#i didn’t wrote a thing

[sinvulkt-moeta]

I felt my body growing weaker and weaker as I lay on the cold stone floor, my vision blurring and my breaths becoming shallower. I knew that I was close to death, and despite my Jedi training, I was filled with a sense of fear and uncertainty. I was not ready to leave this world, not yet. But as the darkness threatened to swallow me whole, I felt a strange sense of peace wash over me.

Suddenly, I was no longer in the temple. I was standing in a vast, dark void, with nothing around me but emptiness. At first, I thought that I had died and that this was the afterlife. But then I saw him - a figure in black robes, with a pale, skeletal face and eyes that seemed to glow with an eerie light.

It was the God of Death.

I felt a shiver run down my spine as I realized where I was. I had heard stories of Jedi who had encountered the God of Death before, but I had always assumed they were just legends. Yet here I was, face-to-face with the deity who ruled over the realm of the dead.

"Why have you brought me here?" I asked, my voice barely above a whisper.

The God of Death regarded me with those cold, unfeeling eyes. "You are close to death, Sinvulkt," he said. "Your time in the mortal realm is coming to an end."

I felt a surge of panic rise up in my chest. I wasn't ready to die. There was still so much that I wanted to do, so much that I wanted to see.

"Please," I said, falling to my knees. "I'm not ready. There's still so much that I need to do."

The God of Death regarded me for a moment longer before speaking again. "Very well," he said. "I will grant your request. But know this - you are only delaying the inevitable. Your time will come, as it does for all mortals."

With those words, I felt a sudden jolt, and then I was back in the temple, gasping for air as I struggled to cling to life. But the God of Death's parting words lingered in my mind, chilling me to the core.

"Why should I regret letting one soul go, when I stand to gain so many more in return?"

It was a sobering thought, and one that stayed with me long after I recovered from my near-death experience. I knew that I had been given a second chance, but I also knew that my time in this world was limited. And so, I resolved to make the most of the time I had left, to live every moment to the fullest and to make a difference in the galaxy while I still could.

For I knew that when the God of Death came for me once more, I wanted to be able to look him in the eye and say that I had done all that I could with the time that I had been given.

★   ☆  ★ ☆★ ꒰ঌWaking up໒꒱ ★☆ ★  ☆  ★

I woke up to the sound of my own gasps, my heart pounding in my chest as I tried to make sense of what had just happened. I had been on the brink of death, facing down the God of Death himself, and somehow, I had been granted a reprieve. But at what cost?

I shuddered as I remembered the chilling words that had been spoken to me before I was sent back to the world of the living. "Why should I regret letting one soul go, when I stand to gain so many more in return?"

What did it mean? Was my life nothing more than a pawn in some cosmic game of life and death? Was I only alive because it served some greater purpose for the God of Death?

I tried to shake off the fear and uncertainty that was gripping me, taking deep breaths to calm myself down. But the memory of that encounter lingered, haunting me long after the adrenaline had faded.

Days turned into weeks, and weeks turned into months, but I couldn't shake the feeling that I was somehow marked by the experience. I found myself growing increasingly restless, as if I was waiting for something to happen, for some other shoe to drop.

★   ☆  ★ ☆★ ꒰ঌPost-Order66, Fallen Knight໒꒱ ★☆ ★  ☆  ★

The body of my first kill lay before me, lifeless and still. A chill ran down my spine as I realized the gravity of what I had just done. I looked up at the night sky, and the words of the God of Death echoed in my mind.

"Why should I regret letting one soul go, when I stand to gain so many more in return?"

How many more souls would be lost because of me? How many more would fall by my hand? The weight of the lives lost, both directly and indirectly because of me, was crushing.

Tears streamed down my face, mixing with the blood on the ground. But I didn't even notice them. All I could think about was the damage I had done, the people I had hurt.

I had always believed that I was doing the right thing, that my actions were justified. But now, as I stared at the lifeless body at my feet, I couldn't help but wonder if I was wrong.

Had I become a monster in pursuit of justice? Had I strayed too far from the path of the Jedi?

I knew that I had to live with the consequences of my actions, and that they would haunt me for the rest of my life. But I also knew that I couldn't turn back now.

I had made my choices, and I had to own them.

As I stood there, lost in thought and contemplation, I realized that I had a choice to make. I could let this kill consume me, turn me into a soulless killer, or I could use it as a reminder of the cost of my actions.

I chose the latter.

During a near-death experience, you came face-to-face with the God of Death, and pleaded to be returned to the world of the living. He granted your request, and sent you away with the chilling parting words: “Why should I regret letting one soul go, when I stand to gain so many more in return?”

[cashmoneyyysstuff]

from the start !

so. . what are we ??

you’ve been katsuki’s for as long as you can remember.

sure, he had never outwardly called you his girlfriend, but when you were both seven years old, he came up to you. chest heaving slightly from running up and down the hill where he had gotten you a freshly plucked out bouquet of flowers. the roots were still clinging to them and he got dirt all over your hands from forcibly grabbing them and shoving the bouquet in them before you could even form a sentence.

“since you accepted the flowers, you’re mine now.” he mumbled, his little hands tightened into fists at his sides and chubby cheeks a cute shade of pink, staring at you as confidently as he could.

a grin grows on his face when you respond with a simple “okay !” and a bright smile. the grin on his face never disappears even as his mom scolds him for getting you both all dirty.

you were katsuki’s in middle school too, when the boys in class decided to play kiss, marry, kill and he had somehow gotten dragged into it. the girls in your class tried their best to seem uninterested, claiming the boys were being childish, but you noticed how hard some of them were straining their ears trying to hear what the guys were talking about in their own little corner of the room. you’d be lying if you said you weren’t a little curious as well.

katsuki was as ruthless as you’d known him to be, choosing to kill any girl that wasn’t to his liking, which ended up being all of them. much to the other boys’ chagrin, claiming he had no taste.

then your name was brought up.

at that, his eyes widened and he turned in his seat to see if you were watching. you had never turned your head away so fast in your life and you were pretty sure you heard something go “crack”.

he clicked his tongue. mumbling something about how stupid the game was before muttering out a “kiss yn, marry yn and kill that other bitch.” before getting up and stomping away, claiming he had to go to the bathroom followed closely by the whoops and hollers of his two friends behind him.

you both made eye contact when he walked out and you think you’ll never forget how red his cheeks were.

you were katsuki’s when he was the one to walk you to and from school everyday, claiming you would somehow get lost without him. you were katsuki’s when he had begrudgingly shoved homemade valentines day chocolates into your arms, mumbling something about how you had been upset nobody had gotten you anything last year, conveniently leaving out the fact he had scared off all the other guys trying to offer you anything.

you were katsuki’s when he grabbed your hand during the winter because he said you’d “end up dying of hypothermia with the way you’re chittering over there.” and you were his when you were the only person he laughed around. loud, genuine laughter that you and only you could squeeze out of him. you were katsuki’s when he randomly kissed you goodnight at your door one night and he’s been doing it ever since, and gets all pouty when you turn away from his kisses to tease him.

“are we dating ?” you had asked him. you’re both in high school now and you’re in his dorm room. your legs are on his lap and he’s got a comfortable grip on your leg, which tightens after he registers your questions “hah?” he looks utterly confused and a little insulted as he looks back at you, his entire face scrunched up in confusion. you pinch his nose and he swats at your hand.

“are we dating ? like—am i your girlfriend.” you say again and katsuki’s face scrunches up even harder. he huffs and looks back at his phone, landing a little smack on your leg still placed in his lap. “ ‘course yer my fuckin’ girlfriend.” he spits out, obviously irritated. then he looks back at you “I haven’t made it obvious ?” he says sarcastically. one of his eyebrows lifted as he pokes at your leg still very much in his lap.

you simply shrug “s’not that. it’s just because you’ve never actually asked me out before, so i was a little confused on where we stood.” you mumble. he stares at you while you speak and he stares a little longer before sighing. then he leans towards you and flicks your forehead.

“ow !”

“dumbass.” he murmurs. there’s a slight pout on his face and his cheeks are light shade of pink when he looks you in the eyes again. he grabs both your cheeks with one hand and smushes them together to push your lips out and presses multiple wet kisses onto them that have you squealing and squirming. his wet lips are pulled into a smirk when he pulls back and you try your best to at least look a little angry, you really do. but it’s useless when he looks at you like that.

“of course you’re my girlfriend” he reiterates. his smirk’s been replaced for something softer, something more sincere as he gazes at you with so much unadulterated affection it makes your head spin a little. “you’ve always been mine.” he says it in a teasing tone and his hand is still smushing your cheeks out and it hurts a little but his eyes are still the same. they’re warm and soft and so, so enamored with you and only you.

when he finally let’s go of your face and pulls you fully into his lap, you realize katsuki’s been yours for as long as you’ve been his.

you smile brightly at him but turn your nose up when he leans in to kiss you again. “i still haven’t heard what i wanna hear though, mr. bakugou.”

he rolls his eyes and pinches at your thigh as he mumbles out a “don’t call me that.” sighing, he looks at you intensely and you suddenly feel very shy.

“will you be my girlfriend, ya shitty girl ?” and he says it as a joke, you both know it is cus his lips are already forming into a smirk the second he finishes his sentence. and you’re pulling at his nose the moment you register it, but you’re both smiling hard. he laughs and you’re sure you’ll never get tired of the sound. “what’s your answer, pretty ?” he asks playfully and you pretend to really think it over just to mess with him, and giggling out a “yes!” when he suddenly pounces on you. flipping you both over and tickling you mercilessly, calling it revenge for you “taking too damn long to answer.”

you’d been katsuki’s for as long as you can remember, and you hope you can be forever.

[cicada-heart]

bonaventure cemetery 🤍

august 2024

[stararch4ngelqueen]

hear me out…jason proposing 😵‍💫 i’m such a sucker for a lowkey proposal like you’re just having a normal convo and he’s like “marry me” and you’re like wtf but you laugh it off bc like ofc he’s joking so when you’re like “you’re funny” he’s just dead serious, “marry me.”

I don’t really know where I was going with this, but if you get the reference I respect you.

—

Time written - 10:10 a.m

—

You weren’t a criminal when you met Robin, years before his tragic prime. It wasn’t every day when your paths crossed with a cape wearing teen around your age, even more so on his search of a bag of valuables you were ready to deny when it ‘accidentally’ came into your hands.

“Care to tell me how that happened?” The Boy Wonder at the time smirked, amused at your gawking face.

“Cat got her own tongue? What, you need some milk?”

You rolled your eyes. I you were a thief, you’d have sense to throw the satchel at his head. The cheesy jokes must’ve been a Robin thing. “I’m more of an Ice cream girl, actually. But, I didn’t steal this!”

To add up on this horribly unprecedented situation, Robin quirked a brow behind that domino mask of his, gesturing his head towards the bag of valuables in question.

“Trade you a milkshake for that.”

It was your turn to be incredibly confused, your mouth left open for quite some time. Was he serious right now?

“I choose the flavor.” You state after a further moment of thought.

“Seems fair.”

“And the place it’s bought from.”

“That’s askin’ a bit much,” Robin began to huff, hinting his growing smirk as your frown deepens.

“All I’m asking for is a five dollar shake in exchange for this bag full of hundreds of dollars, bird boy.”

“A five dollar shake in exchange for about seven hundred bucks inside that bag,” Robin points out, his smile growing bigger and bigger. “Throw in your phone number, an’ we got a deal, kitty cat.”

It turned into unconventional milkshake roof dates, sitting over the skylines, staring down at the chaotic world below as the two of you shared an unintentional paradise.

He’d tease your fear of heights, constantly calling you a Catwoman rip off, but he always made sure to never let you fall. Your relationship was sweet, too sweet, and gone way too fast.

Your rooftop dates were a tradition you kept alive when he died, only to resurface when a knock at your window interrupted you of sleep, opening your balcony to find a single milkshake perfectly balanced, with a bright black arrow drawn on the cup to meet Red Hood on the roof.

Jason Todd wasn’t the same as you remembered him to be, but he was still Jason, underneath all that broodiness that shielded him from whatever unseen traumas he hadn’t shared with you quite yet.

All these months since he ‘returned’, he always made sure to keep up your ice cream date schedules. Nine o’clock sharp on the roof of your apartment building. Sometimes, ontop of Wayne Industries on special occasions. He’d always be the one to carry you, especially now.

What did stick with him was his horrible Robin humor, which was what you believed he was using when he popped such an unexpected question.

“What?” Came your first response, a nervous laugh leaving your lips. A strange warm throb formed in your heart, thudding rapidly in your chest.

“What did you say?”

“Marry me.” He repeats again, never putting off that firm expression plastered on his face.

What an untimely thing to say in the calm before an unknown storm. Both of you were out of breath after chatting for an hour, sipping on thick melted shakes and laughing over the previous Boy Wonder.

“Jason, this isn’t funny.” You peer down at your cup, nearly finished with its contents. He always got your favorite.

“You’re right,” He agrees, his tone a little too calm to be considered any sort of joke.

All possibility of opportunity to pop a laugh and admit he was joking weighed heavily in the air, carried around by the nightly breeze. He never says he’s joking, never shrugs off such an alarming, mind blowing question.

“What if you’re kidding?” Your denial still leaks through, making his lips twitch upwards. It has to be a joke, he wouldn’t say it like this.

“What if I’m not?” He casually responds, nearly wearing down your patience.

“You’re not joking, are you?”

“I’m not.”

“Jason.” Saying his name so softly, littered with fear and hesitancy makes his second life heart melt. Being so sweet on his girl, even after his death, taught him a great lesson about time.

Regardless if he didn’t arrive at nine o’ clock sharp, or if you arrived two minutes late, time could easily be taken away, ruining everything.

He remains quiet, watching your flustered expression vary from your hands along your cup before setting it down beside you. Taking this chance, he gently grasps hold of your hand before it had a chance to retreat into the safety of your jacket pocket.

“I meant what I said,” Jason speaks again in a more calm, soothing tone of voice. “I know this ain’t traditional. I don’t exactly do traditional, but … I wanna marry you.”

His hand squeezes yours, making you hesitant to speak further. He was serious, the realization was heavily daunting in such a unique way. A unique, exciting way.

“Why?” You look at him again, swallowing slowly as he leans closer, nearly making you anticipate a kiss.

Instead, his forehead settles against yours, taking in the rich, crystalline serenity of your unique, radiant beauty.

“Because,” he mutters, “You waited for me.”

Dedication, patience, hope; That was worth more to him than gold, worth much more than the bag of valuables he knew you didn’t steal.

“I have a ring for ya,” Jason continues on whilst his thumb strokes along the back of your hand. “If you don’t like it, I’ll getcha whatever you want. We’ll have as big of a wedding as you want, then we’re gonna go somewhere.”

“Somewhere?” You whisper.

“Yeah. Just you and me; no crime fighting, no danger. Nothing. Just us.”

“Just us?”

“Yeah babygirl,” Jason peers into your eyes, wanting to coo at your noticeable tears. “Wherever you want. I’ll follow you anywhere.”

You just needed to say yes.

You couldn’t help but giggle with an overwhelming mix of emotions, your trembling hand reaching up to settle behind his hooded head.

“Why do I feel like,” you nearly laugh in between your words. “Why do I get this feeling you put the ring in my cup?”

“An’ ruin a perfectly good five dollar shake?” Jason expresses in surprise, chuckling along with your giddy laughter. “C’mon babe. I’m not that inconspicuous.”

“Then where is it?”

Jason tilts his head, raising a brow. “Why’re you asking, kitty cat? Plan on stealing it?”

“No,” you muse, your nose nearly bumping against his.

“You expecting me to slip it on right about now?” His hand finds purchase along your hip, cradling your supple body. “Dosent work unless you—“

You cut him off via a kiss, one he graciously accepts.

You tasted like cherry sublime mixed with the highlife, a good life where you always existed in it. If he were to die again, he needed to know that he went with one successful accomplishment. Marrying his Robinhood sweetheart.

“Yes,” you whisper, those tears you worked so hard to hold back cascading down your cheeks. “I’ll marry you, Jason.”

In knowing him since he was Robin, till you met him as the muscular, ever brooding Red Hood, you’ve never seen the man smile so big. His eyes shining brighter than the moon that was ever so beautiful tonight.

Grasping hold of your hips, he pulls you into his arms, carelessly tilting over his half finished milkshake cup in the process. His lips find you once more after sitting you in his lap, muscled forearms snuggly hugging around your waist, holding you as physically close to him as possible.

“The ring I gotcha-“ he muffles against your pretty lips in between kisses. “- is at my place. Waiting for you—on my bed.”

Your laugh was all you could respond with. From the very start, it’s as if he planned this all out. All it took was a bag of misplaced valuables and the promise of a five dollar shake.

[turtleblogatlast]

[ cw: nightmares / trauma / ]

Post-invasion, Mikey sneaks into Leo’s room and when asked by Leo what the problem was, Mikey just smiles and says since he’s awake and knew Leo would be too, he didn’t want either of them alone. Leo laughs and lets Mikey stick around, both of them clumped together on Leo’s bed, watching grainy compilations of old Lou Jitsu commercials on Leo’s phone.

Technically, Mikey didn’t lie. He just didn’t explain everything that led him to Leo’s room. He didn’t explain the nightmare of his arms burning up too bright, too fast, destroyed before Raph and Donnie have a chance to help. He didn’t explain how he woke up with a wail caught in his throat, phantom pain in his arms and chest alike chasing away any semblance of exhaustion. He didn’t explain how his mind made sure he knew, vividly, that if one thing went wrong with his portal, then he would have never seen Leo again.

He didn’t explain, and he didn’t have to. Leo knows his brothers better than he knows himself, and Mikey has always been easy to read. So it’s no trouble to let Mikey know that he’s still with them, that Leo is here and alive with everyone else. And when Mikey finally regains his exhaustion and falls asleep leaning against Leo, Leo simply maneuvers him into a more comfortable position and stays by his side.

He doesn’t move, doesn’t go to sleep - not that he could, anyway. He just mindlessly scrolls on his phone, the soft snores of his little brother filling the room. He stays in place, awake, because he wants to be sure that when Mikey wakes up again it’s to the immediate sight that Leo is alive and well and home.

And, if Leo’s bring honest, that’s a reminder not just for Mikey’s sake.

[indieyuugure]

I like how you made Mutagen like it's kryptonite to the turtles, a cool(and I'm also guessing unintentional) callback to the character trait of muckman.

Oh! I didn’t even think of the relation it had to Muckman. It was actually accidentally base it on kryptonite 😅

At the time I was writing that, I was binging the My Adventures with Superman show, so that concept was very fresh in my brain. It’s not exactly the same of course, but it’s like a reverse kryptonite (instead taking away their powers, it amplifies them, but like WAY too much). It’s definitely still incredibly dangerous, but for different reasons I guess.

Glad you liked that! :]

[milkywayes]

like, i realize that my fic isn’t exactly what most people look for when they search up stories of their favorite media. it’s not a fix-it fic by any stretch of the imagination even though shepard lives, and i’ve struggled a little with feeling like there’s no point in posting it since most people won’t want to read so many words of straight-up angst before it gets better. and while *i* would read it — obviously, since i would write it — i get that it’s just not appealing to many. i don’t know. i’ve worried about people feeling it’s just too much. that it feels pointless to them, even. but hearing that others also see what i see in this story and appreciate me being unapologetic about how i depict this post-war world and how shepard survives in it, how her relationship with garrus survives in it, that really means a lot to me and makes me think it’s worth sharing after all.

[stuffyflowers]

I made some teenager ceroba and starlo sprites based on the photograph in stars old house teehee ^_^

(Unedited/actual size below cut)

[imnotyetfound]

My take on Five/Lila - and why they were endgame

I’ve seen so many people say that Five and Lila didn’t make any sense, and I just disagree. I've tried to really motivate why, and also why I see them as endgame. Feel free to agree or disagree.

First of all, Five and Lila share a common background of being raised plus trained as survivors and weapons. Five was molded by his time in the apocalypse, the Commission and his ruthless upbringing within the Hargreeves family, while Lila was similarly trained and manipulated by the Handler. Both of them were forced into brutal, high-stakes environments from a young age, developing a sense of independence, ruthlessness, and survival instincts that the rest of the family can’t fully relate to. We see this especially in Five and Lila’s difficulties in showing emotional vulnerability and trusting others. This shared experience means they both understand the cost of their traumatic upbringings and can relate to each other’s emotional scars in ways others just won’t be able to. So already by this, they’re somewhat bonded from the start.

In other similarities both Five and Lila possess extraordinary intelligence and tactical thinking. They challenge each other in a way no one else does. This has been an ongoing thing between them, bouncing off each other and sometimes teaming up. It’s also what drew them to work on another mission together in S4, there has always been some kind of pull/push there. Personality-wise both Five and Lila have a dark sense of humor and a cynical outlook on the world. But despite the cynicism, they still manage to eventually relax and find humor in each other’s company. The lighter moments we’ve seen between them at times have been an interesting contrast to their otherwise serious and violent lifestyles. 

I do believe their shared backgrounds and personalities created a bond that was then further strengthened during the years they spent lost in the subway together. Isolated from the rest of the world, they literally only had each other for company. The intimacy and trust that grew between them was inevitable. When you have no one else to rely on, you’re going to develop a relationship stronger than under normal circumstances. So over those years, they must have grown close in ways that no one else could fully understand. Even though we didn't get to see every detail of how it unfolded (because the season was way too short), it’s not difficult to imagine.

I’d also say they naturally grew a bond stronger than with any other character at that time, except for the one between mother and child which is why Lila’s need to be with her children would always make her go home if given the chance. Five knew this and it’s the reason he kept the solution from her for months. 

Now, to my thoughts about their actions in regards to Diego as this is often brought up. The argument that Lila cheated on her husband with Five is understandable from a moral perspective, if we see it as just that without any context. But when you consider the circumstances it is way more nuanced. You have to look at not only the environment they found themselves in, but also the emotional and psychological journey they went through together. Their relationship was ultimately forged over a shared background and then several years of isolation. Then you add to the fact that Diego seems to have treated Lila like crap in the years leading up to the isolation, she said it herself he was always moping around and complaining while she sacrificed her life to stay at home and take care of the kids. She even told him she needed a break to reassess their relationship. I do believe her and Five had somewhat already begun an emotional affair before the isolation, the way they were sneaking off together and clearly wanted to keep their thing separate from Diego and the others. Yet they still didn’t get physical until they settled down, believing they weren’t gonna find a way back.

Also, it’s important to here consider the strength of the bond, as I mentioned earlier, that Five and Lila must have developed over those years. They knew each other better than anyone else by the end. Spending every day together in a survival situation with nothing else around would likely create an unparalleled level of intimacy and emotional closeness. This bond would probably transcend Lila’s previous relationship with Diego, and maybe even Five’s bond with his siblings. It’s been years since he returned to them and they had all grown in separate directions. Lila and Five however had recently experienced something life-changing together, and it is unfair to dismiss the strength of their connection as something unethical or out of character when their reality had shifted so drastically from when the show started.

Another important point here is how the relationship with Lila allowed Five to finally be "human" and emotionally open in a way he hadn’t allowed himself to be before. Five was obviously emotionally detached as a result of both his past trauma and the burden of being a hyper-intelligent man in the body of a boy. With Lila, he had the chance to just feel love and trust without worrying about anything else. So I do think this outweighs his “betrayal” against his brother as people claim.

Now on to how and why Five and Lila were endgame. I’m convinced that Lila did love Five despite her choice to leave their isolation. To me this was cemented as she didn’t deny her feelings when Diego asked her straight out. If she wanted to make Diego feel better she could have easily denied her feelings for Five to reassure him. Yet even when asked twice she couldn’t do it. There was also Lila’s look of relief when Five returned to them at the end. It was Five who Lila allowed to comfort her after she said goodbye to her family, trusting him in her most vulnerable moment instead of blipping back to Diego and the others. These events showed the deep trust and emotional intimacy that still existed between them after returning to “the real world”. Despite her saying it was over. I also want to add here that Lila took Five’s hand as they were dying, the look between them was for me at least silently saying they loved each other. 

So all in all I do believe that the connection and love between Five and Lila was authentic. It also made sense. They’re able to understand each other’s emotional complexities, including their darker tendencies, without needing to change who they are. Still their time together seemed to actually have softened them both when they finally had the chance to settle down, almost as if they were healing from past trauma together. This would forge a relationship that no one else could replicate without going through the same experience. Making Five and Lila a reasonable endgame, which they also were in my eyes considering they died holding hands.

----------------------

Summary:  Five and Lila's shared background of trauma, matched intelligence, and similar personalities means they make sense. They shared a bond that was only further strengthened during their years of isolation. For 7 years they only had each other to rely on. This inevitably created an intimacy and relationship that couldn’t be compared to what they had had with anyone else. Outweighing what they did to Diego when you consider all context. Lila and Five ended up being human and vulnerable with each other on a level they hadn’t been with anyone else. Ultimately Lila’s refusal to deny her feelings for Five, her relief when he returned, him comforting her as she sent her family away and then finally them dying hand-in-hand, showed that they were endgame.

[o-wild-west-wind]

okay, here’s my actual thoughtful post: I get why people are upset about the finale…I really do. but I want to mention that there’s a bigger picture to this story that’s missing if you’re zooming too close onto Izzy as a character, and I’m honestly so grateful that the show stuck to the thematic arc it introduced in season 1 because, as per usual, it’s about the themes 🤌 and this show never skimps on the symbolism!!

so here’s the thing: the primary themes are toxic masculinity (& it’s opposite, queer joy); trauma; love as a healing force for the above; and, title alert—DEATH. because it’s so much more than a cool title!

now, Izzy has always represented something metaphorical about all of these points; most directly, he’s always represented masculinity, and s2 has been an arc of toxicity deconstruction. but crucially, he’s also represented all that for Ed, who is the deuteragonist of this show. because—don’t forget—Stede and Ed are the show.

I’ve always doubted myself for feeling this after seeing how fandom saw Izzy as a third romantic figure (which like by all means have a blast in your fanfics I don’t care it’s about joy at the end of the day and pursue that as you want to), but after hearing something about djenks referring to Izzy as a father figure, it confirms a major point for me—Izzy is also in a lot of ways a parallel to Ed’s dad, and a representation of the trauma and guilt Ed felt from that formative killing. for so long, Izzy was an aggressive shadow in Ed’s life, and a tangible reminder of those daddy issues—someone telling him what to do, keeping him Blackbeard—and the beautiful thing is how that changed this season, how Izzy became a version of masculinity that could love and be beautiful and make good from the hurt, the literal poison into positivity. someone antithetical to his own paternalistic force, healing our daddy issues one drag show at a time. BUT, Izzy is still thematically representative within Ed’s arc—and by also representing the trauma that made Ed “Blackbeard,” it does make smart writing sense as to why Izzy died (NOT saying you can’t be sad about it—stick with me for a moment).

because here’s the thing—as aforementioned, this show is also about DEATH. killing is the root of everyone’s trauma, and reconciling a relationship with death is the ultimate arc Ed and Stede are both on, with the ultimate path of learning to live despite its inevitability. there’s a reason it was such a huge thing that Ed couldn’t personally kill, and then in this episode killed so many people with his bare hands in the name of love—and there’s a reason that was framed as a good thing. and there’s also Ed’s (and arguably Stede’s) active suicidality, which has been a huge force driving this season. these are characters who see death as this all-consuming thing, and they see their own deaths as the only solution. death is the traumatic force driving almost everything about their being for so long—and its reconciliation is everything for them, the greatest sign of growth. so Izzy’s death, and everyone beginning again with love—healing each other with love—is a cap to it all. it’s death as a positive force, for once. it’s death as love, not trauma. it’s death as something that will always happen, but this time not forced by your own hand. it’s a death to everything toxic, to what “Blackbeard” represented, and all the while a sort of rebirth. it’s kind of a death to…death? it’s functionally like the real physical moon replacing the giant romantic imaginary orb: it’s taking the thing that’s been artificially morphed in Stede and Ed’s heads and making it real this time, with all the bittersweet emotions that come with tangible reality.

and honestly, I’m glad that it was tragic and emotional. I didn’t think I’d be so devastated to see Izzy die, but it really did get to me, especially because of everything he said to Ricky and then to Ed. but think of it this way: Izzy and Ed might be romantically compelling because they were toxic and charged (and I hope people still enjoy everything they get from that dynamic in fan work), but imagine if the show had actually gone in that direction—where would it take us thematically? it would kill the thesis; it would be love as chaos and entertainment, but not healing. instead, this show gave us something so much more powerful: a legitimate, fully-fleshed trauma arc.

trauma hurts. Izzy’s death hurts. but that’s okay. that’s great, actually! it means the storytelling was effective—that Izzy’s arc made you feel something. and i know this won’t be every viewer’s experience, but honestly? I’m glad I can have this grieving process in such a beautifully framed light in the safe space ship of this show, because let’s be real—death, real life death, fucks you up. and let me tell you, I could’ve used this show during so many episodes of grief in my life. but here it is now, reminding us that our grief and trauma doesn’t define us—and WHAT a powerful thing for queer love, especially, to be presented as the thing that heals us all. ESPECIALLY when so much grief and death in this community is woven so deeply with the trauma of our identity.

so grieve as you need to, but don’t forget to turn the poison into positivity 💛 because that’s what the show is telling us—choose live, despite!

[crybaby-bkg]

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

[project-sekai-facts]

As you probably are aware, the current event is important for Saito, one of the MMJ side characters. However she hasn’t been a hugely prominent side character before now, so here’s a post of everything you need to know about her before reading the new event.

Saito is first introduced in the MORE MORE Making Xmas event story, as one of the volunteer staff at MMJ’s first fanmeet. She’s a longtime fan of Shizuku’s, and even refers to her as her goddess.

Saito’s given name is Ayaka. She’s 20 years old (presumably 21 post-3rd anni) and is currently attending university.

Ayaka reappears in Dear Me, As I Was Back Then, working as staff on MMJ’s first solo live. In this event, she reveals that she’s been working part-time at a production company. After working at the fanmeet, she realised she wanted to work as a talent manager for idols, and has been studying how to become one.

As some bonus trivia, her hobby is watching idol concerts, her favorite food is pork cutlets, and her least favorite food is oysters.

[rowanthestrange]

“except you’re not are you”#she doesn't mean the adoption#this has never been a problem and this has been repeated to her very strongly#its something else

OH OF COURSE

RUBY’S A CHANGELING

We’re in a goddamn magic fairy story right now, why wouldn’t she be a changeling child? What else would you write?

[padfootastic]

ok sorry to keep talking ab this man on my page but i’m going insane rn like remus and his lycanthropy is SUCH a weird plot point i’m so confused??????

if he was only outed in PoA, and no one knew ab him until then, then what’s going on?????? HOW DOES ANYTHING ELSE MAKE SENSE????

why is he not getting jobs if he’s not out. why could he not have seen harry if he’s not out. why would the ministry have hypothetically withheld him from seeking guardianship etc etc like so many fics say.

if he’s on some werewolf registry, then how was he in hogwarts. did he fall through the cracks. did no one realise that wolfy mcwolf, from the registry, is also enrolled in and graduating from hogwarts, especially as INFAMOUS MARAUDERS WHO ARE KNOWN A DECADE AFTER THEY LEFT????? i thought it was only his lycanthropy that was to be hidden, not his entire existence bc then he wouldnt be friends w such high profile mfs 😭😭😭😭

and also!!! the first war!!!!!!!!! i know we talked ab this on my blog and a LOT of anons chimed in but i’m still running around in circles tryna figure out why everyone was suspicious of him in the first war. especially if he wasn’t working w werewolf packs (like some pointed out; apparently he only did this in the second war??? which makes sense bc he could do it only after he was OUTED) then wtf was he doing and why was he suddenly suspicious. in any case, it couldn’t have been linked to his lycanthropy right? ugh.

like. him as a teacher could only have worked if people didn’t know. but does that mean if the parents/public didn’t know? (which is what snape targeted)? or does it mean that the ministry didn’t either? bc if the ministry did, then how was he allowed. does dumbledore have THAT much power and if yes, then why is this the only wack decision he took? if the ministry didn’t know, then that means that remus was effective a fully human wizard for atleast 33 (?) years of his life. WHICH MAKES A LOT OF HIS ACTIONS AND ATTITUDES EVEN WORSE?????

(again, i know there’s doylist explanations but what are the watsonion ones. i need to know)

[thatsrightice]

Telling my future kids that this is Iceman and Maverick frfr 😤😤😩😩

Source: @navalacademycontent

[ihopeitruinsrocknroll]

ughh i have so many feelings about characters that are backed into a corner, snarling and bleeding and dying but instead of letting themselves die and fade into obscurity they get up and keep fighting. they don’t just let themselves get swept into the wings of the heavens—instead they grit their teeth and make their death mean something. if they’re going down, if there’s no other option—their death is going to mean something. if they’re dying, they’ll take another dozen, hundred, thousand of their enemies with them. even if it’s meaningless in the end, even if they won’t survive to see the happy ending the bloodshed won them. they’d rather plunge a knife into their heart and make the world watch than pass away in a hospital bedside, they’d rather bleed themselves dry out of spite to cover up the sight of their foes celebrating.