#i don't really know what else there is to say

[faggotisaacfloofs]

the person who helped today when I fell out of my wheelchair actually did a really great job, so I want to share in case other people wonder what to do. [Note: this is not universal, this is merely a suggestion from one person, every wheelchair user's needs are different! I am a person who uses a manual chair usually pushed by someone else who is also disabled.]

Scenario: you see someone in a wheelchair fall out of their chair, and you have the ability to help.

1. Approach and ask "are you okay?"*

2. Next question if they say no, are vague, or open to continuing conversation** is, "is there anything I can do to help?" Or "what can I do?"

If they say no to help, then that's the end, just leave and go do whatever you were doing!

If they ask for help or say they are mildly injured, ask "what would you like me to do?" And wait for an answer before doing anything! If they seem dazed or confused, they might have hit their head or had another medical event*, or they might just be like that due to regular disability. Be patient.

Do not touch the person unless they say to, or they are like, unconcious in the middle of the road, ya know?? Wheelchair users usually have conditions that mean being handled improperly can severely injure us, you could cause much more damage than the fall.

Some things they might need you to do:

Bring their wheelchair closer (mine went about 5 feet away after it dumped me)

engage the brakes of the wheelchair

hold wheelchair steady if it's an unsteady surface (mud, hill, ramp, wet, etc)

offer an arm for them to hold onto to get up (them grabbing you, not you grabbing them) or move another solid item closer for them to use (i.e. a chair) [only do this if you physically have the ability to!]

If the terrain is rough (i.e. a parking lot), they *might* ask you to push their chair to a more stable area once they are back in their chair

nothing

Something else

Do what they ask, NOT what you think would be helpful. If for some reason you have to do something (i.e. you can't stop oncoming traffic and need to get them out) ASAP, tell them what you plan to do

Keep in mind they might also be D/deaf, have a communication disability, be stunned after the fall, have a head injury, not trust other people, etc. Be patient and treat them as a person with autonomy and agency! They might need to just sit on the ground for a few minutes to recover before trying to get back in their chair. They might want everyone to leave them alone. They might ask you to call someone specific. Their chair might have broken and that can be extremely distressing. All of this is like if your legs spontaneously stop working when you're out and about!

A lot of wheelchair users (NOT ALL) have ways to get into their chair on their own once the chair is close enough and brakes engaged (but it's hard from the ground!). Here's what brakes look like on a lot of manual wheelchairs, in case they ask you to lock the brakes. They're levers on each side and pushing the lever pushes a bar against the wheel to hold it still.

ID: A manual wheelchair with the brake levels circled in red and labeled "user brake levers"

*There is also the possibility of course that a person fell out of their chair due to a seizure or other medical event, so that is why it is important to ask if they are okay. If you saw them hit their head, tell them so. If they had a medical event, follow protocol for that, I'm not gonna get into it here (thought I could).

**sometimes a person will be clear after the first question i.e. "I'm all good thanks" clearly means they do not need you to ask another question, you can just leave them alone. Keep walking and don't stare. A lot of the time people will be a bit banged up but be totally fine and able to manage on their own.

TLDR: Ask the wheelchair user if they're okay, then what they need, and then do exactly that, including leaving them alone. Thanks!

[loveless-arobee]

The answer to aspecs asking you to stop assuming [thing] about all aspecs is not to start assuming [opposite of thing] about all aspecs btw.

"Stop assuming all AlloAros have a lot of sex (or "are sluts")" does not mean "Start assuming no AlloAro has lots of sex" and also not "No AlloAro ever feels comfortable calling themselves a slut (or whore or w/e)" and vice-versa.

"Stop assuming all aros are loveless and non-partnering" does not mean "start assuming all aros do love ("in non-romantic ways") and are always partnering" and vice-versa.

"Stop assuming all aces are sex-repulsed" does not mean "start assuming all aces are sex-favourable", and vice-versa.

"Stop assuming all aplatonic people want to make friends" does not mean "start assuming no aplatonic people want to make friends" and vice-versa.

"Stop assuming all [aros or aces, mostly*] experience no [romantic or sexual, mostly*] attraction" does not mean "start assuming all [aros or aces] experience some form of [romantic or sexual attraction]" and vice-versa.

[Continue ad infinitum; these are just some examples and listing all things like that would be impossible.]

Just stop making assumptions about people based on one part of their identity. If they decide they want you to know, they'll tell you. If you want to know, you can ask, and maybe they'll give an answer (don't act like you're owed one, tho).

Accept that all people are different and even people under the same queer identity are going to have a vastly different experience; especially vast umbrellas like the aspec-identities. Instead of taking what one aspec person says about their identity as true for everyone under that same identity and then taking everything else as a "contradiction" to that label, or as something that needs another or a different label, simply accept that different people are going to have a different experience even if they use the same words to describe them.

It's really not that hard.

[*I think this may also apply to other aspec-identities (aplatonic, afamilial, atertriary, etc), right? I see these takes mostly inside of and directed at aro- and ace-spaces; but it also seems like it just applies across the board, non-aro and non-ace aspec-identities are just lesser known and thus not discussed as often.]

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[genderqueerdykes]

i just wanted to say if you're a bi/multigender, genderfluid, genderqueer, intersex, two spirit, non binary, gnc, butch, stud, or other trans woman who isn't a 100% binary trans woman, society owes you so fucking much. there's no wiggle room in transfemininity under our cisheteronormative patriarchal panopticon. people freely and openly misgender you for their comfort and then act like you were the problem to begin with. people love to silence and invalidate your identities every day for the sake of their own mental "wellbeing". and it's not your fault and you don't fucking deserve it.

here's to every non binary trans woman who gets told they're not feminine enough. here's to every trans lesbian who gets told they're "invading" lesbian spaces. here's to every gnc trans woman who gets told they "dress too masc to be a trans woman". here's to every genderfluid trans woman who gets told being a man sometimes makes them not a woman. here's to every genderqueer trans woman who gets told they can't be masc or it invalidates their womanhood. here's to every butch trans woman who gets misgendered and told they're "just a man". here's to every bigender trans woman who gets told identifying as a man as well as a women isn't a thing, and that being a man cancels out being a woman.

here's to every trans woman who gets told how to be their own gender.

you are the arbiter of your own lived experience. you don't deserve constant unsolicited advice on your gender. you know what transfemininity looks like for you. you know who you are and you don't deserve a constant barrage of invalidation. society does you so dirty, you deserve so much better. your experience with gender is beautiful and deserve to be talked about, not silenced and spoken over. hang in there. you know who you are. you don't have to listen to anyone else tell you how you identify or who you "Really" are- you're the only one who knows that.

[hairmetal666]

Eddie stands at the edge of the ruined, stinking field, heart somewhere down by the soles of his feet. He watches the grey vines creep across the rotten earth, bracketing the blackened and split pumpkins.

"This can't be happening again," Steve says next to him. There's nothing in his voice, in his expression.

And Eddie doesn't know what to say because it is happening, the Upside Down is creeping into Hawkins, Vecna defeated or not.

"We have to tell the others," is Eddie's response. He doesn't know how he sounds normal when his heart is breaking, when Steve's blankness is killing him.

They walk back to Eddie's van in heavy silence. He can't read what Steve is thinking and that's--they're not something, not yet, but they spend all their time together and it's right there, under the surface, and--

He always knows what Steve is thinking, now. Can read his face like Tolkien wrote it, no matter what's happening, but right now it's empty, unreadable, unfathomable, untouchable King Steve risen from the grave.

The drive back to Hop's cabin is silent. Eddie doesn't even turn on music, his brain can't take it.

Cars fill the cabin's driveway, everyone in attendance, everyone waiting. On the porch, they hear the TV, the tinny whirr of lightsabers. It all stops when they push open the door, movie paused, conversations broken off, every face turned in their direction.

Neither of them speaks. Looking at all these faces, the kids, Nancy, Jonathan, Robin, Hop and Joyce, the hope and trust, and he can't--he can't.

"Well?" Joyce prompts. She's working a kitchen towel between her fingers.

He nods as Steve says, "it's back."

Eddie expects an outcry, horror, an explosion, but it's quiet. Quiet enough he can hear Steve's soft breaths next to him. Quiet enough he gets to watch as the news hits on each face in the room. It's like a punch every time.

It's so much different from planning the fight against Vecna. There was so much energy, drive, to get it done, to defeat the Upside Down forever. There wasn't silence, not ever, no faces painted with grief. Even when things were at their worst, an undercurrent of hope buoyed the group.

"Are you sure?" It's Nancy who breaks the silence, of course it is.

"It's the tunnels all over again," Steve answers.

"El?" Hopper asks. "Have you--?"

Will and El are looking at each other, Eddie's sure that no one else in the room exists for them.

"We haven't felt anything." El finally says.

"Nothing?" Mike's eyes flick between them.

"Not since Vecna," Will says.

"It's--it feels--" El waves at the back of her neck.

"Blank." Will finishes.

"Blank isn't gone," Erica says.

Dustin hums, eyes distant. "So, it went dormant."

That gets all the kids going, arguing and shouting over each other, and it isn't long before everyone is involved.

Eddie throws himself into it, grateful to be back in a familiar place of planning, discovering what they're up against, fighting. They're at their best like this, all of them, and it takes the edge off the fear eating up his insides.

He doesn't really get a chance to talk to Steve one-on-one, but Eddie's aware of him always, catches the moments in between bickering with Mike and shouting with Dustin and whispering with Robin where he goes distant, empty, just like at the field, just like in the car.

Eventually, everyone trickles home for the night, Hop's cabin emptying until it's just the Byers, Hoppers, and Steve. And since Eddie goes wherever Steve is--

Steve stands at the window in their room, back to Eddie. His shoulders are rigid, and Eddie is--he's scared in a whole new way. Steve is--he's strong, he keeps them together, he. They look to him to be brave, to be the first to jump, and--

"Steve?" Eddie comes up next to him.

His eyes are squeezed shut, fists clenched.

"Sweetheart?"

Steve opens his eyes, tears track down his cheeks. "I don't think I can do this again," he sobs. "I don't think--" He presses his fists to his eyes, like he's trying to force the moisture back inside.

Eddie grabs his wrists, gentle, murmurs, "it's okay, it'll be okay, I've got you."

"How can it be okay?" Steve asks. His face is wrecked and Eddie's heart shatters. "This was supposed to be over, Eddie. We were supposed to be done with fighting, we beat Vecna. So, tell me how it's going to be okay."

He freezes, unsure how to respond. In the end, "you're right," he says. "it's not okay. And I don't want to pretend that it is. It fucking sucks. We did the work already. We shouldn't be right back here like it never happened."

"But we are," Steve sniffles.

"But we are. And you know what?"

"What?"

"We're going to get through this. Just like we did the last time."

"We almost lost you last time, Ed. We almost lost Max. What if--what if--" Steve's eyes fill again. "I can't do this without you," he sobs.

Eddie doesn't hesitate, pulls Steve into his arms, holds him as tight and close as physically possible. "You won't." Eddie soothes. "You won't. I'll be right here with you. I promise."

"How can you know?"

Again, there's only one answer for that. "I don't. But I know I'll never leave your side willingly. None of us would. And I know that we're going to fight--all of us--like we always do."

"How can you have so much hope?" He asks. "After everything?"

"It's hard," he answers. "I'm terrified. But I know I have you, and Robin, and Dustin, and Wayne, and--everyone. We fight for each other, you know?"

"We keep going because we have to," Steve says.

"Yeah, sweetheart. We protect each other and this godforsaken town, no matter how much it sucks."

Steve's laugh is husky and short. "It sucks so much."

"Real trash heap of a place."

"And that's without the alternate dimension and monsters."

"I think we've got a really strong ad campaign for the Hawkins tourism board." The giggle that escapes from Steve is the sweetest thing Eddie's ever heard.

Later, the lights off, Steve pulls him close. "I'm so glad I have you," he whispers, fingers trailing through Eddie's curls. "You give me something to hope for."

[nightguide]

this is my tips to slander the suggestion about the prediction if i was an astrologer:

i can do what i like but it's not even there to see as if you already know his chart in real life

like you can tell on his moon that you're there anyway (libra moons have it too damn hard these days)

2. sexless opinions about his life with sarah could also indicate he's not even remotely single at all or by any means 'how can a fan get to him' energy

3. he doesn't care or know you exist (which is why i reblogged you cuz i liked your opinion)

this is how a muslim would do it

5:19 يَـٰٓأَهْلَ ٱلْكِتَـٰبِ قَدْ جَآءَكُمْ رَسُولُنَا يُبَيِّنُ لَكُمْ عَلَىٰ فَتْرَةٍۢ مِّنَ ٱلرُّسُلِ أَن تَقُولُوا۟ مَا جَآءَنَا مِنۢ بَشِيرٍۢ وَلَا نَذِيرٍۢ ۖ فَقَدْ جَآءَكُم بَشِيرٌۭ وَنَذِيرٌۭ ۗ وَٱللَّهُ عَلَىٰ كُلِّ شَىْءٍۢ قَدِيرٌۭ ١٩

O People of the Book! Our Messenger has indeed come to you, making things clear to you after an interval between the messengers so you do not say, “There has never come to us a deliverer of good news or a warner.” Now there has come to you a deliverer of good news and a warner. And Allah is Most Capable of everything. — Dr. Mustafa Khattab, The Clear Quran

schizophrenia madonna's whore complex: (why you hate life and all it's purposes: why you suck at breathing is everybody else but you (personal problem against a God named 'Allah')

SMWC: this does not like me by thought (astrology) and i hate how i'm perceived by height (weird ways of being you cuz i have a dramatic monologue about life given to me by standards: shitty celebrities don't personally respond to you like a fckin call centre wonder why they are famous which is why they (i) lost the point in being myself) like i know why now

schizophrenia Hollywood: (i really hate to be there cuz i vibe all the time (cant help being this good to live, yk)

SH: i started living again with this (said gender) i love, and i really really like him (i got a crush on him too badly that i cannot speak (me 99.9% of the time and i dunno how to ask but i know i have a choice (rlly my faves an me don't understand cuz all my feels are real, yk?)

schizophrenia hate: the fckin episode of doctor who convinced me to fuck david tennant on the go but he ain't even real anymore (hence why my stress does not collaborate with band energy which is why i put a Urie there and not Tennant cuz his thwarts are my cohorts in demonic practices in space and time made me thinking about good luck charlie for many reasons now, like get me my own sex scene, i hate Hollywood for misunderstanding me (actually a fan of Raven (DC comics)

SH8: i wonder how Brendon Urie is sexually thinking about me atm

My bold prediction is that Brendon Urie is going to leave the public eye for a year, maybe two years max and then attempt to make a comeback with his new "wife guy" persona.

My second prediction is that this will blow up in his face within six months

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[readngandweepng]

needed to put my thoughts on paper about screwing daisuke or curly in the main lobby + some tidbits (pre-crash)

MDNI gn amab top reader, bottom character. can honestly be any of them i guess?? but i wrote this with curly and daisuke in mind lmao. basically just a horny post about same-room sex. half proof-read and probably ooc

imagine fucking him while he’s either sitting on the kitchen counter or laid against the table when everyone’s sound asleep in their respective cabins. he’s hiding his face in the crook of your neck where you can feel his warm breath against your skin as he’s trying oh so hard to keep his volume down. his hands clutch the back of your shirt so tightly you think he’s going to tear it. he bucks his hips, sending a shake bolting through his body. the moan it erupts is muffled by your neck, as are the rest of them. with your fast fucking he has to take a deep breath before hiking a leg up over your waist, angling your cock just a little bit deeper inside of him where he needs you most. the fear of getting caught has dwindled down, too distracted by the feeling of you pounding into him to even give it a second thought. all he can do is hook his legs around your waist and take your cock. he slaps a hand over his mouth to keep his moans repressed as he arches his back and cums. your cum filling him up is almost rejuvenating, and suddenly the consequences of getting caught means absolutely nothing as he rocks into you, his legs around your waist keeping you, and your cock, perfectly in place.

both daisuke and curly would really enjoy the humiliation aspect of something like this. actually getting caught would be absolutely mortifying, but if you were to successfully have sex in the kitchen or on one of the couches without anyone knowing or catching you? say goodbye to your dick because it's curly's now. it wouldn't be an insanely common thing between you two, but i do think that he would secretly be kind of in love with it. daisuke would enjoy it but i don't see him as too much of the exhibitionist type; he prefers getting caught being lovey-dovey.

curly definitely has a rebellious side, and if he was feeling frisky enough he'd lean against one of the kitchen counters while daisuke and swansea were at the dining table, bending over just enough to catch your eye. he might even brush himself against your crotch when passing by, but it wouldn't be noticeable to anyone other than you or someone actively looking for it.

though i don't think daisuke would be forward like that in public, (the most he'll do is give you kisses or sit in your lap while he's playing) he wouldn't mind if you kissed up his neck while he's playing sorry! or rifling in the kitchen for something to eat. swansea would scold you and it would make his face red, but he does enjoy the little thrill he gets out of someone catching you sneak kisses.

(i'm not entirely sure what their sleeping quarters entail, like if there's bunk beds and everyone sleeps in the same room) but in this case that is the set-up, and neither daisuke nor curly would be opposed to riding you on your bed while everyone else is asleep.

daisuke is like a bunny, riding you too fast for his own good until the creaking of the bed forces him to slow down. really, if you actually want to get caught this is the best way to do it, but to ensure there's some kind of dignity left, sitting up and controlling his speed while he has something stuffed in his mouth to keep him from whining is the way to go. otherwise he won't have the self-control to cover his own mouth where your hands are too far away to cover it for him before he wakes everyone up.

riding you is definitely one of curly's favorite things to do, so he would be great at it, even in a situation where you have to be quiet. he'd like leaning over and kissing you with his hands by your head and your arms wrapped around him. the main concern here is having the self-control to not buck your hips up into him, yet your feet are still planted flat on the bed, just in case. he's not the worst at being quiet, so why not make things exciting?

daisuke would love sneaking into bed with you, even if it really is just so sleep. he loves having his back flush against your chest as your hand goes down the front of his pants to stroke him. sometimes he'll just rock into your hand until he cums, and sometimes he'll take off his pants and slip your cock inside, rutting back against you until you push him down onto his stomach and take him. you have to be careful with daisuke because he's noisy, and if you can't tire him out he'll just ask you for more, and by that point the whole crew will know what you've been up to at night (as if they don't already know).

curly, depending on the circumstances, can a lot of the time be the one to start it. playing it off by giving you kisses on the corner of your lips and acting like it's just to send you off to sleep. but then he'll move his lips down to your jaw, and to your neck. you'll feel his hand palm at you through your pants, but if you try touching him he'll shush you, taking your cock out and stroking it painfully slow. you can kiss him, but then he won't throw the blanket over his head and mouth at your dick to slip it down his throat.

ftm!curly would adore having you eat him out under the covers. the feeling of your fingers curling inside of him is intoxicating, and having to keep his voice down and his breathing even just adds to the pleasure he feels. curly is good at keeping his volume down until you start sucking on his clit, then he has to turn his head and pull the pillow over his mouth to quiet himself. he bucks into your tongue a lot because even though he won't outright admit it, he revels in the thought that others might hear how wet you make him.

ftm!curly, if he's feeling too shy, likes when you fuck his thighs, being perfectly content with your cock grazing his cunt. he'll tweak his nipples and watch your dick being sandwiched by his thighs. if he doesn't cum, he's not opposed to finishing things quickly and having you just rub his clit while you kiss and nip at his chest.

ftm!daisuke also loves being eaten out but he's not as good at being quiet, so he'd prefer being fingered where the pleasure being inflicted upon him isn't as overwhelming and direct. he likes when you slowly drag your fingers in and out, spreading him open little by little while thumbing his clit every now and then. he gets very wet very fast, so being under the covers is ideal to drown out the sounds his cunt makes, especially when you begin to speed up and his thighs clamp around your hand because the feeling is too much.

ftm!daisuke loves dry-humping too, and he cums a lot quieter. he'd like having you hold him as he rides your thigh, clothed or not. daisuke also would love to feel the head of your cock rubbing against his pussy, teasing his entrance. absolutely can cum from just your dick gently slapping against his clit.

these thoughts honestly spawned from the very minute i saw the bedrolls on the ground in the lobby. i'm not even a horn-dog but one of my first thoughts was damn imagine fucking there so now here is this post to finally relinquish weeks of 'what-if-'s and 'i-would-totally-'s. i am really into the whole having sex with the chance of getting caught but would hate actually getting caught thing if you couldn't tell lmao.

[saikenakoego]

Last one before I try doing it with another character (and before i force myself to get back to work on art and stuff lol)

With the usual lady herself. The scourge of the undead and the paranormal alike. Hunter of monsters. Breaker of bones (and hearts). EATER OF RARE HAMBURGERS.

The unwilling vampire, Sammy!

vvvvvvvvvvvvvvvv This gal! vvvvvvvvvvvvvvv

This one is really long, so I'll be dividing them by sections like the original!

Appearance

1. What is your favorite physical trait that you possess?

SM: If I could, I'd be feeling flustered right now. But since I can, I'll just say something at random.

SM: ...

SM: Hair.

2. What would you wear if they told you you had to gussy up?

SM: ...

SM: I AM gussied up.

3. Is there anything about your appearance that you would change if possible?

SM:

SM: Hope that answers your question.

4. Do you have a favorite material that you like to wear?

SM: Denim or leather. Easy to wash, hardy enough. Hides bloodstains.

5. What's your opinion on scars?

SM: I miss them.

6. How much do you take interest in trends?

SM: More than I'd like to. Apex predators have to stay at the top of the game.

SM: Oh, you mean fashion trends? About the same. Even if I don't feel anything, I want to look my best when I put the bloodsuckers back in their graves.

7. Is there someone you try to look similar to?

SM: Myself. From about 2 years ago.

8. Do you have a physical trait that you're known for?

SM: Take a guess.

9. What do you smell like?

SM: Wouldn't you like to know. Good enough, is what I'll say.

10. If you could splurge on a particular garment, what would it be?

SM: Sunglasses. Or a new jacket. Anything that can help keep me cool.

11. Is your favorite color a color you wear often?

SM: Yeah.

12. Have you gone through major stylistic or physical changes?

SM: I guess you could say somethin' like that.

13. What is something you would refuse to wear?

SM: Anything degrading.

14. Is there a style you're afraid you can't pull off?

SM: Average.

15. Would you wear something someone else picked for you?

SM: Silver picked this outfit for me. It's easy to move in and looks good, so I don't mind.

16. Is your appearance more telling or deceiving?

SM: What a way to ask about it. Hopefully the first one.

17. What are your thoughts on wearing costumes?

SM: It's been tainted for me, the whole "human pretending to be a monster" thing. But if it's for innocent fun, I try not to mind.

18. Do you have a favorite outfit?

SM: I feel like I already answered this.

19. If you had to get a tattoo, what would it be?

SM: Crucifix. Practical reasons.

Objects

1. Is there an item you don't like to live without?

SM: Crucifixes. Have to keep them upside down, though.

2. What gift would you give to someone you didn't like, but felt obligated to?

SM: Something as cheap as generic as possible. A card or something.

3. What object is likely to catch your attention?

SM: The answer is inside you. Literally.

4. Is there an item you liked that you can't get back?

SM: Don't think so. None that I recall.

5. Would you ever try to haggle?

SM: Depends. For what?

6. Is there something you're proud to own?

SM: I can't feel pride anymore. But I used to brag a lot about my cd collection.

7. Do you ever spend more time than you have?

SM: I have all the time in the world. But I do spend more time than I should...

8. What would it take for you to give up an item you like?

SM: A stake, or cash. Depends.

9. Do you prefer to give or receive gifts?

SM: As long as they're useful, receive.

10. Is there a type of object you don't like?

SM: Anything that can cause bodily harm. And I don't mean to myself.

11. What might an acquaintance think is a good gift for you?

SM: Burger.

12. Do you personify objects?

SM: No, but I know someone who does.

13. What do you most enjoy shopping for?

SM: Nothing in particular.

14. Is there an item you're embarrassed to own or want?

SM: Again, I can't feel embarrassment anymore.

15. Would you prefer something bought or made personally?

SM: Something that functions.

16. Are you willing to ask for things?

SM: Who isn't?

17. What is most important to you when shopping?

SM: Keeping an eye on the budget. Unlike some people I know.

Food and Drink

1. What flavor would you say your personality is?

SM: Bitter.

2. Would you prefer baking, cooking or mixing drinks?

SM: Cooking. No one seems to get it right for me.

3. Is there a food or drink you're unwilling to try?

SM: Their... "specialty".

4. How big is your appetite?

SM: One appetite too big.

5. Do you consider eating fun?

SM: These questions make me angry.

6. Would you consider eating something you didn't like just to appease someone?

SM: No.

7. Is there food that has made you sick?

SM: Not anymore.

8. What is your favorite food group?

SM: Food has groups?

SM: ...Why?

9. Do you like to try new foods?

SM: I sure hope I did.

10. What is a childhood meal you cherish?

SM: ...Burger.

11. Are you food-motivated?

SM: ...

SM: Really?

12. Which meal time is your favorite?

SM: The final kind.

13. How much do you care about wasting food?

SM: Very. My mother raised me well.

14. Do you prefer restaurant or home-cooked food?

SM: Restaurant. For the time being.

15. What food or drink do you consider a treat?

SM: Burger...

16. Is there a food texture you don't like?

SM: Liquid, viscous and slightly oily.

17. What kind of drinks do you prefer?

SM: Water.

Weather and Nature

1. What would you do if you were suddenly caught in the rain?

SM: Find a place with a roof.

2. Have you ever had a meaningful encounter with an animal?

SM: If I have, I can't recall.

3. What season would you say you're most similar to?

SM: ...What?

4. Is there a natural phenomenon that scares you?

SM: I don't feel fear. But for sake of the question, I'd rather not be involved with any right now.

5. Have you ever had an animal phase?

SM: Don't think so.

6. Do you enjoy sky-gazing?

SM: I don't mind it when Johnny asks me to join him. That's about it.

7. Do you have a good sense of direction?

SM: Yeah. Par for the course.

8. What type of environment do you like best?

SM: Not too hot, not too cold.

9. Are you good with animals?

SM: Animals tend to run away from me. Don't blame 'em.

10. How would you react to snow?

SM: Just 'cuz Vegas is in a desert doesn't mean it doesn't snow. The place is literally called Nevada, por dios.

11. What part of nature do you most resonate with?

SM: The supernatural has no place within the natural world.

12. Could you survive on your own in the wilderness for a week or more?

SM: Depends on the place. Probably.

13. What element best represents you?

SM: Darkness.

14. Do you prefer hot or cold weather?

SM: Cold. Reasonably cold.

15. Is there a creature that scares you?

SM: No.

16. What celestial body interests you the most?

SM: The sun.

17. Are you good with plants?

SM: About as good as anyone.

18. How willing would you be to nap outside?

SM: Unwilling.

19. What animal would you say best represents you?

SM: A mosquito.

Community and Relationships

1. Do you prefer company or solitude when sick?

SM: I don't get sick.

SM: ...

SM: But Silver being a pest during... that, wasn't so bad.

2. What is your favorite kind of social event?

SM: None.

3. How comfortable would you be with singing and dancing in front of everyone?

SM: I would not care. Though it would be better if I got something out of it.

4. Are you upfront about your feelings?

SM: If I had any.

5. Who would you seek first if you needed medical help?

SM: Nobody. For their sake.

6. How willing would you be to go to a party with people you don't know?

SM: If it leads to something useful, willing. Otherwise, rather not.

7. Who are you most honest with?

SM: Silver.

8. How likely is it for you to initiate a friendship?

SM: Unlikely.

9. Where is your comfort place?

SM: ...Home.

10. Is there a habit you've learned from someone else?

SM: Less learned and more forcefully conditioned into me.

11. Do you think you have people who would worry about you if you got injured?

SM: Yeah. Somehow.

12. How would you react to being put in a position of leadership?

SM: I don't like it.

13. Would you be good at providing medical assistance?

SM: Would a starving bear be good at it? Carajo.

14. Who would you say knows you best?

SM: Silver. Maybe a little too much.

15. Is there a person you would turn to for backup in a fight?

SM: The boys. Either of them, for different reasons.

16. Who would you most like to sign your cast if you got one?

SM: If I were able to get a cast? Everyone, probably.

17. How well do you work with others?

SM: Well enough.

18. What is your favorite form of affection?

SM: Minding your business.

19. Do you enjoy celebrating holidays?

SM: I really don't care.

20. What would it take for you to get into a fight?

SM: Not much.

Mind, Body and Soul

1. What is a habit you have that others might find cute?

SM: I don't think anyone would ever find me cute.

2. Are there any particular sounds you're fond of?

SM: Heartbeats.

3. Are you more prone to fight or flight?

SM: Fight.

4. Do you believe in myths and fairytales?

SM: Do you?

5. What words could tear you down?

SM: None.

6. How well do you act under pressure?

SM: Pressure isn't something I'm familiar with.

7. Are you good at practicing self-care?

SM: That's not a luxury I can afford.

8. What do you find most comforting?

SM: Not comforting, but I'd rather be left alone.

9. Do you have any allergies?

SM: No.

10. Are you a light, medium or heavy sleeper?

SM: I don't need sleep.

11. Do you have a strong willpower?

SM: Given how everyone around me remains safe and ignorant, I'd say yes.

12. Are you more likely to give advice or take it?

SM: Johnny seems to ask me for advice often, and I can't understand why.

13. How do you relax?

SM: I don't.

14. Is there a secret you long to hear?

SM: The method to end this madness.

15. Do you have a sleep routine?

SM: I used to.

16. Would you feel confident in a fight?

SM: Why would you be in a fight otherwise?

17. Are you more energized in the morning, afternoon or at night?

SM: Night. Self explanatory.

18. How often do you have nightmares?

SM: ...Often.

19. Are there scents you dislike?

SM: Blood.

20. Is there a fear you'd like to learn to overcome?

SM: I fear nothing.

21. If you had to act in a play, what role do you think you'd perform best?

SM: Background character. A tree or something.

22. Do you have a high pain tolerance?

SM: Pain is a quality of the living.

Hobbies and Activities

1. What kind of games do you most enjoy playing?

SM: Silver introduced me to Castlevania. Good game.

2. Do you have a secret hobby?

SM: Its a secret.

3. What talent do you wish you had?

SM: The talent to end this quickly.

4. Is there an activity you used to enjoy that you now dislike?

SM: ...Hard to decide.

5. Which do you prioritize more, work or hobbies?

SM: Work.

6. Do you work better with creative or technical endeavors?

SM: Direct endeavors.

7. What is a talent you're proud of?

SM: The talent to brutalize all these parasites.

8. Are you more outdoorsy or indoorsy?

SM: ...

SM: "Indoorsy".

9. What is a topic you'd be exited to talk about?

SM: Again. Can't feel excitement.

10. Is there a skill that you don't know you're bad at?

SM: I-- What?

11. Do you have any injury story?

SM: Fine. Since you're so insistent. Let's see, I've been stabbed and maimed multiple times. I've had my limbs torn one by one. I've been cut in half. Decapitated. Had my bones broken. One time I had to gouge my own eyes out. Had my tongue pulled off. My neck broken. I've been ripped apart, and one other time I was eviscerated. Then I got flayed. Had my skull caved in, my mandible displaced. And lately I had my brains blown out with my own friend's gun.

SM: Oh, and this one time a creep bit me and drank my blood. But really, it didn't hurt. Happy now?

12. What kind of music do you enjoy?

SM: I used to like pop. But lately, I've been subjected to hours of rock music by Silver.

SM: It's not so bad. The guttural screams keep my... mind off things.

13. Have you ever made something for yourself or someone else?

SM: I used to cook often.

14. What is your opinion on cheating in games?

SM: A necessary evil sometimes.

15. How good are you at following through on projects?

SM: VERY good.

16. What's an activity that reminds you of someone else?

SM: That's... I don't wanna answer that.

17. Do you prefer music or silence?

SM: Its complicated.

18. What is something you wouldn't wanna talk about?

SM: I don't want to talk about it.

🌸My Super Long Hopefully Fun Character Ask Game:

👕Appearance

What is your character's favorite physical trait they possess?

What would your character wear if they were told they had to gussy up?

Is there something about your character's appearance that they would change if possible?

Does your character have a favorite material they like to wear?

What are your character's opinion on scars?

How much interest does your character take in trends?

Is there someone your character tries to look similar to?

Does your character have a physical trait that they're known for?

What does your character smell like?

If your character could splurge on a particular garment, what would it be?

Is your character's favorite color a color they wear often?

Has your character gone through major stylistic or physical changes?

What is something your character would refuse to wear?

Is there a style your character is afraid they can’t pull off?

Would your character wear something someone else picked out for them?

Is your character's appearance more telling or deceiving?

What are your character's thoughts on wearing costumes?

Does your character have a favorite outfit?

If your character had to get a tattoo what would it be?

📦Objects

Is there an item your character doesn't like to leave without?

What gift would your character give to someone they didn't like but felt obligated to?

What type of object is likely to catch your character's attention?

Is there an item your character liked that they can’t get back? 

Would your character ever try to haggle?

What is something your character is proud to own?

Does your character ever spend more than they have?

What would it take for your character to give up an item they really like?

Does your character prefer to give or receive gifts?

Is there a type of object your character doesn’t like?

What might an acquaintance think is a good gift for your character?

Does your character personify objects?

What does your character most enjoy shopping for?

Is there an item your character is embarrassed they own or want?

Would your character prefer something bought or made personally?

Is your character willing to ask for things?

What is most important to your character when shopping?

🍽️Food and Drink

What flavor would your character say their personality is?

Would your character prefer baking, cooking or mixing drinks?

Is there a food or drink your character is unwilling to try?

How big is your character's appetite?

Does your character consider eating fun?

Would your character eat or drink something they didn't like to appease someone?

Is there food that has made your character sick?

What is your character's favorite food group?

Does your character like to try new foods?

What is a childhood meal your character cherishes?

Is your character food motivated?

Which mealtime is your character's favorite?

How much does your character care about wasting food?

Does your character prefer restaurant food or home cooked food?

What food or drink does your character consider a treat?

Is there a food texture your character doesn't like?

What kind of drinks does your character prefer?

🌤️Weather and Nature

What would your character do if they were suddenly caught in the rain?

Has your character had a meaningful encounter with an animal?

What season would your character say they're most similar to?

Is there a natural phenomenon that scares your character?

Has your character ever had an animal phase?

Would your character enjoy sky gazing?

Does your character have a good sense of direction?

What type of environment does your character like best?

Is your character good with animals?

How would your character react to snow?

What part of nature would your character most resonate with?

Could your character survive in the wilderness on their own for a week or more?

What element best represents your character?

Does your character prefer hot or cold weather?

Is there a creature that scares your character?

What celestial body would interest your character the most?

Is your character good with plants?

How willing would your character be to nap outside?

What animal would your character say best represents them?

🤝Community and Relationships

Does your character prefer company or solitude when sick?

What is your character's favorite kind of social event?

How comfortable would your character be singing and dancing in front of others?

Is your character upfront about their feelings?

Who would your character first seek if they needed medical help?

How willing would your character be to go to a party with people they don't know?

Who is your character most honest with?

How likely is it for your character to initiate a friendship?

Where is your character's comfort place?

Is there a habit your character has that they learned from someone else?

Does your character have people they think would worry about them if they got injured?

How would your character react to being put in a position of leadership?

Would your character be good at providing medical assistance?

Who would your character say knows them best?

Is there a person your character would turn to for backup in a fight?

Who would your character most want to sign their cast if they got one?

How well does your character work with others?

What is your character's favorite form of affection?

Does your character enjoy celebrating holidays?

What would it take for your character to get into a fight?

💓Mind, Body and Soul

What is a habit your character has that others might find cute?

Are there particular sounds your character is fond of?

Is your character more prone to fight or flight?

Does your character believe in myths and fairy tales?

What words could tear your character down?

How well does your character act under pressure?

Is your character good at practicing self-care?

What scents does your character find comforting?

Does your character have any allergies?

Is your character a light, medium or heavy sleeper?

Does your character have strong willpower?

Is your character more likely to give advice or seek it?

How does your character relax?

Is there a secret thing your character longs to hear?

Does your character have a sleep routine?

Would your character feel confident in a fight?

Is your character more energized in the morning, afternoon or at night?

How often does your character have nightmares?

Are there scents your character dislikes?

Is there a fear your character wants to learn to overcome?

If your character had to act in a play what role would they think they’d best perform?

Does your character have a high pain tolerance?

🎲 Hobbies and Activities

What kind of games does your character most enjoy playing?

Does your character have a secret hobby?

What is a talent your character wishes they had?

Is there an activity your character used to enjoy that they now dislike?

Which does your character try to prioritize more, work or hobbies?

Does your character work better with creative or technical endeavors?

What is a talent that your character is proud of?

Is your character more outdoorsy or indoorsy?

What is a topic your character would be excited to talk about? 

Is there a skill your character doesn’t know they’re bad at?

Does your character have any injury stories?

What kind of music does your character enjoy?

Has your character ever made something for themselves or someone else?

What is your character’s opinion on cheating in games?

How good is your character at following through on projects?

What’s an activity that reminds your character of someone else?

Does your character prefer music or silence?

What is a topic your character wouldn't want to talk about?

[daisymbin]

have you ever been in love? - choi seungcheol

warnings: none

pairings: choi seungcheol x reader

genre: friends to ???

wc: 900

check out my masterlist!

"have you ever been in love?" you ask, your eyes still fixated on the carefree clouds drifting lazily through the night sky, illuminated by the city lights.

seungcheol chuckles softly, the sound getting caught in the cool breeze that surrounds you both. he takes another sip of his beer, masking the way his heart races. how much more obvious could he be? are you really that oblivious?

"i suppose i have," he answers, his voice steady and calm even as his eyes can't help but trace the outline of your face, the way your features soften in the moonlight.

"what's it like?" you turn your head slightly, curiosity written in your expression. he's not sure how he should feel about your question.

seungcheol pauses, thinking about the feeling he’s harbored for you for so long. "it’s... terrifying and exhilarating at the same time," he says, a wistful smile playing at his lips. "it feels like wanting to be someone's everything, wanting to make them smile even when the world feels too heavy for myself. it’s being so scared of losing them that it’s all you think about. but at the same time, it makes everything brighter. love changes the way you see things, you know?"

you take a moment to process his words, letting them sink in, before you say quietly, “i guess..i dont know.”

“have you ever been in love?” he asks carefully, its a past tense question so it shouldnt hurt….right?

"i'm...not sure if i’ve ever been in love before.. but lately, i’ve started feeling things i’ve never felt before, and i wonder if it’s love. that's why im asking you.”

seungcheol’s heart stops, breaking a little at the thought of you loving someone else. his voice comes out smaller, almost vulnerable. "does what you’re feelin…m-match what i said?"

you think for a moment and then nod slowly. "yeah," you admit, a soft blush spreading across your cheeks.

his breath catches & he feels his stomach churning. this isn't a past tense situation, this is present tense, NOW. "who is it?" he asks as his voice trembles. the 4 years he's spent pinning over you seems to have made him timid tonight, he's not usually like this, but still, he braces himself for an answer that he knows will shatter him.

you hesitate, your eyes finding his, sparkling with adoration. "you," you whisper, your voice firm with sincerity.

seungcheol’s eyes widen, and for a moment, the world stills. and then, without thinking, he’s reaching for you, the biggest smile breaking out on his face. "me?" he repeats, as if he can’t quite believe it.

you nod, "you...you like me too right?"

"like?" seungcheol laughs, finding humour in your choice of words, his laugh holds a hint of disbelief, his eyes crinkling with pure joy. "like?" he repeats, his voice still colored with amusement. "i don't just like you," he confesses, his voice growing softer, more sincere. "i've been completely, ridiculously in love with you."

you feel your heart skip a beat, disbelief and hope swirling in your chest. "really?" you whisper, your voice small, almost afraid that this moment could shatter like a delicate glass figurine.

his gaze softens as he reaches for your hand, his warm fingers intertwining with yours. "really," he says, his thumb brushing over your knuckles.

"did you really not notice?" he asks, "i almost started to think you knew but just didnt have the heart to reject me."

your cheeks flushes as you think about all the little moments you'd noticed—the small ways he always seemed to look out for you, the way he'd remember the tiniest details about your life, and how his eyes would light up every time you entered a room. "i just... i always thought it was wishful thinking...like the time you carried extra snacks just because you knew i'd forget to eat, or when you'd always find an excuse to walk me home, even when you lived in the opposite direction. or how you’d get so quiet and protective whenever you thought someone was being unfair to me."

seungcheol's eyes widen with a mix of surprise and endearment, a fond smile spreading across his lips. "so you noticed all that?" he asks, his voice warm with a hint of embarrassment.

"i did," you say, a shy smile tugging at your lips. "but it just seemed too good to be true."

he pulls you a little closer, his eyes searching yours, filled with a mixture of adoration and relief. "it wasn’t too good to be true," he whispers, and then, with the most tender of touches, he leans in.

when his lips meet yours, it's everything and more. it's gentle, sweet, and filled with all the love that has been building between you two, unspoken but always there, waiting for the right moment.

when you finally pull away, you're both breathless, cheeks flushed. seungcheol's smile is still there, brighter than ever.

[mistresscitrusslice]

The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

[idkdudethisisntpermanent]

Over the Limit - pt.iv

jenna ortega x female reader

part i | part ii | part iii | part iv

summary: You and Jenna each reflect on your own choices and the growing tensions between you both. Torn between loyalty, responsibility, and personal longing, what does this growing conflict mean for the future of your alliance?

word count: 12.8k

————

"So, victory sex?" Hunter teased, wiggling his eyebrows suggestively.

"Victory sex?" You echoed, genuinely confused. "With who?"

"Who else? Your little Viper girl," he replied, rolling his eyes like it was the most obvious thing in the world.

After dropping Jenna off at home, you'd shot Hunter a quick text, asking if he wanted to come over. After the whirlwind of the race, and the intense feelings stirred up by Jenna, you needed someone to debrief with—someone who knew about the tangled situation you'd gotten yourself into. Fortunately, your mom didn't know Hunter was part of the Sinners, so he was in the clear to hang out without raising any suspicions.

"Come on, Hunter, I barely know the girl."

"Doesn't seem that way to me," he shrugs, taking a seat on your couch and kicking his feet up onto the coffee table. "You let her wear your jacket, didn't you?"

Did everyone see that?

You roll your eyes and flop down beside him, letting out a tired sigh. "That doesn't mean anything."

"Uh-huh. Whatever you say." Hunter smirks, but his teasing tone amplifies after a beat. "But there's no way you didn't feel Racer's High after winning."

You didn't need him to define Racer's High. You knew he was referring to that primal, raunchy, adrenaline rush of a feeling that overtook you once you won the race a few hours ago. You shudder remembering how much you yearned for Jenna in that moment.

"So, how are you feeling about it all? The race, the attention... her?"

You hesitate, considering how much to say. You trust Hunter—he's the only one in the crew you can really open up to, but you're also not ready to dive into the whole Jenna situation. Not with everything going on, especially since you're not sure how deep things go with Percy and this "Ghost Smoke" deal.

"I don't know," you finally say, running a hand through your hair. "The race was wild. Winning felt... intense. I get why people get hooked on that feeling."

Hunter raises an eyebrow. "And?"

"And... I can't shake the feeling that there's more to this. Like, there's this whole side to racing I'm not seeing."

He leans forward, elbows resting on his knees, watching you carefully. "What do you mean?"

You glance at him, trying to gauge how much you can say without tipping too much of your hand. "I don't know, man. I've been hearing things—whispers about this new stuff called Ghost Smoke floating around Brimstone. You heard anything about that?"

Hunter's eyes narrow, and for a second, you think maybe you've pushed too far. But then he exhales slowly. "I've heard the name. It's bad news, Y/n. Real bad. That shit's spreading fast, and people are already getting hooked. Some of the younger guys are sniffing around for it. Why are you asking?"

You shrug, trying to play it cool. "Just heard it mentioned. Thought it might be connected to some of the things I've been noticing. You don't think the Vipers are involved, do you?"

Hunter goes quiet, his face unreadable. Then he leans back, crossing his arms. "I don't know, and I'm not looking to find out. You shouldn't either. Percy's been getting into things outside of racing, and if Ghost Smoke's part of that, it's not something you or anyone else in the crew wants to be tangled up in."

You nod, though his answer doesn't satisfy you. Not because you don't believe him—but because you have this sinking feeling that the situation is bigger than either of you realize.

The conversation shifts after that, and the rest of the night passes with more casual banter. But the unease never fully leaves your mind.

"Looks like Madison's got a thing for you."

You raise an eyebrow, laughing lightly. "Mikey? That girl's never even cracked a smile at me. Pretty sure she barely tolerates me."

Hunter shrugs, smirking. "Nah, trust me. She was asking about you the other day in the garage."

Your brow furrows slightly. Was it because of what I asked about Percy? A small part of you wonders if Madison's caught onto your suspicions.

"And even during the Viper and Raven races, she was giving you these weird looks."

"What does that even mean, Hunter?" You roll your eyes, half-amused, half-worried.

He chuckles, clearly enjoying this too much. "Hell if I know, but winning that race definitely got you on some people's radar."

Maybe at one point, being on the radar of a few girls would've mattered to you, but not anymore.

————

While Hunter crashed on the couch, you spent the entire night tossing and turning in bed. If someone had told you a month ago that you'd be neck-deep in street races and shady dealings—all for the sake of a girl—you would have called them insane.

When dawn finally broke, you shuffled out of bed and headed into the kitchen, finding Hunter gone and your mom brewing a fresh pot of coffee.

"Morning, Mom," you yawn, stretching your arms out. "Did Hunter leave already?"

"You just missed him. He said he'd be back later," she replies with a gentle smile.

You hum in response, pouring yourself a cup of coffee, savoring the warmth. It was in these quiet, mundane moments that you hated the path you were on more than anything. Between the mess with Jenna, the unpredictability with Percy, and the weight of secrets and family legacies, you sometimes wished you could just be normal—not tangled up in rivalries or trying to make sense of feelings you didn't dare admit.

"You've changed," your mother's voice broke you out of your thoughts, catching you mid-sip.

"Changed?" You raise a brow, joining her at the dining table. "What do you mean?"

She sighs, studying you with a mix of curiosity and concern. "You seem... happier in some ways but also more stressed. Something's weighing on you."

You stare down at your coffee, catching your own reflection in its dark surface, letting your mother's words sink in. Of course she'd notice something different—you're her child. But she's right; you have changed. And now, in this rare quiet moment in the chaos your life has become over the past month, you're finally realizing just how much. You've changed so damn much—and the thought terrifies you, especially because you can't even pinpoint when it happened.

Or you do. And that was the scary part.

A month ago Anton told you to find what's your purpose, your drive. What makes your heart race. What's worth risking everything for.

But you'd been so careful, you tell yourself. You abandoned her the first night you met, didn't even share your name—but now, she's got far more than just a name. She's got you feeding her intel, leading her through Brimstone like her own personal guide, pulling you deeper into a world you swore you'd keep at arm's length.

When did it happen? When did you start dropping her home, buying each other jackets, eating ice cream together—and, hell, when did you start racing? Racing, something you'd vowed never to do. And now here you are, about to walk into a private meeting that likely involves drug lords fueling Brimstone's biggest epidemic—all because she needs leverage on Percy. Leverage to protect herself from some mystery he's holding over her, something she still won't tell you.

You try to rationalize. She's got leverage on you, too. She's got footage of you stealing her dad's car. But deep down, you know she'd only pulled that card to hook you in. She wouldn't actually use it. You knew that. You knew her.

Except—you didn't. You didn't really know a damn thing about this girl, yet here you are, throwing caution to the wind for her. Risking everything for her. Breaking your own rules, doing things you'd avoided for the past twenty years...all because of her. And all way too fast.

Maybe it's because you're finally sitting in front of your mom, and to her, you'll always be her little girl. And facing her now, all you can see is the woman who once opened the door to find cops there, telling her that her husband, the father of her nine-year-old kid, was dead. You remember watching her piece together her shattered heart, all while carrying the weight of resentment for the racing that took him. And now, somehow, you're part of it too. How could you put her through this?

"Y/n?"

Your mom's voice snaps you out of your thoughts, and you lift your gaze from your coffee to her face.

"I've been calling your name for a while now. What the hell is going on with you kid?" she asks concerned.

Everything you wished you could tell her was everything you couldn't. Everything she warned you to stay away from.

"Look I know I haven't been the best mom," she sighs. "But I did it because I care. I'm strict because I know how quickly things can go south in this shithole of a town."

"You're not a bad mom, stop—"

"I can tell there's something on your mind, I don't know if it's good or bad. But I want to know Y/n/n."

Just as you were about to respond your phone pinged and of course it was Jenna.

Hey Oil spillage, just got news that the meeting moved. It's on Friday at 10p.m. now.

Wonderful news. After the realizations you just had, you were not ready to face Jenna again. In fact you would rather anything but see her. And now you can avoid her for six more days. Without replying to her message, you turn off your phone and turn your attention to your mom.

"I guess I've just been thinking about my future and what that looks like." You decide to open up a little, seeing no apparent harm.

Your mom nods slowly, her brow furrowing slightly as she absorbs your words. "And I also have to consider the fact that we're in Brimstone," you add, your voice dropping a notch.

She looks at you intently, searching your face for clues. "I get that this place can feel limiting, Y/n. But remember, it doesn't have to define you. You have the power to change your path."

You take a sip of your coffee, contemplating her words. "It's just...sometimes it feels like I'm caught between what I want and what I should be doing."

"And what do you want?"

"I don't know! I don't know what I want," you finish, softer now.

She squints, registering the tension in your voice. "Then, what do you think you should be doing?"

Racing. The Club. The Sinners.

But you can't say that. Not to your anti-racing mom, but clearly your face says it for you.

"Y/n," she sighs. "There's no place for you in that life."

"You don't understand, Mom! It's easy on paper to say 'stay away.' But people talk. I'm the daughter of a founding member; they expect me to be part of this."

"And how exactly are you hearing all this talk?" she asks, voice tinged with sass. "I thought I told you to stay away from Anton and that whole club."

"I am!" you lie. "But people at the warehouse still talk," you lie again. "Is working in a warehouse really what you want for me? For the rest of my life?"

"If it keeps you out of that club, then yes, a thousand times over. That club killed your father. I don't get your fascination with it!"

"Maybe I like cars! Maybe I want to feel close to him by doing something that mattered to him. You never even talk about him," you say heatedly, pushing yourself back from the table.

"Sit back down," she says, rubbing her temples.

You sit, your frustration simmering.

Your mom's eyes, usually a fortress, softened with a sigh. "You're right, I don't talk about him much. Not because he wasn't worth it, but because it's painful. But let me tell you something about your dad, something I should've told you sooner."

A shadow of confusion crossed your face.

"He was a founder, sure," she admitted, a bitter smile playing at her lips. "One of the Y/l/n brothers who started this whole thing. But that's not the part of the story that matters. Not the part that should define how you see racing."

Your heart stilled, anticipation prickling at your skin. "What do you mean, then? What's the part I'm missing?"

Her eyes narrowed slightly, focusing on a memory only she could see. "Your dad wanted out."

The weight of her words hung between you, more jarring than the rumble of any engine. The idea of your father—the man who had seemingly built his entire world around speed, thrill, and the camaraderie of the club—wanting to leave felt impossible.

"What do you mean, 'out'?" you asked, the question barely a whisper.

She sighed, running a hand over her tired face. "He didn't start the club for the glory, Y/n. Not for the rush or to become some legend everyone would talk about. He did it because he felt trapped, and for a while, racing felt like freedom. But when things got bigger, more dangerous... he saw where it was heading. He knew it wasn't sustainable. He wanted out before it swallowed him whole."

You stared at her, trying to process this new version of the man you thought you knew. The stories you'd grown up on were all about victory, triumph, the unmatched skills of your father and the empire he helped build. But no one talked about the nights he lay awake, second-guessing the choices that led him there.

"Why didn't he leave, then?"

Her eyes glistened with a pain that seemed older than time, a sorrow she'd carried long. "He did, or... he was supposed to. That last race—the one that took him from us—it was meant to be his farewell. He promised me it would be the last time, that after that night, we would start over, somewhere far away from all of this."

You felt like the ground beneath you had shifted. The race that defined so much of your past, the race whispered about in awe and grief—it had been an ending, but not the kind you ever imagined.

"He was going to walk away?" you asked, your own voice thick with disbelief.

Her eyes shimmered with unshed tears, the weight of old promises and lost dreams shining in their depths. "Yes," she whispered, a tear finally breaking free and rolling down her cheek. "He was tired of what it had become—the danger, the violence, the way it devoured everything good. He wanted out for you, for us. But fate had other plans."

You looked at her, seeing not just your mother but a woman who had lost everything for the sake of someone else's ambition. The image of your father—legendary racer, fearless leader—began to fracture, replaced by the vision of a man who was trapped, fighting for freedom that never came.

"And now," she said, drawing a shaky breath, "you have to decide if you're going to chase his ghost, or choose a different path."

Suddenly, the image of racing, of the thrill that had always called to you, shifted. It wasn't just the adrenaline, the wind whipping past and the engine's roar. It was what lay beneath—the fear, the drive to outrun something that couldn't be escaped.

"So, what does that mean for me?" you asked quietly.

Her fingers tightened around her cup, eyes meeting yours with quiet intensity. "It means you decide if racing is freedom or a cage. For your dad, it became both. You don't owe this club anything."

You sat back, absorbing the truth. Racing had always felt like destiny, an inheritance carved into the fabric of who you were. But now, for the first time, it seemed less like a birthright and more like a choice—a choice you'd have to make on your own terms.

"Do you ever... want to get out of here?" you ask, almost too quietly, afraid of the answer. "Out of Brimstone?"

A question you should've asked your mother years ago, but is only leaving you now.

She raises her eyebrows, surprised by the question. It lingers in the air between you for a moment before she sighs, looking out the window to the tired streets beyond. "Sometimes," she says finally. "Sometimes I think about it, yeah. The way this place drags people in, holds them down... It scares me for you, Y/n. I don't want you trapped here. I want you to have options, a life that's bigger than this town."

"Then why do you stay?" you press, voice softer now.

A flicker of something unreadable crosses her face. "It's complicated," she says, her voice tinged with a weariness you hadn't noticed before. "Your father was here. This was where we met, built our lives, and after he... after everything, I felt like leaving would be... giving up on him. Like walking away from the one thing he was part of."

"But you don't owe this place anything," you say, echoing her earlier words back to her. "If it's just a memory keeping you here, then... maybe we both deserve better."

She nods slowly, her gaze returning to you, eyes softer, more vulnerable than you've seen in a while. "Maybe we do," she admits, voice barely a whisper. She makes a gesture with her hand of tapping a cigarette into an ash tray—a habit you noticed since you were a child. Something she does out of nervousness.

For the first time, it feels like you're seeing eye-to-eye, both carrying parts of the same burden—one that isn't really yours to carry. You've both been holding on, afraid of what letting go might mean.

You never thought you had a bad relationship with your mom. You both just worked and worked, trying to make a life for each other. Survival mode felt like autopilot—there was no time for bonding or deep conversations. Showing care meant keeping each other going, making sure you both were okay. Talking like this felt foreign, almost like a new skill you were both trying to learn. You wonder what prompted it, this sudden need to speak the things you both usually left unsaid

"So Hunter told me you had a girlfriend—"

You face palm, "for fuck sakes."

————

"Dude you told my mom I have a girlfriend?"

"She asked me if there was anyone special in your life!" He puts his hands up defensively.

You groan, feeling a wave of annoyance wash over you. What the hell are you supposed to tell your mom if she asks about this again? The image of her face pops into your mind. "Hey Mom, here's my supposed girlfriend I met at a race I snuck off to behind your back. Don't worry, she's not a Sinner—she's a Viper, though."

Luckily, Hunter had walked in earlier from whatever he'd been up to that morning, sparing you from answering your mom's question on the spot. Now, all you have to do is figure out what to say when she inevitably brings it up again.

It's still morning as you both settle into your room, falling into the familiar rhythm of your routine. You sprawl on your bed while he spins around in your chair, his energy infectious. Hunter dives into the latest gossip, animatedly sharing every detail, and you find yourself drifting in and out of his words, letting the sound of his voice wash over you.

You phone then starts ringing, and his voice suddenly stops. You glance at the screen, and let out a heavy sigh. You've really got to change her contact name.

"Who is it?" Hunter asks, hopping off the chair and leaning closer to your phone.

"Is she not your fave Viper anymore?" He jokes, sitting at the foot of your bed. "Come on, pick it up!"

You hesitate, staring at the screen as the name blinks back at you. The tension in the room shifts, Hunter's playful smirk fading as he senses your reluctance.

"Seriously? You're just going to let it ring?"

You shake your head, biting your lip. "I—I can't, Hunter. What do I even say?"

He leans forward, a look of mock seriousness on his face. "How about, 'Hey, Jenna, what's up? Oh me? I'm just living my perfectly normal life—definitely not spiraling into an identity crisis because of you?"

You roll your eyes but can't help the smile that threatens to break through. "You're ridiculous."

"Yeah, but you know I'm right," he insists, nudging your foot with his. "Just answer it! What's the worst that could happen?"

A million thoughts race through your mind, each one heavier than the last. You're scared of what her voice will bring up—the memories, the feelings, the undeniable shift in your life since you met her. "What if she wants to see me again?"

"Uh, hello?" he raises a brow, giving you a look. "Isn't that the best-case scenario? Getting cozy with your fine, rich Summer Valley girl?"

You hesitate again, and the ringing seems to grow louder. Hunter's eyes are wide, filled with mischief and encouragement. "Come on! Just answer it already!"

"Huh, looks like I can't anymore, the ringing stopped," you smile, relieved that the ringing was cut short.

Hunter's expression shifts from playful to incredulous. "What the fuck, man? Why didn't you answer?"

You shrug, but inside, a storm of emotions brews, each thought heavier than the last. Jenna represents everything you're trying to escape, and yet everything you're drawn toward. She's the pull of a world that's dangerous, one you've seen tear lives apart—your life apart. And every second you spend with her, it feels like you're slipping further down a path you might not come back from.

You can't let that happen.

"Because I can't keep doing this," you say, the words coming out softer than you'd intended. Each moment with her feels like a step away from the life you once knew, from the version of yourself that kept your family safe. You're drawn to Jenna, but she's also a stark reminder of how much you've changed, of how close you're getting to undoing everything your mom worked so hard to protect, everything your father was trying to leave.

She makes you feel alive in ways you haven't felt in years. But that feeling comes with a vulnerability you're not sure you can handle. If you keep this up, you'll lose more than just yourself—you'll risk letting down the family that depended on you to be the strong one. The thought sends a cold chill through you.

"I don't think I'm doing the right thing, Hunter."

Hunter lets out a quiet sigh, watching you closely. "You were doing alright last night. What's got you all worked up now?"

You hesitate, the weight of it clawing at you. Saying it out loud feels like crossing a line you can't come back from. "Things just... feel different," you say, voice barely audible. "I've been doing things I never thought I would, getting in deeper than I should. I don't even recognize myself anymore."

Hunter frowns, studying you. "You're not a completely different person just because you're out there racing. Isn't this what you wanted?"

"It's not just about racing." You rub your face, trying to calm the frustration simmering beneath the surface. "Jenna's got this... hold over me. She's made me cross lines I thought I'd never touch. She's tied up in a world I swore I'd stay away from."

Hunter's gaze softens, like he's trying to understand. "Maybe she's just got you seeing things differently. Doesn't mean you're losing yourself."

But that's the problem—you can feel yourself losing your grip, and the need to push her away rises, desperate, like an instinct. You know that the closer you get to Jenna, the deeper you risk sinking into something that could destroy you both. "Maybe it's better if I keep my distance," you murmur, more to yourself than to him. "I can't let this go any further. She's in the Vipers, and that's not a world I can afford to be part of."

Hunter shakes his head, not fully understanding. "So you're just going to shut her out? Because of some fear? Even if she hasn't been around long, what you two have—it's something real—"

"No." You cut him off, a hint of desperation in your tone. "What I have with her isn't real. Not really. We just thought... we could help each other. But that's all it is."

Even as you say it, though, you can feel the lie settle in your chest, heavier than you expected.

Hunter doesn't know the whole story with Jenna and Percy, or how you got roped into digging up dirt on him. You bite your tongue, stopping yourself from saying too much. A part of you wishes you could tell him, though—because if he knew you were supposedly getting mixed up in things like Ghost Smoke, he'd be the first one pushing you to cut Jenna out of your life for good.

"Alright, let me ask you this," he says, leaning forward. "You've had your first race, you were technically a Sinner. But from what you're saying, it sounds like you've made up your mind. So, what—you're sticking to your car hijacking ways, no racing, right?"

You hesitate—even after everything your mom has told you today, and he catches it.

"There's still a part of you that wants it, Y/n. You're not sure, and that's okay. This isn't about you changing; it's about something else. Unless you can look me in the eye and say you're completely done with this racing stuff, I don't see why you have to push her away."

You don't know why either. Maybe this wasn't about racing entirely and how much you've changed. But it feels foolish now to drag yourself deeper into this world after learning your dad died trying to leave it. Point is, you need to step back before you lose yourself completely.

And as much as it hurts to admit, that might mean losing the girl who makes your heart race. Looks like you found what makes your heart race, but not what's worth risking everything for.

————

"So, should I throw the microwave at your head now or later?"

Jenna tears her gaze away from her phone, frowning at her sister. "What are you even talking about, Aliyah?"

Aliyah grins, enjoying the confusion on her sister's face. "You don't remember? You told me ages ago that if you ever fell for someone again—or got caught waiting on a text—I should throw a microwave at your head."

Jenna sighs, the memory of that ridiculous pact making her groan. "Yeah, well... Wait—hold on. I am not falling for anybody!"

Aliyah raises an eyebrow, clearly unconvinced. "Uh-huh. Says the girl who's been glued to her phone all day waiting on a text. Sounds exactly like someone not falling for anybody."

Jenna scoffs, rolling her eyes, but she can't hide the faint blush creeping up her cheeks. "I'm just... checking my messages. It's not that deep."

Aliyah chuckles. "Right. Not that deep. Just let me know when to start unplugging the microwave."

The older of the two shakes her head, a small smile tugging at her lips despite herself. "You're so dramatic."

"I just know you too well. Face it, sis—you're hooked."

Jenna scoffs, though her expression softens. "It's... complicated," she admits quietly, her fingers grazing the edge of her phone. "She's—" She stops, catching herself. She's. But she's not about to explain all that to Aliyah.

"Complicated?" Aliyah finishes, feigning shock. "You? In something complicated? Never."

"Okay, fine, enough!" Jenna laughs, trying to brush off her nerves. But her sister's words stick with her. She can't ignore the fact that she's thinking about her way more than she should be. And she knows all too well that if Percy found out, it would be a whole new problem.

Aliyah flops onto the bed, scrolling through her phone with a satisfied grin, fully aware that she's already planted the seed.

The Viper tries to focus on something else, anything else, but her mind keeps drifting back. "You're hooked."

Aliyah tilts her head, watching Jenna with a knowing look. "You don't even deny it. Whoever this person is, they've got you in knots."

Jenna rolls her eyes, trying to dismiss it, but the truth settles heavily in her chest. "It's not like that," she says, almost to herself. "It can't be."

Aliyah raises an eyebrow. "Why not? Because of Dad? Or because of that sleaze Percy?"

Jenna's jaw tightens at the mention of the men, and she looks away, fighting the urge to share too much about her mystery Brimstone girl. "Let's just say... it's not as simple as having someone in your life and calling it a day," she says finally.

Aliyah's playful demeanor fades a bit, sensing the weight in Jenna's voice. "Jenna... are you in some kind of trouble?"

For a moment, Jenna considers coming clean, but she shakes her head, forcing a smile. "When am I not in trouble?"

Aliyah's smile falters slightly, guilt seeping through her playful demeanor. She shifts in her seat, Jenna wouldn't even know this kind of trouble if it weren't for her.

Jenna catches the look in her sister's eyes and instantly regrets her words.

"Aliyah, don't," she says softly, the tension in the room shifting. "You know I don't blame you."

"I know, but I can't help feeling responsible," Aliyah whispers, looking down at her hands. The unspoken reality—that Jenna's entanglement with the Vipers was to shield Aliyah—lingered between them, heavier than any words.

"Dad shouldn't have made you—"

Jenna reaches out, squeezing her sister's hand. "We're in this together, remember? Whatever happens, I'm the one who chose to stay."

Aliyah looks up, eyes glistening with unshed tears. "But it's not fair. You shouldn't have to carry this for me."

Jenna offers a small, sad smile. "Family isn't about fair. It's about being there, no matter what."

Aliyah's shoulders slump as she bites her lower lip, a familiar crease forming on her brow. The guilt that's been gnawing at her shows clearly in her eyes, and Jenna's heart clenches at the sight.

"I hate this," Aliyah whispers, her voice wavering. "Every time you walk out that door, I keep wondering if you're coming back. And it's because of me."

Jenna's tough facade cracks, and she leans forward, wrapping an arm around Aliyah's shoulders. "Hey, don't go there," she murmurs. The words are steady, meant to reassure, but the tightness in her chest betrays her. For a moment, she lets herself imagine a life free of this cycle—a life where neither of them has to look over their shoulder.

"I won't be stuck for long," Jenna finally admits, a determined edge creeping into her voice. She pulls back just enough to look Aliyah in the eyes, hoping to pass on some of that conviction. "I'm working on something, alright? This isn't forever."

Aliyah searches Jenna's face, her eyes widening with hope and hints of disbelief. "You mean it?"

Jenna nods, "I mean it. I promise."

Suddenly the sadness in Aliyah's expression is replaced with a smirk, "Does she have anything to do with it?" she asks glancing at her sister's phone.

"Don't change the subject," Jenna says, trying to sound stern but unable to keep the corner of her mouth from quirking up.

Aliyah's smirk grows, the earlier heaviness giving way to something warmer, more familiar. "I knew it. Your mystery girl isn't just another risk, is she?"

Jenna rolls her eyes but can't fully suppress a small, reluctant smile. "It's complicated, Ali. She's... well, she's a lot more than I expected."

Probably the biggest risk of all, Jenna thought

Aliyah's smirk softens into a genuine smile. "Good. You deserve more than this mess, Jen."

Jenna's heart tightens at her sister's words. "Yeah," she whispers, more to herself than to Aliyah. "Maybe I do."

Suddenly an idea stirs into the younger Ortega's mind. In a swift motion, her hand darts out and snatches Jenna's phone from the bed. Before Jenna can fully process what's happening, Aliyah is already on her feet, eyes dancing with mischief as she clutches the phone to her chest like a prize.

"Aliyah!" Jenna's voice sharpens "Seriously? Hand it over."

Aliyah tilts her head playfully, a smirk tugging at her lips. "Relax, big sister. Just checking if your mystery girl left a love note or two."

Jenna takes a step forward, trying to maintain her composure as she reaches out for the phone. "I mean it, Ali. Give. It. Back."

Aliyah shifts her weight, effortlessly dodging Jenna's reach as she chuckles. Taking advantage of the height, she holds the phone above her head, reading the chat messages. "Greaser? Pet names already?"

"Aliyah."

"Left on read for almost three hours? And here I thought you had game."

"I don't like her."

"Sure you don't," Aliyah teases, tapping the screen. "Let's see if your non-existent feelings show up when I—"

Before she can finish, the familiar ringing tone starts, and Jenna's heart drops. Aliyah's eyes widen with mock surprise. "Oops. Guess we'll see soon enough."

"Aliyah!" Jenna lunges, grabbing the phone from her sister's hand after the phone rang for a while. Without hesitation, she swiftly hits the end call button. The silence that follows crackles with tension as Jenna clutches the phone, her face flushed.

Aliyah bursts out laughing. "Wow, if that's not feelings, I don't know what is."

Jenna takes a steadying breath, unable to mask the way her pulse races. "It's not like that," she insists, more to herself than to her sister.

She couldn't help but wonder why you didn't answer your phone. You had more than enough time to answer the phone while it was ringing.

————

Two days have passed since you left Jenna's call unanswered. The rhythmic clinking of tools filled the garage as you worked tirelessly on your latest project—the stolen Aston Martin. For the past two days, the garage had been your refuge, the metallic smell of oil offering a sense of your old routine amidst the chaos. In that span, you had buried yourself in work, starting early in the morning and ending late into the night, determined to keep your mind from straying.

You stepped back to study the Aston Martin, now wrapped in a deep green that gleamed under the fluorescent lights. The change from the initial black colour was supposed to help, to make the car feel less like a painful reminder of her. But as you ran your hand over the freshly smoothed surface, sighing at the ghost of memories it evoked, you realized that nothing had changed. No matter how much you worked, every inch of that car still spoke her name.

Your phone buzzed on the workbench, a sharp intrusion that pulled your attention. A name lit up the screen—Jenna's. A message providing you the address of the meeting, nothing else. Seeing her message made your chest ache with a guilt you tried to ignore. You glanced at the glowing screen, your resolve wavering for a moment before you shoved the phone into a drawer, the metallic clang echoing in the small space.

Out of sight, out of mind.

As you smoothed out the last stubborn air pockets on the Aston Martin's fresh wrap, the sound of footsteps echoed in the garage. It was nearly 1 a.m. and no one should be around at this hour.

"Y/n?"

You turned at the familiar voice, eyes narrowing slightly before recognition softened your expression. "Mikey?"

She walked toward you, eyes curious as they swept over the car. "What are you doing here so late?" she asked, curiosity lacing her voice.

You shrugged, forcing a nonchalant tone. "Just working on a car. Needed the distraction. And you?"

Mikey tilted her head, not satisfied with the answer. "I felt like going for a drive. Thought I'd stop by first."

Her gaze shifted between you and the green Aston Martin, catching the tension in the air.

"This is the car you rolled up in with your girl right? What was on the surveillance?"

Ahh yes my girl. Now you need to come up with a believable break up story for the crew.

You clenched your jaw at her question, the mention of Jenna sending a pang through your chest. "Uh, yeah," you muttered, hoping to keep the conversation brief. Mikey's sharp intuition wasn't something to underestimate.

"Trouble in paradise?"

You sigh, "something like that, I don't really want to talk about it."

Mikey nods carefully, and deliberates her next words before speaking, "Did you want to join me on my driv—

"Okay I brought Chinese!" Hunter's voice booms through the garage.

Hunter set the bags down on a nearby workbench, the crinkling of paper and the scent of takeout breaking the heavy silence. He glanced between you and Mikey, sensing the charged atmosphere and shooting you a raised brow.

"Am I interrupting something?" Hunter asked, his usual playful tone laced with curiosity as he tossed a napkin your way.

You caught it mid-air, forcing a smirk to hide the knot in your chest. "Just working late," you replied, shrugging as if that explained everything.

Mikey's expression softened, the slight edge from moments ago replaced with a grin. "Nope, you're just in time. I was about to drag Y/n out for a drive," she said, her voice lighter now, as if trying to pull you into an easier conversation.

Hunter's brows lifted. "Oh? That's a miracle. She's been glued to that car for the last 48 hours" he teased, nudging your arm.

The mention of the past few days made your stomach tighten. You hadn't told Hunter or anyone else why you'd been so buried in work. The truth was, it kept you from thinking about Jenna. The guilt, the confusion—it all seemed simpler when muffled under the sound of engines and the smell of oil.

Mikey leaned against the Aston Martin, folding her arms. "Come on, you've been cooped up in here long enough. What's a quick drive gonna hurt?"

Before you could answer, Hunter grabbed a takeout container and tossed another to you. "Food first, you too Mikey. And then drive second," he said with a grin. "Don't think we'll let you skip out on both."

You took the container, a reluctant smile tugging at your lips. Maybe stepping away from the garage—and everything it represented—would be good for you. Even if just for a moment.

You could tell a lot about a person from how they drove, and never in a million years did you think Mikey would be a careful driver. She would teeter on surpassing street limits, but was a relatively relaxed and smooth driver.

The car rolled through the night, the city gradually giving way to quieter roads framed by dark silhouettes of trees. A comfortable silence settled among the three of you, broken only by Hunter's occasional commentary and Mikey's bursts of laughter when he cracked a particularly absurd joke.

"Remember that time you tried to drive with only three wheels?" Hunter leaned forward from the back seat, his eyes dancing with mischief. "You swore it would work."

You chuckled despite yourself, shaking your head at the memory. "And you were the one who dared me to, you idiot."

Mikey laughed, the sound deep and genuine. "And you actually tried it? That's commitment."

"Or stupidity," Hunter added, and the three of you erupted into laughter that carried through the night, momentarily easing the tension that had wrapped itself around your chest for days.

The conversation meandered through old stories and lighthearted teasing as the car hummed smoothly down the open road. But then, in a pause between topics, Mikey glanced sideways at you, her gaze more serious. "So, do you plan on racing again anytime soon?"

The question hung in the air, a sudden shift in the atmosphere. Before you could respond, Hunter's smirk dropped. He leaned back in his seat, his voice more subdued. "Don't bother, Mads. She doesn't know."

Your eyes flicked to Mikey, watching her reaction. She didn't miss the slight hesitation in your expression, the way your hands clenched. Her brow furrowed, a mixture of concern and curiosity flashing across her face.

"Still figuring it out, huh?" she said softly. "If you haven't made up your mind yet and you're not already back on the track, it's probably a no."

You kept your gaze on the road, the rhythmic whoosh of the wind outside acting as a buffer for your thoughts. Mikey's insight stung more than you'd admit; she was right. Your lack of being back on the track had to mean something.

"Maybe," you said finally, offering no real answer. Hunter glanced between you and Mikey.

Mikey settled back in her seat, a subtle understanding flickering in her eyes as her expression softened. "Trust me," she said, her voice calm yet pointed. "Most racers, when they're trying to get something off their mind, they hit the streets and push their limits. But you? You're here, spending your nights working on a car. That says a lot about where you really want to be."

She was the first person to openly discourage you from racing, and you couldn't help but appreciate it. It felt different, almost liberating—a break from the endless pressure to prove yourself. For once, someone saw the side of you that wasn't caught up in the thrill, and it was a relief.

But there was also that suspicious part of you. Mikey was close to Anton, and she knew how much Anton wanted you in the crew. Does she fear that you'll replace her spot in the club if you join? You brush off your intrusive thoughts and try to enjoy the rest of your drive.

————

Two more days had passed since Jenna had sent the text with the updated meeting address, and the silence on the other end gnawed at her. She leaned against the balcony railing outside her room, eyes skimming the darkened city skyline in the distance each blinking light a reminder of how life pulsed and moved without pause.

The air was crisp, biting against her skin as she shivered, but it did nothing to numb the restless ache in her chest. She scrolled back through the last messages, the words on the screen staring back at her like a mockery of the certainty she'd once felt. It wasn't like you to go this long without responding, but then again what did she know about you? You were the definition of uncertainty, you couldn't figure your own shit out how could you help with hers. She should've seen the red flags for your ghosting tendencies from the first time you met. You had no reason to help her, there was no personal gain.

Aliyah's voice broke through her thoughts, calling from inside. "Jenna, you're doing it again."

Jenna blinked, tearing her gaze from the phone as Aliyah stepped out onto the balcony, eyes filled with concern.

"You're still thinking about her, aren't you?" Aliyah's tone was soft, not judgmental, but knowing.

Jenna sighed, slipping her phone into her pocket as if hiding it would erase the gnawing uncertainty. "I can't help it. Something's off. She's... pulling away, I can feel it."

Aliyah's expression shifted, guilt briefly clouding her features before she masked it with a small, encouraging smile. "Maybe she just needs time. You know how it is—this life, this... chaos we're in. It's not easy."

Jenna met her sister's eyes, searching for reassurance that felt out of reach. "Yeah, maybe." But it wasn't enough. Aliyah didn't know the extent of your relationship. How you were going to help her get dirt on Percy. How you were her best bet.

Jenna had noticed for a while now that Percy was spending a lot more time in Brimstone, and that anything she could find would be found in that shady town.

"I saw the messages with her... something about a meeting? If she won't go with you, maybe I could?" Aliyah ventured, her tone eager but tentative.

Jenna's reaction was immediate, sharp. "Absolutely not. It's too dangerous."

Aliyah crossed her arms, a defiant glint in her eyes. "Come on, Jenna. It could be good to do something together for once."

"I'm serious, Aliyah. This isn't up for discussion. It's not safe," Jenna said, her voice firm, eyes blazing with protectiveness.

Aliyah lifted her chin, stubbornness radiating from her. "Too late. I don't care," she declared, turning on her heel and striding out before Jenna could argue.

"Aliyah, wait—"

Jenna's phone pinged, jolting her from the tense silence that followed Aliyah's departure. For a split second, hope fluttered in her chest—a foolish, fragile thing—as she thought it might be you, breaking the days of silence that gnawed at her. But that hope quickly crumbled as she glanced at the screen.

It was from Percy.

Get yourself dolled up. Race tomorrow night. Be there. And you're on my arm. Look the part, don't embarrass me.

Jenna stared at the messages, her fingers itching to throw the phone across the room. He knew exactly how much he got under her skin and used it at every opportunity. And tonight was no different; he needed her there, not just as a racer, but as his accessory, some trophy to drape over his arm. Like she was at the Sinner race almost a month ago. It was a power move, one he'd pulled too many times, trying to keep her bound to him and his schemes.

Another ping. Don't even think about bailing. You know what happens when I'm not happy.

Jenna scoffed, fingers hovering over the keyboard. She could imagine Percy already preening in the mirror, smugly counting on her to show up, loyal and subservient as always. She could almost hear his oily tone, the mock concern he would flash when she hesitated, only to follow it with another thinly veiled threat. Percy loved to remind her how "lucky" she was that he'd given her a place in the Vipers—and what a shame it would be to lose it.

Jenna pushed away from the railing, the metallic chill of it seeping through her skin as she stood upright. The city lights looked dull now, swallowed by the storm brewing in her mind. Her fingers hovered over the keyboard, a part of her tempted to tell Percy to shove it. But she knew better. Defying him could mean losing her only leverage, the tiny foothold she had in this game of shadows and lies.

With a sharp sigh, she typed out a reply, each keystroke feeling like a betrayal to herself.

Swallowing her disgust, she replied. Fine. I'll be there.

It was almost too easy to imagine the smirk that would be stretching across his face as he read her reply. She could feel her muscles tense, a quiet storm brewing beneath the surface, made worse by the fact that she'd lost any sign of you as a reprieve.

The phone slipped back into her pocket, but the weight of it pressed heavier than ever. The ache in her chest turned sharper, a reminder that even though she needed you, even though you were the one who was supposed to stand beside her, the silence between you spoke volumes. She just wished it wasn't so deafening.

Her eyes drifted to the hallway where Aliyah had disappeared moments before. She couldn't let her sister get pulled deeper into this mess, not when it felt like she was barely holding her own head above water. Yet, with every passing moment, the line between protecting the people she loved and keeping them at a distance grew blurrier. And Percy's summons felt like another shove towards the edge she was already teetering on.

Tomorrow night, she'd play the role. But Jenna swore, as she stared out at the city, that she would find a way out of this tangled mess.

Aliyah popped back into the room, her eyes bright but cautious as she took in Jenna's guarded stance. "Hey, so, the family's heading out to catch a movie right now. Are you coming?" Her tone was light, hopeful even, as if she already anticipated the answer but wanted to hear it anyway.

Jenna's gaze shifted to her sister, the corners of her mouth pulling into a tight line. The unspoken question lingered between them, though Aliyah's expression faltered as she awaited an answer.

"Is Dad going?" Jenna's voice came out sharper than she intended, and Aliyah's smile dimmed slightly.

"Yeah, he is," Aliyah admitted, her eyes darting down for a moment before meeting Jenna's again, trying to read her sister's mood.

Jenna's jaw tensed as she looked past Aliyah, the weight of years of resentment and disappointment pressing down like a vice. "Then no," she said flatly, the finality in her voice leaving no room for argument.

Aliyah's face fell, but she nodded, understanding etched into her features. She didn't push, didn't try to convince Jenna otherwise. The silence between them grew heavy, filled with all the things they weren't saying.

"Okay," Aliyah said softly, turning to leave. But before she stepped out, she cast one last glance over her shoulder, eyes shadowed with a mix of concern and quiet resignation. "Just... don't stay up all night, okay?"

Jenna forced a smile that didn't reach her eyes. "Yeah. I won't."

But as Aliyah's footsteps faded down the hall, Jenna knew she was lying. The night was already hers to wrestle with, haunted by the things she couldn't change and the person she wished she didn't need.

————

Before you knew it, Friday had arrived—the day of the meeting. The meeting you weren't planning to attend. You started your day the same way you had over the past few days—in the garage.

You had been avoiding your phone all morning, afraid of what new messages might appear. Each buzz was a test of your resolve, a reminder that giving in would undo everything you had decided. You needed to stay strong, keep your distance, and not let the past pull you back in.

The project car in front of you demanded all your attention. You poured every ounce of focus into it, the sleek curves of the Aston Martin glistening under the dim garage lights. Tonight, you were determined to take it out for a spin, using it as an excuse to push out the stress gnawing at your mind.

The garage was unusually quiet, lacking its usual bustle. The regulars, including Anton and Mikey, were conspicuously absent, skipping their usual stops at the garage. You welcomed the peace; the last thing you needed was their relentless teasing about the car's dubious origins.

The sound of footsteps broke the monotony, and you didn't need to look up to know it was Hunter.

"Got a minute?" His voice came from the doorway, casual but laced with concern.

You nodded, wiping your hands on a rag before tossing it aside and standing up. "Yeah, what's up?"

"So you're really done with Jenna?" he asks wasting no time.

You couldn't even bring yourself to say the words.

"I'm hoping the drive with Madison the other day doesn't mean yes," he frowns. "I don't think she's right for you."

"Neither do I dude. I never said I wanted anything with Mikey. We literally all went on a friendly drive, nothing more."

"Good, she kind of gives me an off vibe," he shares. "I mean, she's cool and all, but there's just something... I don't know. 

Hunter leans against the workbench, studying you. "But that still leaves Jenna," he says, quieter now. "Are you sure cutting her off is what you really want?"

Your chest tightens, and you look away, focusing on the glint of metal on the project car. "I don't know," you admit. "But staying away feels like the only way to keep things from going up in flames."

Hunter's eyes narrow with concern, but then he smirks, the corner of his mouth curling up. "Just don't forget—sometimes running from the fire only makes it burn hotter when it catches up," he finishes with a wink.

You roll your eyes, but a small chuckle escapes despite the tension in your chest. "Trust you to turn everything into a dramatic line."

————

Hunter left around the 6 p.m. mark and time slipped through your fingers, and before you knew it, the clock had struck 8 p.m. The Aston Martin stood before you, polished and ready. It looked solid, steady—exactly what you needed. Without a second thought, you grabbed the keys, took a breath to steady your nerves, and slid into the driver's seat. Tonight, it would be just you, the car, and the open road.

You eased the car through the streets of Brimstone, your hands gripping the wheel, your mind drifting as you weaved through the winding roads. The town looked different at night—darker, quieter, with the occasional flicker of neon signs casting long shadows on the empty streets. You passed by abandoned buildings, alleyways where the stray figures of drug addicts huddled together, their glazed eyes staring into the nothingness that had consumed them. They barely registered your presence, too lost in their own world.

You drove without a clear destination, allowing the car to take you wherever it wanted to go. The sound of tires on asphalt was the only thing keeping you tethered to reality. The rush of the road beneath you, the flicker of streetlights, the occasional blur of other cars passing by—it was all you needed. Just you and the road.

And then your mind went to her. Of course it did. How could it not when you were sitting in this car. You were fooling yourself by thinking a single car wrap can get the job done.

You remembered the day you took this car, how you spilled your guts to her in the midst of your chaos. The way she'd listened—really listened—and kissed your cheek when you dropped her off. The memory was so vivid, you could almost feel her lips on your skin again.

She should be heading to the meeting now. The one you weren't going to attend. The one she was walking into, blind. No idea what it was really about, no clue what she was getting herself into. Alone.

For all you knew, she thought Ghost Smoke was some sort of cereal. But no. You knew better than that. She wasn't stupid. She was smart, and she could handle herself. You tried to tell yourself that, tried to calm your racing thoughts. She could handle herself. She would be fine. Nothing bad would happen.

But even as you tried to convince yourself, the doubt crept back in. The image of her walking into that meeting—unprepared, vulnerable—made your stomach churn. You couldn't help but picture the worst. What if they used her? What if she got caught up in something deeper than either of you realized?

But then, as you took a sharp turn, you found yourself on the road you hadn't meant to be on. The track.

The place where it all went down.

You didn't intend to end up here. Not tonight. But there it was, the race track standing still under the muted glow of the moon, the outline of the old fence barely visible against the darkness. The stories rushed back like a wave—your father, Anton's dad, both gone in an instant after the crash that took their lives. The race had been their last, the night that changed everything.

You slowed as you approached the entrance, the cars long gone. There was no movement, no sign of life, just the emptiness that had followed the tragedy. The track had been abandoned ever since. The Sinners stopped racing there out of respect, unwilling to return to the place that had claimed so much.

You parked the car on the side of the road. For a long moment, you just sat there, the hum of the engine ticking down as the silence of the night pressed in. The weight of the past, of your father's legacy, of everything you thought you knew about this town and the racing world, settled on your shoulders.

You couldn't help but feel the ghosts of the past watching, waiting, taunting you—what are you going to do Y/n?

You shifted the car into drive, the road ahead a blur.

————

"Can you not be mad at me anymore please?"

Jenna rolls her eyes, frustration evident in her posture. "I told you not to come. I seriously can't believe you followed me here."

Aliyah huffs, crossing her arms. "You're in this mess because of me, and god forbid I want to help! It's not like your girlfriend was dying to come with you, so you should at least be grateful I'm here."

Jenna's stomach clenches at the mention of girlfriend, but she holds her tongue. She's too tired for this. She could've corrected Aliyah for the thousandth time, but it wasn't worth the fight now. Better to focus on getting this over with. At least until this little mission was done, she needed to push all thoughts of you to the back of her mind.

You're not here anyway. You're not helping her anymore.

Aliyah continues, clearly trying to lighten the tension, but there's a note of sarcasm in her voice. "Seriously, there's no way you're not happy I'm here. Look at this place!" She gestures toward the imposing, dark warehouse ahead, a shudder running through her as she takes it in. "It's straight out of a horror movie."

Jenna doesn't disagree. The place does feel like something out of a nightmare. She can feel the resentment bubbling inside her, a sharp, unwanted feeling that she tries to push away but can't. How dare you ghost her, leave her to face this alone? If you were here, Aliyah wouldn't be, and maybe she wouldn't feel so exposed, so vulnerable. But you aren't, and her little sister is. The sting of abandonment hangs in the air, heavier than the looming shadow of the warehouse ahead.

Jenna sighed, feeling the weight of the situation pressing in from all sides. With one final glance at the door to the meeting place, her shoulders slumped in resignation. "Fine," she muttered, voice tinged with exhaustion. "But stay close, stay quiet. Don't do anything stupid."

Aliyah gave a small, relieved nod. "You've got my word."

Jenna leads the way into the dark warehouse, the sound of their footsteps echoing off the cold, concrete floor. The place is completely abandoned, with broken windows casting faint, eerie light into the room. There's nothing in sight but dust and the lingering smell of stale air.

Aliyah looks around nervously, her eyes darting from corner to corner, but all she can see are the dim shadows creeping along the walls. The place feels like a ghost town, unsettlingly empty.

"Is this really the right place?" Aliyah's voice is low, the uncertainty clear in her tone.

Jenna pauses, squinting into the darkness, trying to make sense of the scene. She's not sure why the meeting is set up like this, or why it feels like they're walking into the unknown, but she can't let herself doubt now. "Yeah," she answers, her voice steady but with a hint of something unspoken. "This is it."

They keep walking, the air growing colder as they venture deeper into the warehouse. Aliyah keeps glancing at her sister, confusion written across her face. "What exactly is this meeting about?" she asks, her voice tinged with concern. "I mean, what's going on here? Is this about the club or—?"

Jenna cuts her off, shaking her head slightly, her gaze focused ahead. "Don't worry about it," she says, her tone sharp and final. "Just stay close."

And then, they saw him.

He was standing in the far corner of the warehouse, facing away from them, his silhouette sharp against the dim light filtering in through the broken windows. Dressed all in black, his figure was imposing in a way that sent a chill down Jenna's spine. He hadn't noticed them yet.

Instinctively, both sisters ducked behind a stack of old, dusty boxes, their breath held as they exchanged a look. The quiet tension between them thickened, and in that moment, everything felt so much more real—so much more dangerous.

On the phone, the man spoke with a low, almost mechanical tone. "Yes, boss. I'm the first one here, waiting on the other two."

Jenna made a mental note on the words. So this was a meeting between three people. Percy would be one of them.

Aliyah's voice was barely a whisper. "Do you know who that is?"

Jenna didn't answer at first. Her eyes stayed fixed on the man, analyzing his every movement, trying to make sense of the situation. Finally, she shook her head. No, she didn't know him. But something about this felt wrong—like they were in deeper than they had anticipated.

She reached out, squeezing Aliyah's hand tightly to calm her nerves. "Stay quiet," she murmured. There was no turning back now.

Jenna's heart skipped a beat when the door creaked open, and two figures stepped into the dim light. Percy walked in first, his usual calm confidence unmistakable, but it was the figure beside him that made Jenna's breath catch in her throat.

She remembered seeing him at the Raven race. The night you were racing. What the hell was he doing here? Her mind raced, the weight of the situation crashing down harder than before. Why was he with Percy?  Was he the club leader? This meeting was about something far worse than she could have imagined.

Aliyah's grip on her hand tightened, her eyes wide with uncertainty and fear. But Jenna couldn't look away. She barely registered the tension in her sister's hand, too focused on the strange alliance before her.

Without a word, Percy and the Raven exchanged brief glances before walking further into the warehouse with the mysterious person in all black. The air around them seemed to thicken, the sound of their voices indistinguishable.

Jenna's pulse quickened as her instincts screamed that she needed to get closer, to hear more.

She crouched low, glancing over at Aliyah with an intense, silent plea. "Stay here," she whispered sharply, her voice low but firm, knowing the weight of the situation.

Aliyah nodded, her face pale with fear.

Jenna barely gave her sister another glance before she began moving, silent as a shadow, staying low to the ground as she crept closer to the three men. 

But the floor of the warehouse wasn't as kind as she hoped. Her foot caught on a jagged edge, and in an instant, her body lurched forward, her heart skipping a beat.

Time slowed, the rush of panic surged through her, and in that split second, her heart seized with terror. She was going to fall—she was going to make a noise and blow their cover. Aliyah was going to be in danger.

She braced for the inevitable crash, for the sound of her body hitting the ground and the betrayal of her hiding place.

But just as the world tilted beneath her, strong arms wrapped around her waist, pulling her back from the brink. Her heart raced, her breath catching in her throat. She blinked, disoriented, but when she looked up, her world seemed to freeze.

There you were, standing in front of her, holding her steady. The realization hit her like a punch to the gut. You were here. You had come for her.

In the six days you had ghosted her, Jenna had planned what she was going to do if she ever saw you again. First was a slap, possibly the silent treatment—a taste of your own medicine. She even toyed with the idea of keying one of your cars. But falling into your embrace, wrapping her arms around your neck and letting out a sigh of relief was certainly not part of the plan.

For a moment, neither of you moved. You could feel her breath against your chest, soft and steady, and despite everything, her warmth was exactly what you needed.

Jenna pulled back slightly, her hands lingering on your arms as she looked up at you, her eyes searching for something—answers, maybe, or just reassurance. She was still upset with your disappearing act. "You really are something," she muttered, her voice softer than usual, almost vulnerable.

You couldn't find the right words, not when your heart was racing from the sudden rush of emotions. Instead, you simply nodded, gently brushing a stray lock of hair behind her ear, a quiet acknowledgment of everything unspoken between you. "We'll talk afterwards," you whispered.

She nodded, knowing you both have a bigger issue to deal with at the present moment.  You notice Jenna worriedly glance behind you and you follow her gaze to see another girl you've never seen before.

Jenna noticed the fear that was once on her sister's face melted into a mischievous grin as she looked at her, raising an eyebrow and pointing a finger at you while mouthing, Greaser?

You'll have to figure out who that is later, but for now you take your attention away from the girl who is very close to you, and look up at the scene in front of you. Pissy, the Raven crew leader, and an unfamiliar man.

“Who thought holding the meeting here was a good idea?” Percy muttered, annoyance dripping from his tone as he glanced at the dust clinging to his shoes.

“We can’t afford any slip-ups,” the unknown man replied curtly. “Let’s keep this brief.”

The Raven crew leader smirked, eyes glinting in the dim warehouse light. “We’ve already pushed about fifty keys of Ghost Smoke into Brimstone over the past two weeks,” he said, voice smooth but full of intent. “No hiccups, no heat—just a steady stream. And trust me, the streets are starting to bite. By the time the next batch hits, they’ll be begging for more.”

"Okay, and you Percy? How's the Vipers' distribution going?"

You clenched your jaw as the conversation confirmed your worst suspicions. These guys were flooding Brimstone with product, exploiting the town's vulnerable, turning the Brimstoners into their playthings. From the corner of your eye, you noticed Jenna stealthily recording the exchange between the three men, every tense word.

Percy shifted uneasily, a flash of frustration in his eyes. "We've moved about eight keys so far," he said tightly, the disappointment in his voice evident. The number wasn't enough compared to the Raven's progress. "It’s not easy for a Viper to operate on Sinner territory without drawing attention."

"Maybe if you'd stop cozying up to your girl at races and focus on your job, things would be different," the unknown man snapped, his tone biting.

His girl?

"Relax," Percy retorted, his voice strained but defiant. "No one wants Brimstone to become a zombieland more than I do. Some of those Sinners have been getting way too fucking cocky."

Jacob, the Raven leader, let out a low chuckle and placed a hand on Percy's shoulder. "Easy there," he said, smirking at the unknown man. "I can’t blame the guy. It’s hard to stay focused when your girl’s a knockout like that." He finishes with a whistle.

A whispered "ew" sounded behind you, and you felt Jenna tense, a silent fury radiating from her. Anger roared in your chest. Not only were these men scheming to drown Brimstone in Ghost Smoke, but now they were talking about Jenna like she was just another trophy. The rage that simmered inside you sharpened into a razor's edge.

But now was not the time to get angry. You had to remain calm, get all the info you can and get the fuck out of there.

Jacob, the Raven leader, crossed his arms, his gaze sharp as he looked between Percy and the unknown man. “And what if this operation doesn’t go as planned? What happens if someone decides to interfere? I know you tried this once and failed.”

The tension in the room crackled like static. The unknown man’s expression darkened, a slow, menacing smile creeping across his face. “Let’s hope it doesn’t come to that,” he said, voice low and chilling. “We wouldn’t want a repeat of Bullet and Apex.”

You freeze.

But before you could fully process the implication, a sudden noise shattered the silence about 15 meters to your left.

“Hey! Who’s there?” one of the men barked, eyes narrowing in suspicion.

Heart thundering, you whipped your head in the direction of the sound and spotted the familiar mop of curls.

Hunter.

He was crouched low, eyes wide with a reckless determination that sent a jolt of both dread and relief through you. Before you could even react, Jenna’s urgent voice sliced through the fog of panic clouding your mind.

“We have to go,” she hissed, fingers locking around your arm like a lifeline and yanking you into motion. The edge in her voice snapped you back to the present, and your body jolted into action. The girl—clearly someone Jenna trusted—was already sprinting ahead, weaving between crates like shadows. You cast a quick look back, your gaze catching Hunter’s for a split second as he, too, bolted to follow.

This was a fight against time, and survival was the only thing that mattered.

Jenna’s grip on your hand anchored you as you both tore out of the warehouse, feet pounding the ground as adrenaline roared through your veins. The cold air bit at your skin as you charged towards the first car in sight—yours.

“Stop right there!” A shout from behind sent a surge of terror down your spine.

“Hey!” you yelled to the girl ahead. She glanced back, eyes sharp, just in time to catch the keys you tossed her. She was closer to the car, and with no time to spare, she slipped into the driver’s seat.

The three of you scrambled in—a blur of limbs and frenzied breaths. Jenna flung herself into the passenger seat, while you and Hunter dove into the back, your heart hammering in your chest like it might explode.

“Go, go, go! Step on it, Aliyah,” Jenna commanded.

Aliyah didn’t hesitate. The engine roared to life, and the Aston Martin peeled away from the warehouse, tires screeching against the asphalt. The last thing you saw in the rearview was the shadowy figure of the man pursuing you, growing smaller as you sped into the dark night, leaving danger and revelations in your wake.

No one dared to speak. The air in the car was thick with tension, the adrenaline still simmering just beneath the surface. Once Aliyah had put enough distance between them and the warehouse, she eased off the gas, slowing to a steady, legal pace. They were in Summer Valley now, the bright lights of the town casting fleeting shadows across their faces.

Ten minutes ticked by in silence before the red glow of a traffic light gave them a momentary pause. It was then that everything unraveled at once.

“Hunter, what the hell are you doing here?” you demanded, voice tight.

“How the fuck did you go from boosting cars to this?” Hunter fired back, eyes wide with disbelief.

Aliyah leaned back, throwing a teasing look Jenna’s way. “You didn’t tell me Greaser was cute!”

"Since when did you know how to drive?” Jenna shot back at Aliyah.

The car was filled with a low hum of murmured conversations, each person settling into their own thoughts as the road stretched on.

“Did you follow me here?” you asked Hunter, still in disbelief.

“Yeah, I did. And I’m glad I did.” His voice was filled with concern. “What the hell are you mixed up in, Y/n?”

“I don’t know, man. I’m just finding out about all this today, too.”

Hunter let out a frustrated sigh. “We need to tell Anton. They’re trying to destroy Brimstone.”

You exhaled, mirroring his sigh. “Yeah, this is bad. Real bad.”

As soon as Anton’s name left his lips, your mind raced back to the meeting. What the men had said.

Hunter could see it in your eyes—he knew exactly what you were thinking, and the tension in the air between you both grew thicker.

Up front, Jenna’s voice broke the silence. “Okay, yes, I get it! She’s cute. Can you just… shush? She’s right there,” she muttered in exasperation, turning back to her sister, who was practically grinning.

Jenna slouched back in her seat, her mind a whirlwind of thoughts. This was not what she expected when she set out to gather dirt on Percy. She couldn’t wrap her head around it—Percy, the same person she thought she knew, was tangled up in a plot to destroy Brimstone. Yeah, he was a jerk, but this... this was murder, drawn out and deliberate.

The crew she had once considered family was directly linked to the distribution of Ghost Smoke, targeting people from the town over.  She knew there was always a rivalry between Brimstone and Summer Valley, but she didn't think it would resort to elimination techniques. The shock of it all left her breathless, the pieces clicking together with an unsettling finality. 

She got her dirt. But this feels far from over.

Despite everything, Jenna couldn’t ignore the pull to check on you. She knew you had to be feeling the weight of it all—learning that your town was the target of such destruction. But there was also the anger. The unresolved frustration from you walking away earlier. She couldn’t just let you back in without confronting it, could she?

But as the drive wore on, the pull to turn back softened, and she glanced at you instead. You were lost in your own world, staring out the window, looking like you’d retreated into yourself. Nothing could touch you right now. And she didn’t blame you. Tonight had been a mess.

She turned her gaze to Hunter, raising an eyebrow, silently asking if he knew how to handle this. He met her eyes, shaking his head in that subtle way that said, Not tonight.

Jenna nodded in acknowledgment, her expression a mix of concern and frustration. She gave a quiet command to Aliyah, who turned the car toward their place. The drive was silent, the weight of everything hanging thick in the air. When the car finally stopped, both girls exited, but Jenna couldn’t help but glance back at you one last time. Her gaze softened, seeing how much this was affecting you. You didn’t look at her once as you stayed seated in the back, your face unreadable.

Somehow, without even realizing it, you found yourself sitting in the passenger seat of Hunter’s car. The shift had happened so subtly that you hadn’t even registered the transition. You assumed once the girls had left, Hunter must've taken over the drive. But the ride felt endless, every minute dragging in uncomfortable silence, like you were trying to outrun the truth without really knowing how.

When Hunter finally pulled into his driveway, the car came to a stop, and the air between you two felt suffocating. No words were spoken for a long moment.

Finally, Hunter broke the stillness. His voice was low, sincere, and filled with an understanding that made your stomach churn. “I’m sorry, Y/n,” he said, his tone full of empathy. “That must’ve been a hell of a lot to take in.”

It wasn’t easy, not by a long shot. You could feel the weight of the words pressing down on you like a heavy stone.

Bullet and Apex. Your dad and Anton’s dad, their racing names. You had tried to convince yourself that you had misheard at the meeting, that it was some twisted misunderstanding. But as you turned to look at Hunter, his pitiful eyes told you everything you needed to know. You weren’t wrong.

Your father and uncle’s deaths wasn't an accident. They’d been taken from you on purpose. And now, the truth of that hit you harder than anything else.

[chaoskirin]

You know what's funny is I've warned against some of the shit this site shills as OK. It was so enraging like 6 or 7 years ago when I posted something like "yeah never leaving someone alone after they fuck up is probably bad actually" and got called... IDK the word at the time, but something like an apologist.

And again, I'm gonna point this out: Seeing everything in black and white with no greys in the middle IS THE PROBLEM. Not just "A" problem, but THE problem among leftists.

I'm gonna go ahead and use Arin Hanson as an example again, because there's drama about him on Twitter again, but people still want to "remind" his fans about the stupid shit he did in his life ten or more years ago. You don't have to do that, I fucking promise. You don't. You don't have to like him or be his biggest stan if you don't want to, but CHRIST. Shut the fuck up. You HAVE to give people room to change and grow, or what is this all for?

"But what if ______ said something racist?"

Are they actively doing it now? Are they doing racist things? Are they causing harm? No? Then SHUT UP. You don't have to tell everyone who posts about _______ that they said something stupid 10 years ago.

I also follow someone on Twitter who fucked up in a huge way and JUST posted some racist shit. It was unintentional and came from a place of severe misinformation, and he apologized as soon as he realized he fucked up and even RT'd the people who corrected him, but there are STILL PEOPLE commenting on his posts with "are you going to address this" and... just fucking SHUT UP. There is a really clear line between holding someone accountable and harassment. You HAVE to learn to tell the difference.

And I can't believe I have to say this because someone will misconstrue this, but holding people accountable is good. It is. I get it. You want to point things out and demand better. That is good for society. But if you see people have already pointed it out by the dozens, or sometimes hundreds, you can just... not support that person.

There's this thing on the internet where if you don't explicitly state that you DON'T support something, then you MUST support it. And those people also need to shut the fuck up. Sometimes it's the dogpiling that pushes people away from reflection, especially when there are also a ton of comments that say things like "don't listen to them. If you ever need to talk, I'm here."

Who do you think that person is going to for help? The person calling them horrible, or the person offering them comfort?

I fully expect to get asshole asks like "oh so you support racism" and here's a pre-emptive "fuck you" for deliberately misinterpreting what I'm saying. Unfollow and block me rather than sending me dipshit asks.

I'm done with all of you.

I'm especially done with the pissants who saw me say "Kamala Harris is probably better for the country than Donald Trump" and sent me asks saying I was a fucking genocide apologist. You see what your bullshit got you? Fuck you. Now we have someone who'll not only support the Palestinian genocide, but will likely do other terrible shit, as well. And even though Palestinians begged you to vote for Kamala Harris, you just had to virtue signal to the world that you were just so gosh darn progressive.

I am saying this all from the bottom of my heart. Stop pushing people away. Stop seeking perfection in every person on the internet. You will NEVER find it, and not only will you spend your life angry, but you'll spend your life fucking things up for everyone else.

posts about the alt-right pipeline being compassionate towards young men while radical leftists shun and shame them are not fucking saying "the men are becoming violent because feminists are too mean!" and if that is your takeaway you need to get off tumblr until you've better honed your critical thinking skills.

those posts are talking about how effective the language and approach you take in your activism can be. this is literally cult deprogramming 101. if someone is being taken in by a violent or dangerous group, that violent or dangerous group is usually offering them compassion and solace while working hard to convince them everyone else in the world is their enemy. you are under no obligation to coddle or act compassionate toward these men and their violent ideologies, but if you have the means to try, it is something that you can do to make a tangible difference.

radicalized people are often only one loving friend or family member or external voice away from being de-radicalized. of course that is not always the case, but it very often is. a lot of y'all rightfully understand that you do not carry the burden of being that voice, but a lot of y'all also have a lot of internalized ideas about morals and punitive justice and have simply written off these people as deserving of only the worst and not worth saving.

ten years ago, my grandmother was a fox news watching republican who voted red in every election and very well could have fallen down the qanon rabbit hole if not for me and her daughter challenging her compassionately, walking her through hypotheticals that validated her feelings & proving why they were false, & being patient with her despite our extreme division in political ideology. it was frustrating fucking work! but i decided i wanted to do it, because i could see the horizon and i could see me making a difference!

"misogynists have been saying feminists are too mean for years, get new material" that is not the fucking POINT. the point is that you, feminist, can be the compassionate voice that guides your brother, your father, your cousin, your grandfather away from fucking becoming or staying a nazi. you can show them compassion and companionship. you can be the woman they think of when their alt-right bros try to convince them that women are the enemy. and you can choose to crystallize that image of yourself so wholly in their mind's eye as worth protecting that they may very well choose to reject those harmful ideas.

it's not saying you HAVE to do it! it's saying you CAN do it! don't you 'firebomb a walmart' people all love taking change into your own hands? where the fuck is that energy right now, huh?

[ginnsbaker]

All Of Your Pieces (1 - Honey! I shrunk the kids! 18+)

Summary: Wanda accidentally shrinks your kids while trying out a spell that would benefit both of you in the bedroom; Jimmy and Darcy attempt to find out more about the Hex, particularly when they discover a remarkable detail about you. Pairing: Wanda Maximoff x Female Reader Chapter word count: 3k+ | Tags: Smut, Campy Humor, Language

A/N: I've been working on this series since late August and have finally figured out what to do with it, enough to share it with you all. The story will be told in three parts: Westview (The Missing Town), Pre-Westview, and Post-Westview. This follows some events in WandaVision, but it's very canon-divergent. It's going to be different from my other works (I've never written humor before and I'm quite insecure about that), as this one is very plot-driven but at the same time, still very much Wanda x Reader (especially in parts 2 and 3). Updates will be every Wednesday. Chapters will be 2.5–3.5k words long, except for the ending chapters of each part, which are twice as long. So, without further ado…

Series Masterlist | Main Masterlist

-

“Honey! I shrunk the kids!” 

Wanda bursts into the basement, apron billowing out like a cape. Except, there's no draft down here; that apron shouldn't be moving like that at all. But then again, considering your wife’s claim, maybe the laws of physics are taking a day off.

You glance up from the miniature model home you’re meticulously working on, unsure if you heard her right. Did she really just say that? 

“You what?”

Wanda, flushed and a little breathless, skids to a stop in front of you. “Okay, so I was experimenting with a new spell, one that was supposed to…” She bites her lip, hesitating, her face glowing a deeper shade of red. “...it was supposed to do something else, but it backfired and... well, it’s not important right now!”

“Jesus, Wanda.”

Your poor, beautiful, occasionally clumsy wife stands there, teetering between a freak-out and a fit of giggles. 

“It was an accident! I didn't mean to!” Wanda shrieks, causing the room to tremble from her panic.

Wanda's powers have always been a wildcard. You can child-proof the entire house in a day, but that definitely doesn't cover child-proofing Wanda herself—especially not when your kids are involved. Luckily, the boys have inherited some special abilities of their own, which leaves you as the sole non-superpowered member of the household. With that in mind, you know better than to panic. Getting worked up alongside her would only escalate things, and you’re not exactly keen on being shrunk next.

“Okay…where are they now?” you ask as calmly as you can manage.

Wanda takes a deep breath and leads you to the living room. You trail her in silence, clutching at composure. It can’t be that bad, right? The distant sound of playful music trickling through the house almost makes it seem like everything’s fine. You hadn’t really noticed it before, but now that you think about it, it’s like your brain has learned to associate that kind of tune with situations that somehow always end in collective sighs of relief.

Sighs, giggles, and applause—sounds that don't belong to Wanda or the boys.

Where are they coming from?

Before your mind can completely sink into the oddities of your life here in Westview, Wanda halts in the middle of the living room. Your eyes dart around, searching for Billy and Tommy, but they’re nowhere to be seen.

“Where?”

“Right there,” Wanda points toward the coffee table, her finger trembling slightly.

You squint in the direction she’s pointing. Next to the TV remote, two tiny figures wave up at you—your sons, each about the size of your thumb.

“Oh my god, they’re tiny!” you gasp, covering your mouth with your hand. You expected them to be at least half their normal size—a size they might grow out of eventually.

“Shhhh, Y/N!” Wanda hisses, pressing her index finger to her lips. “The neighbors might hear you.”

Neighbors. Which usually means just Agnes from next door. There’s literally several meters of spaces between your houses, but somehow, she always manages to hear things she shouldn’t and pries like she’s in some perfectly timed routine.

Wanda kneels by the coffee table, her eyes soft. “I told them to stay right there until we sorted this out.”

The twins start making noises, sounding like tiny bells, though still hard to make out. You pull out a magnifying glass from your back pocket—has that been there the whole time?—making sure your sons are okay. As soon as the lenses zoom in on their faces, you're relieved to see them laughing uproariously, seemingly unbothered by their predicament.

“They seem... happy?” you say, lowering the magnifying glass.

“They think it's hilarious,” Wanda grumbles, her lips curling into a pout.

“So,” you sigh, pushing yourself to your feet. “Any ideas on how to fix this?”  You're tempted to suggest just letting it run its course, waiting for the spell to fizzle out, but you know Wanda wouldn’t go for that. She's fiercely protective of the twins, and you can't blame her—it’s all her handiwork, after all.

Then you hear it—a hiccup. Another follows, and then another, each one a little louder than the last.

Before you know it, Wanda's a sobbing mess.

You cup her face in your hands. “Hey, hey...it’s okay,” you murmur, gently brushing away a tear with your thumb.

Wanda’s breath hitches as she looks at you, her eyes brimming with worry. “What if I can’t fix it?”

“We will,” you promise, looking into her eyes.

A collective ‘awww’ rings in your ears, pulling you out of the moment. What the hell—where did that come from? You've had this creepy feeling of being watched lately, and it's only getting worse.

Wanda brings you back to focus when she nuzzles into your palm. “Oh, Y/N, I don’t know what I’d do without you.”

You give her a small, lopsided grin and plant a kiss on her forehead. “Good thing you’ll never have to find out.” Something passes over her eyes as soon as you say it, but it vanishes in a split-second, replaced by a moment of inspiration.

“Wait,” she bursts out, stepping away from your embrace. “I think I have an idea.”

She heads straight for the fridge, and you trail after her, holding your breath.

“I’ve been trying to reverse it, but my magic isn’t cooperating. It’s like... it’s tangled,” Wanda mutters, yanking things out of the fridge.

You scowl, arms crossed, watching her. “Tangled? What do you mean?”

“I don’t know. The more I try to fix it, the worse it gets. Like it has a life of its own,” she says. she says. After a few more seconds of rummaging, Wanda finally grabs a tetra pack of chocolate milk—the twins' favorite.

“I’m hoping this will do the trick,” she says, giving the carton a shake.

You cock your head, clueless on what’s going on. “Honey, what’s going on?”

Wanda mumbles, barely glancing up as she vigorously shakes the carton. “Just doing what it says—’Shake well before serving.’”

You roll your eyes, muttering, “This woman...”. Then louder, you ask, “I mean, what’s the chocolate got to do with our tiny children?”

Wanda stops mid-shake, a look of realization dawning on her face. “Oh, right,” she slaps her forehead. “You can’t read minds. I keep forgetting,” she chuckles, setting down the carton with a sheepish grin.

There it is again—a chorus of laughter from somewhere far off. Your mouth twitches at the sound—it’s really starting to get on your nerves. You make a mental note to bring it up with Wanda later.

Wanda gathers herself, then pitches her plan. “Instead of directly casting a spell on the twins, I think it’s safer to enchant this chocolate milk.” She picks up the carton again, giving it a final shake. “The idea is to infuse the milk with a spell that will gradually restore them to their normal sizes.”

You nod, beginning to understand what she’s trying to do. “Sounds less risky than zapping them with more magic head on.”

“Exactly,” she agrees, her eyes lighting up with excitement. You’d swear she’s getting a kick out of this macabre parenting hack—kids and all. The background tune keeps playing, like a promise that the universe won’t let things turn to shit. You’re wondering if maybe Wanda hears it too.

“This way, the magic is diluted and can adjust more naturally with their systems. It’s like... sneaking the cure into their bodies,” she says, snapping her fingers, red swirls of magic emanating from them to the carton of milk.

“I'm so proud of you, baby,” you say, leaning in for a quick kiss which she happily accepts. “For finding a fix, I mean. The whole shrinking our kids thing? Still not great.”

–

“What kind of spell do you think Wanda was going for?” Darcy asks, her eyes fixed on the credits rolling across the screen before it fades to black. She’s really gotten into Wanda’s little show, a welcome distraction from the freezing depths of hell that is New Jersey in November. Though exciting things are finally happening to her, the timing couldn't be worse. 

“No clue,” Jimmy mutters, his attention glued to the laptop in front of him. It’s been two days since Quantico sent him to look into the bizarre case of a missing town—a phenomenon almost unheard of in the 21st century. Upon arriving, they discovered that the town in question, Westview, was enveloped by some sort of anomaly—or a Hex, as Darcy has started calling it, referring to the hexagonal shape of the barrier encasing the town. 

Around the same time as the discovery, S.W.O.R.D. agent Monica Rambeau was quite literally sucked into the anomaly by accident. The only breakthrough has been Darcy Lewis’ detection of the signals, providing them with a window into the mysterious shroud, even helping them identify some of the show's characters as actual residents of the town.

But overall, they're still desperately trying to piece together why this is happening and how to stop it.

Darcy peeks over at the data on Jimmy’s screen. “Find anything new?”

Jimmy sighs in frustration. “No, not really. Everything we dig up just adds more questions instead of answers.”

“Like what, for instance?”

Instead of answering directly, he slides a thick file across the table toward her. “See for yourself.”

Darcy catches the file and starts flipping through it. Murmuring, she says, “So, Google finally returned search results?” The stack of papers is downright daunting. Jimmy’s right—any mountain of information would raise more questions than answers.

“No, not Google,” Jimmy corrects her. “Stark's highly confidential database did. The woman Wanda's married to in Westview? She’s not in any public records. Turns out her records were wiped clean two years ago.”

Darcy looks up, puzzled. “Why would Stark's company have this?”

“Just read, Darcy. It’s all in there,” he says, turning his full attention back to his research.

Darcy frowns slightly and begins scanning through the pages more attentively. It takes her a few minutes to piece together the information she's reading, with her mind going in different directions and still burning with curiosity about the spell Wanda botched.

Finally, she reads aloud, somewhat incredulously, “Subject was recognized as S.H.I.E.L.D.'s youngest marksmanship prodigy prior to recruitment by Stark Industries following the dissolution of S.H.I.E.L.D.. Subsequently provided tactical support on multiple classified operations in conjunction with the Avengers initiative.”

She sets the file down thoughtfully. “Kinda reminds me a bit of Romanoff or Barton. Total badass. I hadn’t pegged Maximoff for that crowd.”

“What crowd did you have Wanda filed under?” Jimmy asks, just out of curiosity.

Darcy’s gaze drifts off, a dreamy smirk on her lips. “Honestly? I always pictured her—or anyone for that matter—swooning over someone more…mythical hammer than tactical espionage.”

Jimmy snorts to himself at Darcy's whimsical take and says, “Of course, you’d say that. Thor's everyone's type.”

“He’s yours too?”

“Yeah, why not,” Jimmy shrugs, his tone more reluctant than sarcastic, which only amuses Darcy more.

“So,” Darcy begins, “Wanda's settled down in New Jersey, married to a woman? I mean, good for her. They all deserve a break. Maybe even an early retirement.”

Jimmy lets out a long, tired sigh, like he's just about done with everything. Darcy notices and raises an eyebrow. “What now?”

He barely glances up. “Like I said, everything’s in there. Just keep reading.”

Darcy groans but goes back to the file, flipping through the pages again. She’s about to make a snarky comment when something catches her attention—something that has her eyes practically popping out of their sockets.

“It… it says here Y/N’s dead.”

“That’s right,” Jimmy responds without missing a beat.

“Not snapped five years ago. Dead-dead.”

“Yep.”

Darcy stares at the page, disbelief all over her face. “That can’t be right, can it?”

Jimmy finally swivels his chair to face her, looking as tired as he sounds. “That’s what I’ve been trying to wrap my head around for hours. If aliens and superheroes are real, maybe bringing someone back from the dead to star in a sitcom isn’t so far-fetched, right?”

–

You carefully pull the blankets up over Billy, smoothing his hair and whispering a soft good night. Tommy’s already half-asleep, but you make sure to tuck him in just as snugly, brushing a kiss on his forehead. Wanda stands in the doorway, watching you, her heart swelling in her chest. You were so clueless when she first had the twins, but now, being a mother just seems to come naturally to you. 

And you pulled it off in a week, while the twins stretched into six-year-olds just as fast.

“Honey,” you call softly, noticing the way she’s lost in thought. “Aren’t you going to say good night to our boys?”

Wanda steps into the room, giving each of the boys their good night kiss. You pucker your lips, silently asking for your turn, and she playfully swats your arm, whispering, “Not here, baby.”

You pout, giving her your best puppy-dog eyes, which only makes her smile. Without warning, you grab her hand and hurriedly pull her out of the boys' room, making a beeline for your bedroom. Wanda’s laughter fills the hallway, and just as you reach the door, you suddenly sweep her off the ground, lifting her into your arms.

Wanda lets out a shriek, her laughter infectious, and you can’t help but grin, even as you let her thump onto the mattress—a sloppy, graceless drop. You follow her onto the bed, rolling onto your stomach to peer down at her, still sporting that stupid smile.

“So, about that kiss you owe me,” you whisper, hovering closer, teasing her with your proximity.

Wanda nods distractedly. “I think I can manage that,” she murmurs, and then her lips are on yours.

It starts simple and sweet. Though soon, her tongue is gently nudging your lips apart, and it quickly becomes anything but. Her hands slip down to your back, pulling you close until her heartbeat hammering against yours. You break away, lips trailing down to her neck, exploring every dip and hollow, your tongue darting out to taste her skin. When you hit that spot just behind her ear, the one that always drives her wild, she gasps.

“Don't start something you can’t finish,” she warns, her voice already thick with want.

“Who says I won't?” you shoot back with a wolfish grin.

You both fall into a familiar routine, as easy to slip into as the back of your hand. There’s no hurry, just the two of you moving languidly—whispering against skin, giggles turning into sighs and breathy moans. Sometimes, being with Wanda feels like a desperate need, as if not having her completely would literally be the end of you. But it’s moments like these that are your favorite—the ones where you’re barely even trying, yet she still comes apart at your touch, at the mere feeling of your fingers on her. 

Eventually, you both settle down, a contented sigh escaping you as you curl up against Wanda, your skin slightly damp with the effort of your love. You like this, being the little spoon, hiding your face in her neck like you’re hiding from the world, though you vaguely recall a time when it was usually her in your arms. 

As you’re staggering on the edge of sleep, Wanda’s fingers gently massage your scalp, her lips dropping soft, pensive kisses on your forehead. You're almost out, but one last question keeps you from drifting off entirely.

“Wanda, that spell earlier that shrunk the boys—what was that about?” you mumble, your words slurring into the dream nipping at your consciousness.

Wanda’s laughter rumbles through her chest, nudging you slightly from your drowsy state.

“Come on, tell me,” you coax, giving her side a playful pinch to keep her talking.

“It’s embarrassing,” she mumbles, her face turning a delightful shade of pink again that spreads down her neck and chest. Her coy reaction wakes you up some more. As a twisted kind of payback, you run your tongue rough over her nipple, snatching a sharp gasp from her. Moving up, you hold her flushed cheek, making sure she’s looking right at you. Your thigh presses between hers, and it doesn’t take long before she’s wet and ready again.

“Are you going to tell me, or do you plan on sleeping with a wet pussy tonight?” you whisper, brushing your lips against the corner of her mouth. Under different circumstances, Wanda would scold you for your crudeness, but right now, she's too worked up to care. Your dirty mouth has always been one of the most irritating yet irresistible things about you. Even having kids hasn’t changed that.

“I was trying to... enchant your...” she starts, but then your hand tightens on her butt, spurring her subtle grinding movements. By this time, she’s practically dripping onto the sheets, her thoughts scattering as the tightening sensation below her stomach builds.

“My what?” you push, smirking as you watch her fumble for words. You hoist her leg, resting it on your shoulder, laying her wide open. You slide two fingers inside her, fucking her slowly while your thumb brutally circles her clit. As she hesitates to answer, you hook in another finger, drawing a sharp cry of pleasure from Wanda. Your gaze stays locked on your wife, a part of you as surprised as she might be at your boldness tonight.

All day, she’s haunted every corner of your mind, fantasizing about stealing a quick, desperate moment while the twins are asleep or at Agnes’s. But there’s been something—an unnameable restraint—holding you back from indulging those wicked impulses. It isn’t until the boys are asleep, the house quiet, that those invisible chains start to loosen. That’s when you can finally allow yourself to desire Wanda the way you really want to. The way you’ve always been meant to.

“Your... clit,” Wanda finally spits out, seeing you've drifted off, stuck in your head. “I thought I could make it... well, longer. Like a...” She chokes on the words, too embarrassed to finish.

“Like a cock?” you throw out crudely, looking down at her impishly.

Wanda nods, mortified but also a little defiant. “Wanted you to fuck me with it,” she mumbles, finding her backbone now that the secret's in the open.

“I am fucking you,” you whisper hotly right into her ear. “But if you want it like that, all you have to do is say the word.”

Wanda clenches around you at the thought of doing it like that in the near future, her breath hitching. “Please,” she mewls, the word dripping with need. 

“Good girl,” you growl, cranking up the pace as you drive your fingers harder inside her, making her gasp and arch towards you. “You can come.”

With a choked whimper, Wanda surrenders, her body seizing as her orgasm washes over her. She soaks your wrist, the clear fluid trickling down onto the sheets, but you don't stop, pushing through every pulse of her release until she's quaking, utterly wrecked beneath you. You patiently wait until her spasms subside before slowly pulling your fingers away.

Wanda's hand shoots out, stopping your movements. “Stay,” she implores, sounding like she's on the verge of tears. You're momentarily startled by her reaction, concerned something might be wrong. Swiftly, you slide your fingers back where they belong, nestled deep inside her.

“Okay, baby, I’m not going anywhere,” you murmur, pushing back the damp strands of hair sticking to her forehead with your free hand. Exhaustion begins to cloud your senses as you sink down beside Wanda, still keeping your hand where she wants it. 

“I'm sorry for needing you so much,” Wanda murmurs, her voice shaky with tears you can't see, your cheek pressed against the pillow beside hers.

“Don't be,” you mumble, half-lost to sleep as she clings to you more tightly. “I’m here.”

“You love me,” she says, a hint of wonder, of fear.

You nod, lips brushing the nape of her neck. “And you love me,” you murmur back, your eyes slipping shut. “I'm not going anywhere, Wanda.”

“For now,” she whispers to herself, once your breathing evens out in sleep.

Tears betray her then, and she clamps a hand over her mouth to keep quiet. But just before her sobs fully break free, she flicks a finger, a thin red wisp of magic ensuring you stay deep in sleep.

With you unaware, Wanda surrenders to her grief.

[rikkiz]

Bsf! Riki + sleepover + alcohol 😈🙏🙏🙏

Drunk in Love - Nishimura Riki

What was supposed to be a simple sleepover ended up taking a turn when Riki took out some alcohol he'd brought for the two of you to have tonight.

"Want some?" He asked, holding up the bottle.

"Mhm." You nodded, eager for a good time.

What started as a simple sip from the both of you every once in a while turned into bigger chugs which turned into the two of you playing a little game of Truth or Dare.

The questions started off innocent but with the both of you being drunk and all, they didn't stay that way for long. In fact, Riki was the one who made the switch when he asked what kinks you had, which you shyly answered honestly.

"I'd never expect that from you." Riki honestly said, looking over at you as you both lie in his bed next to one another, lying on your sides.

"Why?" You questioned.

"Just never thought you'd be that naughty." Riki responded.

"Hey, I could be naughty!" You whined, your drunken self taking that as some sort of insult.

"Well, how would I know, hm?" Riki teases you.

"I can show you." You suggest, confidence only because you were drunk.

"Oh, really now?" Riki asked and you nodded. "Well, I'm waiting."

You hesitate as he sits up a bit and motions you over. He pulled you onto his lap so that you were straddling him and you could feel him hard against you as his hands rested on your hips.

"Why are you hard?" You question.

"How could I not be?" He retorted.

You just respond with a "Hhmp" before pulling at his pajama pants and he lifts his hips and so do you so that you can pull both his pajama pants and boxers down his legs a bit. Once you pull them down enough, his cock springs out angrily and you feel yourself growing excited.

"You going to ride me or?" Riki asked.

You looked back up at him, slapping his shoulder, "Hey, don't be so mean." You say.

"Thought you said you liked that." He pointed out.

You can't find any words because that was what you said. He then slides your skimpy shorts and panties to the side before guiding you down on him.

You hiss out in pleasure as you hold onto his shoulders. He takes control, something else you'd said you'd liked, his hands guiding the movements of your hips as he slides you up and down on him.

Suddenly, you feel his hand going to your neck before he's gently squeezing down on your throat, just enough to make you feel some pressure but not enough to actually choke you or anything. That was something else you said you liked and you made it pretty fucking clear that you liked that.

He also made sure to throw some mean comments in every once in a while, his hand moving from your throat to pinch at your nipples before moving back to your hips to guide you more when you were slowing and so forth.

It didn't take long for you to come undone nor did it take long for him to do the same, cumming deep inside you. He definitely wouldn't have done that if you were both sober, but, well, you weren't.

"You liked that?" He asked, making you look at him as you remained straddling his cock, though he already knew the answer.

"Mhm." You nodded as you looked up at him with a drunken, fucked-out expression.

"Course you did." That was all he said in response.

[hoe4hotchner]

also this might be a weird one but could you write a story where the reader accidentally throws up on Hotch during you know what and he takes really good care of her

In Sickness and Health | [A.H]

Pairing: Aaron Hotchner x gn!reader | WC: 0.7k | CW: Vomit, the flu

A/N: I'm fairly certain I know which you know what you're talking about, and if it's the one I'm thinking about I don't write about that….. So I made reader sick with the flu instead.

It was hard to argue that things could get much worse as you curled up on your couch, shivering despite three blankets piled on top of you. The flu had hit fast and hard — harder than you'd ever experienced before.

Hotch had insisted on stopping by to check on you after you’d sounded “off” on the phone earlier, but now you almost regretted accepting his kindness. The last thing you wanted was for him to see you like this.

There was a gentle knock at your door, and you heard his voice just outside. “Are you sure you’re okay? I’m coming in.”

Before you could croak out an answer, Hotch was already inside, his brow furrowing as he saw your bundled-up form. He was carrying a few bags from the pharmacy and some soup that smelled good enough to make your mouth water.

“I told you, you didn’t have to come,” you said, but even that small effort was enough to make your stomach flip.

“I’m here, aren’t I?” He flashed you a gentle, reassuring smile and dropped his coat on a nearby chair. “I couldn’t leave you alone in this condition.” He set the bags on the coffee table, pulling out a bottle of cold medicine, a thermometer, and a box of tissues. “I thought these might help.”

You managed a weak smile. “I think I love you.”

He chuckled softly and brushed your hair back, his touch cool against your fevered forehead. “I’ll take that as the fever talking. Now, let’s get you sorted out.”

He knelt beside the couch and carefully held the thermometer under your tongue. You felt embarrassed under his watchful eye, but he was nothing but warm and reassuring, his hand never leaving yours. When the thermometer beeped, he read it with a frown. “One hundred and two. Let’s get some fluids in you.”

The soup smelled like heaven. You tried a few sips, managing to keep it down, but just as he leaned in to check your forehead again, your stomach twisted in that familiar, dreaded way.

“Aaron, I—”

But you didn’t get the words out in time. Before you knew it, you were heaving, and the soup — and whatever else was in your stomach — landed squarely on his shirt. You were mortified, eyes wide, but Aaron just blinked in mild surprise. “Oh.”

“I’m so sorry!” You groaned, feeling your cheeks burn hot with shame, despite the fever.

He was surprisingly calm, just dabbing at his shirt with a tissue from the box he’d brought over. “It’s fine. Clothes can be cleaned,” he said in that calming, matter-of-fact tone he often used at work. “But you need rest. Come on, let’s get you settled.”

He didn’t hesitate for a moment as he lifted you up, blankets and all, and carried you to your bedroom. You felt the blush creeping up as he set you down on your bed, adjusting the covers to make sure you were warm. Even in your fevered state, it was hard not to be acutely aware of his gentle touch, the way his hands brushed against you so carefully.

He quickly changed into one of his t-shirts that he'd left at your place — leaving his soiled dress shirt in the bathroom — and then came back with a cool washcloth. “This’ll help with the fever,” he said, dabbing it gently against your forehead, cheeks, and neck. His hands were steady, his gaze so soft that you almost forgot the embarrassment.

“You’re… really good at this,” you managed to say, voice muffled by exhaustion.

He chuckled. “I’ve had my fair share of sick days with Jack.”

You smiled weakly. “Thank you, Aaron. Really. I’m sorry about… you know.”

His fingers brushed against your forehead again, tucking a strand of hair away. “You don’t have to apologize. I’m right where I want to be.”

With him by your side, you felt yourself start to drift off, lulled by the soothing rhythm of his voice. As you slipped into sleep, you swore you felt his lips press softly against your forehead, his whispered promise lingering in the air:

“Get some rest. I’ll be here when you wake up.”