#i don't see people mention it

[dumbassalex]

Just something i wanted to point out.... Wolverine quit smoking in the comics like 20 years ago after the editor at the time banned it because his father died of lung cancer, and i do mean quit, because we did get textual confirmation during the X-Force special "Ain't no dog" that Logan quit smoking.

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[iliothermia]

Hey y'all. It's International Holocaust Awareness day Both of these books changed me. Consider reading them or please share for someone else who might. It's never a bad thing to learn more.

Inside the Gas Chambers: Eight Months in the Sonderkommando of Auschwitz by Slomo Venezia This is one of the only books I've found that touches on the living conditions and viewpoint of a Jew from Greece. Reading it, the author felt like a friend. It was horrifying.

Nazi Doctors: Medical Killing and the Psychology of Genocide this book explained people were taught to completely separate Jews from being human in people's minds in the years leading up to the Holocaust- especially in the medical field. It has interviews with some of the doctors who did these things. The site for the books also has an archive of images, films, objects, publications, recorded sounds and documents. You can find information on many communities. Thank you

[nenoname]

It's still interesting that TBoB called more attention to Stan's control over his mindscape (And if you go with the interpretation that the lost pages are partial truths that are heavily influenced by Bill, then he's the one insisting that only someone with training should be able to have that much control over the mind.)

Meanwhile we have a memory!Stan. Someone who apparently knows too much and is rather aware for being a simple memory.

From the Wheel of Shame, we know Bill was able dig up all kinds of dirt on Stan but... that wasn't why he was there in the first place, was it?

Bill couldn't find the code immediately despite a memory of Stan opening the safe being a few hours old at most and decided to have Mabel try find it for him (The original concept of the ep had it far more hidden but this was likely cut because of time constraints)

Ford did experiments on Stan's mind which likely meant using Project Mentem and actually looking around his mindscape, and his only reaction was to comment on his jokes-- despite what little we the audience know being enough to render us sobbing wrecks

(yes I refuse to shut up about this part cos the book's intro is extremely underrated)

Stan was able to replace his memories of Ford with the swingset instead and managed to hide Ford in his Bar Mitzvah memory. And that's not even mentioning the lack of visible Portal and Stan o' War which noticeably show up in Ford's dreamscape (the broken swingset manifesting anyway pains me tho)

He subconsciously has misdirects for his secrets that are both silly and manages to disturb everyone too

And while Bill-as-Soos being bored by the vending machine memory is a joke that's basically the crew's way of going "hey remember the thing way back in the first ep that's going to show up in the next one?" and in-universe appears to be Stan slipping up, it's interesting that they had Stan input the wrong code when it's consistent literally every other time its inputted (especially when it shows up correctly in the very next episode)

It's even possible that the safe code that Bill found could have been a misdirect too but we'll never know since the safe got blown open by dynamite.

Stan was able to buy time by making his mind blank despite being genuinely terrified when Bill enters his mind (to the point that he breaks character and uses his own voice to yell), and could conjure up his living room (in colour opposed to his mind's regular greyscale) to make sure Bill didn't have enough room to flee, slamming the door in his face before the effects of the memory gun kicked in.

(EDIT: Random door analysis here)

And maybe the twins eventually told him that Bill had already been inside his mind after their W3 reunion, but all we know was that his conscious self was left in the dark for ages and wasn't really aware of Bill until Weirdmageddon.

TBoB showing McGucket's dreamscape also brings up the idea of the effects of the memory gun manifesting differently to each person. To Stan's mindscape, the memory wipe manifests as blue flames which immediately brings to mind Bill's powers but it's a far lighter shade (maybe to more closely match the memory gun and its eventual fade to white?)

The end of TBoB and the website poem also firmly reminds us about Stan's connection to fire but there's also the question if Stan himself is actually aware of it...

[uncanny-tranny]

Honestly, there is a certain type of fetishizing of violence that occurs when you are the victim of abuse - wherein people talk directly to you about how much they fantasize about your abuser/s dying and being killed - "all abusers must be killed!" they say.

As a victim of prolonged abuse, I never felt cared for when people indulged that information to me. It often feels like my abuse is being exploited for others to enact their own violent fantasies and secret desires - my abuse means nothing to them in the same way that I didn't matter to my abusers. It's not support - it's just another cycle of violence.

I'm begging people to care more about victims and survivors than they do about retribution of abusers. Nowhere along the way should your focus on the abuser outweigh the people affected by their abuse. If you truly want to support abuse victims and survivors, start with us

[tehcherrya]

For those of you who never knew as it's a detail one can easily miss (especially depending on which aspect ratio you're viewing in) but a lovely detail at that: Pippin was in the hobbit band in the background!

He's the one playing the banjolele!

These shots I have of the scenes where he is most visible are from the Fullscreen edition (A DvD I own and often watch for the different viewing experience). I believe in the Widescreen edition their heads are cut off by the aspect ratio-- so it's easy to miss!

And for those of you who haven't put it together already, yes! That is our beloved Merry standing next to him as they both watch Frodo dance.

Mind you, Merry is not in the band. A few scenes prior he was actually along the precession line of bringing in Bilbo's Birthday cake. He probably came up to the platform to talk to Pippin, give him a mug of something to drink and inevitably snatch him away for some mischief. Because after this brief scene, Pippin is then absent from the stage-- he and Merry are going to go swipe some fireworks!

[throesofincreasingwonder]

You know what? I want a whole post for this:

Sex Repulsion is not the same thing as, or an excuse for, Sex Negativity

non-negotiable!

I am a sex-repulsed asexual. This means that I am uncomfortable and repulsed by the idea of engaging in sexual acts. This does not mean that I have an excuse to be repulsed by other people's sexual attraction or the right to police how other people engage in or express sexual acts or attraction.

Young queer people need to learn the difference between sex repulsion and sex negativity, and actively work to unlearn sex-negative attitudes. Asexuality, even sex-repulsed asexuality, is and should be fully compatible with sex positivity.

If you are uncomfortable with the idea of other people feeling sexual attraction or engaging in sexual acts that do not involve you in any way, that is not sex repulsion it is the cultural Christianity and you need to seriously work on that.

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[sonicaspeed123]

You don't get to misgender people yes even if you think they're cringe (get over it), yes even if you don't understand it (get Over It), yes even if you think they're a terrible person (irrelevent), yes even if they have done objectively horrible harmful things (still irrelevent,) and yes, even if you think they "can't really know for sure" because of their disability (that's fucking ableist, shut your goddamn mouth.)

[bambiilooza]

people who complain about mythological inaccuracies in epic the musical fanart are so annoying.

enjoy the amazing art people are making and let people enjoy doing what they do. and, maybe, make your own art on what you think is accurate. that could be fun!!

complaining about 'mythological inaccuracies' in fanart for the musical where odysseus perforates poseidon with his trident after using his magic jet-bag that twerking hermes got for him is an extremely embarrassing thing to do.

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[shuploc]

A plushie manufacturer reached out to me a couple of days ago, asking if I would be interested in a collab with them and I of course said yes!

So many people have already made JayVik plushies inspired by the show, so I was thinking about having Jayce and Viktor plushies made based on my designs for the knight/prince AU.

Would you guys be interested in that?

[reasonsforhope]

The bison.

I know this seems like old news to a lot of people but Americans slaughtered the bison to further the genocide of the indigenous peoples (who are still here) and despite that the bison have been reintroduced.

they have returned to their native grazing grounds, the ecosystems where they have returned are flourishing for it. and to top it all off it was the peoples this government tried so desperately to erradiacte that brought them back.

the day I heard Bison had been reintroduced to the plains I sobbed like a baby and began to choose hope.

!!!! The recovery of the bison is something I've been following and it's been such a source of hope and and sign healing for me!!

Especially tribally managed reintroductions and herds!!

Really impossible to understate how much of an ecological and and humanitarian and ethical tragedy and atrocity is finally beginning to be healed

[designers-teaparty]

I'm very quick at blocking people

[freckliedan]

i'm sorry but if you've only been a phannie since the reniassance you really have no right to be criticizing dan gender posters.

i don't think anyone who got here post revival understands the distinction between "fans crossing the line" vs "fans listening to what dan and phil tell us even before announcing things explicitly and celebrating that". and the way people act like they need to defend dan from people who think he could be trans makes that abundantly clear.

dan especially has been so open about how this community's support is what made it possible for him to accept himself and come out, and that wasn't support that magically appeared the second BIG dropped. it didn't exist only after we got told officially.

the community support of dan and phil's queerness was the way people noticed and celebrated and understood the way they increasingly chose to be vulnerable with us over the years, and the way we shared how they made us feel safe in our identities.

they came out a million little ways before they said the words, but dan did especially: wearing nail polish, going curly, an earring in the gay ear, liking tweets that said he was gay, making increasing gay jokes. the winter before they both came out they tweeted about the bbc calling them a couple and didn't correct it. dan TOLD us in march of 2018 that he had a video planned for june that was relevant to the month but not because of his birthday.

they do the telling us with their actions before announcing it in so many other contexts too: moving, announcing tours, etc.

if you trust in and pay attention to their consistant patterns of behavior it's hard to be surprised by dan and phil.

so why is it that this one fucking thing—dan's gender—is not allowed to be posted about in the same way as everything else? those of us who do take so much care in what we say, too, if we ever do anything other than post jokingly. both for dan's sake (nobody forgets this is a public forum) and because the transphobic backlash is constant.

dan has been saying he sometimes wishes he was a girl since manchester. talking about gender since 2009. the gender conversation has been constant as long as dan's been online and we know it's been a constant since early childhood too.

dan said after BIG dropped in 2019 that he considered coming out in 2014 but then started thinking about gender and needed more time to figure it out. and you know how that ended? he did NOT say "i came out because i figured it out". it ended with dan saying that thinking about gender culminated in realizing it's okay to come out and change your mind. that you can be a formless blob. (quote)

and then sister daniel happened, and dan has been increasingly openly talking about questioning gender ever since. and hey: dan and phil commented on the possibility of a gender video from dan during dan's bday livestream. doesn't that sound familiar.

this isn't different from when dan and phil claimed heterosexuality and then were openly not in the lead up to coming out. this pattern of behavior is the same, and the way people are posting is the same, and i've never fucking once seen a dan gender poster cross the line the way people used to.

it's just a different subject.

would the people who get pissed at dan gender posters have been doing the same thing to people who thought dnp were queer before they came out? did you not realize what an rpf community is like because you got here after the fact, or are you being transphobic hypocrites?

why is the possibility of transness something dan needs to be defended from, anyways? it's a compliment and we know dan takes it that way.

figure your shit out. i'm sick of it, especially coming from other trans people. i've had so fucking many trans mutuals bullied off this website and out of this space for openly talking about the possibility that dan might not be cis over the years, and when the same transphobic talking points come from a trans sibling's mouth? it disgusts me.

you don't have to like it or agree with it or engage with it. but can you PLEASE stop acting like you have a moral high ground and are doing something beneficial to dan that he'd thank you for? just fucking block and blacklist and move on.

and know that if dan someday turns out not to be cis, you're gonna have to live with the knowledge that you made things harder for him.

us dan gender posters? we all know we might be wrong and we've had to think about whether we're happy with our actions if that's the case. and i know damn well we'll all be celebrating dan's gender nonconformity just as much for the rest of time if dan remains cis.

we're under constant scruitiny so we've had to self reflect. but i really don't think any of you have. think about your underlying biases. consider the impact a vehement defense of cisness would have on dan if he isn't. and please, for the love of god, let that impact your actions.

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question