#i do think that's why they work so well as a team though

[requiemforthepoets]

broadway darling 𖦹 LN4

PAIRINGS: lando norris x sainz!reader

SUMMARY: you and lando never met each other in person despite him being best friends with your brother, but when carlos had dragged him to your opening night, he hated to admit it but he was charmed by you.

REMINDERS: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WARNINGS: no use of y/n in the narrations, photo do not belong to me and all photos are taken from pinterest, inconsistencies of photos, use of y/n on the smau, not proofread, magui, profanities, mean comments, and typos

WORD COUNT: 696

FACE CLAIMS: taken from pinterest

AUTHOR’S NOTE: i missed writing for lando 😭 i made this one shot/smau to appease my broadway x f1 racer agenda in my mind, and since i’m a big fan of les miz and hamilton. though let me know if you want part 2 lol i hope you’ll enjoy this one as much as i enjoyed writing it! this one’s for all the theatre girlies out there (i hope i did you justice 🥹)

It was an unspoken rule that opening nights were sacred in your family. The excitement, nerves, and anticipation of the curtain rising for the first time in Melbourne—it was all part of the magic you had fallen in love with since your broadway debut at sixteen. Tonight was no different, the backstage bustle surrounded you, but you remained calm, dressed in your costume for Fantine, the tragic heroine of Les Misérables.

The makeup team finished their final touches, ensuring every detail conveyed the pain and hope of the character. You took a deep breath, whispering a quiet prayer as the stage manager gave the fifteen-minute warning.

In the plush velvet seats of the packed theater, your family had taken their places. Carlos was flanked by your parents on one side and, to your surprise, his best friend, Lando Norris, by his side. You had heard of Lando countless times through Carlos’ stories, seen him in the occasional instagram post or race weekend interview, but never met him in person. Lando was not exactly the type you imagined sitting through a three-hour musical, but there he was, impeccably dressed in a tailored suit, looking slightly out of place but undeniably intrigued.

“I still don’t understand why you brought me with you.” Lando murmured to Carlos as they flipped through the program.

“Because you need culture in your life,” Carlos teased, his voice low to avoid drawing attention. “Besides, it’s my sister. I’m always there to support her.”

Lando just nodded, unsure what to really expect. He had heard of you, of course, Carlos never stopped talking about his little sister’s accomplishments, but he had never seen you perform. Lando wasn’t even sure how someone who belted out ballads for a living would compare to the thrill of racing, but as the curtains rose and you stepped onto the stage, he felt something shift.

When you sang I Dreamed a Dream, the theatre fell silent, and Lando forgot to breathe. He didn’t know much about broadways and musicals, but even he could tell this was something special. There was a rawness in your voice, an honesty that made him feel like you were baring your soul to every person in the audience, him included.

“You good?” Carlos asked, his tone laced with curiosity.

Lando blinked and sat up straighter. “She's…really good.”

“Told you,” Carlos smirked, “she’s a broadway darling for a reason.”

Lando did not respond, his eyes fixed on you as you poured your heart into the performance, and by the time the curtain fell and the audience erupted into applause, he was on his feet, clapping so hard his palms stung. Carlos laughed as he nudged him.

“I think you liked it more than me, mate.” Carlos chuckled.

“She’s, uh, really talented.” Lando flushed, rubbing the back of his neck. Carlos raised an eyebrow but said nothing.

Backstage, you were surrounded by castmates and well-wishers when Carlos arrived, with a bouquet of flowers in hand.

“You killed it out there!” He said, pulling you into a bear hug. “Mamá and Papá are so proud, they couldn’t even stop crying.”

“Thank you,” you smiled, wiping a bit of makeup from your cheek. “It felt good tonight.” You admitted, though your eyes flicked curiously to the familiar figure a few steps behind Carlos.

Carlos caught your glance and stepped aside. “Oh, right, this is Lando. You know him, my best friend.”

“Hello.” You said warmly, extending a hand.

Lando stared at you for a second too long before quickly shaking your hand. “Hey, uh, you were amazing. Like, really amazing.”

“Thank you,” you said, smiling at his slightly awkward demeanor. “I’m glad that you enjoyed it. I never pegged you for a theatre type.”

Carlos snorted. “Oh, he’s not. He didn’t even know who Fantine was before tonight.”

“Hey, I know now.” Lando muttered as he shot Carlos a look, which made you laugh.

“Well, it’s nice to finally meet you, Lando,” you said. “Thank you for coming.”

As you turned your attention back to Carlos to discuss dinner plans, Lando just stood there, hands shoved into his trouser pockets, feeling like he had just been hit by a train.

ynsainz

liked by carlossainz55, yourbestfriend, lesmizofficial, iamrebeccad, landonorris and 456,736 others

tagged: lesmizofficial

ynsainz do you hear the people sing? 🇫🇷❤️

opening night of les misérables in melbourne was nothing short of magical. i’m so grateful for the chance to bring fantine’s story to life again and share it with the people i love the most. a night that i’ll never forget! ❤️✨

view 78,837 comments below

carlossainz55 incredible, hermanita! Proud doesn’t even begin to cover it ❤️

ynsainz AAAAAHHH LOVE YOU 🥺❤️

iamrebeccad you.are.amazing! GIRL THOSE PIPES YOU HAVE!!

ynsainz rebeccaaa, thank you so much!! i’m glad that you were able to come 🥺❤️

iamrebeccad of course! wouldn’t miss it for the world!!! 🥰

landonorris amazing show last night! first theatre experience and definitely won’t be the last 👏🏻🙌🏻

ynsainz thank you lando! glad that les miz was your first theatre experience. well, hoping to see you again soon! 😆

lesmizofficial opening night couldn’t have been more better, it was unforgettable! you’ve brought fantine to life in a way that will resonate for years to come. the team couldn’t be prouder of you! ❤️

ynsainz thank you, les misérables! 🥺❤️

username1 PERFECTION PERFECTION PERFECTION

username2 carlos wasn’t lying when he said he’s sister a star 🥹 i came for the sainz connection and left absolutely blown away by your TALENT!!!!

username3 an icon, a legend, a queen!!!!!!

username4 I STILL CANT BELIEVE THAT I WATCHED YOU LIVE 😭😭😭😭

username4 I NEED TO SEE YOU ON LES MIZ TOUR I CANT LET THIS PASS BY 😭😭😭

username5 THE MEMES 😭😭😭

username6 THEATRE KIDS UNITE!!!

twitter posts

f1gossip

liked by username1, username2, username3, username4 and 20,837 others

tagged: ynsainz, carlossainz55, landonorris

f1gossip is there something more than just racing between lando norris and the sainz family?

spotted: lando norris attending the opening night of les miserables in melbourne with none other than carlos sainz and his family just days before the aussie grand prix weekend.

the mclaren driver, who’s usually more focused on the track than the theatre, seemed to be all flirty and smiles as he mingled with carlos’ little sister, ynsainz—the broadway darling herself! rumors have been swirling around ever since lando was seen front and center at the opening night, and now, it’s got us wondering…is there something between the two off-track?

while lando’s always kept his private life under the wraps, this cozy night with the sainz fam is raising some eyebrows. could les miserables be just the beginning? are we seeing a new f1 power couple in the making?

drop your thoughts below! ❤️

view all 18,636 comments below

username7 okay, but if lando is really into her, can we talk about what an upgrade this is from his usual dating rumors? she’s a literal goddess. broadway, west end, and disney??? ma’am.

username8 so lando’s in attendance at les miz in melbourne? okay, that’s cool, but is it bad that i care more about her perfomance than this so-called gossip? priorities, people!

username9 not at all!! everyone here in the comsec acting like they personally know lando or y/n lmao what a bunch of losers

username10 this is a bit of stretch, don’t you guys think? maybe he’s genuinely wanted to be there for support. he’s literally best friends with carlos and close with the sainz, is it now bad to support a best friend’s family member? not every guy and girl showing support or hanging out equates to dating.

username9 SPEAK YOUR TRUTH!!!

username1 finally, someone saying relevant here for once!!!

username11 can we please stop making everything a love story? maybe she’s just being nice and lando’s just being lando

username12 oh you are so sick for tagging the people involved in your nonsense gossip!!! leave them alone!!!!

username13 now why us, broadway fans, suddenly being dragged into an f1 drama? can we just stay away from this and focus on supporting her and appreciating her talent? we don’t need this kind of drama

username14 lol lando is just tagging along with carlos like they usually do! NOT EVERYTHING HAS TO BE A SHIP NOR A DATING RUMOR!

username15 she’s just probably using him for clout lmfao

username16 i don’t ship it, but if carlos approves, i guess it’s fine

username2 ????? weirdo

username17 she’s been killing it on broadway since she was young. why do people always have to reduce talented women to ‘who they’re dating/involved’ with? do better people, you all are really embarrassing

username18 honestly, i don’t really care who she’s dating. just give me tickets to see her next performance 😭

username3 oh you’re so really for this

username4 why do broadway tickets have to be so expensive 😭😭😭

username5 bank heist plan meeting at my house at 8pm, pull up

username6 time to sell feet pics 😔💔

username19 she’s just gonna use lando for fame just like *coughs* magui *coughs* and besides, she wouldn’t be famous if it weren’t for carlos LMAO what a nepo baby

username7 DON’T YOU EVER COMPARED THAT VILE AND WRETCHED WOMAN TO Y/N! THE BLANTANT DISRESPECT. SHES BEEN SELLING OUT THEATRE BEFORE YOU COULD SPELL BROADWAY. CARLOS MAY BE HER BROTHER BUT HER TALENT GOT WHERE SHE IS RIGHT NOW. SIT THE FUCK DOWN. I HOPE YOU CHOKE ON THAT COUGH OF YOURS.

username8 username7 SLAYED, ATE, DEVOURED, LEFT NO CRUMBS

username20 yeah, i don’t really trust her. she’s probs only interested in lando bc of the clout that comes with being an f1 wag

username9 you DISGUST me. clout? clout??? mary, she’s the one with standing ovations every night. meanwhile, you’re hating from your couch. maybe try again.

username21 LANDO IN SPECS 😭😭😭 HES SO DREAMY 🥺🥺🥺

username10 people out here are tearing each other apart and so close in inciting civil war, while you’re out here commenting lando looks good in specs is so REAL 😭😭😭

username11 the vibe i bring to the function:

username22 the whole comsec got me laughing my ass off 😭 y’all are really bursting your nerves over this gossip that is completely baseless 😭😭😭 it’s NORMAL for him to hang out with carlos’ family and show support to carlos’ family member. like what the other commenter said, not everything has to be a dating rumor 😭😭😭

username12 EXACTLY.

username22 these people need to unclench their asshole. like omfg relax, brenda!

username23 if this is true, i don’t like it. lando needs someone who understands his world, not some theatre diva who’s only there for the spotlight

username13 ???? theatre diva ???? she’s literally been called the voice of this generation, a generational talent. she DOESNT need lando or his world, she has her own. stay bitter, though

username24 why are people so mean? she’s insanely talented and gorgeous.

username14 some people are just really fucking opinionated, like they know lando personally and that their opinions would matter. well news flash, lando wouldn’t even bat an eyelash at you nor date you all. fucking weirdos

username25 welp, this isn’t the comment section that i was expecting at all 🧍🏻‍♀️

username26 is this a civil war between f1 stans and broadway stans? 😭😭😭😭

username27 vroom vroom kids vs. theatre kids

username28 this post alone had incited a civil war between f1 stans and broadway stans 😭

[allronix]

There is precedent for this in real world cultures. And again, a faction that is NOT the good guys, never claimed to be. They are the wild card, barbarian, unaligned, working on a very different moral code faction.

Yes, the Jedi can make suggestions of politicians and get shot down. However, they act as the police force for the ruling class - bodyguards, hostage negotiators, the occasional SWAT team. TPM showed that the Senate relies on the Jedi to enforce their laws and has no other way of enforcing the law. This would, at least in theory, give the Order a VERY large degree of power to choose who gets helped and who does not, especially with their relatively small numbers.

Yeah, Shmi was a really thorny case. Given she was enslaved with a bomb in her head, the only possible way of getting Anakin a better life than chattel slavery was handing him to these strangers, never to be seen or heard again - which was always in the cards due to the harsh reality of slavery. Watto could have lost Anakin in a drunk bet and she would still have to be ripped away from him. If she were a free woman, would she be so willing to hand her kid to strangers?

Again, the "wild card space orcs" are going to wild card and space orc. Yeah, it's problematic, and part of the fun (see below). There's a reason someone translated "Nobody likes us - we don't care" into a Mando clan slogan.

With Mandos, I guess the appeal is the same as Batman, Green Arrow, or other "badass normal" superheroes. If you're just an ordinary person in a world of superheroes? Well, that sucks. But if there's a way that badass normies can hold their own against the demigods with tools and training, that makes things a bit more fun.

I guess the Jedi method reminds me of the sci fi dystopias where children (especially talented children) were harvested and shaped into whatever the State/authorities of the piece needed. I'm thinking Ender's Game. Or Psi Corps. Or even the First Order. (Though they are more of the "stuff the kid in a trunk" - how do we know that there aren't all kinds of good patriots who are very willing to give to the cause?)

And I can see arguments for "get them from the cradle," but none of the arguments have anything to do with benevolence, compassion, or the welfare of the child. Which...if you're taking Mando'a Space Orcs or Darth PuppyKicker, totally works. Because they don't care. They aren't the good guys

For the people who are supposed to be all about caring and benevolence? Little hard to puzzle out why they would do something so dystopian.

When a Jedi takes in a child, it's kidnapping. But when a Mandalorian does it, it's a foundling.

[youcouldmakealife]

SOTM: Luke/Andreas; wined and dined

For the prompt: Andreas and Luke meeting/hooking up the second time

I literally finished this before I realised you guys probably meant like, the second time they hooked up, not the whole second time 'round. Mea culpa, everybody. And for those who interpreted it the same way I did...you're welcome?

Andreas can’t remember the last time he was wined and dined.

Though maybe that isn’t the best way to describe it — Andreas has dinner meetings all the time, has sat beside clients at the best restaurants in almost every NHL city, sampled from the menus of half of New York's most exclusive restaurants. Always on the agency’s dime, of course, or his multi-millionaire client’s, or the teams they play for, or the teams who want to sign them.

There’s plenty of wine involved — though Andreas always restricts himself to a glass when it's business — plenty of dining. But a meeting’s a meeting, whether it’s in a conference room, patiently waiting for a GM who’s been around since there were still six teams in the league to figure out how to unmute his mic, or eating something exceptional at a Michelin Star restaurant.

So obviously that’s not what he means. It’s not that he hasn’t been dating either, though admittedly, he had less and less time to spare for it as he got older. And not that he hasn’t gone on dinner dates specifically, where he allows himself a second glass of wine, orders what he’d like, rather than ‘what he’s having sounds good’, unless, Andreas supposes, it truly does sound good. So there has been wining and dining, in fact. Possibly even a surplus of it.

And yet.

At a certain point Andreas thinks he just stopped expecting romance. It wasn’t any sort of resigned, jaded disappointment at the dating scene. Not that it isn't a shitshow, but it's probably better here than just about anywhere else. More an acknowledgment that most guys didn’t seem to be looking for romance, at least the ones Andreas was dating.

And that was fine, because Andreas wasn’t really looking for it either. Romance was undeniably nice, but he worked long hours, put almost all of himself into his job, and what he had left didn’t require much more than good conversation and some companionship, a spark of attraction, mediocre or better sex. Romance might have come along down the line, but things didn’t tend to last long even when he did find someone who met his simple — yet almost impossible to find — criteria.

That one, he thinks has more to do with him than it does with them. Andreas’ career is one of those things that’s attractive in theory, but significantly less endearing when he’s slipping in and out of bed at all hours, constantly checking his email or ducking out to make a call, flying off to who knows where, sometimes with plenty of notice, sometimes with none at all.

Maybe his life just isn’t conducive to romance. He doesn’t like to think that, but there would be worse things, wouldn’t there? He has a job that he finds fascinating, a job that offers something different every day, a job that, incidentally, pays him more money than he has the time to spend. He could retire tomorrow if he wanted to, live the rest of his life in comfort, dedicate all his time to searching for true love, but why would he want to? It sounds excruciatingly boring.

So he works — he works a lot, works more than he should, at least according to everyone he knows, including Dave, the giant hypocrite — and he — well, he works. But it’s fine. Most people have to search for meaning in his life, but he has his. If anyone asks about it — and they all ask, except Dave, that gem of a fucking man — he says he doesn’t feel like he’s lacking anything. He’s not lying, either.

That doesn’t mean something doesn’t squeeze tight when Luke conveniently ‘happens to be in town’ — though if there’s any town that actually applies to, it’s New York — when he figures they should ‘catch up’. Even as he tells himself that he’s just catching up with an old flame, one who doesn’t even live in the same country as him anymore. Even as he tells himself once for old time’s sake, and then twice doesn’t hurt considering they’ve still got chemistry, then when it’s been three, four, half a dozen, and if Luke’s got a return ticket Andreas doesn’t know when it’s for, but it doesn’t feel like it’s any time soon.

Luke has always been a romantic. He’d deny it up and down if Andreas said it, and it wouldn’t even be a kneejerk macho shit — Andreas doesn’t think Luke even knows he does anything out of the ordinary. Andreas doubts he was thinking ‘I’m going to woo Andreas’ as he asked him out to dinner, not the first time, or the second, not when he came with a bag of groceries and a bottle of wine from a vineyard Andreas mentioned in passing, said he’d cook for him, laughing as he fought with Andreas’ temperamental bottle opener, scoffing when Andreas impatiently intervened before he could ruin a good bottle of wine.

Technically, he doesn’t even know if 'wooing' is Luke’s aim at all. He could just need the change of pace, miss the city, the speed of it, the convenience, and while he was here, Andreas was just as convenient as the rest of it — good conversation, good companionship, Luke more attractive than ever, the sex still fantastic. And they didn’t even have to get to know one another. What could be easier?

But Andreas doesn’t think so, at least not judging by the way Luke’s started looking at him.

Andreas doesn’t think anyone has ever looked at him like Luke does, the complete focus of it. Looking isn’t a strong enough word — it’s more like he’s taking him in, trying make sure that he gets every single detail correct, the way Andreas imagines a painter would gaze at their subject, a poet at their lover. Luke’s no poet, but, well — maybe he is, a little, minus the words. There’s something about the way Luke looks at the world. Something about the way Luke looks at him.

It used to unnerve Andreas, a little, especially because Luke wasn’t only looking at him like that over romantic candlelit dinners and endorphin fueled pillow talk, but also during the most mundane moments. Andreas would be scowling at his phone, pecking out an answer to a client who decided he urgently needed to discuss his contract on a Sunday morning, a full season before it expired, and he’d look up and there Luke was, visibly taking him in. Sometimes there’d be a little smile on his face — the moments Andreas let himself be a little cranky there often was — but often there wasn’t, just Luke’s eyes on him, taking him in like he was never going to see him again.

It was — a lot. Luke was a lot, almost from the very beginning. Andreas thought he was going to get a regrettable hook up out of things, and then he thought it was going to be a few of them, and it was like a switch was flipped, and Luke went from the hot, fun, surprisingly good in bed client Andreas had completely unprofessionally fucked — and not just once, but a few times, and then a handful — to even more surprisingly good company outside of bed, to something Andreas didn’t quite have a name for. Someone who was gone even more than Andreas was, someone Andreas started to miss when he was gone. Andreas was the one staying put, most of the time, but Luke was the one always watching him like he’d disappear the moment he closed his eyes.

The look hasn’t changed, and Andreas imagines it means the same thing now as it did then, Luke who doesn’t blink, Luke who jumps both feet first, Luke the romantic.

It doesn’t feel as overwhelming now, though Andreas suspects he’ll be spending some time thinking about just how quickly Luke was on board. How quick they both were — Andreas can’t pretend he doesn’t know what’s coming, what’s already here, can’t pretend that isn’t something he wants, when he could end things with a word.

But he doesn’t. This time Andreas lets himself look back, and when Luke catches him at it, he doesn’t let himself look away.

[hashimasims]

Presenting Kaye for @changingplumbob's Dating Deanna

Hello there! Umm . . . My name's Kaye and I'm applying to be a contestant on Dating Deanna

I've just recently aged up to a young adult (21 in Watcher years) and moved out of my Mother's house and into an apartment in San Myshuno! Nothing I ever did made her happy but I think most of that stems from the fact that we're on one of the spare branches of this save's legacy family - did I forget to mention my last name is Glynnan? I was also born a human which is a MAJOR area of contention for my mother Deliliah who thinks it's a disgrace but my big brother Domenic loves me just the same and doesn't care that I'm not exactly the girly girl princess mother always wanted. I wanted to play football instead of joining the cheer leading team in high school and I'm a bit of a glutton - though I consider myself more a foodie who just enjoys ALL food!

I'm an Adventurous sim and I love the slopes of Mt. Komorebi just don't put me on a set of skis, snowboarding is the only way to go down the mountain! I do have to admit that though I don't dislike rock climbing I'd much prefer using the safer machines found at gyms to actually climbing the mountain after hearing about my Uncle Daolong's incident.

I'm working on becoming a professional athlete one day and here's to hoping one of the EA Gods will patch in professional snowboarding. If that happens I'd be the happiest woman ever! But currently just making Candles and selling them on Plopsy to make a bit of extra cash while I slowly move up the athletic career corporate ladder.

I love listening to music at the end of a long day but PLEASE no winter holiday music! I heard far to much of that All I Want for Winterfest Song while I was working retail as a teenager I NEVER EVER want to hear it again if I can help it!

Now for the specifics I guess . . .

I'm a cisgender female still exploring their sexuality. I'm attracted to both men and woman so being classified as Bisexual might be easiest though I'm leaning more towards Pansexual since I don't really care if someone is nonbinary, trans, genderfluid etc and I've met a few Sims who claim they're bisexual but won't date Trans sims, to each their own but why? If someone makes me happy and I them it seems perfect to me!

My traits are Adventurous, Music Lover, and Glutton. I think there used to be more like Socially Awkward and Vegetarian but my Watcher wasn't sure if @changingplumbob had the more traits mod so removed the last two

My current aspiration is to be a Master Maker

My likes and dislikes are below ↓ There's quite a few but My Watcher actually cut it down from what was there when I was a Teenager

Am I OK with getting flirty with the other contestants? I'm here for Deanna but if any of the other contestants flirt with me I don't see a problem with it since we're not in committed relationships or anything.

Am I open to Polyamory? Maybe? It seems to be working fairly well for my cousin where monogamy hasn't been working for my mother - three kids from three separate failed marriages yikes! Maybe you shouldn't talk trash about El when you don't have even half as healthy of a love life. Sorry mom I know it's not proper to air your dirty laundry on national tumblrvision but oh well! Domenic raised me to think honesty is the best policy so . . .

Open to woohoo? I mean it's part of romance now a days so I'd be alright with it. I just won't let my brother tune in those days. Sorry Dom!

Am I open to flirting with Joey? I think I could be! Again I signed up for Dating Deanna and don't want to hurt her feelings but the heart wants what the heart wants I guess

My watcher is ALL IN!!!

[myanmardoesnotexist]

Analysis of Why Valentino Cares So Much

So, I know I write a lot of fanfiction, but perhaps my favorite thing about Rosquez is the psychology of Valentino, specifically his bizarre fascination with Marc (This is outside of shipping goggles btw). As the years go on, this fixation with one specific rivalry has become increasingly more clear, and I kind of just wanted to dive into why I believe Valentino Rossi cares so much.

To me, it comes down to two things:

#1: Marc was the first to really win (in Valentino's eyes)

With Stoner, Lorenzo, and Sete it was a rivalry for sure, and there was anger, but Valentino seemed to view it as sort of a game he could control. And he did control it, he came out the victor both to the public and on track. When they eventually got over their rivalries years later, it was Valentino being a 'benevolent king' with the vibe of sparing his enemy. Even if they beat him in the championship, ultimately Valentino won the game of relevance and importance in MotoGP. With Marc it was slightly different. Valentino got the entire racing world to turn against Marc (in a way he never had before with other rivals), and yet somehow it didn’t work. Marc kept on winning, he brushed off the hate, and he’s well on his way to matching Valentino is championships next year. Even if Marc's reputation never recovered, even if we know that Marc was very hurt by this, none of it matters because he is the more relevant one now. Marc is still riding, is on the currently best team (a team that Valentino failed to bring a championship to) and each year more and more people view him in a better light.

On top of that, Marc's name is up there with Valentino's as one of the legends in MotoGP history. Stoner, Sete, and Lorenzo are all brilliant drivers and some of the greats, but that top list is Agostini, Doohan, Rossi, and Marquez. Valentino is arguably still more legendary than Marc, but he will never be able to escape from the younger man. Their names are up there together forever, and to Valentino that is a first with a rival. He cannot look at any of it and say that he won, so it must mean he lost.

#2 Marc was the first to actually hurt him personally.

With Marc he clearly felt in some way personally betrayed. He liked Marc, this is almost undeniable. He was proud of him, he cheered him on, they hung out, honestly Marc was almost an unofficial VR46 student with the way their relationship was in those early days. Yes, Marc represented a passing of the torch, but Valentino almost seemed okay with it at that point. Until he became competitive again and found out that Marc doesn't just look up to him or admire him, but wants to beat him, point blank, and will ride on the limit to do that. This came in 2014, but honestly I don't think is was as prominent because Marc had such a dominant season it was hardly a real fight. 2015 though, it was Valentino really fighting for the title. And he probably expected Marc to bend the knee, to be on his side. Maybe not help him, but not impede him in any way. But they had their friction throughout the year, and the fact that Marc was racing him just as hard as he races everyone else got into Valentino's head. Because Marc was supposed to be on his side. So if he's not, he must be against Valentino and for Jorge Lorenzo. There is no in between.

So he lashed out, he let paranoia hit him, and yet somehow he still didn't get satisfaction. Because even though he did his best to hurt Marc, the other man barely seemed to flinch (which we all know isn't true, but to Valentino I think it is). And that would be particularly rough, because it would mean Marc didn't care. That all of that friendship was one-sided on Valentino's part, that he was the one used, which to someone like him, who always has control, would be new and very very uncomfortable. And so he created this narrative that Marc never liked him, Marc never looked up to him, everything was a lie and a manipulation, and he is a villain with no heart. Because I think to Valentino it is impossible to even act like he doesn't still care. So if Marc can do that, it must mean all of it was fake.

To me these two reasons are why Valentino can't seem to let go of this one particular rivalry, and seems so viciously angry about it ten years after the biggest incident happened. His crazy brain fascinates me, and even if you look at it through a purely platonic, non-shipper lens, its one of the most interesting relationships in MotoGP.

[icedbatik]

Remember not so long ago, when everyone was talking about "quiet quitting"? The concept of "don't actually quit your job but do just enough to keep getting paid"? I think the concept has made it to the NHL.

The people who are sticking up for Sid are older, former players who know exactly what Sid went through, know how he never asked to be handed anything, was willing to work for it, refused to be intimidated or stopped just because someone knocked out several of his teeth and left him with blood running down his chin.

Some younger players still get it, still understand. Others? I'm just going to assume they don't. A lot of on-ice violence for the sake of violence has been eliminated or reduced (not enough, but some) precisely because of what Sid's been through. (Where do we think the NHL would be today if Sid hadn't managed to come back from his concussion?)

A lot of the off-ice hazing, the kind of nasty, abusive (potentially criminal) stuff that happened behind closed locker room doors, that was never spoken of outside of "team," doesn't exist anymore. At least not in the Pens' locker room. Because Sid won't allow it.

In my own experience, my kids routinely tell me I should be paid more, or work less, or both. And, well, they aren't wrong. But I work because what I do pays the bills (barely, but it does). And while they lament that I deserve better pay, that I shouldn't have to work as hard as I do, it seemingly doesn't occur to them that they could get a job and help take some of the pressure off of me*.

Because, you know, as with Sid, it's easy for a younger teammate to say, "our captain deserves better." And even mean it. (Though some, I suspect, find it a challenge even to say that.) But actually helping the captain get the better he deserves? Well, that would take effort. And why put forth effort when you can sit back, do the bare minimum and still get paid a really nice salary?

I don't think this mentality affects everyone. I don't. Marcus Pettersson is a terrible fighter, but he's willing to fight. Noel Acciari doesn't hesitate to throw a hit or block a shot.) But I suspect it affects enough to make a difference.

thinking again of max talbot getting pissed off about sid having to fight, and biz getting pissed off sid has to open doors for himself and wondering what’s changed? these are former teammates who’d bloody their knuckles for him and bury dead bodies for him… and the team now is made up of people who’d make his fat ass bury the bodies himself??? who just watch and mope as he fights? what went wrong?

[johanna-swann]

Sorry if this feels vent-y but I am kinda done with the ppl that keep blaming Buck for the break up and absolving Tommy completely. I get so many saw him breaking up with Buck to be OOC but to go as far as to claim that it's Buck's fault for moving too fast when it's clearly about Tommy's insecurity is a bit fucked up. I have yet to see a person talking about how it was Tommy who fucked things up, if it was someone else acting out based on insecurity they would have been eviscerated and rightfully blamed but not Tommy ig he's a perfect angel who even if he hurt others it's not his fault for being fragile and insecure.

Well, personally I blame the writers for the break-up, but maybe that's just me.

Jokes aside, the simple answer is that everyone probably has their own personal opinion on this. Depending on your personal point of view, your own experiences with past relationships and so on, you will sympathise with one character more than the other or maybe with both of them equally. It's not a "Team Buck or Team Tommy" situation, we have two men here who both care about each other very much, but who also both bring issues to the table which the other one doesn't know about. It's not a cut and dried case, there's plenty of blame to go around. I have a lot more thoughts about this and I will take this as an excuse to rant, so settle in and buckle up.

The thing about Buck is that we see his thought process. We know which steps he went through, we know his train of thought, we know he's serious about Tommy. So it's easy for us to empathise and understand his journey up to the actual break-up. It's also easy for us to pick up familiar patterns though. Like Buck jumping all in all at once and putting his foot in his mouth a little in the process.

Because Buck definitely shouldn't have dropped "I want you to move in with me" on Tommy like that. As far as we know they've never talked about this topic before, they haven't exchanged "I love you"s yet, Buck doesn't even know if he loves Tommy. In my opinion he should've approached the subject very differently. He could've said: "I've been thinking about the future and I think we should talk about maybe living together in the not so far future." Have an open conversation about it instead of presenting Tommy with a fait accompli. At the very least he should've phrased it as a question, not as an "I want you to do x" statement. Not at this point in the relationship.

But all in all Buck's words and actions are somewhat relatable or at least comprehensible and show that he wants a future with Tommy.

On the other side of the break-up we have Tommy. The only piece of information about his dating history we have is Abby - a relationship that was never quite real, that he probably still feels ashamed about a little and that happened, what, 9 years earlier? At least 9 years. (The timeline is not lining the time as it should, somebody please check if Tim Minear knows how a calendar works.)

My point is: We don't know what Tommy is looking for in a relationship. We don't know if he's been hurt by a serious romantic relationship before. We don't know what he wants for his future in the long run. All the things that made us root for Buck and for this relationship to succeed - we know none of that about Tommy. But we do know that he thinks Buck has the power to break his heart. We know he already likes (loves?) Buck so much that he's terrified what this will do to him if he lets it continue. He'd rather turn tail and run than risk getting hurt by Buck. At least this way he's in control of the situation.

[This is very much the reason they broke up. Buck's mistake was a stupid mistake, but fixable. Tommy ended the relationship and ran. You can't fix something that's already over with someone who's no longer there. But I digress.]

A lot of what we get from their canon dialogue and overall relationship still doesn't add up. If Tommy thought he was just Buck's starter boyfriend, then why did he give Buck a second chance in the first place? If he thought this was never going to get serious, why did he agree to go to his sister's wedding with Buck after only one failed date? If he was afraid of liking Buck too much and getting his heart broken, why did he stick around for 6 months? 6 months is a very long time for a relationship you think will never go anywhere anyway.

It doesn't make sense and even throughout the scene where Tommy very abruptly dumps Buck they framed Tommy as a considerate guy with a big heart who truly cares about Buck. So we assume that there must be a reason. That something must've happened to Tommy at some point which makes him believe that this sort of relationship is not something he can have and that he can't trust this happiness.

If Tommy had a healthy sense of self-worth to go with his genuine feelings for Buck, he probably would've said something like: "Slow down, let's talk this through before we make any decisions." He wouldn't have run. And that absolutely was Tommy's mistake. Yes, Buck was a little over-eager upon discovering that he really can see a future with Tommy, but it was Tommy's responsibility to communicate his thoughts, feelings, needs and doubts. Instead he came up with some half-baked excuse and bailed.

TL;DR: They both made a mistake here. While Buck's mistake was relatively harmless in nature and not the one that put the final nail in the coffin, his mistake was definitely the more stupid one though. Buck fell back into an old pattern and thoughtlessly made a huge jump while just assuming Tommy would jump with him. His mistake was fixable and they could've probably talked this out, but Buck was a little reckless here and didn't really consider Tommy's side. He was too caught up in his own enthusiasm which, again, understandable. But still a little inconsiderate tbh.

Tommy's mistake came from a place of deep seated hurt. Yes, his mistake had the bigger impact, but it's the kind of mistake you empathise with instead of roll your eyes at. He was a coward, but he was a hurt coward.

We've all been there at some point, probably. Maybe not in the context of a relationship, but I've been a hurt coward almost every day of my life, self-sabotage is my second middle name. I feel for Tommy here. And I also feel for Buck of course, he barely even registered what was happening and then Tommy was already out the door. But when we break it down to the mistakes they made Buck's mistake gave me "not again you idiot" vibes and Tommy's mistake gave me "I'm so sorry, who hurt you?" vibes.

[alexanderwales]

Save the Cat is a snappy read, and only 8 chapters, so I'm just doing a liveblog of them unless I get bored or distracted.

Chapter one is about the pitch, the logline, the title, what you put on a poster and how you sell it. It doesn't necessarily come first, but I get the sense that for Snyder this would be his preferred way of doing it. (A logline is just the one-sentence "what is it about" that you use to sell people on the idea.)

Snyder says that writing loglines is awful, soul-crushing work, and I agree there. I'm awful at it. But Snyder also says that if you don't have a good logline, maybe there's something wrong with your movie, and that I don't agree with.

I think there's a fairly wide set of stories that have good, snappy, easy loglines, and are also good stories. But I think there are other stories that are good stories and don't have a great way to pitch them. The lack of a good pitch can exist for a lot of reasons, and sometimes it's just that it's more complex than can be summed up in a single sentence, or even a handful of sentences. I think in practice writers will often dumb down the story for the logline, lying about what's contained within, just to make sure that it will sell, that people will want to know what's inside.

One of the other main points of the chapter is that a good logline has irony to it, a twist inherent in the title, some kind of thematic tension, and I disagree with that too, maybe not from the standpoint of selling a script, but from the standpoint of storytelling.

Why does everything have to have an irony to it? Why does everything have to have a twist? Why can't we have stories that are just well-told explorations of conflict and character? It's like at some point people decided that they only wanted Distinct Pieces of Media, so if you wanted to tell a story that's been told before, something with its own unique texture, you're just shit out of luck.

I find this all the more irritating because often the twist/irony/idea/pitch is good, and then the execution is shit, and then people don't want that idea again. It's not like you can say "like that thing that flopped, but good".

Blake Snyder is trying to tell good stories, but he's also trying to sell stories, and this is a good thing for authors to know how to do. I accept this. I just don't like it.

So as a writing exercise, here are some loglines for things I've written, without the amount of care and polish and revision that a good logline needs:

Worth the Candle - A teenaged dungeonmaster gets thrust into the worlds he's created, where his recently deceased friend is a historical figure. (This is bad, not short and snappy enough.)

This Used to be About Dungeons - Five young adults team up to delve dungeons and bake pies. (I don't know man, I said I was bad at this.)

Thresholder - A man travels through portals to different worlds and genres, gathering powers and skills as he fights other people just like him.

Shadows of the Limelight - In a world where fame gives you power, a fanboy saves the life of the world's greatest hero in full view of the public.

The Dark Wizard of Donkerk - An orphan raised by two dark wizards adventures north with a wayward princess.

Millennial Scarlet - A gig-economy demon hunter grapples with the death of his mother and the plans she set up before she passed.

Alright, I found that less soul-sucking than usual, but I don't think that these are the oiled, muscular, perfectly toned and smiling loglines that are necessary to sell, just to be clear. The marketing unit of written fiction is not really the logline, though that helps, it's the blurb, and I am equally awful at writing those. I just don't agree with Blake Snyder that a blurb or logline coming poorly is a sign that you don't know the story.

[letters-to-rosie]

Rosie!!!! Ep 7 had me pointing at the screen like that Leo DiCaprio gif when Jinx lit the match to blow up the bar and during the sweet Timebomb moment on the roof!!! I was like JUST LIKE ROSIE SAID AAAAHHHHHHH even timebomb only being possible in an AU is in line with that i think. AND you are giving us the revolution plot the show didn't!!

lol timebomb and roofs name a more iconic duo

the funny thing about the parallel is that Jinx is doing this tearful goodbye to a place that's been a home to her for so long and was owned by two successive fathers whose deaths she had a hand in and feels responsible for. and revolution!Powder is like "Ekko pissed me off" lmao. not to trivialize her feelings, because it's certainly more than that, but she didn't come there to destroy it initially. it's this explosion of all this pain and anger that then is released when she and Ekko fight in the alley. it's so much less deliberate than Jinx in the show. it was interesting for me to watch too lol I was like heyyyyyy I wrote something vaguely like that

I do wish the show hadn't given us the feeling that timebomb was only possible in an AU, just because it also explicitly shows us that Jinx heals when she has people to care for. I think Isha's death is to suggest that she'll never be anyone's true protector, but it really shouldn't have to be that way. because Jinx keeps saving people all throughout the season. Ekko even says her inventions change the world. and there's so much work to do in rebuilding Zaun and making it its own thing that Jinx could be a big part of. work that Ekko himself is going to be doing. this is all to say that we should've gotten Firelight Jinx lol. we kinda did with the final teamup, but we didn't get to see it, and that's a shame. I think that would have been a very natural ending for her, to hide away and then live amongst the people who have become her people. but noooooo we can't have nice things lol

and that kinda segues into the business of the revolution. I did figure that the two sides of the city would have to team up to fight off Ambessa, though I couldn't have seen her alliance with Viktor coming (though it makes sense given Singed's lore, in a convoluted way). really not a fan of how at the end of the show most of the problems that were present at the beginning as far as class and inequality go are left intact. the only real difference is that Zaun has some leverage, but not much. but this does align with my critiques of the first season having some pretty neoliberal underpinnings. the second season just doubles down on that super hard in a frustrating way

for me, a big part of why I wanted to do the fic is because the show gave me a world in which it was really easy to talk about a lot of issues I'm very serious about, and because I could see Jinx/Powder turning into a leader, even if not in a conventional sense, through traits that were evident even before season 2's direction was revealed to us. it's kinda crazy how it's so easy to forget that Ambessa only had such an easy in because of the oppression Piltover had been perpetuating against its poorer half the whole time. it's a good example of how oppression is dangerous for the oppressor as well (very Pedagogy of the Oppressed-core of me but it's me lol)

this got long anyway hope you're doing well!! we should talk soon!

fic we're discussing is here if anyone wants it

[geeky-nightphilosopher]

What I think the Leverage Team is truly afraid of:

Nate: Losing. Not just losing the con- but more importantly losing the team. Of course he never voices it. However the team knows. It's why they always come back. Nate already lost his son, his job, and his wife- can't lose his team. He can't lose his second family.

Sophie: Broken Masks. This may be a jump in the dark- but. Sophie has SO many personas. Mask's she's created all on her own that I don't think she even knows who she is anymore. I think she's afraid of somebody finally figuring her out and that terrifies her. Not only because she'll lose all sorts of control- but she'll think if they figure out the real her, all they'll see is a women that's weak.

Parker: Abandment. She's finally found people who are like her. In a way that of course their different- but still they are like her. These people know what it's like to be alone. To be lost. Having to figure out a way to get out, because it's a way to survive. She's afraid that one day- they'll walk away. Just like everyone else. And I think that's why she pokes and pushes. Trying to figure out what it'll take for them to walk away. They don't.

Hardison: Uselessness. I think this is why he's so outgoing. Why he's so out there and personal with everyone. He wants to be seen as strong. As being useful. I mean- he hacked into Sweden(?) to pay for his Nana's surgery. He felt useful then. Now, he's in a team- and with all these useful members. He's afraid they don't need him. That's why he's tried multiple times to be the mastermind. And of course he fails- not because he doesn't know what he's doing. But because even with the "I know what I'm doing," attitude- he's terrified that he'll do it wrong.

Eliot: The Dark. This I can't explain fully. Maybe it's from the tidbits I hear in conversations. But he's afraid of the dark. Not the actual dark. No. The darkness that's in him and that he tries to keep control of. It's the darkness he had when he was working for Monreau. The monster that was created in him every time he spilled innocent blood. Eliot is afraid that the darkness will come out and his family will see just how much of a monster he is.

[stop-breaking-my-heart-telltale]

"Violet would do it for us" "Yeah, she would.

"Louis would do it for us" "...I guess"

WHAT WAS THE REASON. WHY.

I think I know why.

So, yes—when we're trying to get James to help us, Clementine has to walk through the barn with his mask on. AJ's understandably anxious about this, and here's how these optional conversations can go:

Clementine: You know Violet would do it for us. AJ: Yeah... She would.

Clementine: Louis would do it for us. AJ: Yeah. I guess.

So... why? Why this small difference in the way AJ reacts? Or, even in the way Clementine phrases it?

I think it's easier for us who like Louis/clouis to look at this negatively, like "Well, what the hell? That seems unfair."

But, we gotta remember which route this appears in. AJ doesn't say this in Louis' route, he says it in Violet's route where Louis is captured.

In that route, we obviously spend less time with Louis. More importantly, he doesn't get to grow as much as a character. That's the nature of this game; you know less about the one you don't choose.

The player probably didn't go hunting with him, didn't appeal to him, didn't follow him, and definitely didn't save him... meaning the perception of him might not be the greatest depending on the player. Especially if that player is still pissed about his vote... and I think AJ might be echoing some of that doubt.

Violet in Louis' route, at the very least, earns some favor by voting to keep Clementine and AJ. Hence why Clementine is pretty confident that Violet would do this for them and why AJ agrees... even though through meta-knowledge we know that Violet despises Clementine for letting her get captured. So, we could argue that she wouldn't do it for them in that moment. It's all part of the irony that ep3 likes to play into... y'know, "Imagine how Violet will feel when she finds out you came to rescue her. You'll have given her hope again."

Oh, will she have hope again, Lee? Is that what she's going to feel when she sees Clementine again? Are you sure?

But, in Violet's route, Louis is shown to be apologetic but not to have stepped up. He doesn't get the chance to. Hence why Clementine states he'd do it for them without the "you know" and why AJ seems more doubtful.

And the thing is, anyone who knows anything about Louis knows that he would do it no matter the route... but he'd also complain about it, y'know?

Fine, he'll climb up and distract the walkers, but he's gonna make a half-hearted threat about eating first Clem and Violet if he dies. Fine, he'll rub walker guts all over himself, but he's gonna be grumpy about it. Fine, he'll carry the bomb when they infiltrate the boat, but he's gonna be anxious about it the entire time.

Like... sometimes, that's just how Louis is?

If it were him James handed that mask to and asked to walk among walkers, Louis would be like, "Fine, but only because Clem, AJ, and my friends are my reason for existing and without them, I'll die anyway... and because I'll look good in these walker skins."

On the other hand, Violet's more of a "just shut up and do it," kind of gal. You hand her the mask and she'll be like, "Ugh, fine. Let's get this over with."

So yeah, there's a purpose for the slight against Louis there. You don't know him unless you choose him, and if you don't, the game adjusts accordingly.

I also see this sentiment of "Why would AJ say that??" at the end of Louis' route where AJ has the option to question why Clementine's trusting him with an important task.

But, like... you don't have to pick that option. Y'know? I understand being annoyed that it's even there; I was annoyed, too... but, if you like Louis and you understand his arc, you're not going to have AJ say that. Because you know better. You didn't just hear the jokes and the piano. You're making sure AJ didn't stop listening, either.

In my opinion, that choice is there to test you.

So yeah, anon, I hope this reasoning helps.

[poundfooolish]

my work is undergoing a lot of restructuring and we're all getting shuffled off to new teams, and my boss just floated to me a team he thinks I'd be a good fit for, basically doing the same stuff I'm doing now with a closer focus on just fixing problems, ie, my favorite part of the job

If I do actually get moved to this new team though the actual new favorite part of the job is gonna be no longer working under this man

[nerdyfangirlingbooks]

I've had a stupid merlin au idea stuck in my head for days now and I know I'll never get around to writing it the way I want it written but I kinda wanna try anyway even though I am 100% of the target audience

[deus-ex-mona]

starting the year ✨wrong✨

[bunnyb34r]

Oh my god

So 6 weeks or so ago BaldBastard tells us to get rid of the black supply tote, we're getting clear cube ones. Whatever.

The cubes are working surprisingly well, the sign holders fit perfectly in them, keeping it neat and tidy. Everyday supplies like tape, masks, and trash bags are in one, lesser used ones in another. Great.

Motherfucker shows up today and goes "you guys need a black tote. Like put the cubes in there. I don't know who told you to use those but you need the black tote."

BITCH IT WAS YOU!!! YOU FUCKING TOOK OUR TOTE AWAY! YOU FUCKING FORCED THE CUBES ON US!!! YOU!!

Then he was bitching ab how we need to liquidate more and it's like uh huh that's gonna work great until the liquidator tells us to stop sending him shit unless it specifically is in liquidation status bc they dont have the fucking money. You know, like what happened LAST YEAR.

AND he and FGM were like "you guys have a lot in the steel..." and RC and I went "no we dont! It's all basics! Trust me! Go look yourself!!!" And then they were like well pull from boxes then. Okay bitch so we're gonna have a full table of one item bc theres nothing fucking new.

I swear to god you could put an actual chicken in charge as our store manager and there would be no difference. No, it might actually IMPROVE.

[soleilapproves]

Boxer!Sukuna who makes you kiss his gloves before his match for good luck.

Masterlist

-•-

His team had left the locker room and it was just the two of you now. You were sitting on a bench while he organized his bag. “I didn’t know you got so many freebies from your sponsorships.” In your hand, was a brand new boxing shoe that he received from UnderArmor for a sports shoot campaign.

“Eh, they’re not really what I need in the actual matches but I use them during training cause I don’t wanna waste ‘em.” He mumbled. He seemed to be more on edge than usual. During his last match, he lost by a landslide, having a sour taste in his mouth from the experience. He blamed you because you weren’t there to kiss his glove prior to the match.

You turn to look at him staring down at his gloves.

“Sukuna.”

“Yeah?” He turned to look at you. No smiles, just a deadpan expression. You walked towards him and held his face in your hands. You could tell he was nervous about the fight even though he had won so many before.

“Honey, what’s on your mind?” Your voice was sincere and comforting for him. “What if I’m in a slump? My last match was so bad. I’ve never lost like that. What if I’m on a losing streak now?”

You get on your tippy toes and kiss his cheek. “Sukuna, you’ve worked hard have you not?” He nods. “And you feel like you’ve trained well this time.” He nods again. “Then why are you so worried? Is it because you were distracted last time?”

He sighs and wraps his arms around you, burying his head in your neck in the process. “Look, I don’t know if you think it’s weird but when I see you outside the ring, I feel like I have a reason to win. It drives me to fight better. I had a really shitty day last time and when I didn’t see you I just didn’t feel like giving my all.”

Your heart felt like it was being torn to pieces after seeing your husband sulk. “I just felt burnt out. I was hoping that once I saw you then I’d feel better.”

You hugged him tighter and kissed his shoulder. “I’m sorry, Sukuna, I promise I’ll never do that again.” You start rubbing your hand up and down his back in hopes to calm him down right before his match.

“Kiss my gloves for me?” He asks as he pulls away. You nod. He takes his boxing gloves out and places them in your hands. You leave a delicate kiss on each of them, your gloss leaving a small sparkly stain. He takes them from your hand and kisses them on the same spots as you did, maintaining eye contact with you throughout. “You’re my good luck charm, you know that?” He says as he strokes your head.

You show him a teethy grin and nod.

“And you’re mine.” Your reply made him smash his lips to yours. “I’ll be sure to win now that you’re here.” He mumbled against your lips.

-•-

No thoughts. Just boxer!sukuna