#i couldnt figure out how to incorporate it

[bea-worms]

lineless art practice

happy birthday maki!!!!!!!!!!!!

[mjhartwork]

Jacqueline putting her face on before a date

A gift for @time-jester!

[j0rbits-art]

old/unfinished explorations of freya's past through her garb as Leader of the Vanir & Queen of the Aesir.

[citruscantus]

Mirakane siren AU Who up contemplating Akane Kurashiki's indelible destructive pull back to the source of her trauma and consistent inability to escape her compulsive fixation on recreating it 🌊🎉 Who up making elaborate fish yuri about it (me alone) 🐟

dimmer alt version

[mogaiswirls]

[Image ID: An eleven striped flag, its colors going as follows from top to bottom, pastel yellow, pastel marigold, muted pastel orange, muted dark magenta, royal purple, light yellow, royal purple, muted dark magenta, muted medium pink, muted pastel lavender, pastel lilac. End ID]

Paessownic: A gender related to ball gowns, princesses, princesscore, and pastel rainbows.

a gender from @mogai-sunflowers to-do list!

[doodoodinklefart]

okAYYYY so ive been planning this au for literally forever and i couldnt get white diamond satoru and black sapphire suguru out of my head... ive seen a couple other hnk x jjk aus floating around but i wanted to take a crack at it!! i'll just explain these three + the setting for now cuz theres a bunch of other shit brewing in my head LOLOL honestly hnk and jjk are pretty different themes-wise i feel so i couldnt rlly help changing a lot abt the world LMAO

in this au its not just a couple gems in the school, there's a bit more of a society and structure outside of it. there are still the three major "clans" though maybe more like major cliffs?? lol?? that the gems are formed in that produce a much higher frequency of strong, high quality gems. i imagine that before the idea of working together (modern jujutsu society) had come about, gems fought to have control of these spots to assure that they would have those to protect them from lunarians (aka curses we're playing a bit fast and loose here). while there were many attempts to merge the clans, the fighting was more a waste of time if anything, so they stayed separate. jujutsu high in this au would probably just be the school, a set of gems that are trained to always be ready to dispatch lunarians and protect tengen (who is the prayer machine here), who has basically been dormant.

and THATS where we get to white diamond. i wanna say while diamonds are p common irl, its rare here for there to be a fully formed diamond lustrous that actually has inclusions. while there have been extremely strong lustrous born from the gojo cliff, white diamond is the first diamond in several centuries, filling a vacancy after others had been taken away to the moon. not only that, he's got special eyes too!! im thinking he can see sunspots from far away, or maybe can tell artificial gems from real ones, like being able to see their inclusions or something. probably both!! either way he has to wear special blackout glasses during the day. his eyes are really reflective so he can work at night too, but that often leaves him restless.

white diamond—in his mind at least—is untouchable, and really it may as well be true. due to the combat training that he's gone through and his hardness of 10, he has never sustained so much as a scratch. he had a tendency to break all of his sparring partners back home, and thus he feels he's hit a brick wall with his training, and that the only things that will come close to putting up a challenge are likely lunarians. he doesn't really care much for weaker gems at this point, and is eager to finally fight lunarians for once. eventually, he is sent off to the school to begin what he would call "actually worthwhile" training.

black sapphire, on the other hand, was born practically from nowhere, in a unremarkable place with little more than himself and a few other older gems that were around to help shape him. with a hardness of 9, he was the strongest among them and—after his first dangerous encounter with lunarians—he realized he had an obligation to protect the rest of them. his strength often leaves him feelings alienated, as he normally ends up working alone for fear of other being taken away. i wanna figure out how to incorporate his ct better but for now ill just keep thinking about it. for now, it was probably his strength that got his scouted and sent to the school.

boulder opal, or just opal, is in training as a doctor at the school, and shows extreme promise. her lax attitude reveals none of her medical prowess, especially when it comes to gems with missing pieces. she has a particularly good eye for finding missing shards, or finding pieces that she can replace missing shards with. there's nothing she can do if their inclusions reject the replacement, however. maybe she has a way of resonating with the other's inclusions to speed healing up on bigger points of damage?? idk ill figure it out

ANYWAYYY this is getting super long so i'll end this shortly BUT!!! basically, white diamond, with black sapphire (who he calls saph), and opal are all training under yaga sensei (idk what kind of gem he would be yet LOL). diamond, at first, sees opal and saph as weak, but quickly realizes they have their own feats. saph in particular is the first lustrous that has ever made sparring fun, because while he's less durable his combat skills make up for it tenfold. maybe black sapphire is the first to ever leave a break on white diamond who knows... opal is probably always having to put the two back together. theyve never lost to a lunarian before, and have certainly never come close to being taken to the moon. these two are the strongest together, and each finally feel like they have a place to belong.

alsooo..... they do get a mission to escort a "star plasma vessel" of sorts. tengen slowly erodes over the years and needs a compatible lustrous to replace their missing pieces. boleite (riko) happens to be that gem, and diamond and saph need to escort her.... lmaoaoao now i have to design riko, toji and kuroi...

[highoncatfood]

Rainstuck 4th and final part of the classpect reasonings!!!!!!!!!!!!!!!

putting these 4 together bcuz i feel like kurumis and desuhikos analysis dont even deserve their own post bcuz of how unsure i am abt them, halaras too kinda. i also dont have any additional drawings for them so! theres that i guess. more notes in read more if u care...

pt.1 pt.2 pt.3

im kinda bummed that i couldnt rlly incorporate their fortes into the classpects in form of powers bcuz that would make this like 3 times more awesome. buuut it would be so hard to try and make it all work in a way that both their personalities And the powers would make sense for them as characters AND the classpects. so i had to choose and i think matching their personalities was more important. idk

im most happy with vivia. i feel like i could find sth better for halara but honestly i kinda dontttt care for halara that much in general so i probably just dont understand them enough to properly analyze them. desuhiko being heart-bound is nearly perfect if u ask me. maybe i could find a better class for him. kurumi as a heir of space is like... fine. i think i made it work and its enough but again theres probs another classpect that fits her better that i just cant figure out! oh well.

i mentioned grimdark vivia but after refreshing my memory on the horrorterrors i realized that they only communicate with derse dreamers. i could go around it somehow and say that maybe bcuz of his connection to ghosts and shit he could access the outer gods DESPITE not dreaming on derse???? idk, its a bit of a stretch. maybe he could have 2 dream selves! a wink towards his forte? this is homestuck we're talking abt. why should i look for logic here.

another idea for his dream self is that i think it would be fun if he could wake up on prospit pre-session despite not being a space player (tho im not 100% sure thats even canonically a space player thing). "hes just special like that" right. lol but yeah this guy would enjoy prospit i think.. snoozing a lot just like jade and escaping into the perfect peaceful moon world... kurumis there too like "how did he GET here" i dunno im just thinking out loud at this point ermmm

[hairscare]

i dont know anything ab vivziepoop or whatever her name is and her work but could you give some examples and like. maybe explain how far they are from actual demonology? i love haterisms and i love learning things

kisses you on the mouth id love nothing more than to spread hate and infodump abt demonology. let me preface this by saying ive never watched any of their content so i cant speak on much besides what ive absorbed via osmosis of being on the internet and what i can see in their designs

so my special interest has always been on the 7 Princes of Hell aka the 7 Deadly Sins so thats what I'm gonna focus on. I'm also gonna bring beloved otome game Obey Me into the mix for another example of modern interpretations of them. also keep in mind im not a believer in these figures, though my research comes from both christian and pagan sources, i just like them a lot

so lets start with Mammon, the prince of greed. mammon is always depicted as a very money and power hungry kinda guy. in heaven, he was so obsessed with the golden pavement that they kicked his ass out first. hes super powerful and has 6,660,000 demons under his control that he makes build the capital of hell called Pandemonium. im not making this up demonology is silly as hell. hes associated with wealth, gold, jewels and emperors.

you may be surprised by this interpretation from the dictionaire infernal, but from my understanding/perspective, i believe this is supposed to be a lure to get more money as a begger? normally hes described as decked out in robes and gold and jewels and all that. but you can see in the illustration the bags of money.

so yeah hes like a super money hungry emperor type- in my mind i always kinda think of trump ngl. power hungry, money hungry, you get it. so if youre like me, for a character design, youre thinking a ceo with lots of expensive clothes and jewelery.

now, lets see what our friend viv has to say-

... they made him.... a clown? keep in mind, i literally know nothing abt the role he plays in the show, but... why? why is he a clown? if anything, him being a jester is the opposite of the typical emperor depiction. like a king vs a court fool. completely erases the whole idea of his greed for power. part of that greed is that he already has it but he wants more! this jester angle doesnt make sense.

okay, now lets look at obey me. theres a lot of things i dont like abt obey me's interpretations, but theyre so much better than vivs.

first of all, the white hair and blue eyes are actually accurate! the colored illustration above of begger mammon is actually colored wrong, hes often described as having very light hair and icy blue eyes. this interpretation of mammon, while yassified from the old man and the emperor, is fairly faithful. hes obsessed with money, hes constantly stealing money from other people, he wears the most expensive designer brands, and he has gambling issues. its not perfect, but hes clearly based on the demon mammon.

now Asmodeus. asmodeus has always been my favorite. hes the Prince of Lust, but he himself isnt horny. he teaches people Forbidden Arts and Crafts and also geometry, hes a disabled king (walks w two walking sticks), he likes messing with people and he hates the smell of fish liver. one time he threw someone 400 leagues and stole his identity. what a guy

asmodeus is particularly monstrous. hes got 3 heads, a bull, a demon, and a ram, hes got a duck bottom, and he has a dragon cat service animal. i think hes beautiful <3 but you can see a lot of potential symbols you can incorporate into a design! all these animals, esp his three heads, are just waiting for a cool design. so vivs, whatd you do?

... okay. hes... kinda got the heads, but its the cowards route. he has... that weird ass body that vivs loves to give men. theres... some feathers so he kinda has bird symbolism? im pretty sure he owns a casino, which is actually accurate. but like. thats #notmyasmodeus. this guy couldnt throw me 1 league if he tried. hes not monstrous looking at all. his legs are thinner than my patience.

since we couldnt really dissect viv's mammon, ill bring this up here. a big issue i have with these designs is that theyre afraid to make demons ugly on purpose. dont get me wrong theyre all ugly as hell. but not gross. not monstrous. these sanitized tumblr sexymen designs completely betray what makes the original designs so fun. asmodeus doesnt have 3 heads, he has one that looks like an evil sesame street character. the design is simultaneously trying way too hard and so fucking generic. literally if you take out the two tiny head motifs in his... hair? theres no indication that this is based on the demon asmodeus

okay, lets look at obey me.

again, hes sanitized, hes conventionally attractive, and he doesnt have any of the demon asmodeus' symbolism. hes also super horny. he doesnt do geometry or arts and crafts or even own a casino. not faithful to the source at all.

before you accuse me of being a hypocrite for liking obey me, hold on. let me get through beelzebub.

Beelzebub is known for being "lord of the flies". its literally what his name means. i cannot emphasize enough that he has fly motifs. he is the Prince of Gluttony, aka overindulgence. its typically associated with food. but beelzebub is *extremely* powerful. in Paradise Lost, hes Lucifer/Satans right hand man. all other demons respect him immensely. hes supposed to be so powerful that summoning him is supposed to run a high risk of seizures and death. he also fucking loves architecture. when a ton of demons were called on by solomon to build, the other demons were so appauled that beelzebub was being made to do manual labor, but his crazy ass was giving solomon building advice

hes a bug! hes big beautiful bug. the crowd cheers. so the motif is kinda obvious here. i mean, its kinda hard to miss it, right-

what the fuck. what the actual fuck. "but grim shes got a bee motif-" shut the fuck up. this... fox? wolf? furry thing needs to be put down asap. i genuinely think theyre using beelzebub as an bad excuse to introduce their kesha dog character. bro what the fuck thats not a fucking bug. thats not even a goddamn bee. i hate it here

i cant do this anymore show me obey me.

hes a fucking fly thank god. sure hes conventionally attractive but hes not a dog with the smallest waist ive ever seen and disproportionate birthing hips. he eats all the time bc hes gluttony. okay fine whatever as long as hes a fucking bug im ok

so. lets address why i like obey me and i hate vivziepops interpretations. first of all i just fucking hate vivziepop so jot that down. but more importantly, obey me doesnt pretend to be anything it isnt. its a dating sim. of course the characters are gonna be hot and fit into archetypes. ive made my peace with that. besides, the game actually makes their sins pretty interesting by showing how they affect their personalities, motivations, relationships and lifestyles. its not super faithful, but its not supposed to be.

but helluva boss isnt trying to do that. from my (admittedly limited) understanding of it, its supposed to be a dark comedy gritty adult animation. the characters are supposed to be questionable and unconventional because theyre literally in hell. so i ask the question: why are they so afraid to lean into that with their character designs? why does everyone have to have barbie proportions? why is no one (purposefully) unpleasant to look at or monstrous? its sad to see a creator trying so hard to make something thats supposed to be graphic and brazen in its depiction of hell and demons, and yet is afraid to actually confront the conventionally unappealing aspects of the source material, or even touch the motifs of the demons

i love the 7 princes of hell. if you want to read about the strangest characters with the oddest stories, symbols and trivia, go read some websites about them. none of it makes sense. lucifer and satan are the same person but also not and sometimes the other 5 are also the same guy. belphegor is in love with paris and is the infernal ambassador to france and has a toliet wheelchair. satan is depressed. lucifer is sometimes depicted as an whiny brat child and sometimes as a humongous terrifying beast. leviathan does jack shit and just boils the ocean and eats boats. its literally so much fun. also please feel free to add onto this! demonology is fun in part bc theres so many different interpretations and facts from all over the place that make it a wild ride

tldr: vivziepops designs are lazy and unadventurous when it comes to their source materials

[fujoshiribbon]

yeah i couldnt figure out how to incorporate them in gijinkaverse so until i get a better idea master hand and crazy hand are giant incorporeal centaur beasts in wrestling coach uniforms

[protagonistheavy]

I cant stress enough how annoying the OW2 PvE shit is. It's a kind of incompetency from a production standpoint that I just cant stand -- it's outright deceptive marketing, telling people for YEARS to get hyped for all this PvE content, only to pull it out from under the userbase's feet.

It was THE thing that a sequel was sold on. That whole animated cinematic with the giant robot and showing off new abilities and getting Overwatch together. Just a total waste of time now, huh.

It's fucking skill trees, too. Was that really too fucking complicated for them to handle? They couldnt just make a web of abilities and bonuses and let you have fun with them, they couldnt figure out how to do that in time. I mean seriously, it's SKILL TREES, every fucking video game has them, it's such a simple thing and Blizzard finds a way to make its users feel like fucking idiots for even wanting/expecting that much.

It sucks for me especially because for the past month I've been brainrotting about what PvE would look like. I was amped imagining all the skill tree combinations, the new mechanics, the possibility of a weapon system to totally change how heroes might play, the gameplay in which you'd get materials to craft upgrades, various items you'd find or bring along on missions... Of course, we get none of that, we get nothing. We get more Archives bullshit, just more linear straightforward missions of horde killing with a few elites.

I just look back and know now that I was silly to think we were getting a good product even at SOME point. How naive I was to not realize how the PvP content and battlepass clearly had all the attention/budget, leaving no time or energy for PvE. I mean lmao, stupid me, for thinking Blizzard could incorporate skill trees, when they showed it off in gameplay trailers and footage as totally functioning. Stupid me for not thinking "oh obviously theyre just gonna scrap this whole aspect of the game."

Disappointment doesnt even begin to describe how I feel. This is just plainly tragic at this point. The dreams back from Overwatch 2016 are just gone now lol. Such a great game with so much potential, wasted. I really cannot imagine myself playing the game anymore at this rate, PvP was barely keeping my interest as a time-passer, but now that the shine has worn off, even that is just dull and uninteresting. I was waiting for PvE, really thought I'd be able to re-engage with the game if I knew that was coming out, but if it's just going to be the same Archives shit with, what, ooooh solo player missions? Yeah fuck off. I wanted real PvE! I wanted to maximize heroes and obtain new abilities and discover fun combos and feel like Im active in the story of Overwatch! But they can't do it! Blizzard just totally dropped that ball and it's taken them years to come out and admit it.

All in all, I just really want to know why Blizzard hates Overwatch's story so much. Why do they constantly keep compromising it. For the sake of PvP? Do they just constantly worry that if they stop making content for PvP for just a little bit, the whole game will die? They put millions of dollars into Overwatch League only for that to effectively capsize within two years, but the most they can do for Overwatch's lore is a few shitty kids books over the span of years? And all these resources they made -- they had a whole fucking demo for PvE content in 2019! All that, just gone? At best recycled for more Archives bullshit? Fuck! Why even ass around and pretend you HAVE a story? Why not just say fuck you a little louder and scrap ALL story content, clearly Blizzard doesn't want to even be engaging with story content so why keep tugging us along acting like one day we're gonna get it? Jesus fucking Christ. How can they do this to their own staff? Making them work on so much bullshit that gets flushed down a toilet. Why even bother. Why even make these people go through the effort of even thinking about story content when it's plainly something that's never gonna happen. Oh my fucking god.

[aemiron-main]

I adore your artstyle. I feel like I'm never happy with my own cause it looks so boring and unstylized. Got any good tips?

AHHH THANK YOU ANON!! <<333

And believe me, I’ve been in your shoes. Seriously. Even now, I still have 26474885 new things I want to try with my art and things I want to change. But I DO have some tips for you- hopefully theyre good tips!

So, I think one of the key things is looking at other artists and pulling their art apart.

Practice and spending the time actually creating art is important, but I’d argue that spending time analyzing art is equally important. I spend a lot of time looking at art, and then instead of just staring at it, I try and figure out what EXACT elements of it that I want to incorporate into my own work. For example, if I like the way somebody does lineart, and the way another person does their rendering, I’ll try and figure out how they did it & why I like it & try to combine it with the way another artist does rendering or lines/the way I want to do them. I spend a LOT of time pulling at apart, seriously. I send various pieces to my own private discord server channel & literally talk to myself about them and what exactly I like about them and how EXACTLY I want to change my own work. I do probably as much typing as I do drawing when it comes to art.

Also, a good question to ask yourself when you see a piece of art you like is “I like this art, BUT- do I want my art to look like this?”. There’s artists whose styles I ADORE, but I don’t want my art to look like theirs- for example, I love looking at people with super heavily stylized art with only flat colouring & no rendering, but it’s not how I want my art to look & isn’t the type of art that I enjoy creating.

So, being able to pull apart various pieces and go “okay, WHY do I like this piece and DO i want MY art to look like this?” is something that’s definitely helped me.

I also think it’s super important to set actual, solid goals and figure out what you want your art to do.

What I mean when I say “figure out what you want your art to do,” is in terms of “okay, well, do you want everything more flat and visible with less rendering and less volume? or more rendering and more volume? Do you want to focus on design/concept work? Do you want to be able to do complex poses or complex lighting or both? What matters more to you- having a painting with dramatic, heavily contrasting lighting, or having a style where everything is easily visible & not obscured by shadow, or some combination of the two? Do you want to be good at drawing couples? Complex backgrounds? Both? HOW do you want to draw those couples and complex backgrounds? Lots of volume? Minimal volume? Focus on lighting? Focus on lines? Somewhere in between? tc"

Personally, I try and visualize it as a give and take situation/a sliding scale with tradeoffs when it comes to stylization. On one side of my scale, I’ve got super linework-focused, flat colours art that’s more focused on shape and less focused on volume and minimal lighting. On the opposite side, I’ve got super rendered, painterly art with complex lighting. And I’ve been trying to find an ideal combination of the two, and that’s where the tradeoffs I mentioned come in.

My work used to be even MORE linework heavy than it is now/flatter (which is great, just not the direction I wanted to personally keep going), and I had SO much trouble doing painting/rendering and it frustrated me and I couldnt figure out why. But then, I realized I had to make a tradeoff- my complex linework didn’t work well for heavily rendered styles, because the sketches/drawings/lines for paintings on that “super rendered basically no visible linework” side of the art scale are generally meant to be more for function rather than form.

My lines weren’t serving the function they needed to, they weren’t doing the heavy lifting that they needed to, so the rest of the painting would collapse & wouldn’t work and I would get frustrated as all hell when trying to paint.

What I mean when I talk about the lines doing heavy lifting is what I said earlier with the sketches in painterly styles generally being more function over form. I needed to think of my lines as supporting the painting and acting more as a *map* for things like the lighting (see: shadow mapping) & as using fewer lines to make room for more volume (the tradeoff). My lines weren't doing that, I wasn't really thinking about where I was putting them/how I was using them/how they interacted with other elements of the piece (such as the lighting & how that affects the way I do lines).

I also highly highly highly recommend the book/resource "anatomy for sculptors"- you can find a bunch of excerpts from it on pinterest/all over the internet, but it really is a phenomenal resource and a unique resource IMO because it does a really great job of demonstrating the link between the anatomy vs the planes of the face/shapes that make up that anatomy, and bridging the gap between 2D shapes and 3D forms.

Also, just some basic tips that help me in general: -Your areas of detail should also be your areas of high contrast. This sounds more complicated than it actually is, but basically, it doesn't matter how much detail you put in a low-contrast area of a painting, because it won't show up (because it's low contrast). So, keeping your high contrast areas as your detail areas is a good thing to keep in mind, esp when working on more complex paintings. -General proportion "rules". I try and keep in mind some general rough tips like "the eyes should have the width of one eye between them," and "the face should be roughly the sized of a splayed out hand".

-Straights vs curves. I think about the straight lines vs the curved lines a LOT in my art.

-What works for me may not work for you. Different people think differently. What works for other artists may not work for either or us. What works for other artists may work great for you but not for me.

Also, experiment with different brushes. They DO make a difference. No brush will fix a lack of understanding of the fundamentals, but a brush that works for you will make those fundamentals easier to learn/apply. Personally, I draw with a combination of the default photoshop pressure opacity tapered airbrush and one of Ruan Jia's free textured square brushes.

And also, experiment with overlay layers/all those different types of layer. Seriously, that was a gamechanger for me, especially in terms of stylization and giving more of my art that warm feeling/look that it has. My art actually usually starts out very cool toned and I slowly warm it up via colour changes and various yellow (or other colours) overlay/soft light etc layers.

And I don’t say any of this to box you in/overwhelm you, just to give you a list of things I wish I knew sooner.

Also, I think people focus too much on having one consistent style. I 10000% understand needing to have a consistent style for commission purposes, but as far as just developing your art goes. just experiment and figure out what you like and what works best and the style WILL come.

ANYWAY! Hope this helped, I'm like half awake rn so it's not as coherent as I'd like it to be.

[boogiewrites]

hiiii! so i started Hindsight's Always 19/84, have to finish the rest later bc i’m at work😭 i couldnt wait until then to tell you how much i love this!!!!! first of all, boy dad eddie?!?! first time seeing this & oh my godddd, i didn’t know i needed that! the bath scene was so precious, them rocking out & little teddy screaming his heart out🥹🥹& i love how easy it was for eddie & reader to get that connection again & open back up to each other. which makes me wanna ask (ik i didn’t finish yet so sorry if there is any) but are you thinking about incorporating flashback scenes? anyway, i stopped at the beginning of the chuck e. cheese scene. this work day is gonna be hard to get through w this fic on my brain, i can’t WAIT to finish it🤣 i can’t wait to see her interact w teddy & her seeing wayne again bc we love wayne!! which just reminded me “how’s my other baby” so cuteeeee!! okay byeee, keep being great!!💕

Thank you for the love!

There's plenty left for you after the bit you finished with, don't worry!

I don't think there will be literal flashbacks. You're going to get snippets from inner monologues about their past. There will also be conversations they have about their past together.

I didn't want to skimp on the dad/son together moments because I figure if you're reading a dad Eddie fic, you want that parenting cuteness. So I'm trying to indulge in plenty of that.

Thanks again for the kind words! I truly appreciate the love!

[crossed-worlds]

"Oh come here! You know I'm a tough doe!" She giggles a little bit seeing him trying to be still, aww... she loved his energy. She pulls the hedgehog into a tight hug, careful not to make it uncomfortable she knew she was likely stronger than him when it came to arm strength. "Gosh, I missed you...."

She remained there for a minute or two before pulling back to touch her forehead to his with a soft chuff. Unlike him she couldnt purr, but she could make these gentle soft chuffing sounds that gave away her joy to see him. She forced herself to step back completely as they were here for a reason.

"Tails and I put a heck of a wrench in old Egghead's whole scheme!" She grinned as she filled him in on what had happened. "I dunno what that fox did but the data across the whole Eggnet was SCRAMBLED. I heard from Nicole that Eggman had to shut the whole thing down and get a bunch of bots to manually copy over data from old files! It's gonna take him WEEKS to get it all back! IF he ever does that is!"

"As for me! The Valley Blues have regrown and the FF are currently figuring out how to incorporate them into the restoration plans. Ace hasn't given the all clear yet but we're getting there. More importantly... I have a copy of the ARK data for Shadow once I see him again. From what all I've learned......THAT space station and all that happened on it, are universal across the worlds."

"Anyway....Tails called us up, did he find something?"

@crossed-worlds || (X)

[mizzyislost]

decided to do a screenshot redraw with my "hollow knight but as gravity falls” designs, because you guys seemed to like them! 

here’s one of my test screenshots, with the more simple coloring style

(original images under cut)

[sammydem0n64]

Ok finally figuring out the lore for Miss Woodbaker’s school for the gifted LETS GO

[ambrosia-art]

The last stake.