#i do not have a reasonable relationship to these characters

[pomefioredove]

hii! i love your writing a lot! and its my first time requesting something so im sorry if it sounds weird.

could i request a reader who loves to give their friend or partner lots gifts(preferably handmade ones!!) and affection? like they just make gifts for them and randomly shower them with affection without any reason

please do it with the overblot gang or simply just riddle, azul and vil !!

also im sorry if you already did something like that ; ;

hi anon!! thank you for waiting so patiently for this <3

*ੈ✩‧₊˚ gifting!

type of post: headcanons characters: riddle, azul, vil additional info: romantic, reader is gender neutral, reader is yuu

pleasant surprise is not something that Riddle feels often, and gifts, especially such thoughtful ones, are not something he's used to. his mother never bought him anything that wasn't a necessity, and aside from what little Trey and Che'nya could sneak to him when they were children, Riddle just... doesn't get gifts

especially without a reason. the first time you leave a love note and roses at his desk, he's worried that he somehow forgot something- a birthday, a holiday, an anniversary?

you have to reassure him that you don't need a reason to be nice to him, and he deserves to be spoiled

which is... weird... for him to hear

still, he treasures every single thing you get him. trinkets go on a well-kept shelf in his room, practical gifts get used until they're falling apart, and he even presses the flowers you give so he can keep them forever

*ੈ✩‧₊˚

Azul lives in a give-and-take world. which is often... bad, but can be extraordinarily sweet when he applies that to your relationship

he wakes up to flowers on his doorstep? you'll be getting a bouquet the very next day. you write him a lovely note? he'll send one of his own right back. you make him something thoughtful, personal, and sweet? he will literally teach himself how to sew, paint, write, et cetera, and get you something you'll love by next week

(your crafting skills are incredible to him, by the way)

it's not even that he doesn't want to "owe you" anything; it's that he wants you to feel just as loved and special as you make him feel

he's never a neglectful boyfriend, I can tell you that much

*ੈ✩‧₊˚

there's something that can be so special about handmade gifts. Vil thinks of this often; he finds himself absolutely in love with everything you give him. he almost feels guilty wearing the jewelry or clothing you make, as if it should be put on display rather than worn

it's just so... you know?

you thought of him while you made this. you sat down, thought, "what would Vil like?" and made something. not because he hired you to, or because you want fame or money or success, but because you love him

as a person. not as an actor, or a model, or an image

oof. it's like an arrow straight through his heart. he loves to carry around the things you gift him, just so someone will notice and ask

he always gets the biggest smile telling them that his partner made it

[whetstonefires]

Thinking about the parallels set up between Wei Wuxian and Mo Xuanyu, and how actually most of them are oddly specious.

The sketch of the backstory lines up, but on close examination they're mirror images.

Wei Wuxian wasn't kicked out of his sect, he left it. Wei Wuxian didn't hate the house he grew up in, he loved it, and getting the people there killed was the absolute last purpose for which his dark powers were ever intended.

Jiang Cheng was no Mo Ziyuan--his jealousy was a complicated thing all twisted up with love, and while he would lash out at Wei Wuxian both as a casual means of shit communication and more damagingly in moments of high tension, he had neither the desire nor the ability to bully him, and in general respected his boundaries almost too well.

When Wei Wuxian destroyed himself about Jiang Cheng, it was to give him cultivation, and protect his life and happiness. He would never have killed him.

Madam Yu was a domineering aunt-like figure, who hated Wei Wuxian for reasons of reputation, and because she had resented his dead mother, but she crucially did not have the power to actually disrupt his lifestyle to any significant extent.

Mo Xuanyu was shut up in a small room to rot; Wei Wuxian didn't even attend classes unless he wanted to. Mo Xuanyu was weak and disliked; Wei Wuxian was brilliant and popular.

Mo Xuanyu's uncle is a cipher of a figure, without character or agency, a nonentity who is resented to death apparently mostly for what he didn't do; in theory he is the master of the house, but he certainly never protected his wife and son's punching bag from them.

And this is what got me thinking along this track: because people keep interpreting Jiang Fengmian as this, as exactly like Mo Xuanyu's nameless uncle, a nonentity who lets his wife make all the decisions, and is contemptible therefore.

He shows up in fic characterized this way all the time, handled narratively as a gap rather than a person, an absence where there should have been a parent, and it's...totally inaccurate? The man only has a few scenes but the things that are most firmly established about him are:

he regularly goes out of his way to protect Wei Wuxian

he's extremely fond of Wei Wuxian

he cares a lot about ethical behavior

he's conflict-avoidant and gentle

he can and will overrule Yu Ziyuan when he's made up his mind, and there's nothing she can do about it

his communication skills are mediocre at best

he doesn't understand jiang cheng

he has a dumb sense of humor

Now almost none of this made it into cql besides point 4 and maybe 6, 5 is technically there but buried by the cinematic framing, so I totally get why the fandom on the whole struggles to characterize him well, and it's easier to write him off.

But it keeps bugging me to see him and Yu Ziyuan squashed into the mold of the Mo, because not only is that boring and reductive and kind-of-missing-the-point, it's like. Wei Wuxian and Jiang Cheng's characterization suffers a lot when you alter the environment and take away the influence exerted by their shared father figure.

Jiang Fengmian was Wei Wuxian's primary adult role model and it shows.

Jiang Cheng's relationship to his own sense of ethics is fraught because 'teaching him good ethics' was his dad's number one parenting goal, but they misunderstood each other so badly (partly because Yu Ziyuan kept loudly misinterpreting them to each other, which is so realistic I can't get over it, that's exactly how it works good lord) that Jiang Cheng has a direct association between the concept of 'doing the right thing even when it's hard' and a feeling of personal inadequacy.

The fact that Wei Wuxian got their dad-person's approval for being exactly himself and Jiang Cheng not only couldn't do that, he couldn't even get that same level of approval when he really pushed himself to rise to expectations, because Jiang Fengmian did not intend that warmth as a 'reward,' and so never realized he was withholding it, and therefore misunderstood Jiang Cheng's visible jealousy as a dangerous sense of personal entitlement that had to be carefully restrained, which reinforced his distrust of Jiang-Cheng-the-person and fed into a shitty loop where they were less and less able to relate to one another--that's fantastic. That's so human! I love it so much.

Both their failures are their own but at the same time it would never have gotten so bad if Yu Ziyuan hadn't been interjecting herself in there, in the middle of their relationship, fucking it up. That's family, baby.

I would ofc like if there was more fic engaging with the subtleties of all this because it's so good, mxtx did such elegant work here and it is not sufficiently appreciated. But it's the kind of thing that's hard to write good fic about; I am struggling with it myself.

So mostly I wish there was just more fic that didn't impose Mo Xuanyu's cliche angst backstory on Wei Wuxian, who has a whole different thing going on.

[brunchable]

FREAKY FRIDAY | Body Swapped Steve Rogers x f!reader.

Pairings: Johnny Storm Possessed Steve Rogers x f!reader Themes: Body Swap. Sexual Themes. Funny? Horndog Johnny, for an unknown reason, body-swapped with Steve. Summary: You woke up with Steve suddenly out of character and having an overflowing amount of rizz. A/N: It's comedy central in my blog this week. . . I can't help but insert one particular meme lmao

taggies: @mrsevans90

Like you did every morning, you woke up to the gentle warmth of Steve next to you, but there was something different about the way he was looking at you today. His eyes twinkled mischievously as he leaned in close, brushing a strand of hair from your face. 

"Morning, gorgeous," he murmured, his voice smoother than usual. You blinked in surprise. Sure, Steve was affectionate, but this was... new. 

You smiled back, albeit a little wary. 

"Good morning?" Before you could say anything more, he captured your lips in a kiss that was how to describe it-more confident, more playful than his usual gentle morning kisses. You pulled back slightly, looking at him with raised eyebrows.

“Wow, someone's in a good mood today,” you said, trying to shake off the weird vibe. 

Steve just grinned and gave you a little wink. "What can I say? I'm just appreciating my girl." 

You squirmed under his intense gaze. You couldn't help but notice how his hand casually trailed down your arm, lingering a little longer than usual. You weren't sure if you should feel flattered or... flustered.

“Should we stay in bed a little while? You know…” he asked, his voice dropping suggestively as he wiggled his brows.

But this time, he didn’t stop there. As he leaned in closer, he slowly stuck out his tongue and wiggled it playfully, making his intentions blatantly clear.

Your face immediately turned bright red.

“Steve!” you exclaimed, quickly pressing your hand to his lips and pushed him away to stop him before he got any closer, utterly flustered by the suggestive gesture.

He chuckled against your hand, his eyes twinkling with mischief. For a second, you felt him wiggle his tongue against your palm, teasing you further before you jerked your hand back with a mix of shock and embarrassment.

“Unbelievable!” you muttered, feeling your face heat up even more.

He gave you a devilish grin, clearly enjoying how flustered you were.

“What? Just offering some ideas, sweetheart,” he teased, giving you a playful wink.

“No, Sam’s going to be here soon for your morning run, so go prepare.”

The excitement drained from his face, “I do?” 

“Yes!” 

Johnny—or rather, the man you thought was Steve—let out a low chuckle, clearly unfazed by your refusal. This wasn't like Steve at all. Steve was always respectful, sweet, and… well, a gentleman. But today? He seemed like a different man entirely.

“Guess I forgot,” he said with a smirk, sitting up slowly and stretching. His tone was casual, but the grin he gave you was anything but innocent.

As he shifted in bed, he leaned back casually and gave a quick, deliberate glance downwards before gesturing toward the noticeable outline in his sweatpants. The fabric clung snugly, revealing the distinct, firm shape of his dick pressing against the material, enough to leave little to the imagination.

“But if you change your mind about staying in bed…” he said, his voice low and teasing, “you know where to find me.”

You blinked in disbelief, your cheeks burning as he got out of bed and strolled toward the bathroom. He threw one last playful wink at you before disappearing behind the door, leaving you there in a state of complete confusion.

"What the hell is going on with him today?" you muttered to yourself.

You climbed out of bed and started to get ready for the day, you tried to shake off the feeling that something was… off. Maybe Steve was just in a playful mood? Maybe he was testing out some new approach to your relationship, though you couldn't help but wonder where it had come from all of a sudden.

But, soon enough, you heard the front door open and Sam's voice echoed through the apartment. "Yo, Rogers! Are you ready for our run?"

You peeked out from the bedroom just in time to see "Steve" step out of the bathroom, giving you another grin before heading out to meet Sam. He greeted him casually, as if everything was perfectly normal.

Sam looked over at you with a quick nod. “Hey, Y/N. Morning.”

“Morning,” you replied, though your voice sounded more distant than usual. You couldn’t quite bring yourself to look directly at Sam, worried your face might give away just how weird the morning had been.

As they left for their run, you were left alone, still wondering why Steve was acting so differently. But then, you shook your head. Maybe it was all in your head. Maybe he was just feeling particularly confident today. Either way, it was Steve, your Steve, and you trusted him.

Right?

× × × ×

You made breakfast while ‘Steve’ is out on a run. You tried to shake off your confusion by busying yourself with making coffee. It wasn't helping. The memory of Steve's unusually bold behaviour lingered in your mind. 

And just when you were about to pour yourself a cup, you felt a sudden smack on your ass. You yelped in surprise, nearly spilling the coffee. Whipping around, you saw Steve standing there with a smug grin on his face, looking very proud of himself. 

"Steve!" you gasped, your heart racing for all the wrong reasons. "What are you—" 

"What?" he said with an innocent shrug, though his mischievous grin betrayed him. "Just saying hello." 

You narrowed your eyes at him. “By smacking me on my ass?”

“Can't help it, you look too cute when you're all focused," he teased, stepping closer. 

His hands slid around your waist, and before you could protest, he lifted you effortlessly onto the counter. Your breath hitched. This was not the Steve Rogers you knew. But as much as his behaviour was throwing you off, you couldn't deny the butterflies his actions stirred in your stomach. 

"Steve, what's gotten into you?" you asked, trying to keep your voice steady. 

Instead of answering, Steve leaned in with a mischievous glint in his eyes, peppering kisses all over your face—your forehead, your cheeks, and your nose—until you were giggling uncontrollably.

“Steve, stop it!” you laughed, trying to push him away, but he was relentless, his arms wrapping around your waist, pulling you closer to him.

Your laughter was cut short as his lips trailed lower, brushing down to the side of your neck. The playful atmosphere shifted instantly, your breath hitching in your throat. His kisses became more deliberate, slow and teasing, sending sparks of heat through your skin.

“Steve…” you whispered, but your words melted into a quiet gasp as his lips found that sensitive spot just below your ear. He lingered there, pressing soft, lingering kisses, making your pulse race.

His warm breath fanned over your skin, and without warning, his lips latched onto your neck, sucking gently but with enough pressure that you knew he was leaving a mark. A deep, guttural hum escaped him as he continued, his grip on your waist tightening as he pulled your body against him.

The sensation of his lips and the gentle tugging of his teeth made your head spin, and you instinctively tilted your head, giving him better access. 

“Steve,” you gasped, your fingers tangling in his hair, your body arching into his.

“Can’t help it,” he muttered against your skin between kisses. “You drive me crazy.”

His voice was low and rough, sending a fresh wave of heat coursing through you. He sucked on your neck again, his tongue flicking over the spot before he pulled back slightly to admire his work.

"You’re gonna have to explain this one," he murmured with a grin, his lips ghosting over your ear, still hovering close enough to keep you breathless.

× × × ×

For the next hour, you tried to regain some composure, but it was hard with the heat of Steve’s kisses still tingling on your neck. Every time you moved, you could feel the slight sting of the mark he’d left behind, a not-so-gentle reminder of how wild this morning had been.

After making the bed and tidying up, you decided to head to the living room to relax for a bit, hoping that "Steve" had calmed down from whatever flirty streak had taken over him. You still couldn’t shake the feeling that something was a little… off. He's been too quiet.

You stepped into the living room, you stopped dead in your tracks, your jaw practically hitting the floor.

There, casually sprawled on the couch, was Steve in his birthday suit. Stark naked. The only thing covering him was your guitar, strategically placed across his lap. His posture was relaxed, one arm draped along the back of the couch, while his free hand strummed lazily at the strings.

He looked up as if nothing was out of the ordinary, a casual, half-lidded grin spreading across his face. 

“Hey,” he said, as if this was the most normal thing in the world.

You blinked. Once. Twice.

“Steve… what the hell are you doing?” you finally stammered, struggling to form coherent words as your brain scrambled to process what you were seeing.

He shrugged nonchalantly, still strumming the guitar. 

“Just thought I’d serenade my girl.” His eyes sparkled with mischief as he tilted his head. “You know, I think I’m getting better at this guitar thing.”

Your cheeks flamed red as your gaze flickered between his shamelessly exposed body and the guitar that, frankly, wasn’t doing the best job at covering much.

“Put some clothes on!” you squeaked, your face burning from the sight in front of you. “What if someone walks in? Sam might—"

“Sam’s gone,” he cut in smoothly, winking. “It’s just you and me, babe.” He tilted his head, clearly amused by your reaction. “Besides, you weren’t complaining this morning.”

You could feel the heat rising to your face again, this time in full force. "That doesn't mean you get to... to do this!" 

He just smirked, lazily leaning back on the couch, the guitar still resting against him. “Come on, don’t act like you don’t like it.”

“Steve, for the love of everything, PLEASE, just put some clothes on,” you muttered, rubbing your temples as if that would somehow erase the image from your brain.

Instead of listening, he suddenly stood up, the guitar still barely covering anything, and with the confidence of someone performing at a sold-out show, he started singing. Loudly. 

“And you're kissin' on my neck, I'm like, “Oh”, Got your hands up on my chest, I'm like, “Oh”” he belted out dramatically, grinning ear to ear as he took a step toward you, his voice echoing through the room. 

You panicked. 

"Oh my God, Steve! No!" you squealed, immediately clamping your hands over your ears, turning away from him as fast as possible

“Kiss me 'til there's nothin' left, Oh my god, oh my god!” he sang even louder, walking toward you like some rock star, his guitar still precariously covering him as he inched closer. 

You darted behind the coffee table, creating a barrier between the two of you, your face blazing red. 

“Lalalalalalalala!” You covered your ears tighter, trying to block out the sight and sound of your naked boyfriend serenading you. “Lalalalalalala! I can't hear you.”

But he wasn't stopping. If anything, your reaction only encouraged him further. 

“Why are you running, baby?”

He grinned wickedly, circling around the coffee table like a predator playing with his prey. "You could really tear me apart, but- I love you like that, Everything you do just turns me on, I love you like that, Body on my mind like all night long.” 

You squeaked and moved in the opposite direction, keeping the table between you, but Steve—guitar still precariously positioned—was unstoppable, matching your every move. It was ridiculous, like a slow-motion chase scene in a rom-com, but you couldn’t help but laugh through your embarrassment.

"Steve! Seriously, stop!" you cried out, ducking and weaving as he chased you around the table, his singing never faltering.

"I love you like that!" he belted, reaching out with one hand as if trying to grab you. You yelped, dodging him by moving to the other side.

"Lalalalalalalala!" you cried, your hands clamped tighter over your ears as you rushed toward the door, desperate to escape.

His laughter echoed in the living room, the sound of his voice-and that ridiculous guitar performance following you as you fled to the safety of the kitchen. Behind you, you could hear him laughing even harder. 

"Alright, alright, I'll stop!" he called after you, his voice still tinged with amusement. 

You leaned against the kitchen counter, taking a deep breath to steady yourself, your face still burning red. Today was officially out of control. 

And this wasn't the Steve Rogers you signed up for.

× × × × 

As the day finally wound down, you were still trying to recover from the whirlwind of events that had unfolded earlier. After a long, flirty, and borderline chaotic day with “Steve,” you were just glad it was almost bedtime.

You had managed to avoid another musical performance from him after the whole guitar incident, but the playful energy hadn’t completely faded. As you stood in front of the bathroom mirror, brushing your teeth, you could feel his eyes on you from across the room, watching your every move.

“Don’t even think about it,” you mumbled through a mouthful of toothpaste, meeting his gaze in the reflection of the mirror.

He was lounging on the bed, shirtless now, with that same mischievous grin you’d been seeing all day. 

“What?” he asked innocently, though the glint in his eyes said otherwise.

You rolled your eyes and spit out the toothpaste, rinsing your mouth. “You know exactly what.”

He laughed, the sound low and smooth as he got up and sauntered over to you, his bare feet padding quietly against the hardwood floor. Before you could react, he was behind you, his arms sliding around your waist as he rested his chin on your shoulder.

“I was just admiring how cute you look in your pajamas,” he murmured, his breath warm against your neck.

You sighed, trying to ignore the way your body reacted to the heat of his skin against yours. 

“Steve, it’s been a long day,” you said, your voice weary but laced with affection. “Can we just... go to bed? Without any more surprises?”

He pressed a soft kiss to your neck, lingering for just a second before pulling away with a grin. 

“Alright, alright,” he relented, raising his hands in surrender. “I’ll behave.”

You gave him a playful glare, narrowing your eyes as you turned to face him. “You said that earlier today, and then I walked into the living room and—”

“Okay, this time I’ll behave,” he interrupted with a laugh, holding his hands up defensively. “Promise.”

Shaking your head, you couldn’t help but smile. He may have been driving you absolutely crazy today, but this version of Steve—or Johnny, whoever he really was—was still undeniably charming in his own chaotic way.

Once you finished up in the bathroom, you both crawled into bed, the covers cool against your skin. Steve—or, well, Johnny—rolled onto his side, propping his head up with one hand as he gazed at you with that playful smirk.

“You sure you don’t want a little bedtime serenade?” he teased, his voice low and suggestive.

You groaned and pulled the blanket up over your head, burying yourself beneath the covers. “No!” you said, your voice muffled. “We’re done with that for today!”

He laughed again, the sound warm and contagious as he settled down beside you. The teasing faded, replaced by a softer, more familiar warmth as his arm slipped around your waist, pulling you close to him.

“Goodnight, Y/N,” he murmured, his voice gentle now as he pressed a soft kiss to your temple.

You peeked out from under the covers, smiling despite yourself. “Goodnight, Steve.”

As you closed your eyes and drifted off to sleep, you couldn’t help but wonder how long this flirty version of Steve would last—and whether or not you were ready for whatever tomorrow would bring.

× × × ×

The next morning, you stirred awake, the early light filtering through the curtains, and you felt the familiar warmth of strong arms slipping around your waist. Instinctively, you leaned into the embrace at first—until the events of the previous day rushed back to you. Your eyes snapped open, and before you could stop yourself, you jumped slightly, pulling away from the arms that had suddenly felt different, your heart pounding.

“Whoa, hey—what’s wrong?” Steve's voice came out soft, laced with confusion and concern. You turned over to face him, and instantly, you could tell something had changed. His eyes weren’t twinkling mischievously, there was no sly grin or playful wink. Instead, his brow was furrowed in concern, his hands hovering over you like he wasn’t sure if he should touch you again.

“Steve?” you whispered, your voice hesitant, scanning his face. He looked… like himself again. That quiet, gentle warmth was back, the one that had been missing yesterday.

“Yeah, it’s me,” he said, still looking concerned. “Are you okay? You jumped like I startled you.” He reached out to brush a strand of hair from your face, his touch soft and careful, nothing like the bold, confident gestures from the day before.

You blinked at him, your mind racing. The contrast between today and yesterday was stark. Yesterday, he had been all cocky smirks and teasing touches, constantly riling you up. But now? Now, Steve seemed completely aware of what had happened, but wasn’t letting on.

“I—uh, I’m fine,” you stammered, still trying to process it all. “You just… caught me off guard.”

Steve frowned, clearly still confused by your reaction. “I’m sorry. I didn’t mean to,” he said softly, his thumb brushing gently over your arm as he studied you. “Are you sure you’re okay?”

You nodded, but your heart was still racing. "Yeah… you’re just… different from yesterday."

His brow furrowed further, but now there was something else behind his eyes. He looked like he was holding something back. “Different? What do you mean?” he asked, though you could sense he already knew.

You hesitated, biting your lip. “Yesterday, you were just… more… flirty,” you said carefully, watching his reaction. “Like, a lot more. You were… singing to me. Naked. With my guitar.”

Steve’s eyes widened in shock, his face turning red almost instantly, but there was something else—recognition. “What? I—I did that?” He didn’t seem shocked by the words, more by the fact that you were telling him.

You nodded, your own face heating up at the memory. “Yeah. And you were… really, really bold. Smacking my butt, picking me up, kissing me all over…"

Steve's gaze drifted down, and before you could even say another word, his fingers gently brushed against your neck, right where Johnny had left that bold mark. His touch was tender at first, but the moment his thumb traced over the small bruise, his entire expression shifted. 

"That motherfucker! I'm going to kill him!”

[st4rpiece]

nipple piercings pt. 1

NSFW

characters: luffy, zoro, and sanji x fem! reader summary: the monster trios reaction to your new nipple piercings content warnings: established relationships, nipple sucking, breast play others: lowercase intended, not proofread, pictures from pinterest

_____

Monkey D. Luffy

you had recently gotten them done, so while they healed, you wore thin clothing instantly drawing luffy's attention. he was immediately fascinated by your new piercings.

he'd probably poke at them with a childlike curiosity, his eyes wide with wonder. "wow, these are so cool! do they hurt?" he'd ask, genuinely intrigued. surprisingly, as you explain the sensation and the reason behind getting them, luffy would listen intently, absorbing every word.

as the days went by, luffy would occasionally bring up the piercings in conversations, always with the same level of excitement. "babe, show me those cool piercings again," he'd say, his eyes sparkling with interest. he'd honestly never get tired of seeing them.

your first time fucking after getting them ignited a side of luffy you rarely saw in bed. luffy was extra careful and attentive as his hands trailed up your body before resting on your breast. his calloused hands cupping them as his thumb softly ran across the piercing, tracing its outline.

"does it feel good?" you nod, back arching, pushing your breast further into his hands. without warning he'd roughly flick the piercings, soaking in your reaction with a mischievous grin.

"i wonder how they taste," he'd say before leaning in to give them a teasing lick, his warm breath sending shivers down their spine. the saltiness of your skin mixed with the metallic taste of the metal bar tasted so good. he licked, sucked, and bit, giving your nipple the attention they deserved.

Roronoa Zoro

zoro would have a more intense reaction to your new piercings. you quickly ran to go show him the minute you and nami returned back to the sunny. you found him resting against the headboard of your shared bed.

his eye opened the second you entered the room, waiting for a kiss (something you always do after returning to him) instead you just stood there at the foot of the bed with a mischievous grin.

"what?" he'd asked, instead of answering you lifted up your shirt and showed off your new piercings.

he would stare intently at your bare tits and the contrasting silver bar with a playful smirk on his lips. "didn't think you had it in you," he'd tease, his voice a deep rumble laced with arousal.

"come here, i want to get a better look," the second you are close, he would pull you over his lap in a straddling position. while his hands rested on your hip, his eyes never left your breast. he wanted nothing more than to take them into his mouth and hear how you sounded to a new sensation. but first, he had to make sure you were okay. be began throwing questions at you.

did it hurt?

how much did they cost?

and lastly, how sensitive are you right now?

once he knows that you are okay, his grip on your waist will tighten, pulling your body closer.

without reserve, his lips would pepper you with kisses trailing from your neck down to the piercings, giving them a gentle tug with his teeth. causing you to grip his hair releasing a moan from the sensation, one he hadn't heard before.

"mmh, i like that," he'd grunt against their skin, his breath hot and tantalizing. "these suit you well, baby." his voice husky as he lifted his eyes wanting to watch your reactions closely as his fingers tugged and pulled on one while his mouth bit and sucked on the other. his eyes darken with lust as he takes in the pleasure written on their face.

Vinsmoke Sanji

before parting ways with nami you tell her to send a message to sanji about you needing him in your room. you sat on the bed, nervous and excited ready to show sanji how you spent your evening.

sanji, ever the romantic, would be utterly captivated by your new piercings. "holy shit baby," his eyes would widen in surprise and admiration, a very noticeable blush spreading across his face. "how did you manage to make yourself even hotter," he'd say, his voice filled with genuine awe.

"may i?" you nodded, even though you were still pretty sore, you craved his touch. he'd gently cup you breasts, his fingers brushing over the piercings with a feather-light touch. loving the contrast between your soft warm skin against the cool metal bar.

his touch would become more confident, his fingers teasing the piercings with a mix of tenderness and desire. causing you to let out a kitten-like moan. which further turns him on, "i want to make you feel incredible," he'd whisper, his breath warm against your skin.

his lips would follow the path of his fingers, kissing and licking around the piercings, his touch sending waves of pleasure through your body. "look at how swollen these bud are," he says, pinching your nipples harder.

"sanji," you managed to moan out.

"hold on my love, i'm just getting started," with lips still attached to your breast, his hands toy with the band of your shorts, dipping inside skimpy underwear.

_____

I just wanted to thank everyone for reading and liking my work >.<. it means a lot!!

I'm working on part 2 atm (kidd, killer, and law) and might get that up tmr :) still, I hope you guys enjoyed this one!!

in the meantime, feel free to check out my kidd one shot >.<!

[allllium]

my head has many headcanons for so many different characters and they're all bumbling around my head at the same time so excuse my little ramble 🙏

Jason Todd who loves to cook - hates ordering take out because he doesn't know how they're making it. Instead he makes whatever craving you might be having. Whether it be something he's made a million times or never before, he'll always prefer putting on music in the kitchen, sitting you on the counter next to him, and dancing around as he cooks.

Simon Riley with a single parent partner - he'll never admit it but he's a little scared of being around your kid but not for the reasons you'd think. Yes he has a fear of being a kids father figure, especially early on in the relationship, but he's more scared of what the kid will do to him. I mean kids are strong and completely unpredictable. The first time you ask him to watch your kid, even for just a minute, he freaks out because the kid will just sit there and stare at him. Like they know something he doesn't. He'll complain to you about your kid staring into his soul and knowing his secrets. It makes you laugh every time.

James Potter who has a problem with poking you - Whether he wins or loses a quidditch game the first thing he does is poke your nose. You don't know why, he doesn't know why but it's become so normal that no one questions it. If he wants your attention he won't call your name or do anything normal, he'll just poke you in the strangest places. Including but not limited to the back of your neck, your side, the side of your leg, or your chest. Just because it's closest to him. And even when you're on the opposite side of the room he still finds a way. He'll use a spell to poke you without touching or put a bunch of straws/sticks together till it's long enough to touch you. You genuinely don't know why.

Lily Evans who has a popular ASMR channel in modern time - whether you're a fan of ASMR or not you're gonna be hearing it a lot and more often than not be involved in it. If you're someone that gets repulsed by ASMR she'll make it her mission to find something you enjoy, just so she can involve you. She claims it's because it's relaxing and an easy way to make money, but you think it's because she likes touching you. Which is why she is constantly playing with your hair and giving random massages.

Remus Lupin who loves to help you get ready every morning - whether you have a set routine or not he's right there with you every step of the way. If you're okay with it he'll even do your skincare or makeup for you, kissing your nose after every step. Some days he does things like help pick out your clothes or paint your nails if you'd like. If you ask him about it he'll always say "Cuz it makes you feel good, I want you to feel as good as possible." Seriously makes my heart melt

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[anthurak]

So by this point, I think many of us are likely familiar with the idea that the breakup of Team RWBY at the end of Volume 3 is meant to thematically parallel the breakup of Team STRQ in the wake of Summer’s death, ie; Ruby falls into a coma for a few days while Summer disappears and then both their teams fracture. Along with a popular sub-theory that Blake leaving Yang after the Fall is meant to parallel Raven leaving Tai.

But the thing is, if Ruby falling into a coma at the end of Volume 3 is meant to parallel Summer’s (supposed) death and the way this loss caused the fracturing and breakup of their respective teams, then Raven’s actions DON’T really parallel Blake nearly as well as a lot of people think.

And in fact, I feel like Qrow could potentially have paralleled Blake’s actions FAR better.

Like people talk about how Raven ‘abandoned’ Tai just like Blake ran away from Yang after the Fall of Beacon. Except if the point of parallel to the Fall of Beacon is Summer’s death, then the parallel doesn’t work because Raven was ALREADY GONE from Team STRQ by the time Summer disappeared. To the point where Tai, Qrow and Ozpin had (and still have) NO IDEA she was even involved in whatever happened to Summer. Raven can’t exactly have abandoned Tai just like Blake did to Yang if Raven wasn’t even around.

Instead, as I’ve discussed in the past, I think Raven’s actions following Summer’s ‘death’ potentially line up far better with WEISS. Like if it turns out that losing Summer was what actually drove Raven to return to her tribe, then that lines up very nicely with Weiss being taken back to her family/Atlas in the wake of the Fall of Beacon: Both return to the shitty, abusive family that raised them. And given how much of Weiss’s character is tied up in her family and their ‘legacy’, then the way Raven eventually took over her tribe makes her an ideal foil; effectively representing a Weiss who did eventually take over the Schnee family and company, but in the process internalized all the pain and trauma her family gave her.

And as for a cherry on top; if Ruby falling into a coma after the Fall of Beacon is meant to parallel Summer’s supposed ‘death’, then what was one of the last things Ruby did at the Fall?

Run off on a special mission with Weiss, just like we now know Summer did with Raven.

Now going back to my point about how Raven was not even around to abandon Tai just like Blake did to Yang, you know who WAS presumably around when Summer ‘died’?

Yeah; Qrow.

Let’s consider what exactly Blake actually did following the Fall of Beacon beyond just a surface-level reading: Yes, she did go back to her family, similar to what Raven may have done, but given that the Belladonnas are NOT actually shitty and abusive, I maintain that Weiss is still the better parallel to Raven. Instead, let’s consider Blake’s whole arc across Volumes 4 and 5 relating to the White Fang: At first being depressed over loss and perceived failure before being inspired to start working for a better cause, in this case pushing back against and stopping Adam’s takeover of the White Fang.

So I have to wonder; what if this reflects what Qrow did with Ozpin and the conspiracy following Summer’s ‘death’? Maybe Qrow and his teammates had helped Ozpin in the past and knew what he was doing, but what if THIS was the point where Qrow became fully committed to Ozpin’s cause and joined the Ozluminati full-time? Perhaps seeing it as a way of ‘honoring’ Summer’s memory.

Instead of staying with the one teammate he had left (and possible partner) who was now in a massive depressive spiral AND had two kids to take care of.

It starts to make Qrow and Tai feel a lot like Blake and Yang, doesn’t it?

This is one of the big reasons why I think Qrow and Tai are the REAL foil to Bumbleby on Team STRQ. They effectively give us a look at a version of Blake and Yang whose relationship failed. Or rather, were never able to ‘take the next step’ and actually form their relationship.

Qrow is a Blake who fully internalized her self-loathing and belief that she didn’t deserve Yang or that Yang was better off without her and has simply been pining for Yang from afar.

Meanwhile Tai is a Yang who likewise fully internalized her fears of abandonment and fully resents Blake for leaving her or may not have ever even fully recognized her feelings for Blake in the first place.

Essentially, Qrow and Tai are the version of Blake and Yang who weren’t able to work through all the problems, issues and baggage which allowed them to actually start their relationship. Like a Blake who didn’t get that vital pep-talk from Sun at the end of Volume 4, or a Yang who likewise didn’t get that vital talk from Weiss in Volume 5.

Which in turn leads us to what I brought up earlier with Qrow joining up with the Ozluminati full-time, essentially representing a Blake who threw herself into reforming the White Fang instead of returning to Team RWBY and reconnecting with Yang. Meanwhile Tai simply throws himself into a deep depression, grief and ‘moping’, ironically all the things he would later accuse Yang of doing (at some point I’m going to do a post on just how much PROJECTING Tai has likely been doing…)

So now Qrow and Tai have this low-key toxic relationship where Qrow is more-or-less aware of Tai’s extremely dysfunctional parenting but has also been enabling it and a lot of Tai’s unhealthy coping mechanisms over the years because he’s been pining for Tai ever since their Beacon days and still is pining in a very depressed, self-loathing ‘I don’t deserve him/to be happy’ way and also doesn’t want to risk conflict with his former partner and also the only teammate he has left.

Thus Qrow keeps his distance and just goes along with Tai’s dysfunctions and/or lets Tai push him away. Which in turn just reinforces Tai’s abandonment issues.

And Ruby and Yang are still stuck with utterly dysfunctional parental figures.

Oh, and if you need more proof about the deliberate parallels between Blake and Qrow…

Then how about the whole damn song where they sing about how they’ve always felt terrible about themselves but now things are looking up for them.

[gahellhimself-blog]

⚠️important informations⚠️

Hey everyone,

I would like to have a moment to talk about the comic Teach Me with you all.

For some time now, and especially since we reached the end of Chapter 2, I have had a few remarks regarding Mr Fell. I understand the criticism that has been written, and that is why I would like to give a few explanations.

I have been working on this comic since around January, first alone, then with my amazing team (<3).

This story evolved a lot since the beginning; as a remind, or information for anybody who joined this adventure recently, this comic shouldn't have grown to be this size, shouldn't even exist to begin with. It did end up taking a spot in my life and mind that I had not planned for at all.

First of all, because it targets themes that I hold very dear; first one being that of transidentity, especially transmasculinity.

Then, because the characters themselves have evolved with the story as it came to be built as time went by.

I make it my personal mission to ensure that this story makes sense, without it going too far either. This means that I am trying, as much as I can, to keep from targetting scenarios deemed "problematic", which as you all might imagine isn't the easiest to do when the story's backbone is the relationship between a professor and a student.

This means a lot of work, but it is extremely satisfying, as it makes everything more interesting and deeper in its narrative meaning.

I was told several times that "my" Aziraphale is very different from the canon Aziraphale: yes, that is after all an Alternative Universe. The canon character is only the base on which we have built the character of Pr. A. Fell.

I can also understand that it would be troubling; however, all you have seen of the characters until now exists for a reason. I am the first to be sorry that I cannot say more at the moment, but I will have to ask you to trust me: if I am not saying anything more, it is all for the benefit of the story itself, as they will surely take another meaning and dimension once you have every piece of information available to you that will allow you to re-read it under a very different light.

Finally, I would like to clarify one important element:

I staunchly refuse to have relationships between adults and minors or grooming in my stories. As much as I can, I avoid age gaps that would be too jarring, and when I do, it will be for the benefit of the story's coherence; same thing applies to power dynamics and imbalances.

Please do not forget that English isn't my native language: I do not have all the codes of language (I think of the hashtags for example), as they can be very different from the French ones. Therefore, I ask that if you see something that looks jarring in my descriptions or answers, you tell me about it. In order to get better at communicating what I mean, I need to know what I have to correct.

Thank you all, both for your incredible support and your criticism, which allow me to grow better.

Gael

Thanks to @kotias for the translation.

See ya in November (at least) for the chapter 3.

[imnotyetfound]

My take on Five/Lila - and why they were endgame

I’ve seen so many people say that Five and Lila didn’t make any sense, and I just disagree. I've tried to really motivate why, and also why I see them as endgame. Feel free to agree or disagree.

First of all, Five and Lila share a common background of being raised plus trained as survivors and weapons. Five was molded by his time in the apocalypse, the Commission and his ruthless upbringing within the Hargreeves family, while Lila was similarly trained and manipulated by the Handler. Both of them were forced into brutal, high-stakes environments from a young age, developing a sense of independence, ruthlessness, and survival instincts that the rest of the family can’t fully relate to. We see this especially in Five and Lila’s difficulties in showing emotional vulnerability and trusting others. This shared experience means they both understand the cost of their traumatic upbringings and can relate to each other’s emotional scars in ways others just won’t be able to. So already by this, they’re somewhat bonded from the start.

In other similarities both Five and Lila possess extraordinary intelligence and tactical thinking. They challenge each other in a way no one else does. This has been an ongoing thing between them, bouncing off each other and sometimes teaming up. It’s also what drew them to work on another mission together in S4, there has always been some kind of pull/push there. Personality-wise both Five and Lila have a dark sense of humor and a cynical outlook on the world. But despite the cynicism, they still manage to eventually relax and find humor in each other’s company. The lighter moments we’ve seen between them at times have been an interesting contrast to their otherwise serious and violent lifestyles. 

I do believe their shared backgrounds and personalities created a bond that was then further strengthened during the years they spent lost in the subway together. Isolated from the rest of the world, they literally only had each other for company. The intimacy and trust that grew between them was inevitable. When you have no one else to rely on, you’re going to develop a relationship stronger than under normal circumstances. So over those years, they must have grown close in ways that no one else could fully understand. Even though we didn't get to see every detail of how it unfolded (because the season was way too short), it’s not difficult to imagine.

I’d also say they naturally grew a bond stronger than with any other character at that time, except for the one between mother and child which is why Lila’s need to be with her children would always make her go home if given the chance. Five knew this and it’s the reason he kept the solution from her for months. 

Now, to my thoughts about their actions in regards to Diego as this is often brought up. The argument that Lila cheated on her husband with Five is understandable from a moral perspective, if we see it as just that without any context. But when you consider the circumstances it is way more nuanced. You have to look at not only the environment they found themselves in, but also the emotional and psychological journey they went through together. Their relationship was ultimately forged over a shared background and then several years of isolation. Then you add to the fact that Diego seems to have treated Lila like crap in the years leading up to the isolation, she said it herself he was always moping around and complaining while she sacrificed her life to stay at home and take care of the kids. She even told him she needed a break to reassess their relationship. I do believe her and Five had somewhat already begun an emotional affair before the isolation, the way they were sneaking off together and clearly wanted to keep their thing separate from Diego and the others. Yet they still didn’t get physical until they settled down, believing they weren’t gonna find a way back.

Also, it’s important to here consider the strength of the bond, as I mentioned earlier, that Five and Lila must have developed over those years. They knew each other better than anyone else by the end. Spending every day together in a survival situation with nothing else around would likely create an unparalleled level of intimacy and emotional closeness. This bond would probably transcend Lila’s previous relationship with Diego, and maybe even Five’s bond with his siblings. It’s been years since he returned to them and they had all grown in separate directions. Lila and Five however had recently experienced something life-changing together, and it is unfair to dismiss the strength of their connection as something unethical or out of character when their reality had shifted so drastically from when the show started.

Another important point here is how the relationship with Lila allowed Five to finally be "human" and emotionally open in a way he hadn’t allowed himself to be before. Five was obviously emotionally detached as a result of both his past trauma and the burden of being a hyper-intelligent man in the body of a boy. With Lila, he had the chance to just feel love and trust without worrying about anything else. So I do think this outweighs his “betrayal” against his brother as people claim.

Now on to how and why Five and Lila were endgame. I’m convinced that Lila did love Five despite her choice to leave their isolation. To me this was cemented as she didn’t deny her feelings when Diego asked her straight out. If she wanted to make Diego feel better she could have easily denied her feelings for Five to reassure him. Yet even when asked twice she couldn’t do it. There was also Lila’s look of relief when Five returned to them at the end. It was Five who Lila allowed to comfort her after she said goodbye to her family, trusting him in her most vulnerable moment instead of blipping back to Diego and the others. These events showed the deep trust and emotional intimacy that still existed between them after returning to “the real world”. Despite her saying it was over. I also want to add here that Lila took Five’s hand as they were dying, the look between them was for me at least silently saying they loved each other. 

So all in all I do believe that the connection and love between Five and Lila was authentic. It also made sense. They’re able to understand each other’s emotional complexities, including their darker tendencies, without needing to change who they are. Still their time together seemed to actually have softened them both when they finally had the chance to settle down, almost as if they were healing from past trauma together. This would forge a relationship that no one else could replicate without going through the same experience. Making Five and Lila a reasonable endgame, which they also were in my eyes considering they died holding hands.

----------------------

Summary:  Five and Lila's shared background of trauma, matched intelligence, and similar personalities means they make sense. They shared a bond that was only further strengthened during their years of isolation. For 7 years they only had each other to rely on. This inevitably created an intimacy and relationship that couldn’t be compared to what they had had with anyone else. Outweighing what they did to Diego when you consider all context. Lila and Five ended up being human and vulnerable with each other on a level they hadn’t been with anyone else. Ultimately Lila’s refusal to deny her feelings for Five, her relief when he returned, him comforting her as she sent her family away and then finally them dying hand-in-hand, showed that they were endgame.

[allthingswhumpyandangsty]

ROMANTIC WHUMPEE X WHUMPER DIALOGUE PROMPTS

trigger warnings: NSFW, violence, abuse, rape, power imbalance (everything in here is entirely fictional meant to serve as ideas for writers. I do not condone any of these in real life in any way, also I'm titling the post 'romantic prompts' due to the characters' romantic relationship, not because the prompts are supposed to be 'romantic or cute')

❝it's cute you think they can hurt you like I do.❞

❝you're not leaving me, and if I can't make you stay by words, I'm gonna do it by force.❞

❝are you gonna kill me like you killed those people?❞

❝you're gonna bleed to death if you don't let me help you. I am not asking. stop fucking squirming.❞

❝do I have to chain you up?❞

❝you like that, huh? being fucked on the floor by a sworn enemy and not being able to do anything about it.❞

❝friendly reminder, I own you.❞

❝you're only alive because I let you. don't forget that I could change my mind any second.❞

❝don't think I won't fuck you like an animal right here in front of everybody.❞

❝scream all you want. no one's coming, and I do like hearing you cry.❞

❝is this the only reason you're keeping me alive? because you want to break me more? come on, we both know you can't live without me.❞

❝make any noise and I'll slit your throat.❞

❝no, I had a chance to escape you. I didn't. you've made me love you, and for that, fuck you.❞

❝I hate that I could never hate you.❞

❝this is not a home. it's a prison.❞

❝if I'm ever going to die, and want it to be by your hands.❞

❝I need you to fucking look me in the eyes and say you won't run away again.❞

❝you're not safe with me. I'm scared of what I might do to you if I let the demons win, and I'm scared one of these days they're gonna win.❞

❝I am the only person who can hurt you.❞

❝I won't chase after you, because I know you'll come crawling back to me, you always do.❞

❝I fantasize about my hands around your throat, looking you in the eyes as I twist the knife.❞

❝I know you wish you could kill me and I know you wish you could hate me. but I'm the only person who understands you and I know you need me.❞

❝my only mistake was falling in love with you.❞

❝has anyone ever told you how pretty you are when you cry?❞

❝you can't kill me. I'm already dead.❞

❝you've had that chain around my throat since the day we first met.❞

❝it'll hurt less if you stay still.❞

[glisten-inthedark]

You wanna know what gives me confidence for Byler? The show.

That's it.

Because I promise you, if you watch the show objectively everything is there. You don't even have to look at camera angles, lighting, or signs that point towards closets, the information you need is there.

And it isn't even shit people made up (****** I'm looking at you, even though I ship it). It's there, I fucking saw it before even shipping it.

And at first, I assumed I was seeing shit. To be honest I mostly brushed it off, but when we found out that Will was gay and in love with Mike, it clicked.

My favorite mental exercise is: If Will was a girl, how would you perceive their scenes? All you have to do it's switch up their genders and it's not even up for debate because we all know everyone would eat that shit up.

I mean, a boy relentlessly looks for a girl in the woods, stays by this girl' side, tells her they'll go crazy together while touching her hand, tells her that asking her to be his his friend was the best thing he's ever done, fights with her but actually tries to apologize, then we find that said girl has been in love with her friend but it's lying so that this friend could be happy. Tell me that if this was the case there wouldn't be like 30000 fics of that couple on Ao3 and millions of people begging the showrunners to make them canon? Tell me, I fucking dare you.

And at this point I'm like a broken record but I am going to repeat myself.

WILL BYERS BEING IN LOVE WITH MIKE WHEELER does not make a difference to the plot. It doesn't.

He could have been gay and not be in love. If the life lesson was: "Will has to learn to accept himself as gay, and to love himself and understand he isn't a mistake" they could've done without the love. They could've given him exploring that part of himself in California, they could've presented another gay character that taught him that.

They could've fixed El and Mike's relationship without Will's love. We've seen them doing it before. Will could've helped by just being Mike's friend.

So can we ask ourselves this itsy bitsy question: Why make Will in love with Mike in the first place? Why make him say not once, but twice, that he and Mike could play DnD together for the rest of their lives which, if you're not good at subtext, means he sees himself with Mike by his side as long as he lives if all they're going to do is bring him more misery?

Because I'm going to be honest, with the way they wrote this love Will has, they literally didn't gave themselves a easy way out. They made sure we knew it was real, it was unconditional and that it would never change. We didn't make it up, they gave us that information with their writing.

So again, ask yourselves why that is.

Because whatever non Byler explanation I try to come up with doesn't make sense.

Queerbaiting? More like Bylerbaiting at this point considering Will is gay and again, he could've been in love with anyone else or not be a queer character experiencing love at all.

Make Mil*even stronger? It literally did the opposite, the ship is going down in flames and we all know it. Their relationship isn't healthy, El's arc isn't about romantic love and the painting which was the only reason Mike proclaimed the romantic love he doesn't feel literally came from Will.

So... Again. Why?

[lxmelle]

Just some thoughts on 270

Yes the end is near.

Yes I almost threw up when I saw that unmistakable hairstyle...

Yes I was a bit disappointed that there were no visible satosugu crumbs - or are there? More on this later... and the it overall just felt a little bit 😔 empty 😪

Nevertheless, I want to just blab about a few things.

First, is it Geto/Kenjaku?

If we think about how Yuta’s copy CT works, Rika would need to consume a viable part of the sorcerer. The only part of Kenny left was his whole brain. He was the brain. The rest is Geto. We have not seen any evidence of Yuta having CSM, so it can be assumed that Yuta did not have Rika eat any part of Geto. Otherwise, it’s be Geto’s CT and not Kenjaku’s body-hopping technique.

Imho: The person with Takaba is not likely to be either Kenny or Geto. Geto cannot function without a brain, there was none “spare” either, so the theory of a spirit entering the body is going to make it alive again - no, it doesn’t. There is no other living sorcerer who can do that - Ui Ui maxed it out with the number of times and there is no other person to swap with. Just. Not. Possible.

And Kenny was seen to have told Mimiko and Nanako that he took Geto’s brains out to inhabit it.

So. My conclusion is that Gege is baiting. Just as he did with the “we have to help Yuta!” And the rude yelling that got so many of us wondering just who would speak to roughly to Yuta and what warranted it. We were all asking: who calls Yuta “Yuta” and not “Okkutsu-senpai” etc. I even thought it was Shoko, assuming that Maki was in the same hallway as the others, but the main culprit was of course the most obvious, Maki herself.

And that baiting thing with the clock theory about 2:21 pm linking with chapter 221 of Gojo’s unsealing - I theorised it’s about having presence (like how spiritualists, and in Shinto, believe that spirit is all around us) despite being dead and his soul with Geto.

And goodness know what other theories there are out there about time and Gojo revival. I’ve said before that I don’t buy into it, but it is interesting.

So is it Geto? Kenjaku? I 80% think not but... yeah, I am worried. To be completely transparent, I’m so scared that it is.

Because I’m in the camp of: please please Gege, please please please let Gojo and Geto be at peace in their eternal afterlife until they’re ready to be reborn and let them find each other over and over and over again.

So rationally, I doubt it is. But I’m worried. I’m worried for reasons like: why aren’t the bodies and resting places of Gojo & Geto still not mentioned?

Next thing to I have some thoughts on are about Itafushi. They’re really good friends and I think it’s also just one of those things Gege is doing because it’s JUMP and he doesn’t want to just pretend the Hana -> Megumi thing is forgotten. It also shows some character growth.

So overall, I’m rather neutral about the Megumi + Hana thing. They’re still kids, and Yuji + Megumi are compatible but they’re also not quite Satosugu, so their relationship will be undeniably different. Friends or otherwise.

It’s nice to see the Megumi is taking initiative and finding novel ways to make new meaning & connections. I wouldn’t read too deeply into it, especially since Hana obviously read too deeply into it and got it all wrong.

I will say that it feels cliche maybe. Again it’s maybe a JUMP serialisation thing shonen mangakas do, since a big portion of the fanbase are young boys too. Gege can’t be doing too much for lgbtq+ too obviously after all.

So it leaves me feeling it is a little reminiscent of the Sasuke and Sakura pairing in Naruto - as if it could become something seemingly out of convenience/settling/making do, but what do I know? Sometimes relationships in life are like that. I’d rather marry my best friend, but you know... different strokes for different folks. As they say.

Now it wouldn’t be me if I didn’t find a way to make it about satosugu. I’m imagining collective groans from people who may be reading this... so please skip if you’re bored of me now, lol. Or read on if you like to be in satosugu delulu brainrot like me.

One of the satosugu-related takeaways from this recent chapter is that it seems to reduce the possibility of interpreting Gojo not allowing Shoko to process Geto’s body as being out of consideration for her.

Her saying that the idiot should have let her process Geto’s body pretty much says Gojo took matters into his own hands. Not only was it protocol… but she also personally thought it would be a privilege. But Gojo did not let her.

We ofc don’t know the details.

So it leaves us with: He did it for his own reasons, or reasons at least relating to Geto. Kenjaku thought it was out of consideration. And Kenjaku is not a reliable narrator, nor was Geto... who tended to think he didn’t matter.

You know, as a person who can quietly just swallow vomit and shit rags without complaint. As a person who could practically transform the filth, negativity, evil, and darkness of the world into power that he could use for good - he was vessel of sacrifice.

Anyway, I digress.

It seems to indicate that Gojo kept his body to himself ... for his own reasons, breaking protocol.

And referring back to 270 again, for Shoko to talk about the afterlife right after preparing the body -> cremation is strange. Does preparing the body and cremating it have anything to do with the afterlife? 🤔 so somehow, prepare body -> cremate -> mourn/afterlife?

Interesting in that Gege is giving us yet another example of how everyone has a different reality / belief. If we believe what we saw in Gojo’s death, then there is one and Shoko will be proven wrong when her time comes like how Gojo was wrong about dying alone.

And it is also interesting in the sense that it’s familiar…

Something about how she said prior to Gojo’s unsealing, about “I couldn’t love either of you like you loved each other, but I was there too.” - am I reading too deeply? Probably. But it’s there for me to read.

Shoko prepared Tsumiki for cremation. She was made her beautiful for the afterlife - even if she was to be cremated, there was something about giving her something (dignity?) before she turned to ash. And those left behind can send them off into the afterlife feeling they did their best.

I think you’d need a certain level of trust for someone to hand your beloved over. Or at least feel like they would mourn the departed like you would. Or faith that your beloved would be happy with entrusting you with that decision. In some cultures, the family wash and swathe their dead in cloth with their own hands where possible.

So Shoko. Shoko could do it for Geto, for Gojo. She was there. She was willing. But. It was almost as if saying that Gojo 1. could not allow someone else to prepare Geto’s body, and neither did he seem to have mourned because 2. Geto was not cremated to be sent into the afterlife. As if he didn’t trust anyone. As if he could not let go.

Again, Rika kept Yuta’s body “alive” too. Parallels are paralleling.

I don’t know how Geto regenerated or if Kenny was responsible for it. Or if Gojo somehow did. But those are just unnecessary details at this point.

And again, Shoko was there but she could not be like what Gojo was to Geto and what Geto was to Gojo.

How complicated.

I’m reminded of that scene where he says to ichiji and Shoko: “There are just 3 of us remaining huh.”

In agreement to Shoko acknowledging that Geto’s body needed retrieving from Kenjaku, it was quite a pregnant pause from Gojo before he goes, “………yeah.”

He seemed surprised Shoko brought it up and decided to just gloss over it.

To me, it collectively implies that Gojo doesn’t let Geto be anyone else’s but his.

His friendship was his one and only. His loneliness was his. His dreams were his. His love was his. His life was his. His body was... his. And his soul was his too. As was his satisfaction.

I think Gege wants us to understand something here. By what he is showing and not showing us.

If I think about the exclusivity that they shared... the whole, “we are the strongest (together)” and “it wouldn’t be bad to be killed by you” or even “I’m jealous but if you were satisfied I’m glad for you.” and then “if you were there to pat me on the back I’d be satisfied.”

It’s a lot like... only YOU can be the one. And therefore I think Gojo kept Geto all to himself. Maybe thinking Geto would only want HIM to touch his body.

It was his exclusive right. And that was mutually shared... because Geto wasn’t really pleased with Gojo getting satisfaction from elsewhere (lol, you know, the “jealous” 妬けるね that got the fandom in a frenzy).

I’ve mentioned it in another post... link: https://www.tumblr.com/lxmelle/758015943938113536/i-love-the-idea-of-mutuality-that-is-deeply-rooted I really do like the idea of Gojo and Geto just teaching each other things. Like selfishness and love. Binding each other to the other. Selfishness and selflessness as part of being human.

Was this an act out of the side of Gojo that was “a little selfish, a little inhuman but a little too human”, and he wanted to keep Geto all to himself? Despite not giving his best friend a proper burial?

When I think about how he normally did what Geto approved of (you can dispute this if you wish) and I think back to how he might’ve really given Geto’s body back to his family- but what we saw in the manga seemed like they didn’t have much involvement either. Surely they’d have wanted Geto cremated?

So it leaves me with the idea that it was Gojo acting out his secret feelings.

Just Gege and how he shields Gojo’s privacy. Secret words. Secret thoughts. You know. Gege being Gege letting Gojo do Gojo things.

I think we might need to accept that Gojo and Geto just have this exclusive thing we aren’t privy to.

That’s all for now. Abrupt ending 🫡

Thanks for reading my rambling if you made it this far 🫶

Feel free to share your thoughts/comments/criticisms 😄

[spaceorphan18]

In defense of Season 2 Polin

@somedayillbepeterpan I hope you don't mind, I'm responding to your post, but also making one of my own, because I'm diatribing a bit.

I think -- season 3 makes way more sense after watching season 2. I mean - I enjoyed season 3 without remembering anything from Season 2, but I think Colin's story, in particular, works a lot better with the foundation that Season 2 gives it. Because it's there. (Did I want more of it in season 3 -- yes, yes I always want more, but they had limitations.)

But I mean, Pen and Colin's friendship is solidified in Season 2, in a way that it wasn't in Season 1. Season 1 they had a connection, yes, but it was a lot more like the book(s). There's a distant familiarity there. There's a kindness and respect there. But Season 2 really dug into the friendship, and thus a friends to lovers story. The fact that Pen wrote Colin while he traveled? Huge thing (that wasn't in the books). The fact that they discussed their life ambitions? The fact that they showed character growth in both their individual story arcs? All of this is the foundation for Season 3. Season 3 doesn't work without Season 2.

And it's one reason I really, really love their story because it's not - bam, struck by lightning, now we're in love. It's an evolution. The characters have spent time developing together and on their own. They've grown and matured and had experiences and have learned from those experiences. They've developed a relationship that's built around more than sexual arousal but eventually managed to figure out those romantic feelings on top of the friendship ones.

There's a complexity and multi-faceted story there that is working on a lot of different levels. And Season 2 just does so well to portray that. And honestly, I'm looking forward to Season 4, because we'll get to see a different side to these characters in a post-center piece world. Their romance didn't start in season 3, and it doesn't stop in season 3 either. Something that is unique to just them is that they'll (most likely) get the opportunity to have their story shared over a multitude of seasons. Because (and I mean no disrespect when I say this - the other romances are unique to those stories) their story is not just one story, but does what TV shows do best, and is an arc where the characters have been growing and developing since day one, and will continue to do so until the show ends or Nicola Coughlan pronounces she's done (and hopefully the two will coincide.)

[vigilskeep]

do you have any refs for Minerva’s relationship with the other dao companions? I did not realize she and leliana was estranged 😭 also if im remembering correctly she makes loghain do the dark ritual? sorry I do like spinning her around in my head and knowing the little details she’s such a great character!!

leliana and minerva did not have a clear breakup in the alistair minerva sense but they did grow apart because of the simple reason that post dao minerva becomes politically at odds with the chantry while leliana is serving its leader. leliana is not a type of person minerva finds very easy to like or trust so while they did grow on each other over the course of dao they never had a simple friendship in the first place

alistair you probably know about bc its kind of the cornerstone of minervaposting but theres a post fully explaining it not much further down in her tag

zevran is her romance <3 i hesitate to use the word “soulmates” exactly but they definitely fit together in a way no other minerva pairing could match

morrigan she has a weird close complicated vaguely homosexual friendship with, i’m sure this is par for the course for f!wardens. they probably could have been in love if morrigan had been willing to pursue it in the start and if minerva hadn’t already gone for someone else by the end, and all that is unspoken but very present in everything about them

sten is i guess kind of the typical high approval relationship as presented in game? not much more unique. a lot of respect a lot of arguing a lot of dry humour. they could hang out in silence comfortably and they’re also both know and respect that they’re very capable of killing the other if their greater purposes ever demand it

oghren she kind of doesn’t pay much mind in origins when she doesn’t have to but he becomes part of the family in awakening. they bond over having their insane shared experiences of the blight, and also over him trying to quit drinking and her trying to quit blood magic which leads to some really wild out of context conversations for the others. and hey, eventually over first attempting to parent at similar times

wynne she has a bit of a sharp relationship with. i think this could vary a lot if i pick her up earlier, but in my main minerva playthrough i picked her up late by which time minerva had absolutely no fucking interest in getting the kind of lectures she grew up with. sorry grandma </3

uhhhh who else. shale idk man im sorry for being a fake fan but shale’s dlc truly does nothing for me it’s unfunny and i dont think abt it at all 💔 this would be written in less harsh terms if i wasnt sleepy

loghain is. well that’s a kettle of fish. minerva spares him because it happens to be a preferable move for her agenda and her way of thinking, it’s not rlly about him as a person at all. she doesn’t absolve him of anything he did, like, she still thinks he’s a bastard it’s just that she doesn’t really believe at all in the concept of justice being done if it doesn’t serve a purpose. when he’s in the party they do build up respect and a weird kind of friendship. he sucks and she’s bitter about what sparing him cost her, but that isn’t relevant, it’s not going to stop her learning from him, or fighting at his side as the best team she can quickly make them, or simply finding him entertaining to talk to. so by the end it’s as a friend that she asks him to do the dark ritual, whatever that means. post dao she agrees with weisshaupt that him being assigned outside of ferelden is wise but they continue to write to each other extremely regularly, mostly on matters of news and strategy but occasionally on the more personal

is that everyone i think thats everyone

[lurkingshan]

Japanese QL Corner

We are heading into a bit of a quieter period for QL corner, with two shows ending now and another next week. At least we still have a true banger airing to sustain us through the drought. Smells Like Green Spirit is also now airing in Japan but has not yet been picked up for international distribution (pray for it to get to us soon). These shows are available for weekly streaming on Gaga unless otherwise noted.

Happy of the End

CWs: Blood and gore, child abandonment, child molestation, childhood sexual slavery, death, family rejection, heavy scarring, human trafficking, rape, sexual coercion and exploitation, suicidal ideation, suicide mention

This week was relatively lighter compared to last week's very rough episodes, but still so laced with sadness even in its happy moments. Haoren mourned his mother, and finally admitted to himself, and to Chihiro, that she was never protecting him. The show dug deeper into how this bond between them is giving them both a reason to shake off their apathy about survival, though that is definitely touch and go for both of them. The way Haoren experienced a few moments of happiness and immediately jumped to the conclusion that he would like to die now because he'll never top this feeling was telling, as was Chihiro casually laying down in the street and not moving until Haoren dragged him away. They don't have any real hope for a better life, but they each seem more invested in the other's survival than their own, and that is giving them something to cling to. It was nice to see them have some moments of trust and connection between them, and for Haoren to finally feel safe enough to strip himself bare, physically and emotionally. I'm bracing for a rough final week, with Haoren's former enslaver coming after Chihiro in a bid to destroy the source of Haoren's new happiness. I don't really know what to hope for in terms of an ending for these characters; I just hope the show can leave us with the sense that their relationship mattered and gave them something they can each hold onto.

Love is Like a Poison

This episode had me screaming with laughter and delight. Haruto can read his Ryo-kun like a book, and Shiba can't seem to figure out which way is up. I don't even want to describe all the hilarious gags and sexy tension and extremely unsubtle metaphors in this episode; I don't want to ruin it for anyone. Go watch!

Chaser Game W 2

Of all the great JQL we've gotten in the last year, why this one got picked up for a second season I could not tell you. I was less than impressed with season 1, and I don't have high hopes this next go round will be any better. Especially after watching the first ep of this new season, in which they unceremoniously undid the ending of the last in a laughably silly way only to introduce a new, more annoying conflict. They could have made something of a story about Fuyu trying to work out a way to manage her family life to be with Itsuki, but they'd rather hand wave that away via gay penguins in favor of a new love triangle. Whatever, show. Here we go again, I guess! I’ll be watching this one mostly to support the ratings.

Tagging @bengiyo to do our last anime update for the next little while, as Twilight Out of Focus has officially ended its run and there is no new animated ql on the horizon.

[jcollinswrites]

How the fudge are you writting so fast??? I sit down to write and end up with nothing or reworking plot instead of writing 😭Have any tips you want to share? Perhaps the ingredients to the dark ritual you perform to get the motivation and remain focused 👀👀👀

So, first of all, you'll need half a newborn, shaken, not stirred…

lol jk (don't shake babies)

Believe it or not I'm the same as you, so here are some stuff that helped me tremendously, especially with my squirrel ADHD brain:

NUMBER ONE that I needed 20 years to learn, is that… forget editing, man. You can't edit if there is nothing to edit, so first you have to sit ya ass down and just fuckin' do it. It doesn't matter if it's shit at first. It's called work in progress for a reason. Who cares if it's shit? You can edit it LATER when the whole thing is already done. What you're reading in my game is literally my first draft. Lots of scenes might change later. In fact, I'm already changing scenes in the background, I'm just not always telling you. It doesn't matter. If anyone gives you shit for it, tell them to kindly fuck right off.

Have a plan for the book (written down. Not just in your head). Don't even start writing until you have a plan for the entire book. It doesn't have to be detailed. Mine is just bulletpoints, but you should know which chapter will contain what, including plot points, character development, relationship progress etc, otherwise you'll get lost, especially in a big IF. And then as you get closer to the next chapter, you can work out more details in the plan to help the actual writing.

If you don't feel like writing a scene, then don't write it. Leave a placeholder word there (I use 'mandarin' because that word likely won't come up anywhere else in the text), and instantly move on to another scene that you have inspiration for. Later, you can just search for 'mandarin' and add the scene when you feel like it. If you accidentally come across any MANDARINs in my game, that's the reason lol.

If you are writing an IF, it helps to start simple. Write the story until a choice comes up, then write the title of the choices, and continue ONLY with the route you feel the most inspired for atm (use mandarin for the rest). Don't let your momentum die by getting bogged down in choices. That's why I have so many greyed out choices when I start a new origin or chapter. I just write write write until the end of the chapter, THEN I go back to whatever choice is the simplest to add, and put the variations in the already-existing text if needed. Repeat until all the choices are written and coded in. This way, the text might feel more organic too, because you already have a pre-written skeleton that you can just add variations in.

Keep notes. It helps to have them on paper, next to you, so f.ex. when you make 9 different deities to choose from, you don't have to go back to the beginning of the chapter every single time to look up which deities those were and what they mean, you can simply turn your head to the side lol.

Take regular breaks. Exercise, stretch. Keep a daily schedule. Eat and drink enough. Try to keep a good health. Your brain won't work if it's starved.

Know yourself and your habits, and be honest with yourself. I know of myself that once I start working on the big plot points, I won't have any motivation to come back to the beginning again. That's why I'm writing all the origin stories first, because I know that if I start going into chapter 2, I definitely won't feel like coming back to start yet another route from the very beginning. So if you don't feel like doing something, then just… don't do it. Or do it simpler. Do it smarter. Trick that asshole brain into cooperating.

Last but not least, guys, 90% of my motivation COMES FROM YOU! Your engagement, your messages, your feedback, every little interaction is what keeps me going! So write me! I will answer! (if you aren't a dick). Literally, about anything. Even if it's just "hey I really liked this small detail here", that will already make my day, seriously. I LOVE talking about my work, and I'm pretty sure every author is like that, so keep engaging with writers, because that's 90% of the reason when a novel gets finished! I'm writing for YOU! Your enjoyment, your fun, because I love telling stories, but those stories don't mean anything if no one is reading them.