#i cant say i blame him but

[correctopinionhaver]

if trump gets a 2nd term you know when it's done he's taking a nuke home with him to mar-a-lago

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[sprinklesharkie]

martyn and doc in the ring NOW!

[poorly-drawn-mdzs]

When you try to Manipulate and Manwhore yourself out of a situation, and end up a Malewife.

[First] Prev <–->Next

[blacclotus]

"Do you think we are friends in every universe?"

Gepard hesitates... (he's not, he's just contemplating lmao)

(posted this on tiktok first but ehhhhhhhh, anyway, twt crosspost wowee)

PS. honestly, I've been meaning to do this for a long time and I'm glad i could do it today. And also, my fav part of this video is the dog and cheetah and the hydrangeas lmao

[lovelyrotter]

ill probably delete this in a minute but ive just been fuckin boggled by what ive seen across tumblr in the last few days in particular. its why i havent really been around. like holy fucking shit, its really like some of yall just dont want a chunk of the trans community to exist. like some of yall are thisclose to saying it verbatum. way too many already have. 'shut up sit down be quiet and smile for us' type shit, gee where have i heard that before. oh yeah my entire life cause i was forcefully gendered as someones daughter. shock horror i know. you might be surprised to remember and/or learn that very few trans folks know theyre trans before we're 5, or even 10, and that that gendered experience stays with all of us in both/either small or large ways. either bc we literally dont have a solid identity yet (bc we're very small children), dont have the words, we're repressing it out of fear from how others will treat us, we're actually enjoying or enjoyed being another gender in our childhood, or we just genuinely didnt fuckin know until shit lined up later in life. weird isnt it that transmascs dont pop out as 6'1 brick shithouse cis men when we're born so yall know for certain that we're confused lost girls/women oops i mean big dangerous scary men. its almost like we're transgender too. none of yall actually know what intersectionality is or means

[p4nishers]

no no this is ACTUALLY so fucking embarrassing for him no wonder he was an absolute bitch in rome

[axiian19-art]

A rambling analysis of Ivan's "Nowhere"

I'll start with my thoughts on the song itself, then break down some of the lyrics.

So, "Nowhere" is quite a bit different from Ivan's other songs, mostly in regards to the melody and his singing. His voice is a lot more... flat, and the pitch and length of the notes vary a lot less. In "Cure" and "Black Sorrow," there's a lot more variance: Ivan's voice goes from soft and low, singing shorter notes, to louder and higher, holding long notes, et cetera.

In Nowhere, the notes are typically shorter, and tend to stay in the same general area on the scale. Ivan's tone stays very consistent; in his other songs, it goes from calm and collected to full of emotion and feelings. He sounds a lot more monotone in Nowhere, and not just because he's singing quietly. He's not entirely apathetic; there's still a lot of emotion in his voice. But it's muted. Numb.

The only line that lacks this somewhat monotone, apathetic tone is "In love with you, when you were mine." This line is EVERYWHERE, and plays in the background of the ENTIRE TRACK.

And all of this kind of makes sense. "Black Sorrow" and "Cure" were both declarations of Ivan's love, and his feelings for Till. They were meant to be heard; they were meant to have an audience in Till. Ivan was projecting his emotions outwards.

"Nowhere" was not meant to be heard by anyone but Ivan himself—not even Till. It represented Ivan's internal thoughts, ones he would never say to anyone else—sort of how like someone might find certain things about a friend or significant other annoying, but choose not to say anything despite thinking it. Ivan is tired, and perhaps even a bit annoyed. He's wondering why Till doesn't return his feelings, and likely, wondering why he himself continues to love Till despite that.

Now, onto the lyrics (English translation b/c my Korean is awful):

That's just the kind of kid he is, so laugh Laugh, because he can't do anything No one cares about someone like him There's nowhere in the world for him to rest

It's been stated (see image below) that Ivan feels like he cannot be loved—that he's undeserving of it, or just doesn't have the qualifications. These lyrics are Ivan speaking about himself. Ivan is unable to get Till to return his feelings ("no one cares about someone like him"), and he is also, ultimately, unable to save Till ("Laugh, because he can't do anything"). To make this second thing worse, it happened not once, but TWICE: first when Ivan couldn't get Till to leave with him, and then when his actions in Round 6 ended up seemingly being for nothing in Round 7.

Another bit of the lyrics is as such:

Worse and worse this painful wound I become more and more numb

Ivan is slowly becoming more and more apathetic, and resigned to his fate, saying that "this always happens to me." Even the song's title is a reference to this: there's nowhere for Ivan to find solace, and all of "this" is going nowhere—"this" being Ivan's relationship with Till. Ivan is resigned to his fate of loving Till—almost certainly more than he loves himself—un"till" the end: until death.

[writer-room]

Hey. The Finders have no idea that Bonzle was captured. Fritz and Spitz are still waiting, playing video games in the Monastery, for Cole to bring their sister out of hiding now that the blood moon is over. Geo is still sitting by the window, watching and waiting for a dragon on the horizon to return his kid safe and sound. Cole took a very unsure Bonzle, assured them all everything would be okay, and they'd be back soon. He promised he'd find a way to protect her.

Don't think about how they'll smile when Cole finally trudges back, happy to know he's okay. Especially don't think about the Finders stopping, looking out over the group, and how Cole can't look them in the eyes when they turn to him and ask; where's Bonzle?

[cemetery14]

my heart BREAKS every time damian gives jon a straight answer about his childhood and jons just like "......ha ha ha funny joke"

[pali-and-proud]

Would Buddy hurt anyone? Why was Buddy shocked when he hurt Chase with the spear? AND WHY THE COMPLETE DIFFERENCE WITH THE SPEAR AND DEACON WITH THE WOLVES?!?

I GET TO TALK ABOUT BUDDY AND DEACON. AHAHA.

Thank you for the Q <3 I love and respect you, but I am going to bypass the first two questions because I am filled with thoughts on Buddy and Deacon's dynamic. Because I don't know if more people noticed (I'm 100% sure others have noticed) but Buddy and Deacon absolutely parallel each other.

What's Buddy's big motivator, as established by the Dreams By Night episode? To escape Ex Libris. To be free, essentially.

What's Deacon's big motivator, as established by The Book of Deacon? To lead his own story, without his parents controlling everything. To be free, essentially.

Buddy, from the beginning, harps on Chase's lack of preparation. Deacon, from the beginning, gripes about Chase's lack of preparation. Deacon over-prepares, to the point where Chase asks him what different scenes mean and what happens in the story. Something he used to do with Buddy, because both Deacon and Buddy indulge Chase in their explanations.

Deacon gets caught off-guard by Chase's perceptiveness, and Buddy gets caught off-guard by Chase's personality. And Chase might gripe about both, sure, but often about superficial, irrelevant details. Complaining about Deacon always being busy, or complaining about Buddy being pretentious. (Not about things of substance, like Deacon having enough money to attend college AND disliking the experience, or about not even knowing Buddy's name.)

We all laugh about Buddy being paranoid, but Deacon matches him pretty well. Deacon isn't spilling any names. Deacon, like Buddy, understands the necessity for secrets. Who makes the plans to hide Prunella? Who keeps telling Chase not to talk to Buddy about her?

(A thought for another time, but--something about kids of strict parents being sneakier, and something about Deacon always convincing Chase into keeping secrets.)

Deacon's being reasonable, and we know that, because we're listening to his reasoning, and his reasoning is nothing like Buddy's. (Buddy's all "EVERYONE is out for themself," while Deacon is a lot more subtly judging the shirtless Hot Topic wanna-be.) But their ACTIONS match each other.

Are they the same character? lmao absolutely not. They have different experiences, different mentalities, different perspectives. Deacon has a support system, whether financial (parents) or emotional (Bronze) or even social (Chase). Buddy has a bright eyed, stubborn kid who sees a vampire and somehow therapizes him, and sees someone covered in thorns and reciprocates their hug because he knows it was needed.

But how similar they are really shines in the Requiem arc. Deacon and Buddy match the other's barbs seemlessly, and they call out the other with ease. Deacon insults Buddy's fashion sense + teeth, Buddy tricks Deacon into nearly getting mauled by wolves, which is probably an escalation, and Deacon immediately starts plotting a revenge. "When I get my hands on him," he outright says, implying some retaliation, and yet he sees Buddy and Chase wrestling a vampire to the ground and immediately asks "What're we doing?"

He immediately joins them. He has no idea what they're doing or why they're doing it, but they're doing it, so he alas has to ascribe to it. And then you remember that Chase is the one who jumped Vamp, and Buddy ALSO has no idea what they're doing or why they're doing it, but Chase's doing it, so he alas has to ascribe.

They get each other, is what I'm saying. They're foils in methods (Deacon annoys Buddy verbally, Buddy annoys Deacon physically////Deacon chooses to maintain peace via secrecy, Buddy prefers honest communication despite the impacts/////etc etc etc) but they're mirroring the other. They're two beams of light, coming from the same source, going in completely opposite directions.

Buddy hurting Chase risked everything Buddy had gained, all the trust and the companionship and the grossly genuine friendship he gained. The physical pain risked ripping the emotional connection between them. Buddy hurting Deacon DOESN'T rip open anything, because however far Buddy takes things, Deacon's prepared to follow out of annoyance and spite alone. They have the same priorities: keep themselves (+ Chase/others) safe, and humble the other when necessary.

And Buddy has an embarrassing crush or something. everyone point at the idiot and laugh

[s0fter-sin]

fainting goat hybrid!ghost whose father and brother loved to scare him and make him faint; exploiting a weakness he didn’t understand and didn’t know how to stop. they took sadistic pleasure in watching his body lock up and fall to the ground with no hope of catching himself until he ended up with more bruises and scrapes from falling than from being beaten

that helplessness chafed at him and he forced himself through the drawbacks of his biology to secure a place in the military, even with the prejudice against prey animals. just for him to take a mission in mexico and find himself enduring the “hospitality” of roba who thinks his involuntary paralysis is a great deal of fun; especially when he learns he’s conscious the whole time

what haunts ghost most is his waking autopsy

not the pain of the incisions, not the trauma of watching roba reach into his body and play with his insides, but the knowledge that he couldn't get away because his own body betrayed him. he wasn't put under, no drugs coursed through his system. he didn’t have restraints fitted on him to lock him to the operating table. it wasn’t necessary

roba just had to make him faint first

after digging himself out of his grave, ghost puts himself on a dangerous cocktail of muscle relaxers and other medications; hormones that block hybrid instincts, vasodilators to increase blood flow and stop his muscles locking up, anti-anxiety meds to cut off his surprise response at the root. he puts his body through the wringer to the point that medical is constantly worried for his health and shocked that he isn't regularly OD’ing

but he will never let his body betray him again

[6-epigraphs]

Have we ever seen this old man being affectionate with drivers or other juniors? Or just Yuki? I don't even think I've seen him this close to Max and Seb (off the podium at least)

Brother.

[moeblob]

"Him? Oh, you know, he's kind of a loser." - probably everyone except for his younger brother.

Germaine is based on the layer of hell (Dante's Inferno) for material wealth before self, others, and god. So basically very materialistic and possessive of his belongings. Unfortunately, his younger brother qualifies as a belonging in his mind. So he does his absolute best to keep his brother safe and sound and scratch free - which is a bit tough in a post apocalyptic setting but he mostly manages.

Also a fact I just like to mention: he is incapable of lying.

[imavikingo]

Everytime I look at Tumblr and see the tl I remember why I hate endgame with a passion you couldn't understand.

They fucked up Steve and Bucky so bad (yes, Bucky too bc suddenly he doesn't matter/isn't even a secondary character that deserves to be near Steve)

It's so funny to me (not) bc they talked about gay characters being in the movie at panels and interviews and even talked about Stucky at some point (basically queerbaiting) for then... Steve not even acknowledging Bucky. An awkward and impersonal hug doesn't cut it.

And Steve suddenly yearning and talking about Peggy? When he didn't even mourned her that bad and already had let her go ages ago? They knew they fucked up in CATWS with Steve and Buckys relationship, so they tried to distance them and then inserted Peggy bc ofc

(they possibly didn't have the time for a new character and they already had fucked up pairing Nat and Bruce and Wanda and Vision). Steve didn't have anyone else he cared about so they couldn't give him a new girlfriend. So they used Peggy AGAIN.

I'm not mad bc "Stucky not canon grr"

No.

I'm fucking pissed off because they did the worst character assassination and friendship assassination possible. Every movie of Cap America revolved around Steve saving Bucky at some point and him caring about him above all else, and you want me to believe that Steven Grant Rogers didn't care about him when Bucky died in front of his eyes? AGAIN? That Peggy's death was more important and impactful for him? If that was the case then why the fuck did he crash the plane then? If he cared so much about Peggy since forever?

No, that was just lazy writing and a way to reinforce Steve's sexuality "He can't be gay and you can't say that bc he LOVES PEGGY"(even tho he only kissed her once, even tho he crashed the plane and didn’t give her the coordinates, he didn't really care that much after all) they could have paired him with Nat in later movies, but they didn't.

That's why I only raise my eyebrows a lil when people say that x character will be gay canonically in a marvel movie/series. Is more than possible they won't. And if they are they're Deadpool, a secondary character no one cares about (obscure in lore too, so they can cut them off) or is plain queerbaiting again (because yes, even if you don’t see Steve and Bucky’s relationship as romantic, they DID QUEERBAIT IT)

Steve and Buckys relationship wasn't even written in a romantic way (you can ship them or not), but they tried so hard to rectify Steve's heterosexuality in endgame, that they fucked up their character arcs on purpose. And now they will always feel hollow and inconclusive. A bad taste in the mouth, a painful reminder of what it was and a what? 11 year long? characterization.

Idk man, I know I've talked about this more than three times, but omfg Tumblr reminds me why I hate that fucking movie!!! It's not my fault!!!

I know I'm going to end up writing something out of spite bc I can't take it shdkdjjcif

"It's been more than 4 years get over it" NEVER

Also the bit with Johnny Storm in Deadpool and Wolverine was also a dig (a fuck you if you will) to the fans bc Deadpool explicitly calls him Cap. And it implies that Steve as a character (not that old Steve nonsense) won't be back.

It's funny they've remade over and over again some movies (Fantastic 4, Spiderman) changed actors for characters (James/war machine, Bruce) and they include them in the multiverse/plot, but they won't do the same to some movies and some characters when they fuck up their stories, because they know if they do, they will have to acknowledge WHY they did it. Like with James/war machine changing actors.

So yeah, that's one of the reasons I don't care about Marvel anymore.

**I mean remake the movies ((Also they Can't remake Cap America bc that would mean they need to remake every important movie. And they don't have the time, the money nor the need. So that's why they decided to fuck their character arcs))

or include some characters in multiverse (they're going to do that with Tony/RDJ/Dr Doom after all, no?) and they also won't remake Cap bc the movies are amazing.

But the point stands. Steve couldn't be in DaW bc that would imply he's an alternative one or that Old!Steve was an alternative one or wasn't even Steve to begin with. But they couldn't do that ofc, no, bc that would give the fans hope in seeing Steve and Bucky together once again. So they did a dig at the fans bc "haha you thought it was Steve, but it's Johnny!"

Idk if I'm making sense at this point I'm tired af, need to sleep.

The thing is that they fucked up Steve Rogers's arc on purpose (Bucky's too, and others charas too tbh) and now they expect the fans to accept everything they give us with open arms. And imho I won't accept shit.

"Deadpool saved the MCU" how? If the other og characters are DEAD or they fucked them up too? Or are the butt of the joke now? Don't make me laugh. Most people don't gaf bout the new charas bc they only are presented in series not everyone watches (only available in one place) or are presented with characters that are dead now or as a replacement for the og characters. They aren't interesting on their own (not really, at least in mcu) and that's why most of the new stuff isn't liked as much. If they wanted to present more characters the opportunity passed already.

Also now if you want to watch and really understand 1 movie (if you don't read the comics too) you need to watch like 20 other movies and 5 shows. it's fucking exhausting.

[martyrbat]

batman confidential #1

[ID: Alfred Pennyworth walking down the stairs into the Batcave—where Bruce Wayne sits in the dark and in his costume with the cowl pulled down. Alfred announces, “Coffee, eggs benedict and The Daily Planet, Master Bruce. I took the liberty of presuming you would be taking breakfast in the cave this morning.” Alfred sets the tray down on a nearby table as Bruce silently holds a gun up without looking at him, his finger still on the trigger. Alfred gasps, “Master Bruce? That gun, is it...?” He trails off but Bruce speaks up. “The one he used. That night. On them. I took it from the G.C.P.D. evidence depository last year... there was nothing more they could learn from it.” Bruce unloads it, letting a bullet clank to the desk before he picks it up and stares somberly at it. Alfred stiffens up as he asks, “I see. And what precisely did you hope to achieve by stealing your parents' murder weapon, if may be so bold as to inquire...? Beyond an increased capacity for morbid introspection, that is.”

Bruce elaborates, “He fired two rounds. 117-grain hollowpoints... twenty-five cents apiece from any gun store. Is that all their lives were worth, Alfred? Fifty cents of ammunition...? He left four rounds in the clip, one in the breech, dropped it and ran—afraid to finish what he started. And I just stood there. Helpless.” Alfred tells him, “The good your parents did lives on, Master Bruce. And I, for one, am glad he left those final rounds in the gun. I happen to believe the world is better served for having you in it.” Bruce still doesn't look at Alfred or acknowledge the kind statement. He'll go on to explain that a young mother was murdered while he was on patrol and that he blames himself for not preventing it. END ID]