#i do also have some songs that are Big Spoilers but i could... hint at them at least.

[starflungwaddledee]

Uh... There is a song (with or without lyrics) that you related to Starstruck, Bandee or other character...?

ohhhh soooo sooo many!! dozens. hundreds!

i have songs for starstruck, i have songs for all my canon faves, i have songs for different individual scenes and different individual relationships and different individual story arcs.... songs for the extremely specific scenes that i see in my head. songs that i have constructed very elaborate amvs to that i will never be able to make...

i'd be happy to share some, but you might need to be a bit more specific!

edit: when i say 'more specific' i mean you could do things like "starstruck + bandee song" or "(character) angst arc" or something. i just say this because i have so many and i'd love to share some with you but this would help me to narrow it down!!

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART TWO: if you haven't read previous parts, do it now! —

[ 1 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]

Welcome, friends and travelers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(this photo isn't the spoiler, I just like it.)

Today's Docket: (Almost) Every Hint the Elvhen Language Gave Us Along the Way

Today we will be reviewing:

The Lullaby from the Deep Roads in Trespasser

Elven phrase: Ar dirthan'as ir elgara, ma sula e'var vhenan.

Lullaby: "Suledin (Endure)"

A breakdown of the word Suledin

Lullaby: "Where Willows Wail"

Song: "I Am the One"

Decoding the word (Indecipherable) from the Temple of Solasan

The Lullaby from the Deep Roads in Trespasser

I wish I'd posted here this summer, but finding this lullaby during a Trespasser replay and actually going out of my way to translate it was the first inkling I had that Solas might be Titan-wrought.

We know that Mythal mined Titans. But this lullaby is the first concrete indication that I had that she made Solas from lyrium, too.

For our purposes, I am not pasting the incorrect translation given by the codex. Just the elvish.

Ir sa tel'nal, Mythal las ma theneras. Ir san'a emma. Him solas evanuris. Da'durgen'lin, Banal malas elgara. Bellanaris, bellanaris.

It took me a long time to translate, and there are some parts I'm not even sure that I have correct. But they came together for me once I saw Solas's achievement icon, and I will explain some of the new pieces later on in this post.

Since the dwarven word for lyrium is Isana, I am making the guess that Ir san'a translates the same way.

I am one, not [nal] [anymore] Mythal gives me dreams Lyrium within Becomes Solas evanuris Little stone boy Never grants me elgara (the Domain, the Titan—more on that soon) Forever, forever

Da'durgen'lin has been ringing in my mind for months. Plural months. Seeing the achievement icon, that was the first word that came to me. Mythal's da'durgen'lin — her little stone boy.

He was once a part of more than one, and now is alone. Just one. Mythal gave him dreams—dreams that called him. He became Solas, evanuris. Little stone boy.

And now, he will never be of elgara, a spirit of the Titan, ever ever again.

Forever, forever.

"Ar dirthan'as ir elgara, ma sula e'var vhenan" — What does e'var mean, and what in the world does it have to do with Sera?

Second big "Solas might be Titan-related???" thought this summer: hearing Vows & Vengeance episode 1 and hearing a phrase that had eaten my brain since I first heard it used. Ar dirthan'as ir elgara, ma sula e'var vhenan. Something Solas says, a little flippantly, to Sera—and something he sighs at, when she does not understand it.

But in V&V, when he says it to the Eye of Kethisca, its lyrium song... quiets.

So what does it mean? Well, some of the words had poked at me for a while. But with the achievement icon, I believe I understand them, when I think about their Titan implications.

Ar dirthan'as ir elgara, ma sula e'var vhenan.

Ar: The elvish page on the DA wiki says this is the word for "I" or "me." We're sticking with that.

dirthan'as: This one gave me pause. We know dirth as "knowledge" or "wisdom," but also as "tell" or "speak." To understand it, I looked at the suffixes, the TWO suffixes. The "--an" suffix we recognize mostly from place names (vir abelasan, Solasan). But the "--as" suffix? I recognize i from "vhenas:" "home". So for this one, I am taking "place-home" to mean "domain." Domain of wisdom.

ir: Wiki says "I am," and I'm sticking with that.

elgara: We know "elgar" is elvish for spirit. But why the extra A? It puzzled me, until I realized Solas's Titan connection. I think the extra A comes from lyrium spirit. (And from the previous song, I think elgara is referring to that connection back to the lyrium, Solas's place in the Titan's choir.)

ma sula: In Elvish, the placement of the "ma" determines the subject/object of the sentence. When you see "ma" before a verb, it means, "you do the verb." Since "sula" is likely "sing," this means, "you sing" — or, "sing to me."

e'var: THIS one blew my brain wide open. "Var," we know from the Wiki, is "our." But why the E? Well, think about "Our" in the context of a Titan. Who is our? This refers to the Many.

vhenan: Heart. We know that one.

Taken together?

Ar dirthanas ir elgara, ma sula e'var vhenan. I am a lyrium spirit of the [Titan/Domain] of Wisdom, sing to me in the song of All Our heart.

Think about Sera. Think about small painted boxes, and go watch one of the many theory videos equating Sera with Andruil. Think about why Solas might have been trying to speak to her with those words, in the same way he spoke to the Eye of Kethisca.

Then hope for a Sera cameo in Veilguard. Cross your fingers and light your candles with me.

"Suledin (Endure)"

This is another one of those ones where I won't be posting the (incorrect) translation. My translation here is spotty, with a lot of my guesses or unknowns going into [these brackets]. But even with many guesses, I think this says enough to let us know one thing: this is about Solas, and possibly even written by him.

Melava inan enansal ir su aravel tu elvaral u na emma abelas in elgar sa vir mana in tu setheneran din emma na lath sulevin lath araval ena arla ven tu vir mahvir melana ‘nehn enasal ir sa lethalin

Time was once a blessing I am a song-journey [with no way forward] Eternal are sorrows within In spirit, no longer "we" The land of waking dreams no longer exists Love is purpose Love is the journey of [joy/victory/blessing] A way out of the trap between [my speech and the Many] Time of singing again Triumph over loss, lyrium elvhen man

Ask me, one day, how all these mentions of Love might relate to Lucanis. To Spite. To the climax of Veilguard itself.

I hope I'm right.

A quick breakdown of the word Suledin...

It is very possible that it is, in fact, three words made into one. Sul • e • din.

Sul: possibly shortform for Sing

e: possibly referring to the Many, as in e'var

din: end, or the dead.

Suledin: Sing our dead. As in, go on living, remembering the lost. Go on being, breathing, and carrying the memory of the forgotten. Not strictly endure, but outlive.

Var lath vir suledin, then, might mean: our love will outlive this.

Crying yet?

(Banter source: Varric/Solas after the first memory in the Jaws of Hakkon DLC.)

Lullaby: "Where Willows Wail"

Tel’enara bellana bana’vhenadahl, Sethen’a ir san’shiral, mala tel’halani Ir sa’vir te’suledin var bana’vallaslin, Vora’nadas san banal’him emma abel revas. Ir tela’ena glandival, vir amin tel’hanin. Ir tela las ir Fen halam, vir am’tela’elvahen.

My translation:

Nothing is eternal, the tree of the People is forever [ruined/blighted] I walk the path here in the land of waking dreams, I give you no help I am [one of The All], [but I cannot endure because of] our [bad/ruined/blighted] vallaslin [Vora] inevitable [here] becomes nothing within the sorrow of freedom I am not [good/holy] [belief], the path the one of no glory. I did not give myself the name Wolf, we [are not called the elvahen.]

I'll let you cry with me. Solas is alone. He can't help you. He is stuck.

The tree of the People... might be the branches of the We. The lyrium, connecting him to the Titan. The blood of the We that makes up all that Solas is.

It is forever ruined. He is cut off. He is one of the All, but he has no ability to find strength in that pain, because of the vallaslin—the one he burned off his face, leaving a scar.

Y'know. The vallaslin in the shape of lyrium branches. The ones in the shape of his body. The ones that so many of us were wearing for 10 long years.

The sorrow of freedom.

Let that ring in your mind, as I have.

"I Am the One" — and now, we're beginning understand the Forgotten Ones, aren't we?

No translation needed. Let me bold what I want to focus on.

I feel sun Through the ashes in the sky. Where's the one Who'll guide us into the night? What's begun Is the war that will Force this divide. What's to come Is fire and the end of time. I am the one Who can recount What we've lost. I am the one Who will live on. I have run Through the fields Of pain and sighs. I have fought To see the other side. I am the one Who can recount What we've lost. I am the one Who will live on.

Solas is the one who can remember what was lost. Cool, elvhen empire, right?

But he says I have fought to see the other side. This song crops up in Origins. Why would it say that, when Solas hadn't actually physically been back to the Fade by then?

Because that's the wrong other side. The original other side was any life outside of his Titan.

The divide isn't between us and the Fade. It's between the Fade/Evanuris and the Titans of the real/waking world.

And with all Titans being forgotten, with them forgetting how to wake up... isn't it peculiar that Solas is the sole one who can remember?

What does it mean, then, that Solas is the one who will live on?

And was any of this why the elven version of this song was what they used for Solas ans Elio's chanting in Vows & Vengeance episode 1? Because something about that song prompted them to use it, even though the elvish is not BioWare canon because it was written by someone else.

For whatever reason, they wanted us to know Solas was singing these lyrics. That this was his message, when dealing with a lyrium orb.

Trust me, I'm still going. If "Titans = Forgotten Ones" isn't clicking yet, it will by the time I'm through with these posts.

The (Indecipherable) from the Temple of Solasan Codex tells us everything we need to know. But what does it mean?

This one's long, but I'll break down this codex bit by bit.

Faintly carved into the stone is a figurebound in chains. Two other figures haveturned their gaze from the central image.The script below the image is ancient,though Solas is able to provide a partialtranslation: Pride in our accomplishments and in our hearts. That same pride became (a word meaning corrupted or altered) within him, he sought to claim (indecipherable), cast from favor and so he was bound. Hidden from mortal eyes, death lies within.

Here goes.

Faintly carved into the stone is a figure bound in chains. Two other figures have turned their gaze from the central image.

I believe this means: two worlds that don't accept Solas as their own. Or, the "We" that turned away from him.

The script below the image is ancient,though Solas is able to provide a partialtranslation: Pride in our accomplishments and in our hearts

The use of our here is insane. Because I don't think it's our in the regular way, I think it's Our in the capitalized way. If I were to translate back to Elvish, I'd write it like: Solas in e'var enasalin la e'var vhenan.

I think it meant to say: the Titans harbored pride. Pride in themselves and the We; but Pride that turned their focus away from the We.

Ambition.

That same pride became (a word meaning corrupted or altered) within him,

That same pride was preyed upon and altered. By whom? Well, who filled him with dreams?

(This needs a LOT OF CONTEXT from the Blackened Hearts memory in DA:tv, Memory #3, before I can definitively say more!)

he sought to claim (indecipherable), cast from favor and so he was bound.

Ah, (indecipherable). He sought to claim a new life. He sought to claim love. He sought to claim independence. And the Stone struck him out of it. Separated him. Cut him off from the whole like a rotting limb. And so... he was bound, because he was untethered. Mythal bound him to her, and (probably) made his vallaslin in the shape of the body he'd just had. (Lemme cry about that a whole other time oh my god)

Hidden from mortal eyes, death lies within.

BECAUSE THE WORLD FORGOT THE TITANS.

The Titans are hidden from mortal eyes. The TItans are starting to exhibit their blighted selves with the emergence of red lyrium.

The Titans, perhaps, are doomed — unless Solas fixes them by tearing down the Veil? Unless the lyrium that grows in the Fade is also needed by the Titans in the waking world?

ANYWAY: if you're still here reading, thank you. Truly. I'm hoping Part 3 will come soon, but I truly don't know yet! Busy week, chronic pain, etc.

Next up: The Titans' Magic and Lyrium.

[hellodragonkit]

Beetlejuice Beetlejuice Opinions and Points.

SPOILERS... obviously.

Ok I watched the movie, and ... some things that are my own personal thoughts and possible points I noticed. And some things I have seen others point out to where this is just my over all opinion and its kinda long.

The backstory lets not forget beetle is a unreliable narrator as proven by the first movie as Julliard and Harvard did not exist while he was alive, and unless he was possessing someone when they graduated its unlikely he said the truth. - so I don't think he gave us the full backstory. Maybe yes he did marry her, but given he never dies on screen and previously stated point. I just find it hard to believe that he drank a poison then had enough strength to chop her up as much as she was, if it was actually effecting him. i find it far more possible he had already been poisoned so often he was immune at that point. and was just pissed his new wife tried to do him in. Also in first movie it was suggested with the red mark he hung himself... maybe he tried to take over the death cult and had to do himself in for a quicker death?

the Newspapper. Yes it did say people were falsely accused of offing themselves at death, I think this was to help clear up the plot hole that would have been with Astrid's dad. And maybe be a red haring for Beetle. Next few points are BeetleBabes related so if you don't like the ship, please move on.

He gave her autonomy in his power. During the therapist scene when he "sewn" her mouth shut, it was less truly sewn and more duct taped. She had the ability to remove it, yeah he had it stick long enough for a gag, but not much more. He didn't force her.

The Contract and Nullification of it. Beetle wrote the contract, and he worked as a dead con man for years, he knew the handbook inside and out. He wrote up the contract for Lydia to sign and save her daughter, knowing there was a Massive Loop hole. even blowing a hole in the "back door" of the Neither to insure the loop hole was as big as it could be the second he had her sign, obviously with a bit of theatrics for both signing and explosions. But would we expect anything else from him?

Delia calling him: when Delia died, she called him asking to go to Lyd's wedding. He did so no questions no strings. Any other deal he always asked for something in return but for Lyd's step mom he didn't charge a dime, possibly because he felt Lyds would be upset if she missed it, and didn't get to say good bye.

Rory Beetle obviously didn't like him, could tell he was scamming Lyds, and yeah he probably could have sent him off but instead had to prove to Lydia why that guy was bad, hence why he used truth serum. He need to make sure she wouldn't go back to that guy once he was gone again. It was even hinted he heard her talking in the graveyard rushing to the church that she was not ready to marry.

He planed to go away. His song at the end, was not one of love and togetherness. MacArthur Park is more of loss and remorse. He was saying Goodbye to Lydia! Not permanently anyway

He set up sending away Deloris and helped the contract become Null When Deloris burst in through the door, the wind didn't effect Lydia, or Beetle, or Delia but the book slid to Astrid as easily as it had moved away, He moved it to her, conveniently on the page to summon sand-worms and how to brake the contract.

He stalled for the cops I find it funny how in the first movie he summoned a Man of the cloth and the guests. But this time he had both, and unlike the first time he wasn't rushing... he took his time to sing a whole song and to let the Neither cops show up, possibly also baiting Deloris to take care of her but I'm still not sure on that bit. ether way He had won, he had Lydia, the pastor, and guests. But instead he did a song and dance, a song that I already pointed out was one more of goodbye.

He let Lydia send him away. Beetle loves to make a entrance, he also may love to make a exit. he has also shown he can silence someone for just saying his name once. But instead of silencing her or taking over her voice as he had before. He started a dramatic plea, showing her he was getting sent away, showing her he was going to let her send him off.

The ending given the fact he may have over heard about Rory, And all the other notes, he could probably see Lydia wasn't wanting marriage at that time. But I also feel... he just likes the chase. What fun would it be if the Coyote already caught the road runner? he didn't mind her sending him away, because it means he could keep trying to get her to call him willingly. Over all this is just my ramblings that I don't have any friends irl who may appreciate them or be able to properly counter lol And if you made it this far thank you. And I hope you liked the movie as much as I did.

[candycorncrave]

So. Let's talk about Penacony and birds.

-Spoilers for the 2.1 quest (and possibly some of 2.2 if my theories and findings are correct)

Hey all! I'm not too good at starting these essay type things, so we're just gonna dive right in. Disclaimer, these are all just theories complied from random (not very in depth) research I did, and my own thoughts, so take it all with a grain of salt. I just wanted to put this out here for funsies!

With that out of the way, let's dive in!

From very early on into the Penacony quests, there was something that just kept nagging at me. Robin's name, (mixed with the fact that shes a singer.) The family's crest being a Nightingale. Aventurine's design very clearly representing a peacock. Ratio's owls.

There were just too many bird references for this all to be a coincidence, so I decided to do some research on bird symbolism and meaning.

And here are some very interesting things I found!

Now a lot of this is quite clear cut, so I won't go into alot of explanation, but I do find the "rebirth" part quite interesting, especially since it is hinted during the 2.1 quest that she came back from "death".

Let's start with Robin, since she's one of the more obvious ones: "Above all, the robin red-breast is a symbol of spring song and good fortune. Additionally, it also symbolises passion, a new beginning, and re-birth. Therefore, if the bird flies into your life you will be blessed with happiness and joy. Subsequently, most of the symbolism of robins is centred on their spiritual meaning which is believed to be a symbol of divine sacrifice." In native American culture, Robins also have strong ties with family and "heart centered connections."

Next up are Owls: Now this one is also pretty obvious. Dr Ratio's design has very heavy Greek inspiration, and owls in Greek mythology are very clearly tied with Athena, knowledge, and wisdom.

The thing I found interesting about this was all over Sunday's mansion, there are owls decorating a lot of the furniture. Could this have been foreshadowing for his "betrayal" and assisting Sunday? I'm not sure. In my opinion, that seems like quite a length to go to mislead players- especially since it's such a niche detail that most people probably won't think twice about. Maybe it will have more meaning in 2.2. Guess we'll wait and see!

3rd, Another obvious one, Black Swan: They symbolize the opposite of what the white swan does, naturally, so death, danger, destruction, suffering, chaos, mystery, etc.

Even more than that though, "The black swan theory of events is a metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight."

Another one I don't feel the need to dig that deep into. It all pretty much checks out with what we've seen of her character and the events of the story so far. Black Swan is a scary lady....

4th, Let's talk about Peacocks: Now we all know peacocks are commonly associated with general wealth, pride, and flamboyance. I thought that was all there really was to it being such a big contributor to Aventurine's design. But I decided to dig a little deeper and. Oh boy.

Peacocks can also symbolize both death, and life. Now at face value this is quite contrasting, but when you apply it to Adventurine's character- it makes quite a lot of sense. A single coin flip between life and death that keeps landing face up, and yet, it's a gamble he never hesitates to make. Moreso, peacocks can symbolize the freedom and liberation of the soul. (OUCH)

And Let's finish off the doozy. Nightingales: The symbol of the family and the bird constantly following Sunday around and watching everything the entire quest without a sound.

"Nightingales are symbolic of beauty, melody, creativity, purity, and the expression of oneself freely. They are also symbolic of darkness, mysticism, spiritual awakening, and renewal."

Now I found that the latter is often meant when you see a nightingale in your dreams. It is also mentioned if they do not speak back to you in a dream you will soon be betrayed.

,,,, How intriguing.

Also intriguing, Bloodhounds are very well known to be hunting dogs, and birds are prey for dogs.

And speaking of prey,,, are fish not considered birds' prey? And Sparkle, who we see fish around every time she shows up, was the "victim" in Black Swan's quest.

Anyways. I could be grasping at straws with that last part, but I do feel there is alot of stuff going on here with animal symbolism, especially more to dig into with Gallagher and Sparkle. It's all very intriguing

If you read all this here's a cookie! 🍪 Thanks for your time :) I hope you enjoyed the ramblings of a madman. Please feel free to add anything or comment your thoughts! I'd love to discuss

[powerpolyculeshowdown]

Do you have recommendations for shows/books/whatever with canon/basically canon polyamory?

ok the only media w officially canon polyam i personally consumed are Iron Widow and Hades.

Iron Widow is a mecha scifi/chinese fantasy book, it has pacific rim mechanics, so it takes 2 ppl to pilot the mecha but its more dystopian in that the pilot (male) usually drains the life force of his concubine (female). the mc has a guy shes interested in from the start but she pushes him aside to seek her goals to become a concubine pilot (theres a very good reason for this but i dont wanna give too much away) ends up being forced to work w the most dangerous pilot (spoilers hes actually a misunderstood sweetheart and i love him), her first love somehow finds his way back into her life so he can be their ally and its very clear from the first time he meets the other guy that this bitch is bi af. At one point he literslly saves their lives and i wont elaborate on that cause again spoilers but someone mentioned it in a propaganda ask. They canonically fall in live w each other and start dating. Please look up the trigger warnings first cause theres some heavy subjects addressed in this book. The book itself has trigger warnings listed at the start so if u find it at a book store u can check them this was too.

Hades is a roguelike videogame w dating sim mechanics (ish) -you give gifts to characters to learn more about them, and theres two romance options but you can romance both at once, they're both aware of and okay with it, hinting that they mightve had a past even before zagreus was born (its greek gods one is death incarnate the other is one of the furies, they've basically existed since forever)

From the submissions I got:

ive been told Leverage is like the korrasami of polyam, as in they were as polyam as they could be in a show from 2010, so it sounds like its canon but not explicit because they couldnt get away with that.

The girls from Amphibia are apparently in a similar situation, heavily implied canon, someone told me it was confirmed by people who worked on the show, but i dont think its explicitly stated.

The Kane Chronicles apparently also has canon polyam, although its 2 bodies, cause I think one of them has a god in him or something? I never read the books, but I was told Sadie (i think thats her name? The girl) is in love w both of them, and kinda dating both too i think?

I dont know if Singing in the Rain is canon but theres that kiss gif that got prrtty popular on tumblr where kathy kisses one of the guys then the other, so it looks canon? or at least implied canon?

Sense8 as some people have mentioned has 1 officially confirmed to be canon throuple, 1 that has a lot of hints to confirm but a lot of ppl see it as a gay couple w a very supportive friend ig and someone else said in general because of the plot u could kind of see the 8 of them as a big polycule, although that one isnt canon

HoneyWorks/Heroine Tarumono is one of those songs turned novel turned anime. i dont think its confirmed canon but theres a lot of stuff pointing to the possibility, you mightve see @non-fantasy telling me about them in a few asks. im obsessed and ive yet to watch anything

Penumbra Podcast: Second Citadel has Rilla/Sir Damien/Lord Arum, i also haven't listened to this one but a lot of people told me rilla and damien were in a pre-established relstionship, both got crushed on lord arum separately, talked about it and worked things out to now be a canon polycule

im She-Ra (netflix) theres a trio that is implied to be a polycule at the end, a lot of ppl called them canon in the notes but i dont personally ember it being confirmed? i am very forgetful tho. It's Rogelio/Kyle/Lonnie, unfortunately they lost the prelim round

I believe people submitted some others that were canon but im very forgetful so i cant remember right now

[moibakadesu]

Haruka’s victim of his “murder” was he himself (The suicide theory)

This is a theory that I had since t1 there have been even more points for me to work with (I just never had time/peace of mind to do so), so let’s get into it, shall we?

First of all, as should be obvious from the title, there is a cw for suicide and also one for child abuse and neglect, as well as dead animals because we can’t talk about Haruka without going into these topics.

So what we are going to talk about today is:

Haruka’s victim of his “murder” was he himself

You might wonder now: But how is he walking around in Milgram then? We are looking at a magical song prison that bends the fabric of reality, I don’t think being a sort of purgatory is that much out of the question. I am not one to think that ALL of our current prisoners are dead, but for some it seems like an option. Note Yuno asking so pointedly in her t2 VD “Am I really still alive?” which seemed like a big hint. And also (MILGRAM NOVEL 2 SPOILER) in the second novel there is a part where literally falls the statement of “of course there are people who are already dead, it would be more strange if we wouldn’t have these”. As well as there being a suicide case.

And even if we would not go into that direction, we would still have the option of a failed suicide attempt which resulted in a temporary stopped heart = on paper you can be declared dead. With Milgram’s very loose definition of “being responsible for the loss of a human life” this seems very much like it could qualify as well.

So what gave me the idea that this could be the case for Haruka? The first thing that made my interest perk up was this screen here from Undercover:

In these shots with the silhouettes from the prisoners we presumably have a location where their murder happened or is heavily connected to it. And in some cases we even have the victims present in the shots.

What differentiates the prisoners from their victims is that all prisoner silhouettes have this gray hatching on them while their victims are a solid black color (it’s a bit unclear with Kazui, because he and Hinako are pretty small in his scene).

So with that in mind what falls to attention in Haruka’s shot? Yes, he is a solid black.

And that sprung the idea of: what if Haruka is the victim?

Well, he is, in more sense than one, but we are only concentrating on his “murder” for now.

Let’s now go through his first MV Weakness with this in mind, because it is already ripe with a lot of possible suicidal imagery. We won’t go over his first VD, because … well, there are simply no real hints in that one yet.

Weakness analysis

Right away at 0:08 we start with a scene transition of Haruka sinking into water. As you are probably all aware water is a big recurring theme with him, it draws itself through his MVs as well as being present in image material and merchandise related to him. Prior to ending up in Milgram he was also living in the city Niigata, which is literally called “the city of water”. So we can assume that it is of pretty big significance to his character.

The overall imagery of drowning and suffocating also appears repeatedly with him, so my assumptions of how he might have taken his life are either by, well, drowning or by hanging himself (due to imagery we will later get to in AKAA).

At 0:41 we have Haruka pushing his younger self into a “scribble-puddle”, leading us to another transition of Haruka once again sinking into the watery depths.

I think this is both a representation of Haruka’s loathing and jealousy of his younger self which still was somewhat loved by his mother until his disabilities became too noticeable to be ignored as well as an actual stand-in for killing yourself.

At this point let’s talk a little bit about the little girl that is assumed to be Haruka’s victim, shall we?

Well, in a broad sense we can say: yes, she is his victim. But the twist is this, recently I saw a theory that made a big amount of sense to me, especially taken in account with the suicide theory. Basically, I think the little girl never existed in reality. She was just a figment of Haruka's imagination, a sort of “Imaginary friend”, his idealized version of what “Haruka” should have been. We know from his t2 interrogation questions that his mother always wanted a girl instead of a boy, going so far as to picking the name beforehand and not changing it even after she knew she was expecting a boy.

I could even imagine that his mother might have tried to raise him as a girl up to a certain age, her terrible overall parenting surely gives me the impression that she would do something that twisted.

So Haruka’s delusion of “his perfect loveable self” might have intermingled with himself taking his life. Because something that always threw me off was that in the end of AKAA when we get the split second of him strangling the girl it is clearly a grown up Haruka putting his hands on her neck. But in Weakness they are around the same age apparently. Why is this? Well, of course the “perfect little girl his mother wanted” would stay a little girl forever in his mind.

So he is fully convinced that he killed that girl, in his mind she was real after all.

This might be completely off the mark, but even if it is, I still could imagine Haruka taking his life after having committed the murder of the girl. Going over his second VD again personally I am leaning more towards the option that the girl was his little sister, with how much attention he puts on it having been a murder out of jealousy.

But the lyrics going along with him pushing the girl in Weakness could also allude to the possibility of that “imaginary girl” theory.

And right here at 1:20 down in the water we go again, directly after the scene above.

And at 2:05 we are at the well known stone smashing scene. The action in the screen is not the main point in this case though, here we have the first appearance of the lyrics of:

Haruka usually doesn’t consider the abuse received by his mother as bad, any attention received from her is good attention in his eyes, so he wouldn’t see himself as a victim for that, right?

So what could it imply?

Maybe becoming your own victim?

Because a lot more importantly, these lyrics make another reappearance right away. When?

When Haruka strangles his younger self. (Right after another “falling in water” scene at that.)

And at the end we literally have Haruka kneeling over his dead self, admitting that “it was me”.

It is also important to note that this is the only instance in the MV where he is not waking up in his bed again.

So that is all already plenty to go from, isn’t it? But don’t worry, there will be plenty more. (Or do worry, my heart cries daily for poor Haruka.)

To go chronologically let us look at his second VD:

Metamorphosis of the Weak

This will be quick, we only have to take a look at the very end here where Haruka comes up with his suicide threat. It’s his first instinct after threatening to kill Es and becoming aware again that he can’t do that. He is making that statement with astounding ease, almost as if … he went through with it before. He knows he is capable of doing it, so he is certain and confident of himself.

On that note, I am like 99,9% certain that he won’t be successful with whatever attempt he might be starting, there will be an intervention or a reason why it’s not possible of some sort. It will most likely go against Milgram’s purpose of judging these prisoners, so it won’t be allowed that somebody escapes proper judgment by putting an end to themselves. (MILGRAM NOVEL 2 SPOILERS: Jackalope in the novel also makes a point of this, saying that the prisoners there are disposable only after they have been judged.)

But I wrote a whole post about all the reason I am certain they won't kill him off in the middle of the trials, if you want feel free to read up on that as well!

So without further ado let us go to Haruka’s second MV:

All knowing and all Agony analysis

We start at 0:12 with Haruka in his solitary confinement, the room getting flooded with water.

Here we are again with the theme of him getting submerged in water.

And the next scene of him submerged in water right here at 0:35 in the mirror (btw. I love the direction of this MV, the blurred writing appearing in the mirror like it is getting drifted ashore by the water being one of the parts of this).

Now here at 1:29 we have a very interesting scene.

Sadly AKAA is riddled with a very spotty translation of the lyrics that doesn’t convey the meaning a lot of times or even leaves out some things.

This part here is the perfect example, the more fitting translation here would be: “if with the push of one button I could be reborn”

The translation exchanges the reborn with reset which doesn’t really carry the same meaning in this context, being reborn is something that you get after dying. I don’t think this is a coincidence at all. Also important detail here is that we have the frames with the butterfly specimens on the wall. The butterfly is a symbol of death and rebirth as well. This goes well with the name of Haruka’s second VD, because “metamorphosis” is the term for the transformation that a butterfly undergoes in the cocoon.

And here another important part that gets lost in translation:

In Japanese it would more correctly translate to “I don't want to die, I don’t want to die”.

Because, yes, I do think that Haruka committed suicide. Do I think that he did it because he wanted to die? No, that was not the main objective for him. In my opinion it was either, like before mentioned, to be reborn so that he can be a more loveable self in the next life or it was the last final desperate cry for attention from his mother after even killing the target of his jealousy didn't give the desired results.

It probably also ties in with his situation in Milgram, he does not want to die, to get wiped out, but his death is once again the only means to an end that he can see in this situation, in this case forcing an innocent vote for Muu with his life as the bargaining chip. (And well, we all know how well that gamble turned out for him ...)

And then at 2:09 we have the scene of Haruka standing on the chair.

You know what people often stand on chairs for? Hanging themselves. Doesn’t help that the barred up window in the back sort of alludes to the rope of a noose the way one of the bars is placed directly behind of him.

And here once more, with the infamous “dreaMu” line.

As I mentioned before, I suspect his pre-Milgram suicide was by drowning, but these images could very well allude to his threat spoken in the prison to secure Muu’s innocent vote. I personally wonder how Haruka could even be aware of this option to take his own life, because I can hardly imagine him having knowledge about this with his “sheltered” lifestyle, but who knows. 

Good luck attempting that in the prison though, as far as I am aware there are no fixtures there that would allow for it, and we are talking about a person that can’t even tie his own shoes, let alone tie a noose that would hold up his whole body weight.

Here we also have another very bad translation choice, and I’m not talking about the “dreaMu”. No, the problem is that they just didn’t include the whole second part of that line which would be “and spread my wings wide”, perfectly going along with Haruka spreading his arms like wings.

As if to take flight. This could be calling back to the butterfly symbolism as well as jumping, “taking flight”, from the chair …

And at 3:00 we reach another part of the MV where Haruka gets submerged in fluid. But this time it’s not water.

We have seen this fluid before in the MV, notably when the preserved animals started “melting”.

Preservation is the important word here, because this fluid is most likely formaldehyde (or formalin), used to preserve dead bodies. Fun fact, this is technically not the first time we see it, it might be present in Weakness as well.

This bottle here right at the beginning looks a lot like bottles that get used to store it. It is also a clear fluid before it comes into contact with what gets preserved.

As to why Haruka has knowledge about this sort of thing is, that I could imagine that his mother had to do with animal specimen preservation, either as a hobby or for work, so he is familiar with the function of it. On that note, he might even have started killing animals to bring his mother more bodies for her hobby/work and to be praised for it.

So we are closing the MV with Haruka sitting and swaying in his “formaldehyde tank”, the very substance in which dead things are preserved, repeating the lines of wanting to be reborn to be the favorite next time, in his next life basically.

(Oh my sweet boy, you don’t have to try so hard, you are already my favorite.)

And this is it, my theory that Haruka is literally a dead boy walking in this prison.

My heart bleeds for him, because for him it’s absolutely impossible to get any sort of happy end at the finale of Milgram and I think he would have deserved the world. Just a family that would have supported and understood him properly, a way more normal life, how his biggest wish is.

[fanfic-inator795]

SPOILERS FOR “THE END”

Okay so, much like the ending of Amphibia, I’m sure this ending’s gonna be controversial for some people for being so bittersweet and for it also ending with the two BFFs splitting seemingly forever… but honestly? I fucking loved it.

While the penultimate ep felt slightly rushed and just a tad unsatisfying due to all they had to cram in and wrap up, I love that this show’s finale was ultimately focused on just Molly, Scratch, and the latter’s series-wide arc of changing for the better and “being brought back to life”, as the TGAMM show bible put it.

Having believed in the Wraith feeling since the start, I was afraid that the Todd reveal would feel rushed given that the crew lost the 3rd season of set-up they wanted, but thankfully it managed to feel fairly natural since - while Todd himself may have been a more subtle hint that you’d only notice if you were paying attention- again, Scratch’s arc and the clear changes we see from him are made known throughout the series. So by the time you finally get to the big payoff, it feels like a natural conclusion.

For all the info dumps we got, I also felt like the ep was pretty well paced as well, still having jokes that made me laugh so it never felt too heavy or melodramatic. I also love that all the major characters in Scratch’s life got to play a role in this one final adventure. I also love that - for as important of a role that Adia played in helping Scratch regain his memories - it wasn’t framed as Scratch choosing his old BFF over his new BFF, but simply Scratch choosing to be brave and live the life he always wanted deep down instead of continuing to run away/hold himself back.

As for what could be seen as the Most controversial bit - Scratch forgetting his time as a ‘ghost’ - I feel like this was incredibly well crafted too. Like anything else in TGAMM (and as Molly herself says) there’s still that spark of hope hinting at Scratch still remembering Molly and the impact she had on him. He’s going to live with those memories and the importance she gave to enhappifying in his heart, even when he doesn’t consciously remember these things.

What’s more, the show also subtly but beautifully emphasizes that even if Scratch won’t fully remember Molly and the others until he’s officially died, the time he spent and the things he did for others as a ghost still mattered - they’re still going to be remembered by Molly, the McGees and their friends, and I LOVE how they also brought back Scratch’s silly toboggan-sneeze curse as just another way a part of ghost-him is going to stick with all of them no matter what - no matter how far apart they are.

While I would have liked one final song (which, I guess we arguably did get that in the credits) I also feel like ending the show on Libby’s Maya Angelou quote was the perfect summation on the show’s core themes - to not just do good for others, but for yourself. To live your best and happiest life.

In my opinion, this truly was just a master class in satisfying series finales. We didn’t need any big final battles or a ton more drama, just one last beautiful character piece that isn’t afraid to be somewhat bittersweet in order to fully sell its message while also still being just as fun and enjoyable and lovely as the rest of the series.

Really, the only thing that makes me kinda sad is that Scratch never said goodbye to GhostShark - but hey, he’ll see him again eventually, and honestly my hc is that the Jeoffs are taking care of Sharkie for him in the meantime. Other than that, this was a 10/10 finale for me, absolutely no notes.

Now… obviously this was the finale that the TGAMM crew was always leading up to, I assume once they realized that they weren’t getting a s3 they asked Disney to give them one final ep to wrap things up. If that wasn’t the case though and this was always meant to be the s2 finale, I guess s3 would be about Todd slowly remembering his life as Scratch and eventually coming back to Brighton alongside Adia to help Molly stop Jinx’s revenge or whatever. But… eh, I personally don’t think that’s needed.

I think the show ended perfectly, leaving just enough ambiguous for fans to still imagine how Molly and Scratch’s adventures are going to continue one day while at the same time being super satisfying - probably the best series finale that we’ve seen out of any modern Disney cartoon.

[wildemaven]

The Beginning: The Proposal

Pairing: Frankie Morales x F!Reader

WC: 3528

Warnings: language, established relationship, 2nd POV, mentions of food and drinks, im going to refrain from any other things to not give anything away, but it’s all fluff

A/N: It’s here!! I’m excited and nervous!! Happy to give these to a little more love and a little bit more backstory to them. Normally I have a full blown moodboard (and I do) but it would give away too much so I’m opting to not have one but if you’re interested in seeing it, I can post it in like a separate “spoilers below” post. Also, reader’s nickname is revealed in this, so any future posts will have it when referring to her (so much easier to when trying to avoid a name). And last but not least, their song picked by y’all is Lover by T.Swift and there’s a playlist linked below.

Edited to add a big thank you to @noisynaia for letting scream at her my thoughts!!!

Okay. I hope you like it. And if you ever want to scream about these two with me, my ask box is always open.

Previous / Series Masterlist / The Proposal Playlist / Weekends Masterlist

Sometimes the beauty of life is allowing it happen organically.

Delicate bits of time woven together through fleeting moments— in varying degrees of inconsequential or life changing events.

Momentous is how you would describe your life in a single word at this very moment in time.

The last 6 months had been a whirlwind for you and Frankie. Since that night you’d both not only confessed your love to each other, but also deciding to spend the rest of time together.

You’d convinced your landlord to let you out if your lease early, due to you being a exemplary tenant for several years. With the help of Frankie and the guys, you were able to box up your things and move into Frankie’s house across town.

It had taken a few weeks to unpack your life into this new space, but you felt a sense of accomplishment once everything had a place and mixed in effortlessly with Frankie’s belongings.

You’d both decided early on to keep your engagement to yourselves— a secret for the two of you to savor and enjoy.

Not that you were worried about what others might think, but this felt like a special kind of thing you wanted to bask in before sharing with your loved ones.

And when the time was right, everyone would know.

*

Your schedules had been booked and busy, so you’d both decided to take a random Friday off to spend some extra time together. You were excited to have a 3 day weekend, alone with your fiancé. Which also meant sleeping in as late as you wanted and taking your leisure time to extricate yourself from your cozy lush surroundings.

The bed dips a bit as you turn and stretch out your slow waking form.

“Time to get up sleepy head.” His voice is still your favorite part of waking up. The soft cadence tickles every inch of your body, better than any cup of coffee ever could.

“You let me sleep in, thank you.”

“You looked comfy all wrapped up, figured you could use a few more hours.”

He kisses you, it’s sweet and laced with a hint of bitterness from his morning coffee.

“Mmm! Good morning handsome.”

“Mornin’ Beautiful. There’s a coffee and a danish on the nightstand for you.” You shoot him a questioning look, amusingly taken aback and confused. “Don’t look at me like that. They were all out of croissants this morning, so I went with your second favorite.”

You accept the offer, rolling on to your stomach to reach for your coffee. You get lost in the first sip and savor its creamy rich flavor as it hits every waiting taste bud.

“Alright sleeping beauty. Time to get your ass outta bed and get ready.” Giving your backside a few pats before heading for the bedroom door. “Our appointment is at 3 and then dinner reservations are at 6. Gonna go iron my shirt and clean up my shoes.”

“Hey!” Playfully yelling for his attention as he walks away.

He stops just outside the door, turning back towards you.

“I love you.” He serious expression relaxes and his face lighting up instantly.

“I love you too.” He shoots you a wink before turning to carry on.

It takes you a minute to get yourself up and moving. Bites of your delicious danish and sips of your warm latte aid in your efforts to get yourself ready.

Your mundane routine of showering and prepping for the day were taken at a deliberate pace. Enjoying the balmy spray of the water, soothing the slight aches and pains that had built up over the last week, the feeling of relief is almost instant.

Toweling yourself off and slipping on your cozy rob, you finish readying yourself with a simple makeup look— nothing too fancy or bold, just enough to accentuate your most favorite features.

The garment bag containing your dress for the day was tucked away in the back of your closet. You were so excited to finally get to wear it and eager to see the look on Frankie’s face when he sees you in it.

It was muted in coloring, an off shade of white, it wasn’t anything you’d ever considered for yourself but the moment you’d tried it on there was an instant reaction of sorts. It’s silky smooth fabric hugged your body in such a way that you couldn’t help but feel like it was made for you.

Jewelry and shoes finished off the look, taking yourself in fully as you stand in front of your full length mirror. You hands smoothing over the dress, admiring every detail of your reflection.

“You look stunning.”

Your eyes immediately drawn to Frankie in the mirror leaning against the door frame.

Your breath catches at the sight of him. His head cocked to the side as he admires you, hands tucked into his pant pockets, suit jacket hugging his broad shoulders over his freshly ironed shirt— the top buttons forgotten about in true Frankie fashion.

He pushes himself off the doorframe, taking a few long strides until he is crowding behind your spot in front of the mirror.

His eye contact is direct, holding an intensity that makes you dizzy. Your body tingles when his large hands slowly rest on your shoulders, his thumbs toying at the delicate straps of your dress.

“Frankie…” His name floats over your lips as you look at him with an ardent smile.

His eyes never stop watching you as he leans down pressing a kiss to your bare shoulder, your eyelids flutter as the sensation of his lips ripples through your body.

Your hand comes up to caress the side of his face, his beard trimmed down, the stubble causing a bit of resistance to your touch.

You can’t help the tiny moan that escapes from your throat as Frankie begins to press kiss after kiss along your neck, tilting your head to completely give into to his wandering mouth.

“If you don’t stop, we’re never going to be on time.” Your breathless, knowing that it’s a slippery slop of carnal desire once things start to heat up.

He kisses you one last time before standing to his full height.

“You look so pretty.”

“Pretty?” His eyebrow raises at your comment, not he doesn’t think a man can be pretty, he’s just never saw himself as such.

You turn so you’re fully facing him, hands resting on his chest as you look at him with a sweet gaze. “Yes, pretty. And your hair looks good too.” Your fingers lightly combs through the sides just purely for the experience of touching him some more.

“You think so??” You nod softly and lean into kiss him gently.

“Let’s go handsome.”

*

It was a 45 minute drive, which gave you both plenty of time to enjoy each other’s company. Chats about work and plans for the next few months permeated the truck cabin. 70’s ballads filled the in between silence, but usually evoking laughter from you as Frankie would do his best to stay in tune with the music.

This was now a regular feature in both of your lives. These days spent together, relishing each and every moment, were your favorite. Weekends alone or with friends had you craving adventure as much as possible. But even the slow paced weekends, at home had become a cherished time for the both of you, wanting to absorb each and every moment before the work week was knocking at the door.

The large building towers over the street as Frankie pulls into the parking spot. Its florid design was beautiful for a giant cement building, the front covered in windows and ornate decorative details that are reminiscent of older times.

The weather is warm and sunny as you make your way to the building, Frankie’s grasp on your hand is grounding, giving it a few subtle squeezes as you walk through the glass doors.

The air inside feels cold and stale as you wait for the next available window, very on brand for such a building. A slight shiver has Frankie pulling you in to him, wrapping you in his warmth.

“Next!”

“Good afternoon ma’am. We have an appointment, should be under Morales.”

She doesn’t respond as she clicks away at her keyboard, squinting at her computer screen through her wide-rim glasses.

“Do you have all your proper documentation with you today?” Straight to the point and zero enthusiasm in her tone.

“Uh, yes ma’am.” Frankie hands her the small stack of papers she had asked for. You squeeze his hand now, 3 times as a silent ‘I love you’.

“It’s says here Mr. Morales you’re previously divorced. Do you have proof of dissolution? Otherwise you may not proceed with your application.” She asks as she continues to hold the papers that she hasn’t looked at yet, not even looking away from the screen.

“Yes. It’s in the with the other papers. It was an amicable dissolution, we both signed and agreed to end the marriage—“

“I don’t need your life story sir, just the proper paperwork.”

“Right. Sorry, ma’am.” 3 more squeezes to his sweaty hand, thankful that Frankie is handling her crankiness so calmly and with a smile. She clearly has been doing this for years and has zero intention of small talk.

Her fingers continue to click more buttons and she scans through the papers, inputting the information into the proper boxes. And after what feels like a long process, she’s printing out some new documents, stacking them with the ones you’d given her and hands them back to Frankie.

“Please wait for your name to be called.” Barely making eye contact as she adjusts herself in her chair.

“Thank you ma’am. Have a great weekend.”

“Mhmm. Next!”

“Clearly your charming good looks had no effect on her.” You snicker into Frankie’s shoulder as you both walk to the sitting area, trying to keep your comment contained between the two of you.

The minutes tick by, the space is eerily quiet, so you keep talking to a minimum while you wait.

The other chairs are filled with what look like other couples, all most likely there for the same reason.

You take in the sweet older couple who sits across from you. They must be in their 80’s and yet they have a young innocence that seems to envelop them. Their hands anchoring them to each other as they sit snuggled in sweetly. You can’t make out their conversation, but the way she is smiling and looking at him, it feels like she completely taken by him as has been for awhile. He pats her fragile little hands as he talks and every few minutes he looks at her like she’s the only one in the room— your heart nearly implodes at the gentle kiss he gives her forehead.

It’s like you’re looking at a glimpse of your future. A love so authentic and undying, strong enough to endure hardships, a vivid and passionate life together that never gets tiring.

The soft whisper of your name catches your attention.

“You okay?” 3 gentle squeezes to your hand, the reciprocated gesture tugging at your heart.

“Yeah, I’m okay. Just happy to be here with you.” You smile emphasizing your words.

“Alight, we have Morales up next! Please make your way through these doors and the commissioner is waiting for you up at the front.”

*

Entering the room, you’re welcomed by a lady standing behind a wooden podium— she’s already more inviting than the older one at the front desk.

Frankie’s hand is anchored to your lower back as you both make your way closer to her. Frankie hands her the papers she’s needs and you both wait for her to begin.

“Welcome. I have a few more couples after you so let’s get started. Do you have any witnesses with you today?”

“No ma’am we do not.”

“Okay, that’s fine, not a requirement in the state of Florida. And will you be exchanging rings today?”

“No ma’am, we do not have rings.”

“Well, this might just be the easiest one today.” She laughs a bit as she shuffled her papers around a bit.

“I’m going to ask you both to face each other while I read the declaration of intent.”

You can feel the emotions already flowing through you, as you look at Frankie. This man has gifted you with so much in such a short amount of time and you can’t help but feel so grateful for this life you’re about to begin.

“Please join hands.”

Frankie takes yours in his, his is touch is the most powerful thing you have ever felt.

“Francisco, do you take—“ There’s an pang in your chest as she says your name, but it’s not a heavy feeling, it’s light and airy as she continues reading from her paper. “To be your lawful wedded partner?”

“I do.”

His thumb sweeps back and forth across the top of your hand, his smile is beaming with elation.

“… do you take Francisco to be your lawful wedding partner?”

“I do.” There’s a slight crack when you say it, emotion fully overtaking your voice.

“… you have come here today on your own free will and declared your love for one and other.”

Tears begin to fall from your eyes as you look back at Frankie, your whole body feels like it’s floating on a blissful cloud. He wipes each tear and gently rubs your cheekbone, you lean into his touch.

“You have joined yourselves in matrimony. May you aim all your lives to meet this commitment and celebrate

in each other's company. And now that you have given and pledged your love and have stated so by joining

hands, by virtue of the authority vested in me by the State of Florida as Deputy Marriage Commissioner, I now pronounce you husband and wife. You may kiss.”

And you do. It’s unlike any kiss you have ever experienced before. It’s all-encompassing and heart-stopping, pouring out all the love you have for one another— his lips feel like forever.

Wedded bliss is intoxicating. An indescribable feeling of starting this new chapter together and looking forward to a future where it’s the two of you steadfast in your fidelity and aspirations.

*

Driving straight from the courthouse, you’d both felt slightly over dressed at your favorite restaurant, it’s casual setting a stark contrast from your wedding attire. In the short time together, you’d both become regulars, dining in or takeout had become a weekly occurrence.

Frankie had made the reservation and must have mentioned it was a special occasion because the table is nestled in a corner that was secluded from the rest of the restaurant. Lit candles and small arrangement of flowers placed in the center.

You couldn’t have imagined a more perfect post wedding celebration. Indulging in your favorite dishes as you reflect on the day, it all still feeling surreal and fresh. The staff also gifting a slice of cake, a little congratulations on your new marriage.

“How long should we keep it from them? Santi’s going to be pissed when he finds out. I can already see that assholes face.”

You laugh because you know he’s right, but you know he’ll be happy for you both, they all will.

“How about we wait a month. Then we can invite everyone over for dinner, the weather’s been nice too, so maybe we pull out the bbq even and we tell them then. I mean, we made it 6 months engaged and none of them had a single clue. I like the thought of this being between us for a little bit.”

“That sounds like a great plan.” He leans over and looks at you with an almost devilish smirk. “Now, let’s get home so I can get you out of that fucking dress.”

“Mr. Morales, you have quiet the mouth on you.” You tease amusingly.

“Well Mrs. Morales, this mouth also has plans for you this evening.” His tone hushed as he spoke, a wink to seal his response.

You close the space between you, feeling his plush lips against yours. “Then take me home soldier.” Your tongue peeking out, the softest lick to his lips before pulling away and settling back into your chair.

“Can we get the check?!”

*

It was dark by the time Frankie pull the truck into the drive way. The stars like little fireflies lighting the sky and the moon silently vigilant as it settles in for the night.

“Did we leave a light on before we left?” Unbuckling yourself and noticing a faint light illuminating the front room, a slight panic creeping in your eyes.

“Hmm, I thought we turned them all off. Go head on in and check it out, I’m gonna lock up the truck and grab the leftovers.”

Thankfully the door is secured and you don’t see any sign of a break-in or anything out of place, relief washing over you.

Stepping through the threshold into the house you’re met with an unexpected sight. Dozens of white roses on every surface surround the open room, the floor draped in a sea of white petals. Bouquets covering the kitchen island where small candles are lit, the glow you saw from the window, more bouquets as you look into the living room.

You’re completely speechless and in awe of the beauty of the room and you’re so confused trying to figure out where they all came from. Clearly someone did break in? But decorated with flowers and locked up after they left…

Footsteps through the doorway bring your attention back to your surroundings, their presence stopping behind you.

“Frankie? What are all these flowers doing here?”

He doesn’t respond, but you can sense that he’s there. Pulling your eyes away from the flowers you turn to face Frankie, except he’s not level with you when you do so.

There before you is Frankie, your husband, kneeling on one knee looking up at you holding a small box in his hands.

“Frankie?” A wave of shock and elation crash over you in a matter of seconds. “What are you doing?”

“Hermosa… I know you said you didn’t need some big extravagant proposal and seeing as how we just got married just a few hours ago 6 months after meeting, we definitely don’t follow traditions.” His voice is so soft, and his eyes have never looked brighter.

“This is me promising you a future, a life where you are not alone. From the moment I met you, I knew I wanted to be apart of your life in some capacity and I wanted to make you smile everyday because it was the most beautiful thing I’d ever seen. Everyday I wake and think of you and when I sleep I think of you, you consume me with your laughter and your words of encouragement and your ability to live without abandonment.” You gasp as he slowly opens the small box revealing a ring. The design is simple and elegant, a beautiful stone setting with a unique design on a wider gold band.

“Te amo Hermosa. Will you be mine forever?”

You can’t stop the tears that are pouring down your face, you can’t even properly form any words as you nod your head reaching out for him, standing to his full height, placing the ring on your finger.

“I just need to double check that was a yes?”

“Yes! A million times yes!” You laugh through the still streaming tears, swatting at his chest as you look down at your hand, the ring sitting perfectly on your finger.

“How did you manage to get this all set up? It’s beautiful by the way.”

“I enlisted Hannah to help.”

“Hannah knows?!”

“No. No she doesn’t know what it was for exactly. I just said I wanted to surprise you after a dinner with flowers, I didn’t realize she was going to go all out. Remind me to check my credit card later.”

You kiss him, soaking in the moment with him. “I love you Frankie.” You whisper against his lips before you begin kissing him again.

“Wait, there’s one more thing.” He states as he pulls out his phone. “I also had Hannah show me how to use my phone with the speaker, something about blue teeth?”

It takes him a minute to get it connected, but he manages to get it hooked up. Music begins to play, it’s a softer song and you realize it’s one of your favorites. You’ve played it numerous times over the last few months, claiming that the song remind you of yours and Frankie’s love for each other.

“Can I have this dance?” Tossing his phone to the couch and holding his hand out to you.

“Always.”

The song played on as you both held each other, the soft sway of your bodies around the room. The flicker of the candles still adding a touch of light, laughter and kisses exchanged as he spins you about.

This was only the beginning.

[chaikachi]

Treasure is a Rosegarden Song

HEAR ME OUT OKAY. I've known for a while it could be sort of linked back to them, but it felt easier to brush it off as a general whole team reunion song... Until today's new episode.

⚠ SPOILERS AHEAD, YE HAVE BEEN WARNED ⚠

We got a very big win today with the Bees, they even got a whole new song that Casey has confirmed is bmblb part 2 (check her twitter, i'm not linking it lol). Which... really makes you wonder if they'd have that many Bees songs back to back, right? An argument can surely be made for it being a song about Yang and Ruby as that's the first reunion in Ultimatum that we see, but the lyrics don't really imply a sisterly bond. It could be Renora as the other couple that had a hint of a reunion that scene... but they didn't have a proper one. We got it and their confession in the following episode.

Which leaves the only other focused relationship dynamic in that moment: Ruby and Oscar

And why would it be an RG song? Well, they're the only 'pair' that got separated in v8 that didn't end the volume together. The teams were split down the middle with very clear foils:

Yang to Blake Ren to Nora Weiss to Jaune Ruby to Oscar (Also Ruby to Yang but this ain't about them)

But when Atlas fell, Ren and Nora were together in Vacuo. The bees made it to Ever After. Jaune and Weiss did too... but Oscar and Ruby? They're the only ones that are still apart. And this song is one about absence of another and awaiting a reunion. So lets dive into the lyrics proper, shall we?

Night and day, I've waited

For starters, the sun and moon symbolism that's been thrown around for them since their introductions. Yes, the Bees also have a celestial union going on, but again please bare with me.

All alone in crowded rooms I'm incomplete, my life is paused When you're not here

This is the longest portion of the analysis as the line "all alone in crowded rooms" is so heavy.

It gets tricky when we can't see Oscar's state rn (i will come back to him in a minute tho), but we do know Ruby's. We know that she is preoccupied with a lot of things. She's weighed down by Penny's death, by the internalized expectations she has to be just like Summer, this perfect hero from a fairytale, and is alone in her burdens as a leader. Romance is likely the last thing on her mind. But she is feeling loneliness, isolation, and left behind. We can see that in all past volume examples quite literally (like the above photo, the dance, Brunswick farms, her team not wanting to explore Atlas after their first mission, etc.), but it's really being driven home in recent episodes between the Blacksmith (Carpenter?) and Ruby's reaction to the Bees.

"You're doing this all alone?"

Also just... the way they're all positioned in this scene is so intentional. Yang and Blake are together and they are warm by the fire. Weiss is drinking some piping tea and smiling at them. And Ruby is sitting alone at a table with an empty chair, draped in a teal/green cloth, furthest from the fire. Remember the song "Cold" and how it's used as a metaphor for loss, loneliness, and grief throughout the show? Yeahhhh.

Recognizing Ruby is alone in crowded rooms begs the question of who in the cast makes her not feel that way. Well, anyone that's spent any amount of time looking at RG knows their entire dynamic is built on relating to and respecting each other for their similar positions. That out of everyone, Oscar has been the one to see through Ruby's mask and got her to actually open up about her grief. On the opposite side, Ruby helps Oscar in much the same ways he does her. By constantly watching his back, standing up for him, and reassuring him that despite the merge he is his own person... but he is also someone familiar with this feeling.

By virtue of being an Oz, he's already alienated. He joined the party late and doesn't know everyone as well as the others. He's also the youngest of the bunch and that's a lot of pressure that Ruby is familiar with.

So out of every pairing in the cast, these two are the ones that feel the most alone in crowded rooms and, by extension, less alone when they are together.

Though I walk this world I am nowhere to be found Every thought's of you And for now, you're not around

The singer here is saying that they don't feel present or grounded because of the absence of someone else. Their thoughts are with the person they are missing... but the wording about 'walking this world' is so specific when RG is the only pair split between worlds.

If this is from Oscar's POV, then he isn't found on Remnant. He's found in Ever After because that's where Ruby, and therefore his thoughts, are. The reverse POV also works, but in Ruby being very prioritized with the state they left Remnant in and her team consistently trying to pull her back to what's happening right in front of them.

But that's alright I'll be just fine I'm not concerned With sands of time

Sands of time is another very specific wording choice. Hourglass being associated with time is a give-in... but knowing what we know now it could be a lot of things. The Ever After is messy with time; we're seeing that firsthand with Jaune. But with Ruby and Oscar being the only ones still separated, there is an anticipation and a 'waiting' happening.

Beyond sands of time, Oscar - who has clock gears as a constant motif for his character design - is surrounded by sand as far as the eye can see in the deserts of Vacuo.

If forever comes and goes, I won't pay it no mind

Oscar is Oscar, do not misconstrue me here. But who, out of everyone in the cast aside from Salem, is most familiar with the concept of 'forever'? The one currently merging with a man who's lived a thousand lifetimes.

Hour after hour, I spend Dreaming that your voice will wake My slumbering ear Numb and lost I wander with No place to go, just aimless 'til You reappear

This is much like the earlier verse talking about loss and being directionless without their light to guide them. This song has some parallels to a few others, but for now I want to talk about Sky is Falling, which we know is an Oscar song:

Our world, lost without a soul Losing all control, not getting closer Every day is just another dose of torture (Torture) Now we pay the cost, the race is lost This nightmare's our real life

This can easily be linked back to wanting to wake from a bad dream and feeling lost without a (smaller more honest) soul being present. Later in that same song:

Lost all my hopes and dreams

Being numb and lost without hope. Ruby being the embodiment of hope.

Watch my life flash by in scenes And it seems there's no soul on the video screen

I am aggressively reminded of Arkos and Jaune watching Pyrrha's training video on a loop. Would bet actual money Oscar is doing the same of Ruby's broadcast back in Vacuo... because he was the only big name in the cast that wasn't shown watching that video when it went live.

Cold soaked as I'm standin' in rain Feelin' nothin' but pain until I see you again

Once again tying into feeling lost without the other.

Back to Treasure:

'Til you come in view I keep watch with these sore eyes Looking through the tears As the days creep slowly by

Emphasis on seeing each other again which can also be linked to the above stanza from Sky is Falling as well as Until the End with rain and tears being almost synonymous. (Until the End and Treasure have SO many parallels that I can't talk about all of them here without it becoming a whole separate post. Maybe later tho!)

Nothing's gonna shake my faith I know you're coming back real soon to my embrace

The emphasis on embrace when RG was the only pair that didn't get a hug.

Though time goes by so slow I'm never letting go I won't give up, if I spend my life I know

The time motif again followed by "I won't give up" paralleled to Ruby's line in her broadcast where she says "Even if Atlas falls, you can't give up."

"Atlas" also meaning Ruby. "You" being Oscar and the rest of the people still fighting. Oscar, who took up her mantle of leadership in a way through his costume change and actions in v6 after Ruby stepped into Oz's role.

And then lastly, the song's namesake:

'Cause the treasure of my life Is being by your side

Treasure, by definition, has two different meanings.

noun 1. a quantity of precious metals, gems, or other valuable objects. verb 1. keep carefully (a valuable or valued item).

The song at face value is talking about treasure as the verb. The act of treasuring or cherishing something precious. But much like some other double meanings in this song, a very strong argument can be made for the noun definition as well.

Ruby, who's first name literally means 'precious red gemstone'. Ruby, who's eyes are Silver and how that has tied into Rosegarden since their very first meeting. Oscar, who's eyes glow Gold with his own magic. Who's first name can also be easily associated with the colour by way of the award show statues of the same name.

If those are symbolisms associated with Oscar and Ruby, while Yang and Blake get a song called bmblb for being the same colour as bees and having a confession in a garden... then I think there is no other duo that the song Treasure can be about.

[queerpiratebrainrot]

ALRIGHT!I JUST WATCHED THE MIRACULOUS MOVIE AND I HAVE THOUGHTS! There will be spoilers ahead, so tread carefully

A list, in no particular order, just how they pop up in my head:

The animation was STUNNING! Just, props to the animators, I enjoyed the movie visually SO MUCH! From the use of colours and lighting, to the way they used all of that to upgrade the characters: it was absolute perfection. (though some of those close up shots of Hawkmoth were A Lot. But that was probably the point)

The absolute chaotic energy that both Tikki and Plagg (but mostly Tikki, cuz unfortunately. there wasn't a whole lot of Plagg, which I understand due to time, even if it is sad) is FANTASTIC! I adore Chaotic Tikki so much. She has my whole heart! That little scene of Tikki pushing Marinette's hand to Adrien's? Lovely. Tikki explaining absolutely nothing to Marinette when they first meet? Perfection. Just. Give me more Chaotic Tikki, please!

The soundtrack? WONDERFUL! I kinda knew it was a musical, I think, but I completely forgot, so when Marinette sang those first few notes, I had to catch up a lil, but DAMN I was excited! (sad we didn't get Ce Mur Qui Nous Separe (I don't know the english name oops), but it was still fun!)

On that note: Adrian having the most Disney Princess I Want song in the movie is just perfect. No other words needed. Best choice they could have made there.

ALSO on that note: Marinette's singing voice? BEAUTIFUL! It fits so well! I just couldn't help but enjoy her songs, if only for that.

BUT I didn't have to, because the music itself, without the lyrics was just so well done!

Slightly less good: The hawkmoth song was missing some flavor, in my opinion. It started out, and I was EXCITED cuz it started so HARD and then it didn'treally deliver, I think. It kind of kept in the same range and didn't really go up, ya know?

I really REALLY liked Marinette and Chloe's relationship. The way Marinette fired shots back at Chloe, and they actually seemed to be becoming more frennemies? Amazing. I wish we would've gotten more of that in the tv show, considering earlier seasons Chloe and her character developpement, but I really enjoyed it here, in the movie

I'm happy we got to see Gabriel and Adrian actually confronting each other. Both Adrian standing up to his dad (although the timing was a little off, more on that later), AND Gabriel finding out his son is Chat Noir and the resulting Crisis. At least there was some emotional pay off there! (looking at you, season 5 finale)

NOW on the timing thing: There just wasn't enough time. I understand that they wanted to do the superhero origin story for people who aren't familiar with the show but do go to see the movie, but I feel like they just didn't have the necessary time to create the emotional tension needed for the end scene to actually hit as hard as it could have. We got to see a hint of Adrian and Gabriel's relationship, and what was shown was great! But if we had gotten a little more of that perspective and tension, it would've felt better to watch Adrian stand up to Gabe and his parenting skills. And consequently, enjoyed more of the end scene with them figuring out each others identities. Genuinely, I was happy we got at least some pay off there, but it felt too easy. (which again, makes sense due to the limited time, but I feel like they should have made choice: either the Big End Fight with Hawkmoth, OR the Origin Story. And since they did kind of set up a possible sequel, I feel like the choice could have been made)

With the feeling of too easy: I had the same feeling of Marinette and her finding confidence in herself and Ladybug AT THE END! The sudden change during the montage, I liked and felt like it made sens, since we then, during the big battle, get Marinette's insecurities over only being confident when she's Ladybug and all that. That is wonderful and so in line with the core of who Marinette is as character, no matter what version of her we get, that I love it very much. I would have enjoyed a liiiiitle more time with the Angst, but it's allright!

MOSTLY CUZ: that scene where she's dragging Cat Noir's unconcious body onto the debris of the Eiffel Tower, and she goes 'Don't. Touch. Him.' through tears and with a broken voice? AMAZING! When I tell you I Went FERAL! My children! absolutely STUNNING

The actual fight of the end battle? Marinette surrounded by flame and a Paris that is falling apart? Ladybug in Hell, essentially? GORGEOUS! Cat Noir running up the Eiffel Tower to fight Hawkmoth? Stunning! The Eiffel Tower slowly collapsing, as Ladybug watches and cannot Do Anything to stop it? HEARTWRENCHING!

Marinette revealing herself to Adrian at the ball? AMAZING SCENE! (although i laughed and had to utter 'Real Subtle, Marinette' when I saw the ladybug wings on the back of the dress, which was, againg, stunning). The way the scene was framed like the rejection scene? WONDERFUL!

The glitter on Chat Noir's mask? I loved it! Such a fun little detail we don't get in the show!

Did not like the Plagg farting scene. Just. No thanks. It's cheap comedy and that runtime could have been spent better, with a better characterisation of PLagg and his relationship with Adrian. But whatever, it's fine.

THE LADYNOIR CONTENT AND BICKERING! JUST FANTASTIC! ladynoir stans got FED this movie, and I am HERE FOR IT!

So yeah, that was an incomplete list of my thoughts on the movie! Overall I really enjoyed it! I really liked this version of the characters and their relationships. They feel a lot more genuine and real in comparison to the tv show, in some ways. I had so much fun watching it, and will probably go a second time, to see how it'll feel like on a rewatch. And just to enjoy the vibes. I do hope we get a sequel, because I am Curious. And would love more Natalie content.

[sophiethewitch1]

hey sophie! ive been listening to the www playlist a lot lately and was wondering if you could bust out ur playlist thesis? however much ur cool with sharing!! would love to hear your thoughts hehe. also, are there any bonus tracks we can listen to from the big og playlist?

i want you to know that for this entire post I was doing this

absolutely constantly. raving maniac mode. under the cut so i don't make everyone hate me for all the bullshit im about to spout and like some cough cough future hints. No actual spoilers but like... vibes and things that are obvious. Me telling you there will be yandere things in the yandere story, shock horror. These songs are the trailers/animatics in my head so uh. It's kind of hard to explain them without that (which is why I literally CAN NOT) for a couple of them lol. Oh!!!! And I've also got some other songs that really should've made the playlist but I just didn't add for some reason. Laziness or whatever. One's literally called birthday party. I uh. Don't think I need to explain that one.

But also I just like, whatever who cares if some of the songs on there aren't ones I 100% associate w what we want so here's the full playlist live your dreams. Most of them I associate at least a moderate bit. BUt under here is the fucking essay I've somehow written lmao I lost my mind somewhere along the way.

WHAT YOU GONNA DO??? By Bastille and Graham Coxon is first on the playlist for a reason. It's sort of like, similar to the rocking feeling of what being cramped on the subway was like to me? And it's a song that's pretty obvious with the lyric comparisons. The 'you' in the title IS you! What are you gonna do? You have us (Gotham, the world, the batfam) listening, so what are you gonna do with it? And it matches readers future response quite well I think. And it feels like something that a superhero would have in the background, which certainly helps.

Keep You Mine by NOTD and Shy Martin was actually just one of those songs you were listening to on loop at the time you were doing a thing, and then became intrinsically linked to that thing, but it still represent WWW quite well! It matches more so the later acts of the story, where you and the boys will have some issues staying together with eachother. But it's still poppy and romantic in tone!! Because you guys and your relationship, despite everything that'll happen, you want to keep each other y'know? And reader's like possessive and jealous in a cutesy way to offset how absolutely psycho bonkers the guys will end up being... But I also feel this too matches the superhero vibes? Somehow? The fight on of it... You must keep fighting, for each other!

Tinfoil Hat by Dolo Tonight is like,,, about the frustration of being a Gotham resident I suppose (or anyone living in late stage capitalism with a mental illness) but especially you! Since you totally fucking got ripped from one universe to another and um, i don't know if you've noticed this yet but... there seems to be some issues with readers idols??? Seeing as you love the waynes but hate the bats. Please duck under the comically large chekov's gun and come this way. Also because reader for a little bit does geniunely think she's crazy and need to go to the psychiatrist but obviously thinks that is the worst idea ever because the gotham mental health system is really just prison. and it's a prison with her nemesis. not the place to be.

Live, Learn, Die by Lavin is pretty obvious too, but in a much sadder tone. Reader as a character has at this point come to a conclusion that I'm sure many of us do in their lifetime (I know I have at least) which is that... things suck, and then you die. She doesn't want to die, but she doesn't really particularly actually want to live, she's just so damn focused on survival she's never actually even had the time to realise that. This other version of her who didn't have 24/7 adrenaline running in her body was obviously significantly worse off and seemed... off. If everyone you love is dead, is surviving for them even worth it anymore? She's still learning, so maybe she'll learn something different this time...?

Next song is a spoiler so skipping it <3! Lmfao interpret this however you'd like

Thelma + Louise By Bastille is a song about a scene that I am so damn eager to get to which unfortunately is in act fucking 3 which is my favourite but like. Suffering I am suffering :) Anyways I can't tell you too much about it because of but I will say that it's a road trip between you, Dick and Jason! It's very fun and absolutely no complex feelings are involved whatsoever. You meet Lucy the giant elephant (actual roadside attraction in new jersey lmfao). This song is Dick Grayson coded in like... mostly sunny vibes. Like the warmth the song gives, that's how you make him feel.

Temper Temper by LimeCordiale is a song that is about... you and Jason... and his poor poor habit of enabling you. 'Me and my girlfriend that I let do whatever she wants to me because shes hot' core. Bruce sees the two of you in the landing and gets immediate d10 psychic damage it's impressive. Anyways if anyone ever angers you (which I'm sure they never ever ever will :)) he's probably going to be there to back you up, because 'you know that that's what I like'. That video of you punching George is private time material frankly.

Next song is ALSO a spoiler which um. cough. 😳 let's not look too deep at this one actually folks

Werewolf By Quinn XCII. Ah yes, the yan in the yandere story. This one is ALSO about Jason but this is the most Jason coded song. I will say that this also features in the story at some point (you, Molly, Dick, Jason and some very poor suffering grunts). It's the lyrics. I've always said Jason is a loyal dog and I stand by it till the day I die. He also feels like a feral animal that constantly kind of wants to swallow you whole which is romantic I think <3 <4 But geniunely put that thing on a leash for the betterment of mankind. I mean you make them all feel like starving monsters Jason's the only one who has any self awareness unfortunately, which is why this is HIS song. Also because he'd be a werewolf, case close your honour. Dick'd be a vampire it's LITERALLY canon. WHat was I talking about

Ghosts by The 1975 got on here because I heard the first line and went 'hA!' because it really do just be 'You... You always seem to get what you want.' and also the "You seem to get better" is fuckin. IT'S SO GOOD MAN! That's EXACTLY what the guys are thinking when the next few chapters start coming around which. Really were supposed to be out by now whoopsie but yknow like. Anyways you ARE gonna start working on things!!! You're gonna talk to Molly!! You're gonna get more flowers!!!!! God damn it, you're gonna get what you want!!!!!!!!!!!!! (at least this first bit oop)

Next two are spoilers again, but this time you absolutely won't be able to guess because they're both animatic inside my own brain so take that! And I mean you REALLY won't be able to guess they're great scenes can't wait for you to see em. I can't wait either tbh why am I writing these stupid filler scenes lmao. why can't i skip to the end of my 200k enemies to lovers slowburn just to write the final chapter (did this to herself)

Together We're Screwed By Robotaki and Nevve is a song I've loved for ageeessssss bro because there is (to me at least) nothing more romantic than being a terrible horrible unredeemable person with the one you love. Hand in unlovable hand baby! That's like... the fic I guess, together the five of you are screwed. And it just matches that same earlier mentioned vibe of like... poppy kinda techno-y kinda superhero-y kinda loser-y. Listen to me, listen to me... This fic is about many things and I'll say it again and again and everytime it's true in a different way and this time it's true in this way. This fic is about being about being a loser and bad at everything and still managing to get what you want. Actually that might be what this fic is actually actually centrally about. 'We're both a mess, we just can't get it right. Together we're screwed. I'm looking at you, I'm looking at you~' like, be a mess!

And now we're at the exciting new

Birthday Party by AJR is like the equivalent of what would be a canon event for this au. Your birthday HAS to happen and it HAS to suck ass and all your family HAS to die on this day for some reason or another.. Some people told me when they had their birthday they thought of my fic and I was like damn bro who hurt you? /jk but really reader's birthday is kind of a reflection of... you know, everyone has at least one of those sucky as birthdays. And you've gotta paste on a brave face and pretend you don't want to cry and that it's all not too much and that for some reason you're disappointed and that the trudging march of time scares the shit out of you and that you haven't achieved anything this year and- You know? 'And that's just how it is.'

Okay I've run out of videos I can add but there are only two songs left so!! Ima finish this anyways.

Inertia by AJR is a song where again the lyrics speak for itself. Before you woke up in a slightly different world where everything was just slightly different, your life was stagnant. You were stuck, absolutely. Despite trying to break out of poverty, out of your circumstances, fortune simply wouldn't smile on you. And again, that other you seemed to reflect that stagnancy. She wasn't going anywhere either. In my head I see the two of you dancing like marionettes alone on your stages alone, unable to fight against the strings pulling at you. It's only till you start dancing with eachother, till the strings start tangling that you start getting any freedom. That you're able to start getting anywhere. Maybe being set off course was the best thing that could happen to both of you?

Something Just Like This by The Chainsmokers and Coldplay is a song that both me and my mum love, and also one very fitting to the superhero theme! And it's how ALL the guys feel about you!! You're really just a civilian, you're not that important in the grand scheme of things... But why do you like them? It's for such stupid reasons. It's because of the way Damian reads romance novels and Jason never properly tapes his nuckles and Dick has a stupid bleeding heart so he keeps taking too many hours at the Bludhaven pet rescue and Tim always fucking sends you the new york wordle, connections, crossword and spelling bee first thing in the morning and then asks if you want any help when he knows you want to do it on your own and- Every single moment of you is done with such love and sincerity and heart and they can't help but fall in love again and again and again. 'I want something just like this' is a phrase they'll say to you and you'll say to them too.

[contritecactite]

As ever, it takes the tiniest hint of encouragement (thanks @grimboigio ) to goad me into generating a wall of text. Well, actually, the wall was already there. Big big Hades II spoilers below in the form of messy half-baked notes I've been jotting down as I play. Some are just things that I got excited about, but there's a tiny sliver or two of theories and expectations.

I think we're headed for no happy ending, just acceptance—the battle is against Chronos, but it's really about *time* as a concept; for these gods, time really did take its toll and change the way mortals relate to them. Supergiant will never make another sequel for the same reason: things belong in their own time.

The lycaons *could* just be heralding Cerberus, but they somehow give me a sense of the trappings of Roman the Empire creeping in (in an intentional, storytelling way). Same with the emptiness of Ephyra and the hints of war in the mortal aspect. It feels like this is the fall of the cultures we now call "ancient Greece" as told through the eyes of the gods who get left behind or changed.

Apollo is giving me traitor vibes. He had a line about how we "have all the time in the world," and there's just something too carefree about him.

This feels like a lovely little patchwork quilt of Supergiant games. Homer is more reactive like the Bastion narrator. The music, the social bonding opportunities, and the inventory and lore screens feel a bit like Pyre. Some upgrade systems remind me of Transistor, and the mood reminds me very much of it as well. The writing and combat are still very Hades, and there are new aspects that speak of a team that has taken the time to understand what works, what doesn't, and what improvement and innovation should look like within their existing framework.

Echo's whole thing is fucking clever. Those gifts: Either repeats or diminishing returns—just like an echo. Holy fucking shit the way I vibrated when I met Echo the first time.

I love my randomly assigned college roommate who never goes to her classes and moves all my shit for no reason (Dora). If she were my actual roommate, I would feel a very different way about this.

Eris is perfect. I love her being mean-spirited mischief rather than brute force or accidental mischief; it feels like a unique character composition. She's awful. I can't stand her. She's perfect. She also reminds me of Spoiler from Pixie Tricks, a series I read as a kid (both in personality and, vaguely, design).

Nemesis and Artemis sound like they have a no-strings on-again off-again kind of thing going on and I love that for them. Also hope Charon and Hermes get to see each other again soon bc I'm rooting for them so hard.

I literally shrieked when taking out one of the sirens *actually impacted their contribution to the song*. I shouldn't have been surprised, but it was so much fun to hear it happen anyway. Very immersive! I'm also in love with Scylla. She reminds me very specifically of Ryan Stiles' Carol Channing impression and a little of Dolly Parton. Also. Her fucking hood. Jesus.

One of my favorite things about Hades is that there was nothing that an enemy or boss could do that you couldn't do through some combination of boons, weapons, and upgrades. The same seems to hold true here so far, and I just can't say enough how *cool* that is. The worst part of any combat-heavy game to me is the realization that the boss or even the cutscene of your character can do things that you, the player, can't initiate or control during a regular battle. Hades says "yeah, fuck that. It'll look different when you do it vs. when that sea serpent does it, but you can accomplish the same action/effect." Likewise, there's practically nothing your character can do that isn't also usable by at least one enemy. That keeps things balanced and combats the sense of "ah yes, you are the Most Special Chosen One" that's often inherent to RPGs. It gives the sense that skill matters a lot and makes me as a player feel skilled—I'm not visually doing anything that my enemies can't do, so... maybe I'm actually kinda good at this? (I am mediocre at best, but the game lets me *feel* skilled).

Additionally, just as in Hades, the enemies in an area are very informative about how upcoming bosses will behave. It rewards a player for paying attention and makes each enemy populating an area make *sense*.

After beating the sirens, ALL I wanted was for Melinoë to be able to have one single fan among the shades like Zagreus in the Theseus map. What I got was even *better*; the same type of interaction, but in a way that takes into account *her* task-focused, serious personality while still giving a little bit of levity. She is *done* with being here and ready for everyone to clear out, and that grumpy shade is not having it. He even makes a new little face! Love you, purple shade in the corner.

Oh, hey, charybdis, there you are

THE 2 IS IN *ROMAN* NUMERALS I'm having a moment

yeah that's it that's what I got. For now. My gaming buddy keeps falling asleep when I try to gush and talk through things, so Tumblr gets it instead.

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART NINE: if you haven't read previous parts, do it now! —

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 10 ]

Welcome, friends and travellers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(no, this gif isn't the spoiler, I just like it.)

The Story of Solas: Him Solas Evanuris, Da'durgen'lin (2/3)

— The War That Made Him 'Sing Our End' —

If you're still here, I thank you, from the bottom of my tired heart.

From one single achievement icon, we've unearthed (hah) the workings of Thedas, its realms, its magic. We've come to understand the Evanuris, and we understand one of the youngest of them.

Now, we understand his title: the Dread Wolf, Fen'Harel. Walker of the in-between, as much Evanuris as he is Forgotten One. Da'durgen'lin, boy made from stone. The blight given to the Titan, Terror.

His existence opened the pathway to the end of all things. He and Mythal would fight to stop it. Mythal would lose the fight, and Solas would lose the rest of the world.

Let's keep going. Part 2 of 3, y'all.

Seriously, as ever, go read the other parts before this one. If you need to only read a few, then read 1, 3, 4, 5, and 7 (linked above). All of those matter for context here, you've been forewarned!

This post is going to be long. Let's dive right in. We've got:

The Beginning of the End, and the Rebellion that Tried to Prevent It

"The Wolf Chews Off Its Own Leg to Escape the Trap"

The Prison; the... Gangue?

Uthenera, and a Love of the Fade

The Truth About Solas No One (in Thedas) Ever Found... but We All Heard

(screenshot from the June 11 gameplay reveal.)

There were little hints to Solas being from icy terror throughout Inquisition, and I want to make quick mention of them.

First is the fact that when you load up Inquisition's prologue, Solas does not have one point in Spirit talents, as one might expect. No: he has one singular point in Winter's Grasp. I never could figure out why. This would make sense.

But also, one more small thing I noticed? If you solve a puzzle in Trespasser (the one in the Shattered Library) and open up the Dread Wolf statue's chest, you get... Rime.

An ice sword. The description says, "Etched into this blade: 'The way is full of tests and danger. Watch with the coolness of contemplation to stay safe.'"

Coolness. Contemplation—another word for wisdom, that was mentioned in the 'Callback' short story of Tevinter Nights as one of the potential spirits behind the big Regret demon. Both of those things being associated together: icy contemplation? Cold calculation?

Uh huh. UH HUH. OKAY MOVING ON. The next point I want to make is even more important, and I don't have time to hunt for every tiny mention of ice-Solas when we have a day and a half until Veilguard.

Take a breath in with me.

Solas has been singing to us this whole time. His song—the Hallelujah cadence—has been how he has told us of his past, the whole time. Every time he remembers his origins, his history, he is speaking in song. And the very first of those songs, that I can see?

"They're all singing. Coffers, coffins, corpses that aren't dead. A song crying out in the dark." — Cole dialogue, Trespasser

Cole is right, here. (and always.)

It is Mythal's lullaby to Solas, in the same cadence. Calling him into being, using the song he knows best.

His whole life has been a ballad. Not the ballad of his rebellion—though that was one piece of it.

The ballad of the Dread Wolf. The ballad of the blight.

Let's follow its story.

The Beginning of the End, and the Rebellion that Tried to Prevent It

(screenshot specifically from this Kala Elizabeth video that I have seen before, i swear i am not going through youtube or looking at new content!)

Remember what we know so far: Terror was the first Titan gone wrong. Before that, the elves did not call them Forgotten Ones, because there was nothing dangerous enough to necessitate forgetting.

It was Andruil, stalker of the Void, who would hunt the Forgotten Ones AFTER they had been named such. Who would break rules, cross boundaries, and return blighted.

It was not Terror she hunted. It was Pestilence. The other Evanuris each had their own Titans that they mined, and the others were all fighting back.

Solas's rebellion—which I imagine Mythal was his ally during—aimed to stop the Evanuris. Who better, after all, right? Who better, than the one who had survived what they hoped to unleash? Who better, than the one that the People recognized as stronger than the blight?

But to just curb their usage of blight magic would never have been enough.

It does not matter what the Evanuris did with that blight, initially. It matters that the blight existed at all, and we know that every single one of the Evanuris did actions that caused every Titan to fight back. That's why they have the names they do: terror, malice, spite, pestilence.

The world was doomed either way, because when the Titans turned before the time of the Veil, that meant that the Fade, a part of them, was also doomed.

There was nothing the damage would not touch. The only possible thing would have been to somehow have the Evanuris make up for all their many, many horrors—and would you forgive them, if you were a Titan, knowing what they've done?

We don't know the exact details of his rebellion, yet, and so I cannot properly analyze the legends of Fen'Harel that would have taken place during this rebellion (such as the one with Andruil and Anaris). I also do not have the time to devote to researching them before finishing part 10 of this series.

But it could only end one way.

With the Veil going up, the Evanuris locked away, all the Titans sundered from all their conscious minds—to save the Titans from THEMSELVES.

"The Wolf Chews Its Leg Off to Escape the Trap"

"He broke the dreams to stop the old dreams from waking. The wolf chews its leg off to escape the trap." — Cole dialogue, Trespasser

I never understood what that meant, before. Solas created the Veil, yes—but what about the Veil was his leg? Because "chews its leg off" implies that Solas has done personal harm to himself, specifically, in the creation of the Veil. What would be true for Solas that is not true of the other elvhen impacted by the Veil? Shouldn't all of their legs have been chewed off, too, in this analogy?

No: because there was one of the Evanuris alone who walked among both clans of gods, remember?

Fen'Harel. Evanuris and Forgotten One. Da'durgen'lin, who the Titans recognize as their own. We do not know what happened to Solas during his rebellion or how he communicated with the other Forgotten Ones (or, I do not know yet, and have no time to find out), but we do know that he walked among both, seen as a peer among both sets of gods.

That means that, for all he looked like an Evanuris, some part of Solas still was Titan-borne, in ways none of the Evanuris were. What might the distinguishing feature of one of the Titan-borne be?

The song. The one he continues to speak in, trying to hint what happened.

Forever calling for home.

In creating the Veil and sundering the Titans, Solas broke his own home, his own source of life. In sundering the Titans, he sundered a fundamental piece of himself.

Who among the audience remembers Solas's greatest fear, as seen in the Fade during Here Lies the Abyss?

Dying. Alone.

Not dying without Mythal. Not dying without Arlathan. Not the empire of old never being restored.

Dying.

Alone.

While you're reaching for the nearest tissues, let me pull up some Varric/Solas banter for you.

Solas: Do you ever miss life beneath the earth? The call of the Stone? Varric: Nah. Whatever the Stone - capital S - is, it was gone by the time my parents had me. Solas: But... do you miss it? Varric: How could I miss what I never had? Varric: But say I did have that sense, that connection to the Stone. What would it cost me? Varric: Would I lose my friends up here? Would I stop telling stories? Varric: I like who I am. If I want to hear songs, I'll go to a tavern. Solas: You are wiser than most.

Solas is afraid. He is afraid of being the only one to remember the call of the Stone. Do the other dwarves miss it? Will they ever fight to have it back?

Solas: Is there at least a movement to reunite Orzammar and Kal-Sharok? Varric: What is it with you, Chuckles? Why do you care so much about the dwarves? Solas: Once, in the Fade, I saw the memory of a man who lived alone on an island. Most of his tribe had fallen to beasts or disease. His wife had died in childbirth. He was the only one left. He could have struck out on his own to find a new land, new people. But he stayed. He spent every day catching fish in a little boat, every night drinking fermented fruit juice and watching the stars. Varric: I can think of worse lives. Solas: How can you be happy surrendering, knowing it will all end with you? How can you not fight? Varric: I suppose it depends on the quality of the fermented fruit juice. Solas: So it seems.

Most of his people fell to disease. He was the only one left.

Solas isn't talking about the blighted elves of ancient Arlathan. He is talking about the other beings of the Stone, all succumbing to the blight. The defence mechanisms of the Titans he was forced to sunder and put to eternal sleep.

Solas: I am sorry to have bothered you with my questions about your people Varric. I see so much of this world in dreams. Humans, my own people, even qunari. Dwarves alone were lost to me, save scattered fragments of memory where some spirit cared to watch. Now I know why I see so little. Varric: And why is that? Solas: Dwarves are the severed arm of a once mighty hero, lying in a pool of blood. Undirected. Whatever skill of arms it had, gone forever. Although it might twitch to give the appearance of life, it will never dream. Varric: I'd avoid mentioning that to any Carta, Chuckles. They might not take it the right way.

Because the Titans are all gone, as far as Solas is concerned. They are gone, because it was necessary to sunder the waking world from the dreaming one. The Titans needed to be disarmed—and the Evanuris needed to be so caught off guard, they would be vulnerable. He only needed to successfully complete one ritual.

One we already know exists.

The Prison; the... Gangue?

(screenshots from Kala Elizabeth's video. i know her channel is spoiler-free!)

Solas did not intend to cause worldwide destruction with the Veil; it was what he had to do. He put the Titans to sleep so they would not—could not—fight back, and imprisoned the Evanuris so there would be no one left alive to manipulate the blight.

"Solas doesn't want to hurt people! He's not that kind of wolf! Qunari don't see." — Cole dialogue, Trespasser

But the Evanuris could not exist in any normal prison. Had they access to their bodies in any capacity, they would have killed each other, knowing they would soon come back through their archdemons.

Solas needed to take all access to their mobile bodies away. I wondered how, because we see him standing in "fade jail." But what I had not seen, or what I had not known to look for, were the statues all around Solas.

We know, from Inquisition, what can be done with those statues. We see it in the Hissing Wastes, and the Tomb of Fairel questline.

Until further notice: Do not tamper with the torches! Lighting them in wrong order summons demons. The inscriptions on the pillars indicate the correct order, but wait until we have confirmed the accuracy of our translations before proceeding. I have made maps to the other tombs where there are similar structures. Let the same warning stay your hand there. - Magister Gallus Below this, someone else has written complicated formulas and scribbled many notes: - Demons bound into the rock! How did the ancient dwarves manage it without mages? (Binding runes? Subtle properties of stonework? Investigate!) - "Gangue" carved into walls. Could be translated from Old Dwarven as "Stone waste" or "Impure spirit-of-the-stone." Dwarven superstition, saw demons as "impure" spirits of rock? - Study impossible with dormant demons. Ask Sephus and Urathus for help with binding.

Demons can be bound into stone. But what is a demon? A demon is a twisted spirit.

And we know from not only the Chant of Light, but prior theorycrafting in this series (part 3), that everyone who is alive has a spirit for a soul. Spirits and souls are the same thing: the thoughts of Titans.

Those can be removed from bodies. They can be placed into bodies. We've seen the Evanuris do it, with Dirthamen "taking secrets away" from the animals he experimented on.

And once put into stone? There would be no way for the Evanuris to act except for the tenuous connection to the other pieces of themselves: the parts of their souls stored in their archdemons, who would begin to whisper to the priests of old Tevinter.

But what would happen, over four thousand years?

"The prison in which I had trapped them had begun to crumble. I was moving them to another—"

This confirms, to me, that the Evanuris were trapped in those statues, AND that it was, in fact, a good plan!

Good job, Solas! Sorry we made fun of you for an entire franchise.

Still wish you would've asked any of your friends for help, ever, and maybe not murdered some of them.

But, no matter how good the plan, the result of Solas creating the Veil, sundering the Titans, breaking his own connection to the Titans, and imprisoning the Evanuris into stone took a massive toll on him. One he would not recover from for thousands of years.

Uthenera, a Love of the Fade, and the Desire to Remake the World He Knew

This section, thank the gods, gets to be short.

We all know that Solas, weakened, went into Uthenera: the eternal waking sleep. What I want to discuss is why he loved it so much.

Think about it with me for a moment: what is the Fade, from all we have learned in these posts? It is the sleeping Titans' consciousness. The domain of all the Titans' thoughts, and the natural dwelling place of Fade spirits—which are also the Titans' thoughts.

You know what that sounds like to me?

The closest that Solas can get to the Isatunoll he once knew, before the Veil. The one mentioned when Mythal sang that lullaby to him.

Remember what I thought of the elvish word suledin?

sul: possibly short for sulahn, "sing" e: possibly used in place of e'var, as in "our (in Isatunoll)" or "the Titans'" din: death; the dead; the end

Solas could 'sing our end' in the Fade, with the other spirits.

He doesn't have to be the lone man on the island, in the Fade. Not as much, anyway. The realm of the Fade takes the shape of the thoughts and memories of the spirits and people inhabiting it at the time. Thoughts communicate with Fade and shape it.

Is it any wonder, then, that things were always easier for Solas in the Fade, by his own admission?

He was always telling us the truth. We just didn't know enough to see it.

Solas stayed in uthenera for four thousand years (give or take?), and in that time, entrenched in his beliefs. How could he not? He had just caused worldwide devastation out of necessity, and was mourning the loss of all he never stood a chance of saving. He broke the world to break the blight—and when he slept, he mourned it. His people, made of stone, all gone. His people, in their greed, the ones who destroyed it all.

Titans and Evanuris; he walked among them both. He betrayed both.

Both betrayed him first.

Of course he planned to wake, to move the Evanuris to a new prison, and then take down the Veil. It would be so much easier, moving their harmless spirits from statue to statue. And once it was over? The Titans could wake, see that their tormentors were all gone, and—perhaps—heal.

He seeks... regeneration.

But Corypheus heard whispers from Dirthamen, long before then. Corypheus would survive what Solas had intended to kill him with. The Veil would be in danger of coming crashing down—and bringing the horrors of the Evanuris and Titans both back with its disintegration.

Solas had intended to sacrifice a world he didn't know in pursuit of healing the one he wounded.

Corypheus, however, would force him into the Inquisition—and the Inquisition would change everything.

---

Also: I am essentially FULLY OFFLINE to try and avoid game spoilers! As these reviews have just gone live yesterday (10/28), I am not reading my notifications/replies, and am appearing here only to continue posting my theories. I have heard that the embargo has been broken at least once already and I refuse to risk it, so I will respond to messages and notifications once I have played Veilguard for a bit.

(Mutuals, if you need me, you may DM me, as long as you do not mention the reviews in any capacity.)

[agirlnherfandoms]

AHHHHH I WATCHED MIRACULOUS AWAKENING TODAY AND BELOW ARE SOME OF MY THOUGHTS (SPOILERS OF COURSE!)

LET ME KNOW YOUR THOUGHTS AS WELL 🐞🐈‍⬛

I was so taken off guard by the fact that it was a musical?!? Bruh 😂 At first, I thought it would just be that one song then they kept going. We’re not going to talk about the change of voice actors lol. I liked some of the songs but some were a bit cringe haha. Especially the one in the tune of the theme song with Marinette and Tikki but maybe I need to listen to them all more.

But my FAVOURITE was the song Chat sings after he falls in love with Ladybug ahhhh it absolutely confirms that Adrien is a Disney princess 👸

I liked how nervous they made Marinette and how obvious it was that she had no friends and was being bullied and ostracised by the rest of the school. In the series, back in Origins (I know they also cover it well in a Season 5 episode but ngl that was a while into the series), I did get the feel that Marinette was being bullied but more so solely by Chloe. I could tell that she didn’t have any friends until Alya came along but it didn’t seem like people didn’t like her per se. In the movie, they make it really obvious that the rest of the school avoids her like the plague because they think she’s weird. I mean, even Adrien thought she was weird when he first met her lol. Edit: Just to clarify this isn’t because I don’t want Marinette to not have self-confidence but I do think that it expressed how many people do feel at school: lonely, like they don’t fit in, and also many do struggle with bullying. And then she gets magical powers and gains more confidence (albeit a bit rushed but still).

I absolutely love how they portrayed Ladybug and Chat Noir’s relationship. The teasing (“watermelon”) was really fun to watch. And the fact that Chat called her the sidekick was just so funny. But the main thing was how Ladybug said they were partners and then they truly showed that they were!! Chat deserves love!! Although, at the end when Ladybug fixes everything, the crowd is only cheering Ladybug. I get that Chat had just found out his father was Hawkmoth so he was probably taking him to prison or something but he should have gotten some cheers as well.

Also, I don’t think this is the same in the show but the movie kind of hinted that the Ladybug and Chat Noir Miraculous often ‘fight’ a bit. I always love a bit of enemies to lovers so that was a little interesting thing I noticed they added to the lore.

Careless Whispers. That’s it.

They sort of did Plagg dirty here. Especially with the fart jokes and trash cheese lol (I know children apparently like fart jokes bit still). I mean, he was still funny but I didn’t feel the same emotional connection between him and Adrien as I do in the show. I guess they didn’t have enough time to develop them but we could have at least had one serious moment with Plagg or one moment where he actually gives Adrien some heartfelt advice. I think he did give him some love advice but it wasn’t that good haha.

Love seeing Adrien standing up to his father. Legend.

Gabriel progressively getting weaker and haggard while using the Miraculous is what we needed to physically see in the show. Also just generally movie Gabriel has my heart. I was so scared when he recognised Chat as Adrien that he would just carry on trying to get his Miraculous etc but the fact that he broke down and detransforms, makes me empathise with him. This is what show Gabriel should have been 😭

THE REVEAL?!? I was not expecting this. I didn’t think they would go that far. But they did!! And it was so sweet. The way she puts his mask on her and her voice becomes confident as she says she’s Ladybug. Ahhhh!!! And the cut before the kiss!!!

Finally, it seems as though they might make a second one as the final scene with Nathalie seems to suggest Nathalie will become the next big bad?? Ngl though, if Nathalie becomes the next villain (with Gabriel’s encouragement) that kind of ruins his character arc lol. But it might be that he wants Nathalie to get rid of that corpse (hide the evidence, girl, hide the evidence). Idk we’ll see 🙈

Overall, this movie had me squealing, awwing and glued to my screen!!

[iamluzgar]

I finally finished FFXIV Dawntrail and I have many many thoughts about it. So, spoilers, and bare with me.

I had a lot of troubles to get into it at first, but I always feel that way for much of the extension I've played so it didn't change much. I pushed through, and I'm glad I did. I loved the theme of discovering new people and cultures to get to know them, and to like them. Which was an ongoing thing.

I liked Wuk Lamat a lot as a character. She's a bit immature, but she has a lot of potential, as you say to Gulool Ja. Loved having Thancred and Urianger against me for a change, especially in that dungeon. I got into it more and more, wanting Wuk Lamat to succeed because there were many hints showing she would do well (like for example with the bandits, I saw another post on tumblr mentioning it, but she directly thought about a system failiure problem, rather than thinking the people were bad). She adapted herself to the best of her ability to the culture she met with an open mind, even when she was afraid, unsure or disagreed with it. The VA did a fantastic job imo for her voice.

Of course the rest of the gang was here too and it was incredible. I loved how Erenville finally got the spotlight he so deserved. I wasn't a fan of Krile, but now I do like her and that's the power of FFXIV imo.

Anyway, the first part was great, and it was an important part because the WoL can finally indulge in some "selfish" actions like battling big dudes, deities, eating stuff, traveling, meeting people, doing the good old Azem and I think they'd be proud. The game keeps pushing you Emet, from what he said to you on the last expansion, and I liked that, it keeps him alive. I obviously missed Venat, Hythlodaeus, Elidibus and Emet a lot from this expansion, so it was nice to have some mentions of them. However, especially with the second part of the game, you realize how the shadow of the Ascien still fly above us and all of the reflections. Because I am persuaded they had a hand in the creation of electrope and the key.

The second part was even greater. It started weak with the Western like stuff (I'm not a fan of that and it felt like post-MSQ quests), but then it really starts: not only it brings back stakes (because... Well, I laughed when people made Valigarmanda a "big threat", considering we killed Despair a few months ago in the game), but it also is a pay off from the first part. You grew attached to Wuk Lamat, to Tuliyollal and its people. And now they're in danger.

Which brings us to New Alexandria, with its strange culture of pushing away death. The whole part with Alexandria felt like a metaphore from our own real world. We too, tend to push death away, put people dying away from society and from our eyes, forget them. It really resonated with my experience, especially considering I've been a volunteer in palliative care for a year. The whole thing of accepting death is a main topic in this second part of the game.

We brushed a bit too fast over the identity issues Zoraal Ja felt, I feel, sadly. I wish we could have had a bit more to humanize him.

Then the last zone... It truly touched my soul. We do the exact opposite thing that we did in Endwalker. In Endwalker, we started from nothing, we added music, colors, we reanimated species from death. In Dawntrail, we "turned off" people, we removed the colors and the songs from the places we were visiting. It was powerful to observe it, doing a different kind of walk, maybe even a harder one. Idk for WoL, but it was harder for me. Because we were still "killing" people, and we can only sympathize with Sphene's desires to let her people live more, whatever the cost of it. We hope and pray there might be another way for everybody to be happy.

It brings me back to palliative care in the real world. This world Sphene created, was a metaphor for therapeutic obstinacy and the artificial prolongation of life. At some point, there is nothing you can do, and you have to "pull the plug". You have to say good bye. To your own family, to your friends, to people you knew more or less. What's left of them then? All the memories you had with them, and that's it, and as the Yok Huy's philosophy, they kinda live through you that way.

Contrary to Meteion, our action of killing the people in that zone was not born of desperation of not being able to save them, but from an acknowledgement that this artificial prolongation of life is no longer sustainable, it will give more pain and will sacrifice ressources that could be given to people who still have a chance to continue living. At some point, when there is no chance to sustain a life, we need to make peace with the fact that it's over. That death is a part of life, and might always be. The next day always happen, with a beautiful sunset, new lives, new hopes, new stories, and new adventures, with new people. It's an end, but it's not the end.

As someone who lost my mom when I was a teenager, it was comforting to see those moms having so much hope, love and pride for their children. I could hear my own mom through them. We see a lot of moms, and we have to say good bye to a lot of them, and that was difficult. I both hate and like the fact that FFXIV has a tendency to kill moms or otherwise important female caretaking figures. :( They displayed a lot of different relationships between family members regarding their future death, and that was also interesting. Family, in the large sense of it, was a very big topic of this expansion.

On a gameplay part, I loved almost everything. They upped up the difficulty a notch, and it was perfect. I love how they made new ways of seeing AoE while also still making it clear it's an AoE. Very good ideas there. Loved the last two dungeons.

I was not a fan of the music this extension, but well nothing is perfect. I'm not a fan of FFIX and obviously a lot was taken from it.

Hope that didn't bore you out!

TL;DR Incredible writing as usual.

[darkmatilda]

Finally finished the bolter, so here are my comments (yes, I'm always going to do this as a numbered list now it's the only way to categorise my thoughts)

1. I love the bolter (the song) very, very much, and I think the way you tied the lyrics into the plot was really clever. Your description of the feeling she gets when leaving was perfect, and I loved how you tied in the story with the ice

2. Glasses spencer is in my top 3 reid eras (controversially, it ranks higher than boyband reid), and he's just perfect for this fic it makes so much sense

3. I'm an early season criminal minds girl and having elle and Gideon in a fic makes me very happy. I love elle so much she was perfect

4. I'm beginning to think you just like ending fics in a way that leaves people desperate for a part 2? If your planning a part 2 please do and here are my tiny little requests:

○"Splendidly selfish, charmingly helpless, Excellent fun 'til you get to know her" are possibly some of the best taylor swift lines ever and they're from the bolter which is something to take into consideration...

○if you're looking to make a sad part two where they decide to be friends again and he has to watch her go be with other people from a distance 'not strong enough' and 'waiting room' are songs that could be taken into consideration (or phoebe bridgers whole discography)

In summary I loved it, make more song inspired fics and glasses spencer is elite

finally replying to this message bc i had to think through how to answer MAINLY BC YOU GAVE ME SUCH A GENIUS IDEA

i’ll start making annotations to your comments so i don’t miss any of those precious thoughts of yours ❣️

1. while writing this i’ve listened to "the bolter" so many times that if someone woke me up in the middle of the night and told me to sing it, i’d do it effortlessly. I JUST LOVE TAYLOR'S SONGWRITING IN TTPD (i’m a huge fan of taylor’s painful and sad songs bc our mother just knows how to capture those feelings so perfectly, i bow down to loml, the black dog, the prophecy, how did it end...maybe i should write something inspired by those...)

2. glasses spencer and post-prison are my fav tbh 😵‍💫 not a big fan of the boyband era, don’t hate me now pls

3. first season forever in my heart, though i remember wanting to skip ahead bc the later ones seemed more interesting and the fandom was only talking about them...seasons 1&2 don’t get enough credit!

4. i generally have a problem with endings bc I HATE SWEET AND SUGARY ONES, there needs to be at least a hint of pain for the fanfic to stay in your heart longer :> i also love interpreting open endings. even though with the light off was supposed to have an open ending, i caved and wrote (to soothe my and your broken hearts), but this time i don’t plan on doing that, i mean continuing the story from the same point where i ended it (in hotch’s office).

the continuation will be after a time skip where it’s explained that spencer and reader agreed it’d be better to stay friends like they were before AND THIS IS WHERE MY PROBLEM COMES IN

bc i had an idea for the continuation and even started writing (which i’ll explain soon without spoilers ofc) BUT THEN YOU CAME ALONG WITH MUCH BETTER IDEAS

spencer watching her meet others in the same way she met him and realizing he’s not special to her...though ofc it’s not true but he doesn’t know that....god not strong enough would fit SO WELL there

but i don’t really want to end the story on a sad note...i don’t want to end it at all actually bc i had more of an idea for a fanfic series with the same reader that would be connected but in a way where you wouldn’t need to read the previous ones in order

i started writing a fanfic called "alaska nights" where the story takes place some time later (up to a few months, maybe a year) and bau goes to alaska to solve a case and then something starts pulling them together again, eventually they can��t resist and agree that as long as they’re in alaska, they can sleep together, but after that, their relationship will go back to where it was, and bc of that agreement they decide they have to make the most of this pact and visit each other every night 🤗 keeping it a secret from the rest of the team to avoid awkward questions (but queen elle figures it out anyway)

and not to toot my own horn but i really like this idea, but on the other hand, your idea moved me just as much, so here’s my proposal: at the start of december, "alaska nights" will drop (a very light and funny story to let the readers breathe from all the angst...) and then something from spencer’s perspective??? set directly after, showing his pain over their relationship resetting AGAIN, probabably inspired by "not strong enough" but i’m super open to suggestions, i personally love phoebe bridgers too <33

i know i’m repeating myself girl but your engagement seriously moves me, like when i post something, i wait impatiently for a notification from you 😭