey Warden). That said in DA2, we get Keran say that he sends his paycheck back to his family and if he is expelled from Templars, there's a quest in Act 2 about his family's debt.

With that and the fact that templars can pay for services in the Blooming Rose (unless there is some kind of deal with templars get in for free, which I doubt), we know there is some pay. How much it is, we don't know.

There is also the mention that if a templar gets married, they have to show proof that their spouse can support themselves (according to David Gaider and the DA Wiki).

We're not really told if this is an insistence only found in Kirkwall or in DA2 either. There's, in fact, a lot we don't know about Templars, so we can only make assumptions. My assumptions it is that Templars, at least in Kirkwall and Ferelden, make little to no money--probably enough to send back to their families--and are encouraged to rely entirely on the Templars for resources. Cullen in particular doesn't seem to have kept much, so if he did have a paycheck, I have to assume it was sent over to his siblings in South Reach.

I saw someone say they're probably paid in lyrium and I mean, given what we know, I wouldn't say that's far from the truth either. Faith and lyrium is what sustains most of them.

But please don't take my word for it entirely. DA Lore is a big puzzle that's ever changing and probably also depends on the region. For all we know, Templars in Orlais could be making BANK.

[blackblooms]

Irredeamable developpement retrospective Part 3: The fountain So just as presented in the last part, this was my attempt at creating a single complex and interconnected setting for all of my games. I even had a bunch of games planned for this, including one some of you may have seen before.

This game was made on a whole other engine, so i won`t linger too much on it, but the planned story was about a small elf huntress, ascending the great titan (giant tree) to find increasingly imposing preys to hunt, such as troglodytes (giant frog people), drakes, wyrms, other sentient bugs and concluding on a battle with the nevermore, a black crow/dragon that served as the god of the tree.

Anyway, back to our actual game. The fountain took place in a nexus between several worlds, where several species from all over the multiverse lived, including humans, lizardfolk, goblins, elves, trolls, and several races of fae. At the heart of this world, was the coveted fountain, a well of pure magic that was the source of all reality and could remake it to the whims of any who were bold enough to find and use it.

From this premise, a main game was planned, an epic journey through the crossroads of lands, where a group from different races would meet and unite in their common quest to find the fountain and achieve their deepest wishes.

So the journey starts on human lands, a continent consisting of mostly deserts. The fountain is where i finally settled on an aesthetic for humans, making them mechanical, and fire-themed. They usually wield guns and use the metal, oil, and coal of their land to build fiery machines and factories. Other stories also give them the ability to nearly fully mechanize their bodies, turning themselves into metal demons. the second area would have been the lizardfolks/mermaid archipelago (don't ask why they are the second to last area in the plans, i dont know either) These would be themed around water and serve as an artificial/life amphibious force, working under the centaurians from the last few settings. The mermaids specifically were centaurians-humans hybrid, hence why they have features of both. Then the group arrives upon the mainland, where they are met with an overgrown swamp, infested with demi-fae, a group of several races mixed with fae blood, giving them the ability to use magic. This is followed by a series of urbanized forests controlled by the tiny, but industrious elves who are able to build dozens of man-sized war machines. The last obstacle on the journey is the shadowlands, a dark, cold, and desolated region, guarded by a race of ancient stone creatures. These old traditionalists and users of mystical shadow arts despise change and will do anything to prevent the fountain from being tampered with. ( i remember hearing the line "dwarves are incorruptible as stone" in shadow of mordor and it stuck in my head ever since, becoming a defining aspect of the trolls in my own stories.") And finally, the fountain, a place of infinite potential and home of the Fae, creatures that have been encountered during the whole journey, avatars of magic, nature and change. The fountain is a fantastical realm, a city of candy, floating over an ever-flowing lake of golden honey. The purest of faes reside in this realm, but they are far from the nature-loving beings met in the outside world. These Faes are cruel and ravenous, eager to consume the world and make a new one that will one day also be ruthlessly consumed.

Anyway, as you can tell from all the lore, i ended up putting a whole lot of effort into that setting. There was even supposed to be a whole second half of the game where the characters made their wish and the world would be twisted by the Fae magic into nightmares that would have to be fought and repelled before they replaced the region. We are slowly, but surely getting close to the end of this retrospective. Next we will go into the game that ended up giving irredeamable much of its mechanics. A small, self-contained story that ended up bridging the gap between the fountain and the current setting i have been building. See you in part 4: The city of dolls.

[little-tf2-time]

Hello hello!

Welcome in!

Welcome to my very own TF2 AGERE RP BLOG!!

This blog will be centered around my own headcanons for the characters, including agere/petre/agedre related headcanons, gender/sexuality headcanons and personality headcanons!

Of course i will try to keep their personalities as close to canon as i can when running this sort of blog, but theres going to definitely be a lot out of character most likely!

More about the blog (dni, how this works, who all is able to answer questions, etc!) Under the cut!

Anon names though first : ✂️ anon/anon✂️, blossom🌸

Who all can you send asks for?

You can send asks for;

The mercs (spy, scout, engineer, pyro, heavy, medic, soldier, demo, sniper)!

Miss pauling!

Saxton hale!

Only red team right now, but im working on some ideas for blue team which could be added later!!

How does this work?

Its rather simple, just send in an in character ask and youll get an in character reply!

If you send a not in character ask, or an ask towards me or about the lore, ill answer accordingly!

You can send the requests to specific characters, just specify who!

Sadly right now there wont be any art to go along with it but theres a chance ill start adding some if i can later on :)

I will be starting a headcanons/fics/oneshot blog too, so you can also send questions there when its up, but i dont mind answering them now!

Is there a story or plot to this?

Sorta yes! The main idea is the usual, the merce live in the same house/base and hang out out of work! Only differences is that miss pauling lives there too, and saxton lives close enough to come by a lot!

This is set in the red base specifically, where its much warmer and sunnier!

In this, red team is the originals and blue team are slightly tweaked clones! Its confusing and wont be brought up much though. The blue team acts different and have different likes/dislikes, and they live in a very cold area.

What you should know about the cloning thing is that the spys are both fathers of their respective scouts, red spy and red scout and blue spy and blue scout! Scouts ma does sorta know about the clones, she just chooses not to think abt it too much /hj

Who regresses in this? Why? To what? (+ pronouns)

(Thisll be long hang in there)

Scout (he/they) - age regressor and babysitter! He regresses usually around 4 to 8 usually, but some days he can get down to 2. His main cg is engineer but he also likes to be cared for by spy

Sniper (he/him) - flip! He regresses to around 5 or 6 usually, only gets littler under high stress. He mainly likes being cared for by heavy, but doesnt mind to be babysat by saxton or engie

Pyro (they/it) - age regressor and temporary babysitter sometimes! Has the biggest age range, 1 to 15, but usually stays in the 5 to 8 range, but sometimes dips all the way to 1 or 2. Their primary cg is engineer, and they are almost always a bit little honestly, they also love being babysat by heavy and medic!

Engineer (they/he) - flip with caregiver lean! He doesnt regress often and he even less will he let himself be cared for without a fuss, but when he does he goes veeery young, 0 to 3 at best! Hes a very warm father cg though and the main one for pyro and scout

Spy (she/he/they, fluctuating preference) - flip, but also caregiver lean! When he does regress she regresses to 0 - 2! Otherwise their the primary caregiger for miss pauling, secondary for scout, and usually the most prepared one

Heavy (he/they) - sorta flip? He regresses so rarely that its only been around medic, not many of the of the others even KNOW he regresses actually. He regresses around 0 to 1, and its usually an extreme stress regression. Though when hes caring hes one of the best! Usually just a babysitter to most, but the main cg to sniper

Medic (it/he/they, no preference) - flip again! Hes both an age and pet regressor. He regressed pretty young, 2-5, and pet regresses into a dove/domestic pigeon! When he cares hes decent at it, a little scary sometimes but hes improving! He usually is the doctor for many stuffed animals and their littles (colorful stickers gallore with him)

Soldier (it/they/he) - age regressor and pet regressor! Age regression to around 6 to 10 usually, and pet regresses to a raccoon and puppy! Main cg is saxton, but often settles with engie happily

Demo (he/they/xe) - age regressor and sometimes babysitter! Regresses a lot due to being drunk, or being hungover. Usually regresses to about 2 to 7

Miss Pauling (she/they) - sorta flip! She regresses more then she acts as a cg but shes absolutely fine with babysitting! She regresses very young, only around 0 to 6, and a lot of the time she'll slip when stressed or overly tired (she has to be dragged away from her work a lot too)

Saxton (he/she) - caregiver and babysitter! Main caregiver for soldier (being the only one who can keep up with him) but has babysat all the frequent regressors! Hes the least prepared but the kids have fun! Usually is called "uncle" by most

Dni!

Basic dni criteria (terfs/homophobs/racists etc)

Anti agere/petre

NSFW accounts of any kind

Ddlg and any varient

Pedos/zoos whatever just those kinda people and anyone who supports them!!

Gross people

I will delete asks or comments, or ignore messages if they are blatently harmful and are intended to hurt

[averys-happy-space]

putting this here more for myself than anything. i wanna be able to look back at it in a year and see how its changed. explanations for each section under the cut

ship i loved at first sight: tara x piper. i don't know what the ship name is. taper? pira? pira seems nicer lol. anyway, tara used to be my favourite brawler (and is still up there in my top 5) and i think the first time i saw tara x piper fanart was on reddit. it was by Xpyray and i swear to god ive never fallen in love with a ship faster. their art is so fucking good and they dont rlly draw brawl stuff anymore but i still follow them cuz their art is so so so pretty (please go follow them if youre reading this). anyway so yeah thats how tara x piper became my fav ship.

ships i initially didn't like: rico x piper, shelly x colt imma be fr at the start i didn't really Get these ships. but after watching some of the official animations and learning more of the lore, i started to appreciate these ships more. i don't love them or anything but they can be cute

ships i don't like anymore: sandy x nita, leon x jessie, sandy x leon there is no real reason for this other than the fact that i simply stopped liking them as i grew up. as i was making this i realised that when i was younger i used to like the ships with the kids/teens more, but now i'm 17 and i'm just not interested in them anymore. i guess thats what happens when you grow up lol. these ships are still cute, but i just don't engage with them anymore

favourite popular ships: mandy x chester, fang x buster so a bit of background, i actually quit brawl stars for a while, i think after the gale brawl pass. i dont really remember why, but its probably because i just got bored of the game lol. i think that also played into why i'm no longer interested in the same ships as before. anyway, i came back this year during the bizarre circus brawl pass and accidentally fell in love with these two ships. honestly, i'm not even entirely sure why i fell in love with these two ships in particular. chester definitely caught my eye when i came back to the game because a) i love clowns b) i love a good troll c) i love the random XD energy chester has and d) he has super interesting & fun game mechanics. i have no interest in mandy really but then i saw One suggestive mandy x chester fanart that went hard af and suddenly i was on board lmao. on the other hand fang and buster were two characters that i took some time to fall in love with, but now they're my favourites lol it's so strange. i really don't know how it happened.

favourite rarepair: amber x maisie i was looking at a diagram of all the trios so far because i was brainstorming ideas for who to include in a fanfic and as i was looking at it, suddenly it Clicked in my mind that amber x maisie would go hard af. like think about it. overconfident fire entertainer who gets so swept up in performances that she forgets about safety x safety coordinator with a fire extinguisher for an arm who secretly likes being in dangerous situations? come on!!!! im surprised more people havent thought of this pairing cuz as soon as it clicked for me it seemed like such an obvious pairing to do. but then again they've never interacted in any animation/promo material/etc so i guess it's not a pair people would just think of without prompting. but it's so fucking good!!!! more people need to get in on this ship.

controversial ship: none here's the thing. i don't know any controversial ships that i can see myself shipping. the most controversial one i know is probably edgar x colette but i see them as siblings so i don't ship it nor do i engage with fanart of them. edgar and colette ships in general are probably controversial seeing as both of them don't have canon ages and it's vague enough that people are always talking about whether they're adults or minors. but i personally see both of them as older teens so i don't ship them with anyone. (to me, they're too old to hang out with the kid brawlers but also too young to hang out with the adult brawlers. it's weird because there's no other brawlers where i see them as teens, so in my mind edgar and colette both have 0 shipping potential)

ships i want to become canon the most: amber x maisie, fang x buster they're my current favourite ships. what else to say.

comfort ship: fang x buster i think about them All the Fucking Time. lowkey i started to project on fang a bit just cuz i like him so much. i don't even know why or how i started liking him this much but he's my favourite brawler now and it's horrible. i think the seal in the coffin was @/giveittomegay's fanart of them. THEY'RE SO FUCKING CUTE. like omfg. confident, charismatic chinese immigrant who just arrived at starr park x introverted insecure white guy who doesn't know how to approach others. slowburn where they become closer through working at the cinema and buster realises he's fallen in love basically immediately but fang hasn't realised his own sexuality (has had crushes on girls before so always assumed he was straight) and doesn't realise he's in love with buster until maisie straight up tells him. fang's confidence means he jokingly flirts with buster all the time because he thinks it's funny to tease the guy and make him flustered but doesn't realise buster gets flustered because he likes fang. fang is fucking stupid. also, i think using fang x shelly here as a conflict plot point would be so good. like, fang seeing a pretty girl and approaching her, flirting with her, etc. i like to think fang is dense as fuck and would genuinely believe he's in love with shelly despite buster occupying 90% of his thoughts because his thought process would be something along the lines of "oh, i just think about him a lot cuz he's my best friend, i'm sure this is all regular, normal bff things". and buster just fucking dying inside but not saying anything because he thinks it's none of his business and he shouldn't interfere in fang's love life. MAISIE WATCHING ALL THIS HAPPEN AND WANTING TO MURDER BOTH OF THEM FOR BEING SO DENSE. like ohhhhhh my god there is so much potential here it's fucking insane. side note: fang doesn't have anything against gay people. i like to think maisie x amber comes way before fang x buster, so fang knows gay people exist and like he is perfectly fine and comfortable being around them, he's just so stupidly dense that he doesn't realise HE is gay (or more specifically bi). he also assumes buster is straight because default sexuality and whenever fang makes jokes based on this assumption buster never corrects him. because buster is a pussy. god. i want to write this fanfic so bad but i'm so fucking bad at writing dialogue it's insane.

ships that deserve more attention: amber x maisie, brock x bibi, barley x bull, max x janet LET ME COOK HERE OKAY. amber x maisie i already explained above. brock x bibi (i call them bibrock) is because it's noted in bibi's bio that she's secretly a huge nerd and i think it would be super cute for her to have a bf who she can indulge in nerdy and geeky shit with. to me they're both massive comic book fans who become close by playing all the superhero video games together before branching out to other games. they're console gamers btw and they get SUPER competitive whenever they're playing against each other. but they also do play coop games where they work together. usually brock is the one who does a lot of theorycrafting and tries to minmax his grind so he can get all the resources in the most optimal and time efficient way possible, whereas bibi prefers just going into fights and wrecking havoc lol. barley x bull is because they're both restaurant owners/servers (barley has his bar, bull has his diner) and i think they would bond over shitty customers and interesting food/drink recipes. they're both also familiar with having fights break out in their establishment and are fully capable of shutting fights down, even if it means getting their hands dirty. they think they're on opposite ends of the spectrum but they're actually more similar than they realise. for sure a very slowburn romance (especially because i think bull would be denial about liking a fucking robot lmfao) max x janet is because they're both celebrity entertainers. yeah, that's it. no but seriously i see max as someone who puts up an outgoing persona in public and is generally a very hyper, high energy person but at the same time, she tends to keep people at a distance because she's scared of intimacy. before janet, her closest friends are surge and meg. surge kind of Knows something is up with her because every time he tried to ask about her past she clammed up and gave noncommittal responses. he worries about her but doesn't know what to do about it so he just tries to make her happy in the present. meg is a kid so she doesn't realise anything is wrong lol. hanging out with meg and surge makes max happy and she considers them family, but she still has a wall up around her true self. janet is the one who is finally able to help max come out of her shell and address her past trauma. it also helps that max thinks janet is very pretty and desperately wants to kiss her. this is canon btw don't question me.

first otp: tara x piper | current otp: fang x buster i basically said all i have to say about these ships so yeah. that's it.