#shoutout to kallistoi and rusty-k for bouncing ideas around w me

[gallpall]

canaan bubble redux as a womb for story/character arcs

I’m sure most of this has been posted about before but: ever since my initial read I’ve been obsessed with the gross bodily/gorey stuff in the Canaan redux and I wanted to organize some of my constant+chaotic thoughts!!

TM has said that a lot of the motifs/events in the bubbles are actually “Silent Hill stand-ins” for story elements and she hopes we pick up on stuff, so here’s my Attempt!

At the same time that Harrow’s mind is being made a tomb for Gideon Nav Wake’s subconscious is pulled in to act as a womb for certain plot elements right alongside it. The chronology/time period of HtN mimics a full nine-month gestation. There’s a lot of very literal imagery here (which is below the cut), but I also think we’re meant to see it as metaphorical: we’re able to glean some things about character arcs based on how everything in the bubble goes down.

I’m particularly interested right now in those ‘side’ characters in the bubble who aren’t actually dead, who barely appear in the bubble at all except to get summarily offed, all in very distinctive ways. Judith, Camilla, Palamedes, and Coronabeth.

(cw below cut for some pregnancy/insemination imagery, canonical body horror and gruesome bubble deaths rehashed)

First of all just some quotes showing some of the imagery that I’ve attributed to being Wake manifesting pregnancy trauma stuff (there’s possibly some of Harrow’s conception trauma here, too) seeping through, for the purposes of this line of speculation. 

This isn’t nearly all of it, but some things that stood out to me as possibly comparing Canaan House 2.0 to a functioning reproductive system:

(ch. 21) a “collection of large, rusted pipette needles” -- turkey basters?

(ch. 35) “great, slithering, pulsing tubes” which contain “whitish-pearl bubbled globules”-- this perhaps recalls ovaries/fallopian tubes, with the ‘globules’ being follicles produced by superovulation for insemination, or corpus luteum that supply progesterone to maintain a pregnancy.

(ch. 45) “stretched webs of organ [...] like nets of sticky venous spiderweb” --uterine walls, maybe; it’s all over the windows, totally encasing them in Canaan’s rooms, and arguably even contracting like a uterus would: “every so often they would tremble uncertainly and erupt in floods of bloody, foamy water.”

in the next pgh we get some more of the tools Wake would have used to conceive/upkeep the pregnancy: “pipettes, broken glass-fronted containers filled with dark fluid,” skeletons sitting atop piles of “capsules or pills” perhaps hormones/supplements. (also holding Drearburh tools, the way Wake’s skelly would have been doomed to do)

(ch. 43) “from that hole emerged a clattering pile of plex scope slides, the type you would preserve a cell sample between“ -- Wake would’ve had to carry out the IVF process for implantation, this also seems like apparatus for that

(ch. 47) there’s the “libation” Abigail uses to summon Wake which is... well. It’s a “thin, milky, whitish liquid pooled at the base, sluggish in the cold,” and the summoning involves a bunch of ‘come’ commands, which I think might be Muir making a very elaborate jizz-adjacent “silly buggers with the emissions” joke. 

Just a note, cause I’m hopeless about Pyrrwake: the Seconds’ quarters are almost completely preserved from the leaky body horror (though it’s still cold in there)--as if they represented a sanctuary in Wake’s subconscious. There are also letters in the nonagonal coffin room which spell out an anagram of “PYRRHA” (ch. 47).

So with all that in mind, I’d posit that the fake-ghost deaths are all metaphorical “rebirths” of various characters arcs for ATN. I haven’t delved into what this imagery might mean for Harrow or Gideon specifically because I know there’s a LOT and it’s probably above my theoretical paygrade (I would love for someone to tack on with that though!!) but I can talk about ‘side’ chars on a very big-picture level.

Judith’s simulacrum gets knocked off first (ch. 18); shot through the heart (both atria) while she and Marta’s ghost are trying to complete the winnowing trial. The Sleeper shoots her 7 more times after that, I guess partly just ‘cause she can, but Ortus notes that it seems like there was an element of "Anger” to it. It’s possible Wake wasn’t pleased to have someone messing around with Pyrrha’s lyctoral trial, infuriated that anyone would be attempting to replicate G1d/Pyr’s original downfall. She then ignores Marta entirely and climbs back in the coffin (now with the sword) once Judith’s out of the way.

[Marta’s] scarlet necktie looked redder too—by the time they’d gotten hold of Judith Deuteros the blood had dried hers nearly black.

Cohort red-and-whites being stained black with blood, like a certain high-collared BOE uniform... could be another little clue to Judith’s "heart” for the Emperor (and for Marta, and pretty much everything else she knew) being lost and her realigning--though not willingly, at least at first--with the other side.

Cam and Pal’s simulacrums are plainly executed (ch. 21), they have their “faces obliterated” each by a single gunshot, and it’s as if they just stood there and let it happen. In the bubble, “Harrow had never seen Sextus or Hect except from afar.” These simulacrums totally avoid having their features revealed to Harrow. I’m willing to bet their faces being obscured and then exploded is one of the clues we get to their eyes being swapped around the next time we see them in the epilogue and in ATN.

Regarding the twins: They are essentially non-extant in the bubble. Ianthe never appears because she’s still kicking and, in her own words, “doesn’t live alternate histories” (GtN ch. 15).

Coronabeth’s simulacrum scene (ch. 37) is SO vivid and cryptic. It fascinates me because it definitely is, in part, trying to tell us something poignant about the initiation of Corona’s “worse twin” arc in ATN.

[Corona] was turned away from Harrow, and her riot of hair—half-caught in a fillet, half-escaping—was soaking wet, a dark and crinkling amber in the rain. She was not fighting or arguing. She was still as a statue, and ready and waiting as a dog.

Sounds like the fake ghost preparing for that major shift in allegiance. Silas is the one to ‘dismiss’ her, with his “may the blood of your blood suffer,” which perhaps is a really Templar-y way of saying ‘now go wreck ianthe’s SHIT.’ When Harrow accuses him of sending Corona to her death, Silas asks “Death?”--as if he sees that what’s really just happened, at least metaphorically, is (re)Birth.

[Harrow] thought she saw, absurdly, a sudden gush of watery blood, as though the fog itself had been knifed; but it was gone almost as soon as she had seen it.

Sounds a bit like amniotic fluid/water breaking? Coronabeth doesn’t ever seem to hit the ocean (bodies of water=necromancy and that’s not her deal), she instead just kinda poofs, and Silas says she would have ended up “on her feet.” Coronabeth is ditching her family ties and is out for blood, and I think her charisma, willpower, and sheer desire for revenge will move her a long way in the ranks of Eden--probably even to the point of echoing Commander Wake’s ambitions and actions. I could delve into that damn portrait mirroring Ianthe’s obsession w/ Cyrus’ paintings on the Mithraeum... but that is a whole other post!

So all of these are fairly baseline observations and I think there’s a LOT more to be expounded on, if y’all wanna reply/reblog/DM with additions I would freaking love that, every time I open a page of this book I find something I missed before and it’s such a delight. Thanks for reading if you got this far!!