I refuse to think that the ancient princess in the tapestry wasn’t also some sort of furry I’m sorry. I mean, the ancient hero looked pretty human and look a what we got instead! So yeah, meet Princess Haru and her big brother/cousin Mamoru (haven’t really decided yet, he’s either Sonia+Rauru’s child or Mineru+???’s child. Either way Mamoru acts as a big brother)
I wanted them to have (what I assume) Zonai names by making them end with -RU but also include some hylian into it by using real Japanese names (what I assume is the closest to the Hylian language) (haru means « spring », mamoru means « to protect ») Princesses start to be called Zelda in the next generation, in honour of botw’s Zelda’s sacrifice!
I wanted Haru’s appearance (but the horns specifically) to be reminiscent of the white dragon.
Does it make sense with the tapestry of the ancient calamity? Probably not. Maybe they both live longer than humans and it lets the sheikahs develop their technology idk but i drew these for fun so enjoy
131 notes
·
View notes
Falke sketch I found in my notebook while cleaning up my stuff.
187 notes
·
View notes
did a little meet the artist in my sketchbook today ✍️
23 notes
·
View notes
First page of my new sketchbook aka the Ivy King in his natural environment.
30 notes
·
View notes
sometimes a family is you, the fragment of an elder god living in your body, and a talking, mostly-omnipotent skull <3
15 notes
·
View notes
Rebel Moon Worlds: The Motherworld
At the center of the realm lies the Motherworld, a densely populated planet, immensely old, where, over eons, successive civilisations have built atop the ruins of the previous ones. If it feels cold and impersonal, it is by design; this world is the only world in the Rebel Moon universe that hasn’t been influenced by any single actor.
“The Motherworld is also a bit of a melting pot. There’s a lot of immigration from all the worlds that they’ve conquered,” Zack Snyder says. But rather than conjuring up some vibrant, cosmopolitan setting, one should instead picture a dark, urban dystopia. “I always like to say it’s like Victorian London and Blade Runner mixed up together. They’ve had to spend a lot of resources to expand as they have across the stars at this point. They’ve given so much of their attention to this expansionism, that they’ve lost sight of what’s happening down on the streets below them, as far as maintaining the infrastructure,” Snyder says. The result is a core that is definitely rotting.
- Rebel Moon Wolf: Ex Nihilo: Cosmology & Technology
21 notes
·
View notes