#i don't really like the main characters though

[stingingcake]

It's actually a really interesting part of history as it takes place right as the Vikings were sort of dying out as a way of life. It's one of the main themes of the first part, and it's not portrayed like a sad thing. They had more land and were Christianizing so the culture was changing.

At the start of the series, Thorfinn (the MC) winds up stuck with a viking mercenary band and it doesn't shy away from the bad things they do. He's just a kid stuck on revenge against the mercenary's band leader who killed his father. Thorfinn is pretty disgusted by it all because he was born in Iceland away from most of the violence (his family specifically went there to avoid violence). Iceland actually never really had any "Vikings", its mostly norse farmers, and Greenland was the same way. Like, nobody lived in Greenland or Iceland before the norse settled there, and the people who lived there went there specifically to avoid others either for opportunities in farming or to avoid issues with the law or others.

Later on in the series, Vahalla, is quite literally depicted as hell. The series doesn't show every atrocity, though it has some pretty gruesome violence. The Viking characters are all portrayed as pretty evil (with exception to Thorfinn's father who had a major change of heart and tried to find a way to atone).

So this scene is Gudrid, the daughter of people in Greenland, being shown the world by Lief Erikson, who wasn't a viking raider, but a Greenland trader (Or missionary if certain sources are to be believed).

I fell out of love with this series after a poorly timed time skip that caused all of the momentum to be lost, but the first two arcs are a powerful story about where revenge leads you and how to find redemption after doing terrible things. I think part of the reason you don't have as many people complaining about it like goblin slayer is for the same reason you don't have people complaining about Berserk, despite it's dark subject matter it tells a compelling story. It's not perfect, but idk. I imagine you would like the character of Askelad if only because he's my second favorite character and no spoilers, but there's a twist with him that deals with what you're talking about.

Source: Vinland Saga ヴィンランド･サガ

by Makoto Yukimura

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[katzkinder]

@ky-kyu you asked about gluttony pair and it got kinda long so I decided to make it a separate post for the sake of people's dashboards. Also, I have another post here!

But I have more thoughts on them thanks to this page Yarra shared earlier, and many more besides, but I'll stick to this scene because otherwise this will really turn into a monster.

the wording nicco uses in the right panel is pretty moving, especially in relation to gluttony, at least in my opinion, and these scene between them is what really made me fall in love with these two as characters who were, quite literally, made for one another.

Basically, it's about how the opposite of Gluttony is a banquet.

Having so much excess and sharing it with others, allowing someone to fill their plate without worry because you know you have more, and how that relates to Nicco being the Eve who has an entire group of people surrounding him at all times, something which makes him unique as far as the main cast go because he's always being supported. The other Eves don't really have like... An entire group of human characters they're close with the way Nicco does.

A banquet without guests will simply rot and go to waste. Nicco, being a mafia boss, brings all those guests with him and allows them to partake of what he has to offer.

Food tastes the best when you share it with someone you love, and your joy is multiplied through their own. The joy of a shared meal cannot be understated. Even terrible food becomes fun when you have someone to laugh about it with. Even failure becomes tolerable when you share it.

And it's just. One of the first moments of big characterization we get from Ildio when we see his past is that he is a man who shares what little he has, even though he acknowledges that he has earned it, and the little slave girl has not. Even that far back, when his only desires went as far as an animal understanding of life, he was someone who could have, and probably did, draw in others around him for that unthinking kindness, so I really love how Nicco handles his problems. Because they actually share a similar fault

Both of them will attempt to take on too much for themselves to bear, and yet they can't help it. To defend the weak is what they feel they must do.

Gluttons for punishment, as it goes

And yet...

To be able to share the pain and the joys, to have a feast with one another with life as the centerpiece…

I think it's just… Extremely beautiful, the way their love for their fellow man is able to express itself

And I think it's even more beautiful, the way that even when being beat to a pulp, Nicco takes the time to look and see and experience the pain Ildio doesn't even realize he's holding onto

He doesn't let Inner Gluttony distract him. He doesn't entertain the demon attempting, however poorly, to shelter Ildio's heart by putting the blinders on. He speaks to him as an equal. As a friend. As someone who is worth listening to, and cherishing. He helps Ildio to face his grief.

He gives Ildio the same love he would give to any friend. Bite by bite, tear by tear, Nicco shares the burden Ildio tried to be Atlas about.

The song Nicco sings while they dance with the people they've loved and lost is Ciuri Ciuri. It's a Sicilian folksong, whose title means "Flowers, Flowers"

The verse Strike has carefully written out on the page translates to "Flowers flowers, flowers all the year. The love you gave me, I give you back"

And the love Nicco gives to Ildio...

Ildio will give back to him.

[deusvervewrites]

Anyways since ive been thinking about monomas quirk. I find it kinda intresting how little we actually know for sure of its limits regarding what it can copy or how it interacts with more complex quirks. Like yeah part of that is because he is a side character and he didnt get enough screentime to really necessitate those explanations, but i can only remember a total of seven quirks that he actually used in the main series off the top of my head - which sounds like a lot but all but two of them were rather simple emitters with little/no physical changes so theres not much data on how copy interacts with just about anything else. The most explanation there is is him talking about blank quirks when he meets eri - but even then interpretations of that scene range from “he can copy them but cant make that much use of them due to having no fuel but there might be ways around it” to “monoma physically cannot copy these quirks.”

Honestly the minimal explanations on copy itself compared to the wild possibilities due to the fact that the quirk system is so varied is probably part of why monoma lives rent free in my head lol. Theres simply a lot to think about. Hope you dont mind this random ramble lol

Apparently in the Light Novel he copies a Mutation Quirk, though if I recall correctly that was part of an incident involving something so spicy it forcibly activated Quirks which, uh. That seems like it'd have some Implications so I don't know how canon that was.

[iguessitsjustme]

My Favorite BL of 2024:

Is it 4 days after the new year? Yes. Am I making this a tad bit late. Probably. Do I care? Nope. Doing this for me.

These are my top 10 shows that aired and finished in 2024. I did have to whittle it down from around 20 and that was hard. But this is the list. But first.

Honorable mentions:

Love in the Big City - watched on Viki.

The reason this is not in the list of top 10 BL is because I categorize this as a queer story instead of a BL. It's missing the typical BL tropes and style, but it was damn good. After I watched it, it sat with me for awhile. It's still sitting with me. It was tough to watch at times, but it was worth it for me and I enjoyed it a lot.

I Hear the Sunspot - watched on Gagaoolala.

The same reason this did not make it into the favorites. This show is not a BL to me. Yes, it features a queer love, but that is not the focus nor is it the point of the show. This is a show about communication and acceptance and growth. The romance is secondary to all of that. The romance is used as a way to show the communication and acceptance and growth for multiple different characters.

The On1y One - watched on Viki.

This show. This SHOW. So good. I am scared we will never get a second season. The reason that this show is not on the list is because we didn't quite get to the romance yet. I truly hope we get more but I don't know if my heart can take it. Oh it was such a good show though. This show was one of my liveblogs (I promise I'll finish posting them at some point).

Now, on to the list in descending order of my favorites:

10. Century of Love - watched on Gagaoolala.

Listen. This show had some issues BUT listen. I am a sucker for a reincarnated lovers story. And I have been waiting my entire life for a show to do reincarnated lovers but they came back as a different gender. I loved the twist this show pulled by making it not certain if Vee was actually the reincarnation of Wat. I love when things get left up to the interpretation of the audience. I love that it also didn't matter because what mattered is that San chose Vee. He didn't need soulmates, he needed choice and that is what the show gave him.

9. Wandee Goodday - watched on YouTube.

I can't really explain why I loved this show so much except that I really loved both Yak and Wandee. Yak was such a green flag throughout the show and Wandee was actually very good at communicating his boundaries. It was refreshing to see. I wish it had handled certain things better, but overall this show was something I looked forward to a whole lot every week.

8. At 25:00 in Akasaka - watched on Gagaoolala.

This show felt weirdly calming to me. The way that all of the characters moved throughout the world was so calming. Shirasaki and Hayama are perfectly balanced. I love how they love each other. It took them awhile to get there, but once they did, it was so wholesome and delightful.

7. Deep Night - watched on IQIYI.

POLY. This show gave us canon poly. Did we get enough of them? No. Alas they were the sides. But it made me so incredibly happy. The leads were great too. Wela and Khem had wonderful communication the entire way through the show which was super unexpected in a show like this. This show also did not hold back on the heat. But the main reason I love this show so much (other than the poly) is just how supportive everyone ends up being of everyone. It was wonderful to see. This show was one of my liveblogs.

6. Jack & Joker: U Steal My Heart - watched on IQIYI

Yes, yes I know. I was pretty vocal in my critiques of this show (well vocal for me). But despite my issues with it, I really loved this show a whole lot. I love anything involving a heist and they really went and made it gay. God bless. Joke has become one of my all time favorite characters. I liked that this show tried something new. It gave us something new and something interesting. It was intriguing and it was fun. It was an absolute joy to watch and post about and it was the show that I probably felt the most in community with other people watching. I love YinWar for giving us this show and putting so much of their hearts into it. It was obvious how much everyone involved cared.

5. We Are - watched on IQIYI

It should surprise no one that this show is on my list. First of all, TanFang. My absolute favorites. But this show was so slow and so calm. There was such little conflict it basically was nonexistent. It was exactly what I needed. The summer months are always hard for me mentally and this show was a nice break for my brain. I loved all of the couples. Some of the couples definitely had pacing issues but I still love them. It was a delightful show and sometimes I just want a show that I can trust will greet me like a friend each week.

4. My Stand-In - watched on IQIYI

I love my toxic boys. Ming you absolute disaster. This show was a RIDE. I couldn't get enough. Joe was such a good person and the whole story is bonkers and Ming was a walking talking red flag and still I was rooting for him. I also loved how much effort the creators put into this show. I don't think I've ever seen so much analysis done of character's backs in my life. It was GREAT. I want a million more shows just like this. We all deserve it.

3. Monster Next Door - watched on Gagaoolala

Just like We Are, this show greeted me like a friend each week. I could count on this show to feel like a warm hug. God and Diew are quite literally the cutest of all time. God was the biggest green flag we have had in awhile, if ever. I mean, no one truly did it like him. That man literally went out of his way to make sure Diew wouldn't even see his face until Diew was ready for it. The only sin this show ever committed was not getting Khun Shy a proper tank. I know that it wouldn't have fit with the aesthetic or whatever, but I was stressed. This is a show that I imagine I will be rewatching at least once a year if not more.

2. Unknown - watched grey first then on Viki

It was soooo hard not to put this as number 1. This show was everything to me when it was airing. I actually found a translation of the book to read online after the show finished airing because I did not want to be done. The way Yuan loved Qian was absolutely wild but my god I loved it. Watching Qian learn to reciprocate Yuan's feelings but also to let himself finally be taken care of was fantastic. I loved their whole family dynamic. I loved the friends. I loved how hard each character worked, not just at life but they all worked hard at love. All types of love. Unknown really told us that love is not always easy and sometimes it is the hardest thing to do, but it is worth the effort. And it also gave me the scene of Qian chasing down San Pang while Yuan sat back and laughed. Iconic.

Love for Love's Sake - watched on IQIYI

This is the only show that could take the #1 spot for me. It was the show this year. It aired last January and I am still thinking about it and how much I love it. Myungha is undoubtedly one of my favorite characters. Something about him just spoke to me, the way I'm sure his character spoke to a lot of people. Everything about this show from beginning to end was executed flawlessly (in my opinion) and I cannot stop thinking about how it said that even the worst most unlovable parts of yourself are worth loving and actually they aren't the worst and the aren't unlovable. It might be hard to love those parts of yourself, but it's so easy to love them in someone else. And they will love them in you too. This is a show that I would absolutely love a physical copy of so I can force everyone I know to watch it.

Sorry for how long the post is. I chose not to include screenshots mostly because I'm lazy and now I'm glad because this is already very long.

[sirsagrell]

The holidays have passed so it's time to yap critically about Veilguard some more.

So. I like to project themes and meanings on Dragon Age stories that weren't even necessarily intentionally put there by the writers. And how well Dragon Age used to lend itself to that favorite pastime of mine, was, I think, one of its main strengths.

Hear me out.

Dragon Age is a game, and a game is not a book. A Dragon Age narrative is not done being written until you the player play through it and fill in the blanks. And you don't just play a role, as in define the player character and make choices for them. Through the interplay between your character and the world, trough the influence you have on the world and the people in it, you pick out the themes and meanings that your very own Dragon Age narrative explores and expresses.

It used to be a damn fantasy writer simulator. No wonder it inspired so much creativity.

Some of it was intentional, and some, probably, not. Some, but far from all of it was due to the infamous Dragon Age Grey Morality(TM).

(Where that Grey Morality(TM) was executed well, and where not is a separate conversation, and that conversation has very much been had, extensively, over the past ten years. I'm not getting into that here.)

Most of this effect, however, relied on the simple fact that Dragon Age never presumed to tell you what the correct themes and meanings of a Dragon Age story were. (Yes, you could arrive at some really unfortunate themes and meanings with the story building blocks given to you, yes, I know. But you never had to.)

You were asked questions (Yes, some of them were stupid questions). But if you were in any way interested in thinking about the messy source material presented to you, you immediately arrived at questions even deeper than the writers ever intended to ask, and weren't some of them just fascinating.

Veilguard, I feel, almost stopped asking questions. Worse, when it does try to ask them, it tells you what the answers are supposed mean. Literally. In a tooltip (!) in the interface (!!). There's a correct way to read Dragon Age now, somehow.

I'd say the most egregious example of this shift is Rook's unquestionable heroism.

We, Dragon Age and I, used to ponder the meaning of being celebrated as the hero, regardless of what kind of person you really were. Or the futility of trying to be the hero when all the societal systems work against you. Or the terror of being the hero, when you're suddenly forced to become a whole societal system yourself. My Dragon Age protagonists had a really sad and shitty time being protagonists. 'Twas good for their souls.

Enter Veilguard and Rook.

You start the game and you're introduced to Rook, the game's hero. You are repeatedly reassured that you're the hero, and Were Chosen For Reason. You can attempt to express doubt about maybe having made the situation worse, and you're immediately assured by your companions that you shouldn't. "You got this Rook", the game repeatedly says. (It's thankless work, fixing the world, Solas shares, but Solas is from a different game and probably didn't get the memo.) Everyone is actually super thankful to Rook, even the people you left to be blighted, you're a universally good influence, after all, and you couldn't be two places at once, any reasonable person understands. You're doing your best. Don't you worry, your best will be enough.

Oh, and just in case you're still having doubts, Rook, all your antagonists are mindless and/or power-hungry fools, and, like, elfy Thanos. It is objectively correct to oppose them. By doing so you're not just saving people but helping the world move past the violence of the past and into a brighter safer future.

Honestly, I don't think I have ever played a game that went to such lengths to assure you you're the Good Guy here. I've never played Marvel games though, are they like that? Is this why…

This is getting too long. So I'll sum it up as best I can.

Veilguard isn't juvenile in meaning, not really. In tone, yes, in meaning, for the most part, no. It does tackle some heavy stuff. But Veilguard knows what exactly it means to say and it will beat you over the head with its message, until you know it too.

And that, to me, for a Dragon Age story, is just sad.

[basically-fabulous]

All fair! And I do agree for the most part. My own experience making a woman who looks (and sounds) like me in VG was more successful though honestly I had her all armored up for half the game so my main focus was on the face so I'll cop to my brain just filling in the details if that's what happened lol.

Comparing Saints Row 5 and Veilguard is actually fun because they were also both #Woker than previous installments (and amusingly I made basically the same character visually in both). And I think that's why I'm a little more patient with the character creators not being as expansive as they might otherwise be. Veilguard's is less cohesive in the physical sense but they at least give you the in-game recognition (outside of those conversations with other trans characters that treat you like you don't know, which to clarify, blow), and SR5 lets you be whatever and then ignores it. Which was always my main critique of THAT sort of CC. Like the visual diversity is there and that rules but it's hard to ignore that as far as the game is concerned, being an average trans woman is no different to being a turbo plus-sized shiny Dr. Manhattan with his dick out who sounds like a southern belle, so I can't really give them props for "inclusion", especially in games like Saint's Row, where it really wouldn't be surprising if the game made jokes about trans or fat or otherwise marginalized people. BUT it's clear both teams wanted to offer some level of inclusion in a more thoughtful way, even if they were lacking one way or another, so I can't really be mad so much as I might just wish they'd gone further. Hopefully they keep pushing the boundary and one day we get some better CC standards where you can be trans and fat and not talked down to lol.

the fact that the cyberpunk 2077 character creator doesn't let you be fat is utterly indefensible. like even elden ring let's you have more different kinds of body types than cyberpunk and elden ring doesn't advertise itself on "In The Lands Between you can BE ANYONE...."

[0pooleart]

Sonic Redesign Masterpost

One thing I've always passively thought about the Sonic franchise is that it's great, but also always felt just a bit short of perfection in a bunch of random aspects (mostly some character designs and some stories). Around like late August of 2024 I sketched out some redesigns for some of the main Sonic characters, and I quickly realized that I kinda physically had to not only redesign like, all vaguely notable characters from across the entire franchise (not just the games) but I also really wanted to rewrite a ton of stories, so I just like, did, you know? I'm basically obsessed now so here's a giant masterpost that's more about the thoughts behind my redesigns than just the images. Don't expect this to be super organized and fun to read lol

(and I can feel the hyperfixation dying down so I really should just get this out there)

Also, if you'd rather read it in the form of a Google Doc, here's the link to that: https://docs.google.com/document/d/1VvXMzQ2kr7HrqmUd0Z7Aa9xCprUZ1ojm5cD8lcAEjbQ/edit?usp=sharing

First things first, for one, Mobius and Earth are two distinct planets, and Mobians are one set species. I didn't think that was a crazy idea until I actually watched a video detailing how current Sonic treats the setting but yeah, I really want them to just be completely different planets.

Origins

Anyway, the main draw for rewriting most Sonic stories was the fact that he doesn't really have a canon origin in the main series games (yet?) so I felt the need to give him one, and a more discrete timeline. However, everything starts with Eggman (and this is a heavily truncated version):

Robotnik enters Mobius via a Ring portal (similar to how the movies portray them), but he's instead a skinny, charming young man (similar again to Jim Carrey's Eggman in the movies, a drawing of him is further down). At first he pitches his little, cutesy animal inventions to the Mobian public, and they actually like them quite a lot. He's not without an ulterior motive though, and as his inventions get more and more popular, he actually hires some Mobians to help produce them. He begins building his business over the years, using the unique powers Mobians have to boost production. He even gives some of his workers their own homes built up with his technology, but he starts using this as a way to control them, since he basically can take away their whole lives if he so chooses. As he keeps building and building, he steals more and more resources from Mobius, and he builds over the Mobian city he started in (haven't really specified what it was yet), slowly making it his own over time. The only place he knows he shouldn't touch (just to stay in the good graces of Mobians) is Green Hill, a place that's sort of sacred, but more sacred in the way art is sacred, since it's a place hand built by ancient Mobians to be a wild place for them to roam free. Time passes Robotnik has been fattened up by his personal chef/baker Vanilla, and he's settled into being in control of so much of Mobius.

It's around this time when Sonic is born into the factory (of course given the canon name Ogilvie at first). He's taken away from his parents, whoever they are, immediately, and is put to work as soon as he's able to push a button. As he grows up, he's obviously too restless to do something so sterile, so he's put to work on the hamster wheels that power the Robotnik Empire. He never even thinks there's anything special out for him in the world, but eventually he, like the other workers, is given his semi-yearly vacation to the Green Hill, where they can recover their will to live. However, Ogilvie is so completely overrun with joy that he just runs off, never to return to the factory again. Eventually, of course, he changes his name to Sonic to fit his new life of just running around Green Hill.

Robotnik catches wind of there being a deserter, and decides to set out his robots, who secretly had battle functions all this time, into Green Hill to catch him. This is essentially where the first game would begin, just Sonic running around destroying Robotnik's robots as they come at him. However, Robotnik has a second in command: A young, two-tailed fox who he found outcast on the streets, who had a surprising knack for machines, something he didn't see in many other Mobians. He was named Miles Prower, and he grew up working for the one person who didn't ostracize him for his tails or his skills. He was only around 12 when Sonic, approx 16, escaped, and he was tasked with leading some of their more sophisticated creations into battle. 

Robotnik came along too with his own weapons, but they were both completely outmatched by Sonic's unbridled confidence and cockiness. Robotnik tore out what hair he had in anger, and of course that's when Sonic taunted him with his new nickname Eggman. Since Miles was there too, and he felt like he was on a roll, he called Miles "Tails," but Miles' reaction was much more ashamed than he expected, so he felt a bit off about that one. After the fight, Miles was repairing the machine Sonic destroyed, but he found him and met him on more even terms, and tried to convince him that there's probably a much better life for him out with him. He wasn't totally convinced yet, and couldn't exactly just defect from Robotnik like Sonic did, so Sonic left him be for now.

This is the general part where I start writing too many fine details, so basically Miles slowly starts enjoying himself more and more fighting Sonic and meeting him after the fight. He even adopts the "Tails" nickname for himself on the card of a present he drops off for Sonic, which was his much more durable and iconic sneakers. He finally breaks away from Eggman completely during an aerial assault on Sonic, where he prepared some supplies in the plane he was set to pilot, so he could take it away with him. He even was able to use some scrap from the battle to build a workshop for himself to live and work while Sonic still mostly just roamed free. This is around the point where the second game would start, since Tails has joined the cast and they can both battle Eggman together. If this were to be a game, I'd want Tails to be in the cockpit of each boss in the first game, so it helps set up his inclusion in the second, but obviously this is just a random floating idea for now. This isn't meant to be a concrete game/comic/animation/whatever.

But, that sets up most of the future events, even though there are some major stories to come, so on to the designs themselves:

As for overall Mobian redesigns, I always thought their giant ass hands and feet sometimes got in the way of their expressiveness, if they didn't just look kinda doofy (especially with characters like Knuckles) so the generic "Mobian" template has a smaller head, feet, and hands, and has a generally longer torso. Basically they just have slightly more """realistic""" proportions even though they're still obviously cartoony, just more realistic on the spectrum compared to the canon designs. And, since they're all one species, that means they evolved over time to match some of the animals around them, like a macro-evolution version of how Chao take on animal traits. That also means that the animal parts of their names are more like tribe affiliations, since they aren't actually the animals they say they are. For example, Knuckles the Echidna isn't an echidna in the species sense, he'd just call himself that to show he's affiliated with the Echidna tribe, and more generally that his people took on traits of the local echidna-echidnas. Meanwhile, characters like Tails/Miles Prower have a more family-based last name and a nickname for reasons I'll get into later. Also aside from that, I wanted characters that are Reptiles and Insects (Espio and Charmy mainly) to seem more unique from the mammals, so they look more distinct. And even the mammals look more animalistic in general, with longer snouts, getting rid of that weirdly detached muzzle thing most Mobian characters seem to have. Characters that are like Cats and Rabbits don't end up changing much since they aren't known for having long snouts anyway.

Sonic

Sonic was obviously the first one I tried redesigning so his design went through a bunch of changes, but the first thing I dealt with with him was his stupid conjoined eye thing. Obviously in that classic CD animation everyone loves it works out because its super stylized and simple, and all the current Mania versions of him make it work too, but it's really hard to unsee now in his modern designs. It's obviously meant to be like a Garfield type of thing, where it's just a cartoony way of having two eyes close together, but nowadays it really feels more like a Lightning McQueen type of eye windshield. If every Mobian had that then I'd keep it and just call it a stylistic thing, but no, only Hedgehogs have them, so... At first I tried representing that by making him have some kind of goggles to protect his eyes from the wind as he runs, but I couldn't get that to work, so I just split his eyes up. In his goggles-form I gave him this black brim to the goggles to kind of mirror Shadow's random red eye splotch he has, and since I liked that enough I kept a small bit of it in the current design. I also gave him some kind of double-sock type thing going on with much more athletic-seeming stuff to go under his more fluffy socks and gloves, which didn't feel all that necessary until I removed them at some point, and that just made him feel extra naked somehow. I do like them though. And, of course, he's actually wearing rings.

Aside from that, I kinda inadvertently made him look a lot like his Movie version, with his extra frazzled quills and blue arms and such. I definitely feel like he benefits from being extra sharp, so I added a bunch of spikes to things like his chest and shoulders. Even though it's not really important to mention I might as well, but the weird thing I think about his arms is that his normal Game design does basically need tan arms, but I actually think overall there's no reason not to give him blue arms in a form like this. It just makes sense.

Tails

Tails is mostly unchanged, just making his face fur blend more smoothly into his face instead of just being solo hairs glued on. His chest fur is more like a ball of fluff focused more around his actual chest, instead of just being a flat pattern on his stomach. I also gave him bigger ears for a bit of fennec energy, and a red scarf so his red shoes aren't the only red on his design. Aside from that, it's all just restylization, like making his tails extra fluffy.

Eggman (and Miles)

I'm still torn on what I want Eggman to truly look like. At first I wanted him to look a bit more like his SatAM-style version, with really short legs and a big fat belly, but then after seeing more and more fanart of him I tried to give him back his weirdly scrawny legs. No matter what though, he needed to have a giant coat with a massive collar to show his impression of himself. Also, I will always want to preserve his iconic smile, where his big toothy grin is basically glued to his mustache. That's pure Eggman.

And of course there's pre-Sonic Tails there too, with his fur very organized and clean, and with a much more grim demeanor. I also thought his tails would also be a lot less fluffy, and he kind of wraps them together like how a person wrings their hands together when they feel shy or awkward, showing how he hasn't fully embraced his mutation yet.

This is a quick little sketch I did of younger, thinner, and less bald Eggman when he first enters Mobius. 

After them, there are some characters that'd just be appearing around this point in the story, so here they are:

Amy… the Cat?

So for the longest time, I legitimately believed Amy was a cat, so I decided to make her a cat. It's that simple. She never really looked like a hedgehog, anyway. Plus, I do want to keep the main group as being Sonic, Tails, Knuckles, and Amy, so it'd be nice if they were all different "species." Aside from that, I just made her former quills look like much more fluffy and soft hair, and gave her long sleeves just because this drawing convinced me it was a good idea. However, I did do a quick sketch to see how she would look if I kept her a Hedgehog, and in that one I took away the long sleeves since I thought that would be annoying with her chest/shoulder quills.

As for how she meets Sonic, she's working under Eggman as a blacksmith when Eggman starts going berserk over actually losing both a devoted worker and his right-hand fox. He puts up signs everywhere asking for people to enlist into an army with the sole purpose to capture him, but Amy is instead just smitten with this rebellious hunk she's just now heard of. She joins Eggman's forces, but breaks off on her own to join him. He's super willing to let anyone join, but since Tails knew how devoted to Eggman some Mobians could be, he thinks she's a spy at first. Over time, though, she proves herself, even if she can't quite catch up to Sonic.

Cream, Cheese, and Vanilla

Cream was always perfect, but I really hated that Vanilla was basically just a taller copy of Cream, so I tried to give her her own identity. Also since they're all named after food I decided to specifically make Vanilla a baker/chef, which also meant I could turn the one tuft of hair on her head onto an ice cream-y dollop. And even though that was decided before I decided to make Eggman start off skinny, it also meant that I could make her a pretty major part of Eggman's life, being the one who makes desserts so good he just couldn't help himself. Even though Eggman definitely loves stomping on the hopes and dreams of Mobians, he's actually quite fond of Vanilla (not in that way, thank god) and tolerates Cream. As for Cheese, I had this big idea of how to redesign all Chao mechanics a while ago, and one such idea was to have Luck and Intelligence forms of Chao just like the other stats, and I decided to make Cheese a Neutral/Luck Chao just before he evolves into his main adult evolution, since he's lucky to have Cream by his side. Literally. He's only with her because Eggman was experimenting with Chao, and Cream caught him in the act, and he tried to save face by giving her Cheese as a gift, which definitely took him off her radar. 

But, also, since when do rabbits only have one kid?

They're just rough ideas for now (except for Milk and Sugar for reasons) (and I also thought of there being a baby Butter as well but I can't be assed to save a new version of the sketch). Even though it doesn't make sense for each kid to be a different age, since rabbits more so have large litters, I just think this is more fun from a design perspective. Also, Vanilla having so many kids to worry about makes it more reasonable why she's so beholden to Eggman. She definitely can't just get up and leave when she has to worry about all of them. 

As for how Cream meets Sonic, I literally have a whole animated short planned out in my head because, if you couldn't tell, she's easily one of my favorite Sonic characters, but the gist is that once Eggman "gifts" her Cheese, Cheese starts drawing crude drawings depicting how Eggman treated him and other Chao. Cream slowly catches on to Eggman's evil in her own oblivious little way, and eventually just… walks out. Much to Vanilla's dismay. As she leaves though, Vanilla basically snaps from her goodie-goodie persona and practically holds a knife to Eggman's throat, telling him if any robot ever harms Cream while she's out there, "so help me god…" He relents as much as he can. Meanwhile, Cream just keeps walking to Green Hill. Tails notices her as he's flying the Tornado, and picks her up. She's a little disappointed that everyone's basically just living in the wild or Tails' crude workshop, but they try to make due for her pampered little self.

After that comes the first big story since the Origin/random extra happenings. 

Knuckles

Honestly I feel like Knuckles has to be one of my top redesigns. I definitely needed him to look more buff and big compared to Sonic, but not quite to the level of Boom Knuckles, and I think I really nailed it. Not only that, but making his coat and "skin" color darker just works so well. And, of course, with the dread-bands/paint of his tribe. Him just looking so much more square also just fits so well.

Knuckles starts off as usual guarding the Master Emerald all alone on Angel Island, but soon Eggman visits him without any armada, reading about the Chaos Emerald's power and finally wanting to use it to stop Sonic. He does his usual schtick of convincing Knuckles that Sonic is the real threat, and since Knuckles was so isolated he didn't even know who Eggman was, and joins him to stop Sonic. 

However, Tails isn't stupid, and keeps a solid ear to what Eggman is doing, and hears about his plan to take the Chaos Emeralds, so he and the others set out on a world-sprawling journey to get the Emeralds before he does. However, they aren't the only ones looking for treasure…

Rouge

Technically I redesigned Rouge first out of everyone, but for other reasons than the franchise-wide redesign. This is basically an adaptation of that. Similar to Amy, whose design was cursed by Girl-Character-Syndrome, I also wanted to fix up Rouge by going where no anthro female character has gone before… giving her a bare crotch. Crazy. The boys can run around stark naked while the girls can't not wear full body clothing, so someone had to pick up the slack. She at least has her top covered, but that's mainly because I'm kind of a sucker for her heart-boob thing. I really can't deny it. Oh yeah and the heart motif continues into her nose, because she's a bat, of course it would. Bats literally have heart-shaped noses but they didn't bother even giving her a tiny heart-shaped nose in canon. AND she even has full body fur, because her being completely bald across her body is even more of a sin to me than forcing her to wear full body clothing. Anyway, she's got dark skin too, because obviously, and I tried making her arms her wings at some point but I also wanted her to have normal humanoid hands, and that just didn't mesh well, so she's still got back wings. Aside from all that, I gave her a long index fingernail on her glove for lockpicking purposes or whatever, it just seemed like a weirdly fitting thing for a character once called Nails.

Anyway, Sonic and co stumble upon Rouge who had the same goal as they did, but of course with a different motive, although she promises to play nice and help them find the Emeralds (until she betrays them once they have them all)

At every Emerald, each situated in a different biome, they encounter Knuckles, who uses the elemental power of each Emerald to fight Sonic, although Sonic is usually able to snatch the Emerald away from him and make away with it. After every fight, Knuckles is more and more sure that Sonic is a threat, but once Sonic and co actually have them all, and find the Master Emerald too, Eggman is the one to make the first move, and snatches them away all at once to power the giant mech he built behind the scenes just for the Emeralds. Everyone teams up to steal back the Emeralds again, and Sonic feels a strange power inside of them and the Master Emerald. He asks Knuckles what it could be, and he says the Master Emerald must have determined that he should be granted their ultimate power. Sonic seems stoked, but Knuckles is seriously worried, thinking back to the tales his people told him of what happened last time… but thankfully this time, Sonic just turns an electric yellow, beats Eggman's mech to a pulp, and turns back to normal once the deed is done. Knuckles is a bit shocked, but relieved.

With all threats neutralized, Knuckles accepts that he was wrong, and makes amends, but he stays with the Master Emerald. Rouge goes off on her own again, too.

It's at this point, while still on Mobius, some other characters probably emerge. This could happen either after or during the previous events.

Sally Acorn

Even though I don't have much personal nostalgia for Sally, she used to be such a big deal that I couldn't NOT add her to the roster. Like Amy, I also got her species wrong, since I thought she was a squirrel and they just didn't have the guts to give her a big, bushy tail, but I was remiss to hear that she was actually a chipmunk, meaning her redesign couldn't have that amazing tail… but chipmunks do have pretty iconic patterns, so I made sure to include that in her hair. Apart from that, you can see all the changes. I imagined her home town being smaller, and even though she could be the daughter of her town's mayor, she wouldn't be a princess. I never really got princess vibes from her. Oh yeah, and she's still smol, like how she was always drawn in her original era. She can make up for it with her spunk. She would also have her own Speed/Fly/Power dynamic with Ray and Mighty, who are also still smol.

Bunnie Rabbot

I basically just mish-mashed all the parts of Bunnie's various designs that I liked, but the main part of her is her new story. She basically lives in this classic Western-style town held under Eggman's boot, and she's hired as an outlaw to catch Sonic, where she was given robotic enhancements both to give her extra power but also so Eggman could more directly control her. She's also the "bawss" of Fang and Trip, other outlaws hired by Eggman. Even though she doesn't personally hate Sonic, she needs to do what Eggman says, or else she knows he'll wreak havoc on her town. No amount of speeches about friendship and being a good person could turn her.

After all those events, the next stage of the story begins, where at some point Sonic goes Super to fight Eggman, but Eggman was ready. He manages to suck the Emerald power right out of him to power his ultimate plan--- the thing he more or less planned on doing from the moment he stepped foot on Mobius. However, the damage Sonic and co did to his plans during that time caused it to go haywire, sending giant white explosions shooting across the entire planet of Mobius. Practically every Mobian was transported to Earth, Sonic X style. And not just the people, but massive chunks of the planet too had warped on to Earth, practically fusing the two planets together.

But of course that opens up too many stories so time for a rapid-fire design overview lol

Chaos & Tikal

Obviously the events of Adventure would be next, but for the most part Tikal's design is just updated to match the new Knuckles. With Chaos however, I slightly changed his story to make it so that he mutated from a Chao for when he first turned into Perfect Chaos and destroyed the Echidna clan, and obviously making it so that he used to be a Neutral Chaos Chao. I also have a whole animated short mentally planned out of that moment which I'd kill to create. After the events of Adventure though, instead of like getting dragged off to Heaven or whatever Chaos is instead gifted just a little bit of power from the Master Emerald so that he could maintain a more solid form than his 0 form so he could live alongside people (as much as a water monster can), and in this form (which I'm calling Controlled Chaos) he looks more like a Chaos Chao and of course he also has an emotion ball, which the Chao quickly recognize and accept him in with them. I also like to think he could replace the role of Gemerl from the comics, where he is the superpowered being that helps protect Cream and her family (although clearly Vanilla is a bit more hesitant)

As for the events of the Adventure story itself, it's mostly the same, except for the fact that Knuckles wasn't at the Emerald when Eggman broke it open because he was slacking off alongside Sonic, which he beats himself up about before realizing the Emerald can be repaired. Also, with their Master destroyed, the Chaos Emeralds actually turn into chaotic masses of power that greatly affect the areas around them, making them more dangerous to obtain for Sonic and co. For example, maybe Ice Cap wasn't really that icy, but the Emerald Sonic was to get from there turned whatever it was before into a frigid mess. Maybe it would also spawn some sort of boss for them to fight to protect itself.

Also, here's Big. He's mostly the same except I wanted him to look more wild and unkempt. I also made it so he actually has a giant mouth, because in all his modern forms I honestly think his really tiny mouth looks super weird. 

Oh yeah and I guess one major thing I changed about all Mobians, they actually have feet and not just weird nubs. Really expanding the boundaries of design.

I also have ideas for Gamma and Omega from here, but it mostly boils down to Gamma actually having more personal interactions with the main cast, and once his story finishes and he explodes, Eggman laments that his best creation was going to waste, so he decided to rebuild him… but with less empathy. This backfires when the new Omega is disgusted by Eggman's method of just rebuilding him, and lashes out, going off to join the cause against him.

Then, for Adventure 2…

Shadow

For the most part, I just updated him to match Sonic's design, and gave him cooler gloves/shoes, but the main change is that I want him to feel more like a crazy genetic experiment. For one, you can see that he actually has gills similar to those of the Biolizard in his base form, probably just to help him take in more air/energy so he is less likely to tire, but more importantly I want his inhibitor rings to essentially be holding in the Doom powers he gets in Shadow Generations. When he takes them off, he basically becomes a darker shapeshifting mass that can barely hold himself together, instead of just becoming an objectively more powerful version of himself like in his canon form. It also makes more sense, since Gerald probably made those rings as he was ashamed that he had to resort to giving him Black Doom's DNA, and so that he could interact with Maria without hurting her.

The other big change is to Maria herself, who I wanted to be as goth as Shadow is, with her being more of the rambunctious goth type than an emo goth. I was always kind of annoyed at how generic anime-UwU precious babey Maria always was (even though she was greatly improved in Shadow Generations and Movie 3) so I thought making her have a more fun/imperfect personality would be more interesting, and would be more impactful during the Ark raid where she turns from a full-nonsense personality to someone who's actually afraid and desperate. I don't really have a solid visual design for her right now, but I've had a couple of iterations. I kind of want her to look less assured than she does here

Team Chaotix

You have NO IDEA how much I needed to change Charmy and Espio. Charmy looked like a weird cat/bear with a bee tail and Espio looked like some completely unrecognizable animal, even though you might be able to at least assume he's a chameleon if you knew his powers. 

For Charmy, I just needed to give him big bulging black eyes, a jagged mouth, and another set of arms to really show that he's an insect. If nothing else, it at least makes it obvious that he can't be anything BUT an insect. As for Espio, I decided that I could give reptilian Mobians various scales on their body instead of the mammals' chest coloring or whatever. I also gave him a more unique head shape and that weird fin thing which is much more chameleon-iconic than what he had before, and even gave him that wrinkly eyelid thing they have, while still giving him a more humanized expression.

As for Vector, since he was the rare Mobian who had an actually unique body type and head design, he stayed mostly the same. He's the main reason why I know the character designers at Sonic Team aren't ALWAYS copy-pasting their body types. I did have to change his outfit, mostly just to get rid of his weird shoulder-ball things which never will make any sense. What even are they?

Now, for the biggun

Blaze

Oooohh my god Blaze. When I was first thinking about adding her to the roster, I liked her a decent amount but didn't think about her too much. I did know that I wasn't going to change much about her design since it was already pretty much perfect, I just added more gold to her and made her ponytail more like a flame than her canon design, which looked more like feathers of some sort to me. I then just updated her tail to match the style.

What really changed was when I completely rewrote her story. I always thought it was so weird that they made her so special and weird, being a fire-bending princess from another dimension, but they barely went into fine detail about her, like, AT ALL. It doesn't seem like there's anything special about the Sol Dimension, aside from the Sol Emeralds, and her actual role as a princess is never really touched on at all besides her living in a castle as depicted in the comics, AND worst of all she's just sort of… born with fire bending powers? That's crazy even for Sonic characters. I mean I'll accept it but still, I feel like there should be something there. And it's also crazy that all of this was introduced in Sonic Rush, which, let's be real, has the most non-story there could be in a Sonic game. Nothing interesting and unique really happens in it. At least Rush Adventure did something new, but still. She deserves better

So anyway I changed practically every detail and am mentally organizing the full story, but the gist of it is essentially that 06 is now her debut game, and everything regarding Soleanna now involves her instead of Elise and all takes place in the Sol Dimension. You'd think it would be a little on the nose to make Soleanna a location in the Sol Dimension, but they didn't even bother to make that a thing. Same goes for Solaris. It feels so obvious, like it was meant to be that way in a beta form. On top of that, though, since she replaces Elise you can probably guess that she actually derives her fire bending power from Iblis, which is actually a power passed down in her family ever since Iblis and Mephiles were sealed. And, since she's clearly in more of a position of power than Elise, she can actually be the third in the 06 main character group instead of Shadow, since he gets enough attention elsewhere. 

As the story goes on and she realizes she has a flaming hellbeast inside of her, her sheer confidence gets broken and then regained thanks to Sonic supporting her. Maybe also includes a relationship with Amy because I can't help myself. Apart from that, there are so many details and story beats I'd love to share but really that would be a whole document all on its own. I'm surprisingly close to being able to write basically a whole movie script's worth on this thing.

But yeah every single detail I added to her story has now retroactively made her one of my all-time favorite Sonic characters, tied with Cream and Chaos. I basically freak out whenever she does literally anything, I'm kind of obsessed.

Also since the role of princess suggests there's a queen (unless you live in Equestria), here's the Queen of Soleanna

Silver

Now of course, ANOTHER peak redesign. I really think Silver specifically is the biggest upgrade out of everyone. I really needed him to look more weird and futuristic, making his whole body actually silvery instead of just kind of white, and making his clothes black to make his glowy tech bits more stark. I even turned his quills into flowing hair, just because. I like to think he's one of those characters that's unimaginably handsome without any effort, even though he doesn't realize it. 

Story-wise he doesn't change much, except of course since Blaze is doing her own thing, he's completely alone fighting to protect his future, which personally really helps show his character. He's the type to fight to his dying breath even if he knows he can't win, just so he can protect as many people as he can. I also think he's still the type who would take a can out from the bottom of those can pyramids in a cartoon supermarket, only to freak out when the whole pyramid topples down. He's a devoted warrior who, in low-stakes scenarios, is still kind of a lovable loser.

Except he wasn't always alone. He's the last remaining member of the Crested Knights (or whatever I want to call them), a genetically engineered and cybernetically enhanced army of people made to quell Mephiles and Iblis as much as possible in the future. The second-to-last, his mentor Steel the Wolf, fell in battle with him, so he vows to keep fighting for him. Personally I think Silver having a deep personal attachment to someone in this way really makes him feel more loving and empathetic, which makes his goofy sides much more charming. I imagine him sharing stories of their past together over a campfire while Sonic and Blaze listen intently.

Also just because Blaze gets her own special super form because of the Sol Emeralds, I thought since the Chaos Emeralds are said to grant wishes, each individual who gets their power has a different "super" form. If we get Super Sonic and Burning Blaze, then we can also get Psychic Silver (it's still alliteration) where his psychokinetic abilities go haywire and his senses basically become perfect. 

Forces

The one thing I realized I didn't like about the IDW comics is that Amy was barking out commands like she was some seasoned war hero (which she kind of was) in her cutesy old Adventure dress, so that made me think that I should give her and everyone else their own special outfits for the Forces section of the story. Also, since the story of Forces is practically the same as SatAM aside from Sonic being involved, I made the Freedom Fighters become a part of this story, which are their own little task force. That also includes Nicole, who now actually looks like a holographic projection instead of just some random Mobian, although I might eventually design a more corporeal form for her. And, since Forces is one of those games where you realize they just didn't want to include humans for some reason, I decided to give Topaz from Sonic X a spot alongside Rouge in the Resistance. She'd still start off as a cop that Rouge enjoys ""messing"" with, but then once Eggman starts taking over she joins the forces against him. And since the IDW comics are practically a part of Forces' story, Lanolin can also be here, who I made chubbier since sheep always have a chubby aura. Tangle is there too but she's completely unchanged since she's already perfect. Same would go for Whisper but I haven't drawn her yet. And really the same goes for pretty much every other IDW character, since their designs are some of the best in the series imo.

The Ancients

I really thought the Ancients needed to look more alien and weird, and I wanted to give them clothes to mimic that of their tech. I also thought that the Koco could instead be their true brains/bodies, and the gel is another part of their tech. 

The main thing of their story is that I want them to be the origin of all Mobians and Chao. When they fled from The End to Mobius, after the big fight The End broke their bodies and brains, destroying the rocky shell around their true bodies, and making them back to being nearly animalistic. However, over time their malleable bodies evolved over time, some turning into the more capable and intelligent Mobians, while those that ended up in more protected areas didn't change quite as much and became the Chao, still being pretty soft and helpless. However, I also thought that the branch of them that fled to Mobius surely couldn't have been the ENTIRE species, so the other branches that fled away from The End ended up evolving into the species of the Black Arms and the Wisps. The Black Arms being a people who use more meaty, grotesque technology, and with the Wisps tending to use more abstract, colorful technology, assuming they use any at all, since they decided to live more naturalistically, even with their core bodies living outside of any other tech. This essentially makes Shadow the Hedgehog (the game) and Colors parallel stories, where they deal with the offshoots of the Ancients. If you couldn't tell, I also made them have traits of the Dark and Hero Chaos Chao, with Black Doom having the flame orbs above his head, and Mother Wisp having the halos and the head protrusions of the Hero Chaos Chao. They each also have cores similar to the Koco, with Doom's Eye essentially being his core, and the Wisps themselves each being a core, but with the Mother Wisp having a bigger body her core goes into. 

Those are all the major designs, but of course that isn't even it. For example, Some other characters that exist in my redesign are Sonia and Manic (fans of Sonic who hype him up in battle with music), Bokkun (mostly unchanged), Metal Sonic (just looks cooler), Sage (who I redesigned but honestly might not keep), Cosmo and the Metarex (both made a bit more alien), the Zeti (the Deadly Six and others of the species), and a whole redesign of Secret Rings and Black Knight which features even more stories like Peter Pan and Journey to the West. I could basically go on and on about it all but I have to stop somewhere lol

Thanks for indulging me

[thelettergii]

Sugarplum Cafe FAQ

I held an AMA about my upcoming game Sugarplum Cafe on Instagram and figured these Q&A's would be helpful for you to know as well!

If you have questions of your own, my inbox here is open!

Q: What is Sugarplum Cafe? A: Sugarplum Cafe is a merge crafting game that I'm solo developing! In this game, you run a sweets cafe and make desserts for fashionable ladies inspired by sweets. I wanted to make a game with frilly pastel shoujo aesthetics, and yes, there will be tea parties!

Q: What platforms will Sugarplum Cafe be on? A: The goal is to publish on PC and mobile (Apple included), but PC will come first because it's easier to fix bugs on PC.

Q: When will this game be out? A: Not for a few years, it's still pretty early in development. But paid members on Patreon can play an early version of this game now with about three hours of content! Support starts at $2 USD/month.

Q: How good do I have to be at games to enjoy this game? A: Sugarplum Cafe is meant to be a super casual game, so you can be the worst gamer in the world and still play this haha. It's more about collecting pretty ladies than any sort of strategy or skill.

Q: How many characters will there be? A: At least 50 Ladies! I have ideas for about 70 Ladies, but whether I get to all of them depends on interest in the project. So 50 feels like a good benchmark.

Q: What are your inspirations for this game? A: For one, The Nutcracker Ballet of course! Aside from that... For the longest time I was obsessed with Cookie Run: Ovenbreak because they had so many clever character designs! I don't play as much anymore (the UI is too cluttered now and I don't love the new characters as much) but I want to recapture the spark I felt when I used to play. I also really love Sakizo's illustrations of Victorian/Rococo sweets-inspired ladies, and I wanted to capture her aesthetics while mixing in my own fashion sense so I'm not ripping her off entirely haha

Q: Will you still be drawing fashion? Are you moving to gamedev permanently? A: I don't know about a permanent pivot, but this game will be my main focus. TBH I wasn't very happy with just drawing stuff and I'm really excited to build my own world where my designs can live. I will still be designing fashion, but it will just be part of something bigger. My goal is to make the world of games a little more fashionable! I may still draw the occasional illustration though, so never say never!

Q: What game engine are you using? A: Sugarplum Cafe is made in Godot! It's a free open-source game engine and I highly recommend it for 2D games. I think the scripting would be easier to learn than something like Unity. There are a few quirks but the community is so active that it's easy to find answers to your questions. I am using Godot 3.5 - I believe the latest version is Godot 4, but I heard 3.5 was better for porting mobile games. Will let you know how true that is!

Q: Can I cosplay/draw fanart of characters from Sugarplum Cafe? A: YES PLEASE!! Please tag me if you share cosplay or fanart! And if you need to know details of certain characters' designs, please don't hesitate to ask.

[frog-necromancer]

Betting on a Losing Dog

Masterlist

Chapter 1: A Ghost from the Past

Pairing: Logan/fem!Reader

Hey friends! <3 I've been working on this for a while now and even though it's not quite finished yet , I would like to share the first chapter with you! Comments and likes are highly appreciated! Hope you like it!

Summary: Logan is confronted with a ghost from his past, a ghost that haunts him to this very day.

Or

The story of Logan and F/N after the Westchester Incident, follows the plot of Logan.

Chapter 1 / 2 / 3 / 4 / 5 / 6

Tags:

#drug abuse #swearing #angst #anger issues #main character death (it’s Logan sorry babes) #smut #alcohol abuse #fluff #drug addiction #graphic description of violence #heavy angst #biting #thigh riding #oral (f receiving) #p in v sex #unprotected sex (wrap it up) #kissing #skin picking #graphic description of injuries #attempt at humor #spending time as a family #intrusive thoughts #fighting #hurt no comfort (maybe a little comfort) #found family #marriage!?!! #self harm (skin picking) #throwing up #self destructive behavior and tendencies #depression #smoking #references to Christianity and religion #video game references #road trip

Playlist:

F/N- first name

L/N- last name

E/C- eye color

H/C- hair color

S/C- skin color

F/C- favorite color

Mutation: Fear manipulation - trapping people in their nightmares, showing them their deepest darkest fears as well as possession and energy draining through touch.

Chapter: 1 / 6

A Ghost from the Past

A bell rang. The pungent smell of cheap plastic and cleaning products filled the air as Logan stepped into the small supermarket. The lady on the radio was babbling about the incident at the casino a day prior, to his relief it was promptly shut off, switched to some pop music.

Flickering neon lights burned in his tired, bloodshot eyes, a stark contrast to the darkness outside. He glanced at Laura who seemed unimpressed, albeit a little grumpy. The cramped shelves were filled with everything one could want, from groceries to household goods to dog fashion. Whoever was supposed to buy that here.

Logan paused, his brows pulled into a frown. There was something familiar between the biting smells, a fragrance he hadn't smelled in years.

He shook his head, trying to rid his mind of the resurfacing memories, it was probably nothing. Or maybe, just maybe he was finally losing his mind.

From the corner of his eyes, he could see the backroom of the small shop, the door slightly open. He could make out the silhouette of who he assumed was the cashier, throwing something into her mouth that was definitely not Tictacs, before disappearing from his view.

The faster they got out of here, the better, this place was a shithole and they had no time to spare. “Laura. We're here for food. Nothing else. Chuck is waiting for us in the car.”, his voice was stern and left no room for arguments, but he knew that if the girl really wanted something, she would take it or throw a tantrum trying. That was the last thing he needed right now.

Laura disappeared between the shelves and Logan hoped that she wouldn't get them in trouble this time. They did not need any more complications at the moment.

“That's it. I've told you a million times to not pop pills while you're working.” That must be the shopkeeper, his angry voice came from somewhere within the backroom. “I’m sorry sir it won't happen again” Logan froze, that voice…it reminded him of someone. Of her. But it couldn't be. He must be hearing things now too. “No, I’ve given you plenty of second chances. Finish your shift and don't come back tomorrow.” The poor cashier was probably just trying to get through the day, but Logan had no time for compassion right now. They had to get out of here as quickly as possible.

Logan shook his head, grabbing two sandwiches, a large bottle of Jack Daniel’s that would last him a couple of days as well as some fruit juice for Laura. Apple or something.

Finally said girl emerged from behind one of the stuffed shelves “Did you get something to eat?” Laura held up a bag of potato chips and a coke, Logan frowned, he didn't even have the energy to shake his head: “No. Absolutely not, that does not count as a meal” He groaned, rubbing his face in annoyance. “Get something different.” Laura glared up at him, marching back to find something else, hopefully something with a little more nutritional value than a bag of fatty potato chips (He's trying to be a good paternal figure or whatever).

He began to put their stuff on the slightly dirty counter, ringing the little bell to inform the cashier (or should he say ex-cashier) that he wanted to pay. “One second” there was that voice again, maybe his ears were giving up on him or maybe, just maybe the alcohol was finally going to his head.

Logan was counting his money, hoping it would be enough. The cashier appeared in his peripheral vision, hammering something into the checkout, before beginning to scan his stuff. Each beep made Logan flinch internally, this wasn't helping the hangover he was currently nursing at all.

“Laura will you hurry-” he barked, as he finally looked up at the cashier. when he saw her face, he froze, his voice betraying him.

Was he seeing ghosts now? And of all the people he had lost…her? Shit. This couldn't be. He must have drunk too much. This had to be an alcohol induced hallucination. Surely.

He blinked a couple of times. And still. There she was. His F/N. His Ghost.

“We call her Ghost” Logan’s lips formed a frown, he shifted on the leather couch taking a big swig from his beer: “Why? Is she a little scary or something?” Kurt shook his head, his dark blue lips pulled downwards: “Nein- I mean ja but… she's more than a little scary she’s super-duper scary” Logan huffed, his patience wearing thin tonight as he took another gulp of his cold beverage.

"Well spill it, elf. What's so scary about her?” he grunted, flexing his free hand. Kurt shifted uncomfortably in his seat, the blue mutant was a little tipsy: “She can manipulate fear and possess people… drain some of their life force as well…she can trap people in their worst nightmares until they lose their minds” Logan's eyes widened the tiniest bit, he was silent for a moment, contemplating his reply. He didn't know this ‘Ghost’ and yet he felt bad for her: “That…sounds hella depressing.” he finally mumbled. Kurt nodded, tail raising his own beer to his mouth to take a sip: “That's why she rarely uses it. Just enough to be able to control it…”

She hadn't changed all that much, her mutation slowed down her aging if she consumed the energy of others and yet she looked a little older. But if she looked older, then he looked like a damn fossil. (A damn sexy fossil grrrr)

Her hair was longer than he remembered, but still a beautiful H/C. Framing her face so nicely. Her E/C eyes were more tired, but she looked just as beautiful as on the day when-

“Fuck. Logan?” She was the first to speak, her E/C eyes wide, pupils dilated and filled with surprise and recognition. His thoughts went back to when he'd seen her popping those pills in the back. She never changed and it hurt. “Hey”, his voice was more breathless than he'd liked, rougher and tired. They both were silent for a moment, the gentle humming of the neon lights filled the tense air. The memory of their last meeting flickered into his mind, when they’d last seen each other.

“Logan- I- We- I can't do this anymore”, F/N was trying to stay calm, a desperate edge to her voice as she paced through the dimly lit kitchen of the X mansion, frustration written all over her face. Logan looked up from his beer in irritation: “Do what?” he asked gruffly. F/N stopped right in front of him, her expression serious, brows pulled into a frown as if she couldn't believe that he even had to ask: “Pretend like everything's okay…”

Logan scoffed, taking a long drink from his beer, before setting it down on the table with an unnecessary loud clunk: “I have no idea what you’re talking about, sweetheart. Are you high again?” He regretted the words as soon as they had left his mouth, he knew he had overstepped, but there was no going back now.

Well, there was but he was too much of a coward to apologize.

F/N seemed a little taken aback, but she caught herself: “Logan don't give me that.” Her frustration grew but her voice stayed steady: “Something’s wrong with Charles and you know it. Something has to be done.”

Another sip of beer, Logan scoffed: “You're being delusional.” He should stop drinking, he knew it. He should apologize to her right fucking now. But he didn't have it in himself. It would mean that he had to admit that Charles was unwell. They would have to address the problem that had been building up for months.

A look of hurt crossed her face, he hated seeing her like this: “Logan I'm fucking serious.” She groaned, running her hand over her face, it was obvious that this was going nowhere: “I'm going out. I'll be back late.” Logan nodded, his expression stern and his voice rough, but F/N recognized the soft edge that was only reserved for her: “I’ll leave the light on.”

Even when they were fighting, he couldn't help but worry about her.

“Bye, Logan. Love you.”

She had said it so softly, so carefully but he could feel that she was genuine. He had wanted to return the words. But he was a stubborn asshole. And a Coward.

He watched her go in silence, not saying another word.

They had fought. He knew he should have listened to her back then. Not drown his trouble in alcohol.

And the worst part was that he hadn’t even said goodbye.

He hadn't told her that he loved her.

Logan was about to speak when Laura wordlessly (as always) slapped a sandwich and a bag of radioactive-looking blue candy on the counter. Poor F/N seemed even more confused now, her eyes flickering between him and the girl wearing a unicorn shirt and colorful sunglasses pushed up on her head between her black hair (and owning it). In hopes of overcoming the awkwardness she continued to scan their stuff, her E/C eyes focused on the task, instead of him.

“I- I thought you were dead…” Logan finally got out, a sadness to his voice that told the story of a broken heart.

F/N glanced up from the bottle of liquor she was scanning, her brows pulled into a small frown. “Thought the same about you…”, her voice was just as soft as he'd remembered, but far more tired. “Heh…I guess everything got a bit chaotic after…” He didn't need to finish his sentence, how could she forget? “Yeah…I guess.”

Silence again, only interrupted by the beeping of the counter. “So…is she…”

Logan knew what she meant, she didn't need to finish her question. She probably thought he had moved on. But he would never. He couldn't. “This is Laura.”, He quickly replied, before continuing: “Uhm she's technically my daughter but I did not father her…she was an illegal experiment.” With a soft nod, F/N looked down at Laura, her eyes gentle and understanding: “Hey Laura” Logan scratched his salt and pepper beard, an awkward expression on his face: “She doesn't talk.”

F/N was still looking at Laura with a small yet warm smile on her pretty lips, almost like she recognized him in her: “I see. Well nice to meet you, Laura” Logan almost expected Laura to not react at all, like she did most times. But then the girl nodded softly, big brown eyes looking at F/N. Logan's heart hurt.

The obnoxious beeping of the cash register filled the stuffy air. Logan sighed: “Listen, do you maybe know a motel or something around here, where we could spend the night? I don't want Laura and Charles to sleep in the car again.” F/N frowned softly, surprise washing over her face yet again: “Wait- Charles? He's alive?” Logan nodded, leaning against the counter: “He sure as hell is…but he's not been doing well. Age is taking a real number on him.”

He half expected a comment about his own age, but it never came. F/N sighed softly pushing a few strands of H/C hair behind her ear, it was more than clear that they were struggling, that they needed help. If this little girl really was an illegal experiment, they probably were in some deep trouble.

“The next motel is about two hours away, I’m afraid.” Logan groaned quietly, rubbing his temple. F/N paused, she seemed to be considering something, her eyes finding his: “I don't live far from here. It's not much but I got a pull-out couch and a spare mattress.” she offered, voice careful as if she was unsure of this proposition herself.

Logan was reluctant to accept, he hadn't seen her in years and wanted to spend time with her but at the same time he didn't want to put her in danger or even be a bother. He had been one often enough in the past: “You don't have to offer this.” F/N shook her head, she could see his inner turmoil: “No, it's fine. I don't mind… and I could use the company” Her voice was tired yet firm, Logan could see her eyes wander to the bottle of Jack she'd just scanned, he could see the concern in her eyes, concern for him.

Did she know that he was just as concerned about her, that she was taking god knows what again? Just like all those years ago? He glanced down at Laura who was throwing curious glances at F/N, he could tell that she didn't want to sleep in the car again.

Finally, Logan nodded: “Alright.” A smile pulled at F/N's chapped lips, she glanced at the clock on the wall, then back at him. “Great, my shift ends in 15 minutes. You mind giving me a lift?” Logan nodded while F/N put their stuff into a bag: “That will be 37 dollars and 40 cents. Logan grunted fishing around in his wallet for the money, but it wasn't looking good, he quickly searched through his pockets, but luck wasn't with him. Shit. Sure, he had more money in the car but he didn’t wanna pay her with a five-hundred-dollar bill. She didn't need to know what kind of shady stuff he had been up to.

F/N watched him carefully: “How much do you have?” Logan scratched his head a little embarrassed, although he would never show it: “Uhm 30… but I have more in the car” She nodded, punching something into the register: “then it'll be 30 dollars, please” His eyes widened: “F/N- you can't -” She silenced him with the raise of her hand and a tired yet reassuring smile. “I'm already fired, it's fine.”

Logan sighed but nodded, handing her the thirty bucks: “Alright, I owe you” F/N simply shook her head. “Don't think I didn't see Laura putting candy into her pocket earlier” Of fucking course she had. “Laura”, his voice was a warning, but it was also tired and Laura simply shrugged. F/N chuckled softly, he'd missed that sound so fucking much “I don't get paid enough for this… And as of now, I don't work here anymore.”

Logan opened the door of his car for her, always the gentleman (or his job as a limo driver had influenced him more than he'd thought). “What took you so long- F/N!” Charles greeted her with a surprised smile. He looked older, more fragile and he seemed to have lost sight in one of his eyes. The once black pupil was now milky and blurry.

“It's good to see you too, Charles” She sat down in the passenger's seat, turning to him with a smile. It was a foreign feeling, there wasn't much to smile about lately “We thought you were dead!” F/N nodded, her heart aching at Charles’ words: “So much has happened but I'm glad you and Logan are alright” Charles scoffed: “Well I wouldn't say alright, he’s drinking like his life depends on it” F/N hummed, giving his hand a little squeeze: “I guessed as much” Charles nodded: “And you? Are you still taking those godforsaken pills?” Her lips formed a thin line, he was a lot more direct than he used to be. That much was clear, but at least he wasn't trying to read her mind anymore. Or maybe he couldn't.

She nodded softly: “I guess the years have not been kind to either of us” Logan cleared his throat, clearly not fond of the subject of their conversation as he started the car: “F/N is letting us stay at her home for the night. Be nice to her, old man.”

[emerald-truth]

I probably should keep this in the tags but I had too much to say so it's going on the post sorry op (what usually happens when I start talking about remington steele)

First of all being completely committed to each other from the start is a big way in which Mulder and Scully are different from Remington and Laura because like op said Mulder and Scully weren't intended to be a will they won't they romance. I appreciate this point being made because I think I tend to think of them as more similar than they really are myself.

It's also my feeling that although Moonlighting became the blueprint for will they won't they, Moonlighting was inspired by Remington Steele, and it took out a lot of the things I like that X Files put back. Which means that although rs is a will they won't they like moonlighting and cheers, it has more in common with X Files than most shows like that.

I think it's really interesting that op talks in the tags about the distinction between romcom and noir, because although Moonlighting references noir frequently, rs draws a lot more on noir tropes in the main characters' relationship even though it is a romcom. Remington and Laura don't fall for each other immediately like Mulder and Scully, but they're also not an intellectual vs everyman relationship.

Personally, I don't like Moonlighting because I think it's misogynistic and takes David's side too often (like op said about the everyman being 'right all along'). But Mulder and Remington aren't the everyman and they aren't designed for men to identify with, they're more like romanticized sad boys. I think this contributes to both of their shows being more popular with women, especially because their disagreements are also framed as being personal rather than about men vs women.

Both of the shows also involve an establishment woman vs anti-establishment man which in rs is clearly intended to be a genderbend of classic noir tropes, but it comes out in x files too (it just happens faster) with the woman initially seeking to bring the man into the establishment but ending up convinced by the man to leave the establishment. I think this is a way more interesting dynamic and resolution than the stereotypical meeting in the middle, but maybe I just prefer noir to romcoms.

Also thanks for reminding me I reeeeeally need to watch avengers

i'm going to say something brave and controversial: I don't think Booth and Bones, Castle and Becket, Jane and Lisbon, or any similar bickering TV pairings are trying to recapture the Mulder and Scully format or magic at all. Mulder-and-Scully are an outlier in the television pairing landscape. They fell and love and were ride or die for each other immediately. They didn't agree on various external subjects but they never had to 'learn to tolerate each other,' and never thought the other one was stupid and backward, they eagerly tossed out any interpersonal boundaries within days of knowing each other and were ready to fight anyone who didn't take the other one seriously. They're both quite insane, and they're both serious, and neither one is the "every-man" jokester anti-intellectual. (They're actually both pro-intellectual to the point of absurdity and intellectualizing themselves out of action lol)

What Bones and Castle (etc) were doing were trying to recapture the Moonlighting magic, and the Cheers magic, and using the David and Maddie, Sam and Diane template of "the highly strung serious one" and "the lovable idiot" arguing their way into slowly, over the years, falling in love and respecting each other's viewpoint instead of just subsisting off of physical chemistry, to meet in the middle, usually with the 'serious' one loosening up, and the 'lovable jokester' settling down (but not so much that you don't still realize that his every-man viewpoint was mostly 'right all along').

This is not to say that I don't love B/B, Caskett, David and Maddie, Sam and Diane, et al. I do love them and grew up on these shows, probably even more so than MSR and The X Files. I find the thread of anti-intellectualism in some of them (especially heavy in Sam and Diane of Cheers) tiresome at times, but it is a classic, and it's also often subverted, such as with Castle's jack of all trades type of knowledge base. I just don't think any of these are the same as what The X Files did, and weren't even attempting to be the same, they were referencing a different set of cultural phenomena entirely.

(nor was the X Files trying to be 'like Moonlighting' while trying to avoid the curse, Carter has actually said he was largely inspired by Kolchek, and by the dynamic of Steed and Peel in The Avengers (UK) both of which are in a pretty different direction entirely.)

[theohshit-r-official]

Long-as-hell OOC post incoming

So, I feel I should probably clarify this, on account of shit going on in the zeitgeist re: Lancer RP on here, and because I and this blog am not an entrenched figure in the community here, so it pays to be as clear as possible what I am here for:

First, let me clarify: this is not about anyone in particular, and god knows I'm guilty of not doing some of the shit I'm going to recommend here. Second, this is, in addition to not being about any one person but instead the different microcultural elements I've noticed on here, mostly a post to explain what *I* am going for with this blog so that *YOU* can decide if or how you want to engage with it and me.

The primary purpose of this blog is as follows and as I will elaborate on here:

To serve as a place for people to dump their shitposts, serious opinions, and in-world takes they don't necessarily want to put out via an established character blog or their main in a more centralized place. This means I WILL publish most shit people send, even if some of the implications are not so great, though I won't publish some of the more egregious shit on account of it sucks. See this article [LINK HERE] for an example of something similar being done by a real world political figure (notably, a known inspiration for the Ungratefuls' Tyrannocleave) for a much better purpose than mine.

This ALSO means I will likely be publishing from people not immersed in the community or party to your established norms. I understand that online spaces largely run on reputation, but I, out of character as well as to some extent in, am an academic and I'm pretty well informed of both positive and negative consequences of this, and this is an intentional choice. DM me or send an ask labeled as OOC if you want to talk about this, I'm happy to discuss it, I'm just not likely to change my stance on it on account of "This is a heavily established, pretty well-researched concept in human social dynamics" so don't expect me to change what I'm doing from the jump. With that being said, let's lay out the motivation a bit:

Part of the appeal of LANCER that was explicitly intentionally designed by its creators is that there are both large structures of recalcitrant, sticky politics (see: Albatross hunts pirates, a group known to exist largely due to economic suffering, for a megacorp that sells weapons to pirates; the KTB is required to maintain an absurd level of extractive industry by Union, which favors their most abjectly fucking awful major house politically; etc) that serve as a shared bedrock for engagement and are pointedly shitty as hell *AND* large swathes of space where you can largely do pretty much whatever you want and have things be as good or as bad as you want so long as you avoid having them be run directly and heavy-handedly by the major players (as a brief sidebar, if you want an example of someone doing an excellent job of navigating the intersection of the larger players and the open, freer space and a damn good homebrew module, I highly recommend Vex Werewolf's In Golden Flame Act 1 [LINK HERE]). LANCER is a game where both the narrative impetus and mechanics are intrinsically tied to political context and dynamics, and the way LANCER allows for space from that for players and GMs is to have a lot of literal space unaccounted for.

The implication of this, of course, is that it is intended to be an equally valid mode of enjoyment to get really into the weeds of the established politics (hello, Siren Song, cannot WAIT to play an idiot in you and see how you break her) OR to not do that and avoid it entirely, but, and this is key, you cannot really feasibly do both at once reliably at scale without a lot of care and awareness, and I do not think that that is a reasonable expectation to have of total strangers on Tumblr. The official Discord community for this game has a rule to the effect of "Do not use your comfort to stifle political discussion unless ABSOLUTELY necessary" (very, very roughly paraphrased), and instead encourages disengaging from shit you do not want to deal with. To give an example of how that translates to practical domains, in the context of the game, if you didn't want to have to deal with Harrison culture, you wouldn't play a game on Ras Shamra, so why would you choose to pursue a conversation with someone playing a proud character from Ras Shamra on here if you don't want to hear what that character would say?

A lot of the conflict on here seems to stem from people being frustrated with people from one side of the aisle or the other interacting with them without establishing rules of engagement and/or where they stand on "I want to enjoy a sci-fi power fantasy without thinking too much about the implications" versus "I really want to dig in on the psyche of a proud Harrison soldier," both of which are equally valid ways to engage with the setting and the game. They come into conflict in no small part because many people in the prior category are expressly interested in using the mechanics of a mecha setting to tell a mostly feel-good story without the political meat and grit of the original setting materials, which, I'll especially note, is not something people coming from other mecha contexts are likely to expect. This means that you have a conflict between people interested in one mode of engagement (which, if I had to guess, comes more frequently from a general tabletop gaming background) and others interested in a very different mode of engagement coming from differing backgrounds, including but not limited to the broader world of mecha fans.

(NOTE: I am not saying that these groups are totally distinct or that this is the sole reason conflict happens, I'm just trying to give a more fleshed out example for people who are less familiar with the draw of the grit. I think the mecha community is a good example for this, as it is both something that a lot of people are peripheral to AND a cultural context a lot of people really don't understand from the outside)

Let me elaborate a little here on where the mecha side of things is coming from, for those of you less familiar. The arguable single most influential piece of mecha media in much of the world (Neon Genesis Evangelion) is in part an express exploration of the ethics of military recruitment and the use of child soldiers. The fact that this piece of media has recently been used to sell McDonald's does not change that weight in the culture of mecha media, nor does it change that, historically, mecha is a genre about war. The most prolific mecha series by far is Gundam, whose villains famously have a point and whose protagonists infamously tend to develop through deeply traumatic realizations that they may not be the unambiguous good guys they thought they were. Mecha media, on the whole, pointedly cultivates a strong sense of engagement in setting geopolitics, the ethics and process of war, and the role of individuals as vehicles of violence, and people coming from a heavy mecha background are likely to be invested in exploring these themes.

That being said, I totally respect wanting to engage with it from another angle, but you can see how people wanting a more free-form, canon-lite experience and people who are coming from a mecha background looking for the nitty gritty of the established, shared setting could come into conflict, particularly when it comes to making claims about established parts of the setting. Of course, in character conflict is fine and well and dandy if that's what you're going for, no shame in that, this is more to do with the out of character aspects, including how you respond to and handle in character conflict.

Here's the thing: this dichotomy of interest does not favor a single, fully connected network of people heavily interacting. It does not favor a community with a single set of hard norms. It favors a lot of individual level variation, it favors many smaller sets of norms between individuals, and it favors good communication about those differences. I am aligned with the creators of LANCER in that I think both approaches to engaging with the material have value, and I want there to be space for both here, and I agree with them that the two are not always compatible. To preserve space for both, we need to prioritize curating our own experience over policing others', which, I know, shocking that the person who linked Anarchists Welcome would make a statement about taking an anarchistic approach to maintaining a stable, healthy social context which allows for conflict.

This is one of the reasons that I, in running this blog, have consciously chosen to almost exclusively respond to other people's posts who I actually have spoken to out of character, despite Umommiest being an extremely vocal HORUS shitposter, because I often cannot tell from character blogs what their relationship to the shared text is and their interest in different modes of interaction. This is ALSO why I'm going to be fairly indiscriminate in publishing asks and submissions, and only have Umommiest respond to what gets sent in when either prompted directly by the material or when it is plainly a shitpost that allows for some play (see also: the 8 year old seeking liberation via artillery platform and soft target elimination frames). As is quite well known in the kink community, consent does not occur in character, and personal norms and interests should be established outside of them. If there is a character blog on here that you have concerns about or want to interact with but are unsure how to proceed, DM them and check in, the same way that you would talk to someone if you wanted to join a game of pickup basketball or something. This is a social activity, social activities have fairly well established means by which to initiate them in a more intentional manner, let's make a point to start using them more consistently.

With that being said, if there is a character blog that you do not want to see, block them. There will be characters that people choose to play that you personally A will not like and B may not wish to engage with. Use the curation tools you have rather than relying on norms all the time, as norms develop from consensus and require other people to change to work. You don't have to put it on others to tailor your experience. I will go somewhere else rather than deal with somebody I don't want to talk to at a bar, and this is a similar sort of interaction. Blocking is not a condemnation, it is a choice to not engage with someone or something you do not want to. On my end, I will be doing my best to consistently tag in-character posts, reblogs, etc with ohshitumommiest going forward so you can block the tag as described here [LINK HERE] if you want to see what people are submitting without any of Umommiest's commentary, responses, etc. I'm also thinking I'll move towards initially publishing even the shitpostier things without commentary and then following up with a reblog with the commentary (so if you want to see just what other people make and not her bullshit, that's cool, too).

For the record, I *am* personally interested in the politics of the setting and Umommiest is a character that is heavily written based on the canon. She is also, frankly, a HORUS shitposter of the highest and worst degree, if you can't tell from her demeanor, and will engage with people who comment in character on posts here as would reflect a highly informed, terminally online political agitator with no formal affiliation to anyone who sees all of her speech as largely without personal consequence. Part of the purpose of the ohshitumommiest tag is to allow you to engage with the submitted material without having to see if and how she replies to you if you are not interested in that. If you are, hey! Looking forward to having some fun together with this horrible girl I've made!

Frankly, I don't care where you fall on the spectrum/split of hard text engagement versus loose text as inspiration, but I do care that everyone has an outlet for shitposts and other art/thought pieces on the setting that they think are gold or at least fun but don't have a place for personally. I think Lancer fucking rules, and people have a lot of cool, funny, and beautiful thoughts and ideas on it regardless of affiliation on these grounds, and I want to make this a place to share them without too much worry of how they fit a given blog.

If that nondiscriminatory approach to publishing is unacceptable to you, cool, I don't care, block this blog. Maybe read the linked article first and see if that helps you see a different perspective a little, but, please, use the basic curation tools available to you on this site to help maintain a diverse community that reflects the varied appeal of LANCER's setting.

With that said, play ball, and I'm looking forward to continuing to see the awesome, wild, wonky, and frankly unhinged shit this community continues to create!

PS: if you want to anonymously publish something with a link or an image via this blog, please DM me and I will effectively spoof a submission so your blog does not have to be attached. You run the risk of me knowing that you sent it, but it doesn't get broadcast to the world.

PPS I know that there are some other folks on here who engage with other LANCER online communities (e.g., the official Discord) who share much of the opinions I expressed here, particularly the "Hey there are different, conflicting way to enjoy the setting, and having some understanding around that is healthy for the community" stance, so feel free to share this around as you like.

[skyfallscotland]

My first book of 2025! 🥳

Just For the Summer by Abby Jimenez

Sometimes the best way to show love or be kind to someone is to meet them where they are.”

I'd seen people raving about this one everywhere, and the kindle edition went on sale for $4.99, so I bought it. I found out almost immediately after that, that it's third in a series (oops!) but oh well.

A friend told me it shouldn't matter that much, and it didn't, but there were times where little call backs were obviously being made, but I didn't have the context to understand them. It wasn't a big deal, but if that would impact your reading experience, maybe read the first couple 😂

I liked all the main characters well enough, they all had completely normal names, which was nice (lol) and I'll say I enjoyed the book, though I'm not sure I think it was as amazing as other people have said, but it's well-known around these parts that I'm picky, so that probably won't come as a surprise.

Personally, I'm just not sure contemporary is really for me because I do find it a little boring.

One thing that really bugged me was that it's first-person past-tense, which just made my brain freak out for at least the first half of the book. It might be because I write in first-person present, or it might be that it is weird, I don't know, but for me, first-person past feels like you're telling me what happened to you all those years ago, and it just sucks the heart right out of it in some respects, generally. If I'm not experiencing it with you, what's the point of writing in first?

Apart from that, I also found some of the writing to be quite choppy, which...I know I write quite long-winded sentences so again, maybe it's just me, but this felt jarring sometimes. Eg:

I turned to look at her. “You could make one that does. You could always stay.” I couldn’t read the smile she gave me. I wished I could. I could ask her what she was thinking. She’d have to tell me.

and

Emma looked over at me and smiled, and I let myself hope. “You ready to go?” I asked. She shoved off the railing and we left.

Like???

But despite that, it was enjoyable, and at times there were some real gems that shone through and made me feel.

It was easier to pretend to be angry and tough than to admit to being devastated and heartbroken. And by the practiced way she wielded attitude, she’d been devastated and heartbroken for a long time.

“It’s like there’s a part of me that’s always small,” I whispered. “And I don’t know why and I don’t know what to do about it.”

“You’re not asking too much,” he said. “You were just asking the wrong person.

Maybe it's just that I'd been writing beforehand, or maybe I'm just always thinking about her, but some of these are so Remi it hurts. I often have a gripe to pick with contemporary romances that bring in trauma in such a blatant way because they never explore it properly.

There was a lot going on in this book, and as expected, they never fully explore the scope of that trauma. They do the classic FMC is struggling with this mental illness and you can see it, but she won't realise it, she does, (sort of) third act breakup, oh look, timeskip, she's gone to therapy off screen for a few months and is magically better, happily ever after.

I think it's nice for it to be included as representation to an extent, I definitely think it did well within the scope of the word count to address it, but I also wonder if we needed to throw so many different things into the one novel, given the word count. I don't know, maybe it will settle better in hindsight and I shouldn't be writing this impression so soon after finishing, maybe I'm just not experienced in what most contemporary romances are like and I'll be pining for this representation later—I don't know.

I guess I'll find out, since reading more contemporary is one of my goals for the year. For now, I'll leave it with this 🥺

“Unhealed trauma is a crack. And all the little hard things that trickle into it that would have rolled off someone else, settle. Then when life gets cold, that crack gets bigger, longer, deeper. It makes new breaks. You don’t know how broken she was or what she was trying to do to fill those cracks. Being broken is not an excuse for bad behaviour, you still have to make good choices and do the right thing. But it can be the reason. And sometimes understanding the reason can be what helps you heal.”

And this:

But if you don’t think your life would be better without them in it, then accept that they have cracks. Try to understand how they got them and help fill them with something that isn’t ice.”

Let me know what you thought if you've read it! 🖤

[nyxthejinx]

Please tell me I'm not the only one who thinks that Star Rail's graphic is absolute GOLD compared to Genshin... It's not even about graphic itself, but there are so many details,, the expressions, the movements, I can't help but stare at it for hours 😭 it also helps a lot during dialogues, I don't feel like skipping as much as with Genshin because of their dynamic faces

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[celtrist]

I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.

But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.

@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.

THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!

Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.

There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)

If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?