#i could go on about how this applies to many more characters

[zuppizup]

Rayllum, 10 babies and Xadian family planning

I’m trying to post the next chapter of Dark Alternative, but AO3 is very wonky, so you’re going to be subjected to my rambling thoughts on my new WIP for Work in Progress Wednesday.

So, over my vacation, I’ve been plagued by post-season 7 fanfic ideas. Short fics, obviously. No more than three chapters, as usual.

What’s got me intrigued right now, is how the continent of Xadia, or at least, a select group of people, will manage with living with the knowledge that Aaravos, in some form, is coming back in seven years. How would that affect politics and society, as well as the individual characters and the choices they make knowing that?

The regular folks would struggle to miss that whole eternal darkness and dead creatures thing that happened, but what do they know about exactly what went down?

And what do they know about what’s to come?

You know me, I’m a Rayllum person, so pretty much any fic of mine is a Rayllum fic, and this current idea is focused on how this particular threat affects the next stage of their lives.

Without a doubt, when we last saw Rayllum they were totally committed to each other and are fully ride or die… but how would that devotion relate to their future, in particular, the subject of children?

Now, I’m an angster in my deep dark heart, so while I’m sure many people could conceive of a fic where Rayllum are secure in their ability to defeat Aaravos come round two, that ain’t where my brain was ever going to go.

Rayllum are in love and clearly want a future together. Callum was openly planning a quaint little one in the Silvergrove before they were rudely interrupted by the whole end of the world dealio.

So, where does that leave them now (in my angsty reality anyway)?

In their youth, they both leaned into their more paranoid natures (Rayla leaving without Callum in TTM and Callum getting physical with Soren in season 4), and while they’ve both grown and matured since then, would such a threat as the world ending be enough to bring that paranoia right on back?

Which leaves me with my current fic planning conundrum.

Assuming Rayllum decided to forego the whole having kids thing until Aaravos is imprisoned again, how likely is it that they could plan when to have a family.

I’ve seen people say that the world of The Dragon Prince is in a medieval setting, and so people had children younger then, which, aside from not being the entire story, doesn’t feel like it really applies to a world with magic and dragons, a world that lacks the sexism and gender roles that are also associated with medieval times or other more grounded works set then.

Additionally, looking at canon, I think it could be reasonably argued that some form of birth control is readily available in the setting. In fact, I think it’s likely multiple forms of birth control exist in the world of The Dragon Prince.

From humans to elves, we don’t see large families normally associated with the inability to plan a family via the use of effective birth control. The “largest” family we see are the Sunfire monarchs, with three children. Viren and Lissa had two children only. Sarai may well have had more children had she lived, but Rayla’s parents spent multiple years at the Storm Spire and she remained an only child.

I can’t imagine there’s much in the way of entertainment at the Storm Spire either. Sure, they could abstain or get creative, but oof, hasn’t enough been asked of them?

Even looking at prior generations, we do not see large families. Given the closeness in ages of the siblings we know of, it also seems unlikely to me that children were lost in childbirth or to childhood illnesses.

To me, it seems far more likely that family planning is active in Xadia and would be a tool Callum and Rayla could exercise.

Clearly, no birth control is infallible (or I guess it can be, magic and all) and I assume Miyana’s twins were unplanned.

Personally, I head canon Rayla herself was an oopsie baby in order to further explain the complications of her parents being called away to join the Dragon Guard.

Where am I going with this? I don’t even know anymore.

I suppose, to me, it’s not a foregone conclusion that in seven years Rayllum would have a kid (or indeed multiple). The setting of the world doesn’t imply that it’s particularly difficult to prevent pregnancy. In fact, the small families imply to me that family planning is a cultural norm among elves and humans.

Faced with the imminent threat of Aaravos’ return, would Rayllum plan to start a family? Certainly, people put off having children for far lesser reasons.

We also don’t know how using dark magic, even in that limited capacity, has affected Callum and the potential for him to get possessed again. It was clearly enough to physically mark him, but does that go deeper?

Would imprisoning Aaravos once again result in an inevitable possession?

Not great when Dad gets taken over and abandons the family.

Or worse, Mum has to take him out.

Angsty though!

As usual, I’ll be doing my own thing in my fics, but I’m interested to see where Arc 3 goes with this (optimistically assuming we get it). There are a lot of factors at play to explain why we might see a lot of the characters in a state of stasis. Seven years isn’t that long when you’re facing the world ending, after all. Particularly when you’re likely to play a very active part in trying to stop that returning apocalypse.

So, which way to go? I see the angst potential in both.

On one hand, you’ve got the pain and desperation of protecting your kid from a returned Aaravos, or perhaps worse, a possessed Dad.

But on the other, you’ve got two people who likely want to take the next steps in their lives, but feel the pressure of a ticking bomb haunting them and potentially preventing them from moving forward.

Either way, bring on the pain.

[buckydeservesthebest]

I really blame TFATWS' poor writing for essentially making the narratives of many of the characters inconsistent. I mean, they retconned the well known canon that the Winter Soldier wasn't activated until the 1960s, to now tell us he was at least since '51, for the sole purpose of introducing Isaiah to the story. I think with a little more thought, they could have found another more believable way to introduce him without having to change canon.

Not only was the entire script of the series written in a rushed manner, but the showrunner and writers did not have a clear understanding of the entire lore surrounding the characters. If I remember correctly, Spellman himself said in an interview that to prepare for writing the script, instead of devoting himself to watch and read about all the history of the main characters, he simply read a summary of their arcs in one of those wikis pages.

**Already in this post, it was explained very well why the plot holes and inconsistency in the narrative, especially Bucky's. But in the end, the ones who pay the price for the lack of production preparation are the characters themselves, because unfortunately they are always going to be at the mercy of what the writers want to do with them.**

But even with all the narrative inconsistencies, I think Bucky's action of assisting Zemo in his escape from prison is justified and was the right thing to do (according to the nonsensical plot), and in fact, the canonical book The Art of The Falcon and the Winte Soldier states that. Let's see:

The Flag Smashers were already a criminal rebel group involved in terrorist acts, and on top of it all, some of their members exhibited superhuman abilities, which made them even more dangerous. Bucky and Sam used the orthodox methods of tracking and investigation to capture them, without going to any extreme. It wasn't until they both realized that the FS were actually super soldiers, which meant that someone had recreated the serum, the biggest suspect being HYDRA, that the situation led Bucky and Sam to resort to more extreme measures.

I think it's important to talk about how once Bucky discovered that the existence of more super soldiers, and believing HYDRA was behind it all, he took the issue more personal, because believing it was HYDRA “his people”, he feels responsible over all the harm they may continue to cause.

In fact the Marvel Studios' The Marvel Cinematic Universe An Official Timeline book, talks about how ending the legacy of the other Winter Soldiers (evil super soldiers), was already a duty Bucky had self-imposed as part of the redemption he has always sought.

So the same applies for the case of the FS, a group of criminals born out of HYDRA's actions, something Bucky believes he has a responsibility to fight and stop.

I think some of Sam and Zemo's lines reference this as well:

Sam: I know why this matters to you, but it’s pushing you off the deep end.

Bucky: Someone recreated the super-soldier serum. I need to find out who. Zemo: You are assuming HYDRA has something to do with this, which is why you came to me, *which means you are desperate.* 

So considering that neither the government intelligence organizations nor the military have any information that would be helpful in figuring out how the serum was recreated (which was Bucky's main mission) nor about the whereabouts of the FS, that Bucky had no choice but to turn to Zemo.

Something interesting about this, and something that wasn't mentioned in the series, but was in the canonical book The Art of TFATWS. Is that before looking for Zemo, Bucky and Sam had already exhausted all available resources for their mission, with Zemo being the last and best card available to find out the origin of the serum and to stop the FS.

Another thing that is important to clarify is that before resorting to freeing Zemo, Bucky first tried to get useful information from him WITHOUT having to release him from prison, but he refused to help from behind bars, leaving Bucky no choice but to assist him in his escape.

One of the many inconsistencies in the handling of the characters by the production, was precisely Zemo, who was originally a ruthless criminal who did not mind killing innocents in order to fulfill his mission which was to separate the Avengers, now the plot of TFATWS makes him look like a kind of misunderstood anti-hero someone who always wanted to stop the creation of the super soldier serum, because he wanted to rid the world of more supremacist groups like the Avengers and the Nazis. When that was never his purpose in CW, he simply wanted to get revenge on the Avengers and break them apart, there was no interest there for the good of society like the version of him they wanted to sell us in TFATWS.

The point is that just as the plot tried to make Zemo a slightly more sympathetic character, who actually seeks the common good supposedly, very different from what we saw in CW. The nonsensical plot also made him the greatest super soldier expert in history, so in effect making him the only person in the entire series who would actually be helpful to Bucky and Sam in dealing with the FS problem, as well as figuring out the origin of the serum. So according to the canonically inconsistent and nonsensical plot, Bucky did do the right thing by assisting him in his escape because Zemo would be the only one who could provide help.

Another thing in Bucky's favor is that it is undeniable that he always intended to return him to prison, and I can bet it was always his intention to specifically return him to the custody of the Wakandans.

It's because of all this that I've always been against the idea that formed in the fandom that Bucky had betrayed Wakanda, he did NOT, because his intention literally NEVER was to harm them in any way, NOR much less benefit Zemo, which are the definitions of the word 'betrayal'.

And I mean, everyone talks about what Zemo's release meant for Wakanda, but no one talks about what having to team up with him meant for Bucky himself, how hard it must have been for him to have to interact with the one who was his abuser, who framed him for a crime and almost got him killed on more than one occasion, who reactivated the mind control that subjugated him to his will and forced him to hurt others.

For whom the release of Zemo from prison was hardest and most difficult was for Bucky himself, because he was literally the one who ended up being most harmed by his actions in CW. Yet Bucky jeopardized his conditional pardon, his friendship with Wakanda, as well as his own health and mental stability for the greater good. Because again, the plot made Zemo the only person who could help in the capture of the FS, as well as to get to Nagel and find out how the serum was recreated and stop him.

So, at the end of the day, Bucky always did the right thing for the good, even though the one who sacrificed the most and had the most to lose in all of this was himself.

"I don't ship T'Challa and Bucky".

Nor do I. You don't have to...

What do all close bonds have to result in ships anyway? There are other kinds of love than romantic/sexual and there are other kinds of bonds.

Why can't two characters have close emotional bonds without being romantically in love with each other? I say they can! I say we need more extremely close platonic/sibling- like relationships which do not involve who wants to sleep with whom.

Lol, sorry I am ranting. I love how you never pass up on a chance to shit on TFatWS though. It deserves it. Someone even theorized that the reason the scenes with the Wakandans are framed like that in the series is to insinuate Bucky betrayed them.

He would *never* have betrayed them. Bucky is not a betrayer. i'm not saying that to woobify him or because he's without flaw, but its just not in his nature to betray or backstab people. He's a protector by nature like you suggested. Not if he's able to exercize free choice and consent anyway. What he did as the Winter Soldier.. well can that even be counted as betrayal when it wasn't done of his free consent or choice?

Which all goes to show how little the writers of that series understood Bucky/just literally wanted to undermine and subvert everything about his established personality and nature. Why don't the writers just go ahead an kill him off already? Permanently this time. They clearly couldn't care less about his character at this point so they might as well. Just at least give him a heroic death....

Yeah, honestly Bucky breaking Zemo out isn’t my gripe, it’s that he’s not given a justification that matches his character. Say if the super soldiers were a threat to Wakanda, or even a direct threat to Sam (instead of them just doing their own thing and it’s really Sam and Bucky trying to stop their quest to provide vaccines for the refugees), and Zemo was once working closely with Nagel and had a direct line in, I would think that might be sufficient justification for Bucky to break Zemo out. As it stands it’s like three degrees of separation and it made no sense for Bucky to go that far, for something that had minimal returns.

I heard that Cap 4 will contain a scene where Isaiah becomes “possessed” in the manner of a brainwashed Winter Soldier and fights against Sam. I would be interested to see whether they treat that as Isaiah’s fault and something he needs to make amends for, or as something beyond his control and the fault of the person who controlled him — as it should be. Although, if they take the correct stance, given the writer is Spellman, I would question that divergent treatment of two similar characters. 

There is a subsection of series fans who believe any direct acknowledgment of Bucky’s extensive trauma or purporting he is a man with strong moral goodness is woobification. Pointing out that he is a good man who would not fucking do that is not what woobification is about.

I think there’s also a subsection of fans who prefer to characterise Bucky as morally ambiguous. It’s not the characterisation I see from movie canon, and I think it’s more in keeping with the comics Bucky who’s a very different character.

[idiaa-shroxd]

YOUR WRITING IS SO PRETTY I COULD EAT IT. YOU CHARACTERIZE THE CHARACTERS SO WELL TOO!!!

thank you so much!! ʕ•ᴥ•ʔ happy you think my writing is very pretty!! and also makes me happy you think my characterization was correct.

when writing for characters always take a bit of extra time to ensure they sound good? thinking about having an actual conversation with them for a minute and what they’d do! ♧ personally a big fan of viginettes since that reveals a lot of a character more than mainstory.

Σ('◉⌓◉’) mini (huge) rant within the tags of the way of my process to understand a character!!

[pyrrhiccomedy]

I feel like we need a refresher on Watsonian vs Doylist perspectives in media analysis. When you have a question about a piece of media - about a potential plot hole or error, about a dubious costuming decision, about a character suddenly acting out of character -

A Watsonian answer is one that positions itself within the fictional world.

A Doylist answer is one that positions itself within the real world.

Meaning: if Watson says something that isn't true, one explanation is that Watson made a mistake. Another explanation is that Sir Arthur Conan Doyle made a mistake.

Watsonian explanations are implicitly charitable. You are implicitly buying into the notion that there is a good in-world reason for what you're seeing on screen or on the page. ("The bunny girls in Final Fantasy wear lingerie all the time because they're from a desert culture!")

Doylist explanations are pragmatic. You are acknowledging that the fiction is shaped by real-world forces, like the creators' personal taste, their biases, the pressures they might be under from managers or editors, or the limits of their expertise. ("The bunny girls in Final Fantasy wear lingerie because somebody thought they'd sell more units that way.")

Watsonian explanations tend to be imaginative but naive. Seeking a Watsonian explanation for a problem within a narrative is inherently pleasure-seeking: you don't want your suspension of disbelief to be broken, and you're willing to put in the leg work to prevent it. Looking for a Watsonian answer can make for a fun game! But it can quickly stray into making excuses for lazy or biased storytelling, or cynical and greedy executives.

Doylist explanations are very often accurate, but they're not much fun. They should supersede efforts to provide a Watsonian explanation where actual harm is being done: "This character is being depicted in a racist way because the creators have a racist bias.'" Or: "The lore changed because management fired all of the writers from last season because they didn't want to pay then residuals."

Doylism also runs the risk of becoming trite, when applied to lower stakes discrepancies. Yes, it's possible that this character acted strangely in this episode because this episode had a different writer, but that isn't interesting, and it terminates conversation.

I think a lot of conversations about media would go a lot more smoothly, and everyone would have a lot more fun, if people were just clearer about whether they are looking to engage in Watsonian or Doylist analysis. How many arguments could be prevented by just saying, "No, Doylist you're probably right, but it's more fun to imagine there's a Watsonian reason for this, so that's what I'm doing." Or, "From a Watsonian POV that explanation makes sense, but I'm going with the Doylist view here because the creator's intentions leave a bad taste in my mouth that I can't ignore."

Idk, just keep those terms in your pocket? And if you start to get mad at somebody for their analysis, take a second to see if what they're saying makes more sense from the other side of the Watsonian/Doylist divide.

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.

[nakanotamu]

Oh lmao I'm friends with both of the two (2) people who have wrangled wrestling the past four or five years now, so I'm not 100% sure of all the policies this is just stuff I've seen them talking about. Before them, all wrestling was unwrangled, which led to a lot of mess and bloat that's not 100% fixed, and before that the person wrangling it made a lot of decisions that ended up not being very practical based on a very different idea of how this stuff should work, but became "policy" and is difficult to change now. I would ask one of them to weigh in but I don't really think either of them want the potential heat associated with people knowing they handle the ao3 tags for all of wrestling but I'll do my best:

Ao3 has very specific rules for when and how to canonize tags, and they fit wrestling extremely poorly. It's two people doing their best to apply a system that is designed for cataloguing and permanence to the unbelievably ephemeral world of wrestling.

They both have very much more than a passing familiarity with wrestling, but that's not to say anybody knows every wrestler. Neither of them follow WWE. They both know how to do research and will spend fic writer amounts of time looking up every wrestler they don't know.

Nothing is automated. Every tag has to be dealt with manually. There are also rules about how many tags they're supposed to change all at once to not overtax Ao3's servers, so it's a balancing act of when to do big renames. Every time a WWE wrestler, especially a big one like Saraya or Edge, goes to AEW, it's a nightmare for them.

It's not based on who uses a tag first and it really shouldn't be. Like think about it, how many people do you know who would use the | format for a tag that wasn't already there? Also, think about how often wrestlers change their names. Do you think no one is writing fic about Jon Moxley | Dean Ambrose and using the names interchangeably on the same dude? Do you think those fic should all be kept 100% separate based on which name they used? How about Io Shirai | Iyo Sky, are those separate characters who shouldn't be findable in the same search?

Canonization is based on Rule of 3. Something is up for canonization once it has 3 uses, I think it has to be 3 separate uses I don't remember the exact details. Then, once canonized...

Synonymisation (synning) is when two tags are linked as, well, synonymous. This is the purpose of canonization, is having a canonical tag to syn them to, because the intent is that someone searching for one character can go to that canonical tag and find all of the works relevant to that search. So go ahead and use whatever tag for whoever you want, it'll get synned to the wrestler's canonical, that's the important part. Bc of the way Ao3 is set up it only recommends canonicals to you while you're filling them in but very few people actually write their tags like that.

Again bc wrestling is such a unique beast there isn't a hard and fast rule as to how that should be done. They're doing their best to sort through a combination of what is the nature of the characters vs how are people using the names.

Neither of them really loves the way wholly different characters played by the same wrestler get synned, but the precedent was established before them that they should be and there's significant enough writing for most examples like that that does treat them like the same person that they kind of have to go with that.

To specifically respond to the examples above, Swerve Strickland & Isaiah Scott are the same dude. Like that's one character. There's also a significant chance anybody searching his old NXT name would still want to see Swerve stuff too, or that people searching Swerve could be interested in the old fic that never originally got tagged that. So they get synned, even though probably everyone writing fic about him now just uses Swerve. Killshot probably doesn't have enough usage to warrant his own canonical, and also ambiguously is or is not kind of Swerve, so it probably got wrapped in and updated when the Swerve tag was canonized, but didn't have enough usage to just stay as Killshot. The Chuck Taylor one you're free to use but it would never get canonized because a) it's too long and b) nobody is using most of those names. It would get synned to the Chuck Taylor tag. Luchasaurus is not synned to Austin Matelson, I checked, it's synned to Judas Devlin, which was his name on the indies & in FCW pre-Luchasaurus. My guess would be there were tags used pre-AEW that included it and/or there's enough fic about him where they call him that that it warranted inclusion even if like 99% of the time it's just Luchasaurus.

Also it's two people with other stuff going on they just make honest mistakes sometimes.

Anyway I hope that helps, I may have some of the details a bit off bc I don't work on it myself I've just seen them talking about it like I said. If it really bugs you you're free to volunteer with ao3, anyone can and they need the help.

I love the way wrestlers gimmicks get sorted on ao3 bc it ends up being up to the discretion of the first couple ppl who write them what tag ends up being common. Half of wrestlers arent even marked the same guy as their name on the indies but according to ao3 canon the 64 million yr old dinosaur IS the same guy as that one big brother contestant that had an affair on the show

[justanotherbirdbrain-blog]

A Workshop for Creating Magical/ Fictional Crystals: A Guide from a Geologist

Hi folks, its me, here to talk about fictional writing again! Today I'm just tackling the idea of magical stones/mana stones by looking at existing minerals today and some neat properties that they have, and how you can apply these things to a fictional world. The goal is mainly to help you if you are stuck trying to come up with a unique magic system, or a unique identification/characteristic of your mineral.

First Things First: Mineral Shapes

I am exhausted, petered out, down-right fatigued by seeing every mineral depicted with having the crystal structure of calcite and quartz. There are soooooo many cooler, more interesting crystal structures, don't you think you would stop and take a look at a perfect cube in nature? It is completely unsettling.

Second: Color

Color within minerals can either be really important, or not important at all! It is your choice to decide if color is going to be something that means something to your mineral. But what are some times when the color is important? Well.... there are some elements that are called chromophores, this classification just indicates that these elements, when present, will determine the color of whatever they are in. So, if you wanted to treat mana like a chromophore, you could say, "Oh everything that contains mana turns green!" This could mean that regardless of the mineral, if that mineral is a specific color, it means it contains mana. This concept is exciting because you can just stop here and use minerals that already exist! You can also use it as an indicator for a magical ore! Chromophores are typically metals, so if you are making a new metal weapon, making the ore of that metal a unique color would make a lot of sense!

However, your mineral can also just be every color of the rainbow like quartz and perhaps that's what makes identifying your mana stones elusive and create an illusion of scarcity that your character can solve.

There are other things that can change the colors of minerals, like radiation damage, and electron exchange, but I think that is beyond what would be helpful! So lets talk about some unique color properties that happen in nature that seem magical in the first place! Maybe you don't need to design a mana stone, but you want a unique gemstone that only the royal family passes down or something (IDK).

The first one is the alexandrite effect! This is where a mineral can change color in natural light vs. incandescent light. (the mineral itself is not changing, but the lights contain different amounts of different colors that then get absorbed by the stone). Even if you don't use electricity in your fictional world, you could have the colors change in the presence of light magic. This could create fun misunderstandings about what the mineral is reacting to!

Pleochroism

Pleochroism is something that most minerals have, it is frequently used to help identify minerals in thin sections, however minerals are usually not pleochroic enough for it to be visible to the naked eye! Pleochroism is just a fancy name to describe the change in how light is absorbed based on the angle of the mineral! So if you scroll up to the first image where I showed a lot of crystal shapes, most of them have angles where they are longer and shorter! This will effect the way light travels in the crystal. Tanzanite is a popular mineral that does this.

Photochromism

This is when a mineral will change color (in a reversible way) when exposed to UV light (or sunlight), I am not going to go too into the details of why this is happening because it would require me to read some research papers and I just don't feel like it. The mineral that is best known for this is Hackmanite!

Alright! These are all the really cool color effects that might inspire you or maybe not, but now I am going to talk about how you might find your minerals within a rock!

When I see a lot of magical caves/mines, typically I see them with some variation of a geode honestly, but most minerals are not found like that! Now I am sure most of you guys have seen a geode, so I will not really talk about those, but I will talk briefly about porphyroblasts which is when the mineral grows larger than the minerals around it, this happens in metamorphic minerals!

sorry random stranger, but this is an image of garnets inside a finer-grained rock at gore mountain in New York!

Another way you might find minerals is in a pegmatite! This is when all minerals are really large! This is a formed from really slow crystalizing magma!

But something else to think about is that your mineral might just be massive, it doesn't have to have distinct crystals, it may be similar to jadeite where small grains grow together which leaves it looking smooth and seamless! A note about all of these is that you would have to mine into the rock to find these, there would not be any natural caves in these rocks! Caves are only ever really formed in limestones and maybe marbles (rocks that react with acid).

How can your characters identify these minerals?

Typically when you are out in the field you will look to see what type of rocks the minerals are found in (The overall texture of the rock will tell you how it formed). If you know how the rock formed, it will narrow down the amount of minerals you need to think about by quite a bit! Next, you are going to look closely at it and observe its crystal structure, does it have an obvious crystal? if so what is the general shape? If it is broken, how did it break? Did it fracture like glass or did it break along uniform planes. Some minerals have a thing called cleavage (breaks along planes of weakness). If a mineral exhibits this habit, it will again help narrow this down. Next we can look at color. Color can be misleading, because minerals like quartz can be any color imaginable, but minerals like olivine will always be green! The next thing your character can do is test for hardness, minerals all have a specific hardness that can help identify it as well.

After you go through all of this, your mineral might have some special property! This could be magnetism, fluorescence, reactions to acid, or any of the color changing effects I mentioned above! Other than that, your character can take it back to a lab and do a number of things to identify it, but the most typical thing would be for them to make a thin section (very thin piece of the rock) and observe it under a cross polarized microscope!

On that note folks! I hope this helped in some way in thinking of new magic mineral properties! I have other guides that explore some different fictional worldbuilding issues you might run into, but if you have any topics you would like me to cover please that I haven't mentioned already, let me know!

[airybcby]

If I Could Never Give You Peace

( bllk boys when your secret relationship is leaked by paparazzi)

a/n — wrote this on a whim after listening to peace by taylor swift

content — some nsfw but not explicit, fem! reader, cursing , all characters are 18 or 18+, slight ooc maybe?, some characters are repeated

synopsis — what happens when your relationship is leaked?

⋆.˚✮🎧✮˚.⋆ ' i'd give you my sunshine, give you my best ' ⋆.˚✮🎧✮˚.⋆

✩₊˚.⋆☾⋆⁺��✧ the... ' everyone thought you'd broken up '

listen, you knew dating a good soccer player in high school was a big deal, but you didn't realize how big of a deal it really was when he went pro.

this was the same boy ( now man) that you'd been dating since you were 14, so nothing really changed your views on him. if you could love him through his awkward phase, and he could love you through yours, there was no way you'd break up.

again, you didn't realize that your relationship was such a big deal. it wasn't that the two of you were a secret, it was more of a 'private not secret' situation.

so when the two of you woke up in your shared bed because of just how many notifications the both of you were getting, you knew something was up.

and low and behold, something was wrong. when you opened any social media the first thing you saw was a strangely amazing photo of you and your long-term boyfriend kissing. really, if it wasn't a paparazzi photo, it would be your lock screen.

"aren't we just the cutest?" he asked you, phone thrown back onto his bedside table as if he didn't have a care in the world. (and he really didn't, not in this case)

truly, the only thing that may make him angry in this whole situation is the fact that he got woken up far earlier than his usual routine by all the commotion.

but of course, as he was dozing back off, you were reading the comments, as any loyal significant other would.

soccerluvr45: omg is that is gf from high school? i thought they broke up

okay, yeah. he had a rather public instagram account in high school that his rabid fans had found that had pictures of the two of you, but you'd never broken up?

reading through the many comments, it was like everyone had collectively decided the two of you'd broken up.

"mhm...just ignore it. the pr lady will deal with it." he mumbled as he grabbed your phone from your hands, laying it beside his before wrapping his arms around you.

"go to bed, 's too early to deal with all this."

his fans were silly, if they could see you with this bed-head man right now, they'd see there was no way the two of you would ever break up.

✩₊˚.⋆☾⋆⁺₊✧ NAGI SEISHIRO, yo hiori, NIJIRO NANASE, hyoma chigiri

✩₊˚.⋆☾⋆⁺₊✧ the... ' pr nightmare '

anyone who knew your boyfriend knew he was...a little extreme.

and unfortunately for you, this also applied when your relationship became public because of a slight slip of focus from the two of you. it wasn't that you were trying to keep your relationship a secret, you'd already been together a year now, but you also weren't trying to out yourselves.

yet, one singular minute when the two of you slipped away to the bathroom together at a soccer banquet...well lets just say a paparazzi was scarily ready to snap someone, anyone's, photo.

so here you were, sitting in a terrifyingly big office with your boyfriend and almost his entire management team.

"do you know what this could do to your reputation?" his manager asked. "it's just two adults doing adult things, they should've been in that bathroom! that would've gotten them—"

"okay, sir..."the pr woman cut him off, ever too enthusiastic to be talking about your private lives.

"you just need to ignore all of this until it goes away, alright? no press interviews after games anymore," she sighed as if this was basic comprehension. (your boyfriend wasn't the smartest but he also didn't need to be treated like an idiot.) "and no posting on any social medias for the time being. do you understand?"

"yeah, yeah. no talking to the grown men after games. and..."he grimaced at the thought of his next condition. " c'mon is posting on my socials that bad? i don't post about us anyways."

"at. all." and the room felt as icy as the pr woman's stare.

"yeah, no, okay i got it. no social media."

after another thirty minutes of this, with them saying basically the same stuff to you (even though you had no real social media presence anyways), you guys finally left.

"no fucking posting? what if i have to talk about a game coming up?" "i'm sure she knows how to do her job, love." you soothed your boyfriend as you got in the car the company arranged to have you two taken up with.

"yeah, well whatever. give me your hand," and who were you to say no to your boyfriend?

he took your hand and placed it on his neck, a place where you could see a few bites and hickeys if you really looked hard enough.

before you could protest he took a picture, posting it on his VERY public account with the caption...

' i love my woman ;) '

before turning off his phone completely.

"let's see them try to get ahold of me now."

✩₊˚.⋆☾⋆⁺₊✧ RYUSEI SHIDO, tabito karasu, EITA OTOYA, oliver aiku

✩₊˚.⋆☾⋆⁺₊✧ the... ' what picture ? '

how do two chronically offline people realize their relationship is now under scrutiny by the entire world?

the simple answer is...they don't!

you've never been interested in social media the way other girls your age had been. really, you'd rather just watch a video essay on every little topic that interests you than sit and watch six second videos then scroll all day.

to say the least, fast and forever changing social media just wasn't your thing.

and your boyfriend? he hardly even used his phone. unless it was for business or you, the thing was practically shoved away somewhere he couldn't care less about.

he would rather be reading or spending time with you out on a date...which is exactly the predicament the paparazzi put you in earlier this week.

the two of you were photographed having a little picnic and reading date at a small park that was pretty far out of town, assuming no one there knew, or even cared, enough to take a picture, but alas, someone did.

you and he had spent the rest of your week in pure, relaxed bliss. he had a game on saturday, so besides him going to practice and working out, the two of you stayed inside almost all week to prepare for the rather hectic weekend.

to say the game was a nail biter would be the understatement of the century. after two additional times, it was your boyfriend who scored the winning goal.

of course, you cheered the loudest, not noticing plenty of fans eyes on you unlike how many used to just chalk you up as an ecstatic fan.

as the post game interview came for him, you decided to stay closer to the door just incase it ran short. sometimes it was a one and done for him and others the questions went on for at least fifteen minutes, it just depended on his mood.

of course, the first question was about his game winning goal, but the second one threw him and you for a loop.

" what do you have to say about the photos of you and your reported girlfriend that have come out this past week? "

"...huh? what photos?"

eventually, the two of you did see the pictures, and all you could do was laugh because...how had you two not found out about this?

and you also made the picture your phone lock screen, but he didn't have to know that.

✩₊˚.⋆☾⋆⁺₊✧ RIN ITOSHI, reo mikage, SAE ITOSHI, chigiri hyoma

⋆.˚✮🎧✮˚.⋆ ' but the rain is always gonna come if you're standing with me ' ⋆.˚✮🎧✮˚.⋆

[ + your faves ! ]

i wrote this in about an hour, and i think it shows but i had to get it out of my brain :))

likes, comments, and reblogs are appreciated!

[insertdisc5]

TIMELOOP GAMES REAL!??!??!!

hi i made a timeloop game called In Stars and Time and this is a whole post about other timeloop games you can also play.

some i liked. some i loved. some i didnt like. all are worth playing and like also listen the second friends and family heard i was making a timeloop game, i got bombarded with timeloop media recs. so here is a sampler in no particular order! NOTE: knowing some of those games are timeloop games is a spoiler. but. you are here. for timeloop games. so timeloop games you shall have

Outer Wilds

If you need to play one timeloop game, it's this one. Please play it blind. I swear to god you won't regret it. it's timeloops in space!!! it makes you think!!! there are so many "HOLY SHIT WAIT I GET IT NOW" moments!!! please just go play it please please please. some of the best environmental storytelling in a game. so many hints in plain sight. JUST PLAY IT

[way more timeloop games under the cut]

Oxenfree

I didn't actually like Oxenfree very much. But also it stayed in my mind for weeks after I finished playing it. that's how you know it's a good game. I really enjoyed the dialogue system in this, and how much the loop affected the characters. and it got so spooky!!!

Hikeback

i'm in the credits for this one because i was one of the inspirations heehee <3 i loved playing it… short little game about trust, self-sabotage, and never-ending cycles. highly recommend it

The Stanley Parable

Listen babes it absolutely counts. I replayed it a bunch while making ISAT, and I got immensely inspired by the dialogue, and how it catches you off guard sometimes? You get SO SO used to the narrator's "All of his coworkers were gone. What could it mean?" at the start of every game, and then for no reason instead it says "A soft wind blew outside and perhaps rain started, and if it did it stopped shortly after. Stanley hoped that he would one day see weather." like WHAT THE FUUUUCK IM GETTING CHILLS JUST THINKING ABOUT IT

12 minutes

ok i know we all made fun of this game when it came out because the story is batshit insane HOWEVER!!!!!!!! i REALLY REALLY LOVED how doing the same actions multiple times would have slightly different outcomes. If you battle someone, the first time you get knocked out in one hit and the loop restarts. the second time you try, you evade the first hit, but get knocked out. the third time, you last a little bit longer, and a little bit longer, until you can pretty much hold your own against your enemy. And it applies to so many things in this. Retrying different things to see how they would change was a delight.

this game is also so bad its almost good, and if you're interested you HAVE to play it with friends so you can yell about how bad it is together.

Zero Escape

it's just a good series ok. escape rooms, and also time loops! the 3rd game in particular goes deep into The Math of how timeloops would work, which i think is interesting. sometimes timeloop games just go "yeah you can timeloop dont worry about it" and others go "OK HERE'S THE HOW AND WHY IT WORKS" and both are interesting!

START AGAIN: a prologue

this game has almost everything i could wish for in a timeloop game. depression. lines repeating. dying brings you back. you get new levels and skills because you're aware of the loops but your party members don't. so you get overpowered next to them and they Notice. just. party members who dont know about the loops still noticing something is wrong. you are acting differently than yesterday. you look sad. you are acting weird. you know too much. how did you know where the keys were? how did you know this would happen? what's wrong? talk to us. and oh my god this game has a sequel? which will probably have Actually Everything i could wish for in a timeloop game? i can't wait. who made this? (its me i made this)

Ghost Trick

ok its not really time loops and more time travel and only for 4 minutes HOWEVER!!!! you should play it. you know you should play it because everyone says so. so go play it

Elsinore

im sure its a great game but ive never seen/read hamlet. so thats a failing on my part. because. you absolutely need to know hamlet to understand this game lol i did like the whole "make sure to find out which events are Important and which ones aren't so you can have The Perfect Loop"! very fun. or it would be. if i. knew. hamlet

The Forgotten City

a friend kept recommending it to me and i didn't like it. its good! just not for me. but if you like to think a lot you should play it. another "make sure to find out which events are Important and which ones aren't so you can have The Perfect Loop" game

Gnosia

Gonna be real. I didn't like the story very much, in part because the game lets you choose your gender but still acts like youre a straight dude. HOWEVER the gameplay was very inspiring to me. Every loop is pretty much just an among us meeting, and you have to find out who the imposters are or everyone dies and you loop again. and sometimes you ARE the imposter, so you need to make sure no one finds out. or you loop again. rules get added as time goes on too. i REALLY loved how quickly the loops stacked up. seeing "loop 100" was such a nice moment. ive been here so long! i tried to recreate that somewhat for my own game…

Loop Hero

Technically not a timeloop game, but a loop game. It still absolutely counts because it's about loops and memories, and what are loops and memories together if not a timeloop. You have your little guy going through a closed loop, battling enemies, getting cards, and making the world whole again by using those cards to make forests, towns, lakes come to life. I am famously a Story First Gameplay Second kinda player, but I did play this 45h for the gameplay alone. I learned a lot about battle balancing and randomness by playing this!

You and Me and Her: A Love Story

you know doki doki litterature club? this came before. and one might say. it's. better. in some parts (and i say that as someone who LOVED ddlc!) i won't say much except it's a dating sim but with timeloops. with a lot of what it implies. why are you dating this girl a second time? a third time? a fourth time? choose another one already! it was such a fascinating game to play, and is incredibly meta in the way it talks about dating sims and visual novels. had a lot of very impactful moments however, i played the hentai version. some of the worst, most cringy sex ive ever read and heard. however, one might say the sex is an integral part of the game and its deconstruction of hentai/dating sims…? no. just play the steam version which doesnt have the horrible sex scenes and you will have a great time i think (or play the hentai version. if you like. to watch. horrible sex scenes???)

Higurashi

knowing this is a timeloop game is a massive spoiler. however, this game is more than a decade old, so,,, honestly if you havent played higurashi what are you doing. i know i just spoiled you on it but i was also spoiled on it and i can GUARANTEE YOU that you will still have an amazing time. one more thing. you gotta play with the original sprites or you're a fake fan

I Was a Teenage Exocolonist

starts as a visual novel/management sim/dating sim kinda thing, until you realize that every replay is a new timeline. so the main character can save people, because they remembered about them dying in a previous one. i wish the timeloop would affect the game/story more (let me find a certain character quicker once ive found them in a previous playthrough!!!), but timeloop aside, it's a very fun game to play!!!

that's it! hope you will find a nice timeloop game you like

[cragsglu]

I think the reason the villains are often shown as children is not to excuse what they have done but to show WHY they are the way they are, that they were failed by society and never taught how to cope. And thus deep down they are still scared and confused children, their traumas have defined them and they are far too gone to ever live a normal life, it's a tragedy.

I think the manga is trying to say that we need to prevent these things from happening in the first place, to help the scared child and not abandon them. Tenko's entire backstory highlights this perfectly. the whole thing is fucked up to the core. And by abandoning those people, by not actually helping them, by claiming them to be bad at conception, what else do they have left but to be what everyone already told them they were? And thus the only thing left to do at that point for those people is to save them from themselves.

Toya's want for his father's love and attention became so twisted he would do anything for it, regardless of morals.

Himeko was called a monster and inherently wrong by everyone around her that she "became" the monster.

Shuichi was so mistreated by society that he doesn't even care about equality anymore and just wanted to not feel alone.

Jin was already someone struggling with mental health and made a single mistake that made his life spiral into madness.

And all of these things make up Tenko, who was taken in by the worst person possible at the worst possible moment because the "good," "normal" civilians abided by the cultural norms of Japanese society and left him alone.

I didn't bring up 2 other members of the league because well... Compress and Magne... that would take a lot of research and Compress also isn't all that applicable.

____________________________

Sorry, I wrote a whole thing here that idk if anyone would read but this story means a lot to me and while not perfectly executed has a lot to say about how we treat the mentally ill and those deemed different or "other". As someone with a lot of trauma-based (and some not) mental health problems, it's important to me.

Like I said before, the villains in mha can't be forgiven, but they are still people regardless. The whole story is about breaking the cycle of abuse (basically almost every arc is about this), I just wish the main character himself was more introspective on how he himself applies to this, as his backstory (as the fandom easily figured out) is perfect for a villain origin story, but was lucky enough to be freed from the cycle, but only due to privilege he gained from AM. It's almost as if Izuku was only THEN able to gain a better life after he became "normal," which is why characters like Ochako, Toshinori, Katsuki, etc are always saying how it's Izuku's character that makes him special, not OFA.

I just wanted to say that although Toga is an incredible written character and I love the conclusion of her arc so far that she has still done unforgivable things.

Yes she is still technically a minor but murder is murder and she is going to have to live with that for the rest of her life, Uraraka even says so herself that Toga's actions cannot be forgiven.

Pls stop trying to excuse the bad behaviour/actions of characters you like, I love Toga but I would never try to justify her actions, only explain. I see a lot of Dabi fans doing this too and I feel like you are missing the whole point of his arc being that a lot of the blame does lie on Enji, but not all of it. Especially since Toya IS an adult and blames his own crimes on his father as a tactic to take him down with him. Neither Dabi/Toya nor Enji can be forgiven, that's the point.

[valeriehalla]

I have gotten a lot of messages saying that they really love the presentation of CURSE/KISS/CUTE. Often the commenter in question can’t say what exactly it is about the formatting that they appreciate, but that it just reads well and looks good. Well!!! Allow me to bare my wealth of secret knowledge for you once and for all:

I sorta just did some research into book typography...?

Here’s something you should know about web development, alright: typography on the web is really, really bad. The tools we have at our disposal—HTML and CSS—are incredibly powerful, but they are set up to fight you every step of the way towards Good Typography. When you know what you’re looking for, you can fix all the common issues quickly and easily. But it’s not easy to know what to look for, because

problematic typography is overwhelmingly the norm on the web, and

good typography is invisible.

Here’s a screenshot from CURSE/KISS/CUTE episode 0:

Now, I don’t want this post to come across as prescriptive. It is not my intention to tell you, “This is what good typography looks like, so follow my lead exactly.” I made a lot of choices with the typography of my web novel: many of those choices would not make sense in other contexts. What I want to convey to you is what those choices are, so that you will know they’re available to be made.

I mentioned that the web “fights you” when it comes to good typography. What do I mean by that? Well, check this out:

This is how that passage of text renders “by default.” In other words, this is how a web browser would render that text without any input from me about what styles to apply. It kind of sucks ass! But it also looks pretty familiar, right? This is not that far off from how a lot of websites—even websites full of prose (looking at you, AO3)—render text.

I think the most illustrative thing to do here would be to walk you through my thought process and show you, step by step, what decisions I made to turn this unstyled text into the styled version you see in the novel.

So, first things first:

1. We have got to shrink that text column.

Computer monitors... are wide. They are wider than they are tall. They are so wide, and they have so many pixels. This means you can fit a lot of characters on them. If you wanted, you could just have a wall of characters from the left side of the screen all the way to the right side. Talk about efficient!!

You should never, ever, ever do this.

This is one choice that I actually will make a prescriptive statement about, because it’s supported by quite a lot of research: fairly narrow text columns are more legible. Specifically, research seems to support the idea that a width in the range of 50 to 70 characters per line is the most comfortable for people to read*. Every font is different, so it takes a little doing to turn that “characters” figure into a pixel measurement; I went with 512 CSS pixels for the maximum width of my text column:

Isn’t that just so much nicer to read already?

*A commenter reminds me that I’d be remiss not to point out that the research on column width legibility isn’t completely conclusive. You do want to limit the width of your text columns, but going over the 70 character-per-line recommendation isn’t necessarily the end of the world, and you might have good reasons to do so. I did not: as mentioned, one of my goals was to mimic book-style typography, and books by nature have fairly restrained column widths, on account of they’re books.

2. Picking a font.

I’m not going to give you the blow-by-blow on how I decided what font to use. The short story is that I asked some designers, and one of the recommendations I got was the free font Crimson Pro, which I took a liking to immediately:

It’s just an all-around attractive serif font, but one thing I really like about it for use in a novel is its highly-visible quotation marks. They’re just kinda jumbo! They’re real big! Easy to see! In a novel, those things aren’t just ornamentation. It makes a great deal of practical sense for them to stand out just a bit. It also has a fairly large x-height, unlike a lot of the more traditional options, which is good for legibility on a computer screen.

3. Adjusting the line-height

Web browsers default to a line-height of about 1.2em, which, as you can probably tell, is quite cramped. If you go and Google “optimal line height for legibility”, you’ll get a number of results right off the bat suggesting 1.5em. Sounds good! Let’s do that:

Well... hmm. That’s definitely an improvement, but between you and me, it actually looks a bit too spacey to my eyes. I wonder why?

I’ll cut to the chase: the 1.5em recommendation makes some assumptions about the font you’re using. In Arial, the letter “A” is about 0.6em tall; in Crimson Pro, it’s about 0.5em. That means that there’s no one-size-fits-all solution to spacing your lines, because different fonts have different amounts of empty space baked in. How annoying!

Let me tell you something about the kind of nerd I am. When I had this realization, I grabbed some books off my shelf and pulled out a literal micrometer. I started measuring the line-heights against various font features to see if there were any patterns I could spot in professional typesetting. Here’s what I found:

Almost every book on my shelf spaces lines such that the distance between one baseline and the next is about three times the x-height. How cool is that? I clapped my hands like a seal when I put this together.

Adjusting the line-height to match what I observed in the wild gives us this:

It’s a subtle difference, but to my eyes it feels just right. It’s almost like magic!

4. Paragraph spacing...

Let’s address the elephant in the room. Probably the most controversial choice I made with CURSE/KISS/CUTE’s typography was to opt for book-style paragraph indentation rather than web-style paragraph spacing—like so:

I did this for a few reasons:

It’s what I’m used to. I’ve read a lot of books, and this is just the way that books are formatted. I think for something aspiring to the title of “novel”, there’s value in making it look the way a reader probably expects a novel to look.

A novel has a lot of paragraph breaks in it. A paragraph in, say, an encyclopedia entry might go on for half a page or more; whereas it is unusual for a paragraph in a modern work of narrative prose to run for more than a handful of sentences, especially in any scene with dialogue. Because paragraph breaks are so common, spacing between paragraphs in a novel results in a lot of wasted space. Also, subjectively speaking, the additional space seems to me to lend an undue amount of weight to paragraph breaks. I’m just starting a new thought; there’s no need for a 21-gun salute, you know?

Having said that, here are some good reasons you might decide not to do paragraph indentation anyway:

Doing it right requires a bit of extra legwork. Notice how the very first paragraph in the image above has no indentation. That’s because it’s the start of a new section, and the first paragraph in a section traditionally goes unindented. This is an easy detail to miss, and it can be difficult to wrangle CSS into doing it for you automatically.

Web users don’t expect it. For the first decade of the web’s existence, there was no good way to do paragraph indentation; by the time CSS rolled around and made it easy, paragraph spacing had already become the norm. And while CURSE/KISS/CUTE may be a novel, it is also, specifically, a web novel!

But it’s my house and I get to make the rules, so I went with indentation. Incidentally, there seems to be a dire lack of research into the question of whether indentation or spacing is more legible for readers—but the data that does exist appears inconclusive at best. So, the choice really does come down to vibes.

5. The tragedy of justification.

You’ll note that one way in which I did not make my web novel look like a paper novel is the text alignment. It’s un-justified: the right margin is ripsaw-ragged.

This is because it is not possible to justify text on the web.

Oh, you can try. Look right here: there’s a CSS property for it and everything. Just turn on “text-align: justify” and...

Nightmare! The interword spacing on that first line is almost as wide as the indentation!

Reader, I’m afraid that your web browser is simply too dumb. That’s not the browser’s fault: robust algorithms for justifying text without creating these distractingly huge gaps between words have existed for many decades, and modern computers are powerful enough to run them in real time with little performance impact. It’s just, uh—nobody has ever bothered to implement them into web browsers. It is the damnedest thing.

I tried, I really did. You can mitigate this problem a bit if you enable automatic hyphenation, but browsers are unfortunately also kind of dumb at hyphenating. Firefox, for example, will refuse to hyphenate any word containing a capital letter, so any sentence with a lot of proper nouns in it is a lost cause. I tried manually inserting soft hyphens with a text preprocessor I wrote myself, but still these overjustified lines plagued me: when the text column narrows, for example on a phone, even hyphens can’t save you. The line-breaking algorithm is simply too naïve to optimize for well-justified text, and that’s not something you can fix as a web developer.

As a result, my heavy-hearted recommendation is to never use text justification. It’s just too distracting.

6. And then some extra stuff just for me

I added drop-caps because it looks neat and I made the ellipses spacier because I think it looks good when it, uh, when they are spacier. I think that looks pretty good that’s just my opinion though.

That’s all! Hope you learned something bye!!!

[ldknightshade]

morality: a character creation guide

creating and understanding your oc’s personal moral code! no, i cannot tell you whether they’re gonna come out good or bad or grey; that part is up to you.

anyway, let’s rock.

i. politics

politics are a good way to indicate things your character values, especially when it comes to large-scale concepts such as government, community, and humanity as a whole.

say what you will about either image; i’d argue for the unintiated, the right image is a good introduction to some lesser discussed ideologies… some of which your oc may or may not fall under.

either way, taking a good look at your character’s values on the economic + social side of things is a good place to start, as politics are something that, well… we all have ‘em, you can’t avoid ‘em.

clearly, this will have to be adjusted for settings that utilize other schools of thought (such as fantasy + historical fiction and the divine right of kings), but again, economic/social scale plotting will be a good start for most.

ii. religion + philosophy

is your oc religious? do they believe in a form of higher power? do they follow some sort of philosophy?

are they devout? yes, this applies to non-religious theist and atheist characters as well; in the former’s case… is their belief in a higher power something that guides many of their actions or is their belief in a higher power something that only informs a few of their actions? for the atheists; do they militant anti-theists who believe atheism is the only way and that religion is harmful? or do they not care about religion, so long as it’s thrust upon them?

for the religious: what is your oc’s relationship with the higher power in question? are they very progressive by their religion’s standards or more orthodox? how well informed of their own religion are they?

does your oc follow a particular school of philosophical thought? how does that interact with their religious identification?

iii. values

by taking their political stance and their religious + philosophical stance, you have a fairly good grasp on the things your character values.

is there anything they value - due to backstory, or what they do, or what they love - that isn’t explained by political stance and religious and/or philosophical identification? some big players here will likely be your oc’s culture and past.

of everything you’ve determined they value, what do they value the most?

iv. “the line”

everyone draws it somewhere. we all have a line we won’t cross, no matter the lengths we go for what we believe is a noble cause. where does your character draw it? how far will they go for something they truly believe is a noble cause? as discussed in part iii of my tips for morally grey characters,

would they lie? cheat? steal? manipulate? maim? what about commit acts of vandalism? arson? would they kill?

but even when we have a line, sometimes we make exceptions for a variety of reasons. additionally, there are limits to some of the lengths we’d go to.

find your character’s line, their limits and their exceptions.

v. objectivism/relativism

objectivism, as defined by the merriam-webster dictionary, is “an ethical theory that moral good is objectively real or that moral precepts are objectively valid.”

relativism, as defined by the merriam-webster dictionary, is “a view that ethical truths depend on the individuals and groups holding them.”

what take on morality, as a concept, does your character have? is morality objective? is morality subjective?

we could really delve deep into this one, but this post is long enough that i don’t think we need to get into philosophical rambling… so this is a good starting point.

either way, exploring morality as a concept and how your character views it will allow for better application of their personal moral code.

vi. application

so, now you know what they believe and have a deep understanding of your character’s moral code, all that’s left is to apply it and understand how it informs their actions while taking their personality into account.

and interesting thing to note is that we are all hypocrites; you don’t have to do this, but it might be fun to play around with the concept of their moral code and add a little bit of hypocrisy to their actions as a treat.

either way, how do your character’s various beliefs interact? how does it make them interact with the world? with others? with their friends, family, and community? with their government? with their employment? with their studies? with the earth and environment itself?

in conclusion:

there’s a lot of things that inform one’s moral compass and i will never be able to touch on them all; however, this should hopefully serve as at least a basic guide.

[fefern]

✧˖° their ways of showing affection. | aalto, calcharo, lingyang headcanons.

⋆ ˚☁️ ⁀➴ synopsis: you're in love and happily with these wonderful men! but just how do they show their affection for you?

⋆ ˚☁️ ⁀➴ characters involved (separate): aalto, calcharo, lingyang and a gender neutral reader.

⋆ ˚☁️ ⁀➴ warnings: none!

⋆ ˚☁️ ⁀➴ notes: another one! i love thinking about the little ways people show love , it makes me so happy ;v;! enjoy these little blurbs about how they'd love you! also, requests are currently open, so send them my way! also, i could not find a calcharo chibi drawing... ;;

ᡣ𐭩 •｡ꪆৎ ˚⋅ aalto ᡣ𐭩 •｡ꪆৎ ˚⋅

knowledge is power! the more he knows about you, the more he utilizes it in showing his affection for you.

a big, BIG sweet talker. loves to flirt!

also big on compliments, find it cute when you don’t know what to say back.

a big spender in my opinion. oh, you liked that necklace but thought it was too expensive? surprise, it’s on the counter for you when you wake up the next day! you tried to win that plushie at the fair but it just didn’t work out? now you have 20 on the couch!

adores kisses, especially when you pepper them all over his face. (bonus points if you’re wearing lipstick, man is enamored to look at himself and see visually everywhere you smooched him.)

follows the sidewalk rule all the time. does not matter if it’s a safe area, he always is a bit protective in that way.

learns more about your hobbies and likes and begins to learn more about them in his free time. that way, when he sees you again, he’ll be able to engage in conversation with you about it. 

loves the way that your eyes light up when you talk about something you’re passionate about, and stares at you a lot as a result. 

likes to playfully scare you. he seems to have the ability to disappear and reappear as he pleases due to the mist, so he uses it sometimes to suddenly appear behind you and wrap his arms around your waist.

ᡣ𐭩 •｡ꪆৎ ˚⋅ calcharo ᡣ𐭩 •｡ꪆৎ ˚⋅

not much of a talker, and kind of new to showing affection entirely due to his past, so be patient. 

will wake up early and remind you to bring a jacket if it’s cold.

the type of person to also remind you that you forgot something, but by the time you turn around, he has the missing item in his hand.

will protect you if you’re scared of something. loud thunder? his hands are around your ears. scary part of a show? he’s using his arm to pull you closer to his chest to hide in. 

will quietly work in the same room as you, enjoying your presence entirely as you and him work. 

will sometimes ask those he knows around him for some advice about love, which is sort of strange considering who it’s coming from, but he wants to improve himself to be a better partner for you.

tries to apply the advice after, it’s a hit or miss sometimes, but always coming from a good place. 

iffy on physical touch, but he will slowly come to enjoy the feeling of holding your hand.

he also does the thumb thing where you rub the back of a person’s hand with your thumb while holding hands. his favorite.

will let you play with his hair sometimes in the morning if he’s in the mood for it. even if you do something goofy like braid his hair or put it into a random hairdo, he’ll enjoy the feeling of your hands in his hair as he slowly stirs awake. 

ruthless and cold in many other aspects of his life, he’s a gentle giant when it comes to you, and it’s endearing to see him try.

ᡣ𐭩 •｡ꪆৎ ˚⋅ lingyang ᡣ𐭩 •｡ꪆৎ ˚⋅

will always love to eat with you, whether it’s going out or cooking with you. 

^ always lets you have the last bite of the meal.

immediately looks for your reaction after he tells a joke with you, wanting to make sure that you enjoy his playfulness.

during the summer heatwaves, will use his glacio powers to help keep the both of you cool.

will sit in your lap and let you play with his ears as he rambles about his day.

loves yapping, and yapping in your presence as the two of you either bounce back and forth or you just listen, he likes both options. 

loves hugs, hugs tight and for a long time, will not let go of you until you let go of him first.

will compliment your scent and comment on it if you change something up like your shampoo or perfume, usually the first to notice those small changes.

shares a blanket with you on cold days and cuddles with you for warmth.

will sometimes, after waking up, just admire your features because wow he got lucky because you’re his.

even if you wake up and your eyes are looking back at him, he does it without shame.

whenever someone talks about you, if they say something wrong, he’ll immediately interject. (ex. “they like strawberries the most.” “no no, they like peaches more!”)

does practice runs of new tricks and dance moves he learns for his lion dances, asking you about your opinion on them because it means the world to him to know you like the dance he’s so passionate about. 

gets matching lucky charms with you and carries his around everywhere. “maybe we’ll win the lottery with this!” he tells you.

(he already did. after all, you’re his partner.)

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[vamptarot]

Ten Things That Are F### Cool About You | PAC

pile one pile two pile three

how to choose a pile . . . choose which picture you are most drawn to or close your eyes, breath and read the one your eyes land on! ᡣ𐭩

— ⭑.ᐟ today I saw a pick a card that not only pissed me off but also disgusted me due to how mean the reader was in every single pile. I checked. their egoistic approach annoyed me. instead of spreading hate, I wanted to remind you why you are an awesome person. not proof read.

pile one : - cold drink !

𐙚 : the high priestess, eight of wands, nine of wands reversed, death

bottom of the deck: five of wands

♡ ⢷ why you are so cool

1. You always research about a topic before talking about it! I think this is very cool because a lot of people spread misinformation without even knowing it and that’s why fake fun facts exist. You are not like that though! You feel a sense of responsibility and thirst for knowledge, which in itself makes you a reliable person. - and source! -

2. You protect those who cannot stand up for themselves and I think that is very cool! Usually, you might have a hard time standing up for yourself but if it’s someone more vulnerable than you then you will give your all. You will raise your voice, yell, make valid arguments and even fight if necessary. - This differs person to person but the imaginary I am getting is protecting children, animals, women and young teens (from creeps to be exact) -

3. You work on yourself and enter new beginnings even if it’s scary at times, it can be hard and scary but that doesn’t make you back off from actually trying your best to become someone that you can be proud of. There is always a sense of hope within you that is very admirable.

4. You know how to keep privacy! A lot of people don’t, and don’t value it as much as they should. Having a healthy boundary with privacy is a privilege not many realise they have.. also, if you happen to share an intimate moment with someone you don’t run your mouth but rather treasure it as a memory as a form of respect.

5. Some people in this pile have temper issues, obviously, don’t take it if that doesn’t apply to you but I am seeing that for those of you who can resonate with that you are doing a really good job keeping it under control. You are not a hot headed person.

6. You are very experimental with looks! I do think this makes you a very beautiful person, because there are several things that suit you and look cool on you. If you like taking pictures I hope you know that you look beautiful and gorgeous in each one of them, one day you will look back at them with a smile even if you didn’t like that one thing because at least you gave it a try.

7. Zero judgment detected in your soul. Seriously, you could be the sort of person that never freaks out at people’s ‘hear me out’s but rather just go ‘yep, I get why you are into that’ even though you have no attraction to whatever character or person they said. You get their point, it’s just not one that you will make.

8. My fashion babies in this pile are slaying each and every time! You could take dressing fashionable in a seasonal manner mildly seriously. You don’t expect everyone to do it, but it’s most definitely something you take a lot of joy in. It’s really cool, your style is a 10/10. - Yes, even if you change it up often. -

9. Even if you are anxious you can do things so incredibly well. You remind me of a video I once saw of a girl with anxiety making a phone call, her hands were shaking uncontrollably the whole time but she didn’t stop being polite and kind. I think that’s you. Even in moments of being scared, you are kind to people.

10. You have such a beautiful voice. I mean your singing voice, but if you are not confident in that this could of course mean your regular speaking voice too. There is something comforting and yet bittersweet about your voice. It makes people feel home at times when they are sad.

— ✮⋆˙ die with a smile - bruno mars & lady gaga , ‘good luck babe’, 2003 , enha photoshoots , guitar injuries (from the string breaking) , white dahlias , glitter videos (those 2021 ones) , ‘good luck, charlie!’ , wavy hair , not well known ethnicity , taurus , capricorn , pisces

that’s all my beautiful pile one! I do think you happen to be very shy, but I do hope that you know that you genuinely have so much love to offer. there is much more to you than what you show the world, but I think you already know that. thank you for reading

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pile two : - peace sign ! ✌🏻

𐙚 : page of pentacles, eight of swords reversed, queen of wands, five of pentacles reversed, page of cups reversed, the star reversed

bottom of the deck: judgement

♡ ⢷ why you are so cool

1. YOU THINK YOU ARE SO COOL AND MYSTERIOUS BUT YOUR HEART IS FULL OF LOVE AND KINDNESS 🫵🏻 YOU TREASURE YOUR LOVED ONES AND WOULD RATHER SACRIFICE YOURSELF THAN TO EVER SEE THEM SUFFER !!YOU ARE SENSITIVE AND LOVABLE !!!!!!!!!

2. After all that you have went through you are still here and you are still standing. All that happened but rather than it destroying you completely or bringing you down you allowed yourself to heal and I am very proud of you for that.

3. Your judgement of people are very great! Of course if you don’t like someone of have mean thoughts of them you will keep it to yourself in order to not upset anyone, but you are still really good at telling their personality by their behaviour. Other people might not know but you do.

4. You are a secret little romantic! I bet it makes you shy to express your emotions outward and so freely. Truth to be told, you want to experience so much romantic things and wish to think of them without experiencing negative emotions. This makes you cool because even though you have a hard time with it, you know it’s a part of you and accept it.

5. You are so kind to animals, take care of them and most people reading this pile have a pet too. I think animals are just naturally drawn to you regardless of what they are. - as in pet, stray or wild animal. - It’s like they know they can be safe with you.

6. ‘You can slap a bitch if you need to’. Literally, that’s what I heard.. and I think most people here take pride in it too right? Just make sure to not get into unnecessary fights. It’s not what makes you cool though. It’s that you keep to your word. If you say you are gonna do it, you really will.

7. A lot of you find comfort in the stars and moon. In an aesthetic sense, but also there is a deep sense of appreciation for them that not many people have. They just put you in awe. If you are into astrology you have such a deep and profound understanding of it. One that not many people have.

8. Honestly, your view of life is sort of clouded and not completely “whole” but that’s alright. Exactly because day by day you do your best to learn and never turn an opportunity to see life from a wider perspective down, even if you might have done this in the past.

9. You are sooo talented, and you don’t even realise that. You are amazing in creating things; anything that is physical. This is especially true if you like jewellery, as I think designing or just making your own craft is something that you would/could enjoy doing if you put your own unique twist into it. It’s just something that makes you feel alive.

10. You are so confident! Even if you might not always feel like it, on the outside you always appear confident and aware of your surroundings. Someone composed who wants to present themselves in the best way possible. - You probably pay a lot of attention to your posture. -

— ✮⋆˙ ‘I don’t even wanna do this anymore’ , homework from 1 am ‘til 4am , 9 to 5 , jean purses ? , ditto - new jeans , a bent photocard (of whoever) , 7 - JK , stars , something about the four seasons ? , fave colour = red , ‘letta’ , cappuccino & frappuchino , friendly banter , 111 , 1212 , 2011 , sagittarius , aries , leo

i am sorry for yelling at you at the first point my pile 2 but some younger people in this pile - esp teenagers - like to put on a mean girl persona when that’s not them at all. what’s the point of that? you can’t please people with someone you are not. I sincerely wish that’s something you will remember my sweethearts. thank you for reading

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pile three : - megaphone !

𐙚 : three of wands, six of swords, knight of pentacles, justice, king of swords, the lovers

bottom of the deck: five of pentacles reversed

♡ ⢷ why you are so cool

1. You know when to walk away from a situation, which is unironically awesome. Like sure this could be considered a negative trait but you aren’t toxic with it. You just simply know your worth.

2. You have a person you are in love with for several years now right? At least, most people in this pile do. You have unwavering loyalty and love in your heart that no one can take away from you, no matter what. I think that’s very cool.

3. You treat children really well! Which should be a given, but many people are way more mean and cruel hearted than what children should deserve. After all, they are humans too and fragile ones at that. You are very responsible and a safe space for them. I wholeheartedly believe that’s cool.

4. When you call people out, you do so with evidence. I do like that a lot, you don’t just accuse people but rather keep collected and calm even if you are angry or despise the situation that you were put into.

5. Did you ever take a look at your side profile? You are quite ethereal, you have such an unique beauty to you. I do also believe that you look beautiful in your home country’s traditional clothing style:

6. You are stubborn, but not in a sense of annoying people or being selfishly caught up in your desires. This is a stubbornness that is found in people with leader like qualities, that people can rely on. You are stubborn in a sense of wanting to create a better future for yourself and those around you who you deem to deserve it. - bc let’s face it, some humans suck. -

7. I am sorry if this sounds weird, but your hand is always occupied with something. You are a very busy person, even if you might not believe so. You gotta do this, and you gotta do that. You have many interests, hobbies and responsibilities too. Yet you manage to juggle them so well, it’s hard to guess when you are stressed out.

8. Whenever you are around you light up people’s day and mood. You are such a sunshine child, people love to have you around. Even if you believe that’s not the case, people do appreciate you a lot more than you realise.

9. If you have a love for photography I hope that you know that you have a beautiful talent. You are amazing at taking pictures, making them pretty and seeing the beauty in every single little thing even if other people might not be able to do so.

10. You are really good with finances and saving up despite the anxiety it causes you. Give yourself a pat on the back because that is not something many people are able to truly say about themselves. Many people in this pile were raised in a way to appreciate money but not let it consume you, which I think you nailed pretty good!

— ✮⋆˙ somewhere over the rainbow - israel kamakawiwo’ole , early 00s & 10s hawaii , crying at night , daydreaming for hours , ‘thank goodness ‘ , my little pony , new hyper fixation , heat , ten to five , hair being washed by someone else , flamingos , pimples ? , papaya - sorry, ik gross to mention right after , pink skincare bottles , 555 , juliet , lucifer , 10th house

my dearest little lamb your energy was the calmest, sweetest and most welcoming out of all the piles. I am truly happy that you decided to read my pac / participate in it. it was truly a pleasant experience to channel for you 🫶🏻 thank you for reading

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