#i don't want to inflict it on the world but i also don't feel like enough not-me people care to be worth making it better

[notashadowbutawave]

finally talked my wife into watching 8x06 "confessions" with me and WOW there's quite a lot going on in this breakup scene in buck's apartment (and the infamous glee scene for that matter) that I haven't seen discussed much on this website (though maybe I'm just not finding it?) like this show is always yelling the themes in your face but...

first of all I think it's somewhat intentional that Buck is being written as kind of regressing. So far in the show, he's gotten his confidence in romantic relationships by fulfilling the role with the person that he thinks he should fulfill. with Abby, Buck had just learned about serious adult romantic relationships and how they work and was trying to Be A Partner in a complete speed run. But he learned that no amount of devotion is a substitute for functionality. with Taylor, he was trying to Be A Functional Partner - and he learned that being a partner Has To involve trust, and that trust comes from somewhere else other than just our actions - it has to come from our hearts.

Tommy is the first person he's ever dated where he doesn't know what the next steps are and that's because this isn't something he has a blueprint for - being a Partner and a Functional Partner for somebody who sees right through him and sees exactly what he's trying to do, to make Tommy never leave. Abby was completely clueless (sorry I really dislike Abby) and Taylor didn't realize that an adult man could behave so badly without utter malice in his heart. Both of them kind of make the mistake of being vulnerable to Buck's charms.

Tommy is of course vulnerable to Buck's charms but Buck is more transparently himself with Tommy as well - and what Tommy sees, then, is a person who is deeply insecure and may be trending in the right direction but ultimately still thinks there's a lever he can pull to make Tommy stay and never leave him. He doesn't know that he's not done cooking yet because every new thing he learns about the world or others makes him feel brand fucking new.

So yes, the glee scene:

Josh was absolutely gagged that Tommy was Abby's ex fiance

Buck's first instinct is to see the situation from Abby's side and go into protective mode which is adorably loyal to be fair but also like ; get a grip

I actually love Josh's framing of "you care about this person and if you want a future in a queer relationship you need to learn that we don't all come to this the same way"

Did they need a cultural reference? No. Were they going to self referentially congratulate Ryan Murphy for inflicting it on the world? Yes.

And regarding the breakup itself:

What is wrong with this fandom's sense of humor that I haven't seen a gif of "I'm the himbo" ??? Like yes babe u sure are come here

Buck is really working so hard in this scene to make sure Tommy knows that he's serious. He's like... this freaked me out but I've decided I'm cool with it. She changed my life but not like you !!!

Like bless his heart, Buck thought he was really doing the right thing by telling Tommy about Abby BEFORE ASKING HIM TO MOVE IN WITH HIM. like MY CARDS ARE ON THE TABLE??? SEE??? LOVE ME FOREVER !! it's adorable and it's also cringe as fuck.

I think the real sin of the writing here is making Buck so completely clueless that this is the wrong move. Like he's kind of an idiot (Eddie Diaz's words not mine) but moving in with someone after dating them for six months in your 30s is WILD behavior and I don't think even Evan Buckley would fail to realize that this is a bit much in this moment.

But idk being in love makes one do stupid things? I did all of my messy bitch relationship shit before I turned 30 but I guess it is buck we are talking about

I completely understand why Tommy reacts the way he does in this scene and bless Lou Ferrigno Jr for acting it with such nuance, much more depth than the scene frankly deserves. What a heartbreaker. Like you see him tense up at Buck's request

"I'm not saying let's get married or engaged, even though we would have the right, thanks to the brave people who came before, including you." such an insane thing to say to your boyfriend. Whoever approved this script was trying to take me out like with a gun.

You then see the absolute grief in Tommy's eyes like oh god this kid is killing me. He's so sweet. He's so cute. He doesn't get it. I love him. He doesn't get it.

As an aside, Eddie being stalked in the juice bar by the hot priest was absolutely incredible.

I didn't hate this episode but wow the writing does suck shit, however I fully believe it makes sense for them to break up here and get back together in the future ??? because Buck DOES have some shit to figure out. Like moving in with someone is a lot of fucking intimacy REALLY fast and baby boy sometimes you NEED to pump the brakes a little ESPECIALLY when you think someone might be THE ONE and you just figured out you like guys six months ago.

I get it and yeah the writing is tragic and the inclusion of Abby in general is just unhinged and unnecessary but like I don't hate the broad strokes here. how else does the blorbo learn if not by ritual torture by the writers. Lou is too good to not have back though. My god what a treasure.

end bucktommy endgame truther transmission

[roselightfairy]

why the writing is so bad :(

[shittygothbitch]

Feel like a huge jerk

[wilwheaton]

Hey man, I could use a few talking points to help convince a friend that Musk is horrible. I'm reading 'Think Again' by Adam Grant (good read btws) and he says to help convince people to come to your viewpoint that it can be good to have 2 or 3 strong points instead of 10 mixed points. The counter argument I get from people about Musk being good is that he did spacex and tesla, and without him we'd be decades behind. Maybe, but I don't have good ammo. Please help as I get too angry tobe critical

Well, listen, the fascism, the transphobia, the chaos, and the unwavering support for autocrats all over the planet really ought to be enough to outweigh anything else, if you ask me. It sounds like you know some people who got excited about the companies he threw money at, and they are having a tough time updating their feelings due to current events. Or maybe they share his values and don't want to admit that.

But I'll try to offer some simple facts.

He did not do engineering with Tesla or SpaceX or even PayPal. He is a fraud. He walked into these existing businesses, where people had done actual work and engineering, threw some of his Apartheid money at them, and took credit for their work. He claims, over and over again, to be a founder of these companies, and that's just straight up a lie that is easily disproved.

He literally did nothing except throw money at people and take credit for their work. Look at every Tesla up to the (chokes back laughter) Cybertruck. Those Teslas look like cars, because they were designed by engineers. Look at the Cybertruck. When you stop laughing at what a joke it is, know this: that's what happens when Elon Musk is in charge. It's like a ten year-old with some crayons drew it on a menu at Denny's.

All of the things his weird fans claim he made possible, are things that would have happened, and were in the process of happening, without him. He literally did nothing to advance the technologies or engineering. In fact, SpaceX whistleblowers have told reporters how they had to keep Musk occupied with bullshit, so they could do the real work without him fucking it up all the time with his incompetence.

But even if he were telling the truth, even if the myth were fact, it would not outweigh the damage, the pain, the chaos, and the suffering he has inflicted on millions and millions of people, all over the world with his lies, his spread of misinformation, and his incitement of angry incels.

Also, don't forget, when Ukraine was trying to defend itself, he turned off Starlink access when they could have decisively ended Russia's aggression. A lot of people have suffered and died as a direct consequence of that action, which he took to support his buddy and fellow autocrat, Vladimir Putin.

That's more information than I think your friends will be willing to hear. Studies indicate that people who are heavily invested in the myth of a person will fight hard to hold onto the myth, and reject truth and facts, because it's so jarring to them. Musk has built a cult of personality, and maybe your friends are stuck to it.

I'd gently encourage your friends to consider one key fact: he has lied about his entire origin story, he has lied about his contributions to Tesla and SpaceX. He lies about everything, except when he posts on Twitter like a 12 year-old edgelord, because that's who he is, emotionally.

Finally, and this is for you, specifically: if your friends insist on supporting a fascist, a racist, a misogynist, or a bigot, because they think rockets are cool, maybe it's time to look for new friends.

I hope this helps.

And fuck Elon Musk.

[astrotruther]

Astro Observations

misc. (ii)

🐉 Narcissists may have Mars-Uranus aspects in their chart. Mars’s energy can be either constructive or destructive; pair that with Uranus' erratic quality, and it could make one manipulative. In my opinion, Mars & Uranus having more harsh aspects to multiple other planets could further confirm this. Look out for squares, especially Moon square Mars!

🐉 Sun harsh aspects to Neptune, even conjunction can be somewhat superficial. Neptune may bless them with a mystique that attracts public attention, but they stick to a surface-level public persona. Artists with these aspects may stick to cookie-cutter projects. E.g. Colleen Hover responding to criticism by saying 'I write to entertain not to educate'. Jake Paul also has this aspect. In worst cases there's a delusional egotism to this aspect. On the other hand, easy aspects will be more willing to go within and proudly display their shadows, creating art that is meaningful and leaves a lasting legacy.

🐉 I've observed Scorpio Sun/ Moon in charts of those who backhandedly bully people over things like their appearance. Water Moons in general are capable of inflicting deep emotional wounds to others when unevolved. Having Mercury in a fire sign makes it a lot worse since the words become harsher. I've had a Scorpio Sun - Pisces Moon girl admit to me that she makes fun of people because she had the same done to her while growing up.

🐉 Libra MC are often told they should be models. Understandable because they're so photogenic!

🐉 Pluto-Ascendant easy aspects & conjunction are always reinventing themselves. It's easier for these people to let go of things that don't serve them and realign themselves with their inner true selves. They're skilled at coming to terms with their dark sides and alchemizing it to create a positive impact in the world.

🐉 On the contrary, harsh aspects may feel like they can't be themselves due to external factors or a certain image/ aesthetic that they have to uphold. Some may be child actors/ activists or made it big in early years making it hard to disrupt their public persona. It's way harder for them to branch out within their career field. Ascendant at 0° might have the same effect. E.g. Billie Eilish, Demi Lovato, Finn Wolfhard, Darsheel Safary, Malala Yousafzai, Meghan Trainor, Hilary Duff.

🐉 I've seen so many takes on the 0° & most people romanticizing it somehow. It may manifest in a divine way for those who are self-aware/ have evolved. however MOST people aren't. So it gives a somewhat negative quality to the placement, e.g. Jake Paul has his MC at 0°.

🐉 Moon-Pluto aspects not only symbolize a strained relationship with the mother but also with other women. A lot of trauma you accumulated while growing up was because of the women around you. Some of them may have made you feel bad about yourself because they were threatened by you. The signs Moon & Pluto are in could give more context, e.g. Aries Moon, Sag. Pluto = invalidating your anger, not letting you be yourself and forcing you to be someone they like, forcing religion on you from a young age etc.

🐉 Uranus square MC will have a career-ruining public scandal at least once. All I can say is avoid doing shady stuff and if it's external factors beyond your control, handle it with grace, lay low, you'll get your chance to shine again.

🐉 Moon square Lilith is an enemy placement. Moon person hates Lilith person's guts because Lilith person may have hurt them in some way. Moon could want revenge on Lilith for what they did.

🐉 Venus-Saturn aspects may have had people criticize their appearance while growing up, but they end up having insane glow-ups. Their most attractive years come somewhat later in life and they age very gracefully.

🐉 Moon in Cancer/ Moon conjunct Jupiter people possess the ability to manipulate, sometimes on a mass level. It's on them to use their emotional superpowers to influence people in a positive way and not just keep banking on their victim narratives. Nonetheless, these people can hold public interest for a long time.

🐉 Venus in 10th House synastry is often a clout/ PR couple. E.g. Glenn Powell & Sydney Sweeney.

Click daily to help Palestinians🍉🙏🏽: https://arab.org/click-to-help/palestine/

[l4mplight]

Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

[theemporium]

HEYYYY 😋 is it possible to request something angsty (hurt/comfort?) for the prompt "don't touch me" w max?? THANK YOUUU ALSO I REALLY LOVE UR WRITINGS THEY'RE REALLY GREAT

thank you for requesting!🫶🏽

6. "Don't touch me."

.

“Don’t touch me.” 

“Baby—” 

“Please. I just—” He took a shaky breath, the heels of his palms pressing into his eyes like it would stop the tears already falling. “Just need a second.” 

“Okay,” you whispered, keeping your voice calm and understanding as you slowly slid down the wall, sitting down on the other side of the hallway across from him. “Take however long you need, Max. I’m gonna stay here.” 

He nodded, unable to find the words he wanted to say. 

It felt stupid. It felt so fucking stupid, even if he knew logically that the whole thing was far from stupid. He had every right to be sat on the floor of some random hotel corridor, back pressed against the wall as he cried his eyes out. But he didn’t feel vindicated or validated in his emotions. 

He just felt dumb.

He had been through the worst. He survived his father’s constant yelling and belittling, the physical and emotional and psychological hurt he inflicted on Max when he was just a fucking child. He had made it past that point, he was away from that, he was better.

And yet, all it took was one sponsorship event and one fucking off-hand comment from his father to some sponsor for everything to come crumbling down. 

Max hated feeling weak. 

He hated that his father still held some power over him, even now when he was twenty-six years old, a three time world champion and his own fucking person. 

He hated it. He hated it. He hated it.

“I don’t know why I’m crying,” Max rasped eventually, finally having the courage to pull his hands away from his face. But he couldn’t look at you. Not just yet. “It just started and I couldn’t stop it.” 

“You don’t need to give any explanation,” you said, still speaking so softly that it made Max’s chest tighten. “You’re allowed to cry without explaining yourself.”

“I know, I just—” He swallowed harshly. “I don’t know, actually. I really don’t fucking know.” 

“That’s okay too,” you said, smiling softly when he finally lifted his head to look at you. “You don’t have to know right now. You’re allowed to just cry.”

“Okay,” he whispered, feeling his eyes well up again despite himself. “I…can you please…like…touch me?” 

Your smile made his heart ache as you shifted, sitting beside him now as you wrapped your arm around him and let him cry into your shoulder. “I’ve got you, always.”

.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[ennn]

Re: “Rio's goal is to kill Agatha so she can be with her forever”

My brother in Christ, if Rio's ultimate goal this series was to kill Agatha we wouldn't have gotten past the first episode.

Okay okay, I get how it can be confusing because Rio literally says she wants to see Agatha dead in episode one and tells Agatha she'll let the Salem Seven (who do want Agatha dead) know where she is.

But it is noteworthy that Rio tells Agatha what she is going to do and when the Salem Seven are expected to arrive. Rio is usually surprisingly fair in how she deals with Agatha.

Rio has always met Agatha at her power level

In episode one, even assuming Agatha was protected by Wanda's spell and Rio couldn't harm her there, once it was broken Rio went "full analog" – to quote Hahn – with her knife, the only magic she used being the wind blasts.

Guys, that's not a serious murder attempt, that's foreplay to them. Violent, bloody, sexy foreplay.

Also Rio has healing powers. That's a thing they have very clearly shown.

To be clear, my read is that Rio can't actually kill anyone before their time ("You can't kill me, it's not allowed") just hurt them really really badly until they maybe choose to die ("I can make you wish you were dead"). Which you could argue equals killing I suppose, just slower.

But this is Agatha Harkness: all she really needs to survive is a bit of time to scheme and manipulate and do her usual girlbossing, gatekeeping, and gaslighting – and I think Rio also knows this. Agatha keeps surprising her, for better and worse.

Yes, Rio gets BIG MAD in episode 8 because Agatha says possibly The Worst Thing to her but the first part of their confrontation is technically physical torture, not murder attempts.

I know it sounds like I'm splitting hairs here but my point is that having Agatha dead isn't Rio's ultimate #1 goal. It's not so clean and easy.

There's something to be said about how the wounds Rio inflicts speak to how Rio sees herself hurt by Agatha emotionally in the relationship i.e. death by a thousand cuts, the severing of her Achilles tendon.

There’s probably something also be said about the relationship a being like Rio has with physical pain. Trees feel pain. Everything living does. Rio mocks Agatha for dulling herself to it using dark magic.

But I digress.

Anyway, note: it's only after Agatha gets magic back that Rio starts throwing magic blasts – and even then she seems to be holding back.

These two are possibly the worst two witches to fight each other directly like this because Agatha can't absorb Rio's magic or she'll die. She has to actively block or avoid all hits. And I bet this isn't something Agatha is used to dealing with considering she had no issues taking Wanda's magic.

And Rio is aware of this because she’s just lobbing quick little green blasts Agatha's way. It's not a torrent of magic like what Agatha is gleefully unleashing.

It's also the Watsonian (in-universe) explanation as to why this fight is so short. Because you literally can't straight up fight Death. Rio is a hard counter to Agatha's special siphoning ability just like how Agatha was a hard counter to Wanda's magic (insert your scissors-paper-stone visual of choice).

Rio doesn't want Agatha dead, she wants Agatha to want her

It's clear that Rio is grieving when Agatha dies. This isn't the outcome she wants. They're also both crying during the kiss it's great.

Rio wants what Agatha specifically tries to deny in the deal Agatha proposes: she wants to keep pursuing Agatha, to keep seeing her, provoking her, to be shocked and surprised by her. To keep loving her but also, to keep hurting her.

Because Agatha also hurts her right back. And Agatha knows she has Rio constantly on the emotional backfoot, that Rio – despite centuries of hatred thrown her way – still humours her more often than not and what levers to push.

I don't think this can happen with Agatha dead and gone.

To be fair, we don't know what the rules are in this world's afterlife. The only insight we get into Rio's job is her scene with Alice and that still leaves a lot of things unanswered: Does Rio just escort souls to a destination or does she have more control beyond that, like a domain? Can souls refuse to go with Rio? How do ghosts happen?

I had previously assumed Rio needed to allow it but Schaeffer says that her vision in that moment has Agatha's using an evolved form of the power to take Rio's magic by touch.

And with that, it's telling that it's Agatha who ultimately ensures that she dies (with the "calculated risk" of becoming a ghost), siphoning Rio's death magic energy.

Agatha embraces death, embraces Rio, but she also doesn't – Rio's clever witch got away again.

[mooooonnnzz]

Hi I just wanna say I read the Dad! Stanley hcs you did and it was sooo goood I loved every bit of it.

I was wondering if you could do a bit of an angsty request where Stanley's child is in there late teens an gets possesed by Bill, like what do you think his reaction would be, since when dipper got possesed by bill, bill physicaly injured dippers body a lot and was just genuinely careless with his body. Also I have no idea when the reader would be possesed by bill mabey after Ford is back to make things extra angsty since ford knows of bill, idk do whatever you like with this request I just like angst with for no reason whatsoever.

Also I did try to find if you had any request rules but I couldn't find any so if you do have rules and this request is something you don't feel comfortable writing then please just ignore this request, I hope you have a brilliant day or night :D.

Another thing I just wanted to mention is I'm sorry for how long this request is.

Far From The Weight of The World

Dad!Stanley Pines x Teen!Reader

❀ 9,1k words its a loottt so if ur ready to hunker down and read a whole bunch this is for u!!

❀ guess who finished far from the weight of the world THIS GUYYY

❀ it wouldn't have ever seen the light of day if it wasn't for @raventeen they helped me sm!! like they helped every single step of the way and chose the direction of where this should go so big thanks to them <3

❀ i hope you all enjoy this! :3

❀ possible tw: description of skin melting off, throwing up blood, self inflicted harm, more blood, uhh broken bones? even more blood

❀ gn!reader

❀ i love dad stan pines smmm

❀ requests r still open hehe

“Sweetheart!” Stan’s footsteps could be heard thumping on the ground towards you. You marched forwards, your throat painfully knotted in a ball, suppressing your sobs and swallowing your words. Your head swirled with the word liar, spinning around hastily. Whispers of Mable and Dipper could be heard distantly behind you, their concerned eyes digging holes right through you. Too swept up by your wind of emotions you ignored their worried looks. 

“We can talk about this, kiddo. Just give me a second.” His fingers curl against your arm but you yank it away before he’s able to wrap them around you. “What do you want, Dad?” You promptly turned around, glassy eyes somberly staring into his wide ones. “Can you please give me a chance. Hear me out,” his voice cracked at the end, his hands twitching to desperately reach out to you and prevent you from taking another step further away from him. “I don’t know If I can trust you, Dad.” Uttering that sentence shattered something within you. Not once have you thought of yourself ever telling your very own dad that you don’t trust him. He had never given you a reason to distrust him. To you, all his past lies were seen as truth to you, undeniable facts that couldn’t be broken apart because his word carried high validity, to you at least. But now, you’re not even sure that he’s telling you the truth right now.

Ford’s heavy shoes sounded on the creaky wooden floors, announcing his presence wordlessly. “[Name], dear. Listen to your father.” He adds. He looked at you with an analytical stare, twisting your stomach inside out. You didn’t like how he looked at you like you were one of his captured anomalies, inspecting you and reading your tense body language, anticipating for the second where you’d act out of pure emotion so he’d supply you with meaningless words that held nothing but empty hope to burn out the flurry of emotions that ran rampant inside you.

“I don’t want to hear anything from you, Uncle Ford.” You spat out. He was the last person you wanted to hear anything from. From time to time, you’ve begged him to tell you what exactly is going around here yet he’d always brush you aside, dismissing whatever you’d ask and move on with the next thing that gripped his attention. “You never wanted to say anything to me until now.” 

Ford, not expecting your answer, stumbled with his words. He shakes his head, almost as if he’s expelling his shock with the shakes and regains his composure. “[Name],” he starts off with a stern tone. “You are acting purely on your emotions. I need you to compose yourself and talk to us when you’re relaxed enough to form a proper sentence that doesn’t have you snapping at us.” 

Your jaw gawks open. “So you’re telling me that I shouldn’t be feeling upset over this? 

Ford clicked his tongue, a twinge of frustration oozing out of him. Everything you’re saying is going off the script Ford had curated in his head. He’s rendered useless as he scrambles for words he can put together in a sentence that’ll feasibly flip your train of thought around and convince you that the way you’re acting is irrational. 

Ford waved his head side to side, unsure with his answer. Stan noticed the apprehension shrouded on Ford’s face and he silently signaled to him to not say what he’s about to say, already knowing that his poor choice of words was going to send this whole situation right on its back. Too stubborn for his own good, Ford stood his ground and opened his mouth much to Stan’s clear distaste of him speaking his mind. 

“Yes but no.” You grit your teeth together, eyes narrowly staring daggers at Ford who looked seemingly pleased with his response.

Stan gulps nervously, taking a cautious step forward. “Sweetie, don’t listen to him. He’s an idiot. He doesn’t know what–” 

“--You’re telling me that I’m overreacting? I have just found out that my dad has been lying to me since the moment I was born! And to make matters worse, you all are hiding things from me. None of you are bothering to tell me what the hell is going on here. Why are we all so secretive? We all promise to tell each other everything, no more secrets, no more lies! What happened to that? You all know something and I have a right to know as well!”

You heaved out a ragged breath, words spilling out of you in a madden rush. You held down your tongue for too long. Long nights of sneaky meandering had left you scrambling all the pieces they had discarded on secrets of Gravity Falls together, solving and answering all the questions you laid out for them but chose to ignore. All the lies Stan had fed you over the years concerning this supposed lazy town was unraveling right in front of you. What else had he been hiding from you? What other filthy lies had he pushed on you that you so mindlessly believed? 

Stan’s mouth flounders, stammers of jumbled sounds spilled out. His arms are rendered at his side, stunned with your outburst. “I thought I was protecting you.” He whispers, his fingers flexing anxiously. “Dad! This whole summer has been nothing but crazy. I didn’t know that we had half of those monsters in our woods because you lied to me and told me that it’s been my imagination. What if I had gotten close to one thinking that it was all in my head, and the beast mauls my head off. What then, Dad?” 

Stan deflates. Lost for words, he runs a hand down his gray hair. Thinking about finding your bloodied body sent full body chills down his spine and his stomach lurching. He never sat down and thought of the consequences of what he told you. As long as he said that it was all in your head, he thought you would’ve strayed away from them. 

“I’m going outside. Maybe some stupid gnome would actually tell me what’s going on here because nobody here wants to even tell me anything.” The door slammed shut, causing everything on the wall to rattle and almost tip over. “Oh,” Stan drooped his head onto his palms, tears swelling in his eyes. “I really screwed up here.” He whispered to himself, his voice crackly and small. 

Ford patted his back and Stan believed for a quick moment that Ford was going to say something so beautifully uplifting that he’d see the brighter sides of things, but he tells him, “When are you not?” and continues to pat his back.

Stan violently shrugged Ford’s hand off, his hand pushing Ford away from him. “Really, poindexter?” He scoffs, walking off into the living room where Mable and Dipper watched the whole scene unfold. “I thought it would offer some comfort!” He defeatedly argues back, a dejected sigh escaping him when his eyes meet Mable’s watery ones and Dipper’s disappointed glare. “Kids, I—“ Mable swiftly turns her head to the side, mumbling something under her breath as she ambles up to her room. 

“I’m going to find them.” Stan walks in, slipping on a jacket to shield him from the cold. “I’m coming too.” Ford reaches out to grab the doorknob when Stan’s hand stops him from doing so. “I don’t think they want to see you right now.” Stan gingerly shoved Ford out of the way, leaving him to his thoughts as he shut the door behind him. Cursing to himself, Ford rams his foot on the door angrily. 

Venturing far into the lush woods, you grumbled bitterly to yourself. You couldn’t even trust your own family to tell you something so simple. How utterly pathetic is that? 

You fought the urge to punch a nearby tree and continued on, getting yourself lost in the natural maze of the forest. You wanted to get as far away as possible just so you can find time for yourself to cool down. After a while, the cold air started to nip at your exposed arms. The hairs on your body stood up as a cold shiver rippled through you. Hugging yourself to provide some warmth you found yourself sitting on the grassy floor, back leaning against the bark of the tree. 

The soft chirps and squeaks of the animals brought a sense of calmness over you. These woods have been declared dangerous by Stan and for the longest time you never went out here without Stan hovering behind you or Soos mindlessly meandering through the woods with you. Your hands swayed across the green blades of grass, focusing on the itchy feeling that ran through your palms rather than the bitter cold. The faint whistles of the wind swirled around your ears and out around you. Has this forest always been so peaceful? Leaning your head against the trunk of the tree, you closed your eyes shut. Relishing in the comforting nature the woods provided you. 

“Sweetheart?” Your eyes shoot open. “Dad?” Your heart quickens, your head whipping around rapidly. “Sweetie?” Stan’s voice grew closer and closer. The sound of the grass crunching and bending under his steps resounded throughout the quiet woods, his calls becoming more frequent and louder. How did he find you so quickly? 

A shadowy figure, one you’ve grown to recognize, stepped out from the shade and presented himself. “[Name].” Stan sweetly calls out, kneeling down beside you. “Dad? What are you doing here?” 

Stan smiled, opening his mouth but all that came out was a raspy breath. “Wha–” Your voice hitches in your throat. 

Stan’s skin started melting off in a disgusting mess of bubbling flesh. The side of his face became a drooping mess and a crazed cackle left his lips. “You should’ve seen the look on your face, kid!” He points a boney finger at you, melted flesh sludge dripping from the bone. You scramble back, terrified screams ripping out of you. 

“W-What is going on?” You push yourself up from the floor with your hand, bile coating the back of your throat at the horrid sight of Stan’s bloodied flesh sploshing to the floor. “I’m just playing tricks on you!” With a snap of his finger, Stan poofed away in thin air. What took his spot was an ominous floating triangle with a top hat. “Well, well, well, look who it is, [Name]! I knew we'd cross paths sooner or later. I gotta admit, I'm thrilled!” His eye crinkled in a joyous smile. 

“How…” You blinked dumbly at the floating triangle. “I’m dreaming, right?”

“You sure are, kid!” 

A wave of recognition passes through you. This was the god Ford was talking about in one of his journals. Your knowledge of him was not much, but from the tidbits you have read, Ford had admired this god. He went as far as to calling the triangle his muse. What was his name? Wasn’t it– “Bill?” His name spills out of your mouth. “Ah! So you do know about me?” He tilts a little in your direction, his hands clasped together. “Hear anything good?” A glimmer of forlorn hope shimmers in his eye before it’s washed away with an inquisitive look. “I-I think so? My Uncle really liked you from what I had read in his journals.” You squint your eyes in thought.

“Oh, he really liked me.” Bill’s charmed voice had entailed that there was more to the story than what was told but he didn’t give you time to mull over that thought before jumping into the flow of another topic. “But that’s all in the past now, right?” He snaps his fingers, a comfortable looking chair appearing before your eyes. He floated down on the chair, kicking his legs up and crossing them. 

“I heard that a little someone has been lied to, isn’t that unfortunate?” The corner of his eye pulled to the side, almost as if it was a sadden frown. “How did you know?” The chair poofs away.  “I see everything, kid!” His hands fall to his sides and he slowly leans towards you, his eye pulled wide open. Flashes of images you couldn’t quite comprehend flickered by in a brisk montage. “Everything.” He draws out. “Anyways, I've got a deal for you. You give me, I give you. Sounds fair, doesn't it?” 

You raise a brow. “How can I trust you?” You rolled your fingers around the grass, delicately pulling on them. 

“Your dear Uncle Ford trusted me!” He shakes his hands enthusiastically. 

You pressed your lips into a thin line, still not convinced. “You literally pretended to be my dad and melted him right in front of me.” Bill put his fists to his sides, huffing out like a little child. “Can’t a triangle have a little fun here?” He rolled his eye dramatically. You eyed him, skepticism evident on your face. “I don’t know…” You plucked out a few blades of grass from the dirt. “I feel like if you wanted to gain my trust then you shouldn’t have done that.” You crumpled up the grass into a little green ball and tossed it at Bill. The ball passes through his body. 

“Maybe you’ll change your mind once I propose the deal..?” Bill’s eye stretched out and morphed into a mouth with his lips puckered. He whistles out a tune you can’t recognize and innocently kicks the air. “Go on,” You wave your hand out to him. “If you make a deal with me, everything that you’ve been wanting to know will be revealed to you. All you have to do is shake my hand.” He extended out his hand, blue flame engulfing it whole. You blink your eyes in surprise. Was it really that easy? “There’s no catch?” 

Bill’s fingers trembled in anticipation. “None whatsoever!” 

You could trust him, right? Ford had trusted him! Bill even confirmed it himself. And with what you read, Bill had been giving him infinite knowledge. Feeding him thoughts that no one else had thought of before. He did manage to build that portal and come to think of it, wasn’t it triangular shaped? Was that Bill shaped or were you reaching? You think for a minute more, weighing the pros and the cons. Biting your tongue, you looked at Bill. Bill made a deal with Ford and he’s still alive and well, so how bad could it really be?

You bite the bullet and grasp onto his hand, the flame trailing towards you and consuming your hand whole. A maniacal laugh rips through the air and the world stills. The color drains around you, unpleasantly welcoming you to a monochrome world. “That was just too easy!” Bill wipes a tear from his eye, his firm grip on your hand never wavering. “W-What do you mean?” You tried forcefully pulling your hand away from Bill’s iron grip but it felt like your whole hand was encased in stone. No matter how hard you tried prying yourself away from his hold, his hand still didn’t budge. His eye twists into a pleased smile, his fingers thumping against the edge of your palm gleefully. 

“Was I an idiot for trusting you?” Your words came out in a quiet whisper. You can feel the life being sucked out of you as Bill drew his hand back. “Yes! Absolutely!” He said with a cheer, yanking his hand back suddenly, pulling you out of your physical form. Bill wasted no time taking over your body. He rose up with a delighted laugh, his hands running down your body, taking in the new but familiar feeling. “Wow!” He pressed your palms on your lower back, stretching out your back with a few gratifying pops. “It has been so long since I’ve possessed someone!” Cracking your fingers, he turned over to your floating form with an eerie smile. The world bleeds back into its colors and the soft tranquil sounds of the forest flooded your ears. “Funny how we switched places, huh?” 

You let out a shaky breath, your mind relentlessly battering you with words. How was this even possible? How could you be so foolish? You couldn’t even comprehend any of this. Bill moving around and using your body was terrifying. That was physically you and right now, he was joyously ramming your fist into the tree. You can see the skin on your knuckles rip and tear, blotchy patches of blood tainting the light bark. A light tingle of pain buzzed on your knuckles but it went away as quickly as it came.

“You’re so easy to injure! How weak are you?” He observes the damage eagerly, making your finger pinch on a frayed piece of skin. He twisted it and pulled it back, lightly chuckling to himself as he watched pearls of blood bead up from the now exposed skin. “Bill, stop!” Out of instinct, your hand went over to swat his arm away. A cold gust of wind flows through you as your hand phases right through yo–Bill. He stopped, plucking off the skin and flicking it aside.  “If you keep hurting yours–, I mean, me! They’re going to wonder what happened.”

“Not if I tell them that you got attacked!” He said in a sing-song voice, his eyes keenly looking around for anything else that’ll harm your body. “[Name]!” Stan’s voice rung in the air, pulling you and Bill from your thoughts. A sinister smile tug at Bill’s lips as an idea fills his head. Your stomach flips inside out. Discreet grunts and groans seized your attention and you whipped your head over to Bill climbing up a tree. “What are you doing!” Your hands fly to your hair, gripping it tightly. 

“Breaking the bones inside this meaty vessel, duh.” He hoists himself up on a thick branch. “Would a fall from this height kill you?” Bill ponders out loud, shakily standing up. “Are you seriously going to do this!” Your eyes darted from Bill sticking out your foot from under you to the direction where Stan’s voice could be heard. Bill lets your question float up in the air and with a child-like shout, he jumps off the branch, keeping your legs straight. You look away, unable to witness Bill carelessly treat your body like a toy. 

A stomach turning snap sounded in the air. “[Name]!” Stan’s distressed voice alerted you.

You whip your head around to see Stan cradling your body. Bile crawls up your throat upon seeing your twisted leg limply hang on the other side. “Sweetheart? What happened?” Stan’s words rushed out in a flurried frenzy. You slapped a palm to your mouth, anxiously awaiting for Bill to slip up and sell out his identity to Stan. “I don’t know…” You hear your very own voice leave your mouth. Bill’s agitating voice was nowhere to be heard. Vomit fills your mouth and you fight every muscle in your body to not spew it out. “I was just laying on the tree, not doing anything when something attacked me. I…” Bill allows a few tears to cascade down your face before continuing. “I thought I was going to die, Dad. I was so scared!” He dramatically sobs onto Stan’s sweater, purposefully grazing your shredded bleeding knuckle on his jacket. 

A gasp swelled in Stan’s chest. “I’m so sorry, sweetheart. I-I…” He harshly shuts his mouth closed, his pupils shrinking upon seeing your bloody knuckle. He was at fault for this, if he had never lied to you, if he would have just told you the truth from the start, you wouldn’t be so injured. Silently he carefully picked you up from the floor. To sprinkle a little more dramatics on the show Bill had out for you, he hissed out in faux pain, shooting your hand to your bent leg. Stan cringed, his eyes avoiding the general direction of your broken leg. “I’m sorry, baby.” He weakly muttered, his eyebrows pinched firmly in worry. 

Stan trekked through the thick foliage with your body curled in his arms. He dodged under branches that stuck out and sidestepped the stones that protruded from the ground. The entire walk was in silence, aside from the periodic sniffles coming from Stan and quiet hiccups. All you wanted to do at that moment was wrap him in a hug and tell him everything was going to be okay, but you weren’t even so sure of that yourself.

When Stan approaches the front door of the shack, a wave of conflicted emotion flickers through Bill’s eyes before he closes his eyes abruptly and goes slack in Stan’s arms. 

Stan chokes out a garbled yell for Ford. He heaves your body over his shoulder, twisting open the door with a slam and barging into the shack. “Stanley?!” Ford frantically ran over to Stan, his hands gesturing wildly at the sight before his eyes. “Th-They passed out in my arms! I don’t know what to do, Stanford!” 

You grapple at your face, desperate to make sense of what’s happening. You watch with a heavy heart when Mable and Dipper scramble to Stan’s side, troubled voices speaking over one another trying to understand what happened to you and to ask if you were dead. Their frantic cries and yells chaotically fill the silence in the shack. Ford yelled over their voices, instructing Stan to quickly settle you down on the couch so he could conduct a proper examination on your wounded body. All Stan could do is go along with his commands, mind hazy with borderline delirium as he stumbles towards the living room. 

“Dad,” you whisper, your fingertips grazing through him. You hold back the sob that scratched at your throat. This can’t be happening right now. 

Cracking an eye open to your direction, you can feel Bill’s sleazy smile draw on your face. Your stomach shrivels up in disgust at the sight. His yellow eyes gleamed under the dimly lit shack as he stared at you. Mable’s rushed steps drew Bill to close your eyes. “Grunkle Stan! Please tell me they’re okay!” Mable has the collar of her sweater pulled up to her mouth, her never ending stream of tears staining the sweater. “Mable. Give him some space.” Dipper murmured, holding Mable back as he tensely watched Stan lay you down. 

Ford eventually came in with a first aid kit. His appearance looked a little more disheveled than before. His hair was strewn about and ruffled, glasses crookedly sat atop of his nose and one of his sleeves was rolled up and cuffed while the other one was untouched. He sucked in a harsh breath upon seeing your split knuckles, dried blood crusted around the wounds and raw skin. The gashes reminded him of his own busted up knuckles when he was possessed by Bill. Alarm signs flared in his face but he batted them away, chalking it up to your injuries being caused by whatever animal had attacked you in the woods when you were alone. He treated the lacerations with antibodies and meticulously wrapped your hand in medical gauze. Gently placing your hand beside you, he looked over to your broken leg, holding a bated breath. Broken bones weren’t his favorite injury to heal since it takes extensive time off from anything physical and you having a broken leg at a time like this wasn’t ideal. He just needed to find ways to heal your leg quickly. 

“I need you all to leave the living room.” Ford clapped his hands together, dragging a hand down his fingers. “W-What, why?!” This was the first time Stan spoke in a while and it surprised Ford. Clearing his throat, he answered: “Because I can’t focus with your eyes hovering all over me. I-I need to think and if I’m going to treat their leg, I need you all to leave.” Against everyone’s wishes, Ford ushered them out,  leaving him alone to fully think about possible treatments he could have you undergo to heal your leg. 

You didn’t have a good feeling about leaving Bill alone with Ford. They had history with each other and having a past with someone like Bill doesn’t seem like a good thing. 

“Fordsy…” 

Ford’s body physically recoiled inwards at the familiar nickname. His head darted around the room, helplessly searching for the owner of the voice. He can’t be here can he? That voice just sounded so eerily similar to yours, but why would you call him Fordsy? Blood pumps in his ear drums, obstructing his hearing. 

“Sixeerrr.” His fingers curl around his arms. The light glow of horrifying unforgettable eyes glimmer in the corner of his eyes. He turns over to see you sat up on the couch, a smile stretched from ear to ear as Bill’s eyes shone into his. Ford’s blood ran cold, his mind swirling like a whirlwind. “Bill?” His heart pounds behind his rib cage. 

“The one and only, Sixer.” Hearing Bill’s voice crackle through your own instilled despair all over Ford’s body. Taking a wary step back, his shaky eyes watched as Bill threw your legs down the couch, your left eye flinching closed as pain shivered through Bill. He severely underestimated how much pain your leg would cause him. To fight against it, he slammed your leg on the floor. Pain jostled through him, a shuddering sigh blowing past your lips. The aching pain overtook your leg for a moment before it relented into a numbing buzzing feeling. “Much better!” He stands up, smiling broadly. 

Ford sucked in a stuttering breath, his eyes fleeting over to the hallway. “What do you want, Bill?” 

“I don’t know…” He rolled your head in thought. “Maybe the rift to the portal? It’s a crazy thing to ask, I know!” He laughs to himself. 

You wanted to bash your head on the wall. This was the reason why he made a deal with you. It was because of a stupid rift. You’ve only heard bits and pieces of the importance of the rift, but you knew it was serious business with how you heard Ford talk about it in passing. You need to find a way to stop Bill. 

Ford sneered. “Try all you want, Bill. But you’re not getting the portal.” Bill rolled your shoulders, earning a few noisy crackles of your bones. Ford tenses up, readying himself for the fight that’s about to pursue when Bill charges towards him, side stepping him at the last second and darting out of the living room. “Haha! I got you!” He teases, hissing out in pain when he applied too much pressure on your busted leg. “Stanley!” Ford yelled out, stumbling over his own feet as he ran after Bill. Hurried footsteps stomp down on the stairs, panicked talking and breaths littered the air. “[Name] is possessed by Bill!” A chorus of “WHAT?” echoes in the house. 

He skids to a stop in front of the open vending machine. Ford tugged on his hair, mumbling to himself in shock. How does he know the password? Wasting no time to dwell on that, he pads down the stairs. His stomach lurches forward when he notices Bill step inside the elevator, a snarky smile on your face as he turns around and waves at Ford. “Bill!” He launches himself forward, missing a few steps of the stairs and landing on the ground near the elevator. He trips over to the closing elevator, his fist slamming on the door as it shuts. 

“Ford, what is going on?” Stan pants out. Ford rapidly presses the elevator button, anxiously watching as the elevator dinged on down to the bottom. An idea passes through your head. Mumbling a self-motivating sentence Mable had showed you, you dived straight through the floor, phasing through the other two rooms and landing in the lab room. As stupid as it sounds, you’re going to repossess your body back.  

“Bill, he–he has [Name]!” Ford delivers a punch to the buttons, knocking the plate off its screws. Stan’s face contorts into a mixture of anger and concern. “He has what!? How the fuck does Bill have [Name], Ford!” Ford rested his forehead on the wall. “Now’s not the time to freak out, Stanley!”

Stan clenched his fists, grinding his teeth together. “It’s the perfect time to freak out, Stanford! Bill has my kid!” 

“Bill has [Name]?” Mable’s shrill reverberated through the empty staircase. “Kids, you can’t be here!” Ford warns, shooting out his hand to stop Mable and Dipper from getting any closer. “We want to help, Grunkle Ford.” Dipper sternly said. “That’s a funny joke, kid.” Stan chuffs out dryly, his attention snapping towards the elevator that was now rising up the shaft, dinging with each stop. “It’s not a joke!” Dipper dipped under Ford’s arm and stood in front of the elevator, Mable following in suit. “Stanley, do something!” Ford gestures to Mable and Dipper who are unmoving from their spot. Stan scoffs, dismissing him with a flick of his wrist. “They’re already here, Stanford. There’s no point in stoppin’ them now.” 

With a loud chime, the elevator pulls back its doors. The twins were the first to step inside, whispering to themselves as Ford and Stan walked in. Mable rushes over to the panel containing three buttons and using her tippy toes, she slams the last button with the palm of her hand. The elevator registers the destination with a slight rumble and shuts the door closed, leading them down to Ford’s lab. 

Ford could see Stan’s harsh breathing and clenched fists out the corner of his eye. Placing a comforting hand on his shoulder, he steels both him and Ford with: “We’re going to save them, Stanley.” Stan breathes out, teetering his head back with his eyes shut. “I hope you’re right about that.” 

The elevator quivers to a stop, the doors creakily pulling open. The four of them step out of the elevator and into the lab. “I was expecting it to be destroyed down here.” Dipper comments. 

Through the protective window, Ford could see Bill fighting with himself, your body laying limp for a few seconds before revving back up to life. He watches the cycle repeat for a few more times before shaking his head. “He’s outside.” He advises everyone. 

In a blink of an eye, Stan was already out into where Bill was, blowing countless angry questions at his face, his eyes shifting everywhere but at you. “Woah, woah, woah!” Bill took a cautious step back as he watched everyone circle around him, caught off guard with the sudden intrusion. “Don’t get your underwear in a twist, haha, am I right?” 

Pure and utter silence. 

Bill’s smile falters. “Okay, touch crowd!” 

“Cut the crap, Bill. Give me back my kid!” Stan grunts out. “I can let them talk to you! After all, they’re up here.” He taps the side of your head. “Stop messing around!” Ford takes a step toward Bill. “Don’t come any closer!” Your own voice filters through Bill’s interdimensional voice. Ford hesitates in his steps, sharing a cautionary glance with Stan. Shuffling your hand behind you, he pulls out the shimmering rift. “I will break this!” He threatens, flipping it upside down. 

Ford narrows his eyes at Bill. “You would’ve done so by now. What’s stopping you?” He motions Dipper and Mable to sneak past Bill and hide behind him, just in case he decides to do anything that’ll compromise the rift and you. “Nothing!” Bill strains out, trying to wiggle the rift out of your grasp. Ford takes notice of your white knuckles and connects two and two together. You’re somehow fighting against Bill for your body. “Fascinating…” 

“Aghh! Why can’t this stupid kid let go!” Bill grumbles, using your other hand to scrape at your clenched hand. He scratched and clawed until the skin on your hand was red and raw. “Is [Name] currently fighting against you?” Ford inquires, a delighted smile on his face. “W-What? No!” Bill plucks your pinky finger off the rift. “See! I’m in total–” Your body jerks forward, and for a slight second, your eyes glinted back, only for you to be propelled backwards. With a shake of your head, your eyes blink and Bill’s eyes are back on you. “[Name] is a fighter, that’s for sure!” He awkwardly laughs out, still regaining control over your body with how he waverly stumbled side to side. 

Taking advantage of his vulnerability, Ford sent a quiet signal to Mable and Dipper. The twins tackle Bill from behind. A startle yelp leaves his mouth as he falls forward. “Stanley the–” Stan was already swooping in and snatching the rift out of your hands in one swift motion. Bill's face planted on the floor. “This stupid weak body!” Bill whines out, having your hands buckled tightly to your back by Dipper and Mabel. “Get something to tie their arms together with!” Stan said, jogging back into the lab, discreetly hiding the rift away from Bil’’s prodding eyes.

“I was so close!” Bill pressed your face into the dirt. The sharp tiny stones cut into your cheek and all Bill could do is focus on the itching pain rather than the humiliating feeling of being pinned down by two twelve year olds. Ford grabs the rope and securely binds your wrists together. The twins finally shuffle away from your body, watching Bill struggle under the restraints. “I’m going to be traumatized by the end of this.” She lets out a dejected sigh. “I feel like nothing can phase me after this.” Dipper adds. 

“How are we going to get them back into their body?” Stan questioned Ford who was double checking the bindings on your wrist, making sure they weren’t too tight to burn your skin off but tight enough to keep Bill detained “I think I have an idea on how…” He breathes out, looking over to Stan, face full of unease. “But it might not work if everyone isn’t present.” 

Stan found himself staring dumbly at the diagram that Ford had etched into the dirt with a stick. “What is this?” Ford finished the final symbol within the diagram, discarding the stick behind him. “A zodiac diagram.” He says, dusting off his hands. “And what does this have to do with saving [Name]?” 

Ford spares a quick glance over to you. Mable and Dipper sat on each of your sides, keeping a careful eye on you as you alternated with yourself and Bill. Dipper’s face contorted into a painful expression whenever you’d jerk your head upwards, a random assortment of words spilling out of you before your head flies back down. That agonizing process continues for what feels like an eternity and he could clearly see the toll it’s taken on your body. Stan couldn't make himself  watch you suffer, biting his lip so hard blood builds up on his lip.

“Yes.” Ford curtly nods his head. “I had always hypothesized what this would be used for but It never occurred to me until now that it could be used like this.” 

Stan doesn’t like the slight sound of uncertainty in Ford’s tone. How could Ford be so sure that it works? “So, you’re telling me that you have never done this before?” 

“Pretty much, yeah.” He shrugs, pushing up his glasses that were sliding down his nose. “Don’t worry about whether it works or not. We don’t have time to think about what if’s.” Curiously eyeing the symbols on the floor, he pondered in his head. Who could possibly stand on what zodiac?

Mable had walked right next to Stan, she looked like she had something to say when her eyes fell on the diagram, her eyes shining. “That one reminds me of Wendy.” She points at the zodiac that was an ice bag. An idea dawned upon Ford. “Does it now?” He kneels down to Mable’s height. “Mable, dear. Can you look at these zodiac signs and tell me who they remind you of?” 

Mable was quick to point out and tell Ford each symbol that reminded her of a person. Jotting down all the names in his head, he began calling each and every one of them, stringing Mable along to help him convince them to come over to the Mystery Shack. One by one, they all started pooling in. Questions sprouted from one mouth to another and every single time, their questions received answers when their eyes landed on your struggling form.

“Okay, everyone stand in your respective spots and hold hands!” Ford’s voice was quiet in the distance. Stan had found himself kneeling in front of you, his expression unreadable but his eyes carried a deep sorrowful guilt to them. “Feeling guilty, Stanley?” Bill drawled out, pulling your heavy head up, only for it to be knocked down to the side. Your body was growing weak and Bill was tirelessly fighting against it. Unbeknownst to Stan, you were right next to him. Your unrelenting attempts to gain your body back had caused an aggressive strain on your body. You couldn’t stay in it without feeling utterly exhausted, allowing Bill to abuse your weak spot and take over your body. But that weak spot had also applied to him as well. You were trying to regain your breath before you’d try again. 

“Can it, Bill.” He scoops you up from the floor, walking towards the diagram. 

“You don’t have to do this!” Bill aggressively barked out, throwing himself around in Stan’s hold. “I do have to do this. You’re in my kid's body.” He grunted, throwing your body over his shoulder. “They made a deal with me! I won this body fair and square.” Bill argued, hammering your head down on Stan’s back. “Look, I just found out about you not too long ago. But for someone who was supposedly this all powerful demon, you pathetically really weak.” 

He approaches the diagram, setting your body down in the middle. “That’s because I haven’t revealed my true potential yet!” He struck the back of your head hard on the floor, causing your vision to go bleak for a moment. “Do you really need to do all of that?” You grumble, rubbing the back of your tender head. “I do what I please.” He mumbles to himself, rolling over on your stomach. 

Standing in his spot, Stan locked hands with Ford and Soos. “It’s most likely going to feel weird! Stick it through and don’t, I repeat, don’t let go!” A blinding blue light shoots up from the middle and travels through the lines of the diagram, illuminating the place in a bright blue light. 

“No!’ Bill writhed around. He could feel himself slipping away. Your forehead makes direct contact with a rock. He smiles at it, knocking your head against it again. “Oh, Billy! You are just full of ideas today.” He whispered, shuffling over to the stone to the point where he was hovering over it. He laid your head down, feeling the cold stone press against the middle of your forehead. Breathing in through clenched teeth, he raised your head up high. He nailed your head down on the rock, splitting through skin. You could feel the ghost touch of blood trickle down your forehead. 

He laughed crazily as he continued to bash your head onto the rock. With each blow, the rock was painted with more and more blood. He was going to kill you at this rate. Bill lowered his head back down on the rock and you shut your eyes closed. You weren’t going to see Bill crack your head open. But the blistering pain never registered, peeking your eyes open you saw Stan had caught your head in his hand. 

Ford yelled out Stan’s name but Stan ignored it. His chest rapidly heaved in and out as he fell to his knees, resting your dazed head on his lap. You had noticed that Bill was slipping out of your physical form. Darting over to him, you grabbed his hand and ripped him out. Before you could hear Bill’s flurry of cries, you dove right in, repossessing your body once again and hopefully for the last time. 

Grumbled groans escaped you as you regained all your senses. You jolted up in striking pain. Everything hurt, even more than the last you took over. Your stomach rumbled, a flood of whatever liquid shot up into your mouth. You leaned to the side, expelling the fluid. Peeling open your weary eyes, you felt yourself grow nauseous at the pool of blood in front of you. “[Name]!” Stan grabbed your face, directing it toward him. He looked at your eyes and a look of relief settled on his face. “Dad?” You groggily said, your whole world spinning. “Are you okay? Is that demon gone? Where is he?” The massive load of questions made you want to vomit all over again. 

I’m still here! Bill’s grating voice grinding against your brain. You crumble under Stan’s hold, your head thumping in pain “No. He’s still in my head.” You felt another rush of blood clamor up into your mouth. You meekly shove Stan’s hands away from your face, hurling another dump of blood. Cautious voices sounded all around you, your vision distorting in a blurry mess. “Dad?” You forcefully focused your eyes on Stan’s face. “I think there’s something wrong with me.” Talking was enough to strip you away from all the energy you had left and you weren’t sure you had enough time to say anything else before Bill took over again. 

“I know, baby. I know. We’re goin’ to get help, stay with me. Please.” Stan said something to Ford you couldn’t quite catch.

You felt his arms wrap around you and lay you down back on his lap. I’m going to kill you. You scratched at your aching head. “His voice hurts. Hearing it hurts so much.” You murmured, feeling a hand run down your arm up and down soothingly. “Stay strong for me, sweetheart.” A light kiss was pressed on your forehead. 

You cried out, feeling yourself being pulled away. 

“Stanley! Come back now!” You could make out Ford’s scream at Stan. The world was fading before you and you couldn’t help but break down as you heard Bill cackle in your head. Stan saw your eyes flicker to yellow and he delicately placed you down on the floor, running back to his spot. Bill seamlessly takes over, blinking himself awake as he’s shuffling your body up to your knees.

“This is all your fault, Stanley Pines. [Name]’s death will be on your hands!” He bellows, purposely allowing your voice to break through. The strenuous action causes him to tremble forward, blood splattering on the grass. Bill started yelling nonsensical blabbers, anything that would make Stan budge from his spot, to stop the whole process but he stayed put, directly staring Bill down. Bill fell to the side, coughing up bile and a random assortment of fluids. 

In a flash of blue, you feel yourself fully grounded back into your body. A feeling you feel like you haven’t felt in forever. 

A grinding yell echoed in your head. You are so disgustingly weak! Bill screamed in your head. Another splitting headache bore into your head but all you could do is lay there and take it in, feeling so worn-out and droopy that you weren’t able to physically react. I didn’t do much and you’re dying! I did all of this for nothing, for nothing! And it is all your fault! I should’ve broken every single bone in your body and twisted your neck. At least I would’ve gained something from that! You are so useless! 

He was wreaking havoc in your mind. The blinding pain subsided to a lingering pain, black dots swarming your vision. He seems to be doing last minute damage before he’s left with no other choice but to leave your body. With a rugged distorted babble from Bill, your whole world went dark. 

The waiting room was cold, so numbingly cold. Stan casted his gaze down to his hands. Your blood had stained them. He couldn’t tell if it was the blood from your forehead, or the blood you vomited out. But your own blood had been smeared all over him and it made him sick to his stomach. He couldn’t erase the image of your cold limp body laying on the grass, face covered in streaks of blood. This was all his fault. If he had just told you how things were from the start, this wouldn’t have happened. You would’ve been next to him, chattering his ear off about something irrelevant while asking him multiple times if he was listening to you. Despite his thoughts, your soothing presence wasn’t there to console his mourning heart. 

Your doctor had came in earlier to share the state that your body was in. Everyone listened intently to her words as she described the damage that Bill had caused to your body. She said doctors were so mortified with your condition, labeling it as one they have never seen before with how many injuries you sustained on the outside and inside. Stan and Ford had to dodge some questions that had the doctor fired at them, excusing your evenstive wounds with a slip off a mountain, silly teenage activities that almost cost you your own life. She didn’t buy it. 

The doctor's slight graphic description of your injuries only cemented the guilt deeper into Stan. He was a bad father wasn’t it? The only thing he prided himself in for doing right was so easily taken away from him in a blink of an eye. He really was a screw up. Ford and his Dad were right. 

“Stanley.” Ford’s hand on his shoulder withdrew him from his thoughts. “We need to go home. It’s late.” He looks briefly to the seat next to him. The twins had sat on the same seat, their muddled expressions were no longer on their face, instead they were sleeping peacefully, heads leaning against each other. “The twins are asleep.” He tells him. Stan’s gaze glued on his tainted hands. “I’m staying here.” He weakly said. “You need sleep, Stanley.” 

“I can sleep here, Ford.” He snapped, expression tight. “They are going to kick you out.” 

Stan shrugged, clasping his hands together. “Then they’d hafta kick me out then.” 

“I’m not leaving you here.” 

Stan leaned his head back against the wall, huffing out. “I’m not in any mood to fight with you here.” Taking off his glasses, he rubbed his burning eyes. “I’m staying here and there’s nothin’ you can do about it.” He placed his glasses on his lap and crossed his arms, closing his eyes as he shifted around to get comfortable enough to sleep. “Always been so stubborn.” Ford shook his head, getting up from the seat with a light groan. “I’m leaving.” He picks up the slumbering twins, being extra careful to not jostle them around and wake them. Stan grumbled in response, hearing Ford’s footsteps fade away in the distance. 

Stan doesn’t know how long it’s been, all he knows is that he had fallen asleep with the way his neck was sore. “Sir?” A voice broke through his drowsiness. “Sir?” They call out again. “Hm, wha?” Stan peeled open his eyes, the glaring hospital lights momentarily blinded him. Covering his eyes with his palm, he squinted at the lady in front of him. “What’s goin’ on?” 

“We’re closing up for the night, sir. I need you to leave.” She calmly said, offering a soft smile to Stan. “But my kid, they’re in here. I need to be here if anything happens.” He scrambles to put his glasses on. “I assure you sir, whoever your kid is, will be fine. We will keep a lookout if anything happens.” 

“How are you guys goin’ to keep a lookout when you’re all home sleeping away like there isn’t people dying in here!” Stan argued. “Now's not the time, sir. I need you to leave or you’d be personally escorted out by the guards.” Stan sighed, standing up from his chair. “You don’t have to do all that.” He mutters, cracking his back before walking out. Walking out into the summer night, he pulled out his phone to check the time. 

11 P.M. it read. It looked like the doctors allowed him to stay overtime. Usually they’d kick people out of the waiting rooms by around 9 P.M.

His eyes freeze at the baby picture of you on his lockscreen. The photo was taken on your fourth birthday. Stan had gone all out, as he always did, and got you a little birthday hat, little cupcake with a candle that had your age on it, and a mess of confetti and other birthday assortments. You had such a large smile on your face as you were mid bite into your cupcake. He remembered the day so vividly as if it happened yesterday. He clenched his phone tightly, tears flooding his vision. Why did it have to be you? Running his arm roughly over his eyes, he sniffed. He shoved his phone back into his pockets and started walking back to the shack. 

Ford found himself being startled awake by a knock on the door. Sluggishly getting up from the couch, he walked over to the gift shop entrance. He opened the door to be pleasantly surprised to see Stan. He stepped aside, letting Stan walk in. “Kicked you out?” 

“Yup.” Stan accentuating the ‘p’.

“Told you.” 

A quick moment of silence takes over before Stan breaks it. “Is this all my fault?” 

“You were just trying to protect them.” Ford walks over to Stan, shoving his hands under his armpits. “Look where that got ‘em.” Stan cracked his thumb, whispering something to himself before timidly looking at Ford. “Do ya think you can stay with me tonight?” He sheepishly scratches his cheek. “I don’t think I can trust myself bein’ alone or whatever.” 

Ford earnestly smiled at him. “I don’t mind.” Stan nods. “You sleep on the floor though.” 

Stan’s phone loudly rattled on his nightstand, his ringtone noisily blaring its song. “Turn it off!” Ford cried out, folding his pillow over his head. Stan arose from his abundance of blankets and grabbed his phone, dragging it off the nightstand. He squinted at the screen, trying to make sense of the blurry text. Stan reached out for his glasses, shoving them on his face and directing his eyes back on the screen. The word hospital flashed on his face. 

“It’s the hospital!” He swiped his finger, answering the call. He put his phone to his ear and anxiously waited. “Stanley Pines?” A snotty voice spoke from the phone. “Yes!” He clears his throat. “Yes, yes. That’s me. Why’re you callin’?” 

“[Name] has woken up and…” Stan had blocked everything else she said and shut up from the bed. “They’re awake!” He announced, shedding off his blankets and launching off his bed, accidentally stepping on Ford in the process. The whole morning was spent dashing around the house, vigorously getting dressed and making sure everyone was ready to head over to the hospital. After Ford’s triple check, they all clamored inside in the car and drove to the hospital. 

Stan burst into your room, his eyes locking with your bandaged form. “Dad!” You weakly called out, a shaky smile on your face. “Pumpkin!” He sighed out, relieved at seeing your beautiful smile. He wraps you in his arms, burying his face into your hair as he sobs. “I thought..I thought–!” He blubbers out. More welcoming arms wrap around you, wailing wracking through the air. “[Name]!!” Mable dragged out. “Don’t scare us like that ever again.” Dipper sniffed, scrubbing his eyes clear of tears. “Welcome back, kid.” Ford plants a kiss on the top of your head. 

“I’m here guys, you don’t have to worry so much.” You laugh, Stan wiping your tears with his thumb. “How can we not? We almost lost you, pumpkin.” After a tearful reunion, everyone stepped back, allowing you to breathe. They only gave you a few more minutes to yourself before they bombarded you with apologies. Mable and Dipper were stuck to your side, each of them giving you their own version of puppy eyes. Mable was more into it than Dipper, but you still accepted their apologies with a big hug.

“I’m sorry too, sweetheart. I shouldn’t have lied to you. I should have been honest from the get go.” You took Stan’s hand, patting it like you would a dog. “It’s okay, Dad. I forgave you long ago. I should have followed what Ford said and calmed down.” You slightly glare at Ford. “Though, I didn’t like how he said it to me at the same time, so maybe I am justified in my anger?” 

“Ford doesn’t know how to talk. What’s new?” Stan knocked his shoulder with Ford who rolled his eyes. “Yeah. I’m the butt of the joke. As always.” 

“If it isn’t you! Then it would be Dipper,” Mable pokes at him. “But me and Grunkle Stan told all the jokes possible so it isn’t as funny as making fun of you, Grunkle Ford! You’re so nerdy and losery, more than Dipper. And that isn’t a good thing.” 

A crackly laugh leaves Stan. “Thanks for explaining, dear.” Ford said with a strain, his smile wavering. “Someone one upped you, Dipper.” You chuckle. “I don’t know if I should revel in it or feel sad for Ford.” Dipper tapped his finger on his chin. “Don’t overthink it, dude.” You flick his forehead. 

“And Grunkle Ford, where is your apology?” Mable raised her chin up high, doing her best attempt of a haughty queen looking down at her jester. Ford scoffs, “I’m so sorry, your humble majesty.” Dipping his head low to mimic a bow. 

“Oh?” You and Mable share a bewildered expression. “I wasn’t expecting him to actually do it.” You look over to Dipper who had an uncomfortable expression on his face. “I don’t like what’s going on here.” 

“Wait, are you going to have a cool scar on your forehead now?” Mable questions, pointing at your bandaged forehead. Bumbling conversation fills the air, laughter occasionally humming here and there. In the end, they all had to leave for your routine check up by the doctors. Stan was the last one to bid goodbye to you. Kissing your forehead, he held onto your hand, his eyes glistening with tears. 

“I love you so much, kiddo. If I had lost you back there, I dunno what would have happened to me.” He caresses his thumb against your hand. “Don’t say stuff like that, Dad. I’m here, that’s what counts.” 

You share a long hug together, with a few tears being shed.

“I know, I know.” Giving you one last kiss and embrace, he waves you goodbye. 

“I love you!” 

“I love you more, Dad!” 

Taglist: @boredwithlifeatthispoint, @lovexsage, @teddycricketdream, @theilluminatidragonqueen, @raventeen @cedarmoonzz, @katharine3000

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[arceus-insanity]

Endeavor Deserves No Sympathy!

I don't understand how anyone can think Endeavor was ever a good dad. It also always comes off as incredibly victim blamie, especially towards Touya, and often Shoto too.

He literally only got married and had kids to use them. He never gave a shit about their well being, never even thought about it until he had the one thing he cared about and was still miserable. I've already gone over the math proving he gave up on achieving his dream himself at 21 at the absolute latest. (https://www.tumblr.com/arceus-insanity/763259515356512256/i-liked-endeavors-character-when-he-was?source=share)

And basic math will once again be used to prove just how little this waste of flesh actually tries.

This time the focus is on how quickly he abandoned Touya and immediately went to emotional abuse via neglect & literally replacing him, and once again risking that more children be born with self-destructive quirks.

For context we only see Endeavor doing anything with his kids that's not him literally walking through and ignoring them in two circumstances. Once when Fuyumi's a newborn and Touya is attempting to crawl (not walk) over to her. And training. Those are the only times he tries to spend with any of them, even after he starts his 'atonement'

Now comparing Touya in the scene of them training and himself as a toddler and all the child imagery this series loves to use instead of actually saving imperfect victims, Touya is at least 3 (probably closer to 4) when he's taken to the doctor and they are informed of his condition

Natsuo is 4 and a half years younger than him.

We know for a fact Natsuo (& Shoto) was conceived after they got the news, not willingly either. Pregnancy takes 40 weeks average, so Touya would still be 3 when Natsuo was conceived. So once again it took this 'man' less than a year to give up and have another child he hoped to use as a tool, and was explicitly making to hurt his existing son. And as I have said plenty of times before, risking that the new kids could be born with the same disorder, I hate how convenient it is that Shoto gets near zero negative quirk side effects.

Want to know what we never see, Endeavor doing something else with Touya and Touya demanding training, it's always him walking past/ away from Touya. Considering all of the shit they've pulled to soften Endeavor's abuse both in the manga and even more so in the anime, they wouldn't skip something like this. It's not hard to tell that Touya's 'obsession with training' is really about spending time with his dad, you know like a human child that literally needs love, proven by numerous studies and research in the real world.

He throws all parenting responsibilities onto Rei, adds more children to that load, and when Touya suffers for it (like everyone else) he does nothing, doesn't even hire a nanny

Another are you kidding me take I've seen is that somehow Touya's quirk issues are worse than Midoriya's and Yuga's. Touya managed to train his quirk to produce blue fire at 13 with zero equipment and less than no help, and only lost control of it, because of the mental abuse Endeavor had inflicted on him leading him to a mental breakdown. And/ or the theory I've only seen once of AFO using his ability to force quirk activation (seen with a passed out chapter 90 during his first confrontation with All Might)

Midoriya was breaking his bones all the way into the Shie Hassaikai arc and was only able to fight because Eri and was breaking support equipment in the following arc as well. Yuga had a support belt all the way back in the entrance exam and was still struggling with that.

Speaking of Yuga let's compare parental effort here, because as much as it backfired Yuga's parents tried a whole lot more. For starters they nearly bankrupted themselves to get him a quirk, so he could feel equal. All For One is a mythic man prior to his arrest, and those who knew of him were shown to be serious long-term villain groups, so they had gone to quite a bit of effort to find that he existed to begin with. They also got him support gear (the navel belt thing) as a kid to help him with said quirk, he literally had it in the entrance exam. Endeavor never looked into that, Endeavor is not only rich too but he's a top hero he would have direct access to support equipment companies that would jump at the opportunity and it never even occurred to him.

Endeavor's name is an irony as endeavour means to try hard to do or achieve something. He never tries hard he gives up incredibly quickly the second there's any road block, but instead of moving on he makes everyone suffer for it. He's a toxic pageant mom who'd rather force their child into a toxic world and a role they don't want than work on himself

And what finally makes him change? Getting exactly what he wanted and still being miserable, and he still expects through his actions his family to cater to him.

Not his son getting a major disability due to his actions, no, he decided to double down, mentally abusing and neglecting the son he supposedly loves, raping his wife who didn't want more kids or participate in this abuse, and again risking that Natsuo & later Shoto might have that same issue. Not when his wife breaks down and permanently scars his precious masterpiece, who proceeds to rightfully blame him, and he just thinks of it as a tantrum despite it lasting a fucking decade. Not when his eldest literally dies as the result of his selfishness. Not literally during any part of this entire process!

Dabi is 23 when Endeavor finally starts to 'try' to be better, that means that for at least 24 years he has only been caring about his fucking precious number one spot in a popularity contest that he couldn't even bother to try to be likeable for, this wasn't one bad decision, this was him constantly choosing to be so insanely selfish that he found ways that shouldn't even be possible for over two decades. And it was all him.

[deliciouskeys]

I threatened to write something for Butchlander week and well... I have written, uh, something. *skulks back into the abyss*

Written to accompany this wonderful art I commissioned from @semains whom I love dearly-- thank you for indulging my requests for setting and exact pose as well! Commission them!

Butchlander Week NSFW Saturday prompt: Roleplay/Roles. Because it might be the role of a lifetime for Butcher, but you know Homelander is having the time of his life pretending he can't escape / pretending it hurts sooo much.

(yeah, double dipping) Cozy Corner Kinktober prompt #5 Buttplug (sort of. I can't explain myself. I have no excuses. It might be disturbing, so apologies in advance. Pure Id, aka wtf).

My header is getting longer than the ficlet, gdi

"Harder." Homelander's tone is haughty and whiny all at once–  so grating that Butcher wishes he could deliver on the request. Who'd have thought that this grandiose straightedge little cunt would get so hard having a stranger smack him over and over? Who'd ever guess that this supe celebrity– maybe the world's most famous person, and definitely the darling of the American public– would be into this kind of shit behind closed doors? That he wouldn't be bloody ashamed of himself whisking Butcher off to his bizarrely decorated apartment every single night.  Bypassing all of Vought security, so that Vought's public enemy number… if not #1 then at least top 10… could make himself comfortable sitting on his bed. Not all that comfortable, since the bed is a strange upholstered leather number and stiff as hell, but Butcher supposes a supe might not feel the difference between this and a Tempur-Pedic.

He brings him here every night, and every night the script stays largely the same. Homelander plies him with some alcohol, sometimes a glass of whiskey, but more often just a bottle of Heineken. Butcher sits down, Homelander eagerly drapes himself over his lap, pulls and folds his cape underneath him, as if he doesn't trust Butcher enough to spread it out next to him. wiggling his hips, insisting Butcher pull down his pants and spank him. And Butcher obliges every time, even though it's clearly hurting his hands much more than it hurts Homelander– they alternate sides every night but Butcher suspects he already has stress fractures that don't heal because his hands ache all the time and never quite recover between sessions. But despite the pain, and despite the very little to no pain he's actually inflicting on the spoiled brat who always asks to be hit harder, there's just something irresistible about it. About finally being allowed to take out his aggression on the man he hates most in the world. The man he hates most in the world, who also happens to have a surprisingly perky ass that jiggles hypnotically if you hit it hard enough and just right, so Butcher hits him with his full strength not because of the cunt's whiny demands, but because he just wants to see the flesh wobble.

"I said harder!" Homelander's voice cuts through Butcher's thoughts, and Butcher can't help it any longer.

"You want me to hit you harder, you're gonna have to find a paddle."

Homelander's breath hitches and he says nothing in reply. No, this sick cunt clearly craves skin on skin contact to get off, Butcher already knows this, which is why he knew what to threaten him with to get him to shut up.

But he does wish he could hurt him. The achy joints of his hand plead he stop. Butcher stares down at the well defined muscular globes, skin turned a nice blush color where he's been hit but Butcher wishes he could turn it black and blue. Purple and green. He wants the cunt to really feel the intensity he's supposedly asking for, just to prove how wrong he is.

"I'm waiting," Homelander reminds him.

"Just taking a breather, alright? Enjoying the view." Butcher tries to squeeze a handful of flesh, but it's never as soft as it looks. "Look like one of 'em marble statues you got out in your lounge area."

Butcher hears Homelander's breath hitch and sees him take a peek at the mirror above, clearly checking himself out. This is all a game to him. It flatters his vanity that Butcher does this for him. Butcher would like nothing more than to turn this around on him, make it less of a game and more of an actual punishment.

A strange idea creeps in. Butcher leans back to reach for the Heineken bottle he emptied earlier and put on the nightstand, always on a coaster Homelander insists he use. God forbid he get a water ring on the antique looking furniture, with the creepy little cameo portraits of people who died last century. The beer is mostly just to take the edge off before Homelander lies down over his legs– he and Homelander mutually figured out the session goes better if he's slightly buzzed and maybe just a little numb to the pain in his hand. And they figured this out because Homelander happened to whisk him away right after he stumbled out of a bar on a late Saturday night, after which point Butcher understood that Homelander would come and find him wherever he was– even if he wasn't at home past midnight. It's sexual slavery, is what it is. Butcher would resent it more if he didn't somewhat enjoy getting to beat this cunt on a nightly basis before being dropped off at home.

Homelander shifts, growing impatient while waiting for another round of spanking to start after the breather. "Come on!" he says through gritted teeth, and he sounds angry, and fucking self-righteous, as if he's complaining about customer service he's paid for. It's not Butcher's fault that the cunt only seems to come after he's gotten spanked for minutes straight, at some point his body finally deciding that this is such an enjoyable moment that his hips start grinding forward into Butcher's leg and he comes, the same pathetic little hitched moan escaping his lips every time, the same toe-curling Butcher can see because the cunt does take off his boots to lie on the bed. Thank god he never pulls his pants far down enough, because he never gets any jizz on Butcher's jeans. Homelander seems to think Butcher doesn't notice, or at least they both pretend they haven't. As if Butcher can avoid noticing his leg being humped violently, wondering if this is the night the cunt breaks one of his limbs out of pure excitement. As if it's not clear what just happened from the flushed face and glazed over eyes the supe has when he rises off the bed, finally satisfied. But if no one tells and no one asks, it didn't necessarily happen, and both seem content to keep it at that. Homelander takes a quick shower and suit change before dropping Butcher off at his apartment, without any further ceremony or pleasantries, and by morning Butcher is half in denial about any of it even happening.

"Are you fucking deaf? Why did you stop?" Homelander says and starts to turn his head to look back at him, but Butcher shoves his face back to face forward. 

They have an unspoken agreement not to look each other in the eye when they're doing this, ever. Homelander almost broke the agreement, but obediently looks away again after the lightest push.

"Shut your fucking trap already. I heard you the first ten times just fine," Butcher growls under his breath, and his mind is made up about what he was hesitating to do. He forces the neck of the empty bottle into the cunt's tight crack, moving it around, looking for give.

Homelander's back arches, clearly not expecting the sensation. "The fuck are you doing?"

"GIving you something harder, like you were whining for, you spoiled brat." Butcher gives up doing it blindly and pulls one of the cheeks towards him. "Now where's your fucking chocolate starfish? You even have one?" And as if to punctuate that last word, Butcher finds the place and  breaks the initial resistance resistance, the bottle neck beginning a slow slide in.

Homelander breathes harder. "I don't like it," he mutters, and his ass flexes in protest.

"You better like it and accept it, or else you're going to end up with a pile of glass shards inside you."

Butcher is skeptical that glass could really do anything to this supe's internal organs, but it seems Homelander wants to avoid the mess anyway, and his muscles relax.

"That's right. Now stop whining and take your punishment."

He tries to push the bottle in even further, feeling more and more protest.

"I don't like it," Homelander repeats, sharply this time, as if it means something.

"You ain't supposed to like it," Butcher says and decides to finally smack him on the ass with his other hand after keeping him waiting. Butcher doesn't anticipate that Homelander's body will convulse, shatter the bottle, grind into him, and come all at once.

"The hell was that?" Butcher asks, pulling back the jagged bottle's bottom half that survived. Homelander's body is still twitching underneath him and he's panting. Maybe this was going to be it. Butcher overstepped the line. Homelander was probably immersed in some unresolved childhood trauma or fantasy or whatever the fuck about having a father figure who would discipline him with a firm but loving hand. This must have ended the illusion for him. Maybe enough that Butcher is about to meet his end– sometimes it's hard to remember that the whimpering quivering pathetic mess draped over his knees is the selfsame terrifying force of nature that can take out an entire army if he ever just chose to do so.

But the cunt won't even pick his head up. He's buried his face in the crook of his elbow. Is he fucking crying? Butcher wonders for a second if it's possible that he's actually fucking done it. Actually hurt him. Maybe a plug of C4 won't kill him but maybe it'll make him feel the hurt? A whole assortment of images races through Butcher's mind. He wants to try everything now. His crowbar, a bat studded with rusty nails, maybe the same bottle but a Molotov cocktail this time. Payback for thinking he can just force Butcher to indulge him, to make every night about getting him off. This opens up a whole new world of possibilities.

But Homelander stirs and starts to sit up, and Butcher winces and his teeth are set on edge when he can hear the crunching sound of glass grinding against glass, and tiny green shards start dropping out of him as Homelander tilts to sit back on his heels.

"That was— amazing…" Homelander whispers, breathless. His hands are folded demurely in his lap as if he didn't just orgasm to being diddled with a bottle of Heineken. "You want another beer?"

"No!" Butcher says, sounding more emphatic and more disturbed than he intendedto let on. "No, you sick fuck."

"Does your hand hurt?" Homelander asks, and it's without any impatience in his tone, maybe even a note of real sympathy, completely ignoring the insult just lobbed at him. Before Butcher knows what's happening, Homelander leans down and licks the hand that had just been spanking him. Butcher jerks it away defensively, but Homelander follows it licking it, laving each finger with his tongue before leaning into it with his brow ridge, then his nose, rubbing himself into it. It feels soothing and takes away some of the sore feeling, Butcher is loath to admit.

But he needs to regain what little control he has in this arrangement. "You want me to pet ya? Then lie back where you belong," he says. It's gratifying to see the supe cunt immediately obey him. He stretches himself back into his former position, and Butcher kneads the flesh of his ass.

"We can do the bottle again if your hands hurt," Homelander says, sighing contentedly and breaking the rule– looking back at Butcher with a look that is disturbingly similar to fondness.

"We can," Butcher agrees, trying to ignore the glass that's spilled out on the sheets and forget the crunching sound the bottle made when it snapped in half at the neck.

(AO3 link)

[lolahasmoxie]

Best Friend (E.M.)

WARNING: angst with a happy ending, friends to lovers, sexy times, disgusting fluff, Eddie being too sweet and precious for this world.

NOTES: I'm in a mood. I blame this time of year. Also, the end quote is inspired by the Simpsons. Points if you know the episode it's from.

DIVIDER BY @firefly-graphics

You're at a house party, and Eddie watches you like a hawk across the kitchen.

You're here alone; your boyfriend of two years is nowhere to be seen. You're talking with Robin and a group of girls, and even though you're smiling, Eddie can tell you're faking it. You've been faking it for a week now.

Your friends don't know, but Eddie knows. Your smile hasn't reached your eyes in a week. A trivial thing that most people would miss. But Eddie has been in love with you since you were 15; when you love someone that long, you pick up on things like that.

When you excuse yourself from the group, Eddie follows as you head out into Harrington's backyard. He sees how your shoulders sag once you think no one is around. The way you sit like the world's weight is on your shoulders as you sit in a lounger by the pool.

"What do you want, Eddie?"

Eddie smiles to himself as he takes a seat next to you.

"Should ask you that; you've been off all week."

"What do you know?"

Eddie isn't phased by your snippy remark; it's more bark than bite. He gives you a "Are you serious" look as he scoots a bit closer to you, close enough that the denim of his jeans touches your bare leg.

"You don't have to tell me. But it might make you feel better if you didn't keep it in."

Eddie watches you from his periphery as your body tenses before you let out a defeated sigh.

"He cheated on me."

The words make Eddie want to hunt your man down and pummel him until he can't feel his hands. The last time he wanted to inflict that kind of violence was the last time he saw his old man.

"He's been seeing her for almost six months, and then he said he didn't love me anymore."

"He's a fucking idiot."

"You have to say that you're my best friend."

"When have I EVER said anything that I didn't want to?"

He can see the hint of a smile on your lips as you discreetly try to wipe at your waterline.

"He's an idiot. He didn't deserve you; he never did."

"Keep talking like that, and I might think you were jealous."

Eddie's body stills, his heart dropping into his ass at your words. He had spent years lying. First, to himself over his real feelings and then to you as he tried to hide those feelings as he watched you repeatedly date the wrong guy over and over.

"Eddie."

He doesn't turn to face you when you call his name. Turning will begin a conversation he doesn't know if he's ready to have. The delicate dance he's held you in will disappear, and the possibility that he will end up alone is more than he can bear.

"How long?"

Eddie turns then, brows furrowed in question.

"How long?"

"About 10 minutes after our first conversation in freshman English."

He lets out a heavy sigh, face looking straight ahead as he still refuses to look at you.

"Why didn't you say something? You had so much time?"

"You seemed happy. That's all I ever wanted. It's all I'll ever want."

He turns his head when your hand touches his chin, letting you pull him to meet your eyes. He watches as you study him like you're seeing him for the first time.

"Tell me what you're thinking, Y/N."

"Make me forget."

Eddie gasps softly at your request.

"You don't mean that."

"You think you're the only one hiding their real feelings?"

You're both staring at each other now. Your waterline is still teary, but Eddie is pretty sure this has nothing to do with your now ex. He reaches for your hand, entwining your fingers and feeling elated when you squeeze.

"If we do this, it's going to change everything. There'll be no going back."

"I hope not."

Eddie can't help but chuckle when he sees your smile finally reach your eyes.

"I'm serious; this could ruin everything."

"Oh, Eddie,"

Eddie's breath catches when you lean in closer, your lips right against the shell of his ear.

"It could also be amazing."

Eddie lets out a shaky breath before standing. He stretches out a hand and helps you out of the lounger before he leads you out of the party through the front door. He opens the door of his van for you, leaning over you to buckle you in with a cheeky grin. Then he's behind the wheel, revving the engine as he drives to your apartment without another word.

The sun is barely coming in through your curtains when you wake. Stretching your limbs like a cat, you smile at the soreness in your thighs and between your legs. You reach an arm out and sit up when you feel empty sheets next to you.

The night comes crashing back in stages. The fumbled kisses as he crowded you into your apartment. The look in his eyes as his plush lips worshipped your pussy until you had to drag him up by his hair. The way he whimpered when he was finally buried balls deep inside you. How you had both finally collapsed after what felt like hours. Eddie sending you off to sleep with a flurry of soft declarations of his love.

And now, he wasn't here.

You feel the panic bubble when you hear footsteps coming down the hall. The smell hits you next: freshly brewed coffee. Then Eddie is softly pushing into the room, naked and holding two hot cups of coffee.

"Morning, Sweetheart. Hope I didn't wake you."

You're incapable of speaking, and Eddie stops when he sees you. He puts the mugs down and quickly climbs into bed next to you.

"What's wrong? I didn't hurt you, did I?"

You shake your head as you let him pull you close.

"You weren't here, I thought. Never mind, it's stupid."

"Don't say that. Just wanted to make my girl some coffee. I know how grumpy she gets without her caffeine fix."

"Asshole."

Eddie smiles at the remark, all bark and no bite. He hands you your mug, watching you take a small sip as he rests beside you.

"So,"

Eddie freezes at your tone. He knows that tone. It's usually the harbinger of bad news. He steels himself, waiting for you to tell him that last night was a mistake and that he needs to be on his way.

"I'm your girl now, huh?"

Eddie can't hide his smile. It stretches ear to ear as he snuggles in closer to you. His head rests on your shoulder, lips pressing to your skin as he breathes you in.

"I think you've always been my girl."

"Well, I'm glad we're on the same page now."

"Yeah, but now I have this new problem."

Eddie's smile doesn't falter as he sits up. He takes your mug and places it on your nightstand. Before you can speak, he's laying you back down on the mattress, his body moving over yours like a panther.

"I meant what I said in the van last night. What did I say was gonna happen once I stopped the van?"

You sigh as he rests his weight on you. Eddie takes your hands, bringing them above your head. He entwines your fingers, both of you giving reassuring squeezes that this is what you both want.

"You said that you were gonna hug me."

A kiss to your neck.

"You were gonna kiss me."

A brush of his lips against yours.

"And?"

You feel his cock warm and heavy against your pussy.

"You were never gonna let me go."

He kisses you as he enters you, and he has you moaning as the sun rises in the East.

[aayakashii]

Hi! I love your Tokyo Debunker content! I have a request, but feel free to ignore this if ur not comfortable! ♥️

Tokyo debunker boys the first time they notice faded SH scars on reader. If they vibe, I would love Subaru or Alan, but anyone is good as long as it's not Leo or Sinostra.

Thank you so much for liking my writing!! It means the world to me!(⁠╥⁠﹏⁠╥⁠) And no no, don't worry, this topic doesn't make me uncomfortable!

I wrote small drabbles for Alan, Subaru, Rui and Haru, hope it's okay!

Warning: sh mentioned! and more angst in Rui's part

Alan stares at the scars, not quite sure of what he should do. He's already seen too much during his young life, been through too much, yet the thought of you hurting so much left him speechless.

He nods slowly as you tell him you're okay and safe now, but his hand still goes to rest on the top of your head, brushing your hair with his fingers as he looks at you in the eye.

He isn't good with words, but he hopes you know that he will do his utmost to protect you and hold you in case you ever need to face your demons again. He silently but clearly promises he will be there to support you.

His gentle touch is more than enough to make you believe in his quiet vow.

Once Subaru saw the fading scars on your forearms, he had to control himself not to grab them and find in your memories what hurt you so much so he could find it and destroy it himself.

You observed the way his eyes lingered on them, and you rubbed your head sheepishly, telling him you could cover them if they made him uncomfortable.

Shaking his head frantically, he explained he just wished he knew you since forever, so he could be there for you during your dark moments; that he's proud of you for being so strong and overcoming that hurt. And that he would never feel uncomfortable with anything that's yours, he embraces all of you – you happiness and your sadness – just like you embraced his own darkness.

Rui was overjoyed at the fact that you would sleep in Obscuary. He allowed himself a small little peek at your sleeping form, since you didn't let him see you in your pajamas – as long as you didn't find out, he would also never admit his creepy ways.

He thanked the heavens after seeing your body was barely hidden by the covers and you wore small shorts with a loose T-shirt.

His breath hitched, however, as he saw the fading scars that littered your thighs.

Rui pursed his lips, swallowing the lump on his throat, and he hovered his fingers over your skin – a skin he was learning to love quite quickly.

He knew what it felt like to wish for control, even if it came in the form of self-inflicted pain. He just wished you never went through so much hurt – not you, not his love.

Never he felt such a desperate need to get rid of his curse, just so he could kiss your scars and love them the way he already loves your whole body.

Haru noticed the scars on your arms as soon as you rolled your sleeves to get to work on feeding some of the critters that live on Jabberwock. He stayed silent until the sun began setting, and you two sat under a tree, eating and drinking after a long day of work.

You notice the way he fidgets, trying to bring up the topic (you always knew when someone noticed your scars), so you just tell him you can answer any question he has about it and that he can take a look if he wants to.

He holds your arms, thumb carressing the skin as he frowns. Awkwardly, he asks you to call him immediately if you ever feel like wounding yourself again. You assure him you're feeling okay now, but he furrows his brows in concern.

He places a quick peck over your skin, quickly stuttering as he explains that's what he does to the baby anomalies who hurt themselves under his care.

You smile. You know Haru will always do his best to keep you safe from all of your curses.

full masterlist

[tadc-harlequin-au]

Celebratory 1k+ post! (+Official Reveal of "Him.")

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First of all, before I start, I would just like to thanks everyone from the bottom of my heart. I cannot begin to emphasize just how much it means to me that more than 1,000 of you decided that this blog was follow worthy.

The fact that so many people engage with this blog, whether asking a lore-related question to know more about the world of the AU, to joking around and making me laugh makes my heart swell with pride and joy.

This AU's purpose was not only to tell a story, but to also destress myself from my problems so I can keep my head on my shoulders and keep on living. So to know that many people found this passion project interesting enough, well... All I could really say is...

Thank you.

Thank you so much for giving me the opportunity to share an incredibly canon-divergent story that is so far removed from the original source, it may as well be considered as a standalone project.

Thank you for sparing a little bit of your time and attention (as well as a few braincells) to learn about the characters, the story, the history, and the world of it.

... And most of all, thank you for continuously saving me from the darkness that attempts to consume me everyday.

No one really knows what happens to me behind the screen, and I'd rather keep it that way because I don't wanna be such a downer. Even here, I want to keep things lighthearted so I won't be delving into that.

Besides that, there's unfortunately something I haven't been entirely honest with you guys. Everyone knows about the B.O.S.S. (B.loodthirsty, O.verburdened S.corned S.ouls) roster, and how they serve as the AU's antagonists, but there is a secret character who doesn't exactly fall into that category.

Rather, he's not just a normal boss antagonist. HE'S THE OVERARCHING VILLAIN OF THIS AU, and has been teased since WAYYYY back to the early poster of the Harlequin AU.

You may know this guy as "???" from the roster list, or "HIM" from the answered lore-related asks. Well, for the sake of a celebratory 1k post that won't provide much strain for me, I've decided to reveal who this is.

Now, without further ado, I'd like you all to meet-

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"The Patriarch of Puppets" - Official design reveal!

"Adorned in silver and reds, The Patriarch of Puppets (or simply, "The Patriarch") is an untouchable and powerful entity who constantly chases Pomni after she finishes a battle with a Boss."

No one knows what the fuck his problem is, But one thing is for sure: he first shows up after Pomni defeats the Skirmish General, and seems to like tormenting the Combat Harlequin by attempting to separate her soul from her heart and inflicting burning agony.

Pomni, in tandem, feels GREAT DREAD even at her first encounter with The Patriarch; she doesn't know why, but whenever he's in her general presence, her entire soul, AND her fight-or-flight instincts screams TWO THINGS: "DANGEROUS. RUN."

Pomni CANNOT fight him to save her life. Her sword hands starts to tremble and she can't move if she's around him for too long. She knows from the very beginning that this is a fight that she cannot win no matter what. He is the Hunter, and she is the Prize.

Bubble also seems to power off instantly and just crash to the ground with no warning, an immediate telling sign that he's already in the general vicinity. He seems to not care about the blimp in the slightest.

His classification is a King Harlequin; 1) a reference to "king-size", 2) a literal one of a kind Puppet, and 3) the tallest of Harlequins that no one even knew existed in the first place.

Just how tall exactly? Well...... here's the updated lineup.

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I hope that this is a fitting celebratory 1k treat for all you hungry lore eaters and Harlequin AU enjoyers!

[my-fancy-hat]

Denji's hypersexuality is a common coping mechanism in SA victims, to try to give the assault a logical meaning of why did it happen, or to get to know the foreign at getting close to the act itself. Genitalia in this case would be representative not only of his lust but also the element reminder of his trauma: "wanting to have tons of sex lead his life to end up miserably", so, the victim blames himself for feeling hurt, accuses himself as the perpetrator of his still ongoing tragedy. The yakuza reminds him of his failure in performing manhood, as Katana Man calls him weak, crybaby, "Chainsaw woman" as kicking his genitals joking to stick them in his behind, and Makima to have twisted his idea of love and taken advantage of his needs, making Denji believe he isn't deserving of forgiveness. At the end it all falls into self-harm, the result of this macabre recipe to make a human to hate every facet of his being: his identity as Denji, as CSM, as a man / his existence: to have born in poverty, orphan, to have killed his father and adoptive family, suggested to perform downgrading gender roles in prostitution (accused woman's job to give men pleasure) / his hopes and dreams for the future, everything is poisoned on his mind. This chapter is about relapse and realization.

Denji is under layers and layers of misconceptions, he is unable to see things through. He thinks his lust is the reason of his tragedy, when he hasn't took an active role in doing anything sexually inappropriate to anyone to get blamed on. He isn't the one to punish for not being strong enough to stood by himself sooner against his abusers and let them have their way, and yet, he still capable to recognize the act is wrong and undeserving (even if he was told through all of his life men should always accept a sex offer and sex = love/joy), ex with Fumiko he inmediatly recognized she assaulted him. So saying sex is his drive in life is utterly wrong, sex isn't Denji's priority and never was actually, and that's something admirable on itself when the world has told him otherwise, because is important to never forget how his happiest was with Aki and Power, putting their friendship above everything else, even above Makima's offers.

I don't think cutting his genitals or even transitioning will fix anything, it would be an impulsive act by trying to escape from the natural progression of the stages of grief and give the instant solution Denji wants so bad right now, where the real cause of his grief is the guilt of the survivor, his self-hatred for having been treated as an object of repulsion and failure through all his life he ended up believing it; to have suffered so much abuse which lead him to see his priorities and identity unclear, amoung other things, seems like it started to click on his mind. This is why Yoru, of all characters, is the one who offers to give Denji "the solution", the character who exists to inflict pain and death on CSM. Also, because he's a hybrid, it will regenerate eventually. It's not gonna happen, probably.