#i could elaborate but it's not that elaborate/revealing. it's just me pointing at canon events and going ??? are we not gonna unpack that
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wait, no. i think my ACTUAL hottest aa take is that i don't think klavier is all that nice
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soapieanxiety · 1 month ago
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could you elaborate more on how you see Finland and America (usa)?
Of course I can :D
Finland and America have a very interesting and unique dynamic. One that I absolutely adore and I'm very glad I can talk about it. I'm gonna dwelve more into headcanon as I will talk about how I personally see their dynamic but I will try and make it clear when I'm talking strictly canon and headcanon.
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Finland was actually the first person we see to find America. Sweden was there as well but it was Finland who found America. At first, I thought this might be a Vinland reference but Vinland was in Canada. However, Hima actually revealed that this event is referring to the colony of New Sweden that was located where modern day Delaware is.
I’ll say it point blank, I’m of the belief that America is on some way related to Finland and even Sweden. (Sufin kid). This isn’t directly canon and it’s just a fun headcanon I like to do on the side but there is evidence! You don’t have to agree with me on this take, I don’t believe it’s a common one but it’s one that I absolutely love.
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As stated earlier, Finland did find America first! Though America ran away from him, Finland just wished the kid safety and was worried he was alone. I personally find it very wholesome that this is how Finland reacts to finding America. While everyone was arguing over who would be America’s “big brother,” Finland is over here worrying about America’s safety.
Also, love how this is what starts Sweden’s quest to make him and Finland parents. This was the catalyst that made him realize that Finland wants kids and honestly I love that.
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I just wanted to add another panel showcasing that Finland genuinely cares about America’s safety. He’s most concerned about the kids safety than the fact that he just got beat up.
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One of my favorite panels about Finland and America. I love how it’s made obvious that yes, Finland and America do look a lot alike. What I also find interesting is France and England’s reaction to this. England completely lies and France says that likeliness is not important, it’s how much love you have. Finland has shown more love for America’s wellbeing than anyone else during this entire event.
However, we all know that England ended up raising America and the rest is history. I am also a sucker for FACE family, so I’m not saddened by this but I also do love the idea that America is a Sufin kid. Dw they’ll get revenge on England when they buy Sealand off of eBay.
Modern day, they do have an interesting dynamic. Finland likes to lean into beliefs that make America happy. The most prominent being the Santa thing. We all know that Finland and Santa are very connected in Hetalia but the idea that Santa is from Finland is an American belief. This is event pointed out in canon.
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Now my favorite panel between America and Finland has to be the one from the Cats and Christmas event. Honestly, I think the panel speaks for itself.
Words cannot described how much I love this scene.
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I have a lot of opinions on this relationship but I tried to keep it as short as possible. I’m really glad I got asked about this though, so thank you so much for the ask <3
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dundunny · 1 year ago
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My friend came over and beat Silent Hill 3. Considering we played 2 over a decade ago and 1 I think two or four years ago, my memory is a bit fuzzy for comparisons but I don't think I'm far off. My buddy knew the first two installments very well and finished them easily, but even though he was less acquainted with 3, he still managed to beat it in about four hours. So that should give you an indication on how short it is. Not that Silent Hill games are lengthy, but I feel this was a bit of a rushed installment.
Let me elaborate. By no means is 3 a bad game, but it lacks the complexity and nuance of its predecessors. Here's an example. Upon entering the hospital, the protagonist Heather can find a note with a doll from a dude named Stanley Coleman, and throughout the level more notes will reveal his obsession with her and that he's watching her movements. Eventually the player can learn the boss of this level killed Coleman and you can actually find his body in the morgue, making choking noises. The whole situation is creepy because we're currently in a hellscape where there shouldn't be any cognizant people, yet Coleman was able to observe the player unnoticed. Yes, that's Silent Hill-esque, but that's where that subplot ends. He never comes up again, and honestly when my friend played he never completed Coleman's storyline and I had to learn a lot of what I typed here from watching a youtube video. I think if this took place in 1 or 2, Coleman would be interwoven much better into the general plot instead of being this one-off event.
That's just one example but the whole game feels like that. Considering there's only one ending (yeah, OK, there's the aliens and such, but only one canon ending), it really limits the player to a linear path, whereas in even the PS1 game you had many different choices with how to handle the situation as Harry Mason. I think the developers were leaning more on trying to create that weird Silent Hill ambiance without the substance that would make me question the myself and the situation. Another example is noise. All of the games use it to frighten the player, but 3 really oversaturated it to the point it was no longer useful to discern if there are enemies in the area, nor did it scare me as much.
However there were some really great aspects to the game. Heather herself is actually an amazing protagonist. Yeah, OK, for some reason she was a shittier fighter than Mason or James Sunderland, but in terms of personality she's great. One criticism I'd give the previous games—even the much-beloved Silent Hill 2—is the conversations were stilted and unnatural. Maybe it was 90s and early 2000s terrible translations and voice acting, but whenever there was a cutscene sometimes I could no longer suspend disbelief. If I found myself in this nightmare world with demons, and I stumbled upon one seemingly normal person, I would not be entertaining whatever random tangents this person wants to talk about. I'd just be hyping over and over that we need to stick together and figure a battleplan to survive. Heather leans more heavily towards my instinct, and her conversations often follow the themes of who the hell are you, what the hell is going on, and if you're responsible for this get away from me. Also whoever animated her face deserves all the accolades. This game out in 2003 and we played with the original disc in my PS2, and holy shit I think her expressions look better than some modern games today twenty years later. I can easily perceive every single one of her emotions from skepticism to fear to anger... It's all there.
My friend told me this is the last of the original development team and afterward it goes downhill, so probably this is the last Silent Hill for me. I'm glad he was able to play for me because it was truly delight even though I hated every single moment of it.
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twistedtavern · 2 years ago
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You said in your scrapped content post that Leona used to be the only love interest in the self aware au (besides Rook apparently? 😳 what's the story with that??) Care to elaborate?
Ah yes, finally time to introduce The Simp Squad!! And with them, their respective arcs in the afterstory ^w^ (IN-DEPTH SPOILERS UNDER THE CUT)
Your romantic options for endings include:
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These boys (at the moment)!! If someone can somehow determine that I have some kind of type based on these I am horrified to see what this reveals about me
Starting with the (relatively small) elephant in the room: Rook was mentioned in the scrapped post as a love interest, but he's not present in the simp squad picture. This is relatively easy to explain, he is canonically the player's ex! They hooked up around the time of the VDC, ended up not working out because of a variety of reasons, had a non-toxic breakup, and remained good friends even though they were exes all before spring. This is just part of the story. I swear if you look up the phrase "no hard feelings" you will see a picture of Rook throughout this entire au, what a champ. Maybe he could have an ending where he gets back with them and they do end up working... God dammit guys
Now onto the ones pictured above!
Leona: Ah, yes. The OG lover boy. If nobody got me, I know Leona Kingscholar got me. Can I get an amen? Yes, this is just "aha! the grumpy character has fallen in love with the sunshine character!" but it does have more depth than that. He starts off not paying the player any mind, but when Halloween hits and everyone is dragged down to the Spectral Realm, and he sees his ghost fighting to protect them with his (after)life, he definitely starts getting curious. After the events of Halloween, he starts approaching them, and since they're just a sunshine-flavored enigma, Leona just ends up getting dragged in more and more until he's realizing that he calls out to them whenever he sees them, and oh shit they've been snuggling together since noon and now it's 3 PM. Player honestly just thinks he's the sweetest ever and every other character is staring at them like 👁️👄👁️. The soft ship.
Octatrio: Yes, you are reading that right. All three. I just think the dynamic is frankly hilarious, because they can bounce off each other about their simultaneous crush on the player and form devious plots to get cheek kisses and snuggles together. Their dynamic is not competing for the player's hand, it's more like a full blown sprint toward the door whenever they come in to see who can get headpats first. There's a difference. They also apparently think the player is the funniest thing in Wonderland. If you ever catch Jade doing anything other than Polite Butler Chuckle #3, chances are the player probably suddenly remembered a meme they could recite from memory entirely out of context in the middle of a conversation. They definitely get hit the hardest by the "oh!! yeah, I'll kiss the homies goodnight" attitude when it comes to platonic affection, Floyd especially. He enjoys it when he gets it, but if he is blatantly flirting with them and it flies over their head, catch him looking deadpan into the nearest camera like it's The Office. Jade just gets shy and soft, he's scrunkly. Azul gets really flustered and tries to hide it, but he's absolutely touch starved and Needs It. All in all, Snuggle Pile Supreme.
Sebek: GOD HELP ME I AM ABOUT TO BE SO OBNOXIOUS ABOUT THIS. WE STAN. Definitely the most plot-reliant out of ALL of them. The hyper specific conditions of the afterstory have created the perfect habitat for this ship in particular. Malleus being missing was the key starting point for this ship to thrive, because Sebek suddenly had a wide open vacancy in the "liege to protect" position. It's really his devotion to the player and determination to be a proper guard for them that drives this ship forward. After all, if he can't protect a mere human, how can he protect the Young Master? Once he starts getting attached, though, that's when THE ANGST kicks in >:Dc. You see, there is one MAJOR point of angst that sticks with Sebek and largely defines his arc in the afterstory, and it's the player's memory. Throughout the entire afterstory, their memories have proven to be the main conflict of the afterstory, either because of what memory they have or lack. Sebek's conflict in relation to their memories is firmly in the 'lack thereof' zone, and it's the fact that they only remember him from the game, and not the kidnapping night. He is more than aware of the atrocities that were committed against them in that time frame, and that there were those who attacked and those who helped, but he's also aware of the fact that he is not remembered amongst their protectors, and because he loves and reveres them so much he's HORRIFIED of what that could mean for his past actions. But no flashbacks of him ever come. Never attacking, never protecting, nothing. And so the question weighs on his mind, what the hell could he have possibly been doing that night? It's when he starts getting answers that the angst REALLY kicks up (for both the fake answer and the real answer). And don't get me STARTED on how the return of Malleus/Tsunotarou throws a wrench into the works. Don't get me wrong, this ship certainly has its fair share of fluff and hurt/comfort, but by GOD this is the angst ship 100%. I will go into even further detail if asked.
Malleus: Was not included in the image because he does not deserve to be for a NUMBER of reasons. First off, he doesn't even love the player, like REMOTELY. Second, the only reason he's listed here is by the technicality of a VERY fucked up thing he did. Thirdly, CRIMES AGAINST DIASOMNIA. HE EMOTIONALLY ABUSED THAT POOR CROCODILE TO HELL AND BACK DAMN WELL WILLINGLY KNOWING FULL WELL WHAT HIS WORDS WOULD DO TO HIM ALL FOR A BITCH HE DON8 EVEN WANT!!!!!! LILIA RAISED HIM AS HIS OWN SON AND FOUGHT FOR HIM AND BELIEVED IN HIM UNTIL THE ABSOLUTE LAST AND WHAT DOES THAT MOTHER FUCKER DO TO THIS POOR OLD MAN?? HE JUST TOSSES HIM ASIDE. JUST LIKE THAT. HE TRIES TO KILL HIM!! AGAIN!!!!!!!! I HAVE NEVER WANTED TO BASH A MOTHERFUCKER UPSIDE THE HEAD WITH A CHAIR SO BAD!! I WANT TO BEAT HIM TO DEATH!!! AAAAAAAAAAAAAAAAA
Anyways there's also platonic endings so lemme know if you want those too because I will get equally as obnoxious
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crusherthedoctor · 4 years ago
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Let’s try this again...
So for those of you who can’t currently see asks, I was informed in an ask about this statement by Ian Flynn in regards to why IDW Eggman acted the opposite of a respectable, well-characterized Eggman during the zombot arc:
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Needless to say, this Steamed my Hams. Here’s why. (Credit to @beevean​ and @colony-drop-program​ for several additional points.)
In SA1, Eggman was constantly one step ahead of the heroes by swiping their emeralds, had both Chaos and the Egg Carrier operating at the same time, resorted to a missile when both were seemingly dealt with (which only turned out to be a dud cause of bad luck), and revealed a second Egg Carrier in the event that Chaos would betray him. And in the case of the missile - he was clearly at his wit’s end by that point, and suicide attacks on the brink of a villainous breakdown are common among many villains, including clever schemers... like Eggman.
In SA2, Eggman suspected there was a fake emerald in the mist that the heroes wanted to use to trick him, so he set up a situation perfectly in a way that would reveal which one it is.
In Battle, he was able to drive Emerl insane with energy in case the robot defeated him in battle.
In Unleashed, the game starts with Eggman setting up a trap based on the expectation that he would know exactly how Sonic (or rather, Super Sonic) would react, and it worked flawlessly. And upon learning that Dark Gaia woke up too early and his spawn were scattered all across the planet, Eggman managed to lure Dark Gaia spawn to him, and he still able to create Eggmanland and did his best to prevent Sonic from reaching the final temple.
Even in ‘06, he had that trap where he sent Sonic and Co to the future. It may have relied on the heroes being stupid, but it still counts as Eggman preparing for something.
Even in Heroes, arguably his most pathetic role in the game canon due to being locked in a room by his own creation for the whole game, he still had the initiative to hire the Chaotix into getting him out. And Metal Sonic’s flaws with his own plan... are Metal Sonic’s. Not Eggman’s. Metal Sonic didn’t take control of Eggman’s plan, he came up with his own plan to begin with. Metal’s failings in Heroes are not in any way, shape or form the fault of Ivo’s, and I don’t know why this example was even mentioned.
And keep in mind, these are just the games where Eggman was still upstaged. We’re not even going into the games that KEPT him as the top dog from start to finish, like in Sonic 3 & Knuckles where he’s constantly doing everything he can to stall you from reaching the Death Egg (which implies planning at least some of it in advance), Rush Adventure where he created the pirates as a proxy to search out the Jeweled Scepter, Colours where he kept his mind control cannon a secret, Generations where he teamed up with his past self in order to tame the Time Eater, Lost World where he brought a Cacophonic Conch with him to subjugate the Deadly Six, then bounced his way back up even after they stole his tech, and everything in Forces (storing Phantom Ruby copies, the artificial sun plot in case the Death Egg was destroyed, being able to dispose of Infinite in case he acted up, keeping the real Phantom Ruby for himself, even having a second mech inside the first mech in case the latter was destroyed).
Hell, the entire reason he set up a racing tournament in the original Sonic Riders was so that he could uncover the Babylon Garden.
And didn’t Flynn himself write that Mega Drive comic from a while back? The one where Eggman made a similar SA2-style bargain ploy for the last Ancient Gear, only to then reveal he had the other Gears already once he got it?
Eggman may be careless at times, with occasional details, but he’s not a Mephiles-tier moron who doesn’t understand the concept of a plan or strategy. He’s a mastermind, with many elaborate plots over the years to live up to that title, and when he’s not planning things out in advance, he’s just as quick to improvise or take advantage of the situation as best as he can.
He knew what would happen with Chaos upon feeding him Chaos Emeralds, because...
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He knew something would happen with Dark Gaia, because...
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(He also proceeded to kidnap Professor Pickle for the specific purpose of obtaining even more information on the subject.)
And while he may not have known exactly what Project Shadow was at the time, he still knew its existence in the first place (and by proxy, the ARK’s existence), because...
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...And he brought a Chaos Emerald along with him. And knew the password, “Maria”.
There is no excuse for the doctor to just shrug and do absolutely nothing upon being informed about a potential error in his plan. The fact that Ian Flynn - a man who has worked with this character for over a decade, and thus by all means should know this character by the back of his hand - completely disregards this official, canonical element of the main villain of a 30 year old franchise, only makes me less willing to trust any of the characters’ handling under his pen. And that’s putting aside how questionably handled everyone else has been in IDW.
And you might say “But it’s IDW, it’s a different interpretation”. But here’s the thing: it’s following off of Forces, a game where Eggman was at his brilliant best. There’s no way you can go from his backup-plan-after-backup-plan strategy from that game, to his DarkSydePhil-tier “nothing I could do dood” showing in this comic, and chalk it up to anything other than, at best, an extreme display of inconsistency. And as far as we know, this isn’t even the cause of those mandates that everyone loves to point to... this was all Flynn.
So yes. If I wasn’t certain that Flynn’s widespread fandom status as the Best Sonic Writer of all time, every time, was just a teensy, tiny bit exaggerated... I am now. I may be an Eggman fan, so naturally that does fuel my annoyance with his statement on the doc, but I’d be just as annoyed if it were any other character who was blatantly misinterpreted to this degree, even if it were a character I was apathetic to or even flat out disliked.
Best Writers™ do not selectively choose how characters from long lasting IPs act. You can experiment with a character. You can play around with a character’s traits. But you can’t turn a character completely inside out and expect it to work just like that.
It doesn’t work.
/RantOver
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gallpall · 4 years ago
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canaan bubble redux as a womb for story/character arcs
I’m sure most of this has been posted about before but: ever since my initial read I’ve been obsessed with the gross bodily/gorey stuff in the Canaan redux and I wanted to organize some of my constant+chaotic thoughts!!
TM has said that a lot of the motifs/events in the bubbles are actually “Silent Hill stand-ins” for story elements and she hopes we pick up on stuff, so here’s my Attempt!
At the same time that Harrow’s mind is being made a tomb for Gideon Nav Wake’s subconscious is pulled in to act as a womb for certain plot elements right alongside it. The chronology/time period of HtN mimics a full nine-month gestation. There’s a lot of very literal imagery here (which is below the cut), but I also think we’re meant to see it as metaphorical: we’re able to glean some things about character arcs based on how everything in the bubble goes down.
I’m particularly interested right now in those ‘side’ characters in the bubble who aren’t actually dead, who barely appear in the bubble at all except to get summarily offed, all in very distinctive ways. Judith, Camilla, Palamedes, and Coronabeth.
(cw below cut for some pregnancy/insemination imagery, canonical body horror and gruesome bubble deaths rehashed)
First of all just some quotes showing some of the imagery that I’ve attributed to being Wake manifesting pregnancy trauma stuff (there’s possibly some of Harrow’s conception trauma here, too) seeping through, for the purposes of this line of speculation. 
This isn’t nearly all of it, but some things that stood out to me as possibly comparing Canaan House 2.0 to a functioning reproductive system:
(ch. 21) a “collection of large, rusted pipette needles” -- turkey basters?
(ch. 35) “great, slithering, pulsing tubes” which contain “whitish-pearl bubbled globules”-- this perhaps recalls ovaries/fallopian tubes, with the ‘globules’ being follicles produced by superovulation for insemination, or corpus luteum that supply progesterone to maintain a pregnancy.
(ch. 45) “stretched webs of organ [...] like nets of sticky venous spiderweb” --uterine walls, maybe; it’s all over the windows, totally encasing them in Canaan’s rooms, and arguably even contracting like a uterus would: “every so often they would tremble uncertainly and erupt in floods of bloody, foamy water.”
in the next pgh we get some more of the tools Wake would have used to conceive/upkeep the pregnancy: “pipettes, broken glass-fronted containers filled with dark fluid,” skeletons sitting atop piles of “capsules or pills” perhaps hormones/supplements. (also holding Drearburh tools, the way Wake’s skelly would have been doomed to do)
(ch. 43) “from that hole emerged a clattering pile of plex scope slides, the type you would preserve a cell sample between“ -- Wake would’ve had to carry out the IVF process for implantation, this also seems like apparatus for that
(ch. 47) there’s the “libation” Abigail uses to summon Wake which is... well. It’s a “thin, milky, whitish liquid pooled at the base, sluggish in the cold,” and the summoning involves a bunch of ‘come’ commands, which I think might be Muir making a very elaborate jizz-adjacent “silly buggers with the emissions” joke. 
Just a note, cause I’m hopeless about Pyrrwake: the Seconds’ quarters are almost completely preserved from the leaky body horror (though it’s still cold in there)--as if they represented a sanctuary in Wake’s subconscious. There are also letters in the nonagonal coffin room which spell out an anagram of “PYRRHA” (ch. 47).
So with all that in mind, I’d posit that the fake-ghost deaths are all metaphorical “rebirths” of various characters arcs for ATN. I haven’t delved into what this imagery might mean for Harrow or Gideon specifically because I know there’s a LOT and it’s probably above my theoretical paygrade (I would love for someone to tack on with that though!!) but I can talk about ‘side’ chars on a very big-picture level.
Judith’s simulacrum gets knocked off first (ch. 18); shot through the heart (both atria) while she and Marta’s ghost are trying to complete the winnowing trial. The Sleeper shoots her 7 more times after that, I guess partly just ‘cause she can, but Ortus notes that it seems like there was an element of "Anger” to it. It’s possible Wake wasn’t pleased to have someone messing around with Pyrrha’s lyctoral trial, infuriated that anyone would be attempting to replicate G1d/Pyr’s original downfall. She then ignores Marta entirely and climbs back in the coffin (now with the sword) once Judith’s out of the way.
[Marta’s] scarlet necktie looked redder too—by the time they’d gotten hold of Judith Deuteros the blood had dried hers nearly black.
Cohort red-and-whites being stained black with blood, like a certain high-collared BOE uniform... could be another little clue to Judith’s "heart” for the Emperor (and for Marta, and pretty much everything else she knew) being lost and her realigning--though not willingly, at least at first--with the other side.
Cam and Pal’s simulacrums are plainly executed (ch. 21), they have their “faces obliterated” each by a single gunshot, and it’s as if they just stood there and let it happen. In the bubble, “Harrow had never seen Sextus or Hect except from afar.” These simulacrums totally avoid having their features revealed to Harrow. I’m willing to bet their faces being obscured and then exploded is one of the clues we get to their eyes being swapped around the next time we see them in the epilogue and in ATN.
Regarding the twins: They are essentially non-extant in the bubble. Ianthe never appears because she’s still kicking and, in her own words, “doesn’t live alternate histories” (GtN ch. 15).
Coronabeth’s simulacrum scene (ch. 37) is SO vivid and cryptic. It fascinates me because it definitely is, in part, trying to tell us something poignant about the initiation of Corona’s “worse twin” arc in ATN.
[Corona] was turned away from Harrow, and her riot of hair—half-caught in a fillet, half-escaping—was soaking wet, a dark and crinkling amber in the rain. She was not fighting or arguing. She was still as a statue, and ready and waiting as a dog.
Sounds like the fake ghost preparing for that major shift in allegiance. Silas is the one to ‘dismiss’ her, with his “may the blood of your blood suffer,” which perhaps is a really Templar-y way of saying ‘now go wreck ianthe’s SHIT.’ When Harrow accuses him of sending Corona to her death, Silas asks “Death?”--as if he sees that what’s really just happened, at least metaphorically, is (re)Birth.
[Harrow] thought she saw, absurdly, a sudden gush of watery blood, as though the fog itself had been knifed; but it was gone almost as soon as she had seen it.
Sounds a bit like amniotic fluid/water breaking? Coronabeth doesn’t ever seem to hit the ocean (bodies of water=necromancy and that’s not her deal), she instead just kinda poofs, and Silas says she would have ended up “on her feet.” Coronabeth is ditching her family ties and is out for blood, and I think her charisma, willpower, and sheer desire for revenge will move her a long way in the ranks of Eden--probably even to the point of echoing Commander Wake’s ambitions and actions. I could delve into that damn portrait mirroring Ianthe’s obsession w/ Cyrus’ paintings on the Mithraeum... but that is a whole other post!
So all of these are fairly baseline observations and I think there’s a LOT more to be expounded on, if y’all wanna reply/reblog/DM with additions I would freaking love that, every time I open a page of this book I find something I missed before and it’s such a delight. Thanks for reading if you got this far!!
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chalky · 4 years ago
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The Commodification of c!Tubbo
This essay is unnecessary but I think about it too much so here you go
At this point, y’all are probably sick and tired of me rambling about c!Tubbo, as this is about all my original posts are. But, I feel as though this is an important aspect of his character that is either swept under the rug or never given any second glance.
Whether intentionally or not, Tubbo has been constantly commodified by allies and enemies alike (don’t even get me started on the fandom, that’s for a whole other post). Like, throughout the entire story of the Dream SMP, Tubbo has been looked down upon as a yes man, sidekick, or extension of another character who is incapable of making decisions for himself, which is such a degrading thing to experience for so long and explains why his character values himself so little.
This is a long one, heads up!
 I want to break up this dehumanization and commodification into three categories:
Tubbo is either a pawn (something to be used), a trophy(something to be owned), or a scapegoat(something to be blamed) to others.
Tubbo Seen as a Pawn:
Wilbur loved Tubbo, but his treatment of him during the Pogtopia arc was definitely sad to see. (Note: Wilbur was spiraling and his mental health was in shambles. He couldn’t help his paranoia and he deserved way better than the ending he got, but that doesn’t absolve the effects of his actions on others). First he took Tubbo on as a spy, a very dangerous role that landed him dead, but throughout Tubbo’s service Wilbur saw him as an obedient pawn, while not a loyal one. A pawn ready to turn to whatever authority figure commanded him best. His remarks about Tubbo being a yes man back this up, and the way he warns Tommy that Tubbo will betray them erases all of Tubbo’s identity and reduces it to that of a spy (again, this is born of Wilburs paranoia, this isn’t his fault).
Dream made it very clear that he regarded Tubbo as lesser than a toy, so obedient and trusting that he wasn’t worth keeping alive because he was so boring to him. The whole speech about Tubbo being worthless wasn’t even directed at him despite him being right there. Dream only addressed Tommy as if he was the one whose opinion on Tubbos fate mattered.
Jack Manifold literally used Tubbo’s trust to attempt to kill Tommy, saying that he was a sweet guy but way too gullible. No better way to treat someone as a pawn to further ones own agenda than by literally using them. (Him talking about how he’d be there to comfort Tubbo after the assisted murder of his best friend still mildly disturbs me).
Quackity managed to talk Tubbo into going through with the Butcher Army, using Tubbo’s power to further Quackity’s agenda (which, by Quackity’s own admission, did not revolve around the protection of L’manburg.) Quackity didn’t care that Tubbo was against violence, and pushed his concerns to the side in favor of his own ideas and kept comparing Tubbo to Schlatt whenever he acted in a way he disagreed with.
Speaking of, THE CONSTANT DISREGARD OF HIS DECISIONS AS PRESIDENT. His Cabinet never listened to him and lowkey every stream they had together was a bit frustrating to me (I’m also a sensitive bitch). They didn’t respect him in any way and undermined his authority UNTIL THEY NEEDED HIM TO SAVE EVERYONE’S LIFE. (Elaborated on in Scapegoat Category).
Technically, as much as I am a Tommy apologist, Tommy’s constant insistence that the Disc War needed to involve Tubbo kind of fits under this category. As much as Tubbo was happy to help, his involvement wasn’t really necessary, but Tommy needed someone to help him. This involvement nearly resulted in his willing death.
The only reason Dream even wanted to kill Tubbo, on top of perceiving him as useless, was to hurt Tommy and give him something of a “hero origin story” like Batman and his parents or Spider-Man and Uncle Ben. So, literally by Dream’s definition, he wanted to fridge Tubbo.
We could refer to Wilbur assigning Tubbo to presidency as Wilbur using him to make the explosion of L’manburg hurt more, but that feels like a stretch to me.
This may be a stretch, but after Tubbo is executed and Tommy starts getting mad at Technoblade, Wilbur eggs Tommy on by saying “Think of what he did to Tubbo,” while Tubbo is literally right there. His emotions on the event doesn’t matter to Wilbur, only how it impacted Tommy.
Tubbo Seen as a Prize/Trophy
The constant referral of Tubbo as something to be owned by someone, like during Wilburs speech of “he’s your Tubbo!”, is a bit off putting though I don’t think it’s meant to be malicious. Very rarely is the sentiment reversed, seen when Ghostbur gave Tubbo the Your Tommy compass, furthering the idea that Tubbo is an object, something to be sought after and secured with little opportunity for him to own something himself. It’s always “Tommy’s Tubbo”. Also when Schlatt gloated about having “his very own Tubbo”.
Tommy shows more possessive behaviors when dealing with the discovery of Ranboo and Tubbo’s marriage, asking about permission and insisting that Ranboo stole Tubbo from him. I’m sure this is subconscious, I know Tommy values Tubbo as a person but he still reduces Tubbo to an object to guard because he treasures his friend.
Another more vague example would be the fact that Schlatt exiled Wilbur and Tommy, but kept Tubbo as his right hand man even though it was clear he was on POG2020’s side. It was a way to insult Tommy, a way for Schlatt to add salt to the wound by keeping his best friend.
The Dream Team captured Tubbo very early into the Revolution, keeping him in a hole and holding him for ransom (this could be played off for laughs, I just remembered it). They also burned down his base, unrelated really but I remember it.
We could also count the way that Dream kept threatening to kill Tubbo if Tommy didn’t return the disc, but this feels like a mixture of pawn and prize, while still dehumanizing as it compares his value to that of music discs.
Yes, I am going to take c!Tommy joking about killing Michael to get Tubbo and Ranboo to break up so he can get Tubbo back seriously. The way he glared at Michael while holding an axe was just for the stream to see, if it was a joke I feel like he would have said it out loud. Even if it is a joke, laughing about taking something Tubbo loves away just to ruin his relationships is a bit yikes and frames Tubbo as something to be won back. You can ignore this if you didn’t see that moment as canon, but there are plenty of signs pointing to this being in character. (Also to be noted, Tubbo didn’t want to show Michael to Tommy, so Tommy ignored him and asked Ranboo instead, who immediately showed Tommy to Michael despite Tubbo’s clear worries)
Tubbo seen as a Scapegoat
His cabinet flip flopped back and forth on the decision to exile Tommy every five seconds. Whenever they spoke with Tubbo, they were all “You’re right! We’re going to listen to you! We have to do what’s right!” and then they hear a half baked plan and completely switch up on what they already agreed to do. (This happened twice. One at the sit down meeting where Tommy revealed Spirit and the cabinet joined Tommy in his mocking, only to blame him for how the meeting ended. Twice at the exile). So when Tubbo had to follow the original plan to, you know, make sure their country wasn’t put under lock and key until every citizen was eventually killed, his cabinet acted so shocked and betrayed and he was Schlatt and a dictator. It’s very true that he went against their plan (THAT THEY MADE FIVE MINUTES BEFOREHAND AFTER HAVING ALREADY AGREED TO THE FIRST PLAN FOR DAYS), but the way they treated him afterwards, as if he was a vile person for keeping his country safe, heavily impacted Tubbo’s mental state for a long time after. What I’m saying is Tubbo was set up to be the villain in that scenario, accidentally by his allies, and purposefully by Dream.
Tubbo was blamed for the destruction of L’manburg by Dream and a few others (also himself)
TUBBO IS CONSTANTLY BLAMED FOR THE BUTCHER ARMY ARC DESPITE IT BEING COMPLETELY THOUGHT OF AND LEAD BY QUACKITY (This is predominately fandom based).
The full blame for Tommy’s exile has rested on Tubbo (I will never forget Tommy calling him a monster), despite the fact he was manipulated and backed into a corner by Dream. Even when everyone has come to understand that Tommy was manipulated by Dream, the same doesn’t go for Tubbo and he’s hit with “imagine exiling your best friend” jokes many times.
Wilbur puts the decision of blowing people up at the festival on Tubbo’s shoulders, absolving him of the blame.
Schlatt made Tubbo tear down the L’manburg walls and the important signs so he could have to deal with the blame (though Quackity took the fall for this).
This is more theory based, but I fully believe Wilbur made Tubbo president right in front of Techno to egg him on to attack L’manburg. Since Tubbo would be the president, he would take the full brunt of Techno’s wrath (and he and Tommy did), and the destruction fell onto him.
So! With my text evidence we can see a recurring pattern in the way that Tubbo has been used by many people over the history of the server without much regard for his feelings. There are very few times when people besides Tommy ask how Tubbo feels about a situation, leaving him to his dark thoughts without anybody caring. Even during the Final Disc War, when Tubbo was literally moments from death, nobody asks how he is. Nobody (except Quackity once) checks up on him, and he builds up his community by himself. Until Ranboo came along, and I am not overexaggerating this, nobody was with Tubbo to support him. He had no support system and nobody cared. They just assume that he is always fine and if he wasn’t, it isn’t their place to intervene. Tubbo is just not respected, feared, or acknowledged unless he has someone by his side, or unless he’s doing something bad in which case he’s unhinged and evil and sure to have a villain arc.
This is just something to find interesting:
The only few characters Tubbo is actively involved with that hasn’t looked down on him as a sidekick or an object has been Foolish, Puffy, Ranboo and Technoblade. You could make an argument of how Technoblade referring to him as “government” could be dehumanizing but I don’t think I’ve actually seen him do that in character? I could be wrong though. Really, Technoblade takes him seriously, but way more seriously than c!Tubbo warrants. Like, he’s looking for a tyrant to beat up and Tubbo is literally just a guy with a lot of issues struggling to keep a handle on his cabinet, which I find funny. But, jokes aside, Technoblade saw Tubbo as a legitimate threat during his presidency and is respectfully cautious of him and his nukes presently, which is surprising to me. Ranboo adores Tubbo and all of his chaos that people are unaware of because they don’t get to know him well enough. Puffy just wants the best for all the kids of the server and knows how to be respectful of their feelings, and Foolish is respectful of Tubbo, if a bit annoyed and intimidated by him.
The point of this essay is just to show that there is a pattern to these things. This is how Tubbo is treated, this is why Tubbo is prepared to die for whatever because because he doesn’t feel he’s worth anything while alive, and this is why it’s frustrating to see characters call him a follower, pawn, or yes man. And here’s the thing: I DONT KNOW WHY THEY TREAT HIM LIKE THIS??? Why him? I can’t really find out why this started to happen.
To sum some things up, no I don’t think every character who treats him poorly is completely evil. Again, some of this seems to be subconscious, some of this could be argued to be OOC, I just wanted to bring this pattern to light.
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imthepunchlord · 4 years ago
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I’ma be completely honest right now and say that I don’t think anyone (who follows you and knows/shares your feelings on the specials at least) would mind if you were straight up like “yeah sorry guys the New York and Shanghai specials are non-canon for Off to Italy because I really don’t like the way they handled diversity, worldbuilding, or relationships, and the future Rio and Africa ones are non-canon as well for the same reasons” from the get-go. Like those are such valid reasons to cut something out of a story, and it doesn’t seem too different from cutting out certain episodes or starting from a specific season like a lot of ML fanfics do, especially since the specials feel even more removed from the main canon to begin with because of how the writers decided to handle the ML continuity, AND this frees up a bunch of the kwami animal choices used, which would make things exponentially easier for you like you said in both animal choice and character design by having a visual base to already work off of for the ones you pick.
I also don’t think a majority would take issue with me cutting those out either. Because the things they bring in, lore wise, I don’t see anyone talking about. 
No one is talking about the NA Order, and its existence brings in so many questions. 
So I’m going to put this under cut cause I want to go off. I technically don’t have a right to as I didn’t watch either, but I listened to those who did to get an idea and somethings bother me. 
But first, I think the only thing I saw being talked about was LS stuff in the NY special and HM getting pink Thanosed in Shanghai and that’s it. That’s the only stuff I’ve seen between the two specials. And that’s not good if those are the most iconic things to be brought up. 
Anyway, onto my salt. 
Was the NA Order around when Fu made Feast? Why didn’t he work his way to them to pass the Miracle Box to them? Or did he know they exist? Is the NA Order aware that something happened to the Chinese Order? Presuming that they communicate, did they not reach out with how quiet the Chinese Order was and look into it or try to gather lost miraculouses if they did? 
And then there’s the wonder of the historical context. You can’t just casually reveal there’s an NA Order and Native American miraculouses that brings up a lot of questions as the Native people have experienced a lot of wrongs and sufferings in our history and still are facing issues. What does having confirmed Native miraculous mean for America’s bloody history with Native people? 
And then there’s the Shanghai special, bringing in the Renlings and that’s another can of worms. 
Not only are they another magical set from China, cause you know how magical China exclusively is since all magical stuff comes from them, but these are established coming in before miraculouses and were put away because they were “dangerous”. So, what are kwami views on the renlings and vice versa? And from what I’ve seen and heard, I don’t get how they’re dangerous? And then there’s the issue of their power set up, turning the user into an animal, and you got Fei, a Chinese girl, using it. This adds onto character of color being/becoming inhuman, and this is the 2nd special to do so (with Aeon, our official 2nd black girl to appear, being a robot). And this adds onto poc becoming an animal. 
And there’s Mei Shi, who design wise, as a “kwami” I really I like, but, what is Mei Shi? Is Mei Shi a unique kwami? A renling? Or is Mei Shi a 2nd sort of cousin to kwamis to reveal later? I also hear Mei Shi is a guardian but didn’t really do anything as a guardian. I will say, I wish now there was an in between the kwami and renling designs, for sometimes the kwamis are weird and some of the renlings look off or are creepy, and so far, Mei Shi is like the best take for that ideal mixture of both. 
While this is not lore wise related and more nitpicky, I am also bothered with Fei, not really the character herself but more the choices the creators made with her set up. Between her design and her backstory, she is essentially the older concept of Marinette that we didn’t get. 
Visually she’s had tweaks, but you can see that they took big inspirations from Marinette’s old look. How Marinette was going to originally look before they decided to make her more white. 
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And then there’s Fei’s backstory: her father being mysteriously murdered. That was Marinette’s first backstory, back in the day of Mini Menace Ladybug, coming home to find her dad mysteriously murdered. 
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And adding to this, there are implications that Gabriel might’ve played a role in the murder of Fei’s father, and I’m incredibly salty about that. Fei has more tie in and connection to ML’s plot than Marinette. 
And what frustrates me is that, by set up, they actually could’ve still given this to Marinette. You can cut out Tom and Sabine and very little changes in ML, and you can add more depth to Marinette, who is a bubbly and nice girl who wears her heart on her sleeve and will go over the moon for you if you need her to, but she has a dark thorn in her heart as her parents were mysteriously murdered and she doesn’t know why. 
Keeping in that Gabriel (and potentially Emily) played a role in their death and took something from her parents that they had, this would give Marinette that emotional stake in the plot and direct tie in to Gabriel. You could even set up that her parents had the Butterfly, Peafowl, and/or the book, and at least one or two of those items technically belong to Marinette as they belonged to one of her parents. Peafowl would probably make the most sense as we don’t when they got it or how it even got broken. All we have is that Butterfly and book were found together a year prior to the events of ML. But that comes down to how long ago the murders should be. 
And narratively, this set up would work. 
Marinette’s parents are incredibly removed from her life and are hardly ever seen; it’s also to a point she doesn’t even go to them for advise or help for anything, only Tikki. And they themselves are hardly characters of their own. At the start of the show, which we know know has her being 13 yo, she’s incredibly independent which can back the impression of absent parents. This also really backs her knowing next to nothing about Sabine or the Cheng side of her family, not even knowing the name Sabine used to go by. 
This set up also could’ve set Fu up as a closer mentor and really add to the grandfather-granddaughter theme they were going for, especially if he steps up to act as a guardian for her and secretly trained her to be ready for a miraculous, adding to how he has such faith and trust in this 13 yo to save the city. 
So that is my biggest gripe with Fei, not so much her herself, but the factor that the creators took Marinette’s most interesting and original set up (and design) and gave it to a random character who we are probably never going to see again or even get mentioned again, and is largely here for diversity brownie points and give us half hearted lore that won’t be elaborated on; and Marinette could’ve had this back story and set up instead and actually have a tie in and stake to the plot. 
it was very frustrating to hear. 
So yeah, I am more inclined to cut out the NY and Shanghai special and not count any other specials that come as lore wise, they don’t do anything or what they add is just too much and doesn’t answer much. I think the biggest shame is that there were some big appeals to them. NY and Shanghai actually should’ve been more Adrien and Marinette having their own exclusive adventures, or at least just have them be Marinett’s own adventures. 
I would’ve loved it if the NY Special was instead Marinette having her own adventure with Sparrow and Aeon and have her face a different villain who is not HM. 
And that the Shanghai special was instead giving us a look at Marinette’s Cheng side of the family, and her going to see the ruins of the Chinese Order, facing something supernatural, and potentially this is where she finds the Chinese Zodiac miraculous and brings them back to Fu. If you want to work off the canon Shanghai a bit, perhaps instead of introducing “kwami cousins”, Mei Shi/Meeshi/idk is a lion kwami who distanced himself from his miraculous, went to the ruins, and made himself a Guardian Lion to watch over what remains. They work together and he approves of Marientte taking the Zodiac, and he travels back to somewhere in Africa hinting at the special that will have Lady Lion. 
This also nicely sets up why Fu didn’t release any of the Zodiac to help LB, as what he had of the 5, Cat would’ve been the best partner to work with LB and it was worth risking the very two HM is after. Revealing that he has the Zodiac from the start didn’t work in their favor. 
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thalys-artcorner · 4 years ago
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A Cause to be Bothered By.
A oneshot in which Homelander actually gived a damn with the charity event assigned.  Canon divergent that allowed to write...wait for...actual fluff. Bet you didn’t see that coming.
*Note: I don’t wanna say @kayemagistro​ made me do it, but she did provide the initiative xD Based on this post.
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She wasn’t sure how much of a good idea it might be to bring Homelander along, but the powers from above had insisted, and there was only so many strings she could pull before they put her back in her place. It was a miracle already that she had managed to pick her own charity work.
But having Homelander with her? For starters, he loathed charity work. It was a waste of his precious time, devoting attention to causes he did not care for nor did he even bother to look up. He hated the idea of taking care of others, he hated the cameras following, the million questions hurting his senses, and above all, he hated weakness. And wasn’t charity all about weakness? Of helping those not strong enough to make it out on their own?
If that wasn’t enough reason, he was in one of his moods that day. One fo those unstable, volatile, violent moods in which he might even turn around and bite his own leash off just to take it out on those around him, hate them and hurt them so he wouldn’t have to face the consequences of his own emotions. He’d even lashed out at her, not caring in the slightest for the fact that she loved him, forgetting that he loved back. Then again, she had been genetically manipulated so that his powers had no effect on her, just as her own had no effect on him. Not that any of that had ever stopped them from trying in the past.
But the media loved them together, probably because they got to see so little of their relationship. That was another of her personal little triumphs. She’d managed to keep Vought’s media team out of her own relationship after showing them that the public responded better to couples who weren’t flaunting their feelings about every single day. It made them more believable. What little the public got to see of Homelander as a boyfriend humanized him in their eyes (which she knew he hated, and it had taken a whole lot of convincing, fighting and angry sex to finally get it through his thick skull that they had to feed something to the masses). Hence, him coming along to the animal shelter with her, with that cold, shiny fake smile he’d been trained to put on his face like makeup whenever the cameras flashed in their direction.
At least, so far, he looked only irritated, which was a welcome cry far from the usual expression that looked like he was wondering whether if snapping some snotty brat’s arm “by accident” might wriggle him out of the event. Probably because he was not being pestered. She hadn’t chosen an animal shelter charity thinking that he would come along, but because she loved animals. Yet it was turning out to be a smart move. “At least you won’t have anyone asking you for autographs and pictures” she’d pointed out just before coming. She’d received a bad-tempered grunt in response, which was better than some snappy remark.
After the usual tedious talk with the owners of the shelter and the promise of a considerable donation and all those annoying displays that involved actual human contact and during which she was really fearing he might break the glass of water he was holding and throw a tantrum, there came the actual interaction with the actual animals. They were brought to a wide backyard in the center of the kennels, in which they were greeted by a hoard of enthusiastic puppies of all sizes and colors, that demanded pats and kisses and belly rubs. She immediately dropped to her knees and opened her arms wide, letting them jump all over her and whimper and place lots of sloppy, wet kisses on her face. She could almost here Homelander saying “I’m not coming anywhere near you covered in dog slobber”.
She looked around for him and noticed him closer to the kennels, his back leaning against one of the cages and his bad mood strong enough for the puppies to sense it and steer clear away from him, even if the humans did not. Suddenly, his nostrils flared, and he turned around, peering inside the kennel he had been leaning against moments before. She caught sight of a figure lurking on a far corner in the back, it’s beady eyes sad and resentful. She could the white of its teeth as its upper lip curled slightly in a snarl.
“Why is this one locked up?”
Homelander surprised everyone when he spoke up after being unusually quiet during the entire event. One of the caretakers of the shelter stepped forward at a prudent distance and cleared her throat “Oh, that’s one of the newbies, sir. He arrived some time ago, after they found him in a compound that raised puppies to become dog fighters in the pit. He’s been abused pretty roughly for one so young, and he’s very aggressive. We have to keep him locked for the moment, for his own safety and those of the other puppies. Sir”.
“It’s not his fault though, is it?”
“What was that, sir?”
Homelander made a gesture with his hand, brushing off the comment “Nothing”.
She hadn’t missed the whole exchange, but as it seemed he wasn’t going to add anything or elaborate, she returned her attention back to the puppies, smiling and asking questions about them, their stories, their health to the various caretakers, while the cameras buzzed around capturing the best moments of her interaction with them so that later, thousand upon thousands of celebrity sites and talk shows would replay them over and over again, sighing over the shadow heroine who took time off fighting crime to think about the well-being of the innocent creatures nobody else bothered to think about.
She was in the middle of answering a question about the animals she had had back in the farm, when there was a sudden exclamation of alarm from one of the caretakers.
“Sir, please, you can’t open that cage!”
Homelander, without anyone really noticing, had opened the door to the aggressive puppy’s cage, and was kneeling by threshold, looking inside at the snarling animal. She could see his lips moving, all though he was murmuring too softly for anyone else to hear. One of the caretakers stepped forward, and the hero immediately raised a hand in the air to stop her.
“Stay back” he ordered through gritted teeth, his jaw set, a small muscle twitching.
“But-”
“I told you to stay back”. His voice was hard and authoritarian. And it had that dangerous edge it had been carrying all day. Yet after a moment, his jaw relaxed ever so slightly, and he started murmuring to the dog inside the kennel again.
It was time to intervene.
She rose to her feet and crossed her arms over her chest “Everybody leave us for a moment, please. Take these little fellows too, if you would be so kind”.
For a second, nobody moved. She glared at the owner director of the shelter pointedly, a stare that allowed no argument and that she usually reserved for criminals. It worked, and everyone, including the camera crew, were soon hurrying out, picking up the puppies with them, until the backyard was completely clear, except for her, Homelander, and the puppy inside the kennel. Slowly, she approached them, until she was able to crouch beside him and gently rest a hand on his shoulder.
“John?” she called out now that they were alone.
He didn’t reply, still focused on the dog in front of them. It had stopped snarling, and was now standing a few steps away from them, its belly pressed to the ground as he slowly, warily, crawled towards Homelander’s extended gloved hand. Its black lips twitched from time to time, and its hair was standing on end, but he nonetheless drew closer, until his nose was only a few centimeters away from Homelander’s hand.
“Make way for him” the man whispered, as he too took a step to the side, clearing the doorway for the dog. It hesitated. And then, finally, stepped out onto the grass with unsure footsteps.
For a long moment, the puppy simply stood there, as if it could not quite believe it was outside, free, and nobody was stopping him or forcing him back to his cage. It looked like a mixed breed, something halfway between a Pitbull and a Rottweiler. How stereotypical. It blinked under the sunlight, and then, finally, sat on its hunches first, and then extended out his front legs, and laid down in the sun.
Then Homelander reached out to him. The animal immediately snapped and revealed its fangs once more, growling. Homelander pulled his hands back, an obviously outraged frown on his face. And for a moment, she feared he might cut it in half. But his expression eventually softened. He peeled off his glove, and reached out again, this time ever so slowly, making sure the puppy was catching every one of his movements and not taken by surprise. The puppy didn’t growl but stared at him warningly. Finally, it allowed the superhero to rest his hand on its back and pet him. The hair along his back stopped raising, and suddenly, its eyes weren’t glazed with anger anymore.
She released the breath that until then, she hadn’t realized she had been holding, still not quite sure what it was that she was seeing. He’d actually taken the time to coax the puppy out of its cage, and instead of lashing out when it had rejected his initial approach, changed his strategy to suit the animal’s needs. She had never seen him go to such effort for someone else, not in a long, long time; except perhaps for her.
Slowly, mimicking his actions, she reached out to the puppy, whispering soothing words to it. It allowed her to pet him too, and while Homelander scratched it behind the ears, she ran her hand along its back.
And then, as if the entire situation wasn’t already unexpected enough, the little fellow flopped onto his back and exposed is dark brown belly to them, demanding belly rubs. Belly rubs!
“John” she called at him again “What the hell are you doing exactly?”
“Aggressive my ass” he finally said, his eyes never leaving the puppy as it started to twitch one of its hind legs “He’s just tired of being locked up in a fucking cage, with people ordering him about and calling him out”.
Suddenly, everything made sense. Her eyes opened in realization, and she breathed out softly “Does he sound familiar to you?”
Homelander finally lifted his face to look at her. His blue eyes were soft, showing genuine emotion for the first time that day. It seemed like his anger had finally subdued. In his gaze, she actually saw the implicit apology for his behavior towards her earlier that day. Homelander never apologized, but she knew how to look for that feeling in his eyes. They could be almost naively transparent when he wasn’t thinking.
“Someone should have bothered to ask him what he wanted. Maybe if they stopped treating him like a potential killing machine, he wouldn’t be all growls and snaps” he shrugged.
The puppy emitted a playful yelp. It sat back up, and stepped closer to Homelander, until it rested its snout on top of his knees and looked up to him. Grateful. Trusting. Every so slightly, its short tail wiggled.
And then, without any explanation, Homelander scooped him up and rose to his feet. She rose with him, still not quite believing her eyes. “I know that look. What exactly are you planning?” she knew that determined set on his jaw when he set his mind on something.
“I think he’s seen enough of kennels to last a lifetime. I’m taking him with us. If these people won’t bother to actually treat him according to his needs, then…” suddenly he stopped, as if he had just realized what he had been about to say. His expression was almost comical as he cleared his throat “Well…he shouldn’t be here anyways”.
She cracked a grin, and took a step closed to rub the puppy’s head. It had started to doze off in Homelander’s arms. The hero, after a moment, reached out and wrapped his free arm around her waist.
“You do realize they’re going to lose their shit back at the tower with a dog running about, right?”
Homelander looked at her, his face serious. He didn’t care. He’d do as he damn well pleased. She knew that look. It said mine. Suddenly, he grinned at her, before looking down at the dozing pup in his arms. “I’d be disappointed if they didn’t. How about you, buddy?”
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yichens · 4 years ago
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#10YearPromise - pingxie blabberings
bc i wasn’t able to answer these questions throughout the week (as i’ve been traveling around while being extremely busy), i decided to just collect all of my answers under one post! i never tire talking about pingxie so this was extremely enjoyable ♥ am also practicing some very shameless self promo in this so be prepared!
thank you for @laireshi​ for organizing this event (i take it’s you alone? am not sure, sorry for my laziness) and being amazing in general ^^ i won’t be able to join as i am still very busy and summer is always pure chaos for me, so i can only hope that other ppl have fun! if you are not aware of 10 Year Promise Pingxie Exchange, you can find the original announcement post here. join in if you have the time and inspiration ^^ 
and then to my answers which i will be placing under the cut bc i don’t want to flood anyone’s dash with me going bonkers over these two idiots. enjoy tho if you decide to read this :’D ♥
I. What made you ship pingxie?
Back when I got into Reboot bc of ZYL (as has happened to many ppl probably) and then saw stuff about pingxie once I started going through that drama’s tag on tumblr, my first thought about them was that they had to be a crack ship. The way Reboot portrays them as well as their actors and their huuuge age difference affected this a lot, and I was actually cackling at them bc all their moments in Reboot made me just go “oh, socialist brotherhood at its best” in my head. But then I finished watching Reboot’s 1st season (as the 2nd one wasn’t out yet) and started reading some fics. I learned more about them and the canon storyline. I learned how damn devoted they are to each other, and after that, many moments in Reboot gained new meaning in my eyes. So, I think what made me ship pingxie was a mix of Reboot (especially the hallucination moment where Xiaoge dies and Wu Xie loses it bc that’s my jam as I later on became to notice) and then the amazing fics I dug out during that time. After that the love grew stronger as I watched the other dramas, and these days I’m a lost cause. I feel like I spend most of my awake time thinking about these two and their love. They are amazing. I cry rivers for them.
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II. Which pingxie version is your favorite?
After finding pingxie, I fell in love with them properly during TLT2. There is just something about that stage of their relationship for me, the stage where both of them are still very tentative about everything but they have deep down accepted that they’re tied now. Wu Xie is figuring out so many things, coming to terms with being betrayed by his uncle and slowly realizing that something bigger is going on behind the scenes. Meanwhile, Xiaoge is learning how to trust Wu Xie and how to accept that he cannot leave this naïve boy behind. It feels very fragile, and I have so many emotions about TLT2 bc of this. Xiaoge is so soft and feels very multilayered. Wu Xie is still his naïve self but is slowly gaining some sharper edges as he comes to face the cruel world. I like how Cheng Yi and Hou Minghao have portrayed this dynamic. Also, TLT2 is just very extra with all the pingxie scenes, who would be able to resist loving them? So, I have to admit that my favorite pingxie is these two, tho Ultimate Note comes very, very close.
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III. What’s your favorite pingxie headcanon?
Headcanons are a bit hard for me as I don’t know enough of the canon. I have not read the novels so most of the story I’ve just patched together from all the bits I’ve read from somewhere (here, on twt, in fics) and through the scenes the dramas have shown me. I feel like the whole world is lowkey made of headcanons for me :’D But hmm, my favorite pingxie headcanon… I’d say there are two and then one bonus bc it’s more a Wu Xie related headcanon than just pingxie. The first one is that the pingxie confession happens after the Bronze Gate. It feels like the only moment when they’re both ready for such a thing. I’d say Xiaoge comes to realize his own feelings a lot earlier and he might tell something to unconscious Wu Xie before leaving for ten years, but he will not actually leave Wu Xie with such a burden. He doesn’t want to ask anything when it sounds like he doesn’t even believe that Wu Xie will be willing to wait for him, and I’d say that for him, his feelings are going to be fine even if Wu Xie never learns about them. He might even wish that Wu Xie never learns about them bc he’s not able to promise much as an immortal and amnesiac being (he outlives Wu Xie, most likely forgets him). For Wu Xie however, I’d say he needs time. He really is way too naïve and I’d say that he needs those ten years to realize that he’s in love with his best friend. I dunno who confesses first after Xiaoge returns but I think that only after that decade their relationship is “mature” enough to hold the weight of a confession (even if I also love to play around with the thought of them getting together during the events of Ultimate Note bc that drama offered many good chances for that). Another headcanon for me is that Xiaoge will find a way to die when Wu Xie does. After learning about them more, I feel like Reboot implies this too. Xiaoge is very accepting of Wu Xie’s death but in the last moments, when he really thinks that this is going to be it for Wu Xie, he hesitates. We see a spark of desperation there, and I’ve come to think that his initial plan, the plan he came up with once he got that call from Wu Xie and knew he would join Wu Xie on his last adventure, was to see this through for Wu Xie’s sake and then leave and die alone. I don’t know how much there would be left for Zhang Qiling after Wu Xie is gone. I feel like this is also what Wu Xie fears. But would he really resent Xiaoge for joining him in death after living such a long and hard life? I’d say no and I’d say that even Pangzi accepts this as one of the most likely outcomes. The bonus one then feels very personal to me. I don’t usually talk about this bc I feel so unsure of even mentioning this but I’ve seen others with similar thoughts so am sharing! I’ve never before gotten any vibes about a character’s sexuality in a drama I’ve watched but Reboot Wu Xie looked at me once in the eye and all I could hear was my brain yelling “asexual”. So, that is just my personal headcanon for Wu Xie. He’s ace and proud of it. He can flirt etc. but sex makes him go naah. He doesn’t need it or want it. He can appreciate beauty and hot ppl without wanting to sleep with them and I think his relationship with Xiaoge fits very well into this. I don’t have any personal experiences with being ace but I feel like Wu Xie has read the name once, shrugged and gone, “guess that’s me” and continued on with his life. He’s badass like that and I love him for it. (take a very relevant meme lol from this post)
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IV. What’s the ideal pingxie date?
Ah, christ. I dunno if I’ve ever thought about them going on a date? In the middle of tomb raiding, hospital trips and fighting against powers bigger than themselves, I’ve rarely seen any time for them to do something like that lol. But after Ultimate Note, I’ve thought about star gazing a lot. Just them, the infinite night sky and some lonely hilltop. They would probably take a blanket with them, huddle together and talk about things in hushed voices. Wu Xie would go on a ramble about all the constellations and their meanings and mythology behind them and Xiaoge would just nod at him and watch Wu Xie talking. Maybe he would offer some tidbits in the middle of the rambling, making Wu Xie smile brightly. It would be relaxing and comfortable and loving. They would make out a lil bit. Would maybe lie down and play with each other’s hair. All their worries would feel insignificant. Wu Xie would fall asleep for a moment and Xiaoge would wake him up with a kiss to get him moving again so that they don’t need to sleep on the cold ground. They would return home and drink something warm and then go to sleep, cuddled together and happy. relevant edit x
V. What’s your favorite pingxie getting together scenario?
I guess I already talked about this a bit but let me elaborate then! As said, I’d see it happening after the Bronze Gate. I am not sure if it would be right away (they’re both going through so much trauma at that point) or if it would happen after Reboot (maybe we would still need Wu Xie almost dying for them to get their shit together), but I’d say it happens in a rush either way. It’s one of those “I have to tell you something before it’s too late” -type of moments. Or one of those “Bc I love you, you idiot!” -type of moments. I feel like I keep thinking that maybe Wu Xie would have to confess first bc as said, Xiaoge wouldn’t like to burden Wu Xie with his feelings when there’s so little he can give in the sense of normalcy. But then again, I have written a oneshot where Xiaoge is the first one to confess and that always feels better for me. That at some point Xiaoge feels secure enough to tell Wu Xie about his own feelings. That he feels confident and comfortable enough to say it out loud while still expecting nothing in return bc he knows that Wu Xie won’t abandon him either way. But no matter how that happens, I always see it as this dam breaking. The emotions finally become too strong. Something happens that reminds them that life is too short. Something happens that makes them finally talk it out and ah, Pangzi can finally take a break, what a joy
VI. What’s your favorite pingxie moment?
Every adaptation has its own good moments so let me make a list (like I saw someone else do too):
The Lost Tomb:
Xiaoge rescues Wu Xie from the shibie
Wu Xie worrying over unconscious Xiaoge plus taking care of him in the hotel room
The Pingxie MomentTM aka Xiaoge saving Wu Xie from falling and then cradling the boy to his chest while thumb rubbing his shoulder
The Lost Tomb 2:
Xiaoge revealed to be Baldie and Wu Xie yelling at him about it
Lowkey the whole underwater tomb arc bc holy shit that’s gay
Wu Xie losing it when Xiaoge doesn’t come up from the underwater tomb, diving after him and then almost dying himself + Pangzi getting angry at him for being stupid
pingxie ft. magical skype in the bronze tree cave (and Xiaoge being emo about the 1000yo warrior guy right before that)
Xiaoge rescuing Wu Xie from drowning (they shared air, you cannot convince me otherwise) + Wu Xie giving Xiaoge his watch in the hospital (relevant edits x x)
Wu Xie’s face when he sees Zhang Buxun in the coffin bc I love pain :)
Xiaoge not shooting Wu Xie despite not remembering him in the mountain village
Wu Xie grabbing Xiaoge’s jacket after being kidnapped and the Iron Triangle reunites in that old Chen guy’s cabin, asking, “Is that you?” from Xiaoge to make sure that he remembers again while looking like the biggest puppy (relevant edit x)
also some relevant memes x
Ultimate Note:
The hand over mouth reunion in the Golmud Sanatorium
“Xiaoge will ignore anyone else but you”
Xiaoge pretending he isn’t Losing ItTM throughout the whole time Wu Xie is in the Devil’s City with A-Ning
more hand over mouth with the gigantic snake
“The goddess has ascended”
Wu Xie protecting Xiaoge after he returns from the jade meteorite 
“Do you remember me?” “Wu Xie.”
Wu Xie promising to help Xiaoge find his memories no matter what bc Xiaoge’s business is Wu Xie’s business 
“Maybe you can return home with a wife today.” Wu Xie: proceeds to stare at Xiaoge, horrified
“Take me home.”
The sword gifting scene (especially Xiaoge denying the possibility of him killing Wu Xie or them harming each other, relevant edits x x)
other relevant edits for ultimate note x x
Reboot:
Wu Xie telling Xiaoge about his sickness and then Xiaoge coming back and promising to join Wu Xie on his trip (relevant edit x)
the death hallucination bc am a masochist 
Wu Xie’s death dream where Xiaoge calls to him but then accepts his choice to move forward bc am a masochist pt. 2
pingxie reunion in the Thunder City forest where Xiaoge saves Wu Xie & co. from the poisonous gas 
the moment in Thunder City where Wu Xie sits outside at night, eating the peanuts Pangzi gave him and then notices Xiaoge, offering him the peanuts and smiling 
when Xiaoge leaves for the last time and then gets reunited with healed Wu Xie against all odds
the train scene and their softest smiles to each other  
Time Raiders:
Wu Xie being the best bean and just wanting to befriend this mysterious man while seeing right under his skin and making Xiaoge baffled and fall in love in approximately 0.5 seconds
Xiaoge, catch! *proceeds to save only Wu Xie when they fall into that shibie horror chamber*  
Xiaoge’s desperation to save Wu Xie from the crumbling ground 
their death waltz at the end of the movie plus Xiaoge’s sacrifice
+ Sand Sea: 
“Don’t you dare call him Xiaoge!” 
Wu Xie offering his friends and then himself as comfort to Li Cu when he’s scared while smiling very softly at the memory of Xiaoge 
“But isn’t his surname Wu?” Hei Xiazi: You have seen nothing yet, you sweet summer child
Wu Xie talking about Xiaoge’s past in the temple (aka the Tibetan Sea Flower story bc I just adore how pretty they’ve made those scenes) 
VII. What is the best gift Wu Xie and Xiaoge could give each other?
I haven’t really thought about this type of stuff either bc we have already seen a ton of gifts being exchanged! I love the watch Wu Xie gives to Xiaoge in TLT2 as mentioned (it’s so silly but also so sweet) and I love it that Wu Xie gifts Xiaoge with a new sword in Ultimate Note. Also, I feel like I can count the food Wu Xie leaves for Xiaoge in Ultimate Note and that one moment where Xiaoge offers his knife for Wu Xie as a “pen”. They would give anything for each other as long as the other asked (which they never do) so I dunno what type of gift would matter the most. As it’s so hard to say, let me talk about one more headcanon that I’ve been thinking about ever since the infamous Bazaar photoshoot for Ultimate Note/XYL & ZSX. So, we see them having matching rings and necklaces in that photoshoot. I think jewelry would be kind of difficult for Xiaoge to wear when he needs to fight, as jewelry could be a hindrance in that type of situation But my brain won’t shut up about “pingxie married!!!” when I ask this question from it. To be honest, I do not see pingxie getting married in the traditional sense. They don’t need something like that after everything they’ve gone through. But I like to play around with the thought of promise rings. Just them exchanging rings for fun, for their own sakes, to have something concrete that reminds them of their promise to each other and of their feelings. Maybe even Xiaoge could wear that ring under his gloves idk. But am a sucker for that thought so my answer to this is then simply: a ring. relevant edits x x
if you read this far, thank you so much! I hope this gave you something and thank you once more for organizing this and allowing everyone to share their love for pingxie ^^ ♥
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griimhilde-a · 4 years ago
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if you know, you know.
———       a response to those who refuse to move on.
EDIT: after some encouragement and realizing that, while i tried to be respectful and private about this situation, i was not given the same treatment, i’ve decided to be upfront and filterless. here is a link to my page of receipts that i did not provide in this post. 
i would like to point out that when i made the DNI, it was buried and sandwiched in my super long rules purposely so that it wasn’t explicitly visible and drawing attention. it was specifically put there for mutuals to understand my boundaries for the new blog, and as soon as i moved blogs, my guidelines underwent heavy reconstruction and the DNI section was removed overall ( i don’t like DNIs for myself ), as well as on this blog. all statements made in the DNI were what i felt to be true and based off of not only my experiences, but others’ as well, backed up with evidence i have saved that i didn’t feel the need to provide because it wasn’t meant to be a big deal, but i also felt i needed to explain why this person was on a DNI and that it wasn’t done out of malicious intent. again, if something sounds bad it is because “bad” things were done and i can’t control that.
reading the call-out had me ( and others ) confused on where it was i had bullied her, when i had her blocked since november, where it was i had manipulated her, and so forth. i’m always wanting to be a better person, so i was extremely confused on where i had done anything wrong. i also didn’t appreciate my new blog url being attached to it as it had nothing to do with it and i was trying to move forward, and it read very much like an attempt to blacklist. despite everything, i never wanted it to be a spectacle. the pinned, public call-out by this person doesn’t read to me as someone wanting to move on, but wanting to drag things further. this is not a call-out post, this is me defending myself. i will not name drop. if you know who this is about, i ask you just read this to understand the full story. 
this is going to be a long boi ( i really tried to keep it short but alkfjdklfksldf nope ). i would also like to apologize for any dryness here, but i am aiming to just state facts as they are. it feels    ----    ridiculous writing this all out because it’s something that could and should have been handled privately. but, here we go !!
everything on the DNI is true. i will not post or reveal the sources because one, they are not my stories to tell, and two, i am not going to give her the excuse to bother them. they deserve to be safe, and i am walking proof of what happens when you speak out against someone like her. if i have to bear that burden, then so be it. 
it stopped being about “just a url” a long time ago. it became more about how i was treated in that interaction, and how i was continued to be treated afterwards. not to mention the increasing tension within the rpc and having to second-guess whether or not i was truly wanted. it was about how it was affecting those around me, my time in a hobby i love, and my mental health. the amount of times a mutual has tagged me by accident when they meant to tag her is insane. it most definitely did not feel good !!! if that kept happening, it was a problem. i also had to shut off the anon feature because of the amount of anons i was receiving. some had good intentions, but others had resorted to hate. 
regarding the messages on discord --- i stand by them. i thought if you were friends with someone on discord and have previously talked over time, it was okay to message, otherwise what was the point of discord? i didn't realize it would make her uncomfortable to do so, and i’m more careful about how i approach people now !!! 
regarding the messages: there was no change in tone other than that i grew exhausted and extremely anxious ( shaking !!! palms sweaty !!! knees weak !!!! mom’s spaghetti !!! ) and wasn’t in the proper mindset to sound happy while i was being invalidated to my face. i have even apologized there if i came off as mean. i don’t “present myself” in a way. that’s just how i talk, i prefer communicating one-on-one and i try to alleviate tension that arises no matter what because these types of conversations aren’t always a walk in the park. i wanted things to be good and not stressful for all parties involved. i’m sorry my tone came off as insincere. after being in desc rpc for a year, i was a little surprised seeing a near-identical url so i think it was fair for me to message her about it. she made the decision use it, and i was allowed to react. it was said misspellings in urls made her anxious so i wanted to help and i was shot down and vilified, essentially told i made her feel unsafe and shouldn’t have messaged. if it wasn’t okay to claim i felt “unsafe” and “paranoid”, why was it okay for her to claim the same based on a choice she made herself, but not me to feel anxious about those choices? 
i have never told a blog to block her. i have never initiated conversation about her, nor have i spoken negatively about her as a person. ever. i have, in fact, even stated that i didn’t want anyone blocking and that it would be okay to interact. here’s one example after i was approached about her. i cannot control what other people do.
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hardblocking her on my end was to avoid seeing her on dash as much as possible. 
i am allowed to softblock / unfollow people who interact with her after months of trying to be okay with it. what kickstarted this process was someone i thought was a close friend had dropped me and suddenly i realized i didn’t need to sacrifice my comfort for the sake of keeping a mutual. if they could do it, so could i. while i adore the descendants rpc, the rpc is not a family, we’re not obligated to interact IC or be mutuals with every single person in the rpc. it’s not causing a rift when we don’t interact on dash. i have even emphasized that i would love to stay in contact via discord and write there if possible !! why am i being vilified for trying to make my blog a safe space for me?
regarding the “vagues”: they were all responses. a mutual wrote the post, i reblogged it, my tags were in response to the post ( said mutual’s url wasn’t even blocked out so ... ). if it felt like a vague, i can’t control that. the meaning behind the url post was circulating on dash, i didn’t see any vaguing in it other than me recounting my process of choosing this url, which was true ( was i not allowed to participate?? ). the shrek meme was in response to a public dash event ( which i originally thought was a joke ) that had received copious amounts of criticism for. it wasn’t a vague and it was explicit on what it was referring to, it was meant to be silly dash commentary, nothing deep. 
this is in my rules but i have explicitly stated that my headcanons about my characters are not a vague if they differ from yours. the talk about hair styles was actually initiated in a conversation with my friends in private. it had absolutely nothing to do with her. if it sounded like a drag, i encourage everyone to look at how i’ve “dragged” many other things including the original outfits for descendants, evie thinking mermaid dresses are ugly, evie not liking wine, and so forth. my portrayal of evie =/= other portrayals of evie. while she may never do so-and-so, it doesn’t make it wrong for another portrayal to do it. ( why was my blog being kept tabs on and compared with, in the first place? that’s not duplicate friendly ).
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regarding sex week: i've stated it was an inappropriate event because the descendants rpc had been heavily criticized for smutting and felt it wasn't the best response, nor was it the best way to promote sex positivity. it was insanely uncomfortable to witness, as someone in this rpc. it doesn’t matter if the people or the muses involved were adults, i would still call it inappropriate had it happened in any other rpc. it wasn’t a “block and move on” situation. i’m also allowed to defend myself because i didn’t want to be associated with something she posted. i didn’t want it tied to my url. i would like to clarify that when i said "embarrassing" in the responses under that anon, it was directed at the anon for misreading the url, nobody else. ostracizing occurred when the descendants rpc was being added to DNIs because of sex week / smutting, which was posted by this person ( if you post it, you start it. simple ). i had been blocked simply because i am a descendants blog and that had never happened before. 
i was also notified that people uninvolved with this have been namedropping me on dash in an attempt to have me “written off” ( their words, not mine ) because my rules stated that i was open to exploring evie’s sexuality. below is a screenshot of my rule regarding smut. i deleted the rules page from this blog when i moved so i snatched it from my other canon descendants blog that i reuse on all blogs. the second is my elaboration on sexual content in my new evie rules. the third is what’s on my google doc, a condensed version of my rules. there is a major difference between smutting and posting a public dash event dedicated to sex versus being open to explore sexuality as a topic. they are not the same. also, me not choosing to smut does not dictate my opinion on smut, so do not make assumptions about that either. if you want to move on, why are you still talking about me on dash, especially when unprompted? if you just want to move on, why are you upset that i’m not “written off”?
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this person has vagued me multiple times ( which they conveniently did not show in the call-out ), this person has been shown to talk badly of me in private ( and now, publicly as well )    ----    all of which i have not done. i have screenshots sent by others to show for it, but do not feel it’s relevant to share because this is not about her. this is just about defending myself. 
i have spent three months apologizing for feeling things, apologizing for reacting, apologizing for things i should not have been apologizing for. i have spent so long accepting blame because i felt it would help. i’m done doing that. i know what i did and what i didn’t do. people know what i did and didn’t do.
all in all, i am confused on why a call-out was made when the content provides nothing other than catty remarks meant to air out personal drama. the messages exchanged only show how i tried to remedy things. the screenshots of my “vagues” were just responses, and most of which had nothing to do with this person. my initial silly dash commentary and later discomfort over a sexual dash event posted by this person is not a vague. 
if you ( referring to maker of the call-out and others who partook ) are upset about people not talking about me in regards to the “rest of the call-out”, maybe consider the fact that there was nothing about me in it that warranted a call-out in the first place. people saw that i did nothing wrong. the only thing of substance in the call-out was something the maker themselves did : the public, sexual dash event. people are allowed to identify that as a more prominent issue as opposed to how my messages or public posts could be perceived through basic, biased narrative manipulation.
me deciding to unfollow / softblock blogs that interact with this person =/= involving the descendants rpc or making it public. i am allowed to softblock whoever i want to cultivate my dash experience. most people i know have it in their rules that they are okay with people softblocking for their comfort and that it won’t be taken personally. you know what IS making it public and involving the entire descendants rpc? this person messaging a descendants server and name dropping me in the server, reducing the situation to just being about a “url” and publicly announcing it in the server. here are the facts to consider: her message was sent jan. 21. my DNI went up feb 2. 
so, regarding the call-out: there was no bullying, no manipulation, no harassment, no gaslighting, nothing from my end, and the call-out shows precisely that the claims are just that: claims. whatever was felt is valid, but feelings =/= gravity of the actual action itself - the most common thing pointed out in therapy: feelings are valid, but are they justified? call-outs should be reserved for people who cause actual harm, not because someone wants an excuse to blacklist. if i am a “bully” for unfollowing blogs for my own comfort, then i think the rpc really needs to reevaluate what these terms mean because the misuse is harmful. 
here are the things i did do: treated everyone i talked to with respect. approached things civilly. communicated. tried to accommodate for others. attempted to make a safe space for myself. did not involve the entire rpc by announcing it in a server. did not make a call-out post nor pin it. did not continue to name drop afterwards despite claiming to want to move on.
this entire situation is absurd and should have never been public, much less made a call-out for !! while this was meant to defend myself and state facts, i understand it may not change minds. a friend has told me that people will hate me because they want to hate me, no matter what. and i can’t do anything about that !! all i have to say is that holding hate in your heart never ends well. i hope everyone can find peace at some point.
so please, let me move on. let me write with my friends. let me unfollow / softblock people to keep my dash comfortable. let me take a break from descendants while also having the choice to return at anytime. please stop talking about me when i’m not even giving this another thought and haven’t since i moved blogs. please stop name dropping. stop keeping tabs on me, stop stalking my new blog. please leave me alone. i hold absolutely nothing against anyone i may have softblocked / unfollowed or am not currently interacting with on my new blog. my IMS / discord is always available, you will not be violating my safety by messaging me, everyone is welcome, but i also understand if you feel the need to separate yourself !!! as for those of you who have interacted with the call-out post, i wish you the best but i hope you understand why i do not want to interact with you by any means in the future. 
i’m hoping this post lays everything to rest, seeing as my first one did not. honestly, what are you trying to prove if you still have to post about this? it helps nobody. this back-and-forth is exhausting and unneeded. no more. let’s be better people, yeah?
i hope everyone takes care of themselves, i hope you all have a great day / night !!! thank you for reading this long boi !!
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carmenxjulia · 4 years ago
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I put together a transcript of the 2 hour Q&A Interview the Carmen Sandiego Discord did with Showrunner Duane Capizzi. All of the questions were submitted by server members. You can read everything below the break!
Duane Capizzi:
Hi there!
Am I in? Is this thing on?
PizzaHorse:
Hi, welcome!
Yep, you're in the right place!
Duane Capizzi:
Sorry I'm late, I was wandering around some empty Discord hallways looking for the right room haha
PizzaHorse:
No worries. Let's get started!
Who is your favorite character?
Duane Capizzi:
Moose Boy!
KIDDING!
Alright, how to NOT get myself in trouble if my answer isn't "Carmen" haha.
But really, they are ALL my babies.
So I know it's going to sound like a cop out to some that I can't pick just one. But hmm, some for instances...
I love that she's so morally evolved at such a young age; her ability to always take the high road and never lower herself; her drive and conviction and dedication. Her ability to kick serious booty and look good while doing it. Her progressive values, her fashion sense. I could go on and on. But then there's Shadowsan and his arc; Chase and his. Julia, who's every bit as strong as Carmen but shows it in different ways. The Cleaners don't get enough love.
I'll close that question with an anecdote about The Cleaners ...
I love that all our characters are embraced and that everyone seems to have favorites. Our sound engineer Marcel is a pretty serious guy: he has a serious job that takes high levels of focus and attention. He's always deeply focused and not prone to small talk. Anyway, we were in the middle of our first or second sound mix, and he suddenly stops in the middle and turns around to face us. I'm thinking, "uh oh, we're giving too many notes." That's when I notice he's freeze framed the Cleaners. He says "I really like these guys." Then he turns around, hits play and gets back to work.
PizzaHorse:
What was the biggest challenge for coming up with new stories and plot for the reboot?
Duane Capizzi:
THE biggest? Sigh. I'm not sure I could come up with just one. Plotting is always challenging and we had the brain trust of the room, our trusty white board, and writer assistant to keep the threads of the ongoing storyline together. I think the single biggest ONGOING challenge was tracking which character knew what at any given time.
The caper part was challenging - coming up with new capers and keeping them interesting and fresh. But, it was the characters and their interactions that kept things fresh and interesting. Another museum heist? That's okay - Chase is on the case and he gets to interact with "X" this time (for instance).
There were also some episodes - Duke of Vermeer and Crackle Goes Kiwi come to mind - where there was SO MUCH SET UP needed to get the payoffs to work. I was really worried about too much talk/too much detail. Very "Swiss watch!" It took a lot of work to make sure it all clicked and was clear - hopefully it seems effortless on screen but I can't say there wasn't some sweat and the occasional tear (mostly from me - I'm a big cry baby
But really, what made it fun was that we had so many buckets to draw from: sometimes a story germ initially began with a character idea; sometimes it was inspired by global location; sometimes it was a clever way to update or reimagine an idea from old Carmen lore. Usually, it was some combination of all of the above!
PizzaHorse:
What was your favorite scene to write?
Duane Capizzi:
I think we have a theme here! "How can I pick just one ...?"
As a film buff, I got to indulge in some serious fan nerdery on this show: I got to write spy movies, yakuza movies, spaghetti neo-westerns (though turning it on its head: spaghetti westerns usually involve REVENGE and because of Carmen's character make up, this was sort of anti-revenge).
Is writing coming up with the idea or typing it? Haha. An "if a tree falls in the forest" question. The writing team and I had so many cathartic "that's how it goes" in the room. But on my own, writing the Pilot, was a very inspiring time for me: I remember laughing out loud the moment I thought of Chase falling on his own car (in part because of doing my spin on "that trope" that we've seen in so many hard boiled movies recently). But also how emotional I got when I imagined the simple but potent image of Black Sheep deciding to take her destiny into her own hands and walk that long corridor to the Faculty who we were about to meet for the first time.
I think I've cited this in another interview, but there was a period where I was completely immersed in Chase's arc and the scene where he would crack the location of VILE island ... by listening to Julia in a dream ... was a big one for me. It revealed he was finally open to admitting he needed Julia more than he would ever admit - yet, it was his own subconscious speaking.
The next morning, after cracking that scene, I bumped into Raf Petardi (voice of Chase) ... at the supermarket! It was very strange and hilarious
PizzaHorse:
Did you scrap any lengthy or funny scenes that you would be able to share?
Duane Capizzi:
With few exceptions, most scene cuts are done at the script stage so that the story board team doesn't waste effort over boarding. A variety of trims to any script are common, but they are usually for the better
The easier question to answer might be scenes were part of our "wish list" at writer room stage, but never made it to story or script. I hesitate to go too deep here (in the event that we might ever do more Carmen episodes in this canon - I'm not giving up hope). And there were cases where things we wanted to do earlier in the series wound up getting nixed or not fitting for whatever reason, but we got them in later - USUALLY FOR THE BETTER. So there's sort of a reverse Murphy's Law/rule of good fortune somehow in these things. But some fun things that didn't make it into the show, that leap to mind were: a Bollywood dance sequence (!). A Vegas caper involving Brunt wanting to steal an Elvis jumpsuit against the backdrop of an Elvis impersonator convention. We also thought it would be neat to get Maelstrom imprisoned so that Julia could interrogate him and he would play mind games with her - very Lector/Clarice!
PizzaHorse:
Were there any different treatments of Carmen you pitched before settling on the one we ended up with?
Duane Capizzi:
I was one of several "pitches" that I'm sure HMH heard before running with my version. But I can honestly say I've never pitched anything as fully formed: the take on Carmen felt so right to me, and clearly HMH and by extension Netflix agreed
I'll answer your question with an anecdote: I had the entire Pilot pretty well worked out, and pitched it in the first meeting. But one key thing that changed (much for the better!), simply because it wouldn't have fit without slogging things down ...
In my Pilot pitch, Black Sheep's escape on the boat was off screen: we see Shadowsan corner her, then we cut away. The rest of the Faculty show up to find SS's broken sword on the rocks, and are led to believe BS killed him (!). In the present, Crackle points his weapon at Carmen and prepares to pull the trigger. We know that Chase is on the way and may rescue her. The compartment door opens to reveal - not Chase - but Shadowsan! Big surprise! Then we cut back to BS's escape and find out what really transpired etc etc.
Crazy, right? SS would have been hanging out with the gang in season 1; we might not have gotten to 203 with his back story, since his sword was broken and he couldn't return it. Just one of those magical things where "things work out" the way they are supposed to. THAT SAID, it made for a heckuva pitch
PizzaHorse:
Are there any characters that ended up taking a direction you didn't initially anticipate?
Duane Capizzi:
GRAY.
I didn't know we'd make him amnesiac when I wrote the Pilot, that was something we came up with in our first week Writer Room.
And even then, when it became clear he'd be a key piece of the bigger puzzle, we didn't know how exactly (mostly the Season 4 stuff).
We did get very deep with a version where 404 ended with his protective streak for Carmen kicking into high gear, and they would be fighting off Vile Guards back to back in perfect tandem. Then, having chosen Carmen over VILE, it was Carmen who actually orchestrates Gray going "off grid" so that VILE can never find him again. Funny, I know that is arguably the version of Gray's arc that many fans might have preferred seeing. But in the tradition of spy thrillers and film noir, and for a lone wolf character like Carmen who is focused on her life mission and not romance, we stand behind where we went with him. We felt it was so much more compelling ... and truly more emotional that he totally has a get out of jail free card when he sacrifices everything (including his life, potentially) to save Carmen.
when she needs him most!
I know I made some controversial comments about Gray "not being good enough for Carmen" and I'd like to clarify that I meant, until that final episode. What he did was so selfless and heroic. Is there hope for them in the future? Who knows?! But I do hope we get to explore that one day
I'm sure Gray is living off the grid somewhere now, inspired by Carmen's selfless good and thinking of her from time to time.
PizzaHorse:
You mentioned in the interview with Alicyn that Carmen is a love story, but you were cut off before you could finish discussing. Could you elaborate on your answer now?
Duane Capizzi:
Ugh, yes! Sorry about that. I actually answered that privately for someone so will cut and paste that response here. Let's see if it works.
Something we never said in the show, but something I imparted to the creative team was: Carmen Sandiego is (among other things) a LOVE STORY, where every character in our ensemble is in love with Carmen in one way or another. Even if they don't know it! That love can take different forms: we see how spurned by Carmen Coach Brunt feels and why she retaliates so excessively. Chase eventually comes to realize that he too loves Carmen, even if he wasn't initially aware of it haha. One of the most moving things to me about the series is how all of the different factions come to Carmen's rescue at the end when she's not "in her right mind," without knowing the others are there too. It's a massive group effort to bring back the Carmen they love. But we weren't looking for a fairy tale ending for Carmen with ANYone - Carmen's a classic lone wolf anti-hero, that goes with the territory. At least at this stage in her journey.
PizzaHorse:
Were there other locations that you wanted to feature in the show that didn't make it?
Duane Capizzi:
I think we managed to cover a lot of ground and "cadence" between different countries/cultures/continents was important to us. Many "iconic" locations of course, and it would have been nice to explore some lesser known locations if we had more episodes.
One that we almost did was Niagara Falls, Canada - actually literally going to the Falls and doing a big hydro-electric caper, where Player could actually get into the field with Carmen and the team.
But ultimately, we wound up bringing Player into the fold the way we did and wound up stronger as a result. It made his "first face to face" with Carmen even more impactful, IMO.
PizzaHorse:
Were there any changes in production between the first half and the second half of the series?
Duane Capizzi:
Well, there was that Covid thing
But while it was no doubt a colossal undertaking to get the entire staff transitioned to work from home (animators! and their equipment!), we managed to make up for lost time WITHOUT a dip in animation quality. My fedora's off to our amazing team at Wildbrain for pulling it off!
We did lose some staff between orders, but that is a natural part of production unfortunately. Namely, one of our episodic directors Kenny Park, our first storyboard artist Dennis Crawford, and our story editor May Chan were among those who moved on to other shows during the break. But, as hard as their shoes were to fill, fill them we did!
PizzaHorse:
What is your favorite season?
Duane Capizzi:
Easy. Hands down, Season 3.
(crickets)
KIDDING!
Again, another "they're all my babies" answer (and yes, I love Season 3 equally
It's hard, because really when you step back I'm sure you'll agree it's a series, with stand alone capers; but it's really all ONE BIG MOVIE.
Season 3 is like the scherzo of a symphony: the shortest movement of four, and the one that tees up the big finale.
That's my hoity toity answer but I'm going to put to rest all of the various theories on what happened with season 3. It was a combination of two things: Netflix's desire to experiment with different ways of "dropping" seasons, and their desire to do a holiday themed drop (in this case Halloween, naturally). It became our challenge to come up with a theme (easy enough: masks), and the bigger challenge to serve their need while not interrupting our ongoing narrative. A challenge to be sure, but a challenge met. I think the biggest bump was perception: it was a short season and I know that was disappointing to many. But, by design.
So, Season 3 = an essential part of the whole. I don't think there's a wasted episode, and it gets everyone into position for the big finish. I can't pick a favorite season - you can't make me
PizzaHorse:
Were there any characters you had wanted to give more time to but couldn't due to time/plot restraints?
Duane Capizzi:
Well, there's the "what was on the white board" answer but hopefully some of those ideas will see the light of day in some way, shape or form some day. I think if we had more episodes, we would have shaken up the internal dynamic of VILE a bit more (as hinted at Brunt's displeasure with Maelstrom for leaving her hanging out to dry at end of 405 - a seed we planted "just in case," as some have noted). And we had more scenes in mind with Chase's partnering with Carmen for the first time that we had to cut to the bone because of what little room we had in that otherwise packed episode (worry not: it's mostly more gags, more embellishment, more twists and turns - but the important stuff is there). Mostly, and I don't think it would have been right for Season 4 but I hope to tell in the future, I think there's an interesting history between Shadowsan and Lady Dokuso - possibly tragic - that I would love to explore one day. (She was a cameo in Duke of Vermeer at the dinner party BTW, I'm not sure if anyone noticed. And we built a bigger role for her out of that)
PizzaHorse:
What are some pre-2000/nostalgic Carmen references you snuck into the show? Do you have a favorite reference that was included?
Duane Capizzi:
Doing that was so much fun! I'd say roughly 60% of the characters were from previous iterations of Carmen, though often in name only. We had fun reimagining most everyone to make them more relevant or updated or giving them a more colorful personality for starters.
"Suhara" was Carmen's Japanese mentor when she worked at the ACME Agency in a flashback episode in the 90's series, for instance. I don't think I need to spell out how we turned that one inside out
And Tigress was also one episode only: she was a "rival thief" to Carmen, but revealed to be an ACME agent in disguise - a persona created solely to bait Carmen. It was really cool of course, but it seemed like untapped potential so we made her an ACTUAL Vile Thief.
My own internal rule was to make sure the references/easter eggs wouldn't confuse anyone - they were there for those who were in the loop and window dressing. The one and only time i broke that rule was Dark Carmen's line from 407: "I do it for the mental gymnastics." It was one of the most absurd lines from the 90's series (IMO) and i was determined to have it come out of Dark Carmen's mouth. I'm sure it left some 7 year olds scratching their heads
aside from that, the key references were the music: I still tingle at how we worked the Rockapella theme into the Interactive Special; and the 90's main title theme (composed by Mozart!), in our Vienna episode ("They're playing my song"). If you wanted Rockapella or Carmen as a bad guy, well ... be careful what you wish for!
PizzaHorse:
Was there any improvised content from recording sessions that made it into any episodes?
Duane Capizzi:
Yes! Not much, because a lot of it would have pushed us into TV-MA haha
Mostly Mary Elizabeth - Coach Brunt has a POTTY MOUTH!
Mikey and Abby usually riffed their banter WAY beyond what was on the written page and had us in stitches. Some bits definitely made it in! But mostly there was too much or it would get off point (hmmm, much like my interview answers maybe? haha)
Sharon Muthu did rise to Pun Goddess status with "Mask and you shall receive." And Raf pitched me "Chasse means hunt in French" after one session and I said: "I'm going to write that in." I don't think he believed me. You can't say I'm not a straight shooter.
PizzaHorse:
If you could get more season, would you do it, and what type of story would you tell?
Duane Capizzi:
Well if that hasn't been clear so far, ABSOLUTELY
There have been discussions of course. It's up to the powers that be at this point. I will say this: the beauty and tradition so far has been that every iteration has been its own thing. I definitely think there are more "different canon" versions of Carmen that can be had and be a part of this wonderful tradition. After all, there were many naysayers for our version when it was first announced.
I will also say that if we don't get to tell any more stories in this canon with these characters, we've left a perfect gem that will stand the test of time. I would rather go out on a high note than overstay our welcome.
All that said, we worked within the allotted episodes given, ended it as we wished, but left the door open for other stories. I'd love to do an expansion and a deepening: pick up where we left off; find out what happened in those two years; and proceed to do the equivalent of Godfather II or Better Call Saul as related to the amazing originals they followed.
Let's hope! Keep putting good vibes out there!
PizzaHorse:
If you could pick a character on Carmen Sandiego who'd you switch places with for a day (you get to control their life and they get to control yours) who would you pick, and why?
Duane Capizzi:
Okay, THIS is difficult. So you're going Freaky Friday on me?
on a Sunday?
Hmmm, I know Ivy would get along with my cat ... but then I'd have to hang out with Zack!
That's the trick: I can't pick my favorites cuz I couldn't hang out with them!
(not that I have favorites - they're all my babies haha)
Okay, I have one: ROUNDABOUT. I could fill Shadowsan's seat - how cool is that? Then, I could enact all my evil fantasies - but still have a get out of jail free card cuz he'd be sitting at my desk!
(cut to Duane being brain wiped - D'oh!)
PizzaHorse:
Who are two characters who don't really interact in the show that you think could be good friends or work really well together?
Duane Capizzi:
Hmmmm. Okay, now I'm going to give you quick and sassy answers. Gray and Julia! They'd be so cute banding together to rescue captive Carmen (for instance). And they could also duke it out and maybe settle things between themselves re: shipping controversies instead of dragging me into it
PizzaHorse:
The FINAL QUESTION. Have you learned anything super impactful while working on the show?
Duane Capizzi:
Aside from Iceland's terrifically low crime rate?
I think I have learned to never underestimate how meaningful characters can be to fans. Social media has obviously brought us a lot closer to our fan base in more immediate ways: it's been really gratifying to hear/see/read feedback and not be writing things in a vacuum. It's been gratifying to see that ideas that were meaningful to myself and the creative team on Carmen that were crafted with care, have also resonated with our fan base. THANK YOU TO EVERYONE who has traveled on this journey with us - for embracing Carmen's world view, and her friends and foes alike. Take care everyone! Stay safe! This has been fun, thanks for having me!
PizzaHorse:
HUGE thank you to Duane Capizzi: for being here today.
Thank you everyone for watching and reacting!
Duane Capizzi:
Okay, gotta run - just gotta find the door
Anyway, really: THIS HAS BEEN AMAZING. I speak for everyone involved in the creation and production of Carmen: it has been an amazing and inspiring series and we're elated to see it connect with such a CREATIVE, TALENTED and INTELLIGENT fan base. Take care everyone! Until next crime...
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arahul-abyssia · 3 years ago
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Looks like it's September again (already, somehow), so that means that it's Nintember again, which means I'll be writing again! Same dealio as last time, one story per five prompts, up to six writings total. (And I'll be putting most of each under a cut, because mobile users can't skip posts)
And for my first entry for @starprincesshlc and @jklantern 's wonderful little event, I shall once again be attempting to twist some modicum of continuity, characterization, and canon-compliance out of a world that clearly cares scarcely for all three.
The Great Act
~~ Art, Green, Dizzy, Fire, Strength ~~
It was the loud buzzing of his phone’s alarm clock that dragged him from his slumber. He awoke to find himself sprawled across the couch, which was in no way long enough for his lanky body and spindly legs. As he blearily reached out and slapped at the coffee table, hoping to find the rude device by pure luck, he also blearily reached out and slapped at his memories, trying to figure out what series of events had led him there. For a moment, they floated just out of reach, and then suddenly flooded back to him all at once.
Oh. Right. It’s all over.
Another sporting event had come and gone, and as usual, in spite of all the effort he put into training and practice, he had ultimately lost to the same people he always did. No matter the sport, no matter the plan, no matter the time, they always won. And why shouldn’t they? The heroes always win in the end, always securing victory against the villains.
And he was one of them: the purple-clad counterpart, mirror, and supposed rival to one of the land’s most revered figures. Meant to oppose, and meant to lose.
He was Waluigi.
The name still sounded absurd to him. He had no idea how two men whose names were ‘Mario’ and ‘Wario’ and who naturally served as near-perfect foils of each other, had managed to meet and form such a publicizable rivalry without any deliberate effort, but such was the case. However, the notion that the brother of one had his own doppelganger in the brother of the other (or cousin, they never did manage to keep that story straight), with the same dichotomies of name, body, and personality? That was simply and utterly ridiculous, far beyond even the realm of ‘too good to be true’. And yet, if anyone had caught on, they hadn’t made it known to him.
Lost in thought and routine, he realized he had reached and opened his wardrobe, where numerous sets of that purple hat, shirt, and overalls were staring him in the face. In a sickening sense, they were the centerpiece of a great work of art, the fabrication that was his entire public existence, the character that he and Wario had constructed so that he might further be the ‘evil counterpart’ to everyone’s favorite red-clothed fire-throwing hero. Mario was stout and a bit fat, Wario was stouter and fatter; Luigi was tall and a bit thin, so Waluigi was taller and thinner. Mario had an M as his emblem, Wario had an inverted M; Luigi had an L, so Waluigi had an inverted L. To any casual outside observer, it was perfect.
But unlike Mario and Wario, whose rivalry had been formed in their youth, Waluigi had never even met Luigi until Wario had made him his sporting partner. The most he had known of the legendary Mario Brothers was just that: they were legends, for the countless adventures and quests they went on. In truth, despite how much he played it up during each and every game, he bore no true grudge against the man he was supposed to hate; Wario had, for a time, convinced him that Luigi’s presence in the public eye was somehow detracting from his own, but he had long since realized that that wasn’t the case; in fact, it often seemed like Luigi himself was being snubbed by the public, with the vast majority of the glory placed upon Mario, no matter how much Luigi contributed.
And yet, despite his existence being little more than a convenient story, despite the stress that constantly acting like a jerk brought, and despite always losing at the games no matter what, none of it brought him any sadness: for all its ups and downs, he felt himself to be rather good at keeping up the act, and the sports were, at the end of the day, still fun.
So why do I still feel so… bad?
Routine and thought had once more brought Waluigi elsewhere, and he found himself once more on his couch, now dressed in his usual outfit, with some sort of drink in his hands, probably coffee or tea; he didn’t care to determine which at that moment. His eyes casually wandered around the room as he brought the mug to his lips.
Then, just as the liquid touched his tongue--apparently he had managed to make tea out of coffee beans--the answer came to him. All across the room’s walls and shelves was sporting equipment of every sort--tennis racquets, shin-guards, helmets, golf clubs, old kart wheels, giant dice blocks, a probably excessive number of deflated balls--and absolutely no other sort of decoration. He leaned forward to place the mug on the table, and in doing so noticed his gloved hands and violet sleeves. Who wore the outfit of a character that they supposedly were not, every single day? Apparently, him.
He didn’t do anything else. He had let the character that was Waluigi consume his life to the point that had no idea who he was outside of it. He had nothing that he did when sports weren’t involved. Wario didn’t dedicate all his time to his rivalry; he owned an entire video game company--an unstable and poorly-run one, certainly, but it was nevertheless another use of his time. Mario and Luigi had their own grand adventures, of course, which is also what Peach, the Yoshis, Bowser, and his horde of minions were all typically involved in.
They all had lives outside of the games, and what did he do during the interim times? He either tried to practice, on his own, in the few suitable locations that he could find when the world was arranged for adventure, in a vain attempt to not lose as bad when the next game came around, or he wallowed in his home, doing absolutely nothing of any import.
But what could he do? Waluigi was never anything beyond a fabricated counterpart to both Wario and Luigi, but he could not remember, even slightly, what or who he was before he embraced that role. That nearly all of his memories prior to his first meeting with his partner were lost to him, was, he shuddered to admit, rather unsettling. Not even his old name--if he even had had one, he could not recall anymore--would reveal itself to him, and it was not as though he could simply find out through some external means: he was never the best at record-keeping, and to really sell their act, he had had his name legally changed to “Waluigi” and all references to his previous identity erased.
He shook his head, attempting to clear his mind of thoughts. There was little sense in worrying and fretting over who he was in that moment--the chance of any sort of useful epiphany emerging from it was even slimmer than he was.
Ugh… better just try to distract myself…
The first suitable option to catch his eye was the TV remote lying on the table. He quickly grabbed it and flicked on the set, and was immediately assaulted by the cheery enunciation of the Lakitu news anchors on the aptly-named Lakitu News Channel. He recalled that that was the channel he had left the set on last night, after he had gotten quite fed up with the incessant and inane blathering about the events of that day’s final matches, and it took only about five seconds to figure out that they were still on that topic. Scowling, he began flipping through the various channels available, hoping to find something interesting enough to block out the melancholic thoughts that were biting at his mind, like a hundred tiny Muncher and Nipper Plants.
After a painfully long series of more newsrooms--all talking about the exact same thing, of course--and unappealing shows--Half of these are for children and other half would just make me feel even worse!--he stumbled across some sort of advice segment hosted by a Birdo (was it the Birdo? He couldn’t tell). With absolutely no better options, he resigned himself to sit back and listen halfheartedly to whatever trite tips she tried to provide; maybe they’d be amusing enough to at least give him a small chuckle.
“I hope you all enjoyed our lovely guest! Now, before we move on to the submissions from all you wonderful viewers, I’d like to reiterate some old, but tried and true, advice, which I hold very close to my heart.”
Oh, here we go…
“Something which you probably hear very often is to always be yourself, or to always be true to yourself…”
Feh, I can think of several people who definitely shouldn’t do that…
“But it may be that you don’t like who ‘yourself’ is, or perhaps you don’t know what self you even have to be true to…”
Hah! As if… uh…
“And to that end, I’d like to say that there is always room for change. There’s always a way to make something new of yourself, to alter the parts of you that you want to, to become a different, better person. ‘Yourself’ can be whoever you want it to be; never are you locked along one unending bleak path. Try new things! Experiment! Don’t let yourself be trapped in an endless cycle.
“Believe me when I say I have personal experience with this: I’ve done so many different things over a rather short period of time, trying to find what I wanted to do with myself, who I wanted to be. Even now, I’m still not entirely sure if this is my supposed ‘calling’…! But I never got anywhere by doing nothing: it was on me to break out of my shell and search for myself, and now it’s on you to do the same.
“You don’t have to begin drastically, with a flying leap of faith--I think we’ve all walked over enough cliffs by now to know that!--but, if this is the sort of mindset you find yourself in, why not try taking some small steps today? It could be as simple as wearing a new outfit, or talking to someone new, or partaking in a new pastime.”
Birdo continued to elaborate on her point, but Waluigi--or, whoever he was beneath that--had stopped listening. He wanted to make some snark about what she said; he wanted to rationalize how what she described couldn’t ever apply to him; but, he found that he couldn’t. He had attempted to follow similar advice long in the past, and failed, but something about the way she phrased it, managed to affect him more deeply than he had thought possible. It was as though her words had dug beneath his shields and layers and pierced something somewhere in his core; pulled a lever, turned a handle, flipped a switch.
A strange sensation washed over him, one he could only describe as a blazing fire--nay, an inferno--igniting within him. He had felt the touch of flame countless times over the years, but not even the innumerable rage-fueled volleys he had endured, all combined into a single force, could compare to what now burned in his soul.
He leapt up from the sofa and ran to his bathroom. Staring at him from within the mirror was a character, a costume, a facade. It was not who he was. He grabbed a towel, dampened it, and proceeded to scrub away the pink paint on his nose; Wario and Waluigi’s noses were defined by that bright rosy color, but his was not. He then tore open a cabinet and grabbed his bottle of mustache product; normally, it was used to create the signature angular mustache of Waluigi, but today, it would shape the hairs into something softer and curlier. Whether that was what he would ultimately like did not matter: he was experimenting! He was changing himself!
Though the man that stared back at him from the glass now bore a much different visage, it was still framed by the purple cap and shirt, yellow emblem, and dark indigo overalls. He tore them off, then opened his wardrobe once more and threw all the copies of that same outfit to the ground. Hidden behind them were old clothes that he hadn’t worn for many, many years. He grabbed the first garments he saw--a casual dress shirt and gaudy neon-yellow shorts. Did those go well together? It didn’t matter. Without hesitating, he put them on.
He quickly glanced in the mirror again: the ensemble was nearly complete, but just missing one last touch. He thought on it for a moment, then stricken with brilliance, hurried to his modest backyard, where the roses he performed with in the games grew. He plucked one from its bush and affixed it to his hair, then ran back to the mirror to observe himself one more time.
His mismatched get-up would likely garner many stares from others, though he wouldn’t mind them at all; if he had anything in common with Waluigi, it was that they both loved being the center of attention. Even still, that’s not what mattered. A whole new day lay before him, a whole new day to be someone new, someone different; to move on from the cycle he had been stuck in, to take a whole new step forward.
He returned to the sitting room and turned off the television, then went to the front door. Taking a deep breath, he turned the handle, threw it open, and marched into the daylight, the daylight which felt far fresher and warmer than it had in a long time, though even it held no candle to the flame that continued to blaze within him.
Ready or not, world; here I come!!
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authenticcadence18 · 4 years ago
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Butterfly pt. 1
Here’s the pre-Battle For Mewni canon-divergent Starco fic I wrote in 2017!!!
Have a note from my younger self to give context to the story:
“I'm not quite sure what events lead up to this or what happens afterward...this story is just a piece of what I imagine could happen during Toffee's eventual attack on Mewni. This scene takes place on Mewni, and Marco obviously used his dimensional scissors to get there.....duh 😜.”
(Also I wrote this four years ago, when my writing style wasn’t nearly as developed/polished as it is now. I could spend hours editing it, but I‘d feel kinda bad doing that to my younger self😂.)
...
AO3
...
"STAR!!!!!!!!!"
Marco struggled relentlessly against the green chains of energy that prohibited him from moving, but there was nothing he could do but watch, horrified, as Toffee drained the life out of his best friend
"STOP!!!! YOU'RE HURTING HER!!!!!"
Piercing green magic gushed from the severed crystal imbedded in the villain's hand and swirled furiously around Star, whose electric blue eyes were growing dimmer by the second. The princess lunged at Toffee, wand-in-hand, in one final attempt to subdue him, but his magical assault had weakened her body beyond repair. With a shrill moan, Star collapsed to the ground and lay motionless, the light in her pupils now almost completely extinguished.
A sob tore through Marco's throat as he struggled against the magical shackles binding him for the umpteenth time, only to discover that he was now able to move freely. He scrambled to his best friend's side and frantically began checking for a pulse, for breath, for anything that indicated she was alright. All the while, he continued to assure her, "It's okay, Star, you're fine, it's going to be fine, please be fine, you'll be just fine, Star, PLEASE be fine!!!!"
But he felt nothing.
Star Butterfly—crown princess, heir to the throne of Mewni, and Marco's best friend—was no more.
"......you killed her......" Marco uttered blankly, staring into the sunken black eyes of the girl who'd radically changed his life in such a short amount of time. Trembling, partially from despair and partially from fury, he inclined his head to meet Toffee's watchful gaze and repeated, "....you KILLED her...!!"
Toffee chuckled, the chilling timbre of his voice not quite clicking with the spindly bird form he still had possession of. "Well, not technically," the former Ludo corrected Marco smoothly, hovering above him with a smile that could have been perceived as understanding, had he not already revealed his hand. "I've merely drained her magical life force. It would be possible to restore it and revive her if you had any healers around, but..."
He smirked.
"I believe the Chancellor is still...out of commission."
Marco's eyes narrowed. "Alright, fine! You've got Star! What about me? Are you going to suck the life out of me too before I karate-chop you into the next multiverse???"
Toffee tisked, an almost fatherly expression appearing on his face. "Oh Marco," he crooned gently, as if gently chiding a disobedient child. "There's no point in that. Without her?" He gestured to Star's broken form. "You're nothing."
With this, the villain cackled menacingly and snatched up Star's wand before zooming out of the cave and slamming a rock in front of the entrance with a wave of his hand, leaving Marco alone with the shell of the coolest girl he'd ever known.
With Toffee gone, the reality of the situation slowly began to sink in....
Star was gone.
And it was his fault.
"....STAR!!!!" Marco wailed, tears blurring his vision. "THIS WASN'T SUPPOSED TO HAPPEN!!! I—it's all my fault..... If it weren't for me, you wouldn't have had any reason to cleave your wand in the first place!! You...you'd be alive..."
He took one of Star’s cold hands in his, despair weighing him down so heavily that he doubted he'd ever be able to stand again.
"You trusted me with your friendship, and I hurt you. You trusted me with your life, and I let you die....
"...you trusted me with your heart...." he managed to choke, the final lyrics of Ruberiot's song reverberating within his skull, "...and all I did was push it aside......"
He knelt near Star in silence for a few minutes, grasping desperately for answers within his head. How could this have happened? How could he have let this happen??
"You know," Marco murmured weakly, "Jackie and I decided to stop dating pretty soon after you left Earth. I knew finding my best friend and being there to support her was more important than focusing on a girlfriend, and Jackie agreed....but I also think she was convinced that I'd fallen for you..."
He winced.
“...but I guess none of that really matters now, huh?"
Marco gazed down at the princess's fallen form, wishing beyond belief that he'd done things differently in Star's time on Earth, wishing he knew what he could have done to prevent her from ending up like this, wishing he'd been able to see the truth before it had been too late to act upon it.
"I'll finish what you started, Star," he vowed, determination seeping into his voice. "I promise, I'll do everything I can to protect the citizens of Mewni and defeat Toffee. And I promise that I'll never stop looking for a way to bring you back and that you'll always be the best, most amazing friend I could've ever hoped to have, and that..."
His voice cracked.
"...and that I'll always love you."
Gently, Marco brushed a rebellious strand of blonde hair off of Star's forehead and planted a soft kiss on her brow.
"Goodbye, Star."
With this, Marco's resolve shattered, and he broke down in gut-wrenching sobs, shoulders quaking and chest burning.
So it made sense that he didn't notice when the two hearts stamped on Star's cheeks began glowing faintly.
Slowly, translucent webs of purple began weaving themselves around the princess's form, lifting her up bit by bit as they did so. Star herself did not stir, but something within her most certainly was stirring.
When Marco felt Star's fingers shift away from his, his eyes shot wide open. Out of instinct, he jerked back upon observing her continue to rise off of the ground, still unconscious. As the webs grew thicker and thicker, encasing the princess's entire body, the rosy glow emanating from them only grew as well. Marco watched in awe as the chrysalis began to vibrate when it rose to around five feet off of the ground. Faster and stronger it writhed, until at last, with a searing flash of light so bright and pink that Marco lost his vision for a couple of seconds, the figure within burst free.
"......am I dead? ..... Marco, is that you?? Are we both dead???"
Marco, unfortunately, was currently incapable of offering any sort of response. He simply stood, gaping, with his eyes set upon the girl hovering a few yards away from him.
Star waved her hands in Marco's direction, only to recoil when she found more than eight fingers—and purple ones, no less!—at her disposal. "Yikes!!" she shrieked, recoiling.
Her eyes narrowed as she examined her two newly-formed sets of limbs. "....wait a minute."
Tentatively, she craned her head back--and gasped with joy at what she discovered.
"MY MEWBERTY WINGS!!!!!!!" Star giggled gleefully, twirling circles in the air on a pair of intricately-patterned lavender wings. "THEY'RE ALL GROWN UP!!!!!!"
And indeed they were. Star Butterfly had at last unlocked the full heritage of the Butterfly dynasty coded deep within her DNA. Unfolding from her back were two massive butterfly wings adorned with shimmering hearts. Six arms extended from her torso now, and a pair of dainty antennae bobbled above her head. Her hair, now also a shade of dark violet, had shortened significantly as well, so as not to get caught in her wings.
"This is so cool...!" Star breathed. "Marco, what do you think??"
The sound of Star repeating his name finally snapped Marco out of his stupor.
"....STAR!!!!!!" he proclaimed elatedly, hastily rushing over to her with a luminescent grin on his face. "You're okay!!!!! Well—more than okay, actually!"
Beaming, Star scooped Marco up in a six-armed hug and spun him around in the air a few times, the two of them laughing and celebrating as if the events of the past month or so had never occurred.
But just as quickly as Star's mood spiraled upward, reality set back in as she began recalling where she was. Quickly, the princess set Marco down before planting her own feet on the floor.
"Wait a minute..." she voiced with uncertainty, cocking her head at her best friend. "Didn't Toffee, like, drain my powers and more or less leave me for dead? That's the last thing I remember..."
Marco nodded with a little shiver. “…yup.”
"So...how am I prancing about on newly-grown mewberty wings now?"
Marco shrugged. He had to keep blinking to assure himself that Star’s transformation wasn’t just a cruel trick of his heartache-addled mind.
Star stared at him for a moment, perplexed. Then, without quite knowing why she was led to do so, she tentatively raised a hand to her forehead and touched it—in the very spot where Marco had kissed her only minutes before.
Instantly, a wave of understanding pummeled Star, and she staggered back.
"...it was you!" she gasped.
But before she had the chance to elaborate on this, the stone guarding the entrance to the cave groaned and started shifting to the side.
“You know something, Marco?” Toffee called out as he pushed the stone away. “I’ve been thinking...maybe you have some potential after all! You see, I’ve been meaning to find a new—erm, shall we say, host? And what better person to destroy Mewni as than the former princess’s best fri—“
Toffee took pride in having mastered a distinctly precise ability to mask his emotions. It was one of the qualities that kept him on his toes after centuries of plotting against the Butterfly family. But even he, the immortal monster of legends and tapestries, could not contain his bewilderment at the sight awaiting him.
Star Butterfly was fine. More than fine, actually. She had never appeared more powerful. And Marco Diaz, the seemingly-useless karate boy, was standing right beside her.
Heroes and villain stared wide-eyed at each other, each wondering how to gain the upper hand. After matter of seconds that consisted of Toffee darting his gaze between the princess and her prince, understanding suddenly dawned upon him. He chuckled, quickly regaining his composure.
“Well well…” the monster crooned with a smirk, directing his gaze towards Marco. “Looks like you aren’t as much of a disappointment as I thought.
“And Star! Why, you look just like your mom did the last time we fought. It's a shame to think of her discovering that her dear little princess finally earned her wings but tragically had the life re-drained out of her before she really got to use them…I’ll be sure to dispose of her before she has to find out." With these words, Toffee fired a blast of green magic at the currently-wandless Star, smiling wickedly.
Star, however, wasn't going to give herself up so easily this time. Eyes and hearts igniting, she thrust her hands forward as searing pink magic gushed out of them like a waterfall and formed a bubble around her. Toffee's blast fizzled and sputtered away as soon as it touched the force-field.
Toffee's eyes widened in shock and then narrowed in disdain. He fired another shot at Star, and then another, and then another, but the warrior princess deflected every blast as effortlessly as if she'd been doing it for her whole life. When Toffee realized that he'd lost his chance to defeat her, he made a last-ditch attempt to gain the upper hand by manifesting a giant, luminescent green limb and snatching Marco—who'd been soaking up every second of the battle from the sidelines, awestruck—with it....not realizing his action would have the opposite effect of what he intended.
"NO."
The next thing Toffee knew, he was lying flat on his back with the wind knocked out of his host's puny lungs. He could vaguely make out the hazy form of Star Butterfly hovering over him with a venomous glint in her eyes.
"You can try and kill me all you want, but touch Marco....and I'll destroy you," she declared in a razor-sharp whisper.
For the first time since he'd lost his finger to Moon, all those years ago, Toffee's stomach--though, technically it was still Ludo's stomach--lurched as an unpleasant chill seized his body.
He was afraid.
With the last of his energy, the villain rose from the ground and frantically fled the cave, leaving Star's wand behind in his haste.
Star remained hovering in the air, glaring after him with the same stone-hard expression on her face.
".....Star?"
Tentatively, Marco approached the princess and grabbed the hand that was nearest to him.
"You can calm down now. He's gone."
Star's shoulders relaxed, and she gently sank to the ground, her wings and extra arms folding up and disappearing as she did so. Marco immediately knelt beside his best friend and helped her to stand, supporting her weight while she re-adjusted to her normal form.
Star winced, holding one of two hands to her now-pale forehead
"Ugh....Mom didn't tell me how draining it is to earn your wings...." she grumbled.
Marco, on the other hand, had never felt more alive. "Star, that was amazing!!!!" he exclaimed. "You just took down Toffee, the same guy who managed to defeat the entire magic high commission and drain their powers in less than two minutes!!! And after he'd drained your power, too!!!!! You still managed to beat him!!!!!!"
Star stared at the ground for a bit, the gears in her head whirring. Finally, she raised her gaze to Marco, hand still poised at the top of her head.
"But I couldn't have done it if it weren't for you.”
"....what do you mean?" Marco asked—though deep down he suspected he understood what Star was getting at.
"I--I'm not sure..." Star replied sheepishly, shrugging her shoulders with a meager chuckle. "It's just...it's like....you replenished my power source. I can feel it was you. But I can't figure out how!!"
Marco bit his lip, uncertain as to how he could be more anxious in this moment than he'd been when Toffee was about to possess him.
Then, he spotted the royal wand, which was still strewn on the floor. Swiftly, he scooped up the heirloom and held it out to Star, who seemed to snap back into focus upon seeing it.
"You're right, Marco," the princess decreed, reclaiming her wand from her best friend. "We'll talk through this later."
Grinning mischievously, Star sprang into the air and raised her arms, and suddenly she was a butterfly again!
"Right now, we have a kingdom to save!"
...
Thanks for reading!! I actually wrote part of a continuation to this back in the day but I never quite finished it...soooo I’m going to try to finish it and then post the conclusion sometime!
(And AGAIN there’s a lot of canon-divergent stuff in this fic, I know Star isn’t ACTUALLY biologically a Butterfly😅. But I didn’t know that four years ago, lol!)
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l-sincline · 4 years ago
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I talk about a big plot hole of SBI not being canon and also why it would work as canon and ALSO what problem saying SBI isn’t canon actually reveals under the cut because I’m very torn.
(Also I’m very much so rambling from a writers perspective, there’s definitely a lot more at play that I’m glossing over lol)
Why is it at all meaningful that Phil was the one who stabbed Wilbur?
By taking away the father son dynamic (even if it is just found family) you lose a lot of the emotion in wilburs death, because now it’s just some guy who came on and went “Oop- time to die!” You lose a lot of the trauma behind Wilbur’s death, being killed by your own father and some man who just felt like he was doing a moral good are two very different things. Though part of Ghostbur’s trauma is certainly the result of his own actions, parts can also be attributed to those around him, especially being killed by his own father in a pro-sbi world.
And the argument that SBI itself creates plot holes doesn’t really work here either- a big part of the dream smp is that no one really has a fleshed out backstory. Even with Ranboo, all we know is that he seems to have some form of memory loss. A lot of time in the dream smp is spent focused on the present, which is great, the story doesn’t really need to delve into the past.
When it does, it’s just tidbits of information that don’t really have their own story behind them, such as everyone’s favorite fish mom, sally (or the lesser favorite, Samsung smart fridge.) We don’t NEED to see Sally or get a ton of detail about Sally and her relationship with Wilbur, we just know that she’s Fundy’s mom. And that’s really all we need to know, should need for more information about Sally arise, it can easily be inserted because she wasn’t given some big elaborate backstory.
In its best case scenario, it would’ve been the same with SBI. By just saying “yeah they’re all related” (once again, in a found family situation or not) you can leave ends open to interpretation until you need to fill them in. Obviously at some point the disconnect between the family would need to be addressed, but that isn’t really as hard as it may seem. We already see Phil and Techno having a clear fondness for each other, Tommy clearly cares about Phil’s opinion and him in general (even if he isn’t as open about it) Wilbur generally seems to only hang around and enjoy their company as well as trying to bring them all back together (there’s also that mention from earlier of the importance that Phil is the one who killed Wilbur) and deny it as he may, Techno came to help Tommy (and Wilbur) out of their pogtopia situation at the drop of a hat, and also continues to shield Tommy despite knowing it could get him in big trouble.
As it stands, the family dynamic is clearly a little broken, but there are many, many events in the plot that explain this. Tommy has a pretty deep distrust of techno- duh, he watched this man (brother?) who he thought was on his side murder his best friend infront of an audience at their enemy’s command. (I won’t even get into the withers, that’s a whole other can of worms that goes way deeper than SBI) Phil clearly prefers techno- well unfortunately he did kill one of his sons and the other one got exiled, he is kind of stuck with techno only, though I must also mention that every parent has a favorite child (if you think this is untrue: congratulations, you’re the favorite) Overall, there are a lot of events in the plot that would lead to the family being a bit dysfunctional right now, Wilbur seems to be the one trying his hardest to get them back together. We can assume this is because he lost his memories and doesn’t really understand why they aren’t all of good terms.
At the end of the day, as much as I love techno (blood for the blood god, E, whatever other nonsense you want me to spout) it does actually seem that he’s the only one actively pushing against the dynamic. (Tommy seems to just... exist within it. Not really for or against. Unless he states otherwise in the future in which case hoo boy) Phil seems pretty content with his role as ‘dad’ never really actively denying it while also seeming to refer to the rest of the boys as kids. (I mean, really, the checking in on Techno and then seeing Tommy there and saying that it’s been awhile and he’s glad they’re together and talking?) Wilbur has also confirmed things in reference to the SBI family (Technos older than 2 minutes... right?)
The denouncing SBI issue ends up less as “guess the family isn’t canon?” And showcases more that there’s some communication not happening behind the scenes. I mean truly, if they all decide “yeah that isn’t canon” then there really isn’t much you can do, but the box Technos opened is that there’s communication not happening- and that’s what’s causing plotholes. Storytelling through roleplay can be extremely riveting (trust me, I role played for many years) but there are certain things that need to be agreed upon between all members, sbi being a big one right now. While Phil and Wilbur are off dropping bits of SBI lore, Technos busy saying it’s not real. Looks like Sleepy Bois Inc might need to have a little chat? Who really knows. Hope it sorts out like the Tommy finding technos house thing did lmao.
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solaris-winery · 4 years ago
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i've had more thoughts about yuno's mana. in the dungeon his power wasn't enough to beat mars, in the royal capital he thinks about how the witch catherine has big mana reserves and then when he properly sees sylph he also sees the flow of mana. catherine notes that he's gathering mana before she's blasted away by sylph's breath. very soon after that he sends a goodbye message to asta but it accidentally has more power than expected (does having a spirit cause an automatic mana boost?)
the next time yuno shows up his attacks are definitely stronger and he's using bell too. mimosa realized in retrospect that when yuno made his spell inside alecdora's that he was using mana zone. and in the tournament when yuno reveals spirit dive he explains that he "discover(ed) a technique that lets me hold vast amounts of controlled mana inside myself", so that impressive showing of mana at that moment may have been what he had stored for the tournament rather than his own mana right?
after that when raiding the midnight sun hideout yuno is using mana zone to multiply and likely strengthen his attacks (we're not counting the elf boost he gets later). sister theresa said that by controlling the mana in the environment that even the old can keep fighting. and it seems that yuno has been controlling the mana around him since as far back as his fight with catherine. maybe yuno doesn't naturally have the mana of clover royals after all, he just has such good control and instincts that he started using mana zone before he even knew what mana zone was and has been supplementing his spells with environmental mana + the wind spirit to the point that he can match with clover royals?
how much of yuno's power since after the catherine fight is his own and how much is actually mana zone, storing, and the wind spirit??
You. I like you. I think this firmly places you as my favourite mutual (after my s/o of course, but that's a little too biased and not at all a competition). A general note before I start answering this, but I just woke up so my answer likely won't be as comprehensive or as coherent as I'd like it to be — I wanted to get to this as soon as possible because 1) exciting, 2) knowing me if I don't answer this as soon as I see it I'll probably forget about it, and it'll be left in my inbox to collect dust.
First I'll answer your mana boost question, but yes as far as we've seen in canon through Fuegoleon, Fana and Yuno, (though Fana is hard to categorise, what with her elf-to-not-elf development and how that on its own would've impacted her mana) acquiring a spirit does give the user a 'mana boost', as more clearly illustrated with Fuegoleon when you compare him pre & post - Salamander.
The way I see mana functioning in the Black Clover universe, aided loosely by Kirsch's explanation and various canon events, is that your body as a 'vessel' functions as sort of a sink that mana settles into — recovering your mana, as Finral does in Nean, requires waiting, and I think in this context what you're waiting for is the surrounding mana to enter and relinquish what was lost (also mana is energy, according to newton's law of energy conservation energy can neither be created nor destroyed, only transformed. So mana exhausted during fights 'converts' to neutral and simply returns to nature / the universe, then gains an attribute again as it enters a mage's body — transforming from neutral to elemental or irregular mana etc etc etc. I get that applying our own laws of physics to Black Clover is a stretch, but hey, I'll take what I can get). As per Kirsch's explanation you can't store more than your already fixed predetermined capacity, and while I take this with the whole salt shaker swallowed down, I don't think anyone in Black Clover has quite figured out a way to increase mana, but you can certainly increase mana reserves as shown by the spirit guardians of Heart.
However, with Yuno, your proposed theory is entirely plausible, if not probable. Yuno gets Sylph early on, and what does Sylph do in the Captain's meeting post William's abduction? Stores mana.
It's likely that the mana Yuno uses in the Royal Knights' Selection Exam was stored.
That said, I wouldn't write it off as Yuno not having already had Cloverite royal-level mana, especially since canon makes it a point throughout to emphasise Yuno being "God's favourite". It's just that in this case, pre-Sylph, he'd have had Solid or Leopold level mana (which is already a lot ) rather than Noelle or Fuegoleon level mana. The thing is that with Yuno it's a bit hard to determine, as before gaining Sylph we don't seem to have much chance seeing him grow into his own mana or use it much to know just how much he'd had before his 'boost'. Although, from what we see of him during the dungeon arc, I'd say it's definitely on par with a royal's.
In addition to that, from what we see from Heart's spirit guardians, and Gaja's comment towards Magna, learning to absorb mana from your surroundings while makes you stronger doesn't necessarily make you that much stronger than you already were.
(This could be negated by your spirit dive comment, because what the fuck Yuno, and is Yuno more of an expert at Heart techniques than the spirit guardians? Wow Yuno you gotta teach them; Sol discovers another gripe with canon),
Yuno's use of magic though, I believe, narratively was meant to allude to the fact that there were other ways to use mana and preform magic than we are led to believe by Clover's norms of magic, and subsequently to Heart and the techniques that are disclosed there so it doesn't seem too out of left field.
Now, Mana Zone. Mana zone is part of a mage's own power. You mention Yuno using that, perhaps as far back as his fight with Catherine. From what we've seen in regards to canon about Mana Zone, and who uses it, it 1) requires incredible control (which can be achieved by about anybody with the right amount of training), 2) incredible levels of mana (which cannot be achieved by about anybody with the right amount of training). And this, as you've pointed out, is something that as far as we know / led to believe is something Yuno learns before finding out a way to store vast amounts of mana inside himself for spirit dive.
This firmly tells us that yes, Yuno's mana levels are on par with Cloverite royalty, just not as high as we're initially led to believe;
It's just that in this case, pre-Sylph, he'd have had Solid or Leopold level mana (which is already a lot ) rather than Noelle or Fuegoleon level mana.
The rest is, likely, his incredible control and mana sense.
What didn't make it into this: The wiki states that those with wind-based abilities are particularly sensitive to mana, and have a natural affinity towards mana sensory — my elaboration would have been that after being stripped of his senses, what happened only seemed to be a natural progression of Yuno's arc and powers.
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