#i cutted the voice too

[risu442]

Jeff Satur is a hoe *appreciated

Inspired by the scene from here around 1:50

[hinamie]

fire nation festival wear aka a blatant excuse for me to push atla clothing design conventions to the absolute Limit

jjk atla!au with @philosophiums

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[swanpyart]

Absolutely devastating realizations about Happy Ever After

PRISTINE CUT SPOILERS:

I was wondering why in Happy Ever After the table was so long and kept us so far from the Princess, and I realized that Smitten was probably terrified that we would try to hurt her, cus even if we didn’t want to, the thought of the Narrator taking control and forcing us to attack her OR force her to kill us in self defense would compromise both of our “happiness”.

But it’s only when the facade ends and we let her out of the cabin that we’re able to actually share a dance with her. A real connection.

It’s so twisted and sad that Smitten, in his desire to keep the Princess safe and happy, actually prevents us from connecting with her in the way actual couples do. He’s afraid of himself, of failing her, and of hurting her, but in trying to protect her he pushes her away from him emotionally. The cabin isn’t just to protect her, it’s to protect himself.

[pinkfey]

remember how in dao there were always like multiple flirty options u could just spring on ur love interest and it wasn't something that was brushed past it would stop a conversation dead in its tracks to have a cute secondary flirty offshoot with small variations dependent on the flirty option u initially chose with a unique course correction to get back on topic after...... yeah.

[fortune-maiden]

Played more Slay The Princess with a friend and learned something new about the New Dawn ending

My first playthrough included Razor and Moment of Clarity so when I reached that ending, all of the voices were there. I didn't realize that only voices you unlock in your 5 routes are present.

But even more interestingly, one of our routes was Happily Ever After. And we never got any other Ch 3s. When we reached the end, Smitten was Not There...

All of which is to say -

That is a REALLY COOL DETAIL!

Now I'm curious if Smitten can return if you get him back through another Ch 3 after HEA

And also if he stays gone if HEA is your last route where he appears, after having been unlocked in an earlier Ch 3

And also now I kind of want to try mapping out a playthrough that gets me all 10 voices without going through Razor/Moment of Clarity

And also if that kind of run can be possible with HEA as one of the routes

[egophiliac]

i need to know when u watch episode 5 of gotchard, because it is by far the best episode of the season so far for a variety of reasons

toku really is just the absolute best

[thesoupisburning]

the rough cut between the long quiet and the shifting mound left them jagged and with pieces of the other. she, the concept of change, stuck in the same role, we, the ability to choose.

i've heard people theorize that the part of her that the slayer has is *us*, the player, but i would argue that we, the player, are the essential stagnation within the long quiet. we will always be the same, to the game, we exist on a scale that the narrator (and all characters in the game , all people of that universe) cannot comprehend. but i think that the ability to choose and be different each loop, each route was hers. or arguably, the voice of the hero was hers.

he's with the slayer from the beginning, he cares for the hero, if the final confrontation with shifty is anything to go by, and he sort of represents agency (even his title stands out from the other voices. what does hero mean? goodness? the ability to do something?) but he tends to represent agency and the middle ground - the third choice, even. i think i read that somewhere here too, whoever you are who said that, you're completely right, but i would argue that that makes him. well. not a part of the princess. but that he is part of the frayed edge that the long quiet took from her when they were torn apart.

im just kinda rambling tbh dfgjhkfdch

[quicksilversnails]

I think it'd be funny if the new Pristine Cut gallery included the number/percentage of lines of dialogue seen.

It’d probably be too immersion-breaking to work as a serious idea, but just imagine beating the game for the first time, going to the gallery and seeing you've seen like 5% of the total dialogue in the game. Jaw drop moment

[shadystranger]

the switch from worry for sam to appealing.. oh he knows how to fuck him up so perfectly tailored for him

[silverskye13]

I just had a thought (shocker)

Does Welsknight know Helsknight’s tenets? Like have they been spoken to him? Or does he assume Helsknight follows his tenets albeit “maliciously” or whatever

He knows they have different tenets! I don't think he has them memorized the way Helsknight probably has Welsknight's memorized, but he's heard of all of them at least once.

[saltpepperbeard]

stepping through scenes™ as i do and

...there was another shoulder touch?

THERE HAD BEEN ANOTHER SHOULDER TOUCH?????

[hinamie]

Yuuji: Bye, im going to the fire nation!

Sukuna: Not dressed like you aren't.

Proceeds to give Yuuji a boob window in his clothes

ngl anon i took this bit way too seriously n got carried away thinking abt what yuuji's fire nation alternate fit would look like ,, then after figuring it out I thought well now I /have/ to draw air as well ....

jjk atla!au with @philosophiums

[ophanim-vesper]

My (personal) Problem With TOTK's Zelda

I think nothing infuriates me more about TOTK's writing than the fact that Zelda is literally a recycled, WORSE version of herself in BOTW.

What was Zelda's arc in BOTW? - struggling to unlock an important power that will help save the world. - is dreading an impending doom that will be caused by a formidable evil. - by losing/nearly losing those who love and support her, she finds her strength and sacrifices herself to help Link, spending hundreds to thousands of years in an intangible, unreachable form.

Very, VERY well-written and thematically consistent. Zelda had her struggles, her faults and her flaws and grew to be an incredible savior worthy of the prophecy that preceded her. She literally went from 'zero to hero', believing she was the weakest out of her companions (the Champions) to becoming one of the most important. Without her, the story of BOTW wouldn't have happened, and it's thanks to her that the kingdom is saved.

So what's Zelda's arc here in TOTK? uhhh.... - struggling to unlock an important power that will help save the world. - is dreading an impending doom that will be caused by a formidable evil. - by losing/nearly losing those who love and support her, she finds her strength and sacrifices herself to help Link, spending hundreds to thousands of years in an intangible, unreachable form.

Except, in my opinion it's much WORSE and carries much less weight than in BOTW. Why? Because there's one horrible mistake the writers of TOTK made when writing our beloved princess, and it's that...

They made her too perfect.

Idk if this is just me, but I dislike how Zelda was portrayed as this 'perfect, flawless and talented princess' who can do everything as if it was as simple as breathing for her. I didn't like how she suddenly became good at cooking at this game (referring to that one side quest with the meat and rice bowl). I loved the hc that she was a terrible cook, but even if she somehow learned, I wish it was mentioned how Link taught her or how she works super hard to become good at something she previously wasn't. I wish it was touched upon how she was an isolated princess who only had books for access to the outside world. I didn't like how it seemed she was suddenly a proficient explorer who knew all plant species and animals just because she 'read' about them (reading doesn't count for crap if you have no field experience!). It almost seems like every skill Link was good at is suddenly also Zelda's skill, aside from fighting. I don't like that. It makes them feel less unique from each other, and makes Zelda feel like she's copying Link in a sense. I wish Zelda had more obviously 'book smarts' while Link was more of a 'streets smarts' person.

Also, they completely forgot to give her any flaws. No struggles, no real issues, no intrapersonal problems at all. But what infuriates me the most to the point I see red, is this:

"Oh? You're struggling to unlock a new power you've never used before but desperately need to in order to go home/save the world? Lemme give you a quick pep talk and you're suddenly a master at using it, no struggle to learn needed yippeee!!!!!!"

Yeah. I don't like this.

I get it. In BOTW, Zelda had no proper mentor with experience to teach her to use her Light power. She had to figure it out herself, with everyone putting pressure on her, thus stunting her development further. And here, Zelda had supporting loved ones with experience in magic who can actually teach her. But come on...

It feels like such a lazy cop-out, and stomps on the beautiful arc Zelda had in BOTW when unlocking her power. It also sucks that it happens off-screen too, as in the next memory Zelda is suddenly proficient at time magic.

Zelda doubted herself. She was carrying pounds of self-loathing and frustration because she couldn't do the one thing she was destined to do. She felt useless, a failure and felt as if the Goddess herself was ignoring her. THAT is a character with struggle. THAT is an interesting protagonist. It is almost never fun when a character instantly learns to use a new skill they've never used before, or even knew existed-- and even WORSE when it happens OFF-SCREEN.

Of course, these are just my opinions though, and I'm sure many other people have different views of Zelda in either game. Feel free to rebuff my statements or even just continue the discussion! That's what these rant posts are made for, lol.

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[cultofstan]

Pics of Doc Ock from The Clone Conspiracy Event