#i didn't mean to ramble this long but yeah

[corvidus-fr]

super quick musings on Fathoms. i like a lot about the pose + design, but i feel like they kinda suffer from Undel Sameface when everything about their lore is pointing towards "friendly gentle ocean giants". wanted to roughly sketch Merrigan for a side-by-side comparison, and then some rough doodles of how i might push the design in a chunkier, more cetacean-inspired direction - 3 is swapping the features but keeping the overall proportions/layout mostly the same, and 4 is pushing the proportions even further

[novantinuum]

continually annoyed by how every single post i've seen supporting the notion that "the journal pages in BoB were fakes" just feels like thinly veiled anti material

[romance-rambles]

modern clarence | an appropriate staring distance

While at the beach, you take a moment to appreciate your handsome boyfriend while he's taking a nap—and also when he's not.

1.2k, fluff + established relationship, reader is mc, series: none

NAVY BLUE STICKS OUT TO you the moment you open your eyes.

Your aching shoulder protests your decision to stay as you are, on your side, facing a still sleeping Clarence. Like this, he looks much younger—you're reminded of the time you had to force him to take a nap. Like this, he's simply the cute guy you managed to score not one but multiple dates with, just Clarence, instead of the incredibly smart and wonderful and kind Student Council President.

You glance at the circular table set between your two beach chairs, taking note of his glasses resting primly upon its surface. With him often having to juggle two different kinds of glasses, you'd offered to put them in your bag so that he could pack lighter. Or, as light as he can.

Right now, it's awkwardly squished behind you, miraculously still on the chair only because it's too big to fall out the gap under the armrest.

Filling in the blanks comes as easily to you as the smile on your face when you get to see your boyfriend, nearly the same one on your face right now—and the expression that goes with it is so endlessly fond that you find yourself with the urge to hit something.

Simply put, your boyfriend is a handsome man—the most handsome one, of all the men your keen eyes have gazed upon. And gazed, they certainly have. But even if they didn't have to pick, then they would gaze at only Clarence for the rest of their life..

You almost giggle at the thought, but think against it at the last minute.

But pressing your lips firmly into a thin line has the opposite effect on your budding smile. You imagine you look rather strange to anyone who passes by—what with your mockery of a wide smile and the silent scream building up in your throat, paired with the quiet thumping of your feet against the legrest.

If you were in a more private space, you would resort to kicking instead.

A proper squish to your still warm cheeks as you begin to sit up helps ease up the passion swirling chaotically across your body. You exhale, then allow your hands to slide off your face. One side of it bears the consequences of your actions more than the other.

With a one last longing at the sleeping Clarence, you start to dig through your bag for the only thing in your arsenal that could substitute for a sketchbook.

There are a few miscellaneous promotion emails waiting for you on the lockscreen. A message from Cael asking about dinner tomorrow too. Somewhere between them, there's a notice about the weather, with the temperature from an almost hour ago listed uselessly.

You swipe past them all and hurriedly slip into the camera app.

The hand holding your phone steadies itself against the armrest as you swing your legs over the edge of your chair. A thumb hovers over the capture button, vigilantly awaiting your command. The fingers of your other hand, meanwhile, busy themselves with zooming in on the captivating scenery.

With each pinch, the focus grows ever narrow—until all that remains is Clarence and nothing else.

At one point, you try to zoom into the mole under his eye, but it doesn't make for a very compelling photo. After a few attempts, quite a few of which involve staring at your screen for prolonged periods of time, you reluctantly give up.

Your pout is soon covered up by your phone. When its front camera presses against your upper lip, your gaze is free to wander back to the sleeping beauty beside you once more.

A healing effect, exclusive to him, takes hold of you instantaneously.

Eyes brimming with fondness narrow slightly. You slide off your beach chair, hands on your bent knees as you take a closer look. You can make out the shadows cast by his long lashes and the drool dribbling past his chin.

He's perfect.

You're content to stay there until your knees begin to ache, reminding you insistently that this isn't a very comfortable position to be in. As a compromise of some kind, you adjust your arms atop the nearby armrest.

It really would be better if you'd brought your sketchbook along—but, you think, remembering his workaholic tendencies, would he even bother to take a nap then?

You scrunch your nose up at the thought.

In that moment, Clarence seems sense to your presence. When you look back at him, you're greeted with the sight of confusion in his now opened, but still drowsy gaze. He blinks, and it earns him an amused grin from you.

"Morning," you say, though it's well into afternoon.

That seems to wake him up. His cheeks flush a warm pink, and he hurriedly wipes away the drool on his face, as though you haven't already committed the sight to your memory.

Clearing his throat, he responds in kind, careful to sit up in such a way that he avoids looking at you.

"You don't have to be so close...I can see you just fine."

You laugh, not unkindly. "What if I'm the one who's having trouble?"

For a moment, when he turns back to look at you, he looks alarmed. Then, his shoulders relax to the tune of a sigh, his groggy mind apparently having caught onto the fact that you were joking.

Without breaking eye contact, you reach for his glasses. But as with the issue of walking into a cave without a flashlight, even if you vaguely recall where your destination is, there's no guarantee you'll actually reach it.

"Give me a second," you mutter, your annoyance making your tone a bit too sharp.

You follow your words up with an apology. His glasses held are carefully by the frames as your sheepish gaze connects with his faintly amused one. Clarence reaches out, getting as far as grasping the slanted tips of the frame before the two of you reach a mutual agreement.

"Well." His cheeks return to being a rosy hue. He coughs politely. "If you would."

Cute. Biting your lip giddily, you shake his grip off. A quick once-over of your surroundings before you stand up shows that no one seems to be paying attention to you. And unless your friends and acquaintences have come to together to unlock the secrets of invisibility, no one you know seems to be present either.

Leaning over, you line his glasses up against his face, the tips of his frame brushing against his cheek. It takes only a moment to slot them into place—and you have enough experience with doing so that they don't snag against his ears.

It takes only a moment longer to give him an innocent peck on the lips.

"There," you murmur, not entirely satisfied with the kiss.

His Adam's apple bobs. Clarence adjusts his glasses with an awkward look that suggests he has some kind of solution to your dilemma. You, of course, beat him to the punch.

"Why—" Your voice cracks a little. "—don't we go find a different spot?"

He smiles, narrowed eyes watching you fondly. "I was about to suggest the same thing."

[gingermintpepper]

I've seen so many interesting and fun greek myth ships over the years both divine and mortal supported by text and just for fun, and yet I fear tonight, I will be throwing my hat into the ring as a propagator of niche greek myth ships because like, no seriously how is Aristaeus/Dionysus not already thing.

[arklay]

RESIDENT EVIL → THE WESKER FAMILY

To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?

For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.

Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.

The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.

In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.

Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.

[pestercide]

I think I was destined to create a fantasy series/story,, I always gravitated towards the genre and it all started with the immense dragon fixation I had as a kid

[pianapplez]

Hello there 👋👀,

So I just found your blog and had a lot of fun scrolling through all the pjo show crit😂 I couldn't help but notice that one tag you left on a post where you said you had some beef with Annabeth's portrayal in the books 👀 Would you mind elaborating on that if you're comfortable with it🙈? Because I absolutely share that sentiment, but it's sooo veeeery rare that I see other people express anything like it... I've found that trying to be a part of the fandom can be pretty alienating most of the time, if you're not exactly the biggest most devoted Percabeth shipper...😅 And often any criticism leveled at Annabeth just gets you a smack with the "internalized-misogyny" hammer... it's even worse in the tv show now due to... obvious reasons...

Again just if you're comfortable with answering of course🙈 There is a reason I stayed on anon after all...😅😂

Really glad you asked because i finally get to ramble about this heheheh (going forward, know that i skimmed over The Last Olympian to have a clearer sense of what I meant because that's the book where Rick fumbles her character more than the others)

i'm gonna try to make as much sense as possible but short answer would be, she's underdeveloped. Long answer:

She really got on my nerves in the last two books, with the whole Rachel debacle and then the Battle of New York. I can't really remember a single moment in those books where she and Percy aren't bickering or having heated discussions, which really made me question their friendship status. Of course, it's not like friends can't fight and it obviously builds up the (romantic) tension between them, but it got unbearable at one point.

I understand she's a teenager in an incredibly stressful situation that didn't even get to have a normal upbringing- she grew up way too fast (run away at 7, head counselor at 12) while also not really maturing, which is not a problem for a character, if it is handled properly. Given the fact that I am writing this, Riordan did not.

On the surface, my biggest beef is that Annabeth is not exactly held accountable for her actions (ie. treating Rachel a bit like shit and going off on Percy for a bunch of stuff.) I know Percy is to blame a bit here: as far as we know, in TLO he basically cuts the greek world out of his life as much as he can as a coping mechanism. And while yes, he never apologizes either, he doesn't give her nearly half the hard time she gives him: always either giving him the cold shoulder (there must be at least one example of this in the entire series but i cant be bothered to look it up sorry) or starting an argument only to then storm off (see the "you're a coward, Percy Jackson!" scene, which is not the fairest example since she was confronting Percy about ignoring camp but also was a bit too harsh about it) (especially after finally reading the prophecy and being under the impression that he was absolutely going to die when he turned 16 lmao) or just straight up storming off (see, Annabeth reacting when Rachel shows up for the first time during the battle of new york). While most of these feel, at least to some degree, fairly justified given how the entire situation does an absolute number on her emotions, she comes off a bit brattish and like she's trying to rile Percy up, especially when it comes to Rachel, which in the context of a battle that could mean the destruction of the world.... Well, it reads as a bit childish to me, and i wouldn't exactly have that much of a problem with it if it was dealt with in some way (a two-way apology would be nice).

After that first impression, i realized that Annabeth is barely ever anything else other than a plot device (when relating to Luke) or a love interest (when relating to Percy). This might be because the books are on Percy's POV. Hell, on the third book he's even conflicted when Annabeth is considering joining the Hunters of Artemis, aka, when making a choice for herself would mean he loses her (which is fine and dandy but it feels like Percy is more upset about her choosing her own path rather than being sad about not seeing her as often); we really only get a few glimpses of her, as in, actually her when she's on her own.

Obviously it's impossible to talk about Annabeth without touching on percabeth, which also is, in my opinion, what hinders Annabeth's character the most. On paper they sound great. The guy whose fatal flaw is loyalty falls in love with a girl whose been let down by people over and over, and she decides to never give up on the boy whose always had people give up on him (can't find one of the million posts that talks about this right now but it always goes something like that) And yeah, the bickering is really well written! But that's literally as far as it ever goes: they don't ever seem to have fun together, because 8 times out of 10 the bickering ends up being passive aggressive, and mostly done by Annabeth. My biggest gripe about percabeth is that their friendship seems to be based off... shared trauma. Literally. Other than going on quests together we are given no examples of them hanging out, nor a reason why they would want to spend time together in the first place, not even a shared hobby. Yes, in the fourth book they had a movie "date" planned but of course they didn't even get to it, and surprise surprise, they had a minor discussion, and surprise surprise, Annabeth was passive aggressive again. It's hard to picture them having fun together when even the author doesn't write in any scenes in which they get along smoothly (and before you say anything, a scene in which they get along where neither of them is about to die, and they're not talking about previous adventures. Gets a bit hard then, doesn't it?) It's even harder to picture them as a couple when the moment she gets upset about something, she starts coming off as emotionally manipulative (see, again, literally any conversation with Rachel or about Rachel)

To be fair, the books are relatively short and don't allow many "filler" chapters, if you will; there's always something happening to keep the main plot or a minor plot point moving forward, but it's not like there is no room to develop the characters' relationships, especially when we're talking about the main char and what is essentially his endgame. As an example we have Percy and Clarisse, or Percy and Beckendorf. Their interactions are brief but still hold so much weight.

Worst of all, Annabeth could be one hell of a character; what's most interesting of all is how being a daughter of Athena she is still incredibly emotionally driven, which is displayed very clearly with her fatal flaw being pride: her telling the Sphynx that her questions were too easy was not smart nor strategic: it was completely impulsive. I seriously think she wasn't far from being the best character in the series had she been given more time.

I guess i have as much beef with Annabeth as i have with Rick for doing her dirty. I really could sum this up with: while her emotions are justified, she acts upon them quite poorly. And this is what i mean when i say she's underdeveloped, because it would've been nice to see her come to her senses a bit.

Would love to read anyone's opinions on her character though, feel free to comment, even (or especially) if you don't agree with me!

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[qcomicsy]

Listen I like Tim and Steph but I don't go there, however.

Sometimes I remember that one monologue from the Diane of Bojack Horseman when her ex-husband got another girlfriend and think about Steph wondering how did she not have a mental breakdown regarding her and Tim breakup until today.

Because if Red Robin is still cannon and I was her I would have very much a mental breakdown eventually.

Monologue under the cut

"You accidentally see your soon-to-be-ex-husband kiss someone else. At first you think, oh, it's a fing. Whatever. They're drunk. It's a party. But then he puts his hand on the small of her back exactly the way he used to do to you. It means, "I got you." And when he did it to you, it made you feel safe. And you realize he will never do that to you again. And it breaks your heart again. After you thought your heart was so broken that it could never get any more broken. You thought it was safe. But it somehow finds a new way to break. Because even though you're the one who asked for this, now that you've got it you are completely adrift. With no compass, or map"

[merge-conflict]

if i have a controversial rogue opinion it's that i think taking johnny at face value when he says rogue will do whatever he says (implying he has all the power) is to believe what he tells himself which as we know isn't always...accurate. and the impression i get from some off-hand comments i've read that she was somehow forced or obligated to help him is i think sort of robbing her of her own agency? like yeah she has shit taste in men but she could have turned him down if she wanted to and she didn't really want to. it's a flaw that says something about how she values loyalty and the people she loves. there's nothing even in johnny's memories that suggests she's hopelessly heartbroken or that helpless to resist, hell santiago is the one telling her to consider the offer. she's got johnny's back, but you very obviously get the sense she doesn't need him in her life and has her own shit going on, you know? anyway maybe i'm misunderstanding folks i just love that she built her own empire on being ruthless and savvy and yet still has a soft spot for her old shitheel ex (but only after he grovels and embarrasses himself a little). ok thanks for reading my tedx talk.

[seaofreverie]

We should normalize bringing these sort of "small talk ideas" cards to meetings with other people so that it's possible to avoid the awkwardness of not knowing what to talk about to kick things off or if it's considered normal to talk about this specific thing and AUGHGHFCG all this stuff.

[penrose-quinn]

Re-reading your series isn't enough anymore. I need to print out the whole thing and eat it.

Hi Victor!

I'm sorry this took so long, but thank you so much for reading and liking this series!! Also I'm so stupid, it took me awhile to realize you were the one sending me those comments in Ao3 till I came back to answer this (and omg you read Monster too!!)

For your question, yes you got that right! Metaphorically and quite literally, it's fitting for her character to be compared to one :'')

I hope you have the best day and take care! 💞

[makiswirl]

ok sorry if this is a silly question but I'm always curious about how post canon edling works? like what is their situation.

did the edwin proposal just never happen or are they exes? are the edwin kids a thing?

does ed live in xing at some point or does he just travel around and sporadically visit ling whenever he can? I think repeatedly traveling through the desert could be painful with automail so maybe only once a year or every couple years?

idk, let me know ur thoughts!! :)

OKAY SO I OBVIOUSLY CANNOT SPEAK FOR LIKE ANYONE ELSE WHO'S INTO THEM but i do have a specific canon for them (exiled) (and like... i don't like the writing of the fics anymore... but my main interpretation still centers around it and follows the same beats so surely that means something right)

ANYWAYS HERE'S THE GIST/RUNDOWN OF I HOW I KIND OF SORT OF MADE THEM WORK:

--

(going to use parts of my personal doc for my ed blog (@alchemsol) that i use to keep track of stuff i've written that's canon for him just for convenience's sake)

so the general gist of the beginning of exiled is that after around four years of rehabilitation and one travelling in the west (what we see him doing at the end of canon, diverging without the edwin subplot since i prefer them being written in a more familial way like the start of canon did), ed travels to xing to visit everybody again along with his brother since he's working as an amestrian ambassador for xing now and living in the palace and learning alkahestry with mei, along with figuring out how to get jerso and zampano's bodies back ^_^

somewhere around this time ed and ling get together

during the span of about a month or two after the main plot ends, ed stays with ling in the palace and essentially accompanies him for a while as his s/o (unbeknownst to the main public). a while after he's called to border city milos to help solve a dispute with an alchemist

it is important to note that ling, despite this having been his entire goal and wanting to help his people and help reform xing, really fucking hates his job more than he thought he would since he's spent his whole life as a free spirit lol. more of ling's character arc involving naïveté it is!

so what ling does is he essentially knows that he can't really help xing much more than he already has in his position, and in a very strong sense of burnout and a horribly poor mental state that can really only hurt his people more than it would serve them, he and lan fan decide to desert, he fakes his death, and they both leave for and arrive in resembool while ed and al are still away in creta.

with mei having already been named his heir at this point in case anything were to happen to him and without any children due to the sudden elimination of the concubine system and lack of a love interest PRIOR to ed, she agrees to assume the throne and do what she had originally intended to do before ling had won the philosopher's stone and mostly continues out ling's work

"bluebirds" (the last exiled fic) essentially centers around ed and ling adjusting to resembool life (especially ling because of how goddamn high-stakes his life has been up to this point) after ed and al return from milos, and also introduces winry and pinako to the series. al leaves to return to xing after it concludes

the tl;dr by this point is that lan fan and ling are now in resembool, and while winfan ALSO begins forming in the background of the story, ling and ed adjust to the whole situation of ling, a whole-ass emperor, having faked his death and randomly having showed up AT THE ROCKBELLS' (and ed's in a more non-literal sense) DOORSTEP, which ed is Very ":/" about bc they didn't talk about this and it could be dangerous as fuck but when are they not known for being ballsy!!!

the other titles listed happen after "bluebirds" and exiled conclude, but are still in the same canon. coulomb arc is a personal project with a writing partner (my boyf) that veers off into this non-canon au ficlet, terrible day for rain and names to call you by are ficlets that i've posted and deleted in the past that introduce nella and leroy who ed and ling end up adopting (along with ollie who they had also adopted shortly after the events of under the apple tree), and the other ed/ling fankids i've mentioned (jingyi, delilah, chao) happen sometime after matryoshka and end up as their biological children

golden years is obviously the end of all that but it isn't really important since it's an unnecessary ficlet i just wanted to write ages ago lmao

--

TL;DR: my interpretation is probably really far from what most people would consider in-character or most likely to happen after canon especially since it just ditches parts of the epilogue entirely as a result of it being a love letter to myself and what i like and not really much else because i just felt really silly goofy after consuming fullmetal alchemist content for the first time

however ^_^ ! it's basically just ed and ling living wild in their early 20s and then settling down and basically turning into domestic gay middle-aged men with 9 million kids because i think they deserve better than constant drama for once in their life lolz. i simply think it's good and soft for them to be normal especially given ling especially didn't get a taste of it at all when ed at least got a small sippy

ed ofc still travels from time-to-time because that's just the kind of guy that he is (usually bringing ling along with him to show him amestris), and he typically avoids doing it entirely unless he has a like. VERY important trip where he won't be gone for long after they have children mostly in fear of accidentally becoming like his father even though he's mostly forgiven him and absolutely doesn't hate him at all by now since he knows better than what he used to and why things ended up the way they did. it's just the matter of them getting used to living like actual normal and happy grown people, even with some bumps along the way, and they finally get to heal from everything that happened to them when they were younger together

tl;dr x2: i think they should heal and be shitty little country boys and make out maybe

[abyssembraced]

I'm hesitant to outright promise anything, but I'm hoping to get to my owed replies sometime soon? At least the ones I owe for Ghost, anyway.

I'm also open to plot new threads for either Ghost or Rouxls! Admittedly, I'm not sure how much time I'll have to sit down and Discuss things this week, mind you, but I'm willing to give it a shot! Finishing my currently owed replies will have to take priority over writing any new starters or replies for new threads, though, since I've owed them for a frankly ridiculous amount of time and I feel really bad for putting them off for so long, but plotting and planning stuff is good!

[lostrealities0]

I honestly have never understood why this line is so hated. I have seen people use it to villainize Ford. I would like to say that I agree with all of your points. It was completely wrong for him to project his relationship with his brother onto Dipper. He definitely has convinced himself that his and Stan's relationship has always been bad.

We don't know much about how it was in the past. However, it seems that they were always grouped together as a pair. It was always Stan and Ford. Additionally, Stan gives off codependency vibes during the incident, while at the same time, Ford seems very independent. He has zero issues with the prospect of going to a university across the country.

I believe that this dynamic probably caused some issues. While I doubt teenage Ford thought of their relationship as suffocating, I'm sure he got annoyed and/or frustrated at times. He was never seen as his own person; he was just part of a pair. Stan probably loved it, maybe even encouraged it. Remember, it is not wrong to want to be your own person!

Again, I'm not saying that it was right in any way for Ford to say this. At least not to Dipper. This is very much a conversation he needs to have with Stan. What I'm trying to say is that I believe that there is a valid basis and some truth behind that statement and shouldn't be judged point blank.

I think so much about Ford's line "And isn't it suffocating?" when Dipper says he's never been away from Mabel. Side barring how insane it is to project onto a twelve yr old boy, I think it really shows how Ford's perception of his and Stan's relationship has perverted over the forty years they were apart. We know they were close at Mabel and Dipper's age. But Ford's convinced himself that it was always bad, that his brother always had poor intent for him, always held him back, because if that's wrong, if his brother really did make a mistake, then it means he doubted the brother that loved him and he loved in turn.

[eradicatetehnormal]

I don't think people have the right to offended when something goes wrong for another person, you sass them, and the response is "Fuck you."