#i dont apologize here

[dear-ao3]

why did they have the same glow up

[remxedmoon]

(You don’t know how much longer you can do this.)

hi the wip for this was absolutely not supposed to blow up. why does that have 1k notes. horrifying. anyways!!!! it’s update time baby!!!! 64 new assets this time around!

so that’s what the caption was supposed to be. this update was already pretty damn big and took a ton of time to make!!! and i was finally done!! but then my hand slipped and now we’re at 143 new assets. super sorry for the delay! That Was Not Supposed To Happen.

i’ll go more indepth below the cut, but this update encompasses all menu/profile art for both isat and sasasaap, battle portraits for sasasaap, every single pixel icon in isat (to my knowledge anyways), the dialogue skipping animations, and a few miscellaneous additions.

also i spent too much time on these to put them below the cut so Please God Look At My Icon Resprites I Spent 16 Hours On Them. enjoy!

okay first things first. why the hell is this batch 143 assets. so. i HEAVILY underestimated how many times the menu drawings are used in the games. even removing all of the custom art, it’s still ≈30-40 variations! that’s a lot! and once i finally finished everything, i got Posting Anxiety and somehow convinced myself that attempting Animation And Pixel Art (two things i haven’t done in YEARS) would be easier than writing a normal post. so here we are.

the custom art here is pretty much par for the course at this point. extra menu art for bonnie, extra expressions for the party in act 5, we’ve done this enough times that it’s expected. i am aware that bonnie’s custom menu art gets completely covered by the ui. i kept it in because it’s really funny (and also i didn’t feel like extending the sprite (but then the sasasaap version forced me to extend the sprite anyways so Whartever)).

once again, provided a spritesheet for sasasaap’s battle portraits! i do intend to cover both games, it’s just a slightly lower priority atm. unlike isat though, i’ve got Less (read “No”) experience with sasasaap, so there might be more issues with those assets?? apologies if there are, i’ll try to fix any issues that come up!

the Miscellaneous Additions i mentioned above are the sprites used on the teleport map and the loading screen, which is just a tiny version of the skipping animation. they were pretty small, so i figured i might as well get them out of the way!

not actually much to say about the 75 icons surprisingly! i haven’t done pixel art in about 5 years?? and that’s a Travesty actually these were super fun to make. i did make mockups for the overworld sprites earlier, but they aren’t Officially part of the redraws (yet) so they’re getting posted seperately

and also!! some exciting news!! this project might actually become a Proper Published Mod pretty soon!! i’ve been in contact with someone who’s willing to help me get everything set up, and i’ll be getting a Usable Computer around the end of the year!!!! it’ll still be at least a month before it’s up (i’d like to get the enemy art finished beforehand wauaua) but!!! still exciting!

okay, i think that’s everything relevant to the update!! i Definitely can’t fit all of the relevant assets here lol. but i’ll try my best ! please enjoy !!

[wilsonmybeloved]

ive literally never interacted with the rats smp ever besides like once

but ren and martyn exist. and a lot of my other favorite creators. so we're going headfirst into rat yaoi. raoi, if you will. ratataoi?? ratatouille yaoi? ...ill work on it

[torchstelechos]

[Congratulations, congratulations, congratulations.]

[jackshiccup]

you’re 16 and nothing bad has happened

a lil scene based on my friend @droptoposmosis’ fic can’t smile like you mean it (aaaa childhood friends hijack makes my brain dissolve ;;)

[brighteuphony]

Some reunions, like Naruto and Lee, are filled with happy hugs and warm welcomes.

Others...not so much.

Ino and Sakura's reunion...yeah it doesn't go great.

Sakura had been invited back into her mother's estranged family after her accident, but on the way through Tea Country, the caravan had been attacked by bandits/dissidents and Sakura ended up jumping into a river to save herself.

Her body was never found, and she was considered dead. She has an empty grave right beside her mother's and father's in Konoha.

Ino, Naruto and Lee were devastated. Ino, in particular, was inconsolable. She'd just made up with her friend and they'd been struggling to find footing after Sakura's accident, so to get the news of her death crushed Ino.

She'd felt so guilty, fighting over stupid things like boys, all the dumb insults they'd leveled at each other, and her helplessness at Sakura's condition ate at her for a long time. Ino threw herself into the job and she left flowers at Sakura's grave every Sunday for a year (and her parents did it for her when she was on missions) before finally beginning to heal.

To learn that Sakura was alive the entire time, that she didn't care enough to send Ino a single letter...that she just let Ino go through all that heart-wrenching grief is a betrayal that Ino can't suffer. It's like having that wound, only just now scarring over, be torn open and salted.

She spent a year mired in grief, and the next three trying to mend the hole Sakura's death left in her life. And to have all of that history, friendship and grief disrespected... Ino doesn't talk to Sakura for almost 7 months.

As for Sakura, she was in such a depression after her accident, she managed to convince herself that she didn't matter to any of her old friends (especially because it was so awkward and difficult to find common footing with everyone after being honorably discharged). So she made the mistake of assuming no one cared, almost as a method of protecting herself from the consequences of her own decisions.

This bites her in the ass, ofc.

Eventually, they enter a 'cold but civil' relationship when Sakura makes a sincere, heartfelt (and groveling) apology. After that, the walls come down, but their friendship won't ever take the same form as it did before, but maybe that's for the better.

Their new friendship is much stronger.

Once again, thank you so much to everyone for all the amazing asks and the incredibly kind words about this AU!

@evaregia

[kathrynmhahn]

So, Denise, if you don’t mind me asking...what happened to you? No, not at all. I like to talk about it. It’s really very simple. Last year I was working undercover, suburban surveillance. The seller had a few kinks in his rep. It seemed he’d only sell to transvestites. So my partner and I shacked up. I played the part of the buyer.

Twin Peaks | 2.11 | Masked Ball

[cspcrashing]

(WIP) 😓😓 can't leave them alone for two seconds or else they'll start practicing for their third wedding...

[tkachukisms]

my mind is a beautiful place full of love | last post :)

[buwheal]

I'm sorry, Spamton. I know you won't believe me, but I'm sorry we hurt you.

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[autisticaradiamegido]

day 281

ill be honest w yall i dont remember most of hs2 or the epilogues and i will not be rereading to refresh my memory but i DID read today's upd8 specifically because i saw my guy and you know what

callin this one a win for the sollux enjoyers

[jgyapologism]

currently rewatching/catching up on bnha

i apologize for the person (bkdk shipper) i will become for the foreseeable future

[xxlady-lunaxx]

Okay hear me out!

Sanegiyuu, they're dating. Giyuu makes ohagi for Sanemi and they eat it while on a date and it tastes like his mother and that makes Sanemi cry.

i don't wanna talk about this rq being from october

It had taken much effort on Giyuu's part. He'd gone as far as hiring Mitsuri as his teacher (he actually paid her) to learn, taking several days and wasting many ingredients before he perfected it. Sort of. But the lopsided group of ohagi was better than nothing, and Giyuu gratefully thanked Mitsuri before hurrying off with his bundle of sweets. He was late in arriving and Sanemi was evidently impatient, tapping his foot as he waited for Giyuu. He looked slightly relieved when Giyuu appeared, but masked it with his irritation.

"Took your sweet fuckin' time," he grunted, but took Giyuu's outstretched hand so they could start on their way.

Giyuu apologized, tucking the bag of ohagi into his sleeve.

Somewhere during the date, he got tired of trying to hide it and presented it to Sanemi. Sanemi took it curiously, unwrapping the cloth and peeking into the container.

"Ohagi?" he asked, peering at it suspiciously.

Giyuu nodded sheepishly. "I made it," he explained. "Kanroji helped me."

"Oh." Sanemi paused. "Kanroji?"

"I didn't know who else could make it..."

Apparently finding this reasonable, Sanemi opened the container and picked one up, pretending not to cringe when it ungracefully nearly fell apart. But he ate it, finishing the first ohagi and humming to himself. Giyuu waited nervously, watching as Sanemi paused. There seemed to be very little reaction at first, but then Sanemi picked up another ohagi, this time taking longer to eat it. He looked almost lost, a bit in his own world as he chewed.

Unable to wait much longer (and just getting worried it was terrible), Giyuu mumbled, "Is it okay?"

He took the container back, a bit fidgety, and picked one of the not-quite-dense enough mochi balls and bit into it. It seemed fine, really. It seemed a touch too sweet, but it certainly was better than he'd expected it. What with Sanemi's silent reaction.

"I- I like it," Sanemi finally said, swallowing. His voice seemed tense, a bit off. He drank some water quickly and Giyuu brushed it off as the ohagi being too dry, or something.

"You do?"

"Yeah. Yeah, I do." Sanemi ducked his head down, finishing his second ohagi.

Giyuu frowned. "Are you okay?" he fretted, concerned. Was Sanemi sick? Had the ohagi made him sick?? Oh, god, maybe it did. ...could someone get sick that quickly?

Sanemi nodded. "'m fine. Sorry. One moment." He took in a shaky breath. Turning slightly so he was angled subtly away from Giyuu, he swiped at his eyes with the hand he hadn't used for the ohagi, swallowing again.

It took a moment for Giyuu to place that. It hit him as familiar, but he only understood a minute later that—"Are you... crying?" he blurted out, immediately regretting his words. He was such an idiot for just-

Sanemi grumbled. "No. I'm not," he huffed. He looked up then, at least, which only proved Giyuu right. His eyes were vaguely glassed over, and he was blinking quickly. "I'm not," he insisted, when Giyuu couldn't suppress a knowing look.

With the concern for Sanemi and worry that it was his own fault, Giyuu opened his arms. Sanemi hesitated only a moment before sinking into the embrace, burying his head into Giyuu's shoulder so he could hide his head.

"I'm not fucking crying," he grumbled, voice muffled by Giyuu's haori. Still, he clung onto him for several minutes until his breathing seemed to steady out. Then he sat up, pointedly turned away to rub at his eyes, then looked back at Giyuu.

"What happened?" Giyuu asked, forgetting that he should maybe just leave it be. But Sanemi answered, picking up Giyuu's half eaten ohagi and finishing it to busy himself.

"Nothing." Then, only a second later: "My mom used to make ohagi. When I was younger."

Giyuu took a moment to process that. He knew that Sanemi's only living family member was Genya (despite the protests), so that meant that his mother must've died. Which made him feel terrible for making ohagi—although he wondered, briefly, why Sanemi ate it so much if memories rose like that from Giyuu's shitty attempt at ohagi.

Sanemi continued, ignorant of Giyuu's thoughts. "She used to make it real sweet 'cause we couldn't have things like that a lot. Ohagi was always my favorite of the ones she made and she sometimes let us help make it with her," he mumbled. "Some of them were like these—kinda fucked up and distorted. But it just. Reminded me of them. Didn't mean'ta... uh. Yeah."

"Oh."

"'Oh,'" Sanemi mocked, rolling his eyes.

Giyuu pouted. "Sorry, uhm. It's okay. I'm sorry that I made you think of that," he said quickly. "I'm glad you didn't get sick or something, though."

"Sick?" Sanemi scrunched his nose. "From what?"

"The ohagi."

"You can't... get sick that quickly..." he said, raising an eyebrow. Then he grinned. "Fuckin' dumbass."

"Hey! I made you ohagi...!" Giyuu protested, ducking away from Sanemi's playful but dangerous hand.

Sanemi scoffed. "And made me cry, yeah," he grunted. He ignored Giyuu's pointed look at his admission, and went on. "Let's just finish and then go to your house. I bet you made a mess while making this and forgot to clean it up."

Giyuu stayed quiet, knowing full well Sanemi was right. Instead of answering, he helped Sanemi settled back down so they could finish eating. He made a quick, mental note to add extra sugar just for Sanemi, if he ever made ohagi again.

[triptychofvoids]

ein löffelchen voll zucker bittre medizin versüßt ♫

[sentientstump]

thinkingg

about things

in the alt text with some notes