#i don't think they get women either

[duncan-rohanne]

btw, on the personal note here, and i know this has already been discussed, but you remember that 'i'd rather be in the forest with a bear than a man." yeah...

last night i was coming back from work, late. one of my colleagues gave me ride down town to catch up night tram, so i was waiting there but about 4 other people and this men just kept walking back and forth and he was looking at me. i was in my uniform, and i'm used that people just look at me while i'm wearing it, but he was looking at me and looking at the trolley bag i had with me. now, he walked up to me and said "do you need help with that?" "no, thanks." "it just it looks heavy, i can help." "it's not. thanks but no." now, keep in mind it's like 1am. he could be a thief. he could be on drugs. he could be a perv. i'm keeping it cold but polite because i really don't know how he is going to react. then i see it clicks with him. "i'm sorry, i just wanted to help, sorry about this." and he walked away on the other side of the platform. we get in the tram, i go on one end, he goes to the other. i'm silently praying he doesn't get out on the same stop like i do. he didn't. i walked home and i just kep thinking, maybe he really just wanted to be a good guy and help but... don't men really understand that this freaks out women so much? alarm bells ringing pretty much immediately? and yeah, i don't think they get it.

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[cerise-on-top]

hi! how would Valeria and Kate react if their wife’s got hurt because of their work, both of them working highly jobs and it ended up catching up to their s/o. hoe you are doing well and drink plenty of water! thank you!

-🍒

Hello! Both of them would be absolutely distraught, but would go about it in different ways!

Valeria’s and Laswell’s Wife Gets Hurt Because of their Job

Valeria: Whoever hurt you will wind up tortured and eventually, once she thinks they’ve had enough of their miserable life, will wind up dead. Naturally, the first thing she does is check up on you, see if you’re alright and well, that’s her priority. You’re the love of her life, there’s no one else in this world she wants to see do well. You’ll be admitted to the best hospital nearby and will only get the finest treatment. Once you’re stabilized, that’s when the hunt begins. Whoever hurt you won’t get too far since that bastard’s life will be on the line. Regardless of where they might be hiding, Valeria will find them and show them that death is actually a kind of mercy. She has pretty much everything at her disposal, everything money can buy, this sucker won’t know what hit them. If it’s revenge they want, then revenge they’ll get. Valeria promises you that their head will be on a silver plate. She’s not very good with words when it comes to comforting someone, but she will have that person killed in the most cruel ways she can imagine. In fact, she’ll take the pleasure of torturing them upon herself. Once she’s done, she’ll take some days off, which is surprising since she usually can’t afford that at all. You’ll be under her direct care for those days. Anything you want you’ll get. Afterwards there will be a slight shift in her demeanor, Valeria becomes more protective over you. Sometimes she might even assign some trusted people of hers to watch over you since she can’t afford something like that happening again. While she can’t always take some days off, she’ll try to be closer to you anyway. Always texting you, finding excuses to come home for a day maybe. She just really needs to make sure you’re okay, she wouldn’t know what to do with herself if you died.

Laswell: Laswell will try to be a bit more diplomatic about it at first, trying to coax whoever hurt you out of hiding. This person will be held accountable for their crimes against her world. Naturally, she rescues you first, gets you to the nearest hospital and won’t leave your side until you’re stable again. If it takes you a while to wake up again, she’ll leave to find the fucker and make sure they swim with the fishes. She has a pretty large, efficient network and will find out who it was fairly easily. Once she knows who they are, she won’t hesitate to find out all their past crimes as well, if they hurt you then they must have done some other awful things as well. Once that phase is over, she’ll go to their home herself and have them arrested, put in the worst prison imaginable where the inmates are treated especially badly. She won’t kill them, but she wouldn’t be surprised if they wind up dead anyway. Laswell usually isn’t an evil person, but she does hope that person dies during their time. Their sentence will be as long as possible so there’s no chance of them ever seeing the sunlight again either. Once all of this is over, she, too, would take some days off to spend with you. You’re a priority above all else, so Laswell will want to be there for you, no matter the cost. While she usually isn’t, depending on how severely you got hurt she might become a bit overbearing, a bit overprotective. That overprotectiveness will last for a few months, afterwards she’ll try to give you some space again. However, she’ll always be keeping a closer eye on you, always texting or calling you every once in a while to make sure you’re okay. If she needs to, she’ll put you under her protection officially, but the situation needs to be dire for that to happen. Either way, she’ll be keeping you safe.

[uncanny-tranny]

It's weird how people paint "daddy issues" and even "mommy issues" as, like, a joke or a failure on part of the person who has those issues, rather than recognizing that daddy and mommy issues stem, for so many people, from abuse. What this all is is just abuse apologia, and nobody seems to either notice or maybe even care.

When somebody with daddy or mommy issues opens up about the "why," I can't ever seem to shake the fact that they tend to have gone through a ton of abuse and bullshit as a child. It's just crazy that other people would look at that and see a joke or a failure of the once-child who was abused.

[transmascutena]

Akio is scary because I could meet him on the street. He could be my cool teacher, or my friend's uncle, or that one guy in the Marines, or some man my father met when he was 16. So many people practice cruelty casually, hidden under a veneer of approachability. Akio doesn't have to be a god to be cruel. Akio is scary because I could talk to him and not notice. I've had enough friends/family/classmates abused that I know that abusers can just be kind of stupid and in a position of power. Treating them as gods/flawless masterminds just elevates their perceived power. If they were actually that suave and intelligent, they wouldn't be in the business of sexually assaulting kids.

yeah. you really do not have to be some master manipulator to take advantage of children, the most vulnerable people in the world. and i guess people who claim he is some kind of mastermind just aren't aware that they in all likelihood have met people like him. that he's everywhere. and, y'know, lucky for them i suppose, that they percieve this kind of abuse as something special and rare that basically only happens in fiction. must be a nice sort of ignorance to have about the world.

[djevelbl]

Hello everyone! Welcome back to the second edition of Djevel Stalks Someone's Blog, Sees a Comment and Goes On an Out-loud Tangent So. Hard. He Might As Well Make It a Tumblr Post

I'm your host Djevel, and today I'll talk about my own viewpoint on Colly/RuneStraw: completely unnecessary, definitely not asked for yet still delivered to your fyp like that copy of The Book of Bill delivered to that poor sod who bought a church study book on amazon or somethin', exactly how I want my stupid over-the-top opinions to be baybeyyyyyyy~

Now lemme preface this by saying a couple things:

#1: I don't mind RuneStraw half as much as this over-the-top post will make it look like, they're actually cute af together and have a great dynamic going on! I just like to bitch about stuff, I love yapping and the blog blurb already says that I'll "scream into the void about whatever media I'm consuming" - you read that, clicked on read more, don't come at me over this of all things. As a show of good will, I'm writing this as I listen to Love Again - Dua Lipa (really good also fits these two dweebs really well so there's that)

#2: This is just my opinion and if at any point you feel like I gotta remind you of this fact: put the hands away from the keyboard, open the window and smell outside air - it ain't that deep. You can always just not read it

#3: If you so happen to identify yourself as the blog I was stalking before I started typing this out - this isn't criticising your post or anything, I'm just a sleeper agent on the subject and happened to wake myself up with that post lmaooo (also no you're not. I don't wanna have a confrontation over this ❤)

With that out of the way - let the bloodbath begin (probably mine as well LMAO)

Let's start strong and lemme say it already: I don't think the fact that Cup is into Holly is a counter-argument to the "why can't they just stay friends" bc that's not really answering the question?? At least whenever I ask it it's less about the now and more about the whole relationship - beyond giving Cup a solid, tangible goal to reach through rehabilitation and tHERAPY IF HE EVER GETS IT and giving Holly stability in a world much more dangerous than she thought, both of which can be given to them through different means, what does having them kissing do for them as growing characters, and what does it do for the narrative? After all they're puzzle pieces within a larger story, and while I love preaching about considering your characters like people when you sit down to analyze them, you still have to understand them as the puzzle pieces they are: they all have an individual purpose within the story, and the connections you decide to make between them have to give something to them or at least to the narrative. Something nothing else can give them, so we care about those connections.

Something I'm not sure having these two goobers kissing quite accomplishes. But maybe I'm just a hater, idk

Now getting into more of my own perspective on RuneStraw - would you believe me when I tell you I groaned out loud when I read it? Y'know what I mean - any set-up for the ship between book 11 and 12 is valid if it came up to your head when I said it, I probably groaned at all of them lol and that's because to me it came out of nowhere; sure, Holly had mentioned she had a crush on Cup back when she was dating Finnley I think (remember him? yea,,, I miss him too), but she was:

1) Dating someone at the time.

2) Talking about it in a past tense, implying she didn't feel that way anymore.

3) Building off of 2 - with the way she mentioned it, it genuinely sounded like she's distanced herself from the sentiment; from what I remember she talked about in the same way one does about thoughts and feelings one had years ago. Almost like they're from a different person.

These three things led me to believe she wasn't interested in him nor was she gonna be - her crush was based on an image Cuphead willingly puts up as a shield and that by now she knows is fake; her feelings back then were born out of a dark, mysterious and brooding façade he constantly put up that dissipated the moment she had more than a few words exchanged with him. The mysticism was gone, the alure is as well - she was left with a genuine yet broken man, not the put-together mobster she thought he was. And while it isn't impossible she recovered those feelings but directed towards the actual Cuphead, it feels like an odd choice to backtrack her character like that.

There's also the fact that they were the only duo of different genders that wasn't gonna be a romantic pairing, Until they weren't.

And I'll come out and admit it: maybe this point is most of the reason why RuneStraw bothered me as much as it did when it got introduced more heavily. This is the thing: the question of "why can't they just stay friends?" is a valid one to throw into the conversation - as I said, they were the only friends of opposite genders who didn't wanna get into each other's pants, because AliBends is canon (if currently doomed by the narrative), Minnie and Mickey obviously like each other, Donald and Daisy are dating I'm pretty sure, Jake has active feelings for Alice to the point he distanced himself from her to manage his own emotions and keep them in check when it became obvious she isn't actually interested in him romantically, and even if this next one isn't quite the Inky Mystery Team's fault (after all they're working off whatever scraps Quest for the Ink Machine left in its wake) I'll throw it in the ring just to drive the point across: while Cala Maria is her own character and her own person, often times it feels like the deepening of her character and whatever conflicts she may be going through are there for the benefit of Mugman's own struggles and character arc; we don't see much of her reaction at Mugs' heroic but reckless deal with Marcus or her reaction to having been found, we don't hear much about her ink illness beyond that one chapter where she started showing symptoms. For as much personality as she has and for as lovable as she is, sometimes she feels like Mugman's romantic interest first, herself second - probably due to not being part of the main cast, which is fair to some extent.

Personally I don't see RuneStraw as a romantic connection that had to be done necessarily - what each provides to the other's character development (a tangible goal for Cuppy, a much-needed stability within a dangerous world for Holly) is already being provided by their friends, people they should be able to rely on. I guess I just feel a little sad that we don't have many bonding chapters between all the Questers, regardless of duos or dynamics that pair up the best: imagine (and bear here with me, this is getting into the headcanon territory lol) if angels can sense Demon Deals as these are an extension of a demon's magic (something angels can detect) and once Alice comes back from The Upper she notices - really notices, decides to pay attention - that there's something cold wrapped around Cup; they have a conversation where Cuphead tiptoes around his childhood and all the stardust he's gone through in one of the biggest displays of bravery and trust he's given us this far, and Alice knows he's not telling the whole truth but she listens, she listens and shares how it was growing up with expectations of being a great angel someday. He shows her trust, and she gives the same trust out of her own chest to him.

Imagine Bendy and Cala Maria bonding over a trip to the docks - we could get to know her better, how it was like living as a gorgon, sharing experiences between them on how terrible it is to be hated for something you cannot control, and laughing over the good bits their past can offer them. Finding a weird comfort in having been the monster for a little bit, as they could protect those they love with that infamy and the power it came with (Boris for Bendy and Ebi for Maria, of course) - hell, maybe we could hear of Cala's parents! How they were like, their little quirks and tricks, we could read about Bendy considering her lucky and Maria telling him he's found his family here, that those he's forgotten don't matter because they didn't stick around.

Imagine Alice relaying stories of how her younger siblings are rascals and comparing them to Boris, how much he'd get along with them, singing tunes and dancing for the hell of it - helping him get a better grip at dancing, if marginally, and managing to wring laughs out of him by the tons.

Imagine all of them around a table, sweets and treats laid out, as Felix and Alice do their damn hardest to one-up each other in their wild adventures from before they joined the Questers - the cat talking about his mad dash as he escaped that ferocious beast of a tiger, and he shows the scars like your dad shows you his most prized collections as he talks of the most dangerous bits. The angel taking a swig of her alcohol of choice before going into this maddened ramble about the greatest prank war she's ever been in against Jake, and how they both got banned from several places for a whole dang year. Even Sarah gets wrapped up in the shenanigans and fun once Bendy, Cuphead, Mugman, Holly, Boris and Cala Maria all join in to win the title of Wildest Adventure Story; she's just a child after all, even with incomprehensible magic woven into her soul. Maybe all of the house is there, listening as the Questers finally have a moment to breathe and be as young as they are - the oldest is Felix, and he's in his forties at most, he still has life to him.

This is supposed to be a recovery arc, and mantaining healthy friendships with other people can help a long way with those dark thoughts The Labyrinth left them all.

Romantic love isn't the be-all-end-all, it shouldn't be the ultimate objective of a character that makes them become stagnant and void of themselves, and I guess I just want boys and girls to share stories and rooms without their interactions being a making out or being politely pleasant, pick one situation. I guess I'm just socially blind and petty, maybe I'm taking a fanfiction too seriously - after all, it is made by fans and for the fans; it's no professional production, and sometimes it's just better like that.

TLDR: I go way too hard on fictional characters for wanting to boink, more at 10

Ok but now a real TLDR: I just want the Questers to interact more with each other and I'm not talking about the typical duos always formed like they're in school and they choose their bestie for the group project. I mean all the Questers. Also I went in wayy too hard against fictional characters that just wanna fuck in peace ig

[fruityumbrella]

sanji trying to seduce zoro so zoro will marry him bc luffy bullied marines into forging papers that say sanji was legally adopted into his family, and sanji wants to be MONKEY SANJI on wanted posters almost less than he wants to be VINSMOKE SANJI. and robin already said she wouldn't marry him.

[firebirdsdaughter]

Something that occurred to me this time…

… Is that Eliot deliberately brings Hardison w/ him to confront Moreau the first time. He tells Nate that he and Hardison will do it (don't worry, I also Love Hardison taking the moment to be like 'hey, are you okay?' bc those two usually express themselves through bickering so much that it clearly telegraphs just how off Eliot is being that Hardison is dropping the usual banter to be serious).

Which for one thing, says something about Eliot's confidence in Hardison in general, but also, like… Yes, Parker's probably not the choice for that introduction, it's not her style, but Nate or Sophie could also have played the part. He could have tried to go alone. But he pulls Hardison.

Obviously he's not trying to put Hardison in danger, he makes it quite clear in all other scenarios that he does not tolerate Hardison in danger (visual cues in The Gone Fishin' Job my beloveds), the others are well aware of the fact that he's Done Some Shit and are equally unaware of his connection to Moreau. And to be honest, I can't pinpoint an exact reason why I think he might have done it, chosen Hardison to be the one who finds out first. Maybe he suspected Moreau would underestimate Hardison, making him safer (relatively, if course), then someone like Nate or Sophie. Maybe he thought it would be best to have Hardison's tech skills as back up. Maybe he thought Hardison would roll w/ the punches the best. Maybe he just wanted Hardison there for morale.

I don't know, but it's a moment that didn't really occur to me the first time, but I think is actually quite meaningful in a more emotional way.

[the-valiant-valkyrie]

a compilation of overcomplicated hypothetical future IEYTD installments that i would kill to be canon

ft various spoilers for all three of the current non-hypothetical installments also ft really bad names for them in order to keep the list organized

I Expect You To Die; Once Burned, Twice Shy

During one of their usual heists against one of Zoraxis' latest schemes, Phoenix finds themself caught in what turns out to have been an orchestrated trap from the start. Not only is Zoraxis unscathed from the agent's attempt to stop their plans, but in the process, they find a way to pin their escape/the damage left behind on Phoenix in a catastrophic way, severing the Agency's trust in them and their handler.

Time after time again, Zoraxis have underestimated the Agent, but by separating the biggest thorn in their side from their main source of intelligence, power, and even locomotion, what can they possibly do to stop them from tearing down the rest of the Agency? And how is the Agency supposed to stop them without their star pupil turned 'traitor'?

Left with nothing aside from the guidance of their handler and their own sharp intuition- devoid of the Agency's tools or assistance- Phoenix needs to prove to Zoraxis and everyone else that they're more than just the tools the Agency lets them wield.

The 'gimmick' of this plot is kind of meant to be a parallel to what happened with Zoraxis at the end of the sequel. That being losing their trust with the rest of the world, and being forced to work in the shadows as opposed to hiding in plain sight. Because of this, a variation of this plot could be Zoraxis framing the entire Agency, instead of just Phoenix, forcing all of them to work and exist under the radar until they can clear their names. I just think the Phoenix specific plot is more entertaining, and made more personal by focusing on the protagonist.

I Expect You To Die; Pick Your Poison

The Fabricator probably has the most untapped potential and implied history with the Agency aside from Zor themself. While to me it feels like she's such an important character any plot that focuses on her would be a very late-game element, I can definitely see her serving as the 'main' antagonist of her own entry to the series.

The Agency- despite knowing the location of at least one of the Fabricator's workshops, are too intimidated by her lethality and talent to consider sending any more Agents to apprehend or face off against her. Behind Zor themself, they've gone on to list her in her dossier as the most lethal mind in Zoraxis' sprawling arsenal.

The Fabricator already has a bit of a vendetta against the agent, if not for the damage done to her workshop, then for the damage done to Zor's schemes, and by association, all of the tech she engineered for them.

There is also the point to consider that the Fabricator is in a very interesting place, for an antagonist position. Knowledgeable enough to know what happens to disappointing Zoraxis operatives- the cause of Juniper's death, almost Prism's, and who knows who else's- and yet… she seems more or less unbothered to remain by their side despite. The Agency wanting to get the Fabricator out of Zor's hands partnered with her seemingly deep running loyalty has very interesting implications for a betrayal arc of sorts.

I Expect You To Die; Reach for the Sky

Solaris is another character that has been brought up again and again in various ways, implying relevance- or at least, future relevance- to the series. While it would make perfect sense for her to accompany a Fabricator-focused installment, there's an equal probability for her to get something to herself.

Solaris- while perhaps not considered as dangerous as the Fabricator- is on par with her in terms of intelligence, and the Death Engine is still considered by the Agency to be one of the most powerful weapons to scourge humanity (as opposed to exclusively agents, as something like project KBOOM would have been).

While her loyalties to Zoraxis were obviously shaky even during her first appearance, Solaris is very self driven, and just because she may have broken ties with Zoraxis* doesn't mean she's completely out of the picture. As one of the Fabricator's tapes in Eaves Drop would suggest, Solaris still holds a grudge on the agent that destroyed her life's work. It isn't out of the question to consider that she would try to seek out her revenge, even on her own terms.

It's interesting to consider an arc that separates on competing with Zoraxis, rather than against them. Maybe- despite severing alliances with them- Solaris' tech is still of interest to Zor, which gets them involved the spat by proxy. Or maybe Zor- much like what they did when Anna intended to defect- is sending out a couple of operatives to take care of their newest loose end, with Phoenix finding themself caught in the crossfire.

*It is also possible that Solaris' 'defecting' from Zoraxis may have been a hoax or an effort to save face, with her being publicly tied to a newly exposed homicidal company. While somewhat unlikely, were this the case I don't think much about this hypothetical plot would change, save for Zoraxis being more of a main player (as they usually are) as opposed to a background threat.

I Expect You To Die; Playing With Fire

Vitti will almost certainly be given a mainstage role in a future installment, though with so little known about her, it's difficult to place how or where she'll show up. We know she used to be a field agent (maybe even Reginald's agent, when we consider that he used to hold the title of 'lead handler' at the same time she was 'lead agent'), and that she either had or gained ties to Zoraxis that may have lead to her erasure from Agency history. She also has the best case argument for being the Phantom, implying an interest in the Phoenix, as well as their survival.

To me, she's the perfect case for a betrayal/eluding-to-betrayal style arc without dipping into mind control. With the Agency being a dubiously-moral force as it stands, Vitti seems the perfect character to at least raise the potential that the Agency isn't really as good as they project themselves to be… and that the Phoenix isn't as safe with them as they'd like to think they are.

Maybe the two of them communicate off radar- Phoenix chasing after Zoraxis' tail while Vitti watches from the sidelines- breaching their coms to say her piece… Maybe the handler gives a piece of advice that Vitti contradicts, with her's being the safer option… Quietly worming the idea into the agent's head that even their own handler may not always have their best interest in mind… Whether or not there's any member of the Agency they can actually trust.

At the end of the day, Zor wants to tear apart every last facet of the Agency. But, they have a rival's fondness for the Phoenix… If they join Zoraxis, they'll be spared. They'll survive. If they stay with the Agency, they'll inevitably burn with the rest of them. She made her choice a long time ago… and she expects the agent to choose correctly.

I Expect You To Die; World in Your Hands

I don't care if it isn't likely I would do ANYTHING for a mind control arc (or something similar, at least), where we play as a Phoenix who- one way or another- has become a Zoraxis operative. It doesn't need to make sense while it happens because it would be fun as shit.

It isn't as if Phoenix still doesn't get to leave a trail of fiery destruction in their wake, it just isn't to the detriment of Zor this go around… Instead of the handler in your ear (🙁 no jared mason…) you can have one of the Zoraxis Operatives- either a new one, or a rotating cast of old ones (😊 yay mela lee). The souvenirs you bring back being exceedingly dangerous contraptions, explosives, prototype weaponry, and of course, many, many Zoraxis brand foodstuffs of varying degrees of quality. AND it would give Schell an excuse to bring back things like genuine gun combat from the first game.

And you get to be evil. Which literally who doesn't want to be evil?? Hello? We can get an epic evil cinematic intro and everything? An encounter with the handler where his voice shakes in genuine fear- for his life, for who his agent has become, for what Zor has done to them- HELLO??

[number1villainstan]

The two stories/series/media creations that make me want to gnaw on the drywall right now are Revolutionary Girl Utena, a masterful deconstruction of tropes rooted in sexism and queerphobia but with pervasive racist/imperialist elements* in the background, and Dune, a masterful deconstruction of tropes rooted in racism and imperialism but with pervasive sexist/queerphobic** elements in the background. it's hilarious it's like they're made to cancel each other out

[kindheartedgummybears]

you wanna know what??

I am

TIRED

of overmasculinized werewolves!!!!

I WANNA SEE A

WEREWOLF

WALKING AROUND IN A CVNTY LITTLE OUTFIT!!! WALKING THE STREETS!!!! DISEMBOWELING CREATURES!!!!

I WANNA SEE WEREWOLVES COVERED IN BLOOD AND GORE WHILE WEARING A SHORT SKIRT AND CROPTOP WITH HELLO KITTY ON IT!!!!

I WANNA SEE A WEREWOLF WALKING AROUND IN COTTAGE AND FAIRY AND PRINCESS CORE OUTFITS!!!!!! WITH A DEAD MANGLED RABBIT IN ITS MOUTH!!!!

AND MAKE THE WEREWOLF

D I S G U S T I N G ! ! !

[icouldbeyourprettygirl]

I recommended S listen to a specific singer and after he did, we talked about her one afternoon. I mentioned how I wish I had her hair and style and how pretty I think she is... He proceeds to tell me that he has a little crush on her 🫠

[rawliverandgoronspice]

re: my last post, but I kind of have a good serving of criticism in my heart about the whole "gerudos as men r*pists*" trope that I've seen bouncing around in fandom since like 2008 at least (and before that I assume), but it's. not a particularly fun topic. so.

[sherlock-is-ace]

the imposter syndrome i feel every time i even slightly think i might be autistic is insane, specially for a person who highly relates to the lived experiences of people who are professionally diagnosed.

Like I was just watching this one youtuber, and she was talking about very specific examples in her life and childhood where she saw autistic traits that made her realize she was autistic and then seek a diagnosis and then get one, and everything she was saying was like she was describing my life! But yeah no, I can't be autistic tho

[cinema-wasps]

I request dearest Randal pleale

I'll reblog it so many times

sorry for being the weakest [strongest] link. a transfem randy truther

[PLEASE only use she/her to refer to randy on this post. thank you]

[and send me more drawing reqs go go go]

[urproblematicfav-arsonk]

Husk was canonically born around 1910, give or take a few years and that would make him around 23-26 in 1935

Assuming Alastor was in his 30s when he originally died that would mean there an about 10 year age gap between them

WHICH MEANS I GET TO MAKE MORE CRADLE ROBBING JOKES