#i don't know about which writer i'd pick.

[sciderman]

I give you one better, I invite you to avoid the negativity and tell us. What would be the perfect DP/SP cannon comic for you? Like that topics and motivations and even silly jokes would make you fill with joy and happiness and fun reading it?

Also if you could choose any writer to do it, who would it be?

for real the spideypool book of all time is avenging spider-man #12-#13, for wade and peter's ridiculous dynamic where - unlike most of deadpool and spider-man's team-ups, spider-man is honestly in good spirits and good humour, and is rolling with the punches.

i think that's the big reason why i love this particular team-up so much - it's not as mean-spirited as literally every other spider-man and deadpool routine, where spider-man is kind of excessively mean to deadpool. like sure, wade and peter aren't friends, exactly, but peter's not excessively mean, and they just have this delightful little dynamic where - like, peter's disappointed, but i don't know, it doesn't feel belittling to me. even when peter's disappointed.

it's the most likeable peter's ever been in any spider-man and deadpool team-up. he really really has a likability issue in every single spider-man/deadpool team-up. in every single one, save for this one, peter is just... really unlikeable in the spider-man/deadpool dynamic. he's always holier-than-thou, and i really can't stand it.

so if there were a spider-man and deadpool book i'd want to read - it would have to have wade and peter on equal footing. none of this holier-than-thou stuff - peter doesn't see himself as superior. he probably will still see deadpool as a nuisance, but he doesn't think he's better than wade. i'd want it to stay street-level. i'd want a lot of opportunities for each of them to surprise each other with their abilities - i'd want wade to constantly be taken aback by peter's brilliance, and i'd want peter to be taken aback by how sharp wade is. i'd want that respect between them to grow, over time. equal footing. a balance of powers. i really don't think it's fair that, kind of consistently, peter's always held the power in the dynamic and wade's kind of always a bit of a doormat with peter. so - i want them to dismantle that hero-worship dynamic, and put them on equal footing.

god. and the series has to be funny. dear god let it be funny. the sm/dp series was just - not funny. i can't remember a single joke that landed, for me. if there's anything a spider-man and deadpool book has to be, it's funny. please. deeeeaaaar god please.

[goldentigerfestival]

Forgot to post this earlier but I did in fact comb the entire Vesperia script to determine how many times he uses ま/まあ throughout the game, along with a few other phrases he uses repeatedly. This counts all of main story, every single sidequest, and every single skit in the game.

Final counts were:

ま/まあ: 279

Ma/Maa; translates to "well". He uses this at the beginning of a sentence usually, but it's sometimes in the middle. "Ma" is usually more quick and snappy. "Maa" is more thoughtful and/or prolonged. Obviously it can vary based on context, but that's the general breakdown.

んじゃ and any variants: 133

Nja, along with variants such as "ja", "soreja", etc. Variants are counted when they're all used to express "let's get going", when they're about to head off ("ja" could be used in a sentence such as "ja/but then, why is xyz like this", etc). They encompass translations such as "well then" (let's get going implied. includes "so then", "then" "alright then", and so on), "we should be off", "let's get going", "let's go", etc. (not to be confused with 行こう(ikou), 行くぜ, (ikuze), and other similar versions of this phrase. That can also mean "let's go", but any instances of Yuri using that particular phrase was not counted because it wasn't a variant of, specifically, んじゃ, which is also his most common "let's go" ja variant).

おい / おいおい: 66

Oi/Oi oi; translates to "hey"/"hey, hey", though "oi" is more or less an accepted word in English nowadays.

おっと: 12

Otto (not to be confused with "oto", referring to sound); an expression of surprise that can translate roughly to "whoa there" (which is the most common translation I do see for it and what I'd use in most cases too, context of course varying). The reason I included this one despite it being so seemingly low in number is because it's not a particularly common expression, much less one used multiple times by a single character? It's so rare from anyone else, which is just a regular thing relative to Yuri and his dialogue/speech (i.e. most characters sparingly use phrases repeatedly, as compared to Yuri... as you can see lol. Other characters use these words/phrases, but nowhere near as regularly, if regularly at all).

Realized along the way I should've included やれやれ (yare yare, "good grief", "oh dear", "oh boy" etc), but by the time I realized I should have in case it was an interesting count, I was too far into the script to be able to handle going all the way back through it LOL.

No. No, I am not joking that Yuri used ま/まあ 279 times throughout the course of the game. That is to say, it could be more if I missed any, but on the assumption I didn't, that's where it stands.

Why do I love this so much? Because it's a very specific character quirk of a character I adore. I'm very fond of his repetition. Thank you.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[derinwrites]

How can I make money writing fiction?

I'm gonna be straight with you. There is no guarantee that you'll make enough as an independent writer to make it worth your time. You very well might -- I make a liveable wage as an independent writer -- but many don't. Most writers I know also have a job. And luck plays a big part in it.

If you're interested in going forward in spite of this, you have two main options for monetisation open to you, and you are going to have to pick one. I call them the sales model and the sponsorship model, and you are going to have to pick one.

The sales model involves writing stories and selling them to readers. You can put books up on Amazon or Smashwords, sell them direct from your own website, enlist the help of a traditional publisher to handle that for you and let them decide where to sell, whatever -- the point is that your money is made from the sale of books to readers. If you go with a traditional publisher, you're using this model (though they will give you some of the money ahead of time in the form of an advance). Most indie authors also use this model, publishing through draft2digital, Ingram Spark, direct through Amazon, whatever. I've never relied on the sales model and can't give you any advice on how to do this, but Tumblr is full of indie authors who probably can.

The sponsorship model involves soliciting small amounts of money from various readers over time. This is ideal for web serials, and it's what I use. I use Patreon, which is designed specifically for this purpose, but you can use other sites such as ko-fi. This model involves providing regular content for free, with bonuses for those who support you.

"Can't I do both? Sell books and have a Patreon?" You absolutely can! I know several indie authors with a Patreon. I sell my completed books as ebooks and will eventually sell them as paperbacks. But your time and attention is limited, and so is your audience's, and you're going to have to half-arse one of these in order to have enough arse to whole-arse the other. You're going to make a lo of decisions that benefit either the sponsorship model or the sales model, not both. So pick your primary income source early and commit.

I can only advise on writing web serials and using the sponsorship model, so I'll go ahead with that assumption. If you want to make a liveable wage doing this, not only will you need luck, you'll also need patience. This is not a fast way to build a career. at the end of my first year of doing this, I had one single patron, and they were a real-life friend of mine. When I reached an income of $100/month, I threw a little party for myself, I was so happy. It had taken such a long time and was so much work. I reached enough to cover rent/mortgage after I'd been doing this for more than four years. It's a long term sort of career.

Here are some general tips for succeeding in this industry, given by me, someone with no formal training in any of this who only vaguely knows what they're talking about:

Have a consistent update schedule and STICK TO IT

The #1 indicator for stable success in this industry (aside from luck, which we're discounting because you can't do much about that) is having a consistent update schedule. Your readers need to know when the next chapter is coming out, and it should be coming out regularly. Ideally, you should have no breaks or hiatuses -- if you're in a bus crash or something, that might be unavoidable, and your readers will understand if you tell them, but if you're stopping and starting a lot for trivial reasons, they WILL abandon you. You can't get away with that shit if you're not Andrew Hussie, and I'm pretty sure Andrew Hussie doesn't message me for career advice on Tumblr. If you find you need a lot of hiatuses to write fast enough then you're updating too often; change your schedule. A regular schedule is more important than a fast one (ideally it should be both, but if you have to pick between the two, pick regular).

2. Pay attention to your readership, listen to what they want from you

Your income is based on a pretty complicated support structure when you're using the sponsorship model. this model relies on people finding your story, liking your story, and continuing to find it valuable enough to keep paying you month after month. This means that your rewards for your sponsors should be things that they value and will continue to pay for ('knowing I'm supporting an artist whose work I enjoy' counts as a thing that they value, to my great surprise; there's a lot of people giving me money just for the sake of giving me money, so I can pay my mortgage and keep writing for them without needing a second job), but it also means supporting the entire network that attracts readers and keeps them having the best time they can with your story -- being part of a rewarding community. Because this is advice on making money, I'm going to roughly divide your readership into groups based on how they affect your bottom line:

sponsors. People giving you money directly. The importance of keeping this group happy should be obvious.

administration and community helpers -- discord moderators, IT people, guys who set up fan wikis, whoever's handling your mailing list if you have a mailing list. You can do this stuff yourself, or you can hire someone to do it, but if you're incredibly lucky and people enjoy being a part of your reader community, people will sometimes volunteer to do the work for free. If you are lucky enough to get such people, respect them. They are doing you a massive favour, and they're not doing it for you, but to maintain a place that they value, and you have to respect both of those things. My discord has just shy of 1,300 members and is moderated by volunteers. I'd peel my own face off if I had to moderate a community that large. If you've got people stepping up to do work for you, you need to respect them and you need to make sure that they continue to find that rewarding by doing what you can to make sure that the community they're maintaining is rewarding. Sometimes this means taking actions and sometimes this means staying the fuck out of the way. Depending on the circumstances.

fan artists. Once you have people drawing your characters, writing fanfic of your stories, whatever, treat these like fucking gold. Give them a space to do this, and more importantly, give them a space to do this without you in it. Fanworks are a symptom of engagement with your work, which is massively important. They are also a component of a healthy community, an avenue for readers to talk to each other and express themselves creatively to each other. Third, fanworks act as a bridge for new readers. When readers share their art on, say, Tumblr, it can intrigue new people and get them into the story. Your job in all of this is to give them the space to work, encourage them as required or invited (I reblog most TTOU fanart that I'm tagged in on Tumblr, for instance), and other than that, stay the fuck out of their way. These people are vital to the liveblood of your community, the continued engagement of your audience, and the interest of your sponsors. Some of the fan artists will be sponsors themselves; some won't be. Those who aren't sponsors are still massively valuable for their art.

speculators, conversers, theorists, livebloggers, and That Guy Who's Just Really Jazzed For The Next Chapter. Some people don't make art but just like to chat about your story. These people are a bedrock of the community that's supporting your sponsors and increasing your readership, and therefore are critical to your income stream. Give them a place to talk. Be nice to them when they talk to you. Sometimes, they'll ask you questions about the story, which you can choose to answer or not, however you feel is appropriate. They'll also want to chat about non-story-related stuff with each other, so make sure they have a place to do that, too.

that guy who never talks to you or comments on anything but linked your story to ten guys in his office who all read it now. Some of your supporters are completely invisible to you. You can't do anything for these people except continue to release the story and have a forum they can silently lurk on if they want to. But, y'know, they exist.

If you want to focus on income then these are, roughly, the groups of people that you will need to listen to and accommodate for. You can generally just make sure they have space to do their thing, and if they want anything else, they'll tell you (yes, guys, paperbacks will be coming eventually). Many people will fit into multiple groups -- I have some sponsors that are in every single one of these groups except the last. Some will only be in one group. A healthy income rests on a healthy community which rests on accommodating these needs.

3. If you can manage it, try to make your story good.

It's also helpful for your story to be good. Economically, this is far less important than you'd think -- there are some people out there writing utter garbage and making a living doing it. Garbage by what standards? By whatever your standards are. Just think of the absolute laziest, emptiest, hackiest waste-of-bandwidth story you can imagine -- some guy is half-arsing that exact story and making three times what you'll ever make on Patreon doing it. And honestly? Good for him. If he's making that much then his readers are enjoying it, and that's what matters. Still, one critical component of making money as a writer is writing something that people actually want to read. And you can't trick them with web serials, because they don't pay in advance -- if they're bored, they'll just stop. So you have to make it worth their time, money and attention, and the simplest way to do that is to write a good story.

This hardly seems mentioning, since you were presumably planning to do that anyway. It's basic respect for your audience to give them something worth their time. Besides, if we're not interested in improving our craft and striving for our best, what are we even writing for? I'm sure I don't need to tell you to try to write a good story. The reason I list this is in fact the opposite -- don't let "I'm not a good enough writer" paralyse you. The world is full of someday-writers who endlessly fuss over and revise a single story because it's not good enough, it's not perfect, they're not Terry Pratchett yet. Neither was Terry Pratchett when his first books were published. If you're waiting to be good enough, you won't start. I didn't think Curse Words was good enough when I started releasing it -- I still don't. I started putting it out because I knew it was the only way I'd get myself to actually finish something. I don't think it's all that great, but you know what? An awful lot of people read it and really enjoyed it. And if I hadn't released it, I'd have been doing those people a disservice.

Also, it taught me a lot, and based on what I learned, Time to Orbit: Unknown is much better. If I'd never released Curse Words, if I hadn't seen how people read it and reacted to it and seen what worked and what didn't, then Time to Orbit: Unknown wouldn't be very good. And it certainly wouldn't be making me a living wage, because it was the years writing Curse Words that started building the momentum I have today.

And Time to Orbit: Unknown as it is today has some serious problems. Problems that I'm learning from. And the next book will be a lot better.

So that's basically my advice for making money in this industry. Be patient, be lucky, be consistent. Value your community; it's your lifeline, even the parts of it that don't directly pay you. And try to make your story as good as you can, but make that an activity you do, not a barrier to prevent you from starting.

Good luck.

[maelancoli]

PADDING OUT DIALOGUE SCENES

in another round of very unprompted writing advice i thought i figured i'd share my two cents when it comes to the topic of struggling to fill out conservational scenes. another thing i see a LOT of lately is a general fretting among writers who find that dialogue comes easily to them but the rest is a struggle. for me it's often been the opposite, i had to work at honing the talking part but description? i've always done a little too much tbqh. but funny enough the solution for both is not disconnected.

a lot of it will come down to knowing your character. what are their ticks? what are their filler words? are they bold and expressive when they're speaking? or are they withdrawn and shy? deciding the behavioral quirks of your character will improve your instincts when trying to be more descriptive. do they fidget with their clothes? do they pick up objects and toy with them? do they fold their arms around themselves or have other defensive posture? where do their eyes go when they speak? do they look around a lot? do they have an intense, unwavering gaze? do they zone out to look at other objects? what are they looking at when they do look away to think or listen? (this is also where having a faceclaim to build characteristics and mannerisms around can be helpful, not just in rp settings but any kind of fiction.)

"i guess...i don't really know how i'm supposed to feel about it," he admitted.

okay so we already have information here to expound on. the character is uncertain and conflicted. how would that effect their demeanor outwardly?

"i guess..." he trailed off with a sigh. he shook his head and his gaze grew unfocused, wandering away from his companion to stare blankly at a clock on the mantelpiece. his index finger tapped lightly at his knee. "i don't know how i'm supposed to feel about it, ya' know?" amir admitted with a shrug. he finally looked at the other man again, but there was a vulnerability which brought a sheepish shadow to his tumultuous gaze.

we've shown he is pensive with a wandering eye and that he's a little uncomfortable with his nervous tick of tapping. the next step is to consider the inner workings of their PoV. what does the scene itself call for them to be doing and thinking between lines? what does the emotion and tension of the scene—or even the comfort and familiarity of it—reflect inside them?

"you don't have to know right now," malik pointed out. he lifted his hands from where they had rested on the surface of the table to turn his palms outward, leaning in closer. "it's okay not to know." they held one another's gaze for a silent moment. amir's lips pressed together and he swallowed down the lump which had formed in his throat. he was not an emotional man. he had always prided himself on his restraint. but it was all beginning to be too much and the empathy in his friend's eyes was only another weight upon his already bowed shoulders. "...maybe you're right," he mumbled thoughtfully.

here we have shown his friend's gesture, adding more presence to the environment around them. and then we have given a little space for the character to feel. we have given a little information about who he is, or at least how he thinks about himself. by bringing his eyes back to his companion we have shown he is opening up, he is actually leaning into the intimacy of comfort and listening. but the mumble shows he is still not confident in admitting the need for help. it shows he has not even accepted fully the grace he's being given.

it isn't just what a character is saying, it's how they're saying it. it's how they're carrying themselves. it's how they're receiving the other characters' words. and showing how they're carrying themselves along with their inner feelings will also help show what is driving their dialogue. it will create a contrast if they're not being a reliable narrator, if they're contradicting or if they're withholding etc.

taking time and being patient with yourself to expound upon these things and to develop your character will make them more real. the more you practice and get to know them, the more instinctive and natural it will become!

[androdragynous]

I know i complained about the stardew valley penny and George cutscene at length but the it really is fucking. bizarre the lengths people will go to defend it because "the game lets you pick to side with him" (please do literally any reading about wheelchair use and realize why it's a problem that the game rewards you for moving someone without their consent.) or variants of that sentiment but then it's like. the rest of the cutscene is also So Weird

Like. Penny moves an old man in a wheelchair without asking him. He gets upset, she asks if you saw what happened The game prompts you to select from;

"I was. You did a kind thing there, Penny." (+50 friendship with Penny)

"I was. You should've asked instead of assuming George wanted help." (-50 friendship with Penny)

"I'm just taking a walk, minding my own business." (No effect on friendship.)

And these are the REVISED options. Before 1.4, the second option wasn't"you should have asked", it was "You should've left him alone. Now he's grumpy."

So already it's kind of shit. The person she's upset - who's entire existence in the game is experiencing inaccessibility, let's be real - because he was shoved without permission just for being in a wheelchair doesn't have his friendship level affected at all.

Regardless of which answer you pick, George apologizes (Penny does not apologize in every choice! But the guy she shoved does!) and says she was kind.

Once he's gone, she talks about how hard it must be to be old. It's worth noting, for what it's worth, that George has been using a wheelchair since a mining accident caused his immobility; it's not a result of age, and you learn about this whole he struggles with a bookshelf in his own home, where presumably he has been living with a wheelchair for at least two decades (given how he talks about his grandson), which is a whole different can of worms because why is this never addressed in a fictional community with multiple craftspeople who frequently do projects for each other?

Anyways. So Penny's like, damn, sucks that he's old. And the options the game gives you - all neutral in terms of friendship points - are:

"I'd rather not think about it."

"It's just a different part of life."

"That's why we should respect our elders."

"I'd rather die young..."

Like are you kidding me? You have a cutscene that's about being disabled - it's not about aging, because his disability was not caused by aging, it is explicitly and directly about the fact that he is in a wheelchair. And the game assumes your opinions will be "Not my problem,", "That's an old people thing,", and "I'D RATHER BE DEAD"? And this is something people just... don't remark on? Even in conversations ABOUT this cutscene? Like, George's mentions of being disabled are already Constantly Miserable -able-bodied writer standard quality - but the game is just like. Yeah you can say you'd rather be dead rather than express any positive sentiment about this guy surviving a traumatic mining accident. You can't say it's great that he's able to still be a part of the community in his chair, or renovate his house to make it accessible the way you can build ENTIRE HOMES for other characters. The community center you rebuild in the Good Ending for the community is only accessible by stairs. The path out of his home is dirt. It's the little things, y'know, like... obviously he wasn't thought about as his own character. The game's writing sees him as a source of conflict for others, and down to the very tiles of the terrain, he's irrelevant.

AND THEN THE TOWN DOCTOR DOES A HIPAA VIOLATION AND GETS SAD IF YOU SAY GEORGE SHOULD HAVE AGENCY OVER HIS OWN BODY. WHAT ARE WE FUCKING DOING HERE

[ohsohoney]

When it comes to love you're just as blinded.

Part One

Eminem x Musician

Summary: It starts with a drunk embarrassing video, it spirals into something a whole lot more.

Note: Hey! First time writing for Em so I figured I'd use a side account and see how it went? Honestly this is a whole series in my mind so might add onto this first part soon! An oc character but can be read as a reader insert if you prefer:)

Set in 2014, just after the release of LP 2

Warnings: Lots of swearing, dark humour

Masterlist

I was mortified.

More so than I’d probably ever been, in truth. All because of a stupid video that had been taken a couple of years back when I’d had one drink too many on a holiday I’d always dreamt of.

To be fair though, the majority of the blame lied heavily on my younger sister’s shoulders, who’d found the stupid thing whilst reminiscing through old memories and thought it would be hilarious to post online. Forgetting about the millions of fans who would soon see it– and not just mine, it would seem.

No, because that just wasn’t how the internet worked, was it? And when a newly nominated artist, who had only been in the game for a couple years, was filmed rapping an old noughties classic instead of singing like expected, it was basically bound to go viral. Didn’t help that I was a Londoner through and through and had the accent to prove it, making the whole video that much harder to watch. In truth, I continued to cringe each time I was reminded of it, which was practically anytime I opened up social media or witnessed the guilty expression that continued to mar my sister’s face.

“Stop doing that.” I huffed at her later on when the worst of it still continued to storm on, almost whining actually as I looked away from my phone screen and down at the food I wasn’t really eating, just picking at. I was supposed to be mad, infuriated even, but it was proving to be a fucking chore when she kept on looking at me like that.

“Doing what?” Lottie retorted, not even attempting to wipe the culpable look from off of her face. She was currently residing back at mum’s now, seeing as how she had school and I’d only just landed back home, but I’d give it a day before she was back here again. My flight over had been strenuous, it always was when flying to and from Cali, but still I made time for her– even after the most recent stunt she had gone and pulled.

“Don’t do that either.” 

I’d meant to sound scolding but the soft laugh that escaped me truly was accidental. I couldn’t quite help it, I knew that being mad at her wouldn’t solve anything now and that she hadn’t really meant any harm by posting the video. That was just the type of person she was, she acted before she thought things through and didn’t ever think much for the consequences. Then again, she was still only fourteen and her putting the drunken moment on her Instagram story had just been one of those sibling type moments, the kind where you’d rip the piss out of one another simply because you could.

“I mean it, Lotts.” I sighed around the words, eyes flitting back to the screen and the way she was chewing on her lower lip. “It’s being sorted and, I don't know, I guess it’ll die down sooner or later. Mila reckons so anyway. We’ll give it a day or two, hey?”

A day or two did pass. And no such thing happened.

I’d been cooped up at home ever since I’d touched down at Heathrow, having jumped in the first cab available and fallen asleep the second I’d gotten in through the door. I’d been working out in LA for a couple weeks with a few other writers, just messing about with new sounds and ideas for the next album I eventually wanted to release. So I hadn’t been witness to the media catastrophe Lottie had created until later the next afternoon when Mila, my manager, had all but mowed down my front door, having called my phone three dozen times and gotten a guy she was currently seeing in the city to come buzz my intercom. It had been a wake up call and a half to say the least.

Still, she had assumed it would all die down fairly quickly, went as far to say that it could do wonders for my career– even with me being visibly tipsy– after having had the absolute gall to say that I hadn’t sounded half as bad as I thought I did. I’d cackled hysterically into the phone at that, then had somewhat of a meltdown, in utter disbelief over the apparent reaction she claimed the video had gone and garnered. Because I was absolutely not looking. Knew that if I did there would be too large a chance that I’d check myself into the nearest psychiatric unit. 

But as I said, a couple of days had passed and typically something like this would have eventually blown over when the next big story hit the headlines. White girl can spit a verse, who cared? Only then the VMA’s had happened and shit hit the fucking fan.

I hadn’t attended, shit like that had always irked me. I could perform in front of a crowd of thousands and step off feeling as high as a kite, but stick me on a carpet and force me to interact with cameras, questions, and people? That was where I drew the line.

At the start, I had tried. I’d been new on the scene and people had reasoned that I would just end up being another one hit wonder, so the label had figured it best if I got myself out there, if only to interact with other artists and producers in similar circles.

It had gone down a treat– like a cake being knocked over at the wedding of the year. Maybe even worse. I didn’t like to linger too long on it.

But I’d tried again and again afterwards, although it had only proven to worsen my mood each time and forced me to retreat, avoiding my team and the responsibilities I had lined up for a short while after. It was only following a particularly uncomfortable night that Mila had called it quits and had a contract drawn up stating that I only had to attend a certain amount of events a year. It had been at that moment that I’d realised just how fucked I would have been in this industry without her.

Even so, life still continued on without me and the VMA’s were just another show I would be mostly avoiding, only making a statement at the end of the night online for the nominations I’d been gifted.

It was around midnight when I heard the scream.

Lottie was staying with me, typical for whenever I was back in London for a few weeks at a time, and so I’d felt my heart literally drop to my feet at the very sound of her screech and legged it across the entirety of the house. At first, I’d thought she’d slipped and fallen, maybe cracked her head open on a counter. And then the thought of an intruder had crossed my mind whilst I’d gone skidding over the landing. So anyone could understand why I was so worked up when I finally threw open her bedroom door only to find her simply sat there on her phone, hand covering her mouth.

“What the hell is your problem? It’s just gone twelve, Lottie! I thought something had happened!” I rebuked her, chest heaving as I dropped the heavy bookend I’d managed to pick up somewhere on my way over down onto her desk. “Shit.”

Her eyes were wider than I’d ever seen them though when I finally did get around to catching my breath and chanced another glance back at her.

“I was literally just about to fall asleep.” Which really meant that I’d been getting into bed to scroll through my phone or read a book when I’d heard her shout. “Then you screamed as though Freddy Krueger was stood at your window.”

“Elia.” 

I blinked, Lottie rarely did that, used my entire name and not the usual shortened version or whatever other epithet that came to mind– and truly, there was a large variety, the shit I’d heard this kid come out with was insane. But I shook my head at the thought and quirked a brow at her. “What? Did someone die?”

“No,” She answered me, dropping her hand away from her face even though her jaw was still gaping, “But I just might.”

Rolling my eyes at the theatrics, I exhaled and walked over to slump on the end of her bed, figuring that something had happened between her and one of her friends, or maybe some lad she might’ve been speaking to. “And it deserved a scream like that? Honestly Lotts, just be thankful this place doesn’t have any neighbours listening in through the walls.” I told her, thinking back to my own adolescent years and the woman in the flat beside ours, “We’d have someone knocking at the door in under a half hour.”

It was her turn to roll her eyes then as she scoffed at me– like I was the one being dramatic here– before she then shook her head and shuffled hurriedly over the mattress to sit closer. “No Lia, just listen, look.”

Confused, I sighed and tilted my head when Lottie moved to shove her mobile in my face. I squinted at the sudden contrast, showing off my age and the horrific tragedy that was my eyesight, and tried to make sense of whatever it was that she was so hellbent on showing me. 

From what I could first make out, it was just a Twitter thread, but then Lotts then clicked on the main video at the top. I waited as the clip buffered for a second, then a familiar face panned into focus and I felt my brow furrow. I peered over at Lottie for a split second before her eyes were widening in retort and she gestured her chin back towards the screen.

I narrowed my own eyes in turn, but watched on.

It had to be a coincidence, I reasoned. That of all people it was him that Lottie was currently showing me.

“Well, aren’t we in for a show tonight! Eminem is in the house, people!” An interviewer started, she was a tall, leggy blonde who held a too big microphone too close to her chin. “How are you feeling?”

I shouldn’t have been as surprised as I was to see him on the VMA’s carpet, not after the comeback he’d made late last year with LP 2, but I was, eyes caught on the bleached buzz cut he’d since reverted back to for the album’s release. Fuck, I’d be so pissed if it came out that he was performing tonight and I’d gone ahead and missed it.

Lottie thumped my shoulder, hard, realising fairly quickly that I hadn’t really been listening, and so I scowled in retort but gritted my teeth to keep from thumping her right back. She might’ve been my sister, but I had well over a decade on the kid and was marginally her guardian, just not in writing.

The rapper had seemingly just finished commenting on a question the tall blonde had asked him and so I forced myself to pay closer attention, brain whirling as I wondered what could have possibly been so important that it had Lottie screaming bloody murder in the middle of the night.

“I feel that!” The woman practically beamed at the rapper, head nodding along to whatever he’d just said, “But it’s good to hear that you’re enjoying being back. In truth, I wasn’t sure I’d catch you here tonight, there’s been a lot of buzz surrounding you at the moment and not just because of the album!”

My heart stuttered in my chest. Actually, I was pretty sure it had gone and fallen out of my arse, especially when the interviewer continued to press on the topic and it appeared as though the man in question understood exactly what she was getting at. His stoic facade cracked just a tad and– there! A smirk. An ever so slight crook of his mouth. I shot a startled glance over at Lottie but her gaze was fixated on the screen.

“I mean, have you seen it?” The interviewer prompted whilst he simply stood there, fisted hands clasped before him. No sign of the split second curve he’d just had on his lips. “The whole world’s been wondering about your thoughts on the singer!”

And there it was.

“I can’t,” I started to say, turning away from the phone just as a rush of nausea flooded through me, but Lottie held strong, hand coming up to catch my shoulder so that she could position her phone back in my eyeline. “Lottie–” I tried. Please.

“Just listen.” She persisted, face so serious.

Immediately I wanted to rescind my earlier statement. This was now my most mortifying moment. In fact, I wanted to hide in the nearest cupboard and never come out again. How the fuck was I going to show my face in public, not to mention at the next event, after this?

I swallowed thickly, entirely unprepared to hear a word he had to say about me. I mean, who would be? This man was leagues above a majority of the industry, me included. Never had I ever even thought that he could hear my name in passing, let alone listen to one of my songs playing in some shop he was coincidentally in or a random radio station. But here he now was, rolling his lips as he pondered over a question which concerned that stupid fucking video. 

“I hate you.” I whispered at Lottie, mostly in hopes to cover up whatever he was about to say, but also because I was embarrassed beyond belief. And this was all her fault.

In the time spent since the drunken video had first gone up and now, I had yet to even think about him ever seeing it. Because the idea was that far fetched. But this was me, so of course he had.

“I’ve heard it.” Marshall confirmed, his head dipped in a barely there nod. My throat cinched. I wondered briefly how quickly I’d be able to tie myself a noose.

“And?” The woman prodded and internally I cursed her future bloodline, hoping that she'd somehow spawn the next antichrist or that her grandchild would become a shit-headed politician.

The man in question merely hummed, hollowing out his cheeks. “I was surprised, I have to admit. But she’s good, even when wasted.”

“I wasn’t fucking wasted!” 

I hadn't even realised I’d spoken out loud until Lottie snorted on a chuckle. I turned towards her, brows raised high, “What? I wasn’t. You were there!”

I rolled my eyes when she didn’t deign me with some sort of assent but my head snapped back over to where she still gripped the phone when I heard him speak again, his voice echoing throughout the quiet bedroom.

“Then again, her shit goes hard. So it shouldn’t be too much of a surprise.”

That heart of mine that I kept on talking about? Yeah, I had zero clue as to what the fuck was going on with it now, only that my chest was wound as tight as it possibly could be and my eyes stung as I withheld the urge to even blink.

“You’re a fan?” The woman asked him, appearing genuinely surprised by the notion, even though it sounded more like a declaration rather than the question it was.

Marshall hummed, sparing a brief glance over his shoulder when a group shuffled on past them, disrupting the interview. It didn’t deter the woman though and I couldn’t blame her, no matter how much it pained me.

“So, could this mean we’ll be seeing a new featured artist on whatever you put out next?”

I made some sort of inhuman sound at that, but barely moved a muscle. And then I all but shutdown when the rapper's wide eyes flickered over to peer straight into the camera’s lens, “I mean, if she’s down.”

The next scream that was emitted once again came from Lottie, but I couldn’t think to scold her for it, not when I was hardly even functioning and wanted to implode myself. 

The girl toppled over onto me, shaking my shoulders whilst she squealed unabashedly. “If. She’s. Down!” She repeated, squealing with excitement, “El, this is insane! How are you not screaming too?”

The air I forced from my lungs came out in a breathless chuckle as I clung to the forearm that was still wrapped around my collar. In truth, I didn’t know how the hell I was supposed to react. 

“Figure you’ve screamed enough for the both of us.” I replied faintly, not really thinking but somehow managing to carry on, mostly out of sheer shock. I glanced her way, “I feel a bit sick.”

Lottie just shook me harder and when we eventually went falling down onto the duvet in a mess of limbs I wondered what I was going to do with the knowledge that I’d just been given. God. He knew who I was. The shock of it was almost like reliving my first time on stage all over again.

That night I ended up listening to Lottie rant on and on for a good while after whilst she scrolled through her Twitter feed and the rest of the internet. Mila eventually intervened, calling after having seen it too, and was as smug as ever. “Told you.” She’d said the second I’d hit the answer button and I hadn’t had the heart to play it off or act as though I hadn’t seen it either. 

After the interview eventually finished trending and stopped being posted here, there, and everywhere, I was left with a flow of new followers but also a nightmare of opinions spouting from every corner of the planet on any comment section I had to offer. I forced myself to come off most apps I had downloaded after that and resorted to gaining my daily entertainment, and any real news, from Lottie. Which seemed sad, in retrospect, but honestly? It was more than a little self-serving and I’d even managed to get a shit load of stuff done.

I worked on a couple new songs, sticking to what I did best, but my mind did end up drifting away every so often, back to a conversation I’d had with Mila and Travis at the label a couple days after the media storm had passed. It seemed they all wanted me to try implementing a few new concepts into the music I was currently working on before we started to draw up ideas for the next album. Travis reasoned that even attempting to add a couple freestyles into the motions whilst I went about writing would do me wonders later on. 

I just felt uncomfortable with it all, really. I’d never been a rapper. I mean, I loved it. It was mainly what I’d been brought up on, having grown up in an area where every kid on the estate was either attempting to become the next big thing or just blaring the biggest hits out of their car stereos. But that was just it. I listened and sang along, had even built up an extensive collection which I was immensely proud of, but the label were now aiming for this next album to make it onto a Grammy nominations list. It was all they had been fretting over since I’d somehow managed to chart the last one– although a single number one and an almost throw away making it to number seven didn’t make me all that hopeful. 

Even so, it forced me to wonder how it would all work if I started to switch things up now. I could appreciate all genres but I didn’t wanna become the next hopper just to appease the people yessing me and then fall off.

The entire concept had me confused and so I had taken to keeping my head down for a while longer.

Lottie had headed back to mum’s earlier that morning, seeing as I was due to make an appearance in Paris for Fashion Week, attending the Vogue show alongside Vivienne Westwood. An utter dream, yes, but also still an incredibly daunting reality. Even so, it was something I couldn’t quite worm my way out of even if I had wanted to– see, with that contract there still came clauses.

I’d been prepping for my upcoming early morning flight most of the day, showering later on than anticipated just so that I could pack my case and eat before I eventually climbed into bed. Hoping to somehow get a couple hours kip.

I’d thrown on a robe and kept the speakers blaring once I’d eventually jumped out from under the spray, wet hair curling at the ends as I worked on throwing something quick together in my kitchen.

It wasn't long before I went and took the bowl I’d just made out into the living room with me, simply so that I could curl up on the settee and wrap up the few emails I’d been working on earlier. I was just nodding along and humming to the next song that played through the overhead speakers when my phone started to buzz against my ankle, shooting a funny feeling up through the bone. I was quick to pick it up, wrinkling my nose at the feel and not paying much mind to the caller, figuring it had to be either Mila or Lottie.

“Hello?”

There was a short pause as I shifted the phone against my ear before a voice eventually sounded, “This Elia?”

Frowning, I casted a quick glance at the phone’s screen to find a number with an unfamiliar area code staring back at me. I let my gaze stray on over towards a clock I had hanging on the far wall only to find that it had just gone eight. 

I fumbled for a moment, “Um. It is, can I ask who’s calling?”

A low cough rumbled through the line before the same voice spoke again, I shuffled to set my laptop off to the side on the sofa, brow furrowed. “It’s Em– Marshall.”

Suddenly my head felt so very empty and my mouth was working around words that couldn't seem to find their way out. Em. The Em?? Fucking, Em?

I’d obviously been quiet a beat too long, drowning in the sudden panic that had shrouded me, because he spoke up again, “That Nas playin’?”

I shot a startled glance over my shoulder to where the fancy sound system was installed, the biggest reason I’d gone and purchased the home, in truth, and was immediately reminded of the music I had piercing through the air. Clumsily, I rolled off of the corner of the settee so that I could stumble over to turn the thing off, doing exactly that before I was forced to blink at the sudden silence that greeted me.

I winced and was quick to turn the music back on, keeping it low. All the while I still held my phone close to my chest.

“Uh, yeah. Hi!” I blundered helplessly after a moment, carding a hand through my damp hair as I stared at the empty wall before me stupidly. I wasn’t sure what to say, let alone do. I could sort of wrap my head around the interview, his brief mention of me. But a fucking phone call? It was on another level.

He chuckled though, enough so that I felt myself flush bashfully at my obvious awkwardness and forced my body to move back towards the sofa, if only so that I didn’t have to stand on shaky legs anymore. 

“Hi.” He mimicked, voice low albeit a tad amused.

I smiled. Unable to do anything but, in all honesty, as I lowered myself down onto the cushions, vaguely aware that I should probably be saying something else now that he’d gone and replied, but was simply more than a little caught off guard by everything. 

“Sorry, I– Well, I didn’t expect your call. Or anyones really.” I murmured, trying my best to shake off the nerves that were apparently wreaking havoc on my brain to mouth filter. “I just jumped out of the shower, had yet to turn off the stereo. Sorry.” How many times had I just apologised? I wanted to scream.

“You’re good.” He assured me, voice unlike what I probably would have expected and so I blinked once more at the sound of it, reminded that it was actually him I was talking to. But all that was fluttering through my head was ‘what the fuck are you doing calling me?’ “Nice choice, I gotta say. This an alright time for you to talk? I don’t wanna disturb you much.”

My eyes widened at both the compliment in song choice and well, him. Then withheld another sudden urge to scream, the hand not holding my phone clenching into a tight fist against my chest. “No, no, of course not. I mean, you’re fine! Not disturbing me at all.”

His next reply sounded more than just a little mirthful, “Sure ‘bout that?”

I willed myself to relax and took an inconspicuous breath as I pulled my legs back up under me. “I’m sure.” I told him, laughing lightly at myself for being so socially inept– or maybe it was just this entire scenario I’d been shoved into. “How’d you even get my number anyway?” 

I hadn’t meant for it to sound so forceful or abrupt, but it had been yet another question my sluggish brain hadn’t been able to find an answer to. 

“Mila?” He answered me, and I blinked stupidly at the name. “We had a mutual contact, figured I’d chance askin’ her instead of gettin’ lost in your DM’s. That cool? She said she’d let you know.”

The conniving cow, I thought to myself, though I wouldn’t have put it past her to have reasoned with herself that I would’ve probably freaked out if she had told me beforehand, before then having proceeded to just let my phone ring out whilst I stared pitifully at it. She knew me all too well. 

“She did not.” I replied through a baited breath, “But no, yeah. You’re alright, just caught me off guard is all. You’re probably the last person I expected to call, if I’m being honest here..”

When I heard him laugh once more I grinned, all too pleased with myself. It was a low gruff sound, not deep enough to be sarcastic or ingenuine, but rather warm. It surprised me.

“Oh yeah? Even after everything that’s gone down lately?”

My eyes slipped closed at the instantaneous reminder and I winced. The video. Honestly, in the whirlwind that wasn’t just my life at the moment, but this phone call too, I could have almost forgotten about it.

“I still can’t believe you saw that.”

Marshall let go of another amused huff that I figured to be a chuckle, breathing in deep enough that he forced me to wait on his next words. “I don’t lie. I meant what I said. But tell me, how many drinks d’you have in you?”

I curled my tongue against the back of my teeth in hopes to keep from grinning too hard, feeling a slight sting at the tip. “I was tipsy.” I argued pointlessly, knowing it would be a tireless venture, “I’d only had a couple.”

He hummed, seemingly not convinced.

“It was years ago, too!” I felt the need to tack on, the rosy hue the alcohol had given my cheeks sprung to mind and made me wonder. My face wrinkled as I dragged a helpless hand across it. “Who even sent it to you?”

“A couple people, actually.” Marshall ended up revealing and his words sounded playful enough that I could almost picture the curl of his mouth. “My daughter was one.”

Without thinking my hand flew up towards my mouth and I shook my head as I let it rest against my palm. “You’re not being serious.”

“Dre too.”

I let go of a hissed curse and crumpled a little bit in my seat before laughing stupidly at myself. If I couldn’t talk myself out of this then I supposed I would just have to get over it. I hoped thinking sensibly would allow me to actually follow through on that sentiment, but I very much doubted it.

Marshall laughed again, slow and easy almost as though he’d shared it with me a hundred times before. “I wasn’t kiddin’ neither. ’s why I called.”

Pulling my head from out of my hands, I wet my lower lip, mind promptly flashing back to the clip Lottie had shown me. “What’s that meant to mean?” I asked him, treading cautiously. 

“Listen.” He began, pausing only briefly to inhale before he then added, “I’m workin’ on another album–”

“No.” I interrupted, eyes suddenly wide and alert, “Already?”

A tittered snort followed the disruption but my mind was already reeling. 

“You’re not fucking with me?”

In all honesty I had prepared myself to wait a couple more years for another drop, hoping for him to feature or for someone to send for him if only so that he’d make a track in reply. I’d been obsessed with his recent work, even going as far as to add it onto the tour bus playlist late last year. It had actually been played so much the roadies and the band had threatened to rip the system out. But a new album? Fuck. I hadn’t expected it.

“Who else knows?”

There was a slight click on the other side of the line. Or scuffle. “As of right now? Like six people.”

I swallowed down the understanding that then hit me, but my stomach lurched at the very thought of it. “And I’m one?” I chuckled, holding back the hysterical laughter I felt bubble as my hand fell over my heart, “Wow, I feel honoured, Mathers.” It was teasing, the rib I meant, though my eyes still widened when I realised what I’d gone and said, not wanting him to take it the wrong way. 

I needn’t have worried. 

“As you fuckin’ should be.”

I gave a real laugh at that, almost a full-belly type shit. But could you really blame me? 

I was still smiling as I went to retort, humming with it, “God, you really just went and sprung that shit on me.”

“Hold you to keepin’ it on the low for now.” Marshall said, reminding me how paranoid the press and Hollywood had made him out to be in the past. I wondered how much truth there was in the sentiment. I mean, the man was almost a recluse– not that I could blame him, I was pulled from the same sort of cloth there– but to put a secret like that in my hands? It had to take some amount of faith.

I nodded seriously, even though he couldn’t see the gesture. Seemed he could hear the sincerity in my answer though, “‘Course.” I told him and then chewed on my lower lip for a second before a soft snicker escaped me. “That the only reason you called though? I mean, as honoured as I am to be one of the infamous six, I’m surprised you just phoned to let me in on the know. Have I just been roped into some sort of celeb elitist group? Weird initiation.”

His huffed laugh was breathy and made my mouth twitch that little bit more. 

“Nah. You always this weird though?” Marshall wondered and I bared my teeth in a light grimace, figuring I’d gone too far with that one. Or maybe.. I'd just hit the mark? I snorted lightly at the thought.

“It was an honest question! I’ve heard horror stories.” And wasn’t that the truth, events and parties weren’t all about the awards and just getting trollied. Some of those fuckers were as strange as people could come.

The man clucked his tongue, although I could hear the slight smile in his sarky response. “Uhuh. Sorry to disappoint but nah, initiation starts in the belly of LA. Gotta dissect a virgin and drink Ciroc out of their intestines. Funnel that shit down.”

The snort I gave in turn was ugly and loud enough that it forced a hand to fly up and cover my mouth, but it didn’t appear to bother the rapper none, who chuckled before clearing his throat.

“Change this shit to Facetime.” He said not a second after, swiftly cutting short my absurd amusement. “Then we can talk about the album.”

I fumbled for a moment. “I look a mess.”

“Good thing this ain’t a fuckin’ fashion show then.” He only pressed, “You think I give a shit what you look like right now?”

That struck an odd chord in me for some reason, but I didn’t want to linger much on the feeling. “No. But I do, dickhead. It’s half eight at night, I have sudocrem on my face and I look like a dog off of Lady and the Tramp.”

I was so flustered by the very thought of acquiescing to the man’s demand that I didn’t even think much of the name I’d gone and called him. 

“Again, do I give a shit? And what did you just call me?”

I paused, reeling back to whatever it was I’d just spouted at him. Upon rehashing my words I felt my tongue press between my lips to keep from laughing loudly, if Mila or Lottie had been there I’d already be strung up by a pair of metaphorical balls. 

“You heard me fine.” I brushed it off, if he wanted to call me out of the blue and act all chummy then chummy was what he’d get.

Besides it wasn’t like I’d meant the term maliciously, I used that type of endearment with everybody. Something my manager had tried and failed to force out of me time and time again.

“But back to this whole ‘seeing my mug thing’. Not happening, mate. Why couldn’t you have called like, six hours ago? I looked like an actual person then.”

“Dickhead.” He muttered beneath his breath, barely even loud enough for me to have heard him and I could only guess that he was shaking his head with it, hopefully somewhat amused. “You ain’t an actual person then?” He said in reply, forgoing the name calling for now, “Figures, you give off lizard vibes.”

“Fuck you!” My laugh was sudden, jaw having dropped a tad at the quip. “Lizard vibes, the fuck are you then? And yes, an actual person! You can’t just call people, drop a bomb, and then demand things!”

“Shit typically works.” He quipped all too quickly that it had me shaking my head around another quiet smile of my own. “Just entertain me though, for a moment.”

My head fell back against the arm of the sofa, eyes casted towards the high ceiling which loomed above. I couldn’t quite believe I was actually considering it.

He didn’t even have to goad me before I relented. I huffed, blowing a strand of hair from out of my face as I sat back up, “Fine. Just gimme a sec.” 

He hummed.

Elbowing my way off the settee I skidded over to the closest mirror, dragged a hand through my mostly dried hair and made sure that I didn’t have racoon eyes from any lingering mascara I’d had on before my shower. The patches of sudocrem would have to stay though, I deemed, seeing as he already knew about those. 

I gave up on the preening and sighed as I fell back onto the sofa, thankful for the dim lights the living room offered in that moment. It was just as I was switching the call though that a thought hit me, making me question if the reason he’d asked me to start the Facetime was due to him wanting to give me the option to turn it down or simply because he had no idea how to do it himself. “Still there, old man?”

A scoff echoed into the room before my phone screen stuttered and I was left staring at the sharp lines of his face. It wasn’t like I hadn’t actually believed it was him I was talking to, but seeing the man was another thing altogether. He was a real person and that idea alone had me reeling. 

I wrinkled my nose almost shyly around a smile when that sharp gaze of his slid away from something behind the camera to meet mine. He tilted his head to look me over, the hood of his jumper moving with the motion. 

“I was right about the lizard thing.” Was the only greeting he offered me, jutting his chin out as he feigned all seriousness. 

My mouth dropped open upon hearing him and my tongue quickly flicked out towards a canine to keep from biting back at him. There was humour written in the gesture though, even as I moved to narrow my eyes. “He’s got jokes! Reused ones, I might add, but jokes nonetheless.” I snarked, lifting my eyebrows at him in exaggeration, “Hilarious.”

His mouth curled very, very briefly, but I was quick to work out that it was all in the eyes with him. They held a certain amount of mirth as they flickered over my face. I wondered what he saw. 

“Suits you though. Even with all the…” He waved a hand over his own face, probably referencing the white dots I had littered in a few places.

With a shake of my head I raised a hand to my chest, feigning a fond appreciation for the sardonic comment. “Is that the famous charm the world’s heard so much about then? Really know how to make a girl feel special, Mathers.”

His eyes slitted but still shone with a slight glaze, he hummed deeply in retort. “Best believe it. Why d’you think I’ve gotten divorced twice?”

A low whistle escaped me before I then laughed, eyes squinting with the strength of it. “Figured you might just have a kink for courtrooms.” 

His tongue swept into his cheek at my boldness, fighting back a real smile as he glanced away and then back again. “I’m down bad for a good Judge. Spank me vibes, you know?”

I chuckled outwardly at that, amused by his quick witted replies. But that in itself didn’t surprise me, it was well known just how hilarious the man could be, his stoic demeanour only prodding that revelation further. 

That sternness his face seemed to consistently hold softened though in that next moment and I watched on as he shuffled a little closer to the camera, sat somewhere indoors with enough natural light that he could have only been in his kitchen. It hit me then how wild this whole thing suddenly was. “What’s with the last name anyway?”

I blinked, caught off guard by his ask. “Um,” I fumbled, a slight wrinkle forming between my brow, “What do you mean, me calling you Mathers?”

He hummed and I had to think about it for a second. Ultimately I ended up gifting him a shrug, “Don’t know. Just feels strange to call you Eminem or whatever.” I laughed lightly at myself, hand falling to my knee to toy with a loose thread on the hem of my robe. “What do people usually call you?”

It was his turn to shrug then, his being a singular and fluid motion whereas mine had been more thoughtless. He was watching again though, the wide eyes I was so used to seeing in old interviews where he was always playing a part were now gentler, narrowed sure, but softer and slightly wrinkled at the very edges.

I tugged on the frayed thread, wrapping it around my finger enough to whiten the skin before I had to let it go again. “Is Em okay? Or just Marshall maybe?” I queried, watching him too.

“Whatever you want.” He murmured and it was then that I noticed he’d propped his phone up somewhere in front of him because a pair of hands came to rest at the bottom of the screen just as he pressed further into the counter he was sat at.

I wrung my lips to one side, teeth biting into the inside of my cheek enough to keep from smiling much more than I already was. “Most people call me El or Lia. Elia just started to feel unnatural away from, you know, everyone else.”

It was the worlds now, as well as one of few reasons I had for the stigma I felt around my own name. 

The man jerked his head in a short nod in response whilst his fingers intertwined against a marble countertop. “So we should just slide that into the writin’ credits then? Or you finally gone take me up on that offer of a feature?”

You know that odd feeling you get when you’re on the tube or a plane and so suddenly your ears just pop and there's this ringing sound that floods the single sense? It just happens, out of nowhere, and you blink. So all you can immediately focus on is the sound. The odd feeling of it driving waves deeper and deeper into your skull. And the only way you can recover is by holding your own breath?

That was what that question felt like to me. 

“What?”

His eyes were alight, akin to a low flame of flickering amusement and perhaps hope. “You deaf now too? Know you heard me.”

Of course I fucking heard him but that didn’t mean I understood. “This is for real?”

Finally, he let go of a dulcet chuckle, almost a ringing sound in and of itself. “You gone make me repeat it? You in, or not?”

“How is that even a question?” I breathed back to him, my hand shaking against the hem of my robe. “Yes! God, if I ever say to no to an ask like that you better fucking shoot me. What the fuck, Marshall?”

That chuckle again.

It was unlike anything else, the only sound I could hear around the blood rushing between my ears. Stupidly, I pinched my thigh and released a stuttered breath when the twist of skin radiated a short snap of pain up my leg.

“That the go ahead then?”

I must’ve looked so incredibly starstruck but I couldn’t even bring myself to care, this was unreal. I nodded, almost frantically at him. “Of course that’s the fucking go ahead! Are you sure about this? I mean, I don’t know how much help I’ll be. I mostly write radio shit.”

“Your earlier stuff ain’t.” Em shot back, the quip startling me enough to snap my jaw shut because not a lot of people ever dug that deep. But he continued on before I could think to hone in on the slip, “‘sides, your lyrics are what I fuck with. That shit makes you think, has you lingerin’. Playing with words is the aim, I want people thinkin’, leachin’ onto each syllable and every phrase. You do that.”

The air in my lungs lurched.

I could only offer him one reply, “When do we start?”

[romanarose]

hey! i just saw your supportive logan fic for writer gf, and i was wondering if you would be open to writing something for chronic pain? the (gn! if possible!) reader having severe chronic pain, mostly in their legs, that prevents them from walking sometimes when a flare up is particularly bad. the reader just kinda feeling hopeless and so tired because there’s no cure to their condition. just really soft cuddles and comfort, ya know?

totally chill if this isn’t something you’re up for writing or isn’t the vibe! <3

thank you!!

Hi friend!!! I suffer from fibromyaglia and i fucking SUCKS so yes, I'd love to write this for you! GN read is 100% good, i'll write all kinds of readers.

Here you go!

Supportive Logan Thoughts: Chronically Ill Partner

Logan Howlett x gn!reader

Summary: Logan takes care of you

Warnings: Chronic pain

************

When Logan came in after work, the house looked exactly the same as he left it, from the banana peel on the counter from breakfast to your shoes you always took off in the middle of the hall, which (lovingly) drove him a bit insane. It's not that he expected you to do housework while he was gone or anything, but it was a sure sign that no, you weren't feeling better.

"Honey?" Logan called.

"Upstairs!"

Logan opened the bedroom door to find you in the dark, only lit by the dim glow of the TV playing reruns of your favorite show. He took a seat down on the bed, brushing the apple of your cheeks. "Hurting pretty bad, is it?"

You give a little nod, looking up at him. "Sorry, I didn't get anything done..."

"Don't worry about that, I'll take care of it."

A little whine escaped your mouth, lip quivering. "I'm sorry, you shouldn't have too, Lo, you just worked a ten hour day-"

With a playful smile, Logan pinched your lips together, making you giggle a little. "I'll survive doing a few dishes. You rest, I'll make dinner."

With a little kiss to your forehead, Logan did his best to prepare something you'd like. He was no chef, but after being alive all these years he was no idiot, and could cook pretty well. Plus, this was far from the first time your pain and exhaustion mad it hard to do anything. You liked to cook for him, but Logan liked to return the favor too. He liked taking care of you. He liked cooking for you and helping you bath and nursing you when the days were too hard.

"Wakey wakey, eggs and bakey!" He enters the bedroom again. "I lied, there's no eggs. Or Bacon. But I did make soup."

"Soup!" You exclaim, happily sitting up.

"There yuh are..." Logan smiles at seeing you animated again.

After you eat, Logan carries you into a warm bath, gently rubbing down your soapy body in a massage, careful with the tender spots. He works on your legs where he knows it hurts the most, making sure to massage the feet too, where he knows pain can start.

"You're really sweet, you know." You mumble sleepily. Doing nothing all day really takes it out of your when your own body feels like it hates you. "I know you pretend you aren't. But you are."

"Oh, I know." He teases. "You should see me at work. I can't get shit done because I'm smelling every damn daisy out there. I've been written up 3 times."

You can help but laugh at the idea of your big, hunky boyfriend laying on grass, kicking his feet as he smells a wild flower, his boss in the background shaking his fist.

"Oh I bed. Do you also break for butterflies?"

"Every damn day. Can't go a block without hitting my breaks. Hard to get anywhere."

You're giggling now, feeling better as Logan drains the bath. He starts to towel you down before picking you up and carrying you to bed.

"Thank you. For all you do for me." You snuggle up next to him watching your silly little shows. The pain is a little better, but still hurts.

Logan's lips are kissing your neck and face. you know he's not trying to initiate sex, just showing how much he loves just existing with you. "I like doing it, baby. I know it seems like I'm bullshitting you, but when it's for someone you love... really there's nothing easier."

*********

Thanks for the ask!!!!!! feel free to send more in!

[comicaurora]

A work had a controversial installment or arc, and it is widely regarded as bad for the story/franchise at large. Is it better for any future installment to retcon (hard or soft) and revert the status quo to pre-slump or to try to pick up the pieces without throwing the baby out with the bathwater, if one even exists?

Oogh. That's a tough one, considering how many questionable writing choices I'd personally scrub from existence if I had my way, but in general I think it's better to commit to the bit rather than constantly rewriting. Bad writing can be salvaged in hindsight - wasted characters can be strengthened in flashbacks, consequences of glossed-over tragedies can be explored later, dubious dialogue can be rendered profound through callbacks. Look at how Hayden Christensen's been playing Anakin lately and how much people like what he's doing - it doesn't make the prequels not lousy, but it does make them hold together a bit better in the grand scale. Half the fun of twists and reveals is how they reframe past plot points, and if a writer is careful they can add to a story in ways that reach back to the weak parts and strengthen them.

In contrast, the "never mind all that" school of writing makes it very, very obvious to the audience that the writers don't know what they're doing, or at least don't agree with each other, and spotting the hand of the author like that disengages the audience like nothing else.

Tbh I think Star Wars is a really interesting case study for this, since they've been playing both sides sidious-style for ages. Lucas kept digitally remastering the original trilogy and burying the version people saw in theaters, and nobody liked that - hence all the arguments about Han shooting first, because Lucas changed that after the fact to make him more uncomplicatedly heroic. Then the prequels were a mess, but accepting them as What Happened led to shows like Clone Wars (which overall slapped) and Kenobi, which wasn't perfect but did strengthen the characters, including Owen and Beru, who in the original were entirely flat spacefillers designed to die at Refusal Of The Call O'Clock. And bridging the gap between the prequels and OT gave us Rogue One, and then Andor, which are collectively the best star wars has ever been. But the sequel trilogy had AGGRESSIVE retcon-fights between Last Jedi and Rise of Skywalker, the most overt Never Mind All That I've ever seen - and NOBODY liked it.

Overall I think committing to the bit wins out, even if it's rough for the creators to look their past fuckups in the eye and find a way to make them feel intentional.

[y-rhywbeth2]

D&D Vampire Lore Dump #1

Feeding and Diet It's actually more complicated than just "they bite you and eat your blood." Plus what they're able to eat; how often they need to eat; what happens to you if they bite you and what happens to them if they don't feed- spoiler: it's unpleasant. Incidentally, you should reload and kill Cazador again.

(I was comparing stuff across editions and compiling it into something more coherent and then figured I'd info dump about it in case my fixations are useful to somebody out there.)

DISCLAIMER: There are two things to note about the lore presented here: First, while the standard stat block in the monster manual is the default, in terms of lore vampires have this annoying tendency to be incredibly, stupidly varied. They are magical monstrosities ruled by the power of symbolism and superstition above anything else.

The next is that D&D is decades old, spans five editions, several settings and hundreds of writers. One guy establishes a piece of lore, and then the next picks it up goes "nah" and writes something else. I collected info from four different source books, all from different editions, which naturally don't entirely agree on how vampires work. Lore never stays consistent and may contradict itself. You may see information somewhere else from a source I don't have that contradicts what I wrote here. If you read this and like some of this stuff but not other bits, take the good and ditch the rest.

Basically, in D&D, canon is what you decide it is.

Feeding | "Biology" | Hierarchy | Weaknesses and Cures | Psychology

They only need to feed once in a 24 hour period. Vampires can survive between 3-9 months of starvation, but it's a terrible idea. -

There are three different categories of "Undead Hunger." Vampires have two of them and actually need to consume more than one thing to stay "healthy": Blood and life force. -

The blood is obvious. This is categorised as a "diet dependency." It's required to preserve their bodies and powers, and without it their powers* are suppressed as their bodies begin to shut down. *This refers to the powers a vampire gains with age; they cannot lose power they had as a newborn (the base stat blocks given for vampires and spawn given in the monster manual) A vampire requires the equivalent of 12 hit points of blood a day, or it begins to revert into a corpse-like state. Mentally they slowly regress into a desperate, mindless animal frenzy where they'll kill and drain anything containing blood they can get their hands on. Ultimately, if they don't get any blood then they revert into a corpse and they're trapped in their own body as it begins to wither and mummify. They're trapped in a coma, vaguely aware of the passing of time in flashes of awareness until somehow they are fed blood. If they ever wake up again, they will probably wake up feral and absolutely ravenous. -

Vampires rely on the victim's blood pressure to expel blood from the wound they create, lapping and mouthing at the wound rather than actually sucking on it. Being bitten is a highly pleasurable experience that victims can't help but desire, even when they know they shouldn't. -

While the damage done remains, the wounds from a Vampire bite closes itself quickly after the feeding (assuming you're still alive). It does however leave a mark. The bite mark itself is often "less than half an inch in length", and leaves behind a significant bruise that causes no pain or sensitivity to touch. Other side effects include fatigue and a weakened immune system. -

Vampires typically target sleeping victims (less likely to fight back) and favour the blood of their own race above others. So theoretically, Astarion finds elf blood tastes best. -

Drinking animal blood tastes bland and is health-wise akin to drinking tainted water: yes it might keep you alive in desperate times, but it's ultimately bad for you and will probably make you ill. That said, it has no mechanical detriments and a vampire that's forced to live on animal blood will be just as strong as its kin, but considerably bad tempered about it. -

A vampire's secondary feeding requirement is called an "inescapable craving", which means that if a vampire doesn't get that fix then their hunger begins to devour them instead. The pain is described as a spike boring into the vampire's brain, obscuring their awareness. They begin to obsess over feeding to the exclusion of everything else, they become willing to take ridiculous levels of risk to stop the hunger as they become more and more desperate. As they are consumed they become progressively more feral until they're just a rampaging mindless horror driven only by horrific hunger. For vampires, their inescapable craving is life force, which a vampire leeches from their prey through touch leaving the victim weak. Direct skin contact isn't required, if you're wearing full plate and/or the vampire is wearing gloves and they lay a hand on you they can still drain you. Mechanically these were combat abilities, energy/level draining occurred when a vampire struck a target with their own body (usually their hands). Before 5e hit them with a nerf bat, vampires could permanently weaken you this way (you could lose character levels from this). 5e also seems to have rolled life drain into the biting, so a vampire can consume your blood and energy at the same time. -

Post feeding, a vampire starts to look alive. Their skin is flushed and warm and they feel elated and energetic. In contrast, a vampire that hasn't been feeding properly becomes more corpse like and feels "sluggish" (I'm interpreting that as flu-like symptoms). It's purely emotional however, the vampire is no less capable and dangerous and suffers no mechanical penalties. -

Vampires can feed on other vampires, which is actually more filling than living humanoid blood and gives them the ability to communicate telepathically for a few hours. They don't like it though. If a vampire drinks from another vampire then they can be controlled by that vampire and the link forces them to feel affection for each other against their will until it wears off. The results of both vampires in question feeding on each other is described as "debilitating" since they both paradoxically become enslaved to the other's will and forced to "love" each other creating an absolute dysfunctional mess of control, obsession and resentment. The good news is that it only lasts a few hours. -

Some vampires can eat regular food (no nutritional value in it for them) while others would regurgitate it if they tried. As they retain their tongues, vampires can also taste food. That said, it's a bad idea for them to eat garlic, even if they can eat solid food. -

Some kinds of vampires don't drink blood. There's all kinds of weird and wonderful stuff a vampire might be required to consume instead. Spinal fluid stands out. Or the bit about ones who drain the ocular fluid from your eyes. Gale might find interesting things to talk about with the magic eating ones who prey on mages. They're much less common, probably something to do with most people not finding that very sexy. I don't think any of them exist on Toril.

[impatientpandersrevised]

How they found out you were a switch

I'm still begging someone to do this idea better than me. I'm really not a great writer and I'd love to see your spin on it.

Also none of this was beta read.Haha. you're getting it as is.

You followed lilly and her girlfriend around the "toy" store. You weren't really sure how you ended up here, but you sure weren't complaining. The world narrowed when you stumbled on a section of rods, reading the little info card on the shelf. That little switch within you flipped.

You had always known you were a "switch". However because the desire to be in charge were so far and few between the conversation hadn't come up with the boys yet. They were in for a surprise today.

When you made your way onto the common room with your purchase, you immediately set out to find any of your boys you could get your hands on. Sirius was the first one you found.

He opened his mouth to greet you but was immediately cut off as you grabbed his hand and all but pulled him into the boys dorm room.

Sirius had a wide, if not a little confused, smile on his face at your manhandling. "Babes, what's the ru-"

"Where are the others?", you sounded a lot more desperate than you liked. But you were reaching your limit. You absolutely had to fulfill this need, or you were sure you'd explode.

"They got roped into tutoring a few first years for Minnie. Wh-"

You had heard what you needed. You hastily pushed him back onto his bed, only taking a second to cast the silencing spell on the door. If you got what you wanted, it would be needed.

You hastily stripped out of your clothes, eyeing Sirius as the prey he currently was.

Sirius had never seen this desperate, but he was here for it. "What's gotten into you love?"

"I need you" you whined out.

"Oh my poor little love, I'll make it all better. Come here". The smirk on his face could not have been any more smug.

You crawled up his body, ripping off his clothes as you went. You stopped him reaching for your hips, knowing he wanted to flip the two of you over.

"Can I top you?"

His breath caught. That was a first. You'd never showed any interest before, but he was never one to deny you. Particularly when you were on top of him with that desperate gleam in your eye.

"Oh, is that what my baby wants today? Of course" he dramatically throws his arms out beside, him with a salacious grin. "Please have your way with me".

You grabbed you wand, summoning the bag you had dropped at the door in your haste to get him inside.

Sirius was delighted, watching you pull the toys you'd brought out of the bag. "Did you buy me presents?! You really shouldn't have!".

He was trying to act coy, but you'd have him reduced to begging and whining soon enough. "Do you trust me?".

He cocked his eyebrow, propping himself on his elbows "You know I do love", glancing down at your toy selection, then back up at you. "Should I have a safe word?"

" Yes." You breathed out. "Probably. We can use the same one we always do with me... same rules apply. Anytime I do something you don't like, immediately let me know".

He was blushing at this point, which he found a little baffling. He was sure all the blood in his body was pulsing in his cock. "Alright, love"

You picked up the sounding rod. It was a little silicone rod, with ridges going all the way down. There was a loop at the top that would wrap around right under the head of his cock. The rod was very flexible so you weren't worried about hurting either him or yourself with your plan. "Do you know what this is baby?"

He went to open his mouth to answer, but only a whine came out of his mouth. He nodded desperately instead.

"Are you ok with me using it on you?"

He nodded again. He absolutely wanted to get this show on the road now. "Please... "

You beamed. "You're going to be such a good boy for me huh?". Moving your attention down to the items next to you, picking up a silk maroon ribbon. You loosely wrapped it around his cock, taking the moment to slowly jerk him off with it. You loved the low breathy moan he let out, watching as he collapsed back flat on the bed and letting his eyes close.

Slipping your free hand down to your wand, you let the ribbon slip through your fingers. With a flick of your wrist the ribbon tied itself around the base of his cock.

His eyes flashed open "wha-", cutting himself off with another desperate moan as he looked down.

"All wrapped in a pretty bow like the gift that your cock really is. You shouldn't be able to cum before I take the rod out, but this will add an extra protection". Running a finger lightly up the length of his dick, enjoying the way it twitched under you ministrations.

"Magic really is a wonderful thing" you couldn't help sigh happily at the sight. "No fumbling around for lube". You picked the rod back up, tapping it with the end of the wand, watching as it coated itself in lube.

You had wanted to drag this out, but seeing him all wrapped up pretty for you, you couldn't seem to make yourself. Next time. Wrapping your hand tightly around his cock, you gave it one teasing stroke before lining the rod up with his slit.

You both moaned as the tip slid in an inch with little resistance. This went on for a while. Slowly in and out inch by inch. Sirius was all but drooling by the time you had it settled all way on, and secured. Honestly you weren't doing much better. He looked so hot stuffed and wrapped for your pleasure.

You ran your hands soothingly up and down his thighs, giving him a moment to get used to the sensation. "Fuuuck. You doing ok baby? You're so stunning, your big cock all filled to the brim for me".

The whine he gave was straight up pornagraphic. "Please please please please". Though he really wasn't sure what he was begging for, just more.

You giggled. "Oh my pretty baby. We're just getting started". Crawling up farther on his body, you stopped to grind down on his stuffed cock.

"Fuck you feel so good baby". You were damn near gushing now. "Feel how wet I am? This what you do to me. Such a pretty baby".

The whines went up an octave, as you felt his cock begin to twitch against you. His hands snapped down to your hips, not trying to guide or stop you. Just to give himself something to anchor to, babbling out about needing to cum.

"Oh pretty baby, did your cock try and cum already?" You got a desperate nod, though you barely took note of it. Instead choosing to watch his cock push through your folds with each grind. "Good thing your cock is so stuffed and tied up huh? Otherwise the fun would be over already". If he gave any kind of reply, this time you really didn't notice, too enamored with the look and feel of his silky stuffed cock against you.

It didn't take long before the need to be filled took over. You leaned down to kiss him. Taking a second to soak this moment in. Before abruptly sitting up and turning around. He always did like the view of your ass. "Hold on tight babe, and enjoy the ride. We aren't stopping until I've come at least twice".

He could only whimpered in reply. His head was getting very fuzzy . This entire thing is so brilliantly overwhelming, he never would have thought you'd have this side to you. But damn if it wasn't one of the hottest things that's ever happened to him.

You lined yourself up with his cock, and slammed all the way down his length. You looked back at his face, marveling at how beautiful he was as he opened his mouth to scream. No noise came out though, causing you to let your own lengthy moan out. He'd had you to that point of pleasure so many times. You're sure his cock was giving a valiant effort to come again. What a pleasant torture you thought, to be stuck on that constant edge of pleasure without being able to release it.

You turned back around, focusing on your own pleasure for now. You really needed to cum, you'd play with him more after. You leaned forward, bracing yourself against his legs as you began a fast pace riding his cock. You hadn't done this position often, but damn was it doing it for you at the moment. It didn't take you long to reach your peak, between his cock hitting at just the right place, and the desperate sounds spilling from his mouth. You dug your fingers deep into his thighs as you came.

The rhythmic tightening of your core, added to a level of pleasure he had never reached before. He could feel his balls tighten again. That's 4 times he would have come by now, every time adding to this blindingly sharp pleasure.

You slammed down on his cock once more, riding out your high. You took a minute to catch your breath after, gods this was amazing, definitely a lot of work though. You glanced back at him again. Despite the near death grip he had on your thighs, his face looked blissed out to the point you weren't sure there were any thoughts in his head. You couldn't help but giggle. You still weren't satiated. You stayed there till you felt him relax his hands and body some, before reaching down to trace a line up his balls. He jolted a bit but otherwise didnt tense up again. You asked his color just incase, and got a green in response.

His muscles didn't get to relax very long though, as you took his balls in your hand and massaged them. Poor things felt so hot and tight. This caused him to give an aborted thrust up into you.

"You're doing so good pretty baby. Your balls hurt huh? They feel like they need some attention." You only got incoherent babbling in response, that sounded like an agreement to you. You started moving your hips slowly again, but most of your attention stayed on his balls. Alternating between massaging and gently pulling on them. You normally didn't get to spend much time on them, sirius was usually very focused on your pleasure. He'd eat you till you were well blissed out before pounding you into oblivion. He'd go so desperate to be inside you that it left little time for things like worshiping his balls.

It was a shame you thought. They worked so hard for you, making all that cum to fill you up. They deserved more attention, you were sure they felt heavier than usual now, working overtime with no where for it to go.

You patted them a few times, not being able to help yourself. Adding just a touch of pain to his pleasure. You felt another heavy twitch within you. Huh. That might be something you'd explore at another time. You were sure that was 5 or 6 times you would have cum by now. Or maybe he was having "dry" orgasms, you weren't sure. You looked back, and he currently didn't have the brain cells to tell you now if the look on his face was any indication. You filed that way with the other things you'd explore later.

You grabbed your wand, casting another lubrication spell, on his tight little asshole this time. You kept one hand on his balls, still rolling and massaging. Using the other one to slip a finger into ass. Gods it felt so hot and tight in there. You momentarily wished you had a cock, if the look on the other boys faces were any indication, you knew it had to feel amazing when they go to thrust into him. You wondered if there was a spell for that...

You added another finger, and began searching for the little button you knew was in there. You knew you found it when he bucked so hard up that you almost got jolted off. The movent caused an orgasm to slam through you. The sudden peak surprised you, your vision whiting out for a moment. A high whining noise brought you back to yourself. Your hand on his balls had inadvertently tightened while you were riding out your pleasure.

You immediately let go and turned your body around so you could check on him.

"Oops I'm sorry baby. You ok? Do you want to stop?"

He frantically shook his head. With a steady "cum cum need cum" falling out of his mouth.

You smiled and decided to take pitty on him. He had been so good for you after all. Never trying to take charge, just holding onto your hips like a lifeline. And you did have two very satisfying orgasms.

You gently pulled yourself off of him, settling yourself between his thighs. You ran your hands up and down his thighs as you took one last moment to enjoy the view. you softly kiss the head of his cock as you released the charm on the ribbon, watching it slide gently away from its place.

You unhooked the loop of the rod from its home around his cock. You didn't just slide it out though, instead torturing him a few minutes longer. You thrust the rod slowly in and out of his cock. The sight was mesmerizing honestly. You could have kept this up much longer, but your poor love was about to vibrate out of his skin.

It only took two pumps of his cock after you slid the rod out for him to finally cum. His orgasm was so strong his seed hit all the way up to his cheek at its highest point. Jet after jet of cum coated his chest and stomach. You stroked him through it, his orgasm lasting quiet a while. You were thankful you had the forethought to put up the silencing charm. You're sure the whole castle could have heard the noises he let out as his pleasure crashed through him.

You get up to get a wet cloth to wipe all the cum off him. You could have used a charm to spell away the mess, but found this much more intimate. It's what you prefered when the roles were reversed.

He came back to himself, all cleaned up. You had wiggled underneath him, so that his head was on your chest, and our hands running gently through his hair. You two basked in the afterglow for quiet a while before he decided to head down to the common room and maybe get something to drink.

You guys split up at the bottom of the stairs so you could head to your dorm to change.

Sirius had just collapsed on one of the couches when Remus and James came through the portrait hole. Sirius still felt pretty floaty and out of it, with a permanent grin on his face. When they finally got him to share what happened the boys were beyond shocked. They didn't think Sirius was lying. But they also couldn't imagine their sweet babylove doing those things. You were normally so sweet and malleable. Preferring the boys to take charge.

You came down not long after in your shorts and one of their jumpers. Looking very cute and soft if they said so themselves. You stopped short when you noticed them. Sirius with his head resting against the back of the couch, eyes closed and blissed smile still there. They boys both staring at you owlishly, blinking slowly.

"... what?" You looked down at yourself to make sure nothing was out of the ordinary. They just shook their head and welcomed you into their arms. Still too shocked, trying to wrap their mind around what sirius said, with the sweet baby cuddled up in their arms.

[latenightdaydreams]

Hi hi! Hope you don't mind that I have another request eheh... 🥲 I'd like to request smut with some build up before it, if you don't mind of course ^^; I've just been recently obsessed over those tropes of s/o(s) being apart for too long. And then thought of a reader who happens to be an intelligence officer working for KorTac. She and König aren't together yet per sé, more like have fallen for each other but never got to voice it out. Now, reader is chosen to carry out espionage against their enemy. However, it lasts for a year or two. Which is risky af. Anyway, those feelings they had for each other never left and they only grew within time. Plus they really miss each other hjshjs- And then when she finally comes back, cue the reunion. Cue the confession. Andddd cue whatever happens after that. Sorry if my request is more lengthier than before 😭 feel free to decline

So uh yes. That's basically it. Stay safe and take care of yourself 🫶 just gonna drop this gigantic special delivery package to this wonderful writer over here (you ofc) of... Oo what's this— BOOM. LOVE ✨💓💞💕💖✨

OMG this is such a sweet idea🥹 Never feel bad sending in a request! I love reading them and I love the challenge of bringing your idea to life! Thank you for all of the love you send my way, it is very appreciated and it makes my day to see your messages and comments! I hope you have a fantastic day and enjoy the story!

Reunion (fem)

MDNI🔞

Master List

>cw: fem/afab, p in v, oral

2.3k word count

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You stand in your room packing your suitcase as König sat at your desk chair. His eyes slowly going up and down your body, taking in how beautiful you look doing something so mundane. His mind flushed with thoughts of you, your mission, and his feelings. He has so much to say, but now isn’t the right time.

“Are you nervous Maus?” König bounces his foot nervously.

“I- no.” You lie. “It will be easy.”

“You’re definitely the best person for the job.”

You turn and smile at him. You want to say how much you’re going to miss him while you’re away. You’re aware that this mission will be long, maybe a year. It hurts your heart to think he might meet someone new while you’re away. What if you come back and he has a whole new life? A lot can change in that amount of time. Your heart sinks, but you continue to fake a smile for him.

You turn and face him. König looks up to meet your gaze, his pale blue eyes look sad behind his mask. The mask hiding the frown on his lips. He stands and walks to you, wrapping his arms around you in a tight hug.

“I’m going to miss you Maus,” he whispers as he rests his head on top of yours.

“I’ll miss you too.” You wrap your arms around him and hug him back. “Don’t forget about me.” You say with a giggle in your voice to hide the pain in that statement.

Your giggle doesn’t work because König notices. His arms tightening around you, “I could never forget you, y/n.”

König has the overwhelming want to lean down and kiss your soft lips, but he can’t. You two are just friends. Military code forcing him to shove his feelings for you aside to not cause any issues. Yet, underneath his uniform, he is just a man in love; desperate for a chance to touch you in a more intimate way and express his love for you. He settles for friendly hugs and breathing in your scent instead.

He pulls away from the hug and looks down at you. Your beautiful eyes looking back at him. His heart pounds in his chest, he is already starting to miss you and it hurts.

“I’ll carry your bag to the garage for you.” He says closing your suitcase and picking it up.

“Thank you, Kö.”

The last time you two see each other you spend 20 minutes hugging, breathing each other in. Words hanging on the tips of both your tongues, yet no one brave enough to cross that line. Both of your hearts break as you know this could be your last time together. All you can do is hope that life brings you both back together.

The mission went on longer than expected. Two years and seven months, König has been counting the days; marking off the calendar waiting for the day you finally return. The only sign that you’re alive is the intel that KorTac occasionally gets from you, but it’s been three months since the last message. He is use to a life of solitude, but without you he feels a new level of loneliness.

He walks past your room every day before returning to his own. Your room remains vacant, everything left exactly how you left it. Every night he looks at a photo of you he has tucked under his pillow, gently kissing it hoping you’ll return to him soon.

It was another day of mundane tasks and paper work for König. He sat at his desk with your file pulled up on his screen, your photo attached. He marks off another day from the calendar, another day without you.  Not even intel from you.

Around 12pm, König sits with his mask off, eating his lunch he packed for himself. He wonders where you are and if you’re safe. What if you’ve been captured and murdered or worse, fallen in love and decided to run off with the enemy. Being alone with his own thoughts is torture.

Just then there is a knock at his door. He rolls his eyes and lets out a sigh. He was in the middle of eating. Putting his sandwich down, he picks up a napkin and cleans his mouth before pulling his mask down over his face. Again, a knock.

“Alright, come in.” König says as he straightens himself out. He minimizes your file that he has still pulled up on the computer screen.

The door opens and closes, he looks up to see…you.

König’s jaw drops and he just sits there staring at you for a while, as if he can’t believe that you’re real and standing in front of him. You look just as beautiful as you did the day you left. Nothing has changed other than your hair being longer now, and it suits you.

You stand there quietly waiting for him to say something, do something. He just sits there looking at you in complete shock.

“Hey Kö,” you break the silence as you take a few steps closer.

Hearing the nickname, Kö, makes his heart flutter; only you and his mother have ever called him that. You’re really here. He isn’t hallucinating. It’s you. Quickly he stands to his feet and walks towards you, pulling you into a tight embrace. He takes a deep breath, breathing you in. He’s missed your scent so much these last few years, he had forgotten what you even smelled like. Forgotten just how perfect your warmth feels against his body.

Your arms quickly wrap around him, you’ve been dreaming of this moment for so long. Being away from König was harder than you thought it would be. Especially for almost three years, you weren’t sure if you’d be returning to the same man. Yet here he was. Your König. He waited for you.

König pulls away from the hug and moves his hands to grasp you face and turn your face so you can look into his eyes. His eyes glossy, tears threatening to fall. He doesn’t speak as he just looks at your face, taking in your beauty. He hasn’t seen you in the flesh for so long, it’s like he is seeing you again for the first time. His beautiful love.

Without thinking, König pulls his mask off; revealing his face to you for the first time ever. He leans down and gently presses his lips against yours; slowly out of fear of rejection, yet once your lips touch, you don’t pull back or turn away. You kiss back with even more passion, making König melt inside.  He grips your face a little tighter as he begins to kiss you harder, matching your passion.

Breaking away, he rests his head on yours, tears now falling down both of your faces.

“I was scared I would never see you again.” His voice breaks as he speaks to you.

“I know,” your breathing shutters.

He pulls away slightly as you look up at his face. You take in all of his features that have been hidden all these years of friendship. He’s…beautiful. You’ve thought of what he might be hiding all this time, it’s just scars. They only add to how attractive you see him.

“Kö, I’m in love with you.” The words flow out of your mouth as if it’s word vomit.

Your heart begins to pick up and you swallow hard, waiting for his response. Your hand reaching out to wipe tears away from his eyes as they fall.

“I’m in love with you too, y/n. I always have been.” His voice cracks.

He leans down and his lips meet yours again, his tongue licking your lips as they part to accept him. He lets out a soft moan as he tastes you for the first time. He’s wanted this for a long time, since the day you stayed behind with him after a failed mission. That was the day he fell in love with you.

His hands drop down to your waist as he begins to push up the hem of your shirt, his warm hands caressing your soft skin. You don’t stop him; your body has always craved him. You’re his now, in this moment, and forever. Slowly pulling away from your lips, his eyes drop down your body.

“Is this okay?” He seeks you consent before continuing. His hands continue to caress your waist, moving up slowly.

You nod your head, closing your eyes as his lips come back to meet yours. You continue to make out as his hands move up your body. He begins to pull you shirt up, breaking the kiss to take your shirt fully off. He looks down at your breasts cupped in your bra. He brings you closer to him as he can wrap his arms around you and unhook your bra. You let the bra drop from your body.

König quickly drops to his knees, his lips finding your breasts and kissing all over, his lips grazing over your nipples giving you chills. His hands fumble with the button of your pants as he undoes it. Pulling down your zipper, he looks up at you. His hands wrap around the top of your pants and pull them down with your underwear.

His eyes look at the soft bush between your legs before he kisses your stomach and hips. You lean back against the wall and he lifts one of your legs over his shoulder. Slowly he kisses down your thigh that’s resting on him. He finally begins to kiss the soft hair covering your sacred area. He takes a deep breath, taking in your scent completely. He has always wanted to be graced with the privilege of giving you pleasure, and here he is finally.

He sticks his tongue out and licks from the bottom to the top, his tongue making small circles over your clit. He can’t believe just how sweet you taste. The small moans leaving your lips mixed with the smell of your arousal making his cock rock hard in his cargos. He begins to suck lightly on your clit, flicking his tongue over it as he does. Your legs begin to tremble and jerk.

You look down at him as he eats you out, your fingers gently combing through his blonde hair. You could have never imagined that he would be this good as he begins to focus in on your clit. Legs shaking you moan out, calling his name. You feel a rush, a build up of pleasure.

Knowing that you’re about to cum, König keeps his rhythm. You push his face into your cunt, forcing him to only breathe in your sweet natural musk. His face covered in your arousal; he can’t take it anymore.

He moves your leg off of him gently as he stands up. He begins to quickly undo his belt and take his pants off. He pulls his shirt off, revealing his Greek god like body to you. You just look at him, in awe. The same way he looks at you.

You both stand there looking at each other’s bare bodies. König just can’t get enough of you. He walks closer to you and scoops you up in his arms. He walks to his desk chair with you. He sits slouched in the chair as you sit on his lap, your wet pussy rubbing against his erection. You lean in and kiss his lips as he moans softly feeling a tease of what your warmth will be like.

With no regard for safe sex, you lean forward, reaching down and grabbing his cock to guide it into your pussy. Once the tip squeezes in you both let out a harmonious moan. Your eyes studying his face as he is focused on watching you stretch around his cock.

Your hands on his shoulders for balance, you continue to sit down until König bottoms out inside of you. His hands squeezing the supple flesh of your thighs as he submits to you and lets you take control of your shared pleasure. Your tight cunt squeezing around him, breasts bouncing in his face as you move over him. His muscles flex as he assists you in your movements.

“Oh Scheiße, Maus. You feel so fucking good.” He moans out as his head falls back against the back of the chair; eyes closed. He has never felt this level of pleasure before with another partner. The sound of your wet cunt filling the space between your shared moans and panting.

“Kö,” you whimper out as your hands move to his chest, fingers digging deeply into his skin.

König opens his eyes and looks down at your cunt eagerly trying to milk him. A creamy white ring circling the base of his cock, and he can smell the sex in the air. He can’t hold on anymore. He wraps his arms around your abdomen and holds you close to him while he begins to quickly thrust up into you, his balls slapping against your ass. You begin to moan out loudly, definitely loud enough to be heard from the hallway, but he couldn’t care less.

“I-I’m going to- ah,” König couldn’t even speak as he begins to sweat from his rapid movements. His hands grasping your ass as he begins to roughly push you down on his cock. You can feel him throbbing deep inside of you as he cums. His cheeks turning slightly red from embracement of not lasting longer.

Your lips meet his with desperation as you both kiss. His hands still gripping you tightly as you rest on him, as if you might leave again if he lets go. Breaking the kiss you both look into each other’s eyes. One of his hands leaving your body and moving up to caress your face gently.

“Are you mine?” König sounding so submissive and gentle, a side no one ever sees of him.

“Of course.”

[shantechni]

"2012 Mikey is Abused" and other constant complaints that, quite frankly, don't make sense

Since one Reddit user (who shall remain anonymous) inadvertently made me type out an essay I intended to write and post in a more coherent manner at a later date, I will be using their comment and my response.

Anyways, the comment itself starts off fairly normal and agreeable:

But then I see the next three points and my sleep-deprived mind just goes off the rails, so let's start with the second point:

Let me preface this by saying I absolutely do not condone the writing here because everyone under the sun will agree that we could've easily had the "Karai is our sister!?" plot twist without Leo and Karai briefly developing feelings for each other.

The problem is that this brief development of feelings is wildly blown out of proportion by the fandom, so much so that it makes it seem as though Leo and Karai actually had anything legitimate going on between them.

The "incest-eqsue garbage" between Leo and Karai is almost nonexistent outside of the writing room. They openly crush on each other for a whopping six episodes by way of verbally teasing each other and being at odds before Karai tells Leo that she's the Shredder's daughter. That's it. He is not pursuing her after that (hardly ever did, not even to the extent that Donnie pursues April) and Karai isn't remotely fond of him anymore after he broke their deal. Then, after we find out alongside Splinter that she's actually his daughter, he tells Leo towards the end of Follow the Leader. We don't get a reaction, actually nothing on Leo's side since the Foot Clan is mostly absent with April being the main point of conflict, even in Target: April O'Neil because April's forgiveness of the turtles is the main focus.

Leo eventually attempts to tell Karai the truth in Wormquake! and The Manhattan Project and she obviously doesn't believe the poor guy, she just wants to kill the turtles and Splinter at this point. Leo doesn't tell her because "he still likes her", but because, in his own words, it would change everything. She deserves to know the truth and Splinter shouldn't have his own daughter cursing him at every waking moment. When she tricks the gang into bringing her to the lair under the guise of her finally accepting the truth, Leo is ecstatic and his first thought is for her and Splinter to make amends. He's upset that Raph still can't fully trust her in the end when she fought alongside them (who can blame Raph though, he's cradling an unconscious brother after a plan gone awry), and that's the end of that.

They dedicate two episodes to the guys attempting to rescue her because Leo has enough brain cells to worry about what the Shredder could be doing with her, and Raph makes a jab at Leo on one instance when they find her (there is absolutely no romantic undertone, Raph just picks at his old crush on her and their tendency to tease each other at the worst times). Then, when she wants to get back at the Shredder for ripping her away from a life she never knew was her's, Leo attempts to aid her because he knows it isn't wise to face someone like that alone, especially with his henchmen there.

There's one last self-aware jab at their past feelings in S5, of which Karai awkwardly remembers and forgoes mentioning, and that's the last you see or hear of that.

As much as I dislike it, I'd take this narrative over the Donnie-April-Casey hurricane any day.

It seems that 2012 Mikey's mere existence is a sore spot for fans because Jesus Christ this gets brought up way too much.

Mikey is not written as a complete idiot, he's written as someone who doesn't see a reason to take everything so seriously, has odd habits, and doesn't always think things through, yet is shown to be highly capable and intelligent when the situation calls for it. Yes the writers left much to be desired at times, but to say they wrote him to be a "complete idiot" and left it at that is just offensive. I'll ignore all the miraculous things Mikey can do with Kraang stuff and Dimension X and focus on what other things he's shown to be capable of.

Mikey was a temporary learning model for Donnie in how to fight without thinking, or in better terms, how to fight instinctually without becoming bogged down by your own mind. Splinter's lesson is shown in a comedic manner, but that's ultimately what helped Donnie defeat Falco.

Another interesting thing is his ability to keep his composure when no one else around him can do so. I mentioned this briefly in another post, but it really stands out to me how he put Leo at the top of his priority list in Invasion Part 2. He's as worried for Splinter as Raph and Donnie are, but they have with them a crippled and unconcious Leo who needs medical attention asap, compared to martial arts master Splinter who's older and wiser than the three of them combined at times. Even when they eventually find Splinter and lose him, he keeps the gang in line by reminding them, as well as himself, that Splinter can take care of himself.

Along with that is when Splinter was kidnapped in The Manhattan Project. Mikey was quick to intervene when Raph was angry with Leo for allowing Tiger Claw to coax him into calling Splinter, and he reminded the two of the problem at hand: they have Splinter, let's go find him and take him back. There are so many other moments when he becomes the levelheaded one in response to the chaos or disorder surrounding him.

Mikey is a highly skilled fighter, he's emotionally intelligent, he remembers the weirdest things that eventually aid the team, he's street smart, he's a fast learner (ex: Bradford's secret kata, as well as the temporary use of the plasma katana in Target: April O'Neil), he's great at distracting enemies without needing to become bait, he gets insecure about things, he has photographic memory, he's the most outgoing of his brothers and therefore ends up with the most friends, he's quick to adapt to a situation and think of a plan, he can throw together seemingly random ingredients to create exactly what Donnie would struggle to create, he knew exactly what to do to find Casey after his run-in with Tiger Claw, the list goes on.

Heck, just to add to this, Mikey is the one who saves the day in three separate stories in S5. 1) His temporary electric powers save the world from Dregg and the Newtralizer, 2) he convinced Frankenstein's monster to join their side, retrieved the scepter from Savanti and Dracula (he accidentally broke the scepter while he was at it, but that helped) and cured Raph and Donnie of their vampirism, and 3) he was the one who repaired Kavaxas' seal and made him reopen the portal to the Netherworld so the dead could return.

The brothers don't always take him as seriously as they should or listen to him, and that's understandable at times, but when they do, they're reminded of the fact that Mikey, in his own way, is intelligent.

If I had a dime for every comment I've seen about this, I'd be rich enough to buy the TMNT series from Viacom and right every wrong they made with the 2012 series.

These abuse allegations are as bad as people putting Markiplier in the same tweet as problematic Youtubers and saying something wild like, "these content creators should've been cancelled a long time ago." I feel like people who say the brothers abuse Mikey are either an only child or genuinely have a warped sense for what actually counts as abuse, and I'm not even trying to be mean, those are just my thoughts. I shouldn't even have to comment on this, but the fact that people are still seriously believing that to this day is shocking.

Would you also like to say that Raph was abused in Turtle Temper when Splinter had the boys ceaselessly taunt him in that little exercise? Or that the boys abused Raph everytime they downplayed his anger? Or that Raph abused Donnie by threatening to hit him if he didn't find Snakeweed's hideout? Or that Leo abused Donnie everytime he stressed him out by rushing him for answers? Or that Donnie abused Mikey because Mikey flinched 2cm to the right when Donnie raised his hand to playfully knock at his noggin? Or that Leo was abused by the team because they took forever to view him as their leader? Or that Splinter abused the boys because he was "too rough" on them during training?? Or that April abused Donnie because she "constantly led him on"? Or that Xever and Bradford abused Baxter???

I'm losing my mind over here

Mikey is never physically or emotionally abused by his brothers, the show speaks for itself. But if you somehow aren't listening, go look up a textbook example of abuse, or better yet, look at Karai.

Abuse is the Shredder locking Karai in a dungeon when she tries to escape to her real family and going so far to become a peak manipulator by saying Karai was hurting him by making him lock her away. Worse than that, he starts brainwashing her with mind controlling worms so she has no choice but to obey him. Even before then, he's lowkey uncaring of her wellbeing: he treats her like any other soldier of his and doesn't listen to her when she tries to tell him something. He doesn't address her concerns about the Foot bots nearly finishing her off, instead telling her, "disobedience comes with a stiff penalty, especially for my daughter," when she objects to him telling her not to take action against the turtles while he's gone.

He only ever pays her any attention or gives her praise when it benefits him and his vendetta against Splinter.

Splinter and the turtles are the farthest thing from the image of a family filled with abusers. Raph openly apologizes to Mikey when Splinter tells him to stop picking at him in Shellacne, Raph comforts Donnie when the brainiac is somber after forcing Timothy into the equivalent of a cold sleep, Raph apologizes when his anger gets the better of him and he hits Leo harder than intended, Donnie apologizes when he realizes he shouldn't insult Raph when the guy is visibly upset, Leo regrets doubting Donnie about Metalhead, etc., etc.

Even beyond apologies, Raph is the quickest to entertain Mikey and vice versa during a mundane moment, Donnie never kicks Mikey out of the lab, Leo plays around with Mikey when the situation doesn't call for him to be their fearless leader, and Splinter is quick to advise Mikey during Karai's Vendetta and Shellacne. There are even times when the guys just go along with Mikey's antics because there's no harm in doing so, and often times Mikey needs a moment to be silly.

If you think play fighting, teasing, or getting a little physical with a sibling is the equivalent of abuse, particularly in the context of TMNT of all things, you need to do some re-evaluation.

[hedgehog-moss]

Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet

I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)

Biographies

• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).

• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.

• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.

• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.

I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.

Fantasy

• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...

• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!

Essays / literary criticism / philosophy

• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it

• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all

• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism

Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)

Did not fit in the above categories:

• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it

• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans

Books that I didn't think existed in English translation but they do! but you can still read them in French if you want

• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood

• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)

• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good

• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness

• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff