#i didn't read over what i wrote again

[melancholic-pigeon]

Okay this is the *actual* last comment, for real, but I just found out Spider is now smearing me as a convert and accusing me of being involved with drama I was not involved with because he mistakenly attributed my apologies for his public temper tantrum as being about something unrelated.

THIS IS A FALSE ACCUSATION and I do not appreciate having yet another bit of fake malicious intent falsely ascribed to my actions and* attributing a completely unrelated attack to me.

Also, it's very sad and disappointing whenever a Jew gets mad at a convert because something else is going on in the Jew's life and the convert happens to be in the splash zone and the Jew falls over backwards to smear the convert and invalidate her faith.

Just....the childish aggression is making me so, so sad and disappointed, from someone I used to think very highly of, who is now lying about me and publicly smearing me with false accusations based on a conflict he started because he misinterpreted something I said and I went out of my way to give him the benefit of the doubt when trying to clear up the mistake HE MADE that led him to decide bullying and attacking me for three fucking days was appropriate and okay and that I'm the bad guy for saying it's wildly unprofessional to behave like this in public to a former customer face.

Sorry, but facts, reality, linear time and the truth of what I actually said and did are on my side here, and I will not stand for being smeared and attacked and shat all over because I had the gall to try to kindly resolve his uncalled for, unjustified temper tantrum.

I am also not sorry that I left a side note in the tags that it was also unacceptable for HIM to drag his daughter into a stupid internet slapfight based on his own reading comprehension failure. Because it was and is unacceptable, and she needs to hear that message from someone.

End of story. Keep digging that hole as long as you like, Spider. It's not helping your case and is continuing to make you look progressively worse and more unreasonable, and the only person you have to blame is yourself.

*revised for clarity

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.

[meownotgood]

OMG ASK GAME???!!! 🥹🤗 IM SO HYPEEE. okay lemme ask no.21 and 26 pls and thank u. Okay for the freebie question I always wanted to ask you: when did you realize that you LOVE Aki? Not like “hey this character is my fave” but the “yeah, I’m down bad and in love” stage.

thank you so much for asking me :D and sorry it took me a moment to get to answering 🏃‍♀️

21) if you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for them? what's something you don't like?

aki is so fun to write... I really enjoy writing his personality and his dialogue!! I love writing him in all different aus and ideas but my favorite thing is when I get to write cutie romantic aki... I think he'd canonically be such a shy sweetheart when it comes to romance... forever obsessed with writing him as the sweetie he is. also I often browse the manga when I'm writing for him to better understand his dialogue and little quirks!!

and as far as something I don't like... hmmm there isn't much I can think of, I do really enjoy writing dialogue for him, but sometimes it can be hard because he's so matter-of-fact when he speaks haha

and for the freebie... okay so basically... aki was always my fave when I first read the manga, but once I actually finished it that's when I fell in love... I think the conclusion to his story is so beautiful. and it really shows all the pieces coming into place, and how kind he is and how much he's changed as a character because of his love for denji and power. it made me so emotional, and after that I couldn't stop thinking of him :,)

[jotchia]

RELEASE THE MILF CUT

[ayakashibackstreet]

I was supposed to be writing my thesis and sure, I added something to it, but then I started watching some live show footage For Research(tm) and now here we are

[essektheylyss]

So often I consider writing a post on various different ways of using point of view and tense and why you would use any of them and how it might affect what you're trying to say, but honestly there is no way to write that post that would not be only a minute sample of uses and rationales and circumstances, and in the end the meaning would simply boil down to, "Literally everything a writer puts down on a page is a choice that has meaning and effects so you might as well make the choices intentionally before you inadvertently step on your own story."

[chrisbangs]

😴.

[jackredfieldwasmyjacob]

something fun happened

[rememberedbyamark]

All of that time, all of those nights, and he still asked what the mark on my leg was. He didn't recognize my birthmark

He would've seen it so many times. It's in such an obvious spot, one that his hands have been on countless times. Yet, he asked what the mark was and then said that he has one too.

As if I didn't know that? Like I wouldn't be able to find that one blind, or the one on the second rib on his right side, or the small scar on the inner side of his left ring finger.

I was mapping out every detail, learning how he felt in my hands and where all the landmarks were, and he still asked what my fucking birthmark was

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[mostlysignssomeportents]

Happy Public Domain Day 2025 to all who celebrate

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

In 1976, Congress set fire to the country's libraries; in 1998, they did it again. Today, in 2024, the flames have died down, and out of the ashes a new public domain is growing. Happy Public Domain Day 2025 to all who celebrate!

For most of US history, copyright was something you had to ask for. To copyright a work, you'd send a copy to the Library of Congress and they'd issue you a copyright. Not only did that let you display a copyright mark on your work – so people would know they weren't allowed to copy it without your permission – but if anyone wanted to figure out who to ask in order to get permission to copy or adapt a work, they could just go look up the paperwork at the LoC.

In 1976, Congress amended the Copyright Act to eliminate the "formality" of copyright registration. Now, all creative works of human authorship were copyrighted "at the moment of fixation" – the instant you drew, typed, wrote, filmed, or recorded them. From a toddler's nursery-school finger-painting to a graffiti mural on a subway car, every creative act suddenly became an article of property.

But whose property? That was on you to figure out, before you could copy, publish, perform, or preserve the work, because without registration, permissions had to start with a scavenger hunt for the person who could grant it. Congress simultaneously enacted a massive expansion of property rights, while abolishing the title registry that spelled out who owned what. As though this wasn't enough, Congress reached back in time and plopped an extra 20 years' onto the copyrights of existing works, even ones whose authors were unknown and unlocatable.

For the next 20 years, creative workers, archivists, educators and fans struggled in the face of this regime of unknowable property rights. After decades of well-documented problems, Congress acted again: they made it worse.

In 1998, Congress passed the Sonny Bono Copyright Act, AKA the Mickey Mouse Preservation Act, AKA the Copyright Term Extension Act. The 1998 Act tacked another 20 years onto copyright terms, but not just for works that were still in copyright. At the insistence of Disney, Congress actually yanked works out of the public domain – works that had been anthologized, adapted and re-issued – and put them back into copyright for two more decades. Copyright stretched to the century-plus "life plus 70 years" term. Nothing entered the public domain for the next 20 years.

So many of my comrades in the fight for the public domain were certain that this would happen again in 2018. In 2010, e-book inventor and Project Gutenberg founder Michael S Hart and I got into a friendly email argument because he was positive that in 2018, Congress would set fire to the public domain again. When I insisted that there was no way this could happen given the public bitterness over the 1998 Act, he told me I was being naive, but said he hoped that I was right.

Michael didn't live to see it, but in 2019, the public domain opened again. It was an incredible day:

https://archive.org/details/ClosingKeynoteForGrandReopeningOfThePublicDomainCoryDoctorowAtInternetArchive

No one has done a better job of chronicling the fortunes of our fragile, beautiful, bounteous public domain than Jennifer Jenkins and James Boyle of Duke University's Center for the Study of the Public Domain. Every year from 2010-2019, Boyle and Jenkins chronicled the works that weren't entering the public domain because of the 1998 Act, making sure we knew what had been stolen from our cultural commons. In so many cases, these works disappeared before their copyrights expired, for example, the majority of silent films are lost forever.

Then, in 2019, Jenkins and Boyle got to start cataloging the works that were entering the public domain, most of them from 1923 (copyright is complicated, so not everything that entered the public domain in 2019 was from that year):

https://web.law.duke.edu/cspd/publicdomainday/2019/

Every year since, they've celebrated a new bumper crop. Last year, we got Mickey Mouse!

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

In addition to numerous other works – by Woolf, Hemingway, Doyle, Christie, Proust, Hesse, Milne, DuBois, Frost, Chaplin, Escher, and more:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Now, 2024 was a fantastic year for the public domain, but – as you'll see in the 2025 edition of the Public Domain Day post – 2025 is even better:

https://web.law.duke.edu/cspd/publicdomainday/2025/

So what's entering the public domain this year? Well, for one thing, there's more of the stuff from last year, which makes sense: if Hemingway's first books entered the PD last year, then this year, we'll the books he wrote next (and this will continue every year until we catch up with Hemingway's tragic death).

There are some big hits from our returning champions, like Woolf's To the Lighthouse and A Farewell to Arms from Hemingway. Jenkins and Boyle call particular attention to one book: Faulkner's The Sound and the Fury, its title taken from a public domain work by Shakespeare. As they write, Faulkner spoke eloquently about the nature of posterity and culture:

[Humanity] is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance…The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The main attraction on last year's Public Domain Day was the entry of Steamboat Willie – the first Mickey Mouse cartoon – into the public domain. This year, we're getting a dozen new Mickey cartoons, including the first Mickey talkie:

https://en.wikipedia.org/wiki/Mickey_Mouse_(film_series)#1929

Those 12 shorts represent a kind of creative explosion for the Disney Studios. Those early Mickey cartoons were, each and every one, a hybrid of new copyrighted works and the public domain. The backbone of each Mickey short was a beloved, public domain song, with Mickey's motion synched to the beat (animators came to call this "mickey mousing"). In 1929, there was a huge crop of public domain music that anyone could use this way:

Blue Danube, Pop Goes the Weasel, Yankee Doodle, Here We Go Round the Mulberry Bush, Ach Du Lieber Augustin, Listen to the Mocking Bird, A-Hunting We Will Go, Dixie, The Girl I Left Behind Me, a tune known as the snake charmer song, Coming Thru the Rye, Mary Had a Little Lamb, Auld Lang Syne, Aloha ‘Oe, Turkey in the Straw, My Bonnie Lies Over the Ocean, Habanera and Toreador Song from Carmen, Lizst’s Hungarian Rhapsody No. 2, and Goodnight, Ladies.

These were recent compositions, songs that were written and popularized in the lifetimes of the parents and grandparents who took their kids to the movies to see Mickey shorts like "The Barn Dance," "The Opry House" and "The Jazz Fool." The ability to plunder this music at will was key to the success of Mickey Mouse and Disney. Think of all the Mickeys and Disneys we've lost by locking up the public domain for the past half-century!

This year, we're getting some outstanding new old music for our public domain. The complexities of copyright terms mean that compositions from 1929 are entering the public domain, but we're only getting recordings from 1924. 1924's outstanding recordings include:

George Gershwin performing Rhapsody in Blue, Jelly Roll Morton playing Shreveport Stomp, and an early recording from contralto and civil rights icon Marian Anderson, who is famous for her 1939 performance to an integrated audience of over 75,000 people at the Lincoln Memorial. Anderson’s 1924 recording is of the spiritual Nobody Knows the Trouble I’ve Seen.

While the compositions include Singin' in the Rain, Ain't Misbehavin', An American in Paris, Bolero, (What Did I Do to Be So) Black and Blue, Tiptoe Through the Tulips, Happy Days Are Here Again, What Is This Thing Called, Love?, Am I Blue? and many, many more.

On the art front, we're getting Salvador Dali's earliest surrealist masterpieces, like Illumined Pleasures, The Accommodations of Desire, and The Great Masturbator. Dali's contemporaries are not so lucky: after a century, the early history of the works of Magritte are so muddy that it's impossible to say whether they are in or out of copyright.

But there's plenty of art with clearer provenance that we can welcome into the public domain this year, most notably, Popeye and Tintin. As the first Popeye and Tintin comics go PD, so too do those characters.

The idea that a fictional character can have a copyright separate from the stories they appear in is relatively new, and it's weird and very stupid. Courts have found that the Batmobile is a copyrightable character (Batman won't enter the public domain until 2035).

Copyright for characters is such a muddy, gross, weird idea. The clearest example of how stupid this gets comes from Sherlock Holmes, whose canon spans many years. The Doyle estate – a rent-seeking copyright troll – claimed that Holmes wouldn't enter the public domain until every Holmes story was in the public domain (that's this year, incidentally!).

This didn't fly, so their next gambit was to claim copyright over those aspects of Holmes's character that were developed later in the stories. For example, they claimed that Holmes didn't show compassion until the later stories, and, on that basis, sued the creators of the Enola Holmes TV show for depicting a gender-swapped Sherlock who wasn't a total dick:

https://www.theguardian.com/books/2020/dec/22/lawsuit-copyright-warmer-sherlock-holmes-dismissed-enola-holmes

As the Enola lawyers pointed out in their briefs, this was tantamount to a copyright over emotions: "Copyright law does not allow the ownership of generic concepts like warmth, kindness, empathy, or respect, even as expressed by a public domain character – which, of course, belongs to the public, not plaintiff."

When Mickey entered the public domain last year, Jenkins did an excellent deep dive into which aspects of Mickey's character and design emerged when:

https://web.law.duke.edu/cspd/mickey/

Jenkins uses this year's entry of Tintin and Popeye into the public domain to further explore the subject of proprietary characters.

Even though copyright extends to characters, it only covers the "copyrightable" parts of those characters. As the Enola lawyers wrote, the generic character traits (their age, emotional vibe, etc) are not protected. Neither is anything "trivial" or "minuscule" – for example, if a cartoonist makes a minor alteration to the way a character's pupils or eyes are drawn, that's a minor detail, not a copyrightable element.

The biggest impediment to using public domain characters isn't copyright, it's trademark. Trademark is very different from copyright: foundationally, trademark is the right to protect your customers from being deceived by your competitors. Coke can use trademark to stop Pepsi from selling its sugary drinks in Coke cans – not because it owns the word "Coke" or the Coke logo, but because it has been deputized to protect Coke drinkers from being tricked into buying not-Coke, thinking that they're getting the true Black Waters of American Imperialism.

Companies claim trademarks over cartoon characters all the time, and license those trademarks on food, clothing, toys, and more (remember Popeye candy cigarettes?).

Indeed, Hearst Holdings claims a trademark over Popeye in many traditional categories, like cartoons, amusement parks, ads and clothes. They're also in the midst of applying for a Popeye NFT trademark (lol).

Does that mean you can't use Popeye in any of those ways? Nope! All you need to do is prominently mention that your use of Popeye is unofficial, not associated with Hearst, and dispel any chance of confusion. A unanimous Supreme Court decision (in Dastar) affirm your right to do so. You can also use Popeye in the title of your unauthorized Popeye comic, thanks to a case called Rogers v Grimaldi.

This all applies to Tintin, too – a big deal, given that Tintin is managed by a notorious copyright bully who delights in cruelly terrorizing fan artists. Tintin is joined in the public domain by Buck Rogers, another old-timey character whose owners are scumbag rent-seekers.

Congress buried the public domain alive in 1976, and dumped a load of gravel over its grave in 1998, but miraculously, we've managed to exhume the PD, and it has been revived and is showing signs of rude health.

2024 saw the blockbuster film adaptation of Wicked, based on the public domain Oz books. It also saw the publication of James, a celebrated retelling of Twain's Huck Finn from the perspective of Huck's enslaved sidekick.

This is completely normal. It's how art was made since time immemorial. The 40 year experiment in life without a public domain is at an end, and not a minute too soon.

You can piece together a complete-as-possible list of 2025's public domain (including the Marx Brothers' Cocoanuts, Disney's Skeleton Dance, and Del Ruth's Gold Diggers of Broadway) here:

https://onlinebooks.library.upenn.edu/cce/

[queeranarchism]

I think the left completely failed to form an effective covid-safety strategy.

First they failed by putting far too little effort into winning systematic changes (access to health care, access to paid sick leave, ventilation of work- and public spaces, etc) and putting most of the focus on individual behaviors that they could judge individuals for (vaccines and above all masking).

Their second failure was to then primarily rely on punitive pressure and scolding people to achieve that behavior. Which meant that this strategy only kind of worked a little when they had enough people to keep up that pressure. The moment that pressure wasn't enough anymore, most people stopped masking because they'd only even done it because of external pressure.

This left us with nothing. No systematic changes and no group safety.

At that point, the third failure was to change nothing once it became abundantly clear that these tactics weren't working. People wrote comics and long reads and video essays about the lack of solidarity of people who stopped masking, and while there was truth there, that didn't change anything.

Yet at no point did people take stock, re-assess and change strategy. To this day people are just doing the same thing over and over again and expecting different results. In fact, people seem to just double down. Where they talked about a range of safety measures in the past they've switched to only talking about masking. Where they used a range of tactics in the past, they've switched to only scolding.

And when you challenge them, the response is something like "But I am right, this is unjust, so people should change when I tell them it is unjust". But that's not a strategy. Creating societal change doesn't require being right, it requires having an effective plan on how to actually achieve real change.

And I don't have a full draft of what would make an effective strategy. I think unions could play a big role in achieving things paid sick leave and proper ventilation. But I don't have all the answers either. I think there needs to be an acknowledgement that what's currently happening isn't working, and that a new strategy is long overdue.

[buckyalpine]

18+ Minors dni. Seriously, it gets feral in a way I didn't anticipate and I'm the pervert who wrote this.

Bucky sleeping naked. We're back to this again cause I'm a pervert and he's a cutie, I can’t help it. Why do I find it adorable. Sexy. So pretty. And the different of versions of this?

Imagine being Bucky’s roommate and having to deal with different types of Buckys. A shy, soft Bucky is always in the softest pj’s, cotton t-shirts and warm sweaters. He is truly the sweetest, more precious thing on the planet, always making you a steaming cup of coffee in the morning and hot chocolate at night.

You don’t think much of it when you slip into his room to return the hoodie you stole and you all but faint when you see him practically starfish on the bed, soft snores slipping past his lips, the bedside lamp still on along with the book his was reading half open on his chest but that wasn't what you were looking at cause-

You shouldn’t even be here, you should look away, you really should but it’s not your fault that he has the prettiest cock on full display with perfect, heavy balls in between plush thighs. You're not sure how someone so sweet and pure can look this sinful, nearly tearing the hoodie you're clutching onto the longer you wait by the door.

Idk why my mind went here but imagine he's soft but gets hard when he smells you. You're close enough in his room that your shampoo and something so distinctly you fills his senses. It's not his fault his senses are heightened. I mean imagine you see it happen. A cute little groan as all the blood rushes down between his legs, his cock now standing at full attention, stiff and begging. Leaking.

You're frozen on the spot, begging for your feet to move, just drop the hoodie and run, anything but no. He's still asleep, lashes fluttering against his cheeks as his pulse starts to work a little faster, his hand coming down to soothe the ache, his book slipping off his chest.

You should definitely leave now, it's too intimate, you can't be here when he-

"mph" His sleepy movements are barely coordinated as he gives his cock a squeeze, his cheeks getting pinker by the second. He rolls over with his face now buried into the pillow, pressing his hips against the mattress for some relief.

I can't deal.

Innocent Bucky having a wet dream over you.

Innocent Bucky making a mess because of you.

Innocent Bucky acting normal around you the next morning, placing a steaming mug of tea in front of you while you stutter a thank you and he says you're welcome doll, like he always does.

Innocent Bucky still too shy to tell you that he jerks his cock off to you more times than you can count. That he adores you too much, he'd never be so crass to make a move on his roommate. He's still working up the courage to ask you on a date. Till then he's gonna fuck his fist and hump his bed and think of all the ways he wishes you were naked with him, your legs around his waist while he pounds you, filling you up while you scream his name-

-

Fuck boy Bucky shows himself off without a care in the world. You start to wonder if the man owns anything else aside from a few slutty pairs of boxer brief's. He's always manspreading and it's hard to act like it's an inconvenience when he's built like that. That being said, it's not like you've seen all of him. He leaves little to the imagination but it's not like he walked around naked.

You'd never openly admit you were a little curious.

You find out he's put your mug on the highest shelf again and you swear he does it on purpose just to mess with you. You grumble, ready to tell him off, walking right into his bedroom, his full legal name right at the tip of your tongue-

"Fuck-"

His chest rises and falls along with his soft snores, one arm propped under his head while the other is half one his chest. His thighs were spread apart without a care in the world and not a single piece of clothing covered his body, bed sheets also tossed aside.

Apparently the serum made him run hot.

Every single bit of him is on display, the only thing he's wearing are his pretty silver dog tags. You freeze, blinking, your tongue now tied, you were so annoyed with him and now-

"Y'like what you see angel?" His raspy voice makes you yelp as he keeps his eyes closed but the smirk that makes its way to his lips lets you know he's more than awake now. You have no idea when he woke up or realized you were there but you can't get your feet to move, voice caught in your throat.

He doesn't even bother trying to cover up, unbothered at the state you're seeing him in.

Imagine this cocky fuck going as far as giving his cock a lazy tug and he can definitely smell how wet you are. He knows you're getting wetter.

"Need something baby, cause I gotta take care of this or I won't fall asleep" He cocks an eyebrow, nodding down to his hard cock before looking back at you. He's not going to tell you yet that he'd been pining after you with the most desperate crush. That he keeps those mugs up high on purpose so you have to call him to get it for you.

"I-I

"Don't get all shy on me now princess, better lock the door on your way out unless you're gonna stand there and watch?" He gives himself another lazy tug, this one followed by a groan.

Fuckboy Bucky who loves the way you look like a deer caught in headlights.

Fuckboy Bucky who strokes his cock while you watch.

Fuckboy Bucky who lets out a deep, raspy, "Fuck baby, just c'mere" when he hears a desperate whimper slip past your lips.

Fuckboy Bucky who gets you naked with him, not wasting a second to get inside your pussy.

Fuckboy Bucky who runs his mouth too much and mumbles an unconscious "Fuck, i love you" when he starts to cum.

and cum.

and fucking cum.

Fuckboy Bucky who confesses his feelings.

Anyway.

Naked Bucky in bed.

That's all I want.

[vanesycho]

f!reader x jealous bf!sunghoon | m.list

warnings | smut, eating out, fingering

word count | 1,2k

a/n | @alessialvl thank you for the idea hope you like it my ji🤍

enjoy reading！

Sunghoon, who entered the room, looked at you with his arms crossed in the doorway, his eyebrows slightly frowned when he saw you giggling at your phone and approached you. You raised your head towards your boyfriend who came into your field of vision. "Is there something wrong?" He just looked at you for a few seconds and then turned his gaze to your phone. "No, nothing. I've just been calling your name for a few minutes but I got worried when I didn't get an answer." You opened your mouth to answer but the incoming message tone made you turn back to your phone, he laughed nervously at the smile on your face. "Are you listening to me?" You tried to speak while your hands were hovering over the keyboard. "I'm listening baby, why did you call?" The answer that came didn't satisfy him. The fact that you weren't looking into his eyes and laughing so much with whoever you were texting on the phone got on his nerves.

His hand went to your phone and he closed it, threw it to the other side of the bed. You looked at him in confused. "Why did you do that?" when you were about to reach for your phone, he climbed onto the bed and went in front of you, holding your shoulders and laying you back down, slightly tilting his head and reaching for your lips, then whispered "Who is the person who distracts you so much when you don't even look me in the eye?" a shiver ran through your body as his hands slowly slid down your shoulders. "Hm?" You looked at Sunghoon's serious expression. His eyes under his slightly furrowed eyebrows were moving between your eyes and your lips. "Heeseung." he hummed. Although it was demoralizing to know that his name had been mentioned a lot between you for a while, he didn't say anything, but this was the last straw. He didn't want to hear you say how funny he was while talking to him all the time.

He pulled back slightly, giving you some space to breathe. "So this Heeseung is taking so much of your attention from me, huh?" he picked up your phone and handed it back to you, the notification sound echoed throughout the room. "Go ahead then." Even though you didn't understand his attitude, you picked up the phone and wrote a reply to his message, a notification sound was heard again not long after. Sunghoon watched you for a while before his hand found your pussy above your clothes and pressed it lightly with his thumb. The unexpected movement made you hold your breath for a moment and you quickly turned your gaze to him, he grinned. “So I got your attention now? Keep typing, Y/n.” The sudden change in his voice on the last sentence made you swallow hard. While your fingers were running on the keyboard, his fingers were busy making you erect. You moved your hips slightly, the pants underneath already starting to feel too much for you after a while.

“Sunghoon..” you whined, putting your phone down and lifting your head to look at him. He looked into your eyes and helped you take off your pants, his hand was about to go to your pussy again when he stopped, you looked at him curiously but he just nodded towards your phone “I didn’t tell you to stop.” he couldn’t be serious, you stared blankly at him for a few seconds and then another notification, Sunghoon laughed angrily “This fucker really won’t leave you alone, does he? Come on, what are you waiting for?” your hand slowly went back to your phone, in the meantime Sunghoon leaned in and his tongue started to care for your clit while you typed, you stopped in the middle of the message, it was hard for you to focus and right now you only wanted him. “Please..I can’t keep this up..I want you..” he pulled away from your pussy for a while “Do you want me now? You were ignoring me so nicely earlier. You can do that again, like I don’t exist hm?”

He moved closer to your pussy again and sucked on your clit, positioning his fingers at your hole and talked again before inserting them inside you "If you don't keep talking to him, forget about cumming." The notification sound made you curse silently, Heeseung was there at the most inconvenient time and it only caused you pain. Sunghoon just laughed at your attitude, he loved teasing you like this, he would keep doing it until you were completely begging him. You let out a loud moan when he finally slid one finger inside you, his tongue starting to flick your clit with tiny tongue strokes, the pleasure you were getting from both sides causing your chest to rise and fall rapidly. The screen started to blur, you couldn't see the letters properly, you were just moaning in pleasure.

"Hey are you okay, message remained seen?"

"Y/n are you there?"

Sunghoon started to speed up his finger movements, his tongue licking and sucking your clit in a simple rhythm. The sound of your wetness made him moan into your pussy every now and then, eating you out was his favorite thing to do, the thought of being able to make you cum with just his finger or tongue always excited him. You sent Heeseung a short message saying you were busy while the phone was still in your hand and you couldn't resist anymore so you hung up, giving your boyfriend all your attention. One of your hands immediately went to his hair and tried to pull him even closer, as if it was possible. Your hips were moving with desire, you were moaning his name breathlessly while his one finger was driving you crazy "Hoon..I'm close..Please, don't stop..Please.."

Normally he had no plans to make you cum, he wanted you to suffer, but he fucked them all. Your beautiful moans and the pussy he hadn't tasted in a long time made his head spin, so he was going to give you what you wanted. He curled his finger inside you and continued to hit your pleasure spot, sucked your clit one last time and focused only on making you cum. When he raised his head, he made eye contact with yours and grinned slightly, you took a moment to look at his sharp teeth that were showing. “A few minutes ago you were ignoring me and now you’re going to cum for me? Oh..I’d give anything for that bastard to know that.” Your stomach clenched, closed your eyes in pleasure and threw your head back, knowing you were close he continued and after a few strokes he made you come with a loud moan on his finger. After a while he lingered inside you, he pulled his finger out, you opened your eyes and looked at him, feeling his soft lips on you. You returned the kiss without waiting too long, Sunghoon bit your lower lip hard, making you moan in pain, then he pulled back slightly and rested his forehead on yours. “You better not ignore me again, or I won’t hesitate to fuck you hard while you're on a call with Heeseung, do you understand?”

[deepwoundsandfadedscars]

.

[letorip]

crimson & clover

“now i don't hardly know her, but i think i could love her"

===+++===

pairing: wednesday addams x mute!reader

summary: people fear that which they do not understand. it makes sense then, why you and wednesday fall in love and help each other

warnings: erm you killed a lot of people on accident, angsty in the middle there, threats of violence, descriptions of violence

word count: 5.1k

A/N: heavily inspired by black bolt, who i really do think is one of my favourite heroes. there will likely be a part 2 or 3 to this but for rn my attention is on kiss with a fist. THERE WILL ALSO BE A PART [IV] OF SOMETHIN' STUPID

KISS WITH A FIST [IV] WILL BE UP NEXT SUNDAY

===+++===

===+++===

There were certain things you couldn’t have, when one had the ability to do incredible damage, if they just opened their mouth.

When you did so, on a random Saturday morning at 10 years old, and your house burst apart, it took your parents and a chunk of the neighbourhood with it in a fiery tempest that stabbed you right through the heart. You learned then, that maybe you weren't meant to have a family.

At age 12, when the kids at the Home for Outcast Children strung you up from the monkey bars by your ankles, and you couldn’t hold in a laugh from how the world looked funny when the sky looked like the floor, you learned you weren’t meant to have friends, sitting silently in the dirty crater where the playground used to be with your head tucked into your knees.

You had thought it would be implied then, that you would never have a lover, either. But then again, there was Wednesday Addams.

It was still a mystery, why she chose you. You had assumed she would want nothing to do with you just like she didn’t want anything to do with most people, and you couldn’t have been more wrong.

The both of you met about a week after she arrived at Nevermore, in the dead of night on one of the walks you always took when everyone else had gone to bed and there was no one to watch you, no one to murmur as you went past. You didn't pose a danger to anyone, then, and it was liberating and also deeply melancholic.

That was when you were most at peace. Your thoughts, even though well-reasoned, could not be expressed. You wrote often, in a leather-bound notebook you’d let no one see, but the power was given to writing through reading it, and there was no one you could have close enough to do so. It made you tired, to be around people you couldn’t communicate with. Few people wanted to wait for you to write something out on a notebook and even fewer wanted to learn sign language.

Kinbott had a dry-erase whiteboard in her office that was just meant for you and the only deaf person in Jericho, though the old man had gone missing a few months ago, without a trace. It was humiliating, at first, and you used to write two-word sentences, curt responses doing the bare minimum, often out of anger— whether it was anger from your situation or anger at being a teenager, you didn’t know— but now you could fill it with paragraphs and kept a notebook for when communication was especially necessary.

That night itself was peaceful, with gentle, twinkling stars that were only lightly polluted by the quad’s towering lamps. You could still see their faint outlines above you, with casting shadows down the lawn from the roof’s spires, and it smelled as if it were going to rain soon.

When you heard the scuttling of something on the floor, you jumped, startled, eyes shooting down to where you were certain you had felt someone’s fingers grip at your leg. Your eyes widened in surprise at the disembodied hand, racing up the uneven cobblestones and then up the leg of someone at the far end of the quad, landing finally on her shoulder.

Wednesday with her arms crossed, looking at you with a comically large bag slung over her shoulder that must've contained all of her belongings, like a runaway in the night.

Oh. That's what she was.

You blankly stared back at her, blinking at her figure. She took a menacing step forward, her grip on the bag tightening. "Are you following me?" she asked, tone icy. When you kept looking at her without so much as opening your mouth, her apathetic eyes narrowed. "If you tell anyone you saw me, they will never find your body. Don't say a word."

It was intended to be a threat, and if it had been anyone else, it probably would've made their blood run ice over just from how cold her gaze was. But you just raised your eyebrows at her, unable to stop the amusement from tugging at the corners of your lips. The irony was very far from lost on you, and the more serious she seemed the more funny the blunder was.

"What?" she snipped. "Is something amusing to you?"

Again, you could not say. You silently shook your head, tilting it then out of curiosity, and gently pointing towards the hand on her shoulder. It sat up at your attention, sending a friendly wave in your direction. Your eyes widened, waving before Wednesday could clear her throat and pull your eyes back up to hers.

Her eyes in question were dark and intense, but beautiful, even under the dim lighting, and you had to swallow what felt like a lump in your throat, in order to regain your composure. "Why are you silent?" she asked, narrowing them at you. You were under her microscope, and she scanned you, looking for anything that would impair your immediate voice.

You raised up a hand as if to say ‘hold on,��� before tugging your notebook out from your overcoat, flipping it open and pulling out your pen. With a click, you were scribbling down on the paper, and Wednesday narrowed her eyes at you again, scanning you in suspicion.

When you were done, you flipped it around, holding it up to her eyes with a gentle smile. 'Trust me, I don't think you'll need to worry about me telling anyone anything, anytime soon.'

Her eyes combed over the words, then glanced back down to you. "Why is—" she opened her mouth out of curiosity, but a heavy door slammed shut down the hall, and she whipped around before she could finish the question.

You both could hear the footsteps coming closer, and Wednesday straightened up, grip tightening on the bag over her shoulder. "You didn't see me, and you won't ever again," she said, coldly.

You nodded, not that you believed she'd make it out. You yourself had tried to run away for the first month and a half, and after long enough, one just gave up. Nevermore was hard to escape; you doubted she had readied a good enough plan in just a few days of being there. Still, you wished her luck. The forest was dangerous, and especially now.

With a final nod in your direction, she hastily walked off, down the corridor the opposite way. You watched her go, calmly sitting near the fountain. A few moments after she disappeared down a different hallway, a very tired looking Weems came down the stairs in her nightgown, holding onto a rusted lantern.

When she saw you, she sighed. "What did I say about those nighttime walks of yours, (Y/n)?"

You smiled, tilting your head to the side and shrugging at her. Weems huffed at your attempt at cluelessness, shaking her head fondly. "Just make sure you get yourself to bed soon, alright?"

You nodded, leaning back on the fountain edge and tracing the grout lines with your thumbs. Weems turned back to the hallway Wednesday went down. "I guess Miss Addams is planning to escape tonight?" But you didn't write anything down, raising your eyebrows at her as if to say 'duh.' Weems adjusted the hem of her nightgown from where it had dragged gently on the steps. "Thank you, (Y/n). I'll see you tomorrow."

She began to follow down the path Wednesday had taken, letting the lantern lead her through the dim corridor, and you silently yawned, picking up your notebook and figuring you had enough adventure for the night.

===+++===

That was your first unofficial meeting, at least. You almost forgot it had happened the following morning, except for when Wednesday showed up in class the next day looking more displeased and unhappy to be there than normal.

It was amusing how frustrated she was, mouth drawn into an annoyed line and eyes looking especially dark. When she caught your eye as she went to take her seat, you averted your gaze back down to your notebook to hide your cheeky smile, resuming your doodle in the margin and running a nervous hand through your hair.

She kept staring throughout the lecture, as if silently daring you to mention her failure, not that you could aloud. You weren’t willing to look back, but you could see her dark eyes shift up and across the round of tables towards you from the corner of your eye, which you made sure to keep on Thornhill.

After long enough, Xavier noticed too. He whispered something to her and then glanced up at you with a look that was far from friendly. He hadn't liked you one bit, but neither did any of the other kids, when they found out. You couldn't exactly blame them, either. The school was full of monsters, but you were a monster among monsters.

"Wednesday, Xavier," Thornhill called out, crossing her arms. She wasn't angry, though. More playful. "Is something more important than our study of carnivorous plants?"

Xavier began to shake his head, starting an apology, but Wednesday cut him off, blankly staring back at Thornhill as it left her mouth. "Yes."

At the challenge, the whole class seemed to let out a comically loud gasp. Thornhill's previously teasing smile dropped to a displeased frown, and she shoved her hands into the pockets of her overalls, motioning to the large glass enclosure on the table behind her. "I don't suppose you can tell me what this is, then?" At the question, you can see Bianca smirk and raise her own hand, eager to steal it away, "I haven't said the name out loud yet, and it will be on your test next—"

"—Dendrophylax lindenii." The interruption came swift from her lips, but Wednesday's eyes are still steeled over and unimpressed by Thornhill's attempt to be put on the spot.

You have to hide your amusement again, at the shocked look on Bianca's face, but she rushes to make up for it by adding something of her own. "It's also known as the Ghost Orchid—”

"—First discovered on the Isle of Wight in 1852," Wednesday adds, and once more she's won. Or, she would have. You can't help the shake your head does, or the cheeky smile on your face that Wednesday locks onto, like a heatseeking missile. Her eyes are like daggers, stabbing you through and through. "Is something funny?"

She says it across the entire classroom and everyone goes silent, less focused on the plants now and more the fact that she's acknowledging your presence. You shrug, trying to diffuse the situation, but it only makes her glare at you harder. "No, go on," Wednesday demands, her tone just as icy as she had been the night before. "Tell us, what was so funny?"

"Wednesday," Thornhill warns her, sending you a sympathetic look, but she ignores her and so do you.

"Or are you still at a loss for words," she draws out, and in doing so, the rest of the class fills with 'ooh's and 'woah's. You stare at her for a moment, then silently, your hand goes to your notebook.

The moment you begin writing in it, the classroom tenses again, waiting for you to finish. You make them as big as possible, large enough that she'll be able to clearly read them across the room. When you're done, you flip it around and hold it up like a sign, face blank.

discovered 1854, not 1852

idiot.

You've circled it several times in messy pen, to make sure she really sees. The room roars even louder in surprise, and however bad Wednesday's stare was before, the new one she gives you is infinitely worse. Her face is still deadpan, but her eyes flick away down to her notebook. It’s the only time you’ve seen her approach something resembling embarrassment or fury. You're sure the 'idiot' bit didn't help, but you were far too annoyed by her poking of you to not have poked her right back.

"Well...," Thornhill tries, "It seems the Ghost Orchid isn't the only carnivorous plant in here, today." But the class is too far gone to focus up again, sending you wary glances. They don't like Wednesday, but they like you even less, so it's confusing who they should root for.

You hold her gaze until the bell rings, finally breaking it to gather your things and leave as soon as possible. Her eyes are still on you as you go, and just before you exit the room, you can hear someone mutter "freak," under their breath. You tuck your books under your arm, and duck out into the hall.

===+++===

Fall was always your favourite time of year; for once, Jericho wasn't entirely unbearable. The leaves turned a warm orange and red, falling from the trees in abundant piles on the ground, and the air fermented into something crisp and especially breathable. You let it fill your nose as much as possible.

You sat on the lawn, listening to the birds flit about and the wind brush under the branches and hem of your jumper with a book in your lap and a frown on your face. It wasn't a good book- something the internet had said was incredible but had firmly left a bad taste in your mouth, and part of you wanted to put it down and turn to something more useful. But another part of you wanted to keep reading, like being unable to look away from a car accident.

The book was so engrossing in its awfulness that you didn't notice her watching you from afar or, more so, aiming in your direction. That was, until you turned the page, and her throwing knife whizzed past your ear and lodged itself into the tree you had been sitting against.

Your eyebrows furrowed at the noise, and you turned your head to the side, looking at the shiny, reflective silver. The letters W. A. stared back at you, engraved just below the knife's spine. You frowned, and when you looked back, she was standing over you, arms crossed and expression as deadpan as always.

You raised a questioning eyebrow, looking over at the knife and then back to her as if saying, 'What was that for?'

"Your attention was required," she replied dryly.

You rolled your eyes, dog-eared the page of your book, and placed it down next to you, pulling out your notebook and your pen. You wrote a single word.

dangerous.

"Believe me, if I wanted to hit you, I am entirely capable of aiming to kill," Wednesday said. Then, after a brief look around Nevermore's green, her eyes flicked back down to you. "I'm here on business."

You search her face for a moment, narrowing your eyes. They locked in on the small bandage on her forehead, and you nodded up at it, asking her what happened with the look on your face. Her frown deepened.

"I'm in the process of crushing a bee... and almost getting crushed by a gargoyle." You blinked, but Wednesday continued. "But I won't have to do either if you agree to my request."

It's hard to deny that her words massively pique your interest. Wednesday in general massively piques your interest, and you write down the thing you really want to know.

people say you eat human flesh...

You turn the page back to her, and Wednesday seems to process the words for a moment. She looks over at you, unimpressed by the allegation. "I don't eat it. My menagerie of pets do. And even then, that's nothing close to what Enid's said about you."

You stare up at her, then scribble a couple of words on the paper.

and what's that?

"That you're dangerous. That you’re somehow infinitely worse than I am, which I'm doubtful of," Wednesday says without missing a beat. "Enid won't say anything more, and neither will Xavier." She looks around again, over the green. There's a picnic of sirens by the lake, and a few of the werewolves are playing with a frisbee. She looks back at you. "I've been warned to stay away, and your propensity for being obnoxious has made that task fairly easy so far." You begin to write again.

so why are you here

"Because," she states like it's obvious, "I want to break out of here. And you're somehow the person to have gotten the closest."

and yet

i'm still here

You turn the page to her and jab the bottom bit several times with your pointer finger.

"Well then," she says, "help me succeed."

===+++===

“And how do you think that made you feel?” Kinbott asks, eyeing her various pages of notes to the left of you. Some of the other patients in Kinbott’s care had small, yellow folders, but you had a larger red one, with your name in highlighted block letters on the front. It looked like it should’ve had a top secret sticker in the corner, not that you weren’t appreciative about your records being sealed.

You erased the board, writing a single word.

seen

Then, underneath it.

idk, like i was really there?

Kinbott nodded. “You’ve said people often ignore you a lot. Why do you think that is?”

they’re scared. they think i’ll hurt them because they heard rumours about what i did.

i can’t blame them, really

She frowned, wrapping her hands around her knee. “But that’s not really fair, is it? When was the last time you’ve caused damage with your ability, (Y/n)?”

You shrug, thinking for a moment.

about four years

“And you haven’t made any sort of mistakes, right?”

well, no

“Then why should they be afraid of you?” Kinbott asks. She’s leaning forward, looking at you with her eyes softened. “You’ve trained yourself to silently yawn, you don’t cough, you don’t sneeze, you don’t snore. I think you need to trust yourself a little more, (Y/n).”

You shrug again, but don’t write anything down, so Kinbott sighs and sits back in her chair. “Principal Weems says that she has another little Harry Houdini on her hands?”

You write down Wednesday on your board. She nods. “I’m seeing her in a little while, actually.” It makes your eyebrows raise in surprise.

why?

Kinbott shakes her head. “You know I can’t share that. Therapy is private. It seems she doesn’t plan on staying, though. Wednesday has already tried to escape.”

i know.

she asked me to help her

Her eyes scan over the words and then look back up to you, warily. “You know better than to help her, right? Nevermore could be good for Wednesday. And I thought you were actually starting to like it here.”

You nod.

i already said no

it’s too dangerous, in the woods right now. with the attacks and stuff.

“Good. And please, tell Principal Weems if you learn of any plans in the future.” You nod again, much less committed, and Kinbott looks down at her watch. “I’m afraid our time is over, (Y/n),” she says with a smile. “I’ll see you next week.”

You write a quick thank you down and stand, shoving your socks back into your shoes and tugging on your jumper, tucking it underneath the collar of your shirt and fixing your Nevermore tie. Purple stripes was never your pattern, and Weems had long since given up on trying to make you wear the coat. She figured it probably made you less likely to run away.

Wednesday is sitting in the lobby when you get down the stairs, with a bored-looking Weems come to babysit. You send her a glance, and then give Weems a nod of your head in acknowledgment.

She beams back at you. “Ah, (Y/n). We’re here for Miss Addams’ session. If you want to wander around Jericho, we can take you back to the school when we're done, if you’d like.”

You send another look at Wednesday, whose face is just as deadpan and unhappy as before, and shake your head. You point at yourself and then mime walking with your two fingers. Principal Weems frowns, but gives you and okay, and you turn around to leave.

You can feel Wednesday’s eyes on you as you head for the school. You know she's annoyed by your refusal to help her, but you can't exactly tell her why you're refusing either, especially since you're lacking any evidence for your theory. So you just told her no.

===+++===

Even from deep inside the forest, you can hear the carnival. There's a Ferris wheel towering over the trees in front of you, and circus music blasts from a few speakers so that you can faintly hear it amongst the windy branches, leaves blowing along the ground and caressing your shoes from time to time as you walk through the dark.

You're looking for something, anything, indicating someone would've been there. Sheriff Galpin had found all sorts of hikers, recently, all almost unidentifiable, with how bloodied they were, but they had yet to find anyone with a hearing aid, so you were unsatisfied. It was believed he was on vacation, but you knew the old man went to his therapy appointments every single week. He hadn't missed a single day, so you failed to believe that theory. You didn't even know his name, really.

On a tree not too far from you, there was a claw mark sunk deep into the bark, and you looked towards it, at the pattern. The idea a bear was responsible for all the deaths wasn't exactly convincing, and looking at the claws, your doubts only amplified. You pulled out your camera, aiming it towards the mark, ready to snap a shot, when you heard footsteps pounding past you.

"Rowan!" called a voice behind you, and you froze, putting the camera down and flicking your flashlight off. The last thing you needed was word getting out that you were lurking in the woods. People thought you were scary enough.

But the words weren't directed at you. You listened intently, and then you heard the faint but panicked voice again. "Rowan," Wednesday says again, and the moment you realise it's her voice, you take off running towards it.

You find Rowan with his hand held up, crushing Wednesday against a tree, and before you can stop to think, you're rushing forward, shoving him in the back and pushing him into the dirt, where he struggles to catch his breath. The moment his hand splays out in front of him, Wednesday is dropped to the forest floor. You run to her, checking her over quickly for injuries, making sure she can run. When you find none, you grab her arm, hoisting her to her feet. You send a wary look over at Rowan, who's already trying to right himself and take Wednesday's hand in yours, pulling her deeper into the forest.

It isn't long before you hear him calling out. "Wednesday!" he yells, and you freeze, grabbing her by the arm and tugging her behind a tree. You push her flush against the bark and cover her mouth with your hand, getting as close as possible so that you hide better against the trunk. She seems too scared to comment on the touch, eyes wide and chest heaving from the running. You raise your other hand and press your finger to your lips.

"Wednesday, I'm doing Nevermore a favour," he tries again. "One massive favour. You're dangerous. My mother's seen it. I can see it. Anyone who knows you can see it."

Your eyes flicker to Wednesday's in confusion, processing his words. She's staring up at you, eyes dark and full of worry, begging for him not to find you. Any idea you had about her not getting scared goes out the window. She's just as human as you are. You send her a comforting nod, peeking around the tree trunk. Rowan's a few trees away, with his back turned, scouring the area.

You begin to back away from Wednesday, gesturing over your shoulder. If you both can sneak off and go back to the carnival without Rowan noticing, you can ensure safety. She gives a curt nod, letting you take her hand in yours again. You're faster than her, she knows that. You slowly pull her with you, quietly stepping away and towards the fair.

You only make it a few steps, until Wednesday steps on a branch.

The small twig cracks under her boot, and within an instant, Rowan whips his head around to you both, staring back at him like a pair of deer in headlights. He takes a few menacing steps forward. "There you are," he draws out in between wheezy breaths. His hand comes up, ready to crush her, but before he can use his ability, a large, hulking creature grabs him by the leg, whipping him around and down onto the ground.

You and Wednesday watch in horror as Rowan screams, and the creature rears up on its hind legs, coming down and smashing Rowan with its fists. You can hear the crunching of his bones and then the tearing of flesh as the creature's claws dig into the boy's skin. Wednesday's hand is still in yours, and she squeezes it harshly, small black fingernails digging into the back of your hand, pulling you down to the ground with her and then scooting back.

The attack is short but brutal, and you see bits of Rowan's chest go flying and pure red maw. The creature whips around to you when Rowan goes silent, staring at Wednesday with intensity in its big eyes. Then it scrambles off, tearing through the woods and into the darkness.

As soon as it's gone, Wednesday rushes forward in the leaves, going to Rowan's side. You clamber to your feet, watching the direction the creature went with wide eyes. When you turn back to Wednesday, you catch her shoving something in her pocket. You don't ask what it is, but you make a mental note to ask later.

"Please," she says, a bit panicked. Her fingers are coated in Rowan's blood. "Go get Weems."

===+++===

Another not-too-awful thing about Nevermore was the breakfast. You sat at an abandoned picnic table in the corner of the quad, finishing your eggs, when Wednesday slammed her hands down on the wood with a loud thunk. You jumped in your seat, startled by the noise, dropping your egg back onto your plate.

"What exactly did you see last night?" she demanded, glaring.

Your eyes widened at her tone. It was harsher than normal, and she wore her frustration on her sleeve. A few students at nearby tables sent you suspicious and wary glances. Over Wednesday's shoulder, you could see her roommate, Enid, staring at you.

Most important was Weems, who looked down at you from the balcony above. You composed yourself and looked back down to Wednesday, shrugging nonchalantly, as if to say you didn't know.

Wednesday gritted her teeth harder. "But you do know. We saw Rowan get eviscerated by that creature. You were there. So why did you tell Weems you didn't see anything?!"

You furrowed your eyebrows, shaking your head at her, doubling down. This was no place to get into it. No place to tell the truth. You slid your notebook towards her.

i saw him this morning.

She huffed, stomping off. You knew exactly why you saw him that morning, actually. Weems had shown you her powers a time or two, and you knew that 'Rowan' was just her in disguise. But you also didn't know if it was something you wanted to share yet. You, too, had been a bit miffed at seeing Weems pretend to be Rowan, but you also knew Weems' powers gave her an advantage, and you were too loyal to take that away from her. You owed her too much.

The question of why still rang in your mind, though. Why was she so eager to cover it up? She had never at least lied to you, so this lie seemed out of left field.

You saw the fake Rowan several times throughout the day. Each time you did your best to let Weems know you knew, and she seemed wary of you, avoiding you at every intersection. You spent the night thinking, wandering around Nevermore, stopping in the library and pulling out several books.

Wednesday had shoved something in her pocket, something that Rowan had. Something about her dooming Nevermore, about being dangerous. You raked through all the books about prophecies, not finding anything of interest and giving up at around one in the morning. No books were missing a piece of paper, and no books mentioned Wednesday's name. You could find a few references to someone named Goody, but she seemed unimportant among the other Addams ancestors, having been dead for hundreds of years. You made another mental bookmark to look more into it, later.

You trudged back to your dorm, already regretting your choices, considering you had an 8 am class in the morning. The school was peaceful again, and as you climbed the stairs, you could hear the trickle of the fountain.

But the moment your shoe placed itself upon the landing, you froze. Your door hung open slightly, just cracked, and right in the way was the same hand you had seen on your first night. You straightened up, feeling more awake, and more annoyed, now.

You pushed your own door open, knocking loudly on the wood like it wasn't your own room, illustrating your frustration. Wednesday turned towards you, unimpressed. She had your journal in her hands, the other one not meant for your communication but for your theories.

It was open to the photo you had just taken, of the claw mark. Right above it you had put the photo of the deaf old man, and right on the photo of the claw mark, you had 'Rowan' written in red sharpie and underlined several times.

You crossed your arms, glowering at her. The hand scuttled towards her, stopping halfway. "So you were hiding something," Wednesday says. "You know that Rowan isn't Rowan. You know he's dead."

You silently swallow, crossing the room until you are right in front of her. Wednesday's eye contact is intense, and you look down at your own notebook, feeling her watching you as you take it from her hands. You can feel her breath fanning against your face, and she smells like pomegranate and fresh petrichor. You turn the page to the drawing you've made of the creature. It's a little off; some of the details are fuzzy regarding last night. But it's the creature as best as you can remember it, and Wednesday nods.

"That's what I saw, too. That's what I want to find," she says. "That's what you're going to help me find."

This time, you can't find it in yourself to refuse.

===+++===

this was the first episode and a bit of episode 2. i really liked doing the mute reader but boy is it hard to write communication without dialogue. it does so much heavy lifting for characterisation. can't wait to see where this one goes, and it'll probably take me two or three parts to get through the whole season, is my hope.